Padre no hay más que dos 1982 HD 1080 Completa Fernando Esteso, Andrés Pajares

Retroscreen Movies Revival

Reparto: Fernando Esteso, Andrés Pajares, Paloma Hurtado, Beatriz Carvajal, María Luisa Armenteros, Ricardo Merino, Miguel Joven, María Casanova, Adriana Ozores, Miguel Ángel Valero, Emilio Fornet, Maricarmen Pacual, Alfonso del Real  Dirección: Mariano Ozores  Sinopsis: Florencio (Fernando Esteso) y Amalio (Andrés Pajares) son dos artistas de variedades que, tras separarse de sus esposas, se ven abocados a compartir una cochambrosa casa junto a sus respectivos hijos. Los dos artistas se asocian y tratan de salir adelante con un espectáculo de magia que resulta ser un fracaso. Después lo intentarán con un grupo musical familiar con los cinco niños. Al mismo tiempo, mientras comparten casa, los dos amigos intentan ligar con chicas muy distintas a sus esposas, pero los chavales pondrán todo su empeño en hacer fracasar esas relaciones.

Transcript

00:00:00Seal! Seal! Seal!

00:00:08And now, esteemed audience, with Confucius's permission,

00:00:14this humble worm, the magician Unchilú,

00:00:20He's going to offer them a number in the original curse.

00:00:25Stop talking nonsense and get to work, you worm!

00:00:27It was! It was! It was! It was, it was! It was!

00:00:29It was, it was, it was! It was, it was! It was, it was, uaaand!

00:00:46It was one of the other! What should we put in the drawer?

00:00:51It's gone!

00:00:54Are you interested in Altés or Mulo de Tía Buena?

00:00:57Look!

00:00:58Get your head in there now!

00:01:06Now you speak them, quick.

00:01:09Thank you.

00:01:11Hair! Turn hair!

00:01:16Oh! Inclo! Another one!

00:01:21Inclu too! Another one!

00:01:23Another saber! Volta pelo!

00:01:25Let's see this one!

00:01:27Hello!

00:01:28Oh! Just a little kick! There!

00:01:31Another turn! Oh, what a shame!

00:01:34Another saber!

00:01:36Let's see!

00:01:38Niaca! Niaca! Niaca! Niaca! Niaca the chigala!

00:01:47May God's will be done.

00:01:48No!

00:01:55Latest!

00:02:02We're on our way back!

00:02:07Voila!

00:02:08Very good!

00:02:09Take it down now!

00:02:10Very good!

00:02:20And now!

00:02:22We'll open the lid of the Melita!

00:02:23Oh!

00:02:29Oh!

00:02:29What an idiot!

00:02:31You didn't give me time to get into position!

00:02:33But! Lotus flower!

00:02:34How sharp!

00:02:36Oh!

00:02:36Okay, then!

00:02:37I'm out!

00:02:37I can't stand you anymore!

00:02:38Oh! Sorry! Sorry!

00:02:40Lotus flower! She's hysterical!

00:02:42Sorry!

00:02:42Coltine! Coltine!

00:02:44Claudia!

00:02:45No, Dad.

00:02:46That the square of a number

00:02:47does not mean

00:02:48that it be a number with many corners.

00:02:49Are you going to tell me

00:02:50What is the square of a number?

00:02:52Are you telling me?

00:02:54Are you going to tell me?

00:02:57Are you going to tell me?

00:02:58I don't remember now.

00:02:59I'm thinking about someone else now...

00:03:00What do you mean I don't have my head?

00:03:01for these things now?

00:03:02It is a number multiplied by itself.

00:03:05That is.

00:03:06It's perfectly clear.

00:03:07This is a piece of cake.

00:03:08These operations are done in the air.

00:03:10Okay, what number to square?

00:03:12Let's see.

00:03:1315,311 with 67.

00:03:18Well, it is said...

00:03:19It is said...

00:03:2015,311 with 67.

00:03:25By.

00:03:26By.

00:03:26Don't even...

00:03:27No.

00:03:28If not, then.

00:03:28Yeah.

00:03:29Just because, huh?

00:03:30Yeah.

00:03:3015,311 with 67 are...

00:03:35Are...

00:03:36Look there, there.

00:03:40Are...

00:03:40It's already eleven o'clock and you should be in bed.

00:03:44Come on, you're dying to become a tyrant.

00:03:46Come on.

00:03:46It's just that I didn't know my homework, Dad.

00:03:48I've made it perfectly clear, haven't I?

00:03:50Let's give your mother a kiss and go home.

00:03:52Your sister is alone, and you know I can't stand a disorganized life, right?

00:03:55Because I want to be an artist, Dad.

00:03:57Bullshit, you'll be someone important who never works.

00:04:01You will be...

00:04:01Politician, huh?

00:04:04What I like most is being a trapeze artist.

00:04:07Oh, trapeze artist up there.

00:04:08Or strong, like that tall guy who works here in a panther suit, who's got more muscles.

00:04:12Here, take it.

00:04:13It's no nonsense, okay?

00:04:14And don't come in making noise, you know your mother doesn't like surprises.

00:04:17Fear, muscles, right?

00:04:27What's wrong? Is it our mom?

00:04:32No no.

00:04:34This...

00:04:34He will already be on stage.

00:04:35Amalio, you go.

00:04:38Yes, my wife is waiting for me on stage.

00:04:40Thank you.

00:04:41Álvaro, go home.

00:04:42And what about homework?

00:04:43Leave them on the dining room table.

00:04:44I'll do them before going to bed.

00:04:46Okay, okay.

00:04:47Give me a kiss.

00:04:50God, Dad.

00:04:55Was it possible?

00:04:58But what are you doing here?

00:05:00To prove that you are a slut.

00:05:01Me, a slut?

00:05:02Like a piano, and I could hear you leaving my face.

00:05:04It's not easy!

00:05:05If you touch her, I'll squeeze you like a fig.

00:05:09Figs are not squeezed.

00:05:11I do.

00:05:17Well, make me some slightly runny fig juice.

00:05:29Emilia, Amalio, on stage, man.

00:05:32Well, we'll talk about this at home.

00:05:36You shameless person, you're a shameless person.

00:05:37And you're a pain in the neck!

00:05:37That's who you are.

00:05:38Until the children find out.

00:05:40You and the kids are a pain.

00:05:42Should I go home and wear them?

00:05:44That baby won't fall!

00:05:45Like the ones he squeezes, right?

00:05:46Scoundrel.

00:05:47And now, ladies and gentlemen, we present the great fantasy dance couple, Emilia and Amalio, in Apache tango.

00:05:54Tila is killing me, she's killing me.

00:05:55No, woman, your husband is an idiot, but he's a professional.

00:05:58Taking advantage of the Apache dance, it kills me.

00:06:00It kills me, now.

00:06:11The fabric.

00:06:12No, nothing more.

00:06:18Hey?

00:06:18No, no, nothing more, not me.

00:06:21Yeah, right?

00:06:22Well, look at the state of my shoe, huh?

00:06:24Ah!

00:06:32But what is this?

00:06:33Oh, no.

00:06:34Well, this is nothing.

00:06:36No, wait, no, yes.

00:06:40You'll find out from me.

00:06:42You'll find out.

00:07:54Let's see!

00:08:00Sorry!

00:08:02Sorry!

00:08:08You can take it now, Angel Cristo.

00:08:27With what fig juice, huh?

00:08:29But what happened? Was she raped by knife thugs?

00:08:32No, doctor. It was a workplace accident.

00:08:35Non-work-related.

00:08:36Attempted murder.

00:08:37At eleven seventeen sharp he tried to kill me.

00:08:39Come on, woman, don't get so worked up, it's just a few little cuts.

00:08:42The problem is that as a magician you're a disaster.

00:08:44But why don't you become a civil servant in a ministry and see if you can bring some order to your life?

00:08:48My calling is magic.

00:08:50Your calling is to become a widower.

00:08:53But are you married?

00:08:55Yes, sir. And we have three children. Two boys and a girl.

00:08:59If this cut is a little deeper, the three of them will be left orphaned.

00:09:03Do you see it? Do you see it?

00:09:05Decide, Florencio. It's either magic, or me.

00:09:08Woman, magic is my life.

00:09:10Oh!

00:09:11Then you can keep her. I can't take it anymore. I'm fed up.

00:09:13I'm going to live in Huelva with my mother.

00:09:15And we're going to see a lawyer to sort out our divorce.

00:09:18Sign here, ma'am.

00:09:19And when will we finally be divorced?

00:09:25The court proceedings are quick. About two months.

00:09:29It's going to feel like two damn years.

00:09:31And you sign here too.

00:09:32Couldn't those procedures be expedited a bit?

00:09:35It's not up to us. That's a matter for the special divorce court.

00:09:38If needed, I'll help them type it up, whatever it is.

00:09:41Well, you know what? I'm glad I took this step.

00:09:44And me. When I leave this office, I will never see you again.

00:09:47I have exactly three minutes, twelve seconds left.

00:09:50That's how I like it. Just like always.

00:09:52At the minute, second, and tenth.

00:09:54Ah, life is all about order and organization.

00:09:57But not that much, mate.

00:09:59I've been sneezing for twelve years now, that's for sure.

00:10:02And is that a reason to get involved with a strongman?

00:10:04Yes, to be free.

00:10:06What an exaggeration.

00:10:07Exaggeration.

00:10:08If you even force children to poop at eight thirty-two every morning.

00:10:11The gut needs to be trained.

00:10:13But you want your intestines to be engineers.

00:10:15And speaking of children, what do you plan to do with your kids?

00:10:18They stay with their father until the judge decides.

00:10:20They'll stay with my ex-husband, for now.

00:10:22So they can see what it's like to live inside a clock.

00:10:25And they'll be very happy, you'll see.

00:10:27They'll have a blast doing whatever they want.

00:10:29Coming to the theater every night.

00:10:31Oh, and going into the toilet at three in the morning if they feel like it.

00:10:34I'm going to give you a schedule that you'll follow religiously and be so happy.

00:10:37Here's the draft.

00:10:40Get up at eight o'clock.

00:10:41Eight thirty, toilet.

00:10:42Eight thirty-eight, ass washing.

00:10:45Then teeth.

00:10:46Breakfast at nine.

00:10:47And nine fifteen, school.

00:10:48You know what I'm saying?

00:10:49I'm going to sell the fifty-three watches that are in the house.

00:10:52One moment.

00:10:53I'm keeping the house.

00:10:54Well, for you.

00:10:55You keep the house.

00:10:56Oh, and you get to keep your mother, who comes with the house.

00:10:59Let it be known, let nothing be known.

00:11:00The house, naturally, is for me.

00:11:04And you, and you're left with the crossbreed of the bitch.

00:11:06Laura?

00:11:08A saint.

00:11:09No.

00:11:09What a cute little dog.

00:11:10Always sucking up to his mother.

