- hace 2 días
Reparto: Juanjo Menéndez, Concha Velasco, Antonio Ozores, Eduardo Fajardo, Pilar Bayona
Director: Mariano Ozores, José Luis Sáenz de Heredia
Sinopsis: Tadeo (Juanjo Menéndez) es un taxista soltero que está a punto de vivir un agitadísimo turno de trabajo. A lo largo de la jornada se suben a su taxi heterogéneos personajes, que dan lugar a las más variopintas situaciones. Cuando alguno de ellos deja "olvidado" en el taxi a un bebé, Tadeo se verá envuelto en un enorme lío con la policía (Eduardo Fajardo y Antonio Ozores) lo que le complica la vida justo cuando va a tener una cita con una misteriosa mujer (Concha Velasco) que, al parecer, tiene mucho interés en quedar con él.
Director: Mariano Ozores, José Luis Sáenz de Heredia
Sinopsis: Tadeo (Juanjo Menéndez) es un taxista soltero que está a punto de vivir un agitadísimo turno de trabajo. A lo largo de la jornada se suben a su taxi heterogéneos personajes, que dan lugar a las más variopintas situaciones. Cuando alguno de ellos deja "olvidado" en el taxi a un bebé, Tadeo se verá envuelto en un enorme lío con la policía (Eduardo Fajardo y Antonio Ozores) lo que le complica la vida justo cuando va a tener una cita con una misteriosa mujer (Concha Velasco) que, al parecer, tiene mucho interés en quedar con él.
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00:00:00Music
00:00:30Music
00:01:00Music
00:01:30Music
00:02:00Music
00:02:30I have a joy that changed my whole life
00:02:53And I don't know why there is, I don't know why.
00:02:56It will be love, it will be love, it will be love, it will be love
00:03:00Your love
00:03:03The day isn't better, nor has spring changed.
00:03:07But I hear melody there inside my heart
00:03:10It will be love, it will be love, it will be love
00:03:14Your love
00:03:17I would like to know why my heart felt so crazy.
00:03:24Because I feel happy when I'm with you.
00:03:28He never tells me he loves me, and I don't know what he prefers either.
00:03:33But I am with you and I forget my words
00:03:36And I don't know why there is, I don't know why.
00:03:39It will be love, it will be love, it will be love, it will be love
00:03:43It will be love, it will be love, it will be love, it will be love
00:03:59I would like to know why my heart feels so crazy
00:04:06And I don't know why my heart felt so crazy.
00:04:08Because I feel happy when I'm with you.
00:04:11And he never tells me he loves me, nor do I know what he prefers.
00:04:15But I am with you and I forget my words
00:04:18And I don't know why there is, I don't know why.
00:04:22It will be love, it will be love, it will be love, it will be, perhaps
00:04:38Oh, it must be love!
00:04:52Olé! Bravo!
00:05:00Hey, Seba!
00:05:02Here it is, a triumph, a hard-won victory.
00:05:05One victory and two thousand pesetas in tips
00:05:06Of course, that's nothing, it's the first time the pigeon and the Cordoban bullfighter have faced each other in the ring together.
00:05:10Olé!
00:05:11Sebastian, here, drink
00:05:13I think what we should do was expand to another place, you know?
00:05:16The night is June, come on, she's young
00:05:20But first pay
00:05:22Yes, I've already paid. With the bullfight tickets, I think you owe me about eight thousand.
00:05:26Eight thousand nothing, that's nothing, nothing
00:05:30Eight thousand duros
00:05:31Tough? What does it mean to be tough?
00:05:33Well, a duro is like a dollar cut into fourteen pieces.
00:05:35Nothing, it's nothing.
00:05:38Nothing, right?
00:05:40Well, get ready because I'm going to present you with an account as if we had launched Apollo 12.
00:05:43We're leaving!
00:05:45We're leaving!
00:05:45We're leaving!
00:05:48Oh, nice boy, Sebastián, I like him
00:05:51Oh, wonderful time in Madrid
00:05:54Oh, nice, really
00:05:56Oh, where are we going?
00:05:58Oh, Sebastian, where is Sebastian?
00:05:59I don't know, Sebastian
00:06:01Yoohoo!
00:06:02Ah, eat, Sebastian
00:06:05What's happening?
00:06:06What's happening?
00:06:06What's happening?
00:06:07What's happening?
00:06:07What's happening?
00:06:08Your car?
00:06:09Ah, we can do it there, there!
00:06:10Come on!
00:06:11Come on!
00:06:11Don't put it on the field!
00:06:16This way, this way
00:06:17As if it were yours!
00:06:20Ah!
00:06:21So where do we go now?
00:06:23Wherever the users want
00:06:23The user is always right.
00:06:25The user is gold
00:06:26It won't hang up on you!
00:06:27Well, I'd be here until eight o'clock when I do my shift change.
00:06:29I'll take you to the witches!
00:06:30Pot maker!
00:06:32Okay, go ahead, you keep that one in there.
00:06:33And you here with me, gorgeous
00:06:35Ale!
00:06:37These are real users, and the rest is nonsense.
00:06:39Come on, long live the conquest!
00:06:41Because this needs to be taken into account
00:06:42To talk about the extension of the rules!
00:07:03Paco
00:07:04What's up?
00:07:05Hasn't Sebastian called?
00:07:06I don't know anything about Sebastian.
00:07:08And it worries me, always with his romantic entanglements.
00:07:12One day she's going to give a cake to some husband or some father
00:07:14Last year I saw him with a demure girl and I said, wow, man, you've finally settled down
00:07:18Sit her up? Well, what she likes is to lie her down.
00:07:21Greetings to the technicians!
00:07:23An hour late, beautiful.
00:07:25You said it, handsome, beautiful one, one who is beautiful
00:07:28Well, and it's not just you, two American women have been calling me that all night
00:07:32And yes, you're doing me justice, I'm doing very well.
00:07:35Ah, Sebastian, don't play Cinderella and give me the report, because I'm losing money.
00:07:39Don't worry, I've got the rental car for you.
00:07:41You're making money without lifting a finger, so you can learn how to exploit the vehicle
00:07:45You don't have to show me anything about the taxi
00:07:47You at night and me by day, nobody can get more out of a pair of tires.
00:07:51Except for Pirelli, of course
00:07:53But how funny that you wake up in the morning, Tadeo
00:07:56Sebas! Sebas, hurry up, please, let's get this party started!
00:08:02In Spain, men are always respected.
00:08:04And even more so when you work, like me.
00:08:06Oh, sorry.
00:08:07Jenny here, a friend here
00:08:09Absolutely delighted
00:08:10Very happy
00:08:11Oh, do you speak English?
00:08:13Yes, yes
00:08:14But not
00:08:16Oh, I'm very happy
00:08:17Okay, okay, okay
00:08:18Then, now leave us, please.
00:08:20Okay, whatever you want, but first I'll give you a little kiss on the ear and then I'm off.
00:08:23One, huh?
00:08:29I'll wait for you in the taxi, don't be long, darling.
00:08:32So, as I was saying
00:08:34But how do you do it, Sebastian?
00:08:35That?
00:08:36The girl
00:08:37Ah
00:08:37That he doesn't know how to learn, Tadeo
00:08:41This business with gears isn't like becoming a surveyor.
00:08:43Whether it's linked or not
00:08:45It seems to me that there is a technique
00:08:47It's not technique, it's style
00:08:50That cigarette that is ordered
00:08:52That whistle that isn't given
00:08:53That gentle smile
00:08:54That hard look
00:08:55Give me ten dollars and I'll take you loose.
00:08:58It's a mess.
00:08:59Well, bam!
00:09:02Me too, since yesterday, ba-da-da
00:09:04What are you saying?
00:09:05Ha ha!
00:09:06How connected!
00:09:06You go?
00:09:07Yeah
00:09:07Well, actually
00:09:10I've been implicated because she did everything.
00:09:12It was yesterday afternoon in Cascorro Square
00:09:14Man, I always go to that bus stop whenever I have free time in that neighborhood.
00:09:18Yes I know
00:09:19Well, what a lovely lady!
00:09:22But good tall or good short
00:09:24Something like you
00:09:26Well, for starters she's a good-looking girl.
00:09:29Brunette, blonde, round, straight
00:09:33How are you doing!
00:09:35Ia!
00:09:36That?
00:09:36Here!
00:09:38Oh, be quiet!
00:09:39But this is Velasco!
00:09:41Who?
00:09:42You're not going to tell me you hooked up with Velasco.
00:09:44Well, not with Velasco, but she's close enough.
00:09:46And it smelled
00:09:47It smelled so good it made you dizzy.
00:09:51I have to phone her at twelve.
00:09:53To see her at two
00:09:55And to know if their family will be home or not
00:09:57And then at four o'clock, bam!
00:10:00It's not to spoil the fun, kid.
00:10:02But maybe it won't work
00:10:04Or he doesn't answer the phone.
00:10:06What do you want me to say?
00:10:08Sometimes it happens
00:10:09Not this time
00:10:10I'm the one who has to go to his apartment
00:10:12This afternoon
00:10:14At four o'clock
00:10:15Yes indeed
00:10:17At four o'clock one point
00:10:19If I arrive at four fifteen
00:10:20Don't bother me
00:10:21What do you think?
00:10:24I believe there is impatience and passion
00:10:26TRUE?
00:10:27And chronology
00:10:28Uh-huh
00:10:28They're really weird, man.
00:10:30Well, you'll see when you get into this business with the girls.
00:10:32I believe there is passion.
00:10:34I have something
00:10:35You're just unlucky.
00:10:37Look at that, I haven't had a date until today.
00:10:39Yes, I've been waiting for the strip.
00:10:40Since my mother, the only woman
00:10:43He stroked my face for free.
00:10:44Hello, Gillette
00:10:45Hello
00:10:48My God
00:10:50But there are also dark-skinned women in America.
00:10:51Hello
00:10:53This is my friend Tadeo
00:10:54The one I've been talking about all night
00:10:55Do you remember?
