- 1 day ago
Category
🎥
Short filmTranscript
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00:02:47Wait a minute, I'll do it.
00:03:03Can you tell us what is happening in your book and why it is called Vitosaurus?
00:03:10Some of you have published this book as my autobiography,
00:03:15but this is the story of my father.
00:03:19Vuko! Vuko!
00:03:23Hey, Vuko!
00:03:27Stop it, stop it!
00:03:30What?
00:03:31Come on, come on!
00:03:33Come on, come on, come on!
00:03:35Come on, come on, come on!
00:03:37You didn't want to hold your baby for three months.
00:03:41What's going on?
00:03:44From infarcts.
00:03:46It's called infarcts.
00:03:49I'm telling you.
00:03:50I haven't been saved yet.
00:03:52Vuko!
00:03:53It's all right, I'd have to get paid!
00:03:56My bitch would have been saved in the city now, I'm hurt.
00:04:00I hurt you.
00:04:01You're a police officer.
00:04:04But the war is.
00:04:06The war is in sex and the war is all allowed.
00:04:09So?
00:04:10Love in the war, Kole.
00:04:12The next time I will come, I'll be dead.
00:04:16Do you understand?
00:04:17It's okay.
00:04:18Is it clear?
00:04:19Yes, it's clear.
00:04:20Wait.
00:04:21Wait.
00:04:22Wait.
00:04:23Wait.
00:04:24Wait.
00:04:25Wait.
00:04:26Wait.
00:04:27Wait.
00:04:28Wait.
00:04:29Wait.
00:04:30Wait.
00:04:31Wait.
00:04:32Wait.
00:04:33Wait.
00:04:34Wait.
00:04:35Wait.
00:04:36Wait.
00:04:37Wait.
00:04:38Wait.
00:04:39Wait.
00:04:40Wait.
00:04:41If I'm just a little influencer, and the writing is able to write the book,
00:04:48all this is out of my uncle.
00:04:50This book is basing for him.
00:04:55In the book the other people are speaking about.
00:04:59And the writer is даже Webflow próprio.
00:05:03Thetosaurus,itàREGEEEF.
00:05:07His father is his didn't.
00:05:10I don't know how to do it.
00:05:12I don't know how to do it.
00:05:14I don't know how to do it.
00:05:16I don't know how to do it.
00:05:18I don't know how to do it.
00:05:20Hey, Ljubavi.
00:05:22Let's give me a user manual.
00:05:24I don't know how to do it.
00:05:26I don't know how to do it.
00:05:28Do you have any rituals, rituals, or something?
00:05:30Yes.
00:05:32You should call me a totem
00:05:34and say ABB.
00:05:36What do I say?
00:05:38Take your hand.
00:05:40Hey, do you need to go?
00:05:42Yes, I need to go.
00:05:44Really?
00:05:45Yes.
00:05:46Who is that new?
00:05:48He looks very successful.
00:05:50What do you do, that very successful?
00:05:53IT Development Manager.
00:05:56What?
00:05:58IT?
00:05:59IT?
00:06:01I will tell him that I will tell him when he comes.
00:06:04When did the last time you paid money?
00:06:06I will tell him the money.
00:06:07Live alone, he works well.
00:06:09You didn't buy a new shoe?
00:06:12Of course, he didn't.
00:06:15What do I want to call you?
00:06:25Please.
00:06:26This is Mark.
00:06:30Hello, Marko.
00:06:32Good morning, Mrs. Ilić.
00:06:34This is for you.
00:06:36That's really not needed.
00:06:38Marko.
00:06:40Luke is in my own room.
00:06:42Let's go.
00:06:44Let's go.
00:06:46Good morning.
00:06:48Good morning.
00:06:50My heart.
00:06:52My heart.
00:06:54My heart.
00:06:56My heart.
00:06:58My heart.
00:07:00My heart, this is Marko.
00:07:02My heart, Mr. Ilić.
00:07:04Marko, let me put it.
00:07:06Let me put it or let me put it.
00:07:08I didn't do it on the web.
00:07:10I didn't do it on other things.
00:07:12I know what you are doing.
00:07:14Who is it?
00:07:16Who is it?
00:07:18He doesn't look like this.
00:07:20Let's go.
00:07:22Let's go.
00:07:24Excuse me.
00:07:28Did you get to the faculty?
00:07:30Yes, of course.
00:07:32Who is it?
00:07:34Electrotechnical.
00:07:36My Lena.
00:07:38I don't know what to expect.
00:07:40Okay, now she will.
00:07:42When will she?
00:07:44What are you doing?
00:07:46What are you doing?
00:07:48I mean, Ilićuša...
00:07:50This is an image.
00:07:52What should I tell you?
00:07:54What should I tell you?
00:07:56What should I tell you?
00:07:58Mom, Marko and I will start with me.
00:08:00When we live together.
00:08:02Beautiful.
00:08:04Beautiful.
00:08:06Good, child.
00:08:08That's good.
00:08:10That's nice.
00:08:12I like Lenny.
00:08:14What should I tell you?
00:08:16I have to ask you something else.
00:08:19If you dont tell me, don't tell me anything else.
00:08:24I will tell you every day.
00:08:26Don't tell me anything else.
00:08:28That's how I tell him.
00:08:30You can tell him.
00:08:32I can't tell him.
00:08:34How are you working?
00:08:36I'm working.
00:08:37I'm really working.
00:08:38I'm just my dad.
00:08:40You don't have to do this big thing.
00:08:42You don't have to do that.
00:08:44Do you think?
00:08:46Yes.
00:08:48You know what you're weak.
00:08:50You've got to do it.
00:08:52No. I don't have to do it.
00:08:54Hand!
00:09:04Let's say, I'm good.
00:09:06Absolutely respect.
00:09:10Marko and me, we've got a place.
00:09:12We start living together.
00:09:14What kind of place?
00:09:16Where?
00:09:17Trosoban.
00:09:18Trosoban?
00:09:20You can get to the hotel.
00:09:22What are you doing?
00:09:24Come on.
00:09:26I'm going to the hotel.
00:09:28Why are you enjoying the hotel?
00:09:30We're going.
00:09:32We're going.
00:09:34I'm the last one I know!
00:09:38How are you going to organize a wedding for two days?
00:09:42There is no wedding. There is no church, church, church, church.
00:09:45Only we start to live together.
00:09:48So, you don't think you're married?
00:09:52What do you do?
00:09:55What do I do?
00:09:57I'm empty.
00:09:59I'm empty, son. I don't have anyone to be empty.
00:10:03Hey, my Vukov,
00:10:09the wedding is not a wedding.
00:10:12What a wedding without a church, without a church, without a church, without a church, without a church, without a church.
00:10:18And where do they pay for a house?
00:10:21And what do they do now?
00:10:24Listen to this, Rado.
00:10:28Three of the Serbs are captured in Beccia because of the drugs.
00:10:34Where do we live here?
00:10:36What is so strange? What do you mean?
00:10:39Every day they are captured by drugs.
00:10:42Listen, listen.
00:10:43They are captured by the Beograd students who were married over the night.
00:10:49They were probably buying the trash.
00:10:54What do you think about?
00:10:58What do you think about?
00:11:00What do you think about our lady?
00:11:02You know, it's some drug dealers.
00:11:05What do you think?
00:11:06You look at the age of the daughter,
00:11:09than what you're doing here.
00:11:11I don't even drink at this house.
00:11:15What is it?
00:11:17It's a great thing.
00:11:18And maybe it's a great thing.
00:11:20Why are we not?
00:11:21What?
00:11:22You're not alone though.
00:11:23Why are you from that?
00:11:24That's the biggest idea.
00:11:25To me.
00:11:26We are in the jungle.
00:11:27That's a great thing.
00:11:28I don't even think about it in the place.