00:11:12Always in his little potty.

00:11:13OK.

00:11:14My dog and I are fed up with living in such a mess, full of dust and cobwebs.

00:11:19I'll find a nicer place to live with my children.

00:11:22And you, buy yourself a computer and get into it.

00:11:24I'll go wherever I can, which will be a tidy and comfortable house.

00:11:29You will live like a calculator.

00:11:31And you're like a dung heap.

00:11:34This is how your father will live, Doña Agony.

00:11:36This is how you will live, Ms. Chaos.

00:11:38Even if I smash your head in.

00:11:39Oh, you see, you've given me, you've given me, I'll finish you off.

00:11:43I'll finish you off, I'll finish you off.

00:11:45Mr. Lawyer, look.

00:11:46No, no, no, no, no, no, no.

00:11:56How's that humble worm doing?

00:11:58No joke, Castañeda.

00:11:59You've come to collect your money, haven't you?

00:12:01What do I owe you, vampire?

00:12:021,800.

00:12:031,800 pesetas for the rental of a crate and four odds and ends.

00:12:07It's been a month.

00:12:08Yes, I know.

00:12:10Alright.

00:12:10Have you made that arrangement with your aunt?

00:12:12Ah, yes, yes, yes, yes, yes, yes.

00:12:13And he has no problem renting you the house, but for a month from now.

00:12:16Don't bother me, Castañeda, because tomorrow I have to move somewhere.

00:12:18The problem is that he has tenants who want 5,000 pesetas to vacate the house.

00:12:21And of course, my aunt says it's the kind of thing an idiot does.

00:12:23Of course, and I have to be the idiot.

00:12:25Well, I didn't mean it that way, but my poor, helpless, paralyzed aunt can't...

00:12:28Please stop, you're going to make me cry.

00:12:31He's lucky because he gets paid today.

00:12:33Here it is.

00:12:36Can we go tomorrow?

00:12:36I'll make sure Florencio leaves the house free this afternoon.

00:12:39You're a friend, Castañeda.

00:12:41Shall we celebrate?

00:12:42Clear.

00:12:43Do you smoke?

00:12:44Clear.

00:12:44Well, take a cigar, the box is full.

00:12:46Go ahead, smoke it.

00:12:47Oh, what a fright, mother!

00:12:50But you have no sense of humor, Florencio, no sense of humor at all.

00:12:56Good morning.

00:12:57Hello.

00:12:58How are you?

00:12:58Well, if you're here to get paid, you're in for a surprise.

00:13:00Amalio, you owe me a frear.

00:13:01The ruffled blouse for the rumbas and the outfits from the Apache issue.

00:13:04Well, you're not going to get paid, you see.

00:13:05Because?

00:13:06We have dissolved the couple.

00:13:07And so?

00:13:10Woman, she's gotten involved with the strongman and left me high and dry with the children.

00:13:15Wow.

00:13:16And I only have three thousand crazy pesetas to find myself a place to stay.

00:13:20Three thousand pesetas?

00:13:20Well, if my grandmother wanted...

00:13:23Hey?

00:13:24My grandmother has a small house she could rent to you, low rent, of course, but it has tenants and

00:13:28They want twenty thousand pesetas to vacate the property.

00:13:30Yes, I only have fifteen thousand.

00:13:33I offer them to you.

00:13:34I'm sure she'll say yes.

00:13:36And are you sure your grandmother will swallow it?

00:13:38My grandmother has been bedridden since the war ended.

00:13:40She'll do whatever I tell that poor old woman.

00:13:42Here, Castañeda, and fix it for me.

00:13:45I know you have a good heart.

00:13:47Don't worry, Amalio.

00:13:49You already have a house.

00:13:51Well, this is the house.

00:13:53What do you think?

00:13:54It's shit.

00:13:56Oh, father, it's disgusting.

00:13:57We don't have the money to live in a palace.

00:14:00Well, it seems to me that all that's missing is a flying witch.

00:14:03That's what you're here for.

00:14:04Okay, let's go inside.

00:14:05Push, go for it, work.

00:14:15Living at home with the order that my mom wanted, tomato.

00:14:19But now...

00:14:20There's a middle ground between keeping quiet and blowing the trumpet.

00:14:23I say so.

00:14:24Less complaining and more collaboration, guys.

00:14:27We won't have to bathe every day here, will we, Dad?

00:14:30Don't be a pig, Paquito.

00:14:32It's colder in here than outside.

00:14:35Well, it's even more of a shithole inside.

00:14:45Thank goodness we're a really filthy family.

00:14:47Because to clean all this up...

00:14:49Dad, can I put a floor on that piece of furniture?

00:14:54Don't be filthy, Paquito.

00:14:57Of course, it wouldn't be very noticeable, to be honest.

00:15:00Damn Castañeda.

00:15:02Let's take a look at the bedrooms.

00:15:03Anything to avoid sleeping with Dracula...

00:15:06Who is Dracula?

00:15:08One who drank a lot.

00:15:10If he was drinking a lot, he was definitely a taxman.

00:15:15Go ahead, Paquito, I'm going to fall.

00:15:20Watch out for the step.

00:15:24Watch out for the step.

00:15:25What are you talking about?

00:15:28Watch out for the step.

00:15:30What melon?

00:15:36You could have warned me.

00:15:39But, Dad, we were practically setting off rockets this time.

00:15:42Come on, come on, it seems like you've been bought by your mother.

00:15:44And that wretched Castañeda.

00:15:48Well, they didn't sell this to us by telling us it was the new Tauro suitcase model.

00:15:53This is the house, boys.

00:15:55Ah, but this is a house.

00:15:56It looks more like the castle of no return.

00:15:59I admit it's a bit neglected, but that's why we're here.

00:16:03It will look beautiful in a few days.

00:16:06As soon as we give it a good coat of paint...

00:16:09Let's put the windows back in place.

00:16:11Let's fix the walls.

00:16:12Let's strengthen the foundations.

00:16:14So, in four or five years...

00:16:16Okay, okay, don't make it sound so bad.

00:16:18If it's not necessary, it's already pitch black.

00:16:21Let's go inside, it's sure to be much nicer than the outside.

00:16:25I have my doubts.

00:16:27Noble old man.

00:16:28Don't call me old.

00:16:30He called you a noble old man, which is not...

00:16:32Come on in, come in.

00:16:34Come on, come on, Laura, come on, come in.

00:16:35You've stepped in a puddle and you have a cold that's calling you.

00:16:39Wow! How's this going?

00:16:43Don't go in, Dad.

00:16:44Knowing you could give you a heart attack.

00:16:46Who to me? You're exaggerating.

00:16:52That Castañeda is a pig.

00:16:55If that Castañeda guy is the previous tenant, then I'm sure he's a pig.

00:17:00We're going to have to put poor Laura in a smock.

00:17:02Well, anyway, as soon as we get down to work a little, okay?

00:17:07Just a little bit, my carriage.

00:17:09We have to give it our all here.

00:17:10We'll do whatever it takes.

00:17:12And don't call me your carriage.

00:17:13Let's see if there's anything out there that isn't our harvest.

00:17:16I'm curious.

00:17:17If we open a tap, water will come out.

00:17:19It'll be crap, that's for sure.

00:17:20No swearing, okay, Mali?

00:17:22Your mother isn't here to spoil you.

00:17:24I know, my carriage.

00:17:26Huh?

00:17:26Oh, I mean, Dad.

00:17:28Oh man.

00:17:29This one is filthier than the other one.

00:17:31The beds are covered in a layer of dust.

00:17:32That shakes.

00:17:34The bathtubs have a crust.

00:17:35He scratches himself.

00:17:37And there are, and there are, and there are mouse droppings.

00:17:40Well, they get cleaned and that's it.

00:17:42You'd better not find fault with the house.

00:17:44It's ours.

00:17:45And we will live in it, whether you like it or not.

00:17:47Come on!

00:17:49Oh!

00:17:50Oh!

00:17:51Dad!

00:17:52He has killed himself.

00:17:54How are you?

00:17:55What has he done with the meat?

00:17:56What happened?

00:17:57Let's see.

00:17:58Come on.

00:17:59Wow!

00:17:59He hit me when he came back even dumber.

00:18:01I broke all my bones.

00:18:03Except for those from San Espedito.

00:18:06He was saving them for a snack.

00:18:09What happened?

00:18:10I fell down those stairs.

00:18:12There's a broken step.

00:18:14Yes, we'll have to fix it.

00:18:16Who?

00:18:16We, naturally.

00:18:18Very kind.

00:18:19Is he a carpenter?

00:18:21But he doesn't have to fix my house.

00:18:23How is your house?

00:18:24This house is mine.

00:18:25I rented it myself.

00:18:29I'm not laughing because my bones hurt.

00:18:31Santa's?

00:18:31No, mine.

00:18:33I rented this house myself.

00:18:36And I've paid 5,000 pesetas for the transfer.

00:18:38Wait a minute, I showed off the bitch.

00:18:40The same ones I paid for.

00:18:41Well, he almost did.

00:18:44It's an old trick, my friend.

00:18:46Let me see the receipt.

00:18:48What do I receive?

00:18:49Well, the one they gave him when he handed over his money.

00:18:52They didn't give me a receipt.

00:18:54Oh, come on.

00:18:56Hey, well they didn't give it to me.

00:18:59Naturally.

00:18:59How are they going to give it to him?

00:19:01Well, they should have given it to me the way they gave it to you.

00:19:02The fact that?

00:19:03The receipt.

00:19:04Did they give it to him or not?

00:19:05Let's see it.

00:19:06Well, they didn't give it to me either.

00:19:10Listen, for God's sake.

00:19:12By divine charity.

00:19:14What kind of nerve do you have?

00:19:15He demands proof from me that you don't have.

00:19:18I was wondering if you had it.

00:19:20But I see that they've tricked us both.

00:19:24Castañeda?

00:19:25Tastañeda.

00:19:28Shameless.

00:19:30Well, let's see what we do because my children and I aren't moving from here, okay?

00:19:33Oh, neither are we.

00:19:35Right, guys?

00:19:36Where are they?

00:19:38What's happening?

00:19:39Casseroles, pots and pans.

00:19:50Two pots and an old fork.

00:19:53Each one of his father and his mother.

00:19:57They are living together in love.

00:20:01Two spoons hitting a pot.

00:20:04For now, a drumroll.

00:20:07A funnel has been blown with the soul.

00:20:11How obvious is it that his father is an artist?

00:20:13Ah, you too are alive by a miracle.

00:20:15Yeah.

00:20:16Florencio, magician.

00:20:18Meetings, communions, children's parties?

00:20:21Amalio, fantastic dancer.

00:20:23Thank you.

00:20:23Flies and birds live together.

00:20:26Why don't you and I live together?

00:20:30Casseroles, pots and pans.

00:20:33Two pots and an old fork.

