- 2 days ago
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00:01Fancy seeing you here?
00:02What are the chances?
00:06What if the doctor said?
00:08Cancer. Months, not years.
00:10I want to do one last job with you before I die.
00:14From Ben?
00:15We keep her at the distance.
00:17If your daughter rocks up, what are you going to offer her?
00:19Half a dozen eggs or the chance to be set for life?
00:21Well, let's just say you'll be clear in seven figures.
00:23You gonna do it?
00:24As long as I call the shots.
00:26We are gonna steal the face of the great master mayor.
00:30levant goes into a pretty human company.
00:32We can't do it.
00:35We are gonna steals the shot.
00:37fill it out
00:42Fill it out
00:47し
00:55Mo
00:57Ladies and gentlemen,
01:18that the peace of the Lord is with you.
01:21And now give us the hand of the Lord.
01:25That the peace of the Lord is with you.
01:30That the peace of the Lord is with you.
01:35That the peace of the Lord is with you.
01:40That the peace of the Lord is with you.
01:45That the peace of the Lord is with you.
01:50That the peace of the Lord is with you.
01:53What's your name?
01:55What's your name?
01:57What's your name?
02:13Amen.
02:15What's your name?
02:17What's your name?
02:19It's the Jesus baby.
02:23The Amen?
02:25We're also here.
02:28We're here to stop this person.
02:30Love this woman...
02:32Oh!
02:34Do you remember this brother?
02:36What does this brother want?
02:38Evidence's apartment.
02:40Why don't three too fullhi?
02:46It's not anything.
02:50It's a lot of heat.
02:54The body of Christ.
02:58The body of Christ.
03:00Amen.
03:02The body of Christ.
03:12The body of Christ.
03:15Mírelos.
03:17Mírelos.
03:20No, no.
03:26Policía.
03:28A ver, por favor, vamos.
03:30Que se han llevado.
03:32No estás ahí, ¿eh?
03:34Santa mierda.
03:42Is she sniffing his bollocks?
04:10That's the thing about great art.
04:12You see something different every time you look at it.
04:15What's there about then?
04:17So, Dali was obsessed with this Russian woman, Gala,
04:21who he would eventually marry,
04:22but at the time this was painted,
04:24she was married to the poet Paul Elyard.
04:26Now, Elyard jibs off back to Paris on his own.
04:30Some would say a foolhardy decision
04:32on the account of the high chance
04:34that Dali was going to knob his missus if left unattended.
04:36Anyway, he did, and in the process, this was painted.
04:39There's all this goff about his contradictory feelings towards sex,
04:43but I think he saw a woman having a wank and thought,
04:46Oi, oi, where's my paintbrush?
04:48Wow.
04:49You really have learned all there is to know about art.
04:52So, I'll be jumping down the stairs.
04:56Well, we'll come to that.
04:58First of all, my stroke of genius.
05:02I'm going to execute a swap.
05:04I'm going to get that off the wall
05:05and replace it with a copy that's so perfect,
05:08not even the greatest art experts would know it was a fake.
05:11Gone.
05:11I've made contact with the world's greatest forger.
05:14And how does one qualify as the world's greatest forger?
05:19If I could name all of his forgeries,
05:20he wouldn't be a very good forger, would he?
05:23Reputedly, a boy genius.
05:25The beauty of all of this is if we can pull this off,
05:28no-one need know that a crime is even committed.
05:32How do we get it out?
05:33Oh, the finer details, they're so tedious.
05:36That's why I need you to help me.
05:37Four cameras in each room, minimum two security guards,
05:42a masturbator as a camera trained on a 24-7.
05:45A post-modern, Dali would love that.
05:47She also sits next door to the Guernica,
05:50Spain's most famous painting.
05:52So, scrutiny in this part of the gallery is rather high.
05:57Obviously, we do it all our hours, no ponters.
06:00We'll have to swap the security feed
06:02so no-one can see us going about our business.
06:05To do that, we'll need a foolproof distraction.
06:08What, like, isn't they all one proof?
06:10No, it's totally 25, I'm not sure.
06:12That still works.
06:13Oh, come on, tits is tits.