00:11:29I don't even have time.
00:11:30I'm having a shame.
00:11:32Why don't you?
00:11:33I am a friend.
00:11:34I do not like a friend.
00:11:35I am having a friend.
00:11:37How will you do that?
00:11:38You have time!
00:11:39I'm getting an old friend!
00:11:40I have to have 10 times.
00:11:41We have to have a few times.
00:11:42We have to have a friend,
00:11:43I'm having a friend.
00:11:44Can he not hear me?
00:11:45I'm having a friend!
00:11:46What do you think?
00:11:47What else, the kennen צ!
00:11:48I'm leaving now.
00:11:50Don't go out to the news!
00:11:56What?
00:11:57There's a knockout!
00:12:08Wait, who is it?
00:12:10What happened?
00:12:12When will Lena come to you?
00:12:14Why are you asking for Lena?
00:12:16Why do you want to take a picture with Lena?
00:12:18Why do you want to take a picture with Lena?
00:12:20You know, Lena is a prince.
00:12:22My whole range is a prince.
00:12:24She's not put on a silicone.
00:12:26You know what is a prince.
00:12:28Here's the phone of Lenin.
00:12:31You can call him for a picture.
00:12:34Is it true?
00:12:38I'm leaving Lenin!
00:12:40Who can you die?!
00:12:52Deski!
00:12:54Who is that?
00:12:55Let's go!
00:12:56Let's go!
00:12:58Let's go!
00:13:00What are you doing?
00:13:02You're good!
00:13:04Well, you're good!
00:13:06Well, you're good!
00:13:08You look good, you're not a jerk!
00:13:10You're in shape, in fact.
00:13:12What's in shape?
00:13:14You're in your shape.
00:13:16You're in your own shape.
00:13:18If you need, you're in your own shape.
00:13:20What do you want?
00:13:22I'm in my own shape.
00:13:24I'm in my own shape.
00:13:26I'm young and a lot of strength.
00:13:27Look, the thing is extremely important.
00:13:31The story is about my son.
00:13:33Jeloteto.
00:13:34Jeloteto!
00:13:35Jeloteto!
00:13:36Lep te jemo!
00:13:37I think it's going to be bad things.
00:13:39The Constitution.
00:13:41No, no.
00:13:42Look, Lenin has a daughter.
00:13:45And her daughter is...
00:13:46No, no.
00:13:47Listen to me.
00:13:48I'll be honest.
00:13:49I'll kill God in her.
00:13:50No, no.
00:13:51Because you know,
00:13:52when I'm out of my hand,
00:13:53I'll kill Pendrik or Kosti.
00:13:55Wait.
00:13:56I'll kill you.
00:13:57I'll kill you, man.
00:13:58Sorry.
00:13:59I'll kill you.
00:14:00Wait.
00:14:01Wait.
00:14:02She's a girl who is an IT manager,
00:14:06and she's a influencer,
00:14:08and she's a young lady.
00:14:11She's a young lady.
00:14:12And they're worth it?
00:14:13I think they're working with a drug.
00:14:16Oh, Vuki.
00:14:19That's a terrible thing.
00:14:21It requires a right police action.
00:14:23You can do anything.
00:14:24I'll kill you.
00:14:25You can do anything?
00:14:26What?
00:14:27I?
00:14:28Can I do anything?
00:14:29I can do anything?
00:14:30I can do anything?
00:14:31I?
00:14:32Yeah.
00:14:33Do I have to do anything?
00:14:34I can do anything.
00:14:35You're not a bad guy.
00:14:36Listen.
00:14:37It's a bad thing.
00:14:38But it's a bad thing.
00:14:39You know for me.
00:14:40You know.
00:14:41I can't do anything for you.
00:14:43Right?
00:14:44Let's go.
00:14:45Let's go. Let's go. Let's go. Let's go.
00:14:53And then Kole, after 20 years, has actively entered our life.
00:15:04Do you want to get on the phone? I call you for two hours.
00:15:08That's what I'm talking about.
00:15:10Let's go.
00:15:12Let's go.
00:15:14Do you know who you are?
00:15:16Kole.
00:15:17Kole je policial?
00:15:19It's a man.
00:15:22Do you know what I thought?
00:15:24Let's call Marka and Lenu.
00:15:27Where is it?
00:15:28Where is it? Where is it? Where is it?
00:15:30Where is it? Where is it?
00:15:32Let's call you a little girl.
00:15:34Let's see how the material is.
00:15:40Ha ha ha ha.
00:15:42A little girl.
00:15:43It's the third day.
00:15:50Can we get on the phone?
00:15:52Yes.
00:15:53For the first crypto conversation.
00:15:55And the brother of the Chinese.
00:15:57I'll call you Len.
00:15:58First, I'll bring you to the glasses.
00:16:00The glasses will bring me nothing.
00:16:02I won't go.
00:16:04You'll just look at me.
00:16:06Hello.
00:16:07Hello.
00:16:08Hello.
00:16:09I'm Lena.
00:16:10We heard you on the phone.
00:16:11Yes.
00:16:12I'll tell you something.
00:16:13I've done a photo.
00:16:14Okay.
00:16:15Okay.
00:16:16All right.
00:16:17All right.
00:16:21Hey, mama.
00:16:22Boy, do you want to come to Marko in the ring?
00:16:25Yes.
00:16:26We can.
00:16:27Let's see.
00:16:28We'll get to the pen.
00:16:29I'll have to do the pen.
00:16:30I'll have to do the pen.
00:16:31I'll have to do the pen.
00:16:32I'll have to do the pen.
00:16:33Oh, well, it's the pen.
00:16:34I'll have to do the pen.
00:16:35I'll have to do the pen.
00:16:36No, really?
00:16:37No.
00:16:38Nothing to me.
00:16:39There's a lot of such muscles.
00:16:40I don't know how to pay.
00:16:41I'm not able to pay for that.
00:16:42I'll have to pay for you.
00:16:43Why did you pay for the pen?
00:16:45He was born in a wrong time, in a wrong place.
00:16:48He was the youngest doctor of geology in this world.
00:16:51Really?
00:16:52Why Mr. Nivić didn't write a letter before?
00:16:55He started working.
00:16:58It was a shame.
00:16:59My dad went to Albania, he was hungry,
00:17:01but with him he ran away.
00:17:03There was no chance.
00:17:04Yes, respect.
00:17:06Let's go.
00:17:14The situation was not too close.
00:17:25You're from Llanca.
00:17:27Lena and her Bilmes live in the Zimi.
00:17:29What do you think?
00:17:31I'm afraid I'm going to have a problem over here.
00:17:34What's the problem?
00:17:35That's how Lena got me.
00:17:37I thought I got to see her already.
00:17:4020 years ago.
00:17:42You died for her.
00:17:44A dinosaur.
00:17:46No, and you are not.
00:17:48I am, but I am your father.
00:17:50You have to give me an invitation every day.
00:17:54Tell me how much it costs.
00:17:56I don't want to take care of you.
00:17:58I have a privilege.
00:18:00Here is your address.
00:18:02Good.
00:18:04We are in tandem.
00:18:06You and me, Sherlock and Dr. Holmes.
00:18:08Sherlock Holmes.
00:18:10One person.
00:18:12And Dr. Watson.
00:18:16Hello.
00:18:18Hello.
00:18:20Hello.
00:18:22Hello.
00:18:24Hello.
00:18:26Hello.
00:18:28Hello.
00:18:30Hello.
00:18:32Hello.
00:18:34Hello.
00:18:36Hello.
00:18:37Hello.
00:18:39Hello.
00:18:41Hello.
00:18:43This has been a TV review of Julian Harris.
00:18:45We had about this last time,
00:18:47Craig Snyder called R.
00:18:49Go!
00:19:09Bošta!