00:20:37Each one of his father and his mother.

00:20:40They are living together in love.

00:20:44Two spoons hitting a pot.

00:20:46They soon form a drum roll.

00:20:51A funnel has been blown with the soul.

00:20:54It becomes a beautiful saxophone.

00:20:57From now on we're going to have to make the soup in the urinal.

00:21:05Yes, and the famous ones in the bidet, for sure.

00:21:06The bull and the bullfighter live together.

00:21:10The cat and the mouse live together.

00:21:13The daughters-in-law and mothers-in-law live together.

00:21:17Why don't you and I live together?

00:21:20Casseroles, pots and pans.

00:21:23Two pots, an old fork.

00:21:26Each one of his father and his mother.

00:21:30They are living together in love.

00:21:34Two spoons hitting a pot.

00:21:38They soon form a drum roll.

00:21:41It's clear that the boys have bonded well.

00:21:44Yes, we're going to have to live together.

00:21:47But I think I need to fix this a bit.

00:21:56Little by little, it will need a lot of fixing.

00:22:01That lamp further to the left.

00:22:03And don't rhyme it to the sweater that's getting dusty.

00:22:05Oh, Dad!

00:22:07I'm leaving the cassette here for rehearsal.

00:22:11Come on, man, with more force, with more cold.

00:22:13Does Mr. Marqués have any complaints about the service?

00:22:16This dog always has puppies in its mouth.

00:22:19Thank you, Mario.

00:22:20Go on, put the doormat at the door.

00:22:23Let's see if you learn something, you filthy bum.

00:22:26One moment.

00:22:27My dog is resting.

00:22:28Hey?

00:22:29Because he suffers from high cholesterol.

00:22:31Do you understand?

00:22:32Yes, yes, yes.

00:22:34Where do I put my dad's box of tricks?

00:22:36How about in the basement?

00:22:38And what about right under your nose?

00:22:40Okay, leave it at that.

00:22:42The dog is really spooky.

00:22:43Where is this going?

00:22:44Leave it here.

00:22:45And take this little record player to the girls' room.

00:22:47Okay.

00:22:47Look at her.

00:22:48If his neck were the valance...

00:22:50Nora.

00:22:50It's time to have your glass of skimmed milk.

00:22:53What are you saying?

00:22:54My dog also suffers from stress.

00:22:57Oh, yes, that too.

00:22:59Mario, don't make so much noise, you'll wake Margaret Thatcher up.

00:23:03For the sake of divine charity, let us be human.

00:23:05But what divine charity are you talking about?

00:23:07It seems that change has come for everyone except your dog.

00:23:09Thank goodness the poor deaf woman was there, otherwise...

00:23:11Carroza, where do I put this cabbage?

00:23:13Leave it there.

00:23:14Oh, and take this lamp to my bedroom.

00:23:16And don't call me Carroza, this is Carroza.

00:23:19Okay, Amalia, where should I put this chair?

00:23:20I don't know, while we think about it, take this flowerpot to the porch.

00:23:23Is my case getting clean?

00:23:25Who wants the portrait of the previous tenant of this castle?

00:23:28Where do I leave this?

00:23:30Where did you find it?

00:23:31Inside the oven.

00:23:32Well, put it back in and brown it a little.

00:23:34Where can I find a hammer to hang this curtain?

00:23:37Should I hang this mustache up or throw it in the fireplace?

00:23:39Who's going to help me make the beds?

00:23:41And my rag?

00:23:42Where is a hammer?

00:23:43What a headache!

00:23:44Where is a hammer?

00:23:49But what's going on?

00:23:51We don't have afternoon tea in this house.

00:23:53Look, look.

00:23:54He does it whenever he's hungry.

00:23:56Oh, really?

00:23:56Yeah.

00:23:58Speaking of hunger, we need to buy some food.

00:24:01Give the boys some money and we'll figure things out later.

00:24:04You give it to him, I don't have any change.

00:24:06Just give them one of five thousand, they'll change.

00:24:07The last time I saw one of the five thousand, Castañeda took it.

00:24:09He doesn't have any money?

00:24:11Money, forty or sixty pesetas, and you?

00:24:14Ugh, if I had forty pesetas I'd be sailing in Mallorca.

00:24:17But why are you so stiff in those clothes you're wearing?

00:24:20Ah, no, this is from the visa.

00:24:22From the eyesight?

00:24:23No, it was from my mother-in-law's Visa card, which we stole and used to buy clothes for the children and myself, but it's been taken back from me now.

00:24:29Okay, then, Francisca, take three hundred presents, stretch them out as much as you can.

00:24:33Okay, Dad.

00:24:34I love myself!

00:24:35I want a box of chocolates!

00:24:37I'll buy whatever I want, that's what being the woman of the house is all about!

00:24:40You'd better drag her along, she's really lazy.

00:24:43Look at her.

00:24:45Hey, don't take my dog out on the street, it makes her dizzy.

00:24:47Don't worry, Mario has taken a first aid course.

00:24:50Also?

00:24:51Yeah.

00:24:52Amalio.

00:24:53That?

00:24:53We have to do something, we have to work.

00:24:56Yes, I really need a partner for my Apache dance.

00:24:59Hey, how would you look in your women's dress with a red garter on your thigh?

00:25:07Your father, your father would be fine.

00:25:09My father is too old for those things.

00:25:11I have an idea that might work.

00:25:15Are you afraid of electricity?

00:25:18Horror, I see a kilowatt and I faint, imagine that.

00:25:21Well, even better, I have a trick that could make us rich.

00:25:25Come with me.

00:25:26Where to?

00:25:27We're going to change our clothes and go visit a businessman friend of mine.

00:25:31But, Florecio, son, that business with magicians is already very common.

00:25:33How are we going to do it? No.

00:25:34We will call ourselves the monsters of magic.

00:25:36Monsters of what?

00:25:37Of magic.

00:25:38It's a completely new thing he's invented.

00:25:40Trust me, I've never failed.

00:25:42Okay, look, you're going to give me a test in ten minutes, okay?

00:25:46OK.

00:25:46Come on, let's go.

00:25:48What kind of success are we going to have?

00:25:50You're sure?

00:25:50This whole light bulb thing worries me.

00:25:52Don't worry, man.

00:25:54You pick up the light bulbs with your hands.

00:25:56You are the electric monster.

00:25:57At that moment I discreetly connected the power and...

00:26:02This whole thing with electricity makes me feel uneasy.

00:26:03Don't worry.

00:26:04Don't worry, you're with me.

00:26:06I never fail.

00:26:07Yes, yes, but I don't know if...

00:26:09What's the matter?

00:26:10What's wrong?

00:26:11Did I burn myself with the light bulb?

00:26:12This is off to a bad start, isn't it?

00:26:13But, man, it's a bad start if you touch that one.

00:26:14You have to take the ones that are rigged.

00:26:16Hey?

00:26:17It's going to be spectacular.

00:26:18Get ready.

00:26:19Get ready.

00:26:20I don't know, I don't know.

00:26:21Come in here.

00:26:22Okay guys, start whenever you want.

00:26:46It's my monster, my monster.

00:26:52Let's see what this single woman has to offer.

00:26:58There is nothing.

00:27:01Do you do it like this?

00:27:03That's what Suárez has left us with.

00:27:09The skull thing was funny, wasn't it?

00:27:11There is nothing.

00:27:20Bocho, get up, throw off your robe.

00:27:23Bocho, get up, throw yourself off the mattress.

00:27:27Aaah!

00:27:33I'm going to disconnect the battery.

00:27:36There it is.

00:27:37Now the other one.

00:27:41There it is.

00:27:45You don't turn me on!

00:27:48Open your eyes!

00:27:51Raise your hand!

00:27:53Aaah!

00:27:55Works! Works! Hey, hey!

00:27:59Above!

00:28:01Above!

00:28:03Speak! Motorcycle! Speak!

00:28:05To you! To you!

00:28:07To you, Mother!

00:28:14Get down! Get down!

00:28:15Get down! Get down!

00:28:17Low!

00:28:19At the table!

00:28:23Put the table in!

00:28:25Break the table!

00:28:27Damn it!

00:28:29Alín! Ai!

00:28:31Poo poo!

00:28:33L'has broken! L'has broken! Hey, hey!

00:28:35Ow, ooh, ooh...

00:28:39Go away! Go away!

00:28:41Go to the other table! Go away!

00:28:43How does danger affect me?

00:28:49Go for it, go hard.

00:28:55Give it your all, go hard.

00:28:58Oh, your father, you wretch, what have you put on the table!

00:29:00I don't know, maybe they changed it on me.

00:29:01Be careful with this stuff, or I'll break it.

00:29:04Here, give this one a try, it's the tricked one.

00:29:06You're sure?

00:29:07Ah, yes.

00:29:13Ole, my monster, who is the biggest monster in Spain!

00:29:28No way, dude, that really looks like my dog.

00:29:29And now, my terrible monster, charged with the electrical energy of the storm, is going to be a demonstration of voltaic accumulation.

00:29:43C wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow.

00:29:50Grab this bolfilia.

00:29:52Beware of Bolphilia.

00:29:53Don't worry.

00:29:55Bolcho, another Bolphilia.

00:29:56Yes, right, good, good, good!

00:30:00And now, the high-voltage current accumulated in the storm clouds,

00:30:06It will pass through the body of the drum and the balls will light up.

00:30:12Don't worry, nothing's wrong.

00:30:15Careful.

00:30:16There is no child in my life who is the child like me.

00:30:19That's why I love you so much and give you my heart.

00:30:24It works! It works!

00:30:26This is going well, isn't it?

00:30:28I was saying that...

00:30:30I'm going to give it more speed.

00:30:32Take.

00:30:35A little more pace.

00:30:37Oh, what a drag!

00:30:39I'm getting an electric shock! I'm getting an electric shock!

00:30:42That damn sucker! I'm getting a boner!

00:30:44Oh my god, oh my god! That damn sucker!

00:30:47Take that! What a sexist!

00:30:49I'm getting a shock! That damn sucker!

00:30:51Suck it, you wretch!

00:31:00What's going wrong with this?

00:31:02The drum monster has given birth.

00:31:11Very good, mate.

00:31:12It's coming out looking like it's real.

00:31:14I'm getting all flustered!

00:31:17What did he say?

00:31:18That?

00:31:20The current is down, I'm amused!

00:31:23Can't.

00:31:25It has melted.

00:31:27Cut it out in there!

00:31:28He called me a charro!

00:31:29The power plant is going to give you trouble!

00:31:32And to the firefighters!

00:31:33Call a doctor!

00:31:35Better to see a priest!

00:31:37A priest, but one who's an electrician, you wretch!

00:31:40How awful!

00:31:40It's burning!

00:31:41Hey, do something!

00:31:41Come on, let's do it!

00:31:42Can't!

00:31:47Leave me alone!

00:31:48I'll fix this!