06:17All right, so we employ a little more sophistication.
06:20Anyone in mind?
06:25Mistake.
06:27Look, she can pull the attention of the guards
06:28when we swap the feed.
06:31But I know you're sick and you think this is a good idea.
06:34But we need someone we can trust,
06:35and she doesn't trust us.
06:37Therefore, we can't trust her.
06:39I think she would use this to get back at us for leaving her.
06:41She's got a very long memory.
06:43I'm sorry, no mistake.
06:46Okay, no mistake.
06:47But we still need to put a team together.
06:49We bring people in, we lose control.
06:51No, we don't bring people in, and we fuck up.
06:52No, we need a team.
06:54And we need them in close proximity.
06:55We need to do this right.
06:58I told you, I need to make the decisions.
07:00I want this whole thing on a tight lead.
07:03No, you want me on a tight lead.
07:05Yeah, with a muzzle on it, which would be nice.
07:08Oh.
07:09All right, the fake.
07:10Go on.
07:11So, we break in at night, and then we go up to the gallery with the fake.
07:16And we wait for our perfect moment.
07:18What?
07:19Sneak past all the guards in our invisibility cloaks?
07:22Well, I know a woman who can help with that.
07:24Jackie Diamond.
07:33Mm.
07:33So, Jackie helps us get in undetected?
07:36Yeah.
07:36She'll disable the lasers and help get the painting off the wall.
07:40The alarm is triggered by a change of weight.
07:43So, we need to be deactivated.
07:45Or we counterbalance the painting.
07:48That's much trickier.
07:49Which is why we need Jackie's expertise.
07:52She's been doing these tricks for 30 years.
07:54And then, if we can pull that off, we take the real painting to the gift shop, marked for collection.
08:02Hola.
08:03La collectione.
08:05The next day, they unwittingly hand over the real masturbator.
08:09Good day.
08:10Good day.
08:24Well, we just walk out of here.
08:32Yep.
08:33With the 10 million euro painting under our arm that no one even knows has been stolen.
08:36It's going to be a lot of work.
08:39We're going to need a plan A.
08:40And if we've learnt anything, we need a plan B and a plan C.
08:43Yeah.
08:43And just in case.
08:44Plan D.
08:45No.
08:46What?
08:47You're off your rocker.
08:48Yeah, but you love it though, don't you?
08:50What's not to love?
08:52If we bring anyone in, they're going to need paying.
08:53Have you got any funds?
08:55I had a Matador costume that was worth 200 grand, but someone decided to return it.
08:59And the forger needs to pay him before he starts work, so.
09:02Got any bright ideas how we can make some quick money?
09:03100.000 por todo.
09:27Es que están calientes de narices.
09:30Ha habido un robo en la catedral y yo diría que estos encajan con...
09:33Vale, gracias.
09:34Espera.
09:39Os puedo dar 10.000 euros, pero eso es todo lo que me puedo arriesgar.
10:03All my lovely time and all my love with freedom.
10:05I know, I'm going to go and feed the pigs.
10:10Before I went inside, you were hell-bent on finding Caitlin.
10:13Don't.
10:14What?
10:15Say her name.
10:15Well, did you get anywhere?
10:20No.
10:21Sorry.
10:22Don't be.
10:23How hard could it be to track her down, though?
10:27What is this, Bert?
10:28Mastermind, specialist subject, the daughter I gave up for adoption at birth?
10:31Well, if it is your specialist subject, then you're not very good at it, are you?
10:34It wasn't illegal adoption, it was through the church, you know that.
10:37I've contacted them, but there's no way of finding her, because there's no record.
10:41So I've left letters, so if she wanted to find me, she would know how, but it has to be her decision.
10:46So do a DNA test.
10:47Because then, if you're in the system and she does one, you get a notification.
10:52Boom.
10:53Put my fingerprint into a database.
10:55I have more chance of the police turning up at my door than my daughter.
10:59Well, what if she does rock up?
11:02What if she's going to think about you living like Goat Peter on the side of a mountain?
11:06Maybe I could help you?
11:07No.
11:07Under no circumstances.
11:11Okay.
11:14What about mistake?