00:10:57Remember
00:10:57Tadeo
00:10:59Freak
00:11:00Spanish temperament
00:11:01Walker
00:11:03Ah
00:11:04Yeah
00:11:06Strong
00:11:07Strong
00:11:08It is agreed
00:11:08That girl is clever
00:11:10Ah
00:11:11Tadeo
00:11:13Strong
00:11:15What I do?
00:11:18Am I hitting myself with the wrench?
00:11:20Or should I take a bite?
00:11:21Sympathetic
00:11:22I think I'm going to take a bite.
00:11:24Take care, son.
00:11:26You're going to stain it
00:11:26And there's no other for me.
00:11:27Another one precisely
00:11:29Osebas
00:11:30My little friend
00:11:32This has only just begun
00:11:37The night is young
00:11:38Very affectionate
00:11:39Very nice people
00:11:40With how big it is
00:11:42Make the boy look like a child
00:11:43He was always playing his guitar.
00:11:44And who is it?
00:11:44Motel
00:11:45From the guitar
00:11:46This is Julieto of the night
00:11:47I don't know if he's her father.
00:11:48His brother
00:11:48The husband of one of these
00:11:49Narcissus Yepes
00:11:50That's got me.
00:11:51I'm confused.
00:11:51Okay, let's go.
00:11:52All
00:11:53Flamenco
00:11:54Castanets
00:11:56Spain is different
00:11:58What is different
00:11:59It's the United States
00:12:00Male
00:12:01Atamajeta
00:12:01Take us to the apartment
00:12:02Of these young women
00:12:03No, I'm going to be late.
00:12:04For the arrival
00:12:04Of high-speed trains
00:12:05Come on, man
00:12:05Don't be a party pooper.
00:12:06And I leave you my
00:12:07Walter Model Indianapolis
00:12:08Well
00:12:09But hurry up, eh?
00:12:12Because now the break
00:12:13She's gone crazy
00:12:14And all the trains
00:12:14They arrive on time
00:12:15Oh, I almost forgot
00:12:19A special service
00:12:20The boss liked it
00:12:21And don't fall asleep on me
00:12:22Ale
00:12:22Let's go now
00:12:23Wanna
00:12:23Hey!
00:12:24Let's go!
00:12:25Let's go!
00:12:25Let's go!
00:12:25Let's go!
00:12:32Hey!
00:12:33Taxi!
00:12:33Taxi!
00:12:34Hey!
00:12:34Panting!
00:12:36Yeah!
00:12:50Live from Berlanga de Duero
00:12:52This is his first time in Madrid
00:12:53At the husband's funeral
00:12:54That he has died in a clinic
00:12:56That?
00:12:57How do you know so much?
00:12:58Because the lady explains everything.
00:12:59Hata by the elbows
00:13:00Very nice
00:13:01And quinces
00:13:02You can take them for a walk
00:13:04An easy hour
00:13:05Come on
00:13:05I think this couple
00:13:07It's worth six pesetas
00:13:08Like yesterday's
00:13:08Five
00:13:10That's what we agreed on.
00:13:11Paletos five duros
00:13:13Foreigner six
00:13:13Okay
00:13:14See you tomorrow, Pascual
00:13:16That?
00:13:18Where can I take you?
00:13:19I...
00:13:20I've just been left wondering about you
00:13:21And my name is Damiana
00:13:23I share your feelings.
00:13:25But not
00:13:26If I haven't felt it
00:13:26I didn't love my husband
00:13:29The one I love is my Juan
00:13:31That?
00:13:32My father is getting married in the village
00:13:33For the interest
00:13:34Hi André!
00:13:35You already know.
00:13:36Because of the interest that André was
00:13:37Well then
00:13:40If I don't share your feelings
00:13:41Where can I accompany you?
00:13:43Tell him/her
00:13:44You know about falling
00:13:46The street to be covered
00:13:47To play a game?
00:13:50Yeah
00:13:50Yes of course
00:13:52Well, to '78
00:13:53To the Nugandina boarding house
00:13:54Yes, yes, yes
00:13:55It falls very far away
00:13:58It depends on how you look at it
00:14:00However you look at it?
00:14:01And the best thing is if you don't look.
00:14:02Come on, get in
00:14:04Ah, of course.
00:14:04Oh, light my toiletry bag
00:14:07I'll put it here
00:14:08So more comfortable
00:14:09Go ahead, get out
00:14:12Paticón
00:14:13Are you tired?
00:14:24I never had Juan with me.
00:14:25I wait so long
00:14:26So we can be together
00:14:27Because before André's thing
00:14:30We used to provide you with boyfriends
00:14:31But he was poor
00:14:32And am I poor?
00:14:33Wow, man
00:14:33The one with the money was André
00:14:35It's for resting
00:14:35Although
00:14:36How long does it take them to rest?
00:14:37But you see, I was right.
00:14:39He who laughs last laughs best
00:14:41Just because you get up early doesn't mean you'll get there.
00:14:42It gets light earlier
00:14:43That this couldn't last
00:14:45Well, 12 years, you know?
00:14:47Better, better
00:14:48That's how we know we love each other, you know?
00:14:51Haste makes waste
00:14:52The lady is right about that, Don Juan.
00:14:53May I call you, Don Juan?
00:14:54Yes, yes
00:14:55I am Tadeo
00:14:56Tadeo Fernández
00:14:57Ah, well, let me introduce you to my future wife
00:14:59Damian Alonso, widow of Sánchez
00:15:02You're very nice, aren't you?
00:15:03You have to come to our wedding
00:15:04Yes, woman
00:15:05And is this your first time in Madrid?
00:15:06Yes, the first one, the first one
00:15:07Well, since Atocha Street is over there
00:15:10We'll see what we come across along the way.
00:15:14This is the Scalextric
00:15:19What is it for?
00:15:21Not at all
00:15:21But it's very practical
00:15:23Here you have the Puerta del Sol.
00:15:27Heart of the city
00:15:28The same can be said of Madrid
00:15:31It is the geographical heart of Spain
00:15:33Philip II
00:15:34The one from Villar
00:15:35The one from Villar
00:15:35No, what?
00:15:36That was Fernando Viz
00:15:37Now you're going to see the most important thing that Madrid has to offer.
00:15:41That's really tough.
00:15:42The Prado Museum
00:15:43No, no, cold
00:15:45The cathedral?
00:15:46Yes, but a very different cathedral
00:15:48And it's worth pausing for a second
00:15:50The cathedral of football
00:15:52Real Madrid's stadium
00:15:54Also called the Bernabéu
00:15:56Capacity for 120,000 spectators
00:15:59And a source of pride for all of us who understand this.
00:16:01But, listen, Atocha Street is still a long way off.
00:16:08No, yes, we're almost there.
00:16:11This has taken us a little off course.
00:16:15But they're interested in seeing it.
00:16:17It is the sacramental church of San Isidro
00:16:20Where are they bringing Andrés this afternoon?
00:16:21She's going to feel great
00:16:23It looks like a very clean place.
00:16:25And very happy
00:16:27Here goes
00:16:28Two, three, zero, zero, zero
00:16:3923,000
00:16:42No, man
00:16:43The two zeros at the back are worthless
00:16:46I don't know why they put them there.
00:16:46There are 230
00:16:47Oh!
00:16:48Damiana!
00:16:49Damiana!
00:16:49Three this way, three, appointment, laziness
00:16:51Two
00:16:53Three
00:16:56Oh no, keep the change
00:16:59Well, thank you.
00:17:00Well, my deepest condolences.
00:17:02And may we be happy.
00:17:03Thank you!
00:17:04Bye bye!
00:17:06Oh, look!
00:17:07Another staircase!
00:17:08Just like before
00:17:08Oh ok!
00:17:09From Madrid, escalator
00:17:11That's it!
00:17:12Oh!
00:17:12Look!
00:17:13Dude, I'm going for it!
00:17:15Oh!
00:17:19Good morning
00:17:38Where are we going?
00:17:45Take me to the bank, customer
00:17:47The banks are closed today.
00:17:48With gold, nothing can go wrong, my friend.
00:17:50Banks are always open for gold.
00:17:53And this is gold.
00:17:57How beautiful, sir!
00:18:00Enter through the parking lot
00:18:01I'll come in wherever you tell me.
00:18:02Continue to the top floor
00:18:23Right up to the very end, very good
00:18:24Okay, here
00:18:53Yeah
00:18:56This might be worthwhile
00:18:57Listen
00:18:58Can I ask you a favor?
00:19:00You will say
00:19:01Can I see it?
00:19:02The fact that?
00:19:03Gold
00:19:03I've never seen it this close up
00:19:05Except in my father's mouth
00:19:06Well, here's more
00:19:09Do you like crime movies?
00:19:12Yes sir
00:19:13And what about the robbery movies?
00:19:14Ah, those more
00:19:15So
00:19:16This
00:19:17It will alienate him
00:19:19Come closer
00:19:21This is a robbery
00:19:29Do not move
00:19:30Don't say a word.
00:19:32Or I'll cool it down
00:19:32It's a joke, of course.
00:19:35And he falls silent, yes
00:19:36Otherwise
00:19:37It will be a tragedy
00:19:39Come on
00:19:39I put the money he's carrying on me.
00:19:41Fast
00:19:41But a robbery?
00:19:42At this hour of the morning?
00:19:44And in a parking lot in the center of Madrid?
00:19:47They're not going to believe this
00:19:48They're going to think it's a trick of mine.
00:19:50Do you want me to cut a hole in it?
00:19:51If it can help you in any way
00:19:52You don't know my boss
00:19:53This has to be at night
00:19:55And in an open field
00:19:56And there's no getting him out of that.
00:19:57Even though I wear my heart on my sleeve
00:19:58The open field idea is very common.
00:20:00It's because people have learned a lot
00:20:03And life is very difficult
00:20:04But man
00:20:06You are so nice and reasonable
00:20:09Why are you doing this to me?
00:20:11If I'm carrying a pittance
00:20:12One grain does not make a granary
00:20:14But help your teammate
00:20:16Come on, hurry up
00:20:18Give me what you have
00:20:18Everything is ready.