00:31:56Curro, open the door, we're stuck!

00:31:58I'm coming!

00:32:00By a miracle!

00:32:01No, I died by a miracle!

00:32:03No, that's you, man!

00:32:04What happened!

00:32:05Here, Dad, sit here, come on!

00:32:07Don't touch me, daughter!

00:32:08Your ponytail might catch fire!

00:32:10But what happened!

00:32:12Your father, who is a murderer!

00:32:16Don't listen to him!

00:32:17All for nothing, just a minor burn!

00:32:19You are welcome!

00:32:20And the doctor said that my bones were visible, without the need for X-rays or X-rays...

00:32:27Did they put their fingers in a socket?

00:32:29Don't confuse him!

00:32:30And that's a shame, because they made a mistake and charged him 110.

00:32:35But that, as it works well, is at 380.

00:32:37I would have hit some high notes...

00:32:39Racatatatata!

00:32:40Would you like something to drink, Dad?

00:32:42Yes, an asbestos sandwich, that insulates a lot.

00:32:45It was a minor accident.

00:32:48Sorry.

00:32:49I had been preparing this issue for years.

00:32:52And you're the one who sank it.

00:32:54I?

00:32:55And did you tell me I look like Miguel Ríos with colitis?

00:32:59I rack my brains to make this house work.

00:33:01And you've screwed up!

00:33:03Did I... did I screw up?

00:33:06Yes, yes, you...

00:33:07You've messed up!

00:33:09Do you know what you're doing?

00:33:12Kids, stand back, it's giving me a shock.

00:33:14You know what I'm saying?

00:33:16That?

00:33:17Hold me because my knee is shaking.

00:33:20Although I don't know where to sit because everything is a mess.

00:33:24Hey, if you want, there are benches in the park.

00:33:26If you don't like how the house is, you leave.

00:33:29Get out of here, you dirty uncle.

00:33:31Because of you, this isn't a house.

00:33:34It's the trash can.

00:33:36I like it the way it is.

00:33:38Well, not me.

00:33:40So we split the house in two.

00:33:41And that way there won't be any arguments.

00:33:44Well, we split it.

00:33:45It's dirty, uncomfortable, and dark.

00:33:50That?

00:33:51Not anymore.

00:33:52I was alone and didn't even approach her.

00:33:55I just plugged it in.

00:33:57Leave it, don't say anything.

00:33:59That way they have something to talk about.

00:34:00No, Flo, Flo, Flo, Florencio.

00:34:02That I am a power plant.

00:34:05He's not stupid, he's not stupid.

00:34:08You're picking up my way of speaking.

00:34:09It's not possible.

00:34:11Let's see.

00:34:12Have you seen it?

00:34:14Oh, oh, oh.

00:34:16What can we make in gold from you?

00:34:18Not me, not me.

00:34:19Are we going to end the electrical union?

00:34:21I see you listed on the stock exchange.

00:34:23The bad thing is that they make you a citizen.

00:34:25Your mother?

00:34:26Where?

00:34:27No, Mom.

00:34:28I feel so bad.

00:34:31What's the matter?

00:34:32Amario, what's wrong?

00:34:33What's the matter?

00:34:34Amario.

00:34:36The bad thing is that they are our parents.

00:34:38And we love them.

00:34:40But that's life.

00:34:42Oh, what happened?

00:34:44The house has gone to sink.

00:34:45I don't know, I don't know.

00:34:46Oh, what a motorcycle.

00:34:49Oh, my.

00:34:51Mario has come to rescue us.

00:34:54You have to be very patient with them.

00:34:57Why didn't you bring the little barrel of cognac?

00:34:59What happened to him?

00:35:01Let a cramp burn.

00:35:02He must have short-circuited his tail.

00:35:05Hey, are you sure you washed your ears?

00:35:08Of course, woman, with soap and a scouring pad.

00:35:10Have you put on clean underwear?

00:35:12Here it goes.

00:35:14Oh.

00:35:14Look, you've made them dirty again.

00:35:16You forgot to put on underwear.

00:35:18I'm very nervous.

00:35:20Because?

00:35:20She's our mother, isn't she?

00:35:22Yes, but since we don't live together now...

00:35:25Clear.

00:35:27It seems they're taking a while.

00:35:29Did you give yours the correct directions?

00:35:31Yeah.

00:35:32Look, here comes Mom.

00:35:37Mother!

00:35:38What a joy!

00:35:40Hello.

00:35:41You are so beautiful.

00:35:44Look, Mom, those are the boys who live with us.

00:35:53Hello, how are you?

00:35:54Very well, ma'am.

00:35:55Delighted to meet you.

00:35:58Can we sit down now?

00:35:59Yes, yes, please.

00:36:00Yeah.

00:36:03I've missed you all so much.

00:36:05And we love you, Mom.

00:36:06You live well.

00:36:09Do you eat enough?

00:36:11Are you happy?

00:36:12All the happiness one can have without a mother.

00:36:18You make me feel guilty.

00:36:22There's Mom.

00:36:23Come on.

00:36:24Here it goes.

00:36:24Mother!

00:36:27Mother!

00:36:28Hi, Mom.

00:36:30Dear.

00:36:37Mom, these are our housemates.

00:36:39The blonde one is her mother.

00:36:41How are you doing?

00:36:44Nice to meet you.

00:36:45Don't cry, Mom.

00:36:47You're going to infect us all.

00:36:49That's enough.

00:36:50You look very handsome.

00:36:54Did you wash yourselves properly?

00:36:55You will not eat anything between meals.

00:36:57Again?

00:36:58No, I've lost at least 15 kilos.

00:37:01Ha ha!

00:37:02What more could you want?

00:37:05You are also separated.

00:37:07Yes, ma'am.

00:37:08There is a divorce proceeding underway.

00:37:09Like me.

00:37:11The children have told me that you and your ex are also artists.

00:37:14We were dance partners.

00:37:15Emilia and Amalia.

00:37:17Ah, yes.

00:37:18I've heard about you.

00:37:19My parents were magicians.

00:37:21Gulinchun and Flor de Loto were their names.

00:37:23Yes it's true.

00:37:24I've seen some posters in some theaters.

00:37:27Hey, so why did you two separate?

00:37:29He wanted to kill me.

00:37:30Come on, Mom.

00:37:31A trick failed him.

00:37:32He did it on purpose.

00:37:33The truth is that Dad's tricks often fail him.

00:37:36She almost killed her husband.

00:37:37Do you see it?

00:37:38Just barely.

00:37:39Too bad!

00:37:40And why did you two separate?

00:37:43The excuse!

00:37:45I think it was my fault.

00:37:47Did you stab him with the swords?

00:37:49Oh, what did you say?

00:37:51We have to leave.

00:37:53When will we meet again?

00:37:55Next week.

00:37:56We will call you on the phone.

00:37:57Francisca, take care of your brothers.

00:37:59Okay.

00:38:02Goodbye, Mom.

00:38:04Next time I'll wear underwear.

00:38:06Goodbye, Mom.

00:38:08Bye bye.

00:38:09Allah, go with your friends, I'm not going to say that your punctual father will get angry.

00:38:15Daughter, oh.

00:38:16No way, he's very busy, fighting with Florencio, their father.

00:38:20They've split the house in two.

00:38:22Don't criticize him, your father should stop.

00:38:25Goodbye, Mom.

00:38:26See you next week.

00:38:28Daughter, look how rich you are.

00:38:33Bye bye.

00:38:34What a disgusting life!

00:38:46A strong guy shows up and swears eternal love to you.

00:38:51You give up everything for him.

00:38:53Because he was incredibly handsome.

00:38:56And suddenly you realize that what really interests you is what you've left behind.

00:39:00Ouch, even if he's your annoying husband!

00:39:05I quit to save my life.

00:39:08Is it that dangerous?

00:39:09He's a magician.

00:39:11But like all his tricks, they fail.

00:39:13My hair got burned in Murcia.

00:39:14In Vitoria he broke my ankle.

00:39:16In Lleida...

00:39:16Lérida put me in a box with three dogs and two rabbits.

00:39:20And after eight hours he hadn't been able to get any of the six of us out.

00:39:24What a life!

00:39:26Hey, do you love him?

00:39:27Yeah.

00:39:29Am I a masochist?

00:39:30And then...

00:39:32Then there are the children.

00:39:33That's the bad part.

00:39:35I am sorry, but...

00:39:37How do you ask for forgiveness?

00:39:39How do you say?

00:39:41I'm sorry.

00:39:42I ran off with a Fordudo and now I want to come back to you.

00:39:48Men are so picky about being cheated on.

00:39:52Are you going downtown?

00:40:02Hey?

00:40:02To the center?

00:40:03We can go together.

00:40:04What are you going to have?

00:40:04Hey?

00:40:05The cool.

00:40:06Now, head to toe.

00:40:07About time.

00:40:08Look at that.

00:40:20Pigs.

00:40:23Oh, Laura, I don't know how you manage to direct the barking at this pig.

00:40:25Mario, take this corny girl away before she smells the sausage.

00:40:38She's very refined, but she's always starving.

00:40:41Come on.

00:40:42Come on.

00:40:43Oh, it's gotten away!

00:40:45Come on, pick it up again.

00:40:46So.

00:40:47Alright, alright!

00:40:47What are you doing?

00:40:53Whatever I want.

00:40:54I'm in my own little corner of the world, aren't I?

00:40:55Okay.

00:40:56But what are you preparing?

00:40:58A dinner.

00:41:00I am receiving a distinguished young lady.

00:41:01Does it matter to you?

00:41:02Of course I care.

00:41:03I sent the kids to the cinema because I'm meeting up with a girl to eat a hamburger here at home.

00:41:07Tonight?

00:41:08Clear.

00:41:09Oh no, no, no, no.

00:41:10You're leaving.

00:41:10Not at all.

00:41:11You're the one who gets out.

00:41:12I'm at home.

00:41:12And I'm doing my own thing.

00:41:159 PM to 0 AM.

00:41:16She is.

00:41:24He's cornier than his dog.

00:41:26Good night.

00:41:27Good evening, Amalio.

00:41:28And forgive me, but I'm 36 seconds late.

00:41:31I'll have to excuse her since it's the first time.

00:41:33Do not step beyond the white line.

00:41:35The soles of your shoes could get dirty.

00:41:38Good night.

00:41:40Halo, Miladi?

00:41:41Who's saying hello?

00:41:43We are alone.

00:41:43Have the children gone to the movies?

00:41:45But the gentleman...

00:41:46Which sir?

00:41:47It's just me here.

00:41:48No, there's nobody here.

00:41:49It's just you and me.

00:41:51Alone.

00:41:51Just the two of us, yes, yes.

00:41:53Completely alone.

00:41:55A small glass of sherry?

00:41:56Yes, yes, please, yes.

00:41:58That's it.

00:42:00I'm coming, Titi.