00:19:11Ajde, ajde!
00:19:13Leče!
00:19:15Eh, oče!
00:19:19Hello, hello!
00:19:24Hey!
00:19:25You're a little mad to be a little bit.
00:19:28I'm on your own place.
00:19:30I would never have to be able to bring this place to the place.
00:19:33Never!
00:19:34I'm not going to lift it.
00:19:35I'll have this.
00:19:36How do I call it?
00:19:37Ah, the crostophobics on all sides.
00:19:39I'm not going to be there.
00:19:41I'm in the first 17th grade, the last one.
00:19:43I'm 13th grade.
00:19:45You're good, you know.
00:19:47All these new buildings, new people,
00:19:51just for the rest of the old people.
00:19:54Bye!
00:19:5917.
00:20:05It's a tough trip.
00:20:17Good morning.
00:20:19Good morning.
00:20:21Something for us?
00:20:23Are you Gačević?
00:20:25No, I don't think so.
00:20:27Okay.
00:20:29Then I'm going to take a look.
00:20:31Yes, it's a mistake.
00:20:33Yes, it's a mistake.
00:20:35Yes, it's a mistake.
00:20:37Yes, it's a mistake.
00:20:39Yes, it's a mistake.
00:20:41Yes, it's a mistake.
00:20:43Yes.
00:20:45It's a mistake.
00:20:47Yes, I'll get it.
00:20:49Good morning.
00:20:51Good morning.
00:20:53Good morning.
00:20:59How's that.
00:21:01Let's go.
00:21:14Let's go.
00:21:16Let's go.
00:21:18Here they are.
00:21:23What are you waiting for?
00:21:25Open the door.
00:21:31We're waiting for you.
00:21:33Let's go.
00:21:35Let's go.
00:21:37Let's go, Marko, chocolate.
00:21:39You're chocolate.
00:21:41Let's go.
00:21:43Take your hand like a red rib.
00:21:45You're going to be sorry.
00:21:49What's that?
00:21:51It's a lot of wine.
00:21:53Let's go.
00:21:55Influencers are on the trend of C3,
00:21:57but the most important thing in this story
00:21:59are those followers.
00:22:01Those who follow them.
00:22:03Because remember what power is
00:22:04when an influencer shows something
00:22:05on 300,000 people.
00:22:07Everyone sees it.
00:22:09And he gets money from them.
00:22:11Do you understand?
00:22:12I understand.
00:22:13I understand.
00:22:14One shalabajzer
00:22:15follows another shalabajzera.
00:22:17I'll throw it in a fishing rod.
00:22:19I'll throw it in a fishing rod.
00:22:21What?
00:22:22Half a kilo of bread.
00:22:23200 grams of salam.
00:22:24I hope I won't hold it.
00:22:26Tata,
00:22:27tvoje vreme je analogno,
00:22:30a danas je sve digitalno.
00:22:32Sve.
00:22:33Tvoja zarada je zavisila od toga
00:22:34koliko vagona na tovarješa
00:22:36ja zarađujem od lajkova.
00:22:37Mislim da ti uprostim.
00:22:50A kako ti se zove firma?
00:22:51Supermind.
00:22:52Ja sam firma.
00:22:54Radim koliko hoću i kad hoću.
00:22:56I zarađuješ koliko hoćeš.
00:22:58Bravo.
00:22:59Bravo.
00:23:00Pa ti si već o komunizmu čoveč.
00:23:02Drugo je vreme.
00:23:03A svakako danas se Bogovski živi od jedne druge vrste rudarenja.
00:23:07Ti ćeš da mi pričaš o rudarenju.
00:23:09Polako, tata.
00:23:10Ne pričajte o istom.
00:23:11Marko, pričam metaforički.
00:23:14Znaš šta je kriptovaluta?
00:23:16Kako?
00:23:17Kriptovaluta to je novac.
00:23:19Jeste pravi, ali je...
00:23:20Virtualan.
00:23:21Virtualan.
00:23:22Fiktivanan.
00:23:23Fiktivanan?
00:23:24Da.
00:23:25I od fiktivnog novca kupujete nefiktivni stan.
00:23:28Tako je.
00:23:29Fuko je.
00:23:30Isprće kao da zavirujemo deci u novčanika.
00:23:32Šta nas briga koliko vi zarađuje.
00:23:34Moje vreme se za to išlo u zato.
00:23:37U zato.
00:23:55Neka.
00:23:58U gala.
00:24:01I pašče.
00:24:02Četrdeset godina istražujem rudnike.
00:24:05I to realne.
00:24:06I cijelo vreme živim u istom stanu.
00:24:08Jedno krpim kraj iz kraja.
00:24:10Nije mi jasno kako neko može da živi od fikcije.
00:24:13Može.
00:24:14Može mogu ja da vam pokažem.
00:24:15Evo, donet ću mašinu.
00:24:16Instalirat ću vam grafičke rigove od mojih kineza.
00:24:19Pa vi realno možete za mesec dana da izrudarite bar 500 evr.
00:24:23Neka, hvala. Izrudario je. Vukuje svoje.
00:24:25Uski kolač vukuje.
00:24:26Zato dovolim čupac.
00:24:27Čekaj, čekaj.
00:24:29Mora potka.
00:24:30I jedna svi zajedno.
00:24:33Vukuje.
00:24:34Evo.
00:24:53A kako to da Vuko je nije kod kuće?
00:24:56A, pa i meni je neobično. Znaš da ranije nije htio nigde da mrdne.
00:25:00Šta je?
00:25:01A, pa i meni je neobično. Znaš da ranije nije htio nigde da mrdne.
00:25:07Šta je? Opa. I on je počeo, a? Šta je počeo? Da te vara, Rado. Da te vara.
00:25:15Vidje. Ma samo se ti smej. Ej, do sad je bio kao magnet za frižider. Zalepiš ga i to ostane sljedećih 20 godina. Sad odjednom šeta, jel?
00:25:36Pa što da ne šeta?
00:25:38Ajde, molim.
00:25:40Nemaš ti iskustva sa muškarcima. To je znaš. Svi su ti oni isti. Zato se ja nisam nikad ni udavala.
00:25:47Slučaj, sledeća nedelja imamo izrednu priliku da uđemo u stan. Ovo dvoje idu u planinu i ostavili su ključ radi.
00:25:57I ja sam ovaj napravio ovaj duplikat.
00:26:01Čekaj, ne. Pamet ulevo.
00:26:04Ma šta da brineš bre. Slušaj, ja ću da stavić april presluškivači.
00:26:11Dobra.
00:26:12A onda pozovem na mobilni i up, aktivirana.
00:26:17Pa, tako i jednostavno.
00:26:19Evo vidi, nabavio sam i opremu. Mnije nije problem što baterija traje tri dana.
00:26:24A karbiri mi za tri dana možemo sva što da čuje.
00:26:27Dva goluba se ljube.
00:26:29Ja to ništa ne vidim.
00:26:31Jasno je meni da ti ništa ne vidiš, ali zato ja vidim.
00:26:34E te znaš šta znači grana? To ti nešto van kuće.
00:26:39Čekaj, šta si ti rekla? Gde Vuko je šeta?
00:26:42Pa pored same, obično.
00:26:44Aha, znači locirali smo gde se švalere. Sad još samo da vidimo sa kim.
00:26:48Vuko je se ne švaleriš.
00:26:50Ma ne moj, nego šeta, jel? Da on šeta, ti bi sestro moja ovde imala jednog goluba, a ne dva.
00:26:57Svi znaju šta znači kad neko ima dva goluba van kuće.
00:27:01Pa šta znači?
00:27:02Seks.
00:27:03Rado, seks.
00:27:04Švaleracija.
00:27:07Bože, bože.
00:27:09Hvala.
00:27:23Ivo, impostan 11.000.