00:20:25No, the little can
00:20:27The little can
00:20:29I don't even have enough for coffee.
00:20:34Oh, no
00:20:35Here, friend
00:20:37Ten pesetas
00:20:38For coffee and a drink
00:20:40Let it not be said
00:20:41No, no, leave it.
00:20:41Do me a favor
00:20:42If it's a favor
00:20:43Please, please
00:20:47Do you want to get out of the taxi?
00:20:59You don't see it
00:21:00But she
00:21:02He keeps looking at her
00:21:04Don't forget
00:21:05I have a phenomenal memory.
00:21:07That's what I like to see.
00:21:08And now one last favor
00:21:10Before I leave
00:21:11And believe me, I'm sorry.
00:21:13I'm finding you very, very likeable
00:21:16Do you love me too?
00:21:18Great
00:21:18Take off your little warrior outfit
00:21:21Yes sir
00:21:24And now the shirt
00:21:29The shirt too
00:21:31Indispensable
00:21:32Come on
00:21:33And now the trousers
00:21:45The pants
00:21:46Do as I say
00:21:47The money passes
00:21:49But the honor
00:21:50Don't waste my time.
00:21:52Take it off
00:21:54What if someone saw us?
00:21:56What would I say?
00:21:56If someone could see us
00:21:57I wouldn't have robbed him here
00:21:58He doesn't resist
00:22:00When I count to three
00:22:02I want to see him in his underwear
00:22:04Well, that's just a whim.
00:22:06A
00:22:07Two
00:22:10It was a pleasure meeting you
00:22:18Not you, of course.
00:22:20Hey, but you're going to leave me like this
00:22:23And why not?
00:22:24Maybe Bernadette said it
00:22:26And upon leaving
00:22:28Try to do it
00:22:30Leisurely
00:22:31Leisurely
00:22:33Until my knees stop shaking, calculate
00:22:36Hey, guard
00:22:55Please
00:22:57What do you want?
00:23:01To file a complaint
00:23:02First floor on the right
00:23:04Couldn't the commissioner come here?
00:23:08Yes, man
00:23:08And the scribe with the olive branch on his back
00:23:10What can't he do?
00:23:11Of course not
00:23:12Well, that's up to you.
00:23:14But she's crazy
00:23:19I've been robbed.
00:23:21During the day?
00:23:21Yeah
00:23:22Come on, man
00:23:22Pass, pass
00:23:23I knew he wasn't going to like it
00:23:24The commissioner will tell you that.
00:23:26That's what I'm getting at.
00:23:26Then you couldn't turn
00:23:28It's not that I couldn't, really.
00:23:29I didn't turn around
00:23:30But I had the right hand
00:23:31No
00:23:32You had the left
00:23:33No, sir
00:23:33I say that I had the right
00:23:34Busy with hugging
00:23:36By the shoulders
00:23:37To a young lady
00:23:37That came with me
00:23:38And of course
00:23:39Left hand only
00:23:40You will take care of it.
00:23:41Yes, we've all had our hands involved.
00:23:43We were once where we shouldn't have been.
00:23:44But you should have led the way
00:23:46Right behind the wheel?
00:23:47By the ring
00:23:48This ring
00:23:48He had gotten hooked
00:23:49On the young lady's necklace
00:23:50And when I tried to take my hand away
00:23:52She screamed
00:23:53You're drowning me
00:23:54You're suffocating me, Leonardo
00:23:54And of course, it gave me a terrible fright.
00:23:56But your name isn't Leonardo
00:23:58No, because I understood
00:23:59Look at a leopard
00:24:00You calculate
00:24:01A leopard on the carriage drive
00:24:03From retirement
00:24:04And I thought
00:24:05He has escaped from the menagerie.
00:24:06And when I wanted to react
00:24:08The motorcyclist was next to me.
00:24:09That had passed through my windshield
00:24:11But well, there isn't even a single police station left.
00:24:14She is worthy of respect
00:24:15You see, the thing is, I...
00:24:17Silence!
00:24:18Do you think you can come here like this?
00:24:19With the cap on?
00:24:21Take off your hat!
00:24:22Man, the cap too.
00:24:24André, sit down
00:24:27What bravery
00:24:28She came here in her underwear
00:24:30And with a tie already
00:24:31As a joke
00:24:32Well, I'm sorry.
00:24:34But until it is known
00:24:35The medical report
00:24:36I can't let him out
00:24:37And will that take long?
00:24:38I have a ticket for the bullfight.
00:24:39First comes the life of a fellow human being
00:24:41Yes, naturally.
00:24:42But if everything can be combined
00:24:44Andrew
00:24:44Please accompany the gentleman below
00:24:46When they call from the first aid station
00:24:47It alerts me
00:24:48Okay, fine.
00:24:48Well, this is happening to me because of a trauma.
00:24:50That I had in my childhood
00:24:51I've always been very afraid
00:24:52Of the cats
00:24:53Wow, when did you want to
00:24:54Is a cat going to eat me?
00:24:56Do you give your permission, Commissioner?
00:24:58Come in, Robida
00:24:59Anything new?
00:25:01Absolutely.
00:25:01There had been no evidence of this.
00:25:02Happens
00:25:03Oh well
00:25:08What scandal is this?
00:25:10You are in a state office.
00:25:12At least put on your hat
00:25:13Hey?
00:25:15No, not like that.
00:25:16Position it so that it covers a little more of you.
00:25:18Come in and have a seat
00:25:22Okay, let's see
00:25:29Has something happened to you?
00:25:32You won't believe it
00:25:33I'm walking down the street like this
00:25:34I've just been robbed
00:25:36No comment, just stick to the facts
00:25:38And without nerves
00:25:39Yes sir
00:25:39Are you ready?
00:25:40Yeah
00:25:40Come on
00:25:41We listened to her
00:25:43Well, you see
00:25:45I was going
00:25:46Through the Castilian pass
00:25:47Does she sing about the stolen one?
00:25:48One thousand three hundred pesetas
00:25:50Hour?
00:25:52Around eleven o'clock
00:25:53The criminal stopped me
00:25:54Right next to the...
00:25:55What time did you start work?
00:25:56Around eight o'clock
00:25:57P.m?
00:25:58No, sir
00:25:59A.m
00:25:59And in three hours you made thirteen hundred pesetas
00:26:03Yes, look.
00:26:05What are you wearing?
00:26:08Counter or slot machine?
00:26:10No, commissioner
00:26:11You will see
00:26:12I was very lucky.
00:26:14First some Americans
00:26:15Then some hicks at the station
00:26:16Put in provincials, huh?
00:26:18I know you.
00:26:20Inflating rates as a way
00:26:23If it's not something worse
00:26:24I swear to you, Commissioner
00:26:25You're not swearing anything, so sit down.
00:26:27Yes, commissioner
00:26:28We've already started
00:26:31Can you give us a description of the robber?
00:26:36In the end
00:26:37What was it like?
00:26:39That
00:26:39The robber?
00:26:41Yeah
00:26:41Well, it was...
00:26:43A man
00:26:44We already have a clue.
00:26:46I mean, I would be about forty or forty-five years old
00:26:50At most fifty
00:26:52Blond?
00:26:53Dark?
00:26:54Chestnut?
00:26:54Bald?
00:26:56Half and half
00:26:56Half bald?
00:26:57No, dark-haired, almost chestnut brown.
00:26:59Yeah
00:27:00With gray hair
00:27:01Already
00:27:01Which sometimes do good
00:27:03Are you taking notes for the press?
00:27:07No, I'm making a composite sketch of the criminal.
00:27:09Ah, robot
00:27:11Robot comes from robbery, right?
00:27:13I understand now
00:27:14No, he doesn't understand.
00:27:15With the data you provide us
00:27:17We can reproduce the image of the criminal.
00:27:19With almost absolute fidelity
00:27:21As if it were a camera
00:27:23Hey?
00:27:24Curious
00:27:25So, when I finish saying everything
00:27:27Here's the face of the person who robbed me.
00:27:29Well, more or less
00:27:30Well, more less than more
00:27:33It's the latest in research
00:27:35The FBI uses it
00:27:36Where are the hairdos and the snitches? The FBI should take them away!
00:27:40Take my word for it, Rovira
00:27:41I think we should try it
00:27:43Come on, I say
00:27:44Unless you provide otherwise
00:27:47Hey?
00:27:47Commissioner
00:27:48Which commissioner?
00:27:51Come on, come on
00:27:51Eyes
00:27:54Two
00:27:57Yes, but big, small, black, blue
00:27:59Data, data
00:28:00One of them was definitely green.
00:28:02And the other
00:28:02Don't worry, yes, we're doing very well.
00:28:04We're doing very well.
00:28:05Nose
00:28:06A
00:28:06Beautiful
00:28:08Columbine
00:28:10Eyebrows
00:28:11This is what's here
00:28:13The top
00:28:14Yes, yes
00:28:15Two
00:28:15Mouths
00:28:16I mean, mouth
00:28:17A
00:28:18Big
00:28:19The ears are also large
00:28:23Any special details?
00:28:25A scar
00:28:26A mole
00:28:27A grain
00:28:28A boo-boo
00:28:28A gun
00:28:30That big
00:28:31With the bullet hole here
00:28:32How do you expect me to notice the little details?
00:28:34Well
00:28:34Well, that's it.
00:28:36This is our man, Commissioner.
00:28:41Now put a ball underneath it
00:28:52Because this man is Amancio
00:28:53Well, if this man isn't lying
00:29:00He robbed a man with that face
00:29:01I assure you it wasn't Amancio
00:29:02I swear on my mother's life
00:29:03Yes, I'm a fan
00:29:04When Paiño came to Madrid
00:29:05Just a moment, just a moment
00:29:06The appropriate steps will be taken
00:29:08Sign the complaint and you may leave.
00:29:10So
00:29:11What do you want?
00:29:13Should we pay Scotty back the money he stole?
00:29:15Clear
00:29:15No, I'm saying that's how it is.
00:29:17In a t-shirt and underwear
00:29:18Man
00:29:19Unclear
00:29:20But this is now going to be a problem
00:29:22Yeah
00:29:22There's no problem.