00:42:01Don't despair.

00:42:03Oh, oh, here's your Spiderman.

00:42:05Well, like I said, there's nobody here.

00:42:06But that thing that was leaving is not a gentleman.

00:42:08No, he's a gentleman.

00:42:08It's a lump with legs.

00:42:09What are you going to do?

00:42:10What are you going to do?

00:42:11Abuse!

00:42:12Come on, Socló, because it's nine o'clock and we had arranged to meet at eight.

00:42:16Yes, go ahead.

00:42:17Don't step on the polished surface, you might take a nasty fall.

00:42:20Ochiti, Titi!

00:42:21What else is wrong, Dabuti?

00:42:23What's happening?

00:42:24Do you only clean halfway?

00:42:26I just like Sosea's counters.

00:42:29But there are going to be four of us.

00:42:31What's up, Chorbón?

00:42:33But, but, what are you saying?

00:42:34If it's just you and me.

00:42:36How only?

00:42:38And what is that duo, a poster?

00:42:39We are in the absolute mass of loneliness, trunk.

00:42:43The night is ours, Dabuti.

00:42:45What's happening?

00:42:46It's just you and me.

00:42:48There's nobody here.

00:42:49Well, give me a hit, I'm going to get the same blind spot as you, okay?

00:42:53That's settled, mate, let's go!

00:42:58Turn on, turn on, so as not to be outdone, okay?

00:43:01Coming right up, an flammable one.

00:43:03What kind of music do you prefer, Catalina?

00:43:04Mozart, Sibelius, Bach?

00:43:07Or the boleros of Plácido, Domingo and Lunes?

00:43:09Your expert teacher said so, Amalio.

00:43:11Alaska, pegamoides, Mecano?

00:43:13Or do you prefer a little orange one I have here in a Pink Floyd version?

00:43:18And that it's going to ruin your body?

00:43:19You're going to make me hysterical, huh?

00:43:22This isn't working, that's for sure.

00:43:25What's happening?

00:43:26Wait.

00:43:29I'm going for the cello!

00:43:31I'm going to look for a Donizetti record I have in the bedroom.

00:43:36Very good, splendid.

00:43:37Excuse me.

00:43:38Please.

00:43:38Oh!

00:43:43You bunch of lunatics!

00:43:45Normal!

00:43:51You're a vegetable person, aren't you?

00:43:52Ah, yes, yes, I swear to you.

00:43:54So these two are definitely Lala-touched, okay?

00:43:57Well, something does seem to be happening to them.

00:43:59Yes, I don't know what's wrong with me, because I always end up hooking up with crazy people.

00:44:03And what could we do in these circumstances?

00:44:05Well, whatever they want from us, what do we care?

00:44:09You are an illusion to me, okay?

00:44:13OK.

00:44:14And you're just another one of those mirages to me, okay?

00:44:17Okay!

00:44:20Here it is.

00:44:22It's a deliciously sad miserere.

00:44:25I apologize for keeping you waiting.

00:44:27Oh, don't worry.

00:44:28I was here, very calm, in this solitude.

00:44:31Oh, really?

00:44:33Yes, it's a very quiet house.

00:44:36Be careful, it's cold! Be careful, it's cold!

00:44:41Here's the cello.

00:44:43It's a little cold, but I found it in the fridge.

00:44:45Amazing, that's some sophisticated humor, huh?

00:44:46Yes, I do hit the jar from time to time, Chati.

00:44:48I like the Cubotelo, huh?

00:44:50Yeah?

00:44:51I just haven't found anything else.

00:44:53Hey, have you gotten bored during my absence?

00:44:56No!

00:44:57What a drop!

00:44:58I really like being alone.

00:45:00And since there was no one else here but me...

00:45:02Already.

00:45:08The lead is already there.

00:45:10The lead is already hitting Beethoven.

00:45:11Okay, let's turn on the stereo.

00:45:13Come on, strong, strong!

00:45:15Come on, go for it, go for it, go for it!

00:45:16Go up, go up, go up, go up!

00:45:18Wow!

00:45:21Wow!

00:45:22You look absolutely elegant, my dear.

00:45:24That?

00:45:25What did you say?

00:45:26You look absolutely elegant, my dear.

00:45:28Please, Amalio, don't upset me.

00:45:31Well, I'm glad she accepted my invitation, because I wanted to get to know her better.

00:45:38You'll break it!

00:45:40Nasas, you snot-noser!

00:45:42Well, you know what?

00:45:43I wanted you to come to my house because I wanted to get to know you better.

00:45:46So start undressing.

00:45:48Runs!

00:45:49You're such a jerk, buddy!

00:45:50Excuse me, Amalio, I didn't mean to come into your house, but she pushed me in.

00:45:54Of course, Tabuti!

00:45:55Yeah.

00:45:56A hug.

00:45:57Aren't you going too fast, Amalio?

00:45:59As you know, I'm about to get a divorce.

00:46:03And since I believe that the perfect state for man is marriage...

00:46:06It'll make me furious.

00:46:09Well, my divorce is just around the corner.

00:46:12Oh, really?

00:46:13So if you want, we can put our bodysuits together, okay?

00:46:15As proof that she accepts my good intentions, I wouldn't mind if I kissed her.

00:46:20Ah, you know I'm very serious and very traditional, I don't know.

00:46:24Yes, I know that when a Spanish woman kisses, she really kisses.

00:46:28Yes, indeed.

00:46:29So if you're okay with us doing something special, you're staying here tonight and sleeping with the guy, okay?

00:46:41Yes, man, yes!

00:46:43Kiss me, kiss me, girl!

00:46:54What are you doing here?

00:46:56Watching you kiss.

00:46:58But weren't you going to the cinema?

00:47:01It wasn't tolerated; it was one of Susana Estrada's things.

00:47:04Of course, she was chosen by someone I know.

00:47:06I thought Susana Estrada's were by Walt Disney.

00:47:10And why were you kissing? Do you love each other?

00:47:12Hush, darling!

00:47:13Catalina, allow me to introduce you to my children.

00:47:16Are they all yours?

00:47:18No, no, just two.

00:47:19Even so...

00:47:20Lola, this is my offspring.

00:47:22Guys, my team raise your hand.

00:47:24Ah, the eldest, Francisca the girl and Paquito the little one.

00:47:29Give us three, Don Francisco?

00:47:30Yeah.

00:47:31That was my wife's father's name.

00:47:34And because she loved him so much...

00:47:36Those who don't have their hand raised are Amalio, like me.

00:47:39But we call him Mali.

00:47:41And Emilia, like her damn...

00:47:42Sorry, like your mother.

00:47:45But we call her Mili.

00:47:47Children, I present to you Mrs. Catalina Sotero.

00:47:51With a bit of luck, she might become your future mother.

00:47:56Attention, troops!

00:47:57Our colleague is going to come and live with us one of these days.

00:48:00Every time you've been excited about the idea.

00:48:03Well, that doesn't look good.

00:48:04They're not going to start jumping for joy all of a sudden, are they, guys?

00:48:07Whatever you say, girl.

00:48:09Work!

00:48:10Don't push it, I'll work you out, okay?

00:48:11Well, guys, it's very late.

00:48:13Eat something and go to bed.

00:48:15Can we talk?

00:48:16Yes of course.

00:48:16The five of us came up with an idea.

00:48:19Okay, what's it about?

00:48:20We've created a job for you.

00:48:22Why don't you make a comedy duo?

00:48:24A what?

00:48:25Those who go out and say...

00:48:28Amalio, do you want such an ugly girl?

00:48:30I would never sleep with her.

00:48:32She's my wife!

00:48:33Ah, then yes!

00:48:37Wow!

00:48:39What are you saying?

00:48:40Go to the kitchen, you pigs!

00:48:44Scoundrels!

00:48:45Immoral!

00:48:46Come on, get out of here.

00:48:48That guy has no sense of humor!

00:48:49Come on, forgive them, Catalina.

00:48:51They're just kids.

00:48:51Oh, sure, sure!

00:48:52Hey, that was really funny, honestly.

00:48:54They're clumsy.

00:48:55Because just thinking that he and I are going to...

00:48:57Impossible!

00:48:59A comic duo and ten thousand.

00:49:00That's how the comedy duo profession is.

00:49:03Well, it's best to talk about that.

00:49:04Well, we don't talk about it.

00:49:05Catalina, can we have dinner?

00:49:07Whenever you want, Amalio.

00:49:09Okay, Chelly, would you like a Whopper?

00:49:12Cool!

00:49:12But with a pound of beak, please, please.

00:49:15Ah, yes, the Whopper, yes.

00:49:16Of course...

00:49:17Sorry.

00:49:18Of course, by doing something different...

00:49:20Well, if we thought about it a little...

00:49:24...selecting jokes.

00:49:26I know a place where we could get them.

00:49:30Oh, really?

00:49:31It should have a friendly, original look.

00:49:34I don't know, maybe American style.

00:49:38Striped jacket.

00:49:40Straw hats.

00:49:42A small stick.

00:49:43And some cheerful and fun songs.

00:49:45We're two guys who go out to have a good time.

00:50:02We are two funny guys who will cheer you up.

00:50:09We are a couple of rascals who have the intention.

00:50:15To entertain them with new jokes of his own invention.

00:50:23Hold on tight to your seats.

00:50:28Because laughter will knock them to the ground.

00:50:34Hey, do you know what happened to me yesterday?

00:50:36What happened to you?

00:50:38I went home and saw my wife lying on the sofa with a neighbor.

00:50:42That woman lying on the sofa with a neighbor.

00:50:45And what did you do?

00:50:47What did you do?

00:50:48And what did you do?

00:50:49I sold the sofa!

00:50:51I am the king of musicals.

00:51:03I am the king of musicals.

00:51:05We are the masters of fun

00:51:09Because we have a sympathy for stealing

00:51:13I am the king of the Music Hall

00:51:16I am the king of the Music Hall

00:51:19We're both funny guys

00:51:22I am the king of the Music Hall

00:51:27You know what?

00:51:29What thing?

00:51:30I have a parrot that quacks

00:51:33He says he has a parrot that quacks

00:51:36It is not possible

00:51:37No, parrots don't quack.

00:51:40Ah, mine does.

00:51:42Yeah?

00:51:43I've had it for 40 years.

00:51:46Very good, yes

00:51:49Very subtle

00:51:51Put it in

00:51:54What a bunch of jerks, they have no sense of humor

00:51:57It makes me want to cry.

00:52:00Our parents should be working in a bank.

00:52:03I am the king of the Music Hall

00:52:13I am the king of the Music Hall

00:52:17We are the masters of fun

00:52:20Because we have a sympathy for stealing

00:52:24I am the king of the Music Hall

00:52:28I am the king of the Music Hall

00:52:30There is no greater joker in the world

00:52:34I am the king of the Music Hall

00:52:37From the Music Hall

00:52:40There is no greater joker in the world

00:53:10Well, it wasn't so bad.