00:27:26Tvoja Kablovska, najskupiji paket 3000.
00:27:31Struja 5000.
00:27:32Pa kako bre čovek da živi od penzije?
00:27:35Znaš da su Marko i Lena kupili još jedan stan?
00:27:40Šta?
00:27:42Kako?
00:27:43Pa šta kako, krenulo ih.
00:27:44Marko ima neki posao sa Kinom, a Kinezi dobro plaćaju, ko što znaš?
00:27:49Ne znam, mene niko ne plaća.
00:27:51Kako bi li kupili?
00:27:53Pa to nije...
00:27:54Ne, ne, ja ću to da... ja ću to da ispita.
00:27:57Mislim, to...
00:27:58Ma to nije normalno, bre.
00:28:05Pa to nije normalno, bre.
00:28:08E sveč, čak to nije normalno.
00:28:11Pa.
00:28:12Pa.
00:28:14Pa.
00:28:15Pa.
00:28:16Pa.
00:28:17Pa.
00:28:18Pa.
00:35:19Okay.
00:37:19Okay.
00:37:49Okay.
00:38:19We're right back.
00:38:49Okay.
00:38:51Okay.
00:38:53Okay.
00:38:55Okay.
00:38:57Okay.
00:38:59Okay.
00:39:01Okay.
00:39:03Okay.
00:39:05Okay.
00:39:13Okay.
00:39:43Okay.
00:39:45Okay.
00:39:46Okay.
00:39:48Okay.
00:39:49Okay.
00:39:50Okay.
00:39:51Okay.
00:39:52Okay.
00:39:53Okay.
00:39:54Okay.
00:39:55Okay.
00:39:56No.
00:39:57Let me stop.
00:40:03Be quiet, Vukuje.
00:40:06There is no theoretical chance
00:40:08that your Lena plays a drug.
00:40:12It is certainly a misunderstanding
00:40:16and there must be a reasonable explanation.
00:40:21Maybe it is a king for the job.
00:40:26Rada.
00:40:28What is behind you?
00:40:32What do you think?
00:40:35There is no danger.
00:40:37Let's go to sleep.
00:40:56Good night.
00:40:58Good morning.
00:41:00Good morning.
00:41:01Good morning.
00:41:02Good-bye, good-bye.
00:41:041,2,3...
00:41:061,2,3...
00:41:101,3...
00:41:121,3...
00:41:141,2,3...
00:41:161,3...
00:41:181,3...
00:41:201,3...
00:41:221,3...
00:41:241,4...
00:41:26Eh...
00:41:28What's up there?
00:41:30This is the same thing, too.
00:41:32Look, we've put all the nice things here.
00:41:35When you look at the terrace, there's only one.
00:41:38Here we go.
00:41:43There's a park, there's a place where you walk.
00:41:48Who are you looking at?
00:41:50I'm sorry, who I'm looking at.
00:41:52I know who you are looking at!
00:41:54A pedophilist one!
00:41:56What are you looking at?
00:41:57What are you looking at?
00:41:59I'm calling the police!
00:42:02How do you feel?
00:42:04How do you feel?
00:42:06Do you feel it?
00:42:07Yes.
00:42:08Let's enjoy it.
00:42:10Let's enjoy it.
00:42:20Do you want to talk about how people talk about Serbian?
00:42:23Yes.
00:42:24I was looking at 7 years ago.
00:42:29And then I began to play with a local police.
00:42:33A local police officer!
00:42:35A local police officer!
00:42:37I was an old man!
00:42:38When I told my father, a colleague,
00:42:43what did I ask?
00:42:45What did I ask?
00:42:47What did you say?
00:42:49Is there so much revelation?
00:42:51Nauci!
00:42:52Ladovi!
00:42:53Ladovi!
00:42:54Ladovi!
00:42:55That's great!
00:42:56That's great!
00:43:00Why didn't you join me, Nigović?
00:43:04Vukuja i Charlie-a!
00:43:05Yes!
00:43:06Really!
00:43:07It's better to talk to a friend of Kinezom than CryptoZeta.
00:43:10What do you love?
00:43:12I'm Vukuja completely virtual, stupid!
00:43:14Really?
00:43:16I'd better understand Kinezom.
00:43:22What's the name of Kinezom?
00:43:23He came to Kinez, he was working in the Borskog Rundle,
00:43:25he wanted to know him.
00:43:26I don't know what that means.
00:43:28What do you know?
00:43:29It means that they think that they are lost
00:43:31and now they change the tactic.
00:43:33That's why they call him.
00:43:34Again!
00:43:35Guraj!
00:43:36Write Guraj!
00:43:38I don't understand!
00:43:41Why are you so mad?
00:43:43I'm not so mad!
00:43:45Listen!
00:43:47The criminalists call us from the left.
00:43:50It's only one thing.
00:43:52The liquidation.
00:43:53Don't say anything!
00:43:54Don't say anything!
00:43:55I'm a daughter!
00:43:56You're the right!
00:43:57You're right, right?
00:43:58Can you tell me something different?
00:44:00Maybe, to be aware of what was going on,
00:44:02we'll be following them.
00:44:04Intensively!
00:44:06The night was the first time after 20 years
00:44:34Vukov was burned again with a dried cigarette.
00:44:39He was happy that he didn't have anything higher than the dust in his hands.
00:44:57Did you see him in the room?
00:45:00I don't know how to call him. There's nothing to call him.
00:45:04There's nothing to call him.
00:45:06It's Zezar.
00:45:07How?
00:45:08You know how to call him?
00:45:09How?
00:45:10Tihomil.
00:45:11Tihomil.
00:45:30Tihomil.
00:45:31Tihomil.
00:45:32Tihomil.
00:45:33Tihomil.
00:45:34Tihomil.
00:45:35Tihomil.
00:45:36Tihomil.
00:45:37Tihomil.
00:45:38Tihomil.
00:45:39I, what are you aware of?
00:45:42I know how to call him.
00:45:44I know how to call him.
00:45:46I know how to call him.
00:45:47How to call him.
00:45:48I'm going to go and see what I call him.
00:45:53Hey, bravo.
00:45:55They are connected to the jacuzas.
00:45:57Yeah.
00:45:58Jacuzi are Japanese.
00:46:00Eh.
00:46:01Well, good.
00:46:02I know.
00:46:03They are Japanese.
00:46:05And they?
00:46:06And the ninja?
00:46:08And they are Japanese.
00:46:10And the ninja are not from China?
00:46:12No, no.
00:46:13Well, what do you say?
00:46:15Why do you say that they are from China?
00:46:18I don't know.
00:46:19They are from China.
00:46:20Let's go.
00:46:24And they are they?
00:46:28Can I go and see you soon?
00:46:29Yeah.
00:46:30I'm going to go.
00:46:31Excuse me.
00:46:32Thank you for having me.
00:46:36Thank you, everyone.
00:46:57Oh, what is this for me?
00:47:11The wine is for you.
00:47:13And the wine is for me.
00:47:17Let's go.
00:47:27Charlie.
00:47:29Charlie.
00:47:35Zoli.
00:47:37Good night.
00:47:39Hey, excuse me.
00:47:41I'll go to the village.
00:47:43No problem.
00:47:45This is my dad.
00:47:47Charlie.
00:47:49Charlie.
00:47:51Sit, Charlie.
00:47:53Do you work in the Borsk city?
00:48:03Yes, yes.
00:48:05Who is your teacher?
00:48:07No, I don't know.
00:48:09The area.
00:48:11I mean, my area is a lot of minerals and minerals.
00:48:13Yes, minerals.
00:48:15I am mining geology.
00:48:17I worked for two years.
00:48:21Please, please.
00:48:23I just need to sit for two minutes.
00:48:25Marko, I'll give you a few drinks.
00:48:27I'll go back.