00:29:23What I...
00:29:24Now, come on, let's sign.
00:29:24Yes, sir, sign.
00:29:25I'll fix that right away.
00:29:27You?
00:29:28José Fernández
00:29:29What do you think?
00:29:34Professionally
00:29:35Yes, yes, yes
00:29:35Interesting
00:29:37Especially because of the time of day...
00:29:38Lie
00:29:39All lies
00:29:40Or perhaps he hasn't noticed my way of questioning.
00:29:42Hey?
00:29:42Hey?
00:29:42These are fresh
00:29:44Clear
00:29:44He invented this whole story to get an extra payment from the boss
00:29:47Clear
00:29:48She's going to give it to me.
00:29:49Me
00:29:49Me
00:29:50Me
00:29:50Me
00:29:50Me
00:29:51Me
00:29:51Me
00:29:52Or do you disagree with me?
00:29:53This...
00:29:54Hey?
00:29:54Yeah
00:29:55Clear
00:29:55Yeah
00:29:56What do you think you are if not?
00:29:59I get Amancio's portrait
00:30:01What head fits
00:30:02Come on, no way.
00:30:03No
00:30:05Are you free?
00:30:13Yes, I'm free.
00:30:15Then lower the flag and follow me
00:30:17You don't go up
00:30:18I want to grow
00:30:25Here it is, wait for me
00:30:35And don't leave, I've taken your license plate number.
00:30:40Don't move, no, big shot
00:30:50Didn't you want to grow up?
00:30:51At least open the door
00:30:52Wouldn't that be better on the cow?
00:31:01No
00:31:01This goes there
00:31:02With the lady
00:31:03Hail Mary Pure
00:31:14What number?
00:31:15The answer is: conceived without sin
00:31:17That you are not in the world
00:31:18We must teach those who already know.
00:31:20It is a virtue
00:31:21Goodbye, my little girl
00:31:23I will pray a creed for you
00:31:25Thank you
00:31:25Well, a creed and a salute
00:31:27For having found the taxi so quickly
00:31:29Thank you, ma'am.
00:31:30You are very good
00:31:30Can I give him a kiss?
00:31:31Okay, but hurry up.
00:31:32This man has to work
00:31:34Where should I take her, sister?
00:31:35Take me to the church of San Francisco
00:31:37Good man
00:31:37How much is it?
00:31:59Forty-eight pesetas
00:32:00Very good
00:32:01There are two pesetas left over.
00:32:08That you're going to pay me back right now
00:32:11And now we have fifty.
00:32:13A
00:32:14And two
00:32:17Very good
00:32:18Very good
00:32:19Hey, hey
00:32:24Please wait a moment
00:32:25Is this for you?
00:32:27A small tip?
00:32:29A scapular as a tip?
00:32:31It is a sin of vanity
00:32:32But no one has ever been so generous to you.
00:32:35A stop sign
00:32:36It's priceless in such a risky profession
00:32:39Because you run your own race
00:32:42Well, you'll see now.
00:32:43Oh
00:32:44Unless they stop the brakes on him
00:32:47It's going to swallow more than one tree
00:32:49Are you our taxi?
00:33:02I don't know
00:33:02I have a notice here from my employer
00:33:04Yes, yes, it's you.
00:33:05Come
00:33:05Come on
00:33:07Please step aside
00:33:08Step aside
00:33:08Step aside
00:33:09Pass, pass
00:33:10Wait here
00:33:14They'll come and explain to him what he has to do.
00:33:16Listen, what I have to do is be free in an hour
00:33:18What have you gotten me into, Sebastian?
00:33:21What? Is the dialogue okay?
00:33:28Depending on who it is
00:33:29The one that's in the script
00:33:30The one they brought me yesterday
00:33:32Or the one they just brought me now
00:33:34The Last Man
00:33:35The others were stupid.
00:33:36If that's all it is, I already know.
00:33:38First I say Your Majesty, as here
00:33:39Supercurrent and then goodbye Demetrius
00:33:41How, Demetrius?
00:33:43It will be Dimitri
00:33:44Demetrius says here
00:33:46Fix it
00:33:46No king has ever been named Demetrius
00:33:49Come on, let's go in
00:33:55You start, Jaime
00:33:56Well, I'm here with my role
00:33:57She approaches in amazement
00:33:59And I tell him
00:34:00Hello, Patricia
00:34:01And now you, terrified
00:34:05Majesty
00:34:07How so here?
00:34:08Speaking of eating
00:34:09Are they going to bring the bags with the meat, the tortilla, and the orange?
00:34:13Or is there a little tavern nearby?
00:34:14We cut both of them
00:34:15There are no bags or taverns
00:34:17Alright
00:34:18So when she tells me yes, like here
00:34:20No, no, no
00:34:22What she says is
00:34:24How so here?
00:34:26As?
00:34:27Adverb, not verb of eating
00:34:29Adverb of strangeness
00:34:30How so here?
00:34:32Understood
00:34:32Let's go
00:34:33Hello, Patricia
00:34:35Majesty
00:34:36How so here?
00:34:38I have come to show you that my love for you was genuine.
00:34:41Supercurrent
00:34:42He tells me that
00:34:44The supercurrent thing is then
00:34:46When you fill it with gasoline
00:34:48Well, that's what it says here.
00:34:49Look at it
00:34:50It will be copied incorrectly.
00:34:52It will be copied incorrectly.
00:34:53Of course, one foot is missing here.
00:34:56Well, but I imagine this centipede will be able to walk with one less.
00:34:59What you answer when it comes to authentic love is
00:35:04You are in danger here
00:35:06Majesty
00:35:07And then he tells you
00:35:09Don't call me Your Majesty, my love
00:35:11Call me Demetrius
00:35:12No
00:35:12Demetrius, no
00:35:14Dimitri
00:35:15Dimitri!
00:35:17Well, it says Demetrius here
00:35:18Because this was undoubtedly copied by a donkey.
00:35:21Who wrote this?
00:35:25Well...
00:35:25Come on, who?
00:35:27You wrote this
00:35:28I already know that.
00:35:29I type the copy
00:35:30Ah, my assistant's assistant
00:35:32Well, they should fire him.
00:35:33And you get ready
00:35:35You're going to take the first train
00:35:36Come on
00:35:37Give it to me, I'll write it again
00:35:39Man, no
00:35:40There is no other option.
00:35:41We'll start with the playback first.
00:35:42Come on
00:35:43Sound
00:35:44The taxi is ready
00:35:45Because we'll have a taxi, right?
00:35:48Yes sir
00:35:49Come on, I think so
00:35:50Believe
00:35:51Believe
00:35:51Believe
00:35:52But you're sure of something.
00:35:53Yes sir
00:35:54About what?
00:35:55That I'm an idiot
00:35:56Well, that's what I'm starting to doubt.
00:35:58Ready?
00:36:01Ready?
00:36:02I do know about wheels
00:36:03The playback
00:36:03The playback
00:36:04Prepared for playback
00:36:06Prepared for playback
00:36:07Everyone leave
00:36:08Everyone leave
00:36:09The girls who get placed
00:36:12The girls who get placed
00:36:13Do you want to be quiet?
00:36:14Do you want to be quiet?
00:36:14Did you enjoy talking?
00:36:17I
00:36:17Yeah
00:36:18Well, he can't hear me.
00:36:19I mean, if you are
00:36:20Something actor
00:36:21Oh, no
00:36:22Because?
00:36:23Because the actor
00:36:25He had to work as a taxi driver.
00:36:27It turns out he doesn't know how to drive.
00:36:28If you dare to do it
00:36:30He earns 500 pesetas more
00:36:32No, I don't dare.
00:36:33It's nothing.
00:36:34You'll see
00:36:35You just have to go in
00:36:36Get in line at that gas pump
00:36:38Yeah
00:36:38Then you pull out the gun.
00:36:39When they tell you to
00:36:40Yeah
00:36:40And looking with a hateful expression
00:36:42Says
00:36:42Die with her
00:36:44And he shoots.
00:36:45And who does he kill?
00:36:46It is not yet known
00:36:48Whether to the king or to Patricia
00:36:49They need to get involved in this.
00:36:50According to the director
00:36:51And the producer
00:36:52But it's the same
00:36:53It's the same
00:36:54Oh, really?
00:36:54Sure, man
00:36:55Your shot is saved
00:36:56And then it is given
00:36:57Whoever they say
00:36:58Come on, what are you guys doing?
00:37:00Some things that God
00:37:01Okay, so what?
00:37:02Does he decide and do it?
00:37:04Yes, that's all it is.
00:37:04Yeah, of course not
00:37:05Here, take this
00:37:06We need to put makeup on her right away.
00:37:07Come on
00:37:07Hey, put on some makeup
00:37:08Of course, to put makeup on him
00:37:10With that face
00:37:11You cannot kill anyone
00:37:12Oh, mother
00:37:13Come on
00:37:13Listen, I'll have finished all four.
00:37:14Of course it's over
00:37:15It's going to be filmed
00:37:17Girls
00:37:18Revenidos
00:37:19Revenidos
00:37:19Pay attention
00:37:21Pay attention
00:37:22Camera
00:37:23Camera
00:37:23Filming begins
00:37:24Filming begins
00:37:25Playback
00:37:27Playback
00:37:27Do you want to be quiet?
00:37:28I like all men
00:37:31Twelve, first
00:37:32You are the most beautiful thing in my life
00:37:52Even if I don't tell you
00:37:54Even if I don't tell you
00:37:56If you're not there
00:37:58I have no joy
00:37:59I miss you at night
00:38:01I miss you during the day
00:38:03I wish you would love yourself
00:38:07That I never wanted it this way
00:38:10That my life begins
00:38:14When I met you
00:38:17You are like the morning sun
00:38:20That comes in through my window
00:38:22That comes in through my window
00:38:24You are in my life
00:38:26The joy
00:38:27You are a dream in the night
00:38:29You are the light of my day
00:38:31My heart is happy.