00:53:12I have heard some laughter.

00:53:13Yeah

00:53:14See you in Vegas

00:53:15In a place in Murcia

00:53:17Picking lettuce, tomatoes

00:53:18How should I know?

00:53:19We need to work in television

00:53:20Yeah

00:53:21They'll come asking us for it, please.

00:53:23There are 300 million

00:53:25Forward

00:53:26Look

00:53:28Man

00:53:29Pass, pass

00:53:31Well, we've been successful, haven't we?

00:53:35You will have liked it

00:53:36Decide something

00:53:38Happens

00:53:39Forward

00:53:41Maroto

00:53:41Forward

00:53:42Man

00:53:44We liked it, didn't we?

00:53:46Well, the truth is

00:53:47I can speak with confidence

00:53:48They are our children

00:53:49Yeah

00:53:49Well, it wasn't bad.

00:53:52Of course

00:53:53You need to perfect the number

00:53:55Naturally

00:53:56We plan to change the jokes every year

00:53:59Well, I came to tell you that

00:54:01You cannot continue

00:54:03You made your trial debut

00:54:06And without any commitment on my part, remember that.

00:54:08Yes, yes

00:54:10The number is fine.

00:54:11But it lacks originality

00:54:12Something new that will catch your eye

00:54:14The public now

00:54:16Tune up a lot

00:54:17I'm sorry

00:54:19The boys are very handsome

00:54:23We had to do something right.

00:54:25I'm sorry

00:54:27Bye

00:54:28Bye

00:54:29But what does Maroto know about Music Hall?

00:54:32It's turned very dark, but it's not that bad.

00:54:33That gentleman is right.

00:54:36What you're doing is really boring, dads.

00:54:40But, how are you dads?

00:54:43I am your father

00:54:44I did it on behalf of everyone.

00:54:45So, did we like it?

00:54:47In confidence, parents

00:54:48It's horrible

00:54:49But what do you know?

00:54:52None of us laughed.

00:54:54When we told you to put on a funny act

00:54:56It's because

00:54:57We already have an idea

00:55:00With the same music that you used

00:55:03Don't tell me you've put on a show

00:55:04Yeah

00:55:05And if you want, we can go out now and show you.

00:55:07Come on, if you don't understand any of this

00:55:09Go and see for yourselves.

00:55:10Come on, if you don't understand any of this

00:55:26If this is the world we live in

00:55:39You want to win him over

00:55:42Aggressive and current language is needed.

00:55:47And?

00:55:48If a picture is worth a thousand words, they usually value

00:55:53Look at this example

00:55:56Change your style

00:55:57And it will triumph

00:56:00Woof, woof, woof, woof!

00:56:02It's mine

00:56:03Choro, tiro, carroza, macho and compañero

00:56:08These are the words you can now give yourself

00:56:13They mean we have to change

00:56:17And they may be right

00:56:19Dude, you're awesome!

00:56:23Carrota is a sixty-year-old

00:56:26Now, let's get to work

00:56:27To any male

00:56:29And it's the final step that everything happens to

00:56:33Dude, you're awesome!

00:56:36Carrota is a sixty-year-old

00:56:39What's up, man?

00:56:40You're a flirt.

00:56:41Dude, you're awesome!

00:56:44Dude, you're awesome!

00:56:52What a treat!

00:56:54How I suffer!

00:56:56And with chains around their necks like they were dogs.

00:56:58Guys, it's really cool, you've got a sixty-year-old in your car

00:57:04They call any man a macho, and that's a step taken by a guy who's into everything.

00:57:11Guys, it's really cool, you've got a sixty-year-old in your car

00:57:17What's up, dude? You're a player.

00:57:20Guys, it's awesome, dude, it's awesome

00:57:27Guys, it's awesome

00:57:33Amalio, Florencio, fantastic, I'll hire you for that act, but with the children, all together.

00:57:41Well, you see, we have a lot of offers and honestly, I don't know

00:57:45We were only planning to do America this year

00:57:47Please disregard, sir, we accept

00:57:49Prepare the contract so we can sign it right now.

00:57:51Right now, daughter

00:57:53But to advertise it in such large letters as this

00:57:56Don't complain about the table; we've respected your preferences.

00:58:02We, the filthy family, stand there

00:58:05And you, the marquesses, here

00:58:08They're both maniacs, but you know how it is.

00:58:11Father, there are only two

00:58:13I like to eat, but I like being an artist even more.

00:58:15Well, one thing doesn't take away from the other.

00:58:17Work!

00:58:20Work!

00:58:21Work!

00:58:23How do you want your steak?

00:58:25Very big

00:58:25I mean, yes, very well done or not

00:58:28Well, more on the raw side, but very fried

00:58:31Well, the important thing is that it's very big

00:58:33How do you fix mayonnaise?

00:58:35What happened to him?

00:58:35What has been cut off?

00:58:37Well, put some mercurochrome on it and a band-aid.

00:58:39Do whatever it takes, but do it quickly, because they're coming.

00:58:42Okay, we're really excited to prepare this banquet for the floats

00:58:45Come in, come in, let's celebrate our contract

00:58:49In style

00:58:50I'm going to make a seafood salad, which is my specialty.

00:58:52It fits me perfectly.

00:58:53I only know how to make fried eggs, but I fry them for Budi

00:58:56Oh, look!

00:58:58The boys have set the table

00:59:00They're clever.

00:59:02We have a surprise for you.

00:59:03Catalina and Lola are going to make dinner tonight.

00:59:06What do you think?

00:59:08Great, we love the idea!

00:59:09I knew we were going to make you happy!

00:59:12Well then, let's go to the kitchen

00:59:13Hey, guys, were you guys preparing dinner?

00:59:16No, we prepared it for the neighbor's cats.

00:59:18And what is that thing you have in that container?

00:59:21Ground cord, mate

00:59:23So, let's go inside, auntie?

00:59:26Okay, we'll join you, let's prepare some appetizers.

00:59:28I'll put the pits in the stuffed olives.

00:59:30I find them a bit stiff

00:59:33Especially the dog

00:59:35The truth is, my mother had a clock in her stomach.

00:59:39But I prefer her to crazy.

00:59:41Well, because we were careless

00:59:42They're getting married with these two poultices

00:59:44Well, something has to be done.

00:59:45What if we kill them?

00:59:47Wow!

00:59:48No

00:59:48An attack plan must be put in place.

00:59:52I have an idea, come

00:59:53Let's see, let's see

00:59:54But hey, guys

00:59:59And how did you come up with the idea of creating such a big scene with the kids?

01:00:01Well, it was my idea.

01:00:02I can't believe it, Amalio

01:00:04Making creatures work can't be their idea

01:00:07This was actually my idea

01:00:09It's just that I hit the car every now and then.

01:00:11What a smart aleck, huh?

01:00:13What happens to the minors?

01:00:14And you, go live your life, father

01:00:15Normal!

01:00:16Yes, hello

01:00:17The truth is, they came up with it.

01:00:20Ah, well, that's another matter.

01:00:22What should be done now?

01:00:25You're going to help me peel prawns.

01:00:27Well, I'd get high to get myself in the mood, you know.

01:00:30Wait a minute, guys, we've forgotten the ice cream

01:00:32Ah, I'm going for him!

01:00:33Well, I'll go with you and get high while I'm at it.

01:00:35I'll go with you

01:00:37Give me, give me that apron, dear, please

01:00:43Yes, miss

01:00:44What's wrong with him?

01:00:46Nothing, she's just sentimental.

01:00:47Because?

01:00:48I don't want to bother you with my family problems.

01:00:51So, what's going on?

01:00:54Nothing, nothing

01:00:55Hey, are you sure your dad is that sick?

01:00:59Yes, it's an illness he caught while working in Angola.

01:01:03Yes, it's like arthritis

01:01:05Over time, the bones shrink, shrink

01:01:08And the person keeps diminishing, diminishing

01:01:10That's the bad part

01:01:12In two years I'll have to put my father in the crib

01:01:15As if it were a little gem from Gésmar

01:01:18And how do you know he has that disease?

01:01:21Because his bones crack as soon as he moves.

01:01:23And who suffers from this disease you're talking about?

01:01:27Amalio?

01:01:27No, because my dad is very healthy

01:01:30Allah, let's prepare the food

01:01:32What's happening to your father isn't bad.

01:01:44No, not bad, but unpleasant

01:01:46Aerophagia is what it is

01:01:47Curro, what is aerophagia?

01:01:50Gas in the stomach

01:01:51Our father, as you can see, is not chubby.

01:01:53It's inflated like a balloon

01:01:55And how do we know that?

01:01:57His stomach is growling, he's a case

01:01:58Sometimes it feels like there's an earthquake

01:02:00It's a serious illness, but not fatal.

01:02:03No, not that you have to die, but you can't be an important person

01:02:07Imagine a minister whose stomach is rumbling.

01:02:09Well, since they talk so much, you can't tell.

01:02:13Whose stomach is rumbling?

01:02:15A... this

01:02:16Me?

01:02:17They are the sounds... of ruin

01:02:21This one?

01:02:23Could it be Florencio?

01:02:25To my father?

01:02:27No

01:02:28Yeah, yeah

01:02:29Here's the ice cream

01:02:33Well, he's right, I've heard him too.

01:02:36The one you heard about?

01:02:37Nothing

01:02:37To that very nice young lady

01:02:39Catalina

01:02:40His bones are rattling.

01:02:41It must be rheumatism.

01:02:42Rheumatism at his age?

01:02:43She's probably older than she says.

01:02:44And who told you his bones are rattling, huh?

01:02:48I've heard her

01:02:49Me too

01:02:50Me too

01:02:50They do it like this.

01:02:51Ah, you're crazy

01:02:54When Florencio comes, he's parking

01:02:57You tell him I'm in the kitchen

01:02:58So crazy

01:02:59He has to say that his bones are rattling.

01:03:02I don't know

01:03:02I think that...

01:03:03Anyway, I'll listen and see, but I don't think so.

01:03:06Let's go, eh

01:03:07I need to change my car

01:03:10Because I put it in reverse

01:03:11And it has moved forward

01:03:12And I hit him.

01:03:12Yes, man

01:03:13I heard him say it

01:03:13His stomach is rumbling

01:03:14But she's a very cute girl

01:03:15And what does that have to do with anything?

01:03:17His stomach is rumbling a lot

01:03:18Whose stomach is rumbling?

01:03:20To Lola

01:03:21Like an earthquake

01:03:22Yeah?

01:03:23He will have an airplane

01:03:24No, man, aerophagia

01:03:26And what do I know?

01:03:28But you guys are crazy

01:03:30I've never heard his stomach.

01:03:32Because you speak very loudly

01:03:33But listen to them and you'll see

01:03:36Come on, come on

01:03:37You're all crazy

01:03:38Man, the women of the house

01:03:42How are you?