00:48:29Hello, Marko.
00:48:31I want you.
00:48:35Help me.
00:48:39How do you live in Serbia?
00:48:43You live.
00:48:45Who does not live, my mother?
00:48:47Love my mother.
00:48:51No.
00:48:53I have Engine.
00:48:55So many people are perceptions last year.
00:48:57As if, I will take the time for my aurora,
00:48:58I do not study it.
00:49:00You all know.
00:49:02It's a large company of a family of many years.
00:49:05It is a charming voice.
00:49:07No much.
00:49:09I have my
00:49:19Hey Vuki, listen to me, it's coming. If we're having fun, we'll find them on the way.
00:49:41We'll see you.
00:49:49We'll see you next time.
00:50:04Where's Johnny Zerino?
00:50:05Ciao, ciao.
00:50:07Are you ready?
00:50:08Yes.
00:50:19Hello, Matori.
00:50:24What?
00:50:25You're talking about the hangar.
00:50:27I'm not talking about it.
00:50:28I'm not talking about it.
00:50:30No, I'm not talking about it.
00:50:32You're talking about it?
00:50:33Yes.
00:50:34Hello, hello, hello.
00:50:36What are you looking for here?
00:50:38I'm looking at the church's office who didn't have any...
00:50:41...autodehanic or whatever.
00:50:43No, no, no.
00:50:44No, no.
00:50:45No.
00:50:46You don't want to go to the hangar, because there's an action.
00:50:48You understand?
00:50:49Ok, ok.
00:50:50I'm looking at it.
00:50:51I'm looking at it.
00:50:52I'm looking at it.
00:50:53I'm looking at it.
00:51:08You're always looking at it.
00:51:10You go to Serbia.
00:51:12You go to the cinema.
00:51:13You go to the cinema.
00:51:14I'm looking at it.
00:51:16Why would you just come with me?
00:51:17What's the name of my book?
00:51:20These are not a book.
00:51:21These are vectors.
00:51:24They're the next part.
00:51:25They make a little bit different.
00:51:27They're the next one.
00:51:28They're my vectors.
00:51:30They're my vectors.
00:51:31They can do the repetition.
00:51:32Why do you put them into the Globus?
00:51:34I'm trying to put them down?
00:51:35What?
00:51:36No.
00:51:37What do you think?
00:51:38I'm curious to see why.
00:51:39Vudu, Rado. I'm experiencing apocalypse.
00:51:43I'll give you Vudu.
00:51:46You're crazy.
00:51:50Hey, Vuki. I'm still here.
00:51:54Listen, the action is running and it lasts.
00:51:57Do you follow them?
00:51:58It's been out of me.
00:52:01I've been out of my head.
00:52:05I have to eat and call me a kniz.
00:52:08Keep your eyes open.
00:52:10Don't worry. Keep your eyes open.
00:52:16What am I, man?
00:52:20I'm going to be a child.
00:52:23How could my wife be a drug dealer?
00:52:27That's impossible.
00:52:29She's a good child and everyone loves.
00:52:32If someone would ask me a explanation that would have had so much meaning.
00:52:38I'm going to be a drug dealer.
00:52:41Oh, my God.
00:52:42That's just for a job.
00:52:45Hello!
00:52:52Hello!
00:52:54Hello!
00:52:55Hello!
00:52:56Hello!
00:52:57Hello!
00:52:58When I'm get up, I need something to buy for mom and taters.
00:53:03It's interesting to see Vukov is enjoying me,
00:53:06and I'm sure that I'm doing it.
00:53:08And you can see how you're going to get up
00:53:10and get up to me.
00:53:11I'm going to get up?
00:53:12I got up!
00:53:13and the soul of the world.
00:53:21The wood that starts in Serbia is a vector
00:53:23and has a reflection on the other side of the planet.
00:53:25So the wood from the Borskog Rudnika
00:53:27ends in China.
00:53:29So, you have to buy China?
00:53:31Yes, my dear, Charlie.
00:53:33These are years and years of thinking.
00:53:35If there was no war,
00:53:37it would be a great project.
00:53:39A great project for us.
00:53:41A great project for us.
00:53:43A great project for Charlie.
00:53:45Charlie Cobala.
00:53:47Yes, my Charlie.
00:53:51Oh, my son.
00:53:53What did you buy me?
00:53:55It was wonderful.
00:53:57Thank you very much.
00:53:59Good to see you.
00:54:01What?
00:54:03You don't want to do that,
00:54:05but let it go.
00:54:07That's how you wear it.
00:54:09That's how.
00:54:11Hello?
00:54:13Hey, where are you, my dear?
00:54:15Here's something to say.
00:54:17Tell me.
00:54:19Tell me.
00:54:20Tell me.
00:54:21Tell me.
00:54:22Tell me.
00:54:23Tell me.
00:54:24Tell me.
00:54:25Tell me.
00:54:26Tell me.
00:54:27Tell me.
00:54:28Tell me.
00:54:29Tell me.
00:54:30Tell me.
00:54:31I'm crazy.
00:54:32We'll wait.
00:54:33Let's go.
00:54:34Let's go.
00:54:35I love you.
00:54:36Bye.
00:54:37I love you.
00:54:38I love you.
00:54:39I love you.
00:54:41I love you.
00:54:42It's amazing.
00:54:44It's amazing.
00:54:46Good, you're so handsome.
00:54:48You're a little scared.
00:54:50Thank you, you're great.
00:54:52It's great.
00:54:54It's okay, Donald.
00:54:56Everyone finds money.
00:54:58I want you to ask.
00:55:00I want you to ask.
00:55:02What's that?
00:55:04What's that, DOP?
00:55:06DOP?
00:55:08D.O.P.
00:55:10What?
00:55:12Director of Photography.
00:55:14We took something and we got the top director of Photography.
00:55:16DOP is director of Photography?
00:55:20Yes. DOP, DOP.
00:55:22What?
00:55:24You love me, Dad.
00:55:26Wait a minute.
00:55:28What do you do?
00:55:30I don't know.
00:55:34How are you so handsome?
00:55:38They do everything they do.
00:55:40They do everything they do.
00:55:42And then they do everything they do.
00:55:44And you don't know what criminals are.
00:55:46Listen, look.
00:55:48My daughter is not a criminal.
00:55:50No, no, no.
00:55:51There's no drone.
00:55:52I understand.
00:55:53So, let's go to the action.
00:55:55What?
00:55:56What?
00:55:57What?
00:55:58What?
00:55:59What?
00:56:00What?
00:56:01Wait a minute.
00:56:03Listen.
00:56:04No, no, no, no.
00:56:06There's no action.
00:56:07Stop!
00:56:08You understand?
00:56:09Stop!
00:56:10Let's go.
00:56:12Let's go.
00:56:14Let's go.
00:56:17Do what you want.
00:56:19Let's go to the end.
00:56:22What do you think is that British media says that the criminals in the most English country have returned to a smart phone phone phone to prevent police.
00:56:41Listen, listen, listen.
00:56:43The wrong model is Nokia 113, because the police can't lock them in front of him.
00:56:51That's why this old model is constantly buying dealers of drugs.
00:56:58Okay, and?
00:57:00What is it? I have that model.
00:57:02What are you doing now?
00:57:04Do you want to start doing drugs?
00:57:06No, don't forget drugs, please.
00:57:08I didn't mention it, but you.
00:57:11And really, when will you change the old phone?
00:57:15Why would you change it?
00:57:17When is he home?
00:57:19If I go to school, you won't find me on a satellite.
00:57:26I don't need a satellite to find you.
00:57:29I have a video.
00:57:41I don't think this is a combination.
00:57:47Hmm?
00:57:49I saw him at the end.
00:57:51I don't want to go through this spectrum.
00:57:53Mm?