00:38:36A happy heart
00:38:38Overjoyed
00:38:39My heart is happy.
00:38:43From that moment on
00:38:44When did you come to me?
00:38:46And today, thanks to life
00:38:50And I ask God
00:38:51May I never lack it
00:38:53I would like you to know
00:38:57That I never wanted it this way
00:39:00That my life begins
00:39:04When I met you
00:39:07My heart is happy.
00:39:26A happy heart
00:39:28Overjoyed
00:39:30My heart is happy.
00:39:33From that moment on
00:39:35When did you come to me?
00:39:37And I give thanks to life
00:39:40And I ask God
00:39:42May I never lack it
00:39:44I would like you to know
00:39:48That I never wanted it this way
00:39:51That my life begins
00:39:54When I met you
00:39:58You are like the morning sun
00:40:01That comes in through my window
00:40:03That comes in through my window
00:40:05I'm fine, okay?
00:40:26Yeah
00:40:26Well, the shot
00:40:28Who should I give it to?
00:40:29To no one
00:40:30That won't work
00:40:30It has been banned by censorship
00:40:32Oh well
00:40:33They'll give me something
00:40:34Yes, man
00:40:34Well, of course.
00:40:35Now they'll give him a photo
00:40:36From Marisol
00:40:37You called for a minute and a half
00:40:53Later
00:40:53If I set the clock
00:40:55With National Radio
00:40:56It's not on the news
00:40:57And if I put it on the news
00:40:58It does not match 093
00:40:59Another mistake like that
00:41:00And the appointment at four
00:41:01You're going to have it with the air
00:41:02Listen to me carefully
00:41:04I'll be waiting for you at Chamartín station
00:41:06In the waiting room
00:41:07At two
00:41:07Hey, couldn't it be
00:41:08Around two o'clock?
00:41:09At two o'clock
00:41:10You already know
00:41:11At Chamartín station
00:41:12In the waiting room
00:41:13I can't say any more.
00:41:14Danger!
00:41:20At two
00:41:21Don't let me down
00:41:25Listen!
00:41:28Taxi!
00:41:31Wait!
00:41:32Just a second!
00:41:34Are you free, young man?
00:41:35Yes, ma'am
00:41:35Although at two
00:41:36I have an appointment
00:41:37If it's a short race
00:41:38It is
00:41:38But first
00:41:39Do you like dogs?
00:41:42I don't know, ma'am
00:41:43I've never eaten them
00:41:44That's really funny
00:41:47And very nice
00:41:49Thank you so much
00:41:50But I already have a date.
00:41:50For the four
00:41:51Does it bother you?
00:41:53Taking dogs in the car?
00:41:55No, ma'am
00:41:56According to the rate
00:41:57Hard per beard
00:41:57Well, by the tail
00:41:58And you don't care
00:42:00The number of tails?
00:42:02You caught me today
00:42:03At a good time
00:42:03And I couldn't care less.
00:42:05You're a sweetheart!
00:42:12Mother!
00:42:16I've just come from the vet.
00:42:17You know?
00:42:18Are they angry?
00:42:18No no
00:42:19They're such little angels.
00:42:21Ha!
00:42:21I do cool things with them
00:42:22When I'm free
00:42:23Go see them
00:42:24Yes, woman
00:42:25What time do they open?
00:42:27Well
00:42:27Oops!
00:42:28Here is a vegetable garden
00:42:29It will be a Pekingese.
00:42:30No no
00:42:31It's a basket
00:42:32Wow, man
00:42:33He's already forgotten about it
00:42:34The blessed
00:42:34It will have to be returned
00:42:35Listen, I want to do you a favor
00:42:36Tell this little dog
00:42:37Don't let him lick my foot
00:42:39Because he knows that you
00:42:40He loves dogs very much
00:42:41Yes, but not everyone in Spain
00:42:42Well, don't complain.
00:42:44The last time we took a taxi
00:42:45They ate the gearshift lever
00:42:47Of course it was made of bone
00:42:48Ata, Ulfo!
00:42:53Don't look out!
00:42:58Would you mind helping me?
00:43:00Ma'am, I haven't taken a single dog.
00:43:01Since I was weaned
00:43:02I don't feel breathed
00:43:03Don't leave me one, okay?
00:43:17Well, he's put the seat in for me.
00:43:18Come on!
00:43:21Watch out for the little black boy!
00:43:23What if it's not comfortable?
00:43:24He dies with his little eye
00:43:24Oh, and on top of that, right?
00:43:26Watch out, son!
00:43:26Hey, it's eating me!
00:43:27My son, please!
00:43:28Don't ask so much of your mother!
00:43:30Oh, watch out!
00:43:31Watch out, son!
00:43:31Runs!
00:43:31Hey, hey, hey, hey!
00:43:33Oh, I can't!
00:43:34Bring it, bring it
00:43:36Thank you so much
00:43:36Thank you
00:43:37Now comes my public relations
00:43:39To pay him
00:43:39Very good
00:43:40Alberto!
00:43:41Alberto!
00:43:43This must be yours
00:43:45Alberto!
00:43:48Alberto!
00:43:50Alberto!
00:43:50What does Miss Carvajal owe him?
00:44:02And their trained dogs?
00:44:03They are 42 years old.
00:44:04And 18 dogs that I have counted
00:44:06A hard one
00:44:06132
00:44:07Well, he's been lucky.
00:44:09What has Miss Carvajal taken?
00:44:11He tames dogs
00:44:12If Professor Blacamán takes him
00:44:14What's happening?
00:44:15He works with six lions
00:44:17And a polar bear
00:44:17Well, that's the one the polar bear's father was going to take him.
00:44:19Taxi!
00:44:41Taxi!
00:44:41Good morning
00:44:46Start
00:44:49Fast!
00:44:50No worries, I'm going to Butano
00:44:52Well, let's go with you to that place
00:44:54Butano is not a place, ma'am
00:44:55At the iron gate
00:44:57Fast!
00:44:58Move!
00:44:59At the iron gate
00:45:00Peaceful
00:45:02No, no, they haven't seen us.
00:45:03You don't know him well
00:45:05It's a bloodhound.
00:45:06More dogs
00:45:08As?
00:45:09No, no, nothing.
00:45:09Listen, we'll be finished by two o'clock.
00:45:11I have an appointment
00:45:12It will be as you wish.
00:45:13But hurry, please.
00:45:14I'm scared, love
00:45:16You're with me, my love
00:45:18It's just that the other day
00:45:20When I was asleep
00:45:21I noticed that he bought a gun
00:45:23I had it under my pillow
00:45:25Sure?
00:45:26Ten pesetas more for every minute you go ahead
00:45:28OK
00:45:29But why is he stopping here?
00:45:33What's going on?
00:45:34I can't go on.
00:45:34Red disc
00:45:35Ah!
00:45:37Here it is
00:45:38Me
00:45:44You're going to give it to me, I used to be in the Legion.
00:45:46And of Regulars in Jarca
00:45:48Go ahead, driver
00:45:49Without shouting
00:45:50This is my car
00:45:51You do your own thing and keep quiet
00:45:53Well, at the iron gate
00:45:54To sales
00:45:55I'll tell you how to get to the cemetery.
00:45:57Listen
00:45:58There's a mess here, isn't there?
00:46:00Yes, that's what I'm afraid of.
00:46:00Beautiful
00:46:02My best friend
00:46:03Look
00:46:04I don't watch anything
00:46:05What are you doing, Alfredo?
00:46:06Well, I'll put on my glasses to see if the embarrassment rises to my face.
00:46:09I'll explain it to you
00:46:10You don't have to explain anything
00:46:12I love her
00:46:13I'm still in love with her
00:46:15Take it, and I
00:46:16Cacinic
00:46:17That's it, that's it, what cynicism
00:46:18And to his own face
00:46:19There, there
00:46:21Because even if you had gone hunting
00:46:22But what's it to you?
00:46:24Ma'am, this taxi is very decent
00:46:25I've taken many couples to get married.
00:46:27And in that seat that you occupy
00:46:29She has given birth to twins
00:46:30The wife of a tram driver
00:46:31Now that's decency.
00:46:33Just a moment, just a moment
00:46:34Since you're talking about decency
00:46:35I believe I also have the right to express my opinion.
00:46:36On the street
00:46:37What does it say?
00:46:38You can say whatever you want in the street.
00:46:39In my car, only I have an opinion.
00:46:40So...
00:46:42You stay still there
00:46:45You leave
00:46:47Take that woman away and give her the beating she deserves.
00:46:48But at home
00:46:49But listen
00:46:50As a protest, I'm going to attack him with the church.
00:46:52But who are you to get involved in this?
00:46:54In my taxi the master
00:46:55And my parents, my grandparents, and I
00:46:57We are very decent
00:46:58And I want my children
00:46:59Take a good example from me.
00:47:01Get out, go away!
00:47:02Thank you so much
00:47:03That's what a gentleman is.
00:47:04Let's see...
00:47:05Come on!
00:47:06Come on!
00:47:06Come on!
00:47:10Come on!
00:47:15And now I'll take you to the iron gate, yes sir
00:47:17But if it gets out of hand
00:47:18I'll smash his skull for being immoral.
00:47:19If I had my gun here
00:47:20I'd shoot you
00:47:21That's typical of a scorned lover
00:47:23Lover?
00:47:24Lover I
00:47:25I am the husband
00:47:26The lover is the one you left.
00:47:28That she ran away with my wife
00:47:29Sure?
00:47:32Absolutely sure
00:47:33Look
00:47:33The family book
00:47:35Oh
00:47:37Appearances can be deceiving, can't they?
00:47:40If appearances weren't deceiving
00:47:41They were going to give the license to a cretin like you
00:47:43Damn it!
00:47:51For becoming a Redeemer
00:47:53He will deliver us from our sins
00:47:55Amen
00:47:56Is he free?
00:47:57Yes sir
00:47:58What's wrong with him?
00:48:02Is something wrong?
00:48:05Nothing, nothing
00:48:08I have a little bit of lumbago.
00:48:10Good heavens!
00:48:12Today everyone comes up here with something
00:48:13What did you say?