01:03:42How's that dinner going?

01:03:43They are with her

01:03:44Dad, until the food is ready

01:03:46Can we go play in the garden?

01:03:47Yes, do whatever you want

01:03:48And let's see if you can cheer these up

01:03:51What are Lola's stomachs rumbling about?

01:03:55And I haven't noticed?

01:03:56I'll find out.

01:03:57Is everything ready in the kitchen?

01:04:00Catalina is already in the boat

01:04:01So let's get ready

01:04:03I'm hungry, just so you know.

01:04:09It will be ready immediately.

01:04:10No, no, don't bend down

01:04:15I'm not going to sound something

01:04:17Oh, thank you, Amalio.

01:04:19No, I don't hate you at all.

01:04:21It's a wonderful night

01:04:27If it weren't for the onion

01:04:29Oh no, the slipper has come undone.

01:04:31Mother, I'm racking my brains over this onion.

01:04:34Hey, nobody knows.

01:04:35I'm going to the living room

01:04:36Hey buddy, will you come with me?

01:04:38Yes, of course, it happens

01:04:39Where are you?

01:04:41Did you drop something?

01:04:43It was the narcissist who...

01:04:44Come in, come in

01:04:46Let's see over there

01:04:48I can't hear him at all, how strange

01:04:50Catalina, I wanted to tell you that...

01:04:57I would also like...

01:04:59Just so you know...

01:05:01I would love you even if you were shorter

01:05:05Oh, really?

01:05:08Well, I'm no giant

01:05:10But there was even a time when I thought about getting a lift.

01:05:14But hey, I'm happy with my height

01:05:16Oh, yes, yes

01:05:17But what if you suddenly became that small?

01:05:21I wouldn't mind

01:05:23Well, I do hear you because suddenly becoming a dwarf like that

01:05:26Well, it has tomato, right?

01:05:28Speaking of tomatoes, I'm going to take this off my chest.

01:05:29I will love you, Amalio

01:05:31Even if I have to put him in a crib every night

01:05:34Well, I wouldn't mind if you were the one to change my diapers.

01:05:39I had to tell him, Amalio

01:05:42I'm much calmer now.

01:05:43Well, I appreciate your honesty, right?

01:05:47Because I would also have to tell him that...

01:05:50That the meeting is of no importance

01:05:52Oh, no?

01:05:53No, I think it's a very cute disease.

01:05:56Well, nice, nice

01:05:58Man, that hurts, huh?

01:05:59No, no, I adore rheumatic people.

01:06:02I love people with rheumatism.

01:06:03Moreover, all cars have four pneumatic tires.

01:06:06Well, five with the spare, then, and it gets punctured, of course.

01:06:08Don't worry, don't worry

01:06:16Stand up

01:06:17No, no, I like being like this

01:06:19With confidence, Amalio

01:06:21Up, value

01:06:22I'll help her

01:06:24Amalio, despite everything, I love him

01:06:32Me too, you too

01:06:34Oh, she's lost to arthritis and the poor thing

01:06:40Poor

01:06:42He's such a nice guy

01:06:44He's going to be left with a rubber doll

01:06:47You are not important, yes

01:06:49There are treatments, there are some really good suppositories that I know of

01:06:52Well, I don't know what's wrong with me today, I can't hear

01:07:17I can hear almost nothing on this side.

01:07:19What a coincidence, it happens to me too.

01:07:22I have the same problem, I don't

01:07:23Come on, I can't hear anything.

01:07:25No?

01:07:26Well then, let's make a toast

01:07:28Cheers

01:07:29Were you saying something?

01:07:37No, no, not me, no, no

01:07:39It seemed to me, it seemed to me that you were saying

01:07:42I?

01:07:48Yes, you

01:07:49And why would I say such a stupid thing, huh?

01:07:54Yes you're right

01:07:55Come on, let's talk straight, auntie

01:08:03I really like the sound of stomach noises.

01:08:07Well, I'm glad because I really like it too.

01:08:09Hey?

01:08:09So, how about an olive?

01:08:11A little olive

01:08:12Well

01:08:16The thing about the guts, I heard it myself, I'm not deaf

01:08:20Happens

01:08:20But this

01:08:22I agree.

01:08:24Let's see, let's see, let's see

01:08:26Let's not pretend, because by doing so

01:08:29Man, no

01:08:32This already sounds bad to me.

01:08:33Taking advantage of the fact that I do this

01:08:35So that you

01:08:35I think some of those types are a bit unrefined.

01:08:39Let's not blame the innocent, okay?

01:08:43Because it was you, it was you, yes

01:08:46I?

01:08:47But if it was you who did it like that, man

01:08:48Come on, you have to learn to control yourself when you're in public, please.

01:08:55I say the same thing, I say the same thing

01:08:58Either you apologize, or I'm leaving right now through that door.

01:09:01Go away, daughter, because you're going to suffocate me.

01:09:05I?

01:09:06But what if you're the one who's sick?

01:09:08Am I sick?

01:09:09Yeah

01:09:09Look, I'm leaving.

01:09:11Because one will be modern

01:09:13But he doesn't have to put up with a fart.

01:09:14I?

01:09:17Me, a fart?

01:09:17Yes, you, fart

01:09:19You're a fart, man

01:09:20You fart

01:09:21You have more gas than a butane canister

01:09:23I'm a fart, I'm

01:09:24Come on, you wretch

01:09:25You're a wretch.

01:09:26Come on, go on, come on

01:09:26This is already over there, man

01:09:28Come on

01:09:28And then he blames me.

01:09:31Well, this time

01:09:37It had to be me

01:09:40And the fact is, no.

01:09:44Because come on, this should be

01:09:47In this constant back and forth between the nightclub and the studio

01:09:50Now it's the study's turn

01:09:52And more specifically to our circus ring

01:09:54In it we have a group that's going to be a huge hit

01:09:57It's about two parents with their five children.

01:09:59Yes, you heard right, two parents

01:10:01That's why they have such a strange name.

01:10:03Father, there are only two

01:10:04Forward

01:10:07It's here

01:10:11It's here

01:10:13The joy of the circus is

01:10:16It's here

01:10:18It's here

01:10:20The clown like you is

01:10:23It's here

01:10:24It's here

01:10:25It's here

01:10:27We want to make you happy.

01:10:30It's here

01:10:32It's here

01:10:34Get ready to laugh

01:10:37Cardboard noses

01:10:54On his feet, a big shoe

01:10:56And the pants were very short on the legs.

01:10:59The chagueta is in the feet

01:11:01The inside-out vest

01:11:03And on the face, colors

01:11:05That's how the clown is

01:11:07Not even the lion of emotion

01:11:15Not even the oldest man

01:11:18Not even the worst tamer

01:11:21Not even the shooter's shot

01:11:24Not even the daring jumper

01:11:28Not even the strongman lifter

01:11:31They'll manage to make a child laugh!

01:11:39Ha ha ha!

01:11:40Cardboard noses

01:11:56On his feet, a big shoe

01:11:58And the pants were very short on the legs.

01:12:02The chagueta is in the feet

01:12:03The inside-out vest

01:12:05And on the face, colors

01:12:07That's how the clown is

01:12:10Well, this is going well.

01:12:20We are the greatest

01:12:22We have gone from optimism

01:12:23Because we're just starting out

01:12:24And we still haven't seen a penny, huh?

01:12:25That's why, because we're just starting out.

01:12:27But everything will come in time.

01:12:28Yes, well, I hope it arrives soon.

01:12:29Because we didn't want to tell you

01:12:31But Castañeda says that if we don't pay him

01:12:33He's going to kick us out of the house

01:12:34What a scoundrel!

01:12:36In short, because we haven't paid him anything for six months.

01:12:38You'll have to wait

01:12:39Either you wait or I'll wring your neck.

01:12:42He will not wait

01:12:42Tomorrow he's going to show the house to some new tenants.

01:12:45If she likes it and they keep it

01:12:47He says he'll send some guards to throw us out.

01:12:49We can't do anything right, nothing goes right for us.

01:12:51Don't say that, Amalio

01:12:52Your dog and Mario get along very well

01:12:55You're right

01:12:56I've seen them kissing.

01:12:59Let's see if they make us grandparents

01:13:00They'll have to get married

01:13:01Well, they'll be the only ones who get married.

01:13:03Because we've had bad luck with girls.

01:13:05Well, yours had more rheumatism than an old woman.

01:13:09And mine, well, it's best not to talk about that one.

01:13:13And where are we going to live now, huh?

01:13:16We've had an idea

01:13:18Tomorrow he's going home to Castañeda with the new tenants, right?

01:13:21Yeah

01:13:21Well, we'll be waiting for you.

01:13:23That?

01:13:24Okay, what do you think?

01:13:26It's a little neglected, but it's solidly built with the best materials.

01:13:30But it is inhabited

01:13:31Yes, yes, but if you're interested in the current tenants, they'll leave.

01:13:34They already know, they have no right to be there

01:13:36Shall we go see it?

01:13:36First of all, look

01:13:37We are not children anymore.

01:13:39We like peace and quiet

01:13:41We don't want a house where we spend our lives repairing things

01:13:45They can rest assured about that.

01:13:46It's built the way they used to build houses.

01:13:48Conscientiously

01:13:49Okay, let's see it.

01:13:51Come in, come in

01:13:51They're coming

01:13:53Everyone to their posts and no one should be absent, okay?

01:13:57Come on

01:13:57Don't worry, old man

01:13:58I work and work

01:13:59Come on, run

01:14:00Come on

01:14:01Come in, come in

01:14:03Hi, beautiful, we wanted to see the house

01:14:06Excuse me, baby

01:14:07Come in

01:14:07Come in.

01:14:09Look, is your daddy there, baby?

01:14:11No, sir, I'm alone.

01:14:12Ah

01:14:13Are you Mr. Castañeda?

01:14:14Yes, beautiful

01:14:15They've called God their office

01:14:17You call him

01:14:18Thank you so much

01:14:19Look, I'm glad your dad and his friend aren't around.

01:14:22Can I make a phone call from here?

01:14:24Yes, there's the phone.

01:14:25Ah

01:14:26But be careful because it sometimes causes cramps.

01:14:30It won't be that bad.

01:14:32Oh my god, Mom!

01:14:46Crown!

01:14:48I already told him I wasn't doing very well.

01:14:51Thank you so much, babe

01:14:52They said it was urgent that I call

01:14:54Very urgent

01:14:55Three blocks further on there is a public telephone

01:14:57If you'd like, I can show these gentlemen around the house.

01:15:00If you don't mind

01:15:02No, no, we're waiting.

01:15:03Okay, calm down, okay

01:15:05Well, thank you very much.

01:15:06Well, well

01:15:06I'll be right back, okay?

01:15:07Immediately

01:15:08And now, daughter, take

01:15:10So you can buy yourself a treat

01:15:12Thank you very much, ma'am.