00:57:54I saw you who saw you at the end.
00:58:03I saw you at the end...
00:58:06You were already known, seeing your followers coming out.
00:58:10Ha, ha, ha.
00:58:11Ha ha ha ha.
00:58:15Let's go and go.
00:58:17Try again.
00:58:19Let's go and go.
00:58:33A little bit of money for your group.
00:58:37What a wonderful thing.
00:58:41My name is Rado.
00:58:51It's a wonderful thing.
00:58:53I will be able to earn it.
00:58:57I will be able to earn it.
00:59:03A little bit of money.
00:59:07Rado?
00:59:09Rado!
00:59:11I have to tell you something.
00:59:17Reci.
00:59:19Come on, come on.
00:59:26Vuko is telling you.
00:59:28Did you start?
00:59:29Not only telling you to tell you, but telling you to tell you something.
00:59:32I saw you telling me something.
00:59:34You're totally wrong.
00:59:36I'm wrong.
00:59:38I'm wrong.
00:59:39Come on, come and see you.
00:59:41Here you go.
00:59:43Come, come, come.
00:59:46Here.
00:59:50Vuko is buying flowers.
00:59:52Here you go.
00:59:54He's in the pool.
00:59:56Never.
00:59:57This here is my love.
01:00:02What love?
01:00:04That's my name.
01:00:05What?
01:00:06You know him?
01:00:07Oh, yes.
01:00:08Vuko is the other one from childhood.
01:00:10From childhood?
01:00:11Aha.
01:00:12That's a long connection.
01:00:13It's not a long connection, but he knows him.
01:00:16I know him.
01:00:17He knows him.
01:00:18He knows him.
01:00:19He knows him.
01:00:20He knows him.
01:00:21He knows him.
01:00:22He knows him.
01:00:23.
01:00:31.
01:00:35Where are you, friends?
01:00:37Where are you, Alexander?
01:00:39He's the man.
01:00:40He's been here for 100 years.
01:00:42How are you doing?
01:00:43I'm years old.
01:00:44But how are we...
01:00:45Okay, good!
01:00:46I'm doing it for our respectful polo.
01:00:48Really?
01:00:49You...
01:00:50Do you do that?
01:00:51Yes, yes, yes.
01:00:52Wow! How much am I sitting here in the car?
01:00:56What are you driving now?
01:00:58Shkode?
01:00:59Shkode, shkode.
01:01:00We're doing, we're doing, but it's not for the public.
01:01:04I love the public, my mother.
01:01:07You're not the public, you're not the public.
01:01:10Your colleague is younger, you don't know.
01:01:13Look, this is our case.
01:01:16I don't want to talk to you about anything.
01:01:20My little.
01:01:21Really?
01:01:22I'll be right back.
01:01:23I'll be right back.
01:01:25I'll be right back.
01:01:27You're right.
01:01:29You're right.
01:01:30You're right.
01:01:31You're right.
01:01:32Wait, wait.
01:01:34Kole, you're right, my brother.
01:01:36I'll stop you.
01:01:38Where?
01:01:39I'm here, if something needs.
01:01:41Okay, okay.
01:01:42How are you, Jovanovic?
01:01:44Yes, okay, Jovanovic.
01:01:46Nothing, I'm here.
01:01:47I'm here.
01:01:48Let's go.
01:01:49Come on, I'll go.
01:01:50Okay, let's go.
01:01:51Come on, bro.
01:01:52How're you, what's this shit?
01:01:53What's this shit?
01:01:54What's this shit?
01:01:55Let's go.
01:01:56Let's go.
01:01:57Let's go.
01:01:58Sure.
01:01:59So, well.
01:02:00Hey Vukoja, we need to see you again.
01:02:12Good day, Vukoja.
01:02:14What are you doing now?
01:02:16I just wanted to show you, I filmed with Lena and I have 300 likes.
01:02:20What are you doing with so many likes?
01:02:22I don't do anything, it means that I have them.
01:02:25I know that Lena has a hundred thousand likes on her profile.
01:02:28What kind of profile?
01:02:30You know Instagram, Tik Tok.
01:02:32Can you check out Vukoja?
01:02:35I can show you.
01:02:37Let me see.
01:02:39Let me see.
01:02:41These are your names.
01:02:43It's not my Lena.
01:02:45It's just here with filters.
01:02:49No, no, no.
01:02:51There is Lina, not Lena.
01:02:54It's a while.
01:02:55It's a baby, you know.
01:02:56You have to figure out some name.
01:02:59What do you think of the names and family name?
01:03:03I don't know a picture?
01:03:04No.
01:03:05It's nothing.
01:03:07It's not a baby.
01:03:08It's not a baby.
01:03:09No, it is a baby.
01:03:10It's not a baby.
01:03:11It's not a baby.
01:03:12I don't know.
01:03:13I wasn't at my own time when I told you that you need to get out of trouble.
01:03:17I don't know what to do.
01:03:19I don't know what to do.
01:03:23I can't believe it anymore.
01:03:25I thought that everything is normal.
01:03:27Do you think it's not your paranoia?
01:03:29I have a trust from my colleague.
01:03:33See, that building is constantly under the police.
01:03:37We're running around.
01:03:39What kind of around?
01:03:41I don't know.
01:03:43But two inspectors are constantly looking for that entrance.
01:03:46Let's take a deep breath.
01:03:49What am I wrong?
01:03:53What do you mean?
01:03:56You mean you don't believe me?
01:03:59No.
01:04:01Vuko is not gay.
01:04:03How do you know?
01:04:04How do you know?
01:04:05How do you know?
01:04:06I don't know how many years I've been with him.
01:04:08Yes.
01:04:09Do you believe more yourself than your married sister?
01:04:11Yes.
01:04:12Wait a minute.
01:04:14What?
01:04:15You're a doubtful.
01:04:17I'm not?
01:04:18You're a doubtful.
01:04:19You're a doubtful.
01:04:20You know all the time.
01:04:21You have a agreement on what you're saying.
01:04:23You're a man of the world.
01:04:24You're a man of the world.
01:04:25You're a man of the country.
01:04:26You're a man of the country.
01:04:27What are you?
01:04:28What are you?
01:04:29What are you?
01:04:30Listen to me and tell you something.
01:04:32You're not normal.
01:04:33I'm not normal.
01:04:34You're not.
01:04:35There's no reason to talk more.
01:04:37Never.
01:04:38Please.
01:04:41Take care.
01:04:42Take care.
01:04:43Take care.
01:04:56Oh, they're old footage, you'veeliness.
01:04:57You've probably not forgotten by them.
01:04:58Amoh!
01:04:59Photographies, my son. You probably forgot them.
01:05:04Look at that.
01:05:06No, don't look at me. Look at them at peace.
01:05:09Just to know, these are your photos without filters.
01:05:13I don't know if you will recognize yourself.
01:05:15You're an expert.
01:05:17So, Mr. Ilyich, tell you what the filters will be.
01:05:21It's the first time that you said something,
01:05:24my dear fictive Zete.
01:05:29Hey, Kraljević, Marko.
01:05:33What did you buy, my Lenny?
01:05:35Don't ask me.
01:05:39Million Shibu Ino.
01:05:41What?
01:05:42How does it look familiar to me?
01:05:44Yes, it's this Japanese crypto wallet.
01:05:46Again, some fiction.
01:05:47No, no, it's very real. Even if it's perspective.
01:05:49It's only got a name, it's Rasi Psa.
01:05:51Ilyich.
01:05:53I pray, tell me,
01:05:55is it possible to be harmonious with that wallet?
01:05:58No, no, no.
01:05:59No, no, no.
01:06:00No, no.
01:06:01Messi and Ronaldo have already signed some contracts
01:06:03about the crypto wallet.
01:06:04And?
01:06:05You think they're idiots?