00:48:15I'm having a wonderful day
00:48:16One of them went upstairs with a gun
00:48:18Another one with a bunch of dogs
00:48:19Another one with a basket
00:48:20And now you with a little lumbago
00:48:21In this world, we all have to carry something.
00:48:24That we don't like in our conscience
00:48:25Or in the brother's body
00:48:27Do you have nothing on your conscience?
00:48:30Not until after four o'clock, brother.
00:48:32Okay, where should I take you?
00:48:33To Pontifical Missions
00:48:35Plaza de las Comendadoras
00:48:36Let's go
00:48:36Hey, listen
00:48:38Yes
00:48:38Hey, they've left a basket here.
00:48:40Yes
00:48:40You're the third person to tell me that.
00:48:42Twenty-one
00:48:51Have
00:48:52Don't you have a spare peseta?
00:48:56I don't have any change.
00:48:57It's the same
00:48:58Don't think I'm working for the tip
00:49:00I don't have one, look.
00:49:01Don't worry
00:49:02Stay the way back
00:49:03Thank you
00:49:03So that you can see my good faith
00:49:05Have
00:49:06This is priceless
00:49:08Here, I'll give it to you.
00:49:09What is it, my son?
00:49:10A stop sign
00:49:11You didn't expect this from a taxi driver, did you?
00:49:14We usually gave them out.
00:49:16But anyway
00:49:16With this council thing
00:49:18Things have changed so much
00:49:19Goodbye, father
00:49:22Sympathetic
00:49:24Deep in the flesh
00:49:25But nice
00:49:26A child cries
00:49:37Is your child crying?
00:49:39My child was crying
00:49:39Until I started using
00:49:41After the bath
00:49:41Talcum powder
00:49:43Happy infant
00:49:44Happy infant
00:49:45The only chlorophyll talc
00:49:47And vitamin-enriched
00:49:48How annoying
00:49:49No, San Cristóbal
00:50:00No
00:50:01Not even my father believes this
00:50:20You've been lucky.
00:50:22The motorcyclist has been saved
00:50:23But he will have to go and testify
00:50:24To the duty judge
00:50:25Yes sir
00:50:25I'd do anything to have some free time
00:50:26The time of the bullfight
00:50:27Okay, very good
00:50:28And again
00:50:30Take off your ring, man
00:50:31Thank you
00:50:32This has taught me a lesson.
00:50:33I promise you that from now on
00:50:34Nobody will have to tell me off
00:50:36Very good
00:50:36Good morning
00:50:37Goodbye, good morning
00:50:38Permission
00:50:44But again
00:50:47Today is not my day, inspector.
00:50:50I have a new case for you.
00:50:52Let's see if one of their composite sketches works.
00:50:55We figured out who the father is, huh?
00:50:57But what have I done to him?
00:50:58You've got it in for me.
00:51:00Everything happens to you
00:51:02He gets robbed
00:51:04They leave abandoned children behind
00:51:06And he has to come and tell me about it
00:51:09Specifically me
00:51:11There are no more police stations in Madrid.
00:51:13This is the one that's most famous
00:51:15It doesn't bother me because I'm putting in a fortnight
00:51:16That child is not properly restrained and could fall.
00:51:21No way, he'll be safe
00:51:22If we're going a bit by horseback
00:51:23If his fanboy act falls off
00:51:26You like it, don't you, Cristobalín?
00:51:29And how do you know his name is Christopher
00:51:31When he signed a public document
00:51:33Acknowledging that he wasn't her father, huh?
00:51:36Answer me quickly
00:51:36It's because of the patron saint, Saint Christopher.
00:51:39Correct answer
00:51:42What's not right is how you're holding the child
00:51:46Come on, give it to me
00:51:47You have no idea how children are treated
00:51:50Yes sir
00:51:50Careful
00:51:51He sees it
00:51:56Well, what does that have to do with me?
00:52:00The child prefers me.
00:52:01There's no accounting for taste.
00:52:02Take it
00:52:03I did a good job
00:52:05Now...
00:52:08Come on, do something, move!
00:52:10What do you want me to do, commissioner?
00:52:11I only know how to stop
00:52:12Then stop this crying
00:52:14One more joke and you'll be on the Andorran border
00:52:16It's very cool outside, isn't it?
00:52:18Sorry, boss
00:52:19Could it be that he's hungry?
00:52:20Chicuta, eh
00:52:21Mine does the same thing
00:52:22When he is hungry
00:52:23When he is hungry or when he has the other
00:52:25You do understand.
00:52:26Check it out!
00:52:27Come on
00:52:28Let's see...
00:52:30That?
00:52:31No, no, no
00:52:34No no
00:52:35No, the other one isn't.
00:52:35It must be hunger.
00:52:36And Rovira didn't come.
00:52:38He'll be creating a composite sketch of the pharmacist.
00:52:41Yeah
00:52:41I'll be right back, I'll be right back with the food
00:52:42I'll be right back.
00:52:43What happened to me?
00:52:45What happened to me?
00:52:45Yes, Uncle Rovira is here now.
00:52:47Come on.
00:52:47Finally
00:52:48I thought I had gone to Galicia to look for a mistress
00:52:50Almost, almost
00:52:51Don't cry anymore, little one
00:52:52Here's the food!
00:52:53Five little wolves
00:52:54The she-wolf had
00:52:55Shut up, you old-fashioned person.
00:52:56But what do you want us to serve him?
00:52:57Go ahead, give it to him.
00:52:58Who am I?
00:52:59Or perhaps he doesn't know.
00:53:00One moment
00:53:01Leave it to me
00:53:01That I know about this
00:53:02Don't worry
00:53:03Take
00:53:04Take
00:53:05Take
00:53:06Take, go to
00:53:07Boy
00:53:11It's tasty, isn't it?
00:53:15To the
00:53:15I was so hungry
00:53:17Slowly
00:53:18Slowly
00:53:19Slowly
00:53:23And what do you think?
00:53:25That is a very rich creature
00:53:26No, if I say this
00:53:28About the taxi driver
00:53:29Ah, well, it seems to me that they've left a child in a car and that the taxi driver is a real jerk.
00:53:32I'll tell you about the robbery, like I said.
00:53:35But now I think he's telling the truth
00:53:38What does that profound thought mean?
00:53:43Do you trust me?
00:53:45No
00:53:45Let me handle the case, man.
00:53:48What do you mean by taking charge?
00:53:50To be checked with the offender
00:53:52No, rather
00:53:53With the taxi driver
00:53:54The false clues he's laid out to make us fall for it
00:53:56You'll see
00:53:57A pious woman who left behind a basket
00:54:00This is not
00:54:00A lady with ten dogs
00:54:03There are already too many dogs to let themselves be, aren't there?
00:54:05This is the Numantine.
00:54:06A friar
00:54:07The lovers
00:54:09If it's in that tone
00:54:10And what does he hope to gain from that?
00:54:19The truth, when it is proven to himself
00:54:21None of them have been able to leave the child inside the basket
00:54:24He will have no choice but to confess that it was him
00:54:25He
00:54:26For a bit of fun
00:54:29He
00:54:30Paid for by someone
00:54:32Because I am convinced
00:54:34That he has charged money to prolong the child's life.
00:54:38And I can also find out who that someone is.
00:54:40Not bad, Rovira
00:54:44I am very surprised by you
00:54:48Let's see
00:54:49But it's not bad.
00:54:50So, do you authorize me...?
00:54:53Yes, yes, yes, yes
00:54:54Go with him
00:54:54Yeah
00:54:55You
00:54:56Call your wife to come here right now
00:54:58She recently had surgery
00:55:00Now, if you like, I'll send for her.
00:55:02So, they should find a nurse, a drier one, or someone
00:55:04But let a woman come, quickly.
00:55:06There are two below.
00:55:07Well, look for them, let them go up
00:55:08Yes sir
00:55:09Clear
00:55:09They are the consorts of the bigamist
00:55:12Two pickpockets
00:55:13Two pickpockets
00:55:14Hey, don't make that face.
00:55:16It's not for adoption.
00:55:17It's to help the child sleep.
00:55:19No, it's a child blowing air.
00:55:20And you, you leave the child
00:55:21And please do me the favor of accompanying Inspector Rovira.
00:55:22Come on
00:55:23If I leave him, he'll start crying again.
00:55:25Well, give it to the married man then.
00:55:27Something is something.
00:55:27Clear
00:55:27Well
00:55:28Come on
00:55:29Well, don't say he didn't warn you, huh?
00:55:32Come on, it's blowing air
00:55:34Okay, fine.
00:55:34He's already thrown one
00:55:36But let's see if...
00:55:37Come on
00:55:37Come on, come
00:55:38It's just wanting to make him angry.
00:55:40Okay, so where do you and I need to go?
00:55:42I'll explain it to him in due course.
00:55:43They don't want to go up
00:55:46What do you say?
00:55:48Not me, she
00:55:49What if we don't also release the bigamist?
00:55:51No way.
00:55:52Well, get on board the bigamist
00:55:57And so be it, God willing.
00:55:59Nothing
00:56:02There's no one who can silence him
00:56:03Well, we're ready.
00:56:05Yes, yes
00:56:06Give it to that other lady.
00:56:08The one who knows
00:56:09Perhaps more than others
00:56:11I bet I'll grab your hair.
00:56:12No arguments
00:56:13Either someone calm this child down or I'll have a go.
00:56:15Or they make her a pig again
00:56:16He sees it
00:56:27Listen
00:56:31To my four children
00:56:33My husband always put them to sleep for me.
00:56:34My husband will say
00:56:35One moment
00:56:36But it also made me fall asleep.
00:56:39And how?
00:56:41Singing
00:56:42Let's say
00:56:45Singing
00:56:47Let's hope for the best.
00:56:48Music
00:56:52Music
00:56:52Fingers
00:56:53Have them if you win them
00:57:09How much
00:57:10Madejo better
00:57:11Fingers
00:57:12Have them if you win them
00:57:13How much
00:57:14Madejo better
00:57:14What a gypsy curse, a load of reason
00:57:19What a gypsy curse, a load of reason
00:57:22And they're suing me, which is annoying.