01:15:13It's so we can be friends

01:15:14And we are, ma'am.

01:15:15So tell me, with confidence, okay?

01:15:18How is the house?

01:15:19Very good, phenomenal

01:15:21But they are a nuisance to hidden tenants.

01:15:24Hidden tenants?

01:15:26Yes sir

01:15:27They were here when we came

01:15:28They said they didn't want to leave, and they didn't.

01:15:31Do you call cockroaches tenants, for example?

01:15:34No, there are no cockroaches.

01:15:36Ah, well, then

01:15:38Look

01:15:39One of the tenants

01:15:41Where?

01:15:50Have you seen him yet?

01:15:52Whom?

01:15:52Him?

01:15:52Yes, him

01:15:53I'm going to cut off his head because he hates me.

01:15:57And why does he hate him?

01:15:58Because I'm better looking than him

01:16:01Well, we'll have to see whoever it is.

01:16:03What's wrong, ma'am?

01:16:04Don't you like it?

01:16:04No no

01:16:05Okay, okay

01:16:07You're full, Raquel

01:16:08Well, I got it by a miracle.

01:16:11Because look what he's done to me

01:16:13What's wrong, Matilde?

01:16:14He pricked me right in the hump.

01:16:17I almost deflated it

01:16:20You know he's a bit odd.

01:16:22A bit?

01:16:23Hey, baby, why don't you call the doctor?

01:16:26No!

01:16:28Because then the police come

01:16:30And they'll want to throw me out of this house

01:16:33And no pimp can kick me out of this house

01:16:36Understood, grandpa?

01:16:37Well, that's it

01:16:38They don't plan to fire him.

01:16:38It wouldn't even occur to us.

01:16:40I'm going to look for it

01:16:41And how I find it

01:16:43However I find it

01:16:48If you see it coming, let me know, okay?

01:16:53His career

01:16:55Have you accepted me?

01:16:58Well

01:16:58I think we should leave

01:17:01Don't worry, it doesn't do anything

01:17:02Nothing?

01:17:03But how do you live with that monster in your house?

01:17:06We have to get used to it

01:17:07When my dad wanted to kick him out

01:17:10He beat him up

01:17:11Your dad?

01:17:12Yes, that's just how he is.

01:17:13Hey, daughter

01:17:14What's that?

01:17:17Frankie, who is coming

01:17:17Frankie?

01:17:19Yes, his name is Frankie Stein

01:17:20But we call him Frankie

01:17:22My God!

01:17:31What's up, Frankie?

01:17:37Yes, he's been here.

01:17:38He's upset with you because he says you stabbed him in the back.

01:17:42Don't get like that, I made you the ti

01:17:51You're always the same.

01:17:56They're like children

01:17:57We are not

01:17:58And right now?

01:17:59Me here

01:18:00Frieto

01:18:01Cagachi

01:18:03I don't like it

01:18:07I don't like it

01:18:08I don't like it

01:18:09I don't like it

01:18:10To the motorcycle

01:18:11I don't like it

01:18:12Becita

01:18:13And duck

01:18:14Like a lightning bolt

01:18:16And then

01:18:17Cagachi

01:18:18Like an old man

01:18:19Then

01:18:19Little one

01:18:20No

01:18:20Mother

01:18:21They say not to leave here until he returns

01:18:24We're going for a walk

01:18:25But I swear we're coming

01:18:26Frankie

01:18:27But what does it say?

01:18:30It's a load of crap!

01:18:33The guide

01:18:33He's going to get you

01:18:35I don't like it

01:18:36This

01:18:36To the motorcycle

01:18:37He doesn't like it

01:18:38To the motorcycle

01:18:39I don't like it

01:18:40Nothing

01:18:41And this

01:18:41Bad dish

01:18:42Bad dish

01:18:43And this

01:18:44This is worse

01:18:45Take

01:18:46Don't anger him

01:18:48That he can get angry

01:18:49Even more?

01:18:52No, he's not angry now.

01:18:53He's always like that.

01:18:54Yeah

01:18:57Look for him

01:18:57But don't fight.

01:18:59And then you splatter everything with blood.

01:19:00And if I catch him

01:19:01I brush it.

01:19:02If I catch him

01:19:03I brush it.

01:19:04If I catch him

01:19:05I brush it.

01:19:06Okay, baby

01:19:07We're leaving

01:19:08The house is cute

01:19:09But with these tenants

01:19:11Let her father rent it out

01:19:12Don't worry

01:19:13On the other hand

01:19:13It's very well built

01:19:15And that's what they told us.

01:19:16For example

01:19:17The doors

01:19:17Let's look at the doors

01:19:19Blessed

01:19:19Be careful.

01:19:21What happened to you?

01:19:29Well, the door

01:19:30I've collapsed

01:19:31The problem is the pipes.

01:19:33As soon as you hit something

01:19:34Hey?

01:19:36One

01:19:37Two

01:19:38Water's coming!

01:19:39Wow, what a little house!

01:19:45This is what it's like to live

01:19:46In Mondoñedo

01:19:47That's good

01:19:52It is the light of this

01:19:53Dale Mario

01:19:55Come on

01:19:56Relief

01:20:02More water

01:20:04Here goes

01:20:05But what happened here?

01:20:14So the house

01:20:15It's a bargain

01:20:16Hey?

01:20:16A bargain

01:20:17Well, you can stick it in.

01:20:19Wherever it fits

01:20:20Friend

01:20:20Never

01:20:21Take

01:20:22Take

01:20:23The scoundrels have fallen

01:20:24Happy take

01:20:25Guide me

01:20:26Take

01:20:26God of God

01:20:27We are the tremos

01:20:30What dogs

01:20:31Are they both there?

01:20:32What's happening?

01:20:33What's happening?

01:20:34It turned out great!

01:20:38Give it to him

01:20:38Come on

01:20:39Come on

01:20:40Let's get them

01:20:40Come on

01:20:41This village

01:20:42This village

01:20:43What a disaster!

01:20:49Give it to him

01:20:49Come and get him

01:20:51Come and get him

01:20:53Come and get him

01:20:55Ass!

01:20:55Heads!

01:20:57Ass!

01:20:57Heads!

01:20:59Ass!

01:20:59Heads!

01:21:00Ass!

01:21:01Heads!

01:21:01Cheer up!

01:21:02What a disaster!

01:21:03Look how he's rehearsing!

01:21:05Oh, how much better has it been for him!

01:21:06Oh, child!

01:21:07You'll pay for this!

01:21:08I'll come with the judge to throw you out of here!

01:21:10Come on, you wretch!

01:21:11Come on!

01:21:12Come on!

01:21:17Okay, guys

01:21:18We need to tidy this up a bit

01:21:20But what happened here?

01:21:25What's wrong with you?

01:21:27What are you looking at?

01:21:31I'm sure my husband has tried some new trick and it's failed.

01:21:33Very funny

01:21:35Well, here the monster is Amalio

01:21:37A friend

01:21:38This is my wife

01:21:40Wow!

01:21:40It almost cuts without slices.

01:21:42I went too far.

01:21:43Nice to meet you

01:21:44And this is the...

01:21:52Well, the...

01:21:53Mine

01:21:54Ah, right, the one...

01:21:56Yes, yes, the one that...

01:21:57The one who swims

01:21:58The one who left him because she couldn't stand him anymore

01:22:00Okay, let's not talk about that now, shall we?

01:22:01What a genius, huh?

01:22:02Okay, go to your room.

01:22:05We're not leaving.

01:22:07Our mothers have come and we want to talk to them

01:22:10Okay, sit down.

01:22:11Well, if you can find a spot, because this...

01:22:14No, it's not necessary

01:22:14We came to deliver a message to you.

01:22:16There's a businessman who saw you on television

01:22:18And he wants you to work in a room that he's about to open.

01:22:20He's willing to pay whatever it takes

01:22:22It says your number is unique.

01:22:23I knew Mom would bring us luck.

01:22:26Yes, and how do you know that?

01:22:28The children introduced us

01:22:29We became friends

01:22:30And we went to some people to ask them for work.

01:22:32We heard there that you had been seen on television

01:22:34But they didn't know where to find you.

01:22:36AND...

01:22:36And we said that we were your representatives

01:22:38Very good, mother

01:22:39Let's get ready to go sign the contracts right away

01:22:43Come on!

01:22:50Thank you so much... thank you so much

01:22:51But... no representative at all

01:22:54You're either my woman or you're nothing.

01:22:56Me... as long as you don't use me for magic tricks

01:23:00Come on, don't be silly

01:23:02I know that deep down you like it when I poke you with the sword

01:23:05Emilia, there's no fixing what we have.

01:23:08Look at me, can you do to me what you've done to me?

01:23:10Tell me

01:23:11Man, you look much better with monster makeup.

01:23:14Yes, with this face the only thing you can say is about alcohol.

01:23:17It doesn't help our sex life.

01:23:19The truth is, with that look...

01:23:21Where will you find a better woman?

01:23:23You can have twenty dolls

01:23:48Fifteen cannonballs

01:23:50You can have forty girlfriends

01:23:52Fifteen flings and a hottie

01:23:54But, father

01:23:56There is only one

01:23:57Until magic bent it for us

01:24:00There are only two fathers.

01:24:04There are only two fathers.

01:24:06There are only two fathers.

01:24:08There are only two fathers.

01:24:10There are only two fathers.

01:24:13Father, father

01:24:15There are only two

01:24:16There are only two fathers.

01:24:17A simple game

01:24:20An empty bag

01:24:22A white handkerchief goes in and a red one comes out

01:24:25Flash! Flash! And that's it!

01:24:27Yes, it's failed me again.

01:24:29Who switched my handkerchief!

01:24:30And that's why now, instead of five, we are ice cubes when we sing.

01:24:34And we showed that by being united, we love each other.

01:24:39Poorer than you!

01:24:41Sirs.

01:24:43He can't do it.

01:24:44No, no, no.

01:24:45A rope.

01:24:46Poorer than you!

01:24:47Aha! A small step.

01:24:48Poorer than you!

01:24:50Aha!

01:24:51He's gone out!

01:24:53Thank you.

01:24:54Ladies and gentlemen, here is the Patito Junior show.

01:24:57In other words, little JR in person will change the color of the feather duster.

01:25:02Go away!

01:25:03Wow!

01:25:06Father less than two!

01:25:08Father less than two!

01:25:10Father less than two!

01:25:12Father less than two!

01:25:14Father less than two!

01:25:17Father, father, less than two!

01:25:19Father, father, less than two!

01:25:21Father, father!

01:25:23Father less than two!

01:25:46Father less than two!

01:25:46It's not bad that your dog has finally served some purpose.

01:25:49Yes, and if we run out of work, we'll sell hot dogs.

01:25:52Ha ha ha!

01:26:22Ha ha ha!

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