01:06:06No, no.
01:06:07But I look like that.
01:06:09Of course, they've been getting the real houses.
01:06:10No, no, no.
01:06:11No, no.
01:06:12You're crazy.
01:06:13And the.
01:06:14You're crazy.
01:06:15You're crazy.
01:06:16Yes, sir.
01:06:18You're crazy.
01:06:19You're crazy.
01:06:20I don't know, I don't know.
01:06:27Do you have to go back to the condo?
01:06:31You have to go back to the condo.
01:06:36I don't know, I'm going to go back.
01:06:39I can, I can only park it.
01:06:50What is happening?
01:07:00O.J.B.
01:07:14There is no one. Love has anyone!
01:07:16Let's go to the house.
01:07:46Let's go to the house.
01:07:47Let's go to the house.
01:07:48Let's go to the house.
01:07:55Let's go.
01:07:56Let's see what you know.
01:07:58See, you can shoot me every time.
01:08:00Don't worry about it.
01:08:01We'll do it.
01:08:02We'll do it.
01:08:03You prepare for my 100€.
01:08:04Don't worry.
01:08:05Don't worry.
01:08:06Don't worry.
01:08:16I'll see.
01:08:17...
01:08:26Please, thank you.
01:08:28Happy.
01:08:29This is good.
01:08:30How are you saying?
01:08:31Good.
01:08:32It's a happy party.
01:08:33It's a happy party.
01:08:34Happy party.
01:08:35Happy party.
01:08:37Happy party.
01:08:38I'm not happy.
01:08:40I can't wait for you now.
01:08:43Wow, garlic.
01:08:44No, no, no.
01:09:08Do you want to get back?
01:09:09No, no, I'm waiting for you to get back.
01:09:11We're going to do what we agreed.
01:09:14Yes, good.
01:09:17Let's go, let's go.
01:09:24Let's go.
01:09:26Let's go, bro.
01:09:28How old are you?
01:09:30What's this?
01:09:32This is old for me.
01:09:34Let's go.
01:09:37Let's see.
01:09:39Here we go.
01:09:42No, no, no, no.
01:09:44It's not that.
01:09:45It's not that.
01:09:47Here we go.
01:09:48This.
01:09:49This would be taken into the profile.
01:09:51What profile?
01:09:52In the profile.
01:09:53These are my friends.
01:09:54They now find an international criminal group.
01:09:57In Chinese.
01:09:58It's international.
01:10:00There are more groups.
01:10:02And you can join me with Charlie.
01:10:05Why?
01:10:06Why?
01:10:07Because he will take you to the mafia.
01:10:08And then when we go to the mafia,
01:10:10he plays everything.
01:10:11And you go to the Hiroshima
01:10:13and you go to the women's club.
01:10:15Hiroshima is in Japan.
01:10:17Yes.
01:10:18Maybe it is.
01:10:19Yes.
01:10:20Yes.
01:10:21But Pendrek doesn't know the geography.
01:10:22But he understands the anatomy.
01:10:24I thought I'm going to diplomate until the end of the year.
01:10:28Let's do two exams.
01:10:29I know I'm going to do Vukov.
01:10:31That's why he will be with his legs.
01:10:34You know how much he is.
01:10:39That's a story that I can hear again.
01:10:43Yes, Vukov.
01:10:44We all have something from you.
01:10:49Hello, Charlie.
01:10:50I can't talk now.
01:10:51Let's hear it later.
01:10:53I can see your phone.
01:10:54What's your phone?
01:10:55What's your phone?
01:10:56I'll see.
01:10:57What's your phone?
01:10:58I'll see.
01:11:01How old is this?
01:11:02A little younger than you.
01:11:03Why?
01:11:04I want to buy a new phone.
01:11:06It's nice to have Whatsapp, Viber, Twitter.
01:11:09And you'll see me.
01:11:10If you want to buy a new phone,
01:11:12I'll get it.
01:11:13I'm sorry.
01:11:14I'll give it to me.
01:11:15I don't give it.
01:11:16Give it to me.
01:11:17Give it to me.
01:11:18Oh, what a name is, Vukov.
01:11:25You need my phone.
01:11:29If I give it to her,
01:11:31and if she will be used as a criminal,
01:11:34I will be a member.
01:11:36I don't give it.
01:11:39What do you do, Vukov?
01:11:41When are you talking about it?
01:11:43Who is talking about it?
01:11:44Tell me something.
01:11:45They didn't say anything.
01:11:46They didn't say anything.
01:11:47I don't give it to me.
01:11:48I don't know.
01:11:49I don't know.
01:11:50You can't tell me anything.
01:11:51I don't know.
01:11:52I don't know anything.
01:11:53I don't know what you want to do.
01:11:54You can't be able to ask me.
01:11:55I don't know anything.
01:11:56I don't know anything.
01:11:57I don't know anything.
01:11:58If you really need it.
01:12:00Why do you have nothing to say?
01:12:02I don't know.
01:12:04I wouldn't be able to...
01:12:06Let me, child.
01:12:20These are all insider information.
01:12:23People from the police say that the whole community of the Kriminal Group
01:12:28goes through the social networks.
01:12:30Yes.
01:12:31With the number of messages.
01:12:33Good.
01:12:35How are you?
01:12:36That's why the girl is here.
01:12:38Let me, child.
01:12:40I need your phone.
01:12:42No.
01:12:43I need your phone.
01:12:47I need smart phone.
01:12:49No.
01:12:50What?
01:12:51You have to do it.
01:12:52I have to do it.
01:12:53I have to do it.
01:12:54Let's do it.
01:12:55I will open your phone to all social networks.
01:12:58Here.
01:12:59Here.
01:13:00We will contact your daughter's profile.
01:13:02And you can see everything that she announced.
01:13:05Why did I do it?
01:13:07We can analyze everything that they announced.
01:13:10And we will try to figure out the numbers.
01:13:12It's not my fault.
01:13:14Just tell me what you will call her.
01:13:16Who?
01:13:17Hi.
01:13:18Heburys.
01:13:20Wait, wait.
01:13:21Cal...
01:13:22He has a code code name, numericon, hex code...
01:13:26Dinosaurus.
01:13:27And now it's not a connection name for the Twitter.
01:13:31What?
01:13:32It's cool.
01:13:33And we can find...
01:13:37Tridosaurus.
01:13:39Woman.
01:13:40Go, go.
01:13:42Hey.
01:13:43And on Instagram, as a first report, appeared a drone shot.
01:13:53What are you doing now, Sine?
01:13:55Well, nothing. I started to be ready.
01:13:58I don't do anything else. I don't go anywhere. I don't say anything about me.
01:14:03I'm ready. But, Mom, your job is to get nothing to know. I pray.
01:14:08How do you feel the coffee? I need it. You know what I need.
01:14:38I need it.
01:14:43Prado.
01:14:54Prado.
01:15:09Chef, I've seen this guy.
01:15:11Who is this guy?
01:15:12Who is this guy?
01:15:13Who is this guy?
01:15:14Who is this guy?
01:15:15Who is this guy?
01:15:16Who is this guy?
01:15:17Hey, Vukove.
01:15:18I've completely lost.
01:15:20I've heard Lene say that he's ready for something.
01:15:23And it looks like Rada is working with them.
01:15:26Why would Rada be able to do something?
01:15:27I don't know.
01:15:28Maybe they felt that the police are on the door and they're ready to run.
01:15:32Go and take him from here.
01:15:34He will be able to get the police.
01:15:35What?
01:15:36And Rada is going to shoot with them?
01:15:37Where is he going to shoot?
01:15:38I don't know.
01:15:39I know.
01:15:40In Colombia.
01:15:43What a hell of a bitch.
01:15:45Hey, colleague.
01:15:46I'm going to start the action.
01:15:47I pray.