00:57:25Because I can already see myself, a little crooked fish.
00:57:26And they're suing me, I'm scared
00:57:28I'll have to find out who the lawyer was.
00:57:30They're asking me for four million.
00:57:34And I don't have two sets of brooms
00:57:38And the ruling goes against me.
00:57:42Oh, I can already see it, I can see it, I can see it
00:57:45I can already see it, I can see it, I can see it
00:57:47I can already see myself dealing with these deals on the street.
00:57:50What a gypsy curse, a load of reason
00:58:02What a gypsy curse, a load of reason
00:58:06And they're suing me, which is annoying.
00:58:09Because I can already see myself, a little crooked fish.
00:58:10They're suing me, I'm scared.
00:58:12Because I'm going to look for myself, that's what the lawyer did.
00:58:14A dispute, isn't it?
00:58:20Hey!
00:58:20Hey!
00:58:21Hey!
00:58:31Hey!
00:58:32They're asking me for four million.
00:58:40And I don't have two sets of brooms
00:58:45And the ruling goes against me.
00:58:48Oh, I can already see it, I can already see it
00:58:51I can already see it, I can already see it
00:58:52I can already see it, I can already see it
00:58:54With the deals on the street
00:58:56May you not have them and gain them
00:58:59The more the better
00:59:01May you not have them and gain them
00:59:03The more the better
00:59:05What a gypsy curse, a load of reason
00:59:09What a gypsy curse, a load of reason
00:59:13What a gypsy curse, a load of reason
00:59:16What a gypsy curse, a load of reason
00:59:22We worship Christ
00:59:30Why did you redeem the world with your Holy Cross?
00:59:35What? What's wrong, honey?
00:59:37The taxi driver from this morning and another gentleman who is not a taxi driver
00:59:40And she has four pencils in her pocket, they want to see her.
00:59:43Oh, well, let them in.
00:59:45Come in.
00:59:48See you later, young man.
00:59:51Come in, come in and sit down. Make yourselves at home.
00:59:55Very kind of you, ma'am. Thank you very much.
00:59:58You have this, it's very nice, isn't it?
00:59:59And very... very Catholic, I would say.
01:00:03No, for God's sake. I'm just a good fan.
01:00:07But I don't think they came just to see the house.
01:00:12But sit down, you sit down.
01:00:19Well, you'll go then.
01:00:21No, the one who has to say it is here, the friend, who is a policeman.
01:00:24Ah, I'm happy to listen. I love the police.
01:00:29Yes, it is the armed wing of morality.
01:00:33Thank you so much.
01:00:34Well, you see, ma'am.
01:00:35I just don't know how to start.
01:00:39The question I'm going to ask you doesn't allow for embellishment.
01:00:42So I'm going to do it directly.
01:00:43Very good, very good.
01:00:45Did you leave a basket in this gentleman's taxi?
01:00:48Oh, the basket!
01:00:51Come on.
01:00:53He sees it, but with a child inside.
01:00:56Clear.
01:00:56A child?
01:00:57Jesus?
01:00:58No, not a child like that, this size.
01:01:02Come on, newborn.
01:01:05Or he's a dwarf.
01:01:07No, a baby a few months old.
01:01:08Excuse me, but I don't quite understand.
01:01:13You ask me if I forgot a child in a taxi,
01:01:17as if it were an umbrella.
01:01:18Clear.
01:01:19No, because that would be calling me an idiot.
01:01:22And you are two gentlemen.
01:01:24No, that's not it, is it?
01:01:26Rather, no, no.
01:01:28Gentlemen?
01:01:29They won't suspect me,
01:01:31Because that saying about us being few and then grandma gave birth
01:01:34It's just a phrase.
01:01:36Please, ma'am, you are above suspicion.
01:01:38Because of age, of course.
01:01:40No, and even if I were 20 years old,
01:01:41She has the face of a mother hen.
01:01:43not to leave children abandoned.
01:01:45So I'm out.
01:01:47Of course.
01:01:48But there will be more women in this house.
01:01:51Well, yes.
01:01:52Do you have a maid?
01:01:53Yes, yes, but you've already seen it.
01:01:57No, I don't think that unfortunate woman.
01:01:59There is no one capable of pulling that trick on him.
01:02:03Ma'am, there are schemes for every size.
01:02:07Yes, yes, that's true.
01:02:08Now with this ready-to-wear thing...
01:02:11Anyway, I'm going to call her.
01:02:21Hail Mary, full of grace!
01:02:24Did the lady call me?
01:02:25Yes, daughter, yes.
01:02:26Go ahead, come in.
01:02:27Go ahead, come in.
01:02:28Happens!
01:02:29And sit down,
01:02:30I'm going to give you a very big shock.
01:02:33Oh, don't scare me, lady!
01:02:35The sooner the bad times are over.
01:02:39Hey,
01:02:40You had a child out of wedlock.
01:02:42and you abandoned him in this man's taxi.
01:02:46Oh no, ma'am, not even secretly.
01:02:49That wouldn't happen.
01:02:51One has no hook.
01:02:53One is very clean,
01:02:54very hardworking,
01:02:55But it's as if nothing happened...
01:02:57They see it.
01:02:58And that was the problem?
01:03:00Oh,
01:03:01I thought I was going to get fired
01:03:02because yesterday when I was ironing
01:03:04And I got burned, I said...
01:03:06Good heavens!
01:03:07Oops!
01:03:09Do I want to eat, ma'am?
01:03:10No, daughter, no.
01:03:11Thanks, go on.
01:03:12You can leave.
01:03:12Thank you very much, miss.
01:03:14Goodbye, and let's hope for the best.
01:03:16Goodbye, handsome.
01:03:20Is there any other woman in the house of age...
01:03:23Come on, you know what I mean.
01:03:24One moment!
01:03:26I'm in charge of the investigation.
01:03:27No no.
01:03:30Is there any other woman in the house of age...
01:03:32Come on, you know what I mean.
01:03:34Yes, my daughter.
01:03:38But it's not her either.
01:03:41And it's not just a mother's passion.
01:03:43But my daughter,
01:03:45for years,
01:03:46It does the exact opposite.
01:03:48the one you are looking for.
01:03:50Ah, yes.
01:03:51And what does he do?
01:03:52Oh, you want to see it?
01:03:54Let's see if we can go.
01:03:55Yes, yes.
01:03:57He's now in the thick of things.
01:03:59Angel, come.
01:04:00Come with me.
01:04:02Come.
01:04:03Okay, let's go.
01:04:14My granddaughters.
01:04:18I'm going to introduce you to some friends.
01:04:21Here's a taxi driver.
01:04:23Here's a police officer.
01:04:25My granddaughters.
01:04:25María del Carmen,
01:04:27Maria del Rosario,
01:04:28Mary of the Immaculate Conception,
01:04:30María de los Remedios,
01:04:31Maria del Puy
01:04:32and Mary of the Forsaken.
01:04:35And that round one
01:04:37It's Maria de la O.
01:04:38Oh, and this is Benjamin.
01:04:43José María,
01:04:43Right?
01:04:43No, and this is the mom.
01:04:46of all these girls.
01:04:49My daughter Soledad.
01:04:51Nice to meet you.
01:04:54What's with that laughter?
01:04:55No, sorry,
01:04:56It's because of the name,
01:04:57Loneliness.
01:04:58Well, but aside from the laughs,
01:05:00you will understand
01:05:01that my daughter
01:05:02It's not the one they're looking for.
01:05:04Clear.
01:05:05What does she care?
01:05:07More or less one child.
01:05:09All those who go to the Lord.
01:05:11Yes, that's it.
01:05:11Well, I won't ask you any more questions.
01:05:14So,
01:05:15We apologize if we have bothered you.
01:05:16No, you're not bothering us.
01:05:20No, don't look for the candles,
01:05:23that the candles haven't been either.
01:05:25They are made of virgin wax.
01:05:33There.
01:05:38Slow down a bit, man.
01:05:39Since he doesn't do it in the car,
01:05:40Do it at least on foot.
01:05:41What time is it?
01:05:42The same one as a minute ago,
01:05:43but 60 seconds later.
01:05:45Don't make sentences
01:05:45And tell me the time,
01:05:46by his mother.
01:05:47One thirty.
01:05:49I can't make it,
01:05:49that I don't arrive.
01:05:50What doesn't reach where?
01:05:52To send a telegram.
01:05:55Telegraphs on permanent service.
01:05:56But the recipient
01:05:57He's leaving for Germany this afternoon.
01:05:59and I have to send him a telegram
01:06:00before two o'clock.
01:06:01At two o'clock at the latest,
01:06:02by his mother, Rovira.
01:06:03Leave my mother alone
01:06:04And let's go inside.
01:06:07Good morning.
01:06:08Hello, hello.
01:06:08Did he come in here this morning?
01:06:09A friar?
01:06:11Exactly 84 have entered.
01:06:13If you don't specify further.
01:06:14One moment,
01:06:15I'm going to give him the best
01:06:16of the details.
01:06:18Make up your mind.
01:06:18The time.
01:06:22Come on.
01:06:24Well, then,
01:06:24a rather round face.
01:06:26Yeah.
01:06:27With beautiful eyebrows.
01:06:30Go on.
01:06:30Small eyes,
01:06:31but penetrating.
01:06:32Yeah.
01:06:33Protruding ears.
01:06:37And a beard.
01:06:39Beard.
01:06:40So now he has a beard.
01:06:42He's always had a beard,
01:06:43as far as I know.
01:06:44He has a beard now, yes.
01:06:45Yes, beard.
01:06:46Beard, a huge beard.
01:06:47Yes, yes, so.
01:06:49Nose.
01:06:50Well, I don't know,
01:06:51as usual,
01:06:52there.
01:06:52In the center?
01:06:54Yes, more or less.
01:06:54Right in the center of the face, of course.
01:06:55No, well,
01:06:56I don't know.
01:06:58That certainly looked like it.
01:06:59of being a good person.
01:07:01Well,
01:07:03This may be the case.
01:07:05Look,
01:07:06What do you think?
01:07:09Impossible.
01:07:10In this house
01:07:10has never entered
01:07:11Fidel Castro.
01:07:14Fidel?
01:07:14Most faithful.
01:07:17He's talking,
01:07:18Hey?
01:07:19Yes, excuse me.
01:07:20Yes, father, yes.
01:07:22Come on.
01:07:25The only thing I can assure you is
01:07:26I brought him here
01:07:27who had a beard.
01:07:28Don't talk nonsense,
01:07:29How could he have brought
01:07:29Fidel Castro here?
01:07:30What if you were wrong?
01:07:31If you have mistaken me,
01:07:32Yeah.
01:07:33Otherwise, I'm a Leica.
01:07:34Listen, look,
01:07:35I'm running late.
01:07:36Can't he go on alone?
01:07:38I think so,
01:07:38because I already have
01:07:39to the culprit.
01:07:40Oh, really?
01:07:41Where?
01:07:41Here.
01:07:42I did it in his taxi
01:07:43while we were coming.
01:07:44Didn't it come out?
01:07:45The man from Cordoba?
01:07:46No.
01:07:47This time I'm sure.
01:07:48Good.
01:07:49Go on, leave.
01:07:50Thank you,
01:07:50are you alone.
01:07:52Taxi!
01:07:53Taxi!
01:07:54Is he free?
01:07:56Mother,
01:07:56How exciting!
01:08:20That's outrageous!
01:08:21And the waiting room?
01:08:21That door.
01:08:22Thank you.
01:08:26It's been impossible for me
01:08:41of...
01:08:42Shut up!
01:08:42They can watch us.
01:08:43Who?
01:08:43Don't look at me.
01:08:44Don't look at yourself.
01:08:46Sit in the armchair
01:08:47that is behind me.
01:08:48It's behind me!
01:08:51And he pretends.
01:08:52And he pretends.
01:08:54Are you pretending?
01:08:55Yeah.
01:08:56Be more discreet.
01:08:58Oh ok.
01:08:59You're late.
01:09:00Yeah,
01:09:01You don't know the amount
01:09:01of things...
01:09:02Don't move!
01:09:02I'm not moving.
01:09:04Listen,
01:09:05in this magazine
01:09:06that I'm going to leave here
01:09:06forgotten...
01:09:07Which magazine?
01:09:07Don't move!
01:09:08I'm not moving.
01:09:09It is written
01:09:10everything you have to do.
01:09:11Did you understand me?
01:09:12Yeah.
01:09:13Yeah.
01:09:17Keep pretending.
01:09:17Keep pretending.
01:09:18No, no, no, no, no, no.
01:09:48No, no, no, no.
01:10:18No, no, no, no, no.
01:10:48No, no, no, no.
01:11:18No, no, no, no, no.
01:11:48No, no, no, no, no.
01:12:18No, no, no, no, no.
01:12:20No, no, no, no, no, no.
01:12:22No, no, no, no, no.
01:12:24No, no, no, no, no, no, no.
01:12:26Well, here you go, 20 pesetas and goodbye.
01:12:31Bye bye.
01:12:31This is what I feel, bad luck befalls you after I returned your wallet.
01:12:36This happens to me for being good, for being honest, damn my mother...
01:12:41Peñuelas 27
01:12:45Entering through the egg shop, of course
01:12:47With less money we caught the ones from the Glasgow train
01:13:04What do you think about what happened to me?
01:13:05Look what 20 pesetas gave me
01:13:06He hit me with gas after I gave him back his wallet
01:13:08And on top of that, he took my proof
01:13:09All of this is happening to me because of you.
01:13:11Who would think of stealing a police officer's wallet?
01:13:14To a police officer?
01:13:15You should see the clients they bring me
01:13:17A criminal inspector
01:13:19What you want is for the tiger to eat me.
01:13:20Come on, who's going to eat you?
01:13:22The tiger!
01:13:23Let's go!
01:13:33And what you want is for the tiger to eat me.
01:13:35Let the tiger eat me.
01:13:36My brown dogs
01:13:38And what you want is for the tiger to eat me.
01:13:40Let the tiger eat me.
01:13:41My meat is good
01:13:42And what you want is for the tiger to eat me.
01:13:44Let the tiger eat me.
01:13:45My meat is tasty
01:13:47And what you want is for the tiger to eat me.
01:13:49Let the tiger eat me.
01:13:50My flesh is rose-colored.
01:13:52And what you want is for the tiger to eat me.
01:14:01The tiger climbs the hill
01:14:03He climbs the hill
01:14:03It rides up on the clothes
01:14:05He throws himself into the river
01:14:07Then I get out of the river
01:14:11I go into my house
01:14:13So that he doesn't see me
01:14:15The tiger climbs the hill
01:14:17The tiger climbs the hill
01:14:17He climbs the hill
01:14:18And what you want is for the tiger to eat me.
01:14:19Things are bad.
01:14:49Things are bad.
01:15:19Things are bad.
01:15:49Things are bad.
01:16:19Things are bad.
01:16:49Things are bad.
01:17:19Things are bad.
01:17:49Things are bad.
01:18:19Things are bad.
01:18:49Things are bad.
01:19:19Things are bad.
01:19:20That's how I wanted you.
01:19:22Within range of my shotgun!
01:19:23Within range of my shotgun!
01:19:53Within range of my shotgun!
01:20:23Within range of my shotgun!
01:20:53Within range of my shotgun!
01:21:23Within range of my shotgun!
01:21:25Within range of my shotgun!
01:21:27Catalina!
01:21:29Within range of my shotgun!
01:21:31Within range of my shotgun!
01:21:33Within range of my shotgun!
01:21:35Within range of my shotgun!
01:21:37Within range of my shotgun!
01:21:39Within range of my shotgun!
01:21:41Within range of my shotgun!
01:21:43Within range of my shotgun!
01:21:45Within range of my shotgun!
01:21:47Within range of my shotgun!
01:21:49Within range of my shotgun!
01:21:51Within range of my shotgun!
01:21:53Within range of my shotgun!
01:21:55Within range of my shotgun!
01:21:57Within range of my shotgun!
01:21:59Within range of my shotgun!
01:22:01Within range of my shotgun!
01:22:03Within range of my shotgun!
01:22:05Here's your seducer!
01:22:07Whatever comes out of that door, don't believe a word of it, inspector!
01:22:09Shut up the nudist!
01:22:11Where is it? Where?
01:22:13I love him and I only want to marry him.
01:22:15There it is!
01:22:19If I want to, if I grant, if I concede.
01:22:25This is yours.
01:22:27So...
01:22:29This is it.
01:22:31Sister,
01:22:33I could be a lost cause,
01:22:35but not mentally retarded.
01:22:37How could I fall for that scarecrow?
01:22:39Right?
01:22:41If I am worthless.
01:22:43I'm just one of the crowd, but one of the bad ones.
01:22:45The commissioner?
01:22:47But the commissioner cries like this.
01:22:49My son!
01:22:53Let's see, Rovira.
01:22:55You told me that you already know who the child's father is.
01:22:57I knew it, but...
01:22:59Why don't we create a composite sketch?
01:23:01No, no, he might end up like President Nixon, and he's already married.
01:23:03Save that!
01:23:05I am the police commissioner.
01:23:07Who are you?
01:23:09The mother of this child.
01:23:11Uh-huh.
01:23:13And you?
01:23:15Seduced.
01:23:17The one who tried to kill me, commissioner.
01:23:19But, man, you're always naked.
01:23:21Yes, yes.
01:23:23I just don't have any luck with you.
01:23:25You see, commissioner.
01:23:27That man, or at least we thought it was him,
01:23:29He had relations with my niece.
01:23:31And from those relationships...
01:23:33The child.
01:23:35My father wanted to kill him.
01:23:37But we convinced him to set a trap for the scoundrel.
01:23:39Since we knew him to be a womanizer,
01:23:41I served as bait to bring him here.
01:23:43Contrary to my opinion.
01:23:44He's my fiancé.
01:23:45Listen.
01:23:46Because I believe that people are good at heart,
01:23:49I suggested leaving the child in the taxi.
01:23:51in order to awaken the seducer's paternal feelings.
01:23:55So who is the seducer?
01:23:57This is it!
01:23:58My daughter pretends not to notice so I don't kill her.
01:24:00But why has she taken such a liking to me?
01:24:02The father is just like my son.
01:24:04Big eyes.
01:24:06The perfect nose.
01:24:09Like him, you will have brown hair.
01:24:12And a little wavy.
01:24:15You will be tall and friendly.
01:24:18And you will win over the women.
01:24:20But let's see if the splinter turns out better than the stick.
01:24:22Isn't that right, Don Julio?
01:24:23Well.
01:24:27Is this done?
01:24:28Let's see, let's see.
01:24:29Let's see, let's see.
01:24:30Let's see, let's see.
01:24:31I had a drawing of mine that was unimportant.
01:24:32Nothing has happened.
01:24:33I'm missing some data.
01:24:37He!
01:24:39It's him!
01:24:42Yes, it had to be him.
01:24:46Do you receive it for your husband and spouse?
01:24:49Yeah.
01:24:50I receive it.
01:24:52Sebastian Lopez Miranda.
01:24:54Do you want Catalina Ruiz Arribas to be your wife and partner?
01:25:07Yes, I want it.
01:25:08So I, in the name of the Holy Mother Church, recognize and confirm this marriage which you have celebrated.
01:25:16May the blessing of Almighty God, Father, Son and Holy Spirit, descend upon you.
01:25:23Okay, okay.
01:25:24This.
01:25:25Since I was right about you, I'll give you a heads-up.
01:25:26Huh?
01:25:27It's my wedding gift, look.
01:25:28Since I was right about you, I made a note of it.
01:25:37It's my wedding gift, look.
01:25:41No, no, sorry, it's just that he has his back turned, yes, sorry.
01:25:43Yes, look.
01:25:58No, no, sorry.
01:26:28No, no, sorry.
01:26:58No, no, sorry.
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