01:15:48Take him from here.
01:15:49Hey, come on.
01:15:50Hey, come on.
01:15:52Sorry, Vukove.
01:15:53I'll ask him to help them later.
01:15:55I'll help them.
01:15:56In the action.
01:15:57Hey, come on.
01:15:58I'll prepare for more
01:16:02Oh, you did not let go on.
01:16:03Now what do they do?
01:16:04Nobody had a noise."
01:16:07Hargreech!
01:16:08I'll get to the camera.
01:16:10Yes.
01:16:15Hargreech!
01:16:18Hargreech!
01:16:20I'll talk to everyone soon,
01:16:22who's not coming along.
01:16:24Soon you'll get caught up on the lottery.
01:16:26How long are you here?
01:16:27I'm going to go.
01:16:29Let's go.
01:16:31Go.
01:16:33Go.
01:16:35Go.
01:16:37Go.
01:16:39Go.
01:16:41Go.
01:16:43Go.
01:16:45Go.
01:16:47Go.
01:16:49Go.
01:16:51Go.
01:16:53Go.
01:16:55Go.
01:17:01Go.
01:17:07Go.
01:17:09Go.
01:17:11Go.
01:17:13Go.
01:17:15What are you doing?
01:17:19What did you do?
01:17:21Vukov!
01:17:23Vukov!
01:17:25What are you doing?
01:17:27Vukov!
01:17:29Do you hear me?
01:17:31Tell me something Vukov!
01:17:33Do you hear me?
01:17:35Hey!
01:17:37You're alive!
01:17:39Vukov!
01:17:41You're alive!
01:17:43Vukov!
01:17:45Vukov!
01:18:01It's good.
01:18:03The heart attack wasn't good.
01:18:05We've got a stand.
01:18:07It will be good, but we have to stop.
01:18:09Thank you, Doctor.
01:18:11I don't know how to thank you.
01:18:13I don't know how to thank you.
01:18:15No, no, no, no, no, no.
01:18:27I've done everything.
01:18:29Let me show you.
01:18:31This one is...
01:18:33This one is the one.
01:18:37This one is the other one.
01:18:39This one is your other...
01:18:41This one is your own stuff.
01:18:43I think that...
01:18:45I think that it is the one.
01:18:47The footage that Vukoje and Cole put on Twitter was the key to the narkodillera Epihomira.
01:18:57But the two of them didn't know it.
01:18:59The happy place that led to the narkodillera is the fact that our police will spend more time on Twitter than on the ground.
01:19:17Thank God, it's better now, you know. Tomorrow I'll be able to receive regular visits.
01:19:24But what did you say? Do you want a scarf or something harsh?
01:19:27Me both. I don't know what to say.
01:19:30Here we go.
01:19:32Oh, that's you. Does that mean that we're talking again?
01:19:50I heard that Vuko is in the hospital.
01:19:53Thank you. Let's go.
01:19:57No, no. I don't have time. I have an agreement. I'm just waiting to ask how it is.
01:20:02The doctors say that it's the best of the past, you know.
01:20:06Let's go and drink a coffee. There's me and Cole.
01:20:09Cole? What? He and Cole?
01:20:13You're together with him, right?
01:20:16Well, the person asks how Vuko is.
01:20:18Yes, yes, yes.
01:20:20I have to ask you something.
01:20:22Are you Vuko? Are you all swingers?
01:20:26Oh, Vidoza.
01:20:28Okay, sorry. I'm sorry. I'm not normal. I don't know where I am.
01:20:32I'm sorry. I'm sorry.
01:20:33I'm sorry. I'm sorry. I'm sorry.
01:20:34I'm sorry. I'm sorry.
01:20:35I'm sorry. I'm sorry.
01:20:36Let's see you.
01:20:43Here we go.
01:20:44Excuse me.
01:20:46What's your life?
01:20:49We've become a daughter that I am.
01:20:52Sorry, Cole. I don't understand what I'm talking about.
01:20:55What's your life?
01:20:56I'm talking about the drug addict.
01:20:59I'm talking about the old days.
01:21:02And Vuko is with me.
01:21:04Wait, what's your relationship with Vuko?
01:21:07Oh, there's no one.
01:21:09There's no one.
01:21:11Come on, people.
01:21:13What's your life?
01:21:15I'll stop.
01:21:17What's your life?
01:21:19What's your life?
01:21:20I'll go to the hospital.
01:21:23What are you thinking?
01:21:25What's your life?
01:21:26What's your life?
01:21:27What do you think of this apartment?
01:21:34What do you think of this apartment?
01:21:39What do you think of this apartment?
01:21:42When I met you...
01:21:44...and you gave me an example.
01:21:46You want from what pain you are.
01:21:49From a small salary.
01:21:52Here you see.
01:21:54Here you see.
01:21:57These are the news reports.
01:22:01When you've already spent the whole action...
01:22:05...we received a call.
01:22:08I don't know how we deserve it.
01:22:12What do you care?
01:22:14Maybe we'll get an order.
01:22:16And the order is a cover.
01:22:19What?
01:22:21What?
01:22:22What?
01:22:23What?
01:22:24I see the location on the level.
01:22:27Yes.
01:22:30How are you?
01:22:31As a normal dinosaur.
01:22:34He died, but he didn't die.
01:22:36Hello.
01:22:37Oh dear, my fictive.
01:22:40There you are.
01:22:41I'm not more fictive than I am.
01:22:43I'm sorry.
01:22:45I'm sorry.
01:22:46I'm sorry.
01:22:47I'm sorry.
01:22:48I'm sorry.
01:22:49I'm sorry.
01:22:50You're my son.
01:22:51I'm sorry.
01:22:52I'm sorry.
01:22:53I'm sorry.
01:22:54I'm sorry.
01:22:55Thanks, Toto.
01:22:56Thanks.
01:22:57Thanks.
01:22:58Don't you ask me...
01:22:59...that you will suddenly fall in the middle of a month...
01:23:03...to go to Columbia.
01:23:05We won't be.
01:23:06We won't be.
01:23:07I've got a lot of money.
01:23:08You must sign up to Charlie to help you in your geological project.
01:23:12What project?
01:23:13I don't know where my papers are.
01:23:15You don't have anything to do.
01:23:16You've found all the work.
01:23:18Oh, it's all.
01:23:19It's all.
01:23:20Where is my work?
01:23:21I'm here.
01:23:22I'm here.
01:23:23I'm here.
01:23:24I'm here.
01:23:25I'm here.
01:23:26I'm here.
01:23:27I'm here.
01:23:28Let's go.
01:23:29Let's go.
01:23:30You're my little.
01:23:32You're always nice.
01:23:37Of course, I'm happy to my daughter.
01:23:40I'm here.
01:23:41Not because of the fact that she was interested in social networks and she revealed the book,
01:23:46but because she finished the Faculty of Political Science, the international relations.
01:23:52Someone could say that social networks are not close to you.
01:23:56I like people close to you.
01:23:58Where are they?
01:23:59Let's go.
01:24:00Let's go.
01:24:01Let's go.
01:24:02Let's go.
01:24:03All the time, let's go.
01:24:04I'll get it.
01:24:05Let's go.
01:24:08Let's go.
01:24:09Let's go.
01:24:10Let's go.
01:24:11Let's go.
01:24:12This is going to be a tweet.
01:24:13I'm going to be direct.
01:24:14No
01:24:17Hop
01:24:44Hop
01:25:14Hop
01:25:16Hop
01:25:18Hop
01:25:20Hop
01:25:22Hop
01:25:24Hop
01:25:26Hop
01:25:28Hop
01:25:30Hop
01:25:32Hop
01:25:34Hop
01:25:36Hop
01:25:38Hop
01:25:40Hop
01:25:42Hop
01:25:43.
01:26:13.
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