11:15It's enough of the job, but she can sell the jewellery for us.
11:18No.
11:19Well, I know she means a lot to you, but there's a reason why we left her.
11:23She played mummy when it suited her, but she's a user.
11:25Fine.
11:27What?
11:28I've just said I'm not going, so I'm not going.
11:31Still got to sell those, though.
11:33And we're agreed on Jackie, right?
11:36Okay.
11:36Let's get her on the hook.
11:45Oh, it's said your vagina could light up a room.
12:00Oh.
12:03I've got your letter.
12:05Whatever you're planning, I'm not interested.
12:08How much?
12:10Fuck off money.
12:12Well, that depends on how much value one puts on fucking off.
12:16Everyone's got a price.
12:17What's yours?
12:18That's not how it works.
12:20You come to me with a price if you want my services, and then we talk.
12:24We need to run the numbers.
12:25Well, maybe get your ducks in a row before you make an approach.
12:28That's not a no, but this is.
12:30No.
12:31Why?
12:33Well, I'm settled.
12:34I'm happy.
12:37And it's too risky.
12:39It always is with you two.
12:42And ten years without a peep from either of you has been very peaceful.
12:46Well, you've been behind the scenes.
12:47If anything happens, it won't come back on you.
12:50Okay.
12:51It's good seeing you.
12:53Stay lucky.
12:55500,000.
12:58It's a ballpark figure,
12:59but I guess we'll have to get some other magician to build our rig for us.
13:04Oh, shit.
13:09It's still a no!
13:13What do you think our chances are?
13:15She'll buckle.
13:16Sorry the euro signs in her eyes.
13:19Why didn't you tell her you helped me, sir?
13:21I mean, it might have helped.
13:22Act mercenary.
13:23Now.
13:24I don't want everyone to know.
13:26Well, people are going to find out.
13:27I'm feeling stronger now, Mal.
13:30It's easier to manage.
13:32Tiredness comes and goes.
13:33And if it comes, then I'll just make myself scarce.
13:36It doesn't make you look weak admitting to it.
13:39I think we both know that it does.
13:42Look, I'll make you a deal.
13:44If it gets too much, then I'll let you know.
13:45But for now, let me just live each day as it comes.
13:52Ah.
13:54Crown jewels.
13:55Forge is landed.
13:56First, we've got an appointment.
13:57With who?
13:58A buyer.
13:59Oh.
14:11Oh.
14:15Um.
14:18Sorry.
14:20What?
14:22Ooh.
14:24I'm a knuckers.
14:25Calm and nerves.
14:26i'm having 150 grams of protein a day i set an alarm 3am have two chops on a plate on my
14:51night is that our muscle gains have been off the hook i thought you were here to watch and learn
14:56i am i am watching what i'm watching watch being the operative word
15:07look who's at the front of the queue you're joking are you
15:14you never guess who's legged it to spain go on allow that gambler was 100 grand little bastard
15:21where's he gone
15:51you are here to meet selene yeah
16:00this car arrived who is this buyer she's a feminist art collector willing to spend millions on a private
16:07collection apparently she collects pieces where the news has been exploited by the artist
16:12this place is hardly screaming high art is it
16:26so
16:32where the f**k are we then
16:40To kids like pilots
17:10Please sit.
17:28That's designer.
17:30It's not meant for arse parking.
17:32Okay.
17:40So, why you?
17:47Why don't I just wait for Isabella to leave prison?
17:49Isabella's got years to serve.
17:51I can get you that painting, six weeks tops.
17:54And Isabella wants 50 million, I want 10.
17:57Yeah, but I don't know you.
18:00Certainly don't know you.
18:01She's my partner.
18:04I trust her.
18:05And it's me that's taking all the risk.
18:07We have a plan.
18:08And no one will even know there's been a crime.
18:10But for that, we need to know that the job is ours.
18:1410 million's a lot of money.
18:15Well, stealing your painting's a lot of work.
18:17And risk.
18:18But if we don't have you the painting in six weeks, you can go back to Isabella.
18:21But this way, you have no risk, little outlay,
18:23and the painting you've always wanted for two-thirds of the price you were willing to pay.
18:27And if you were in any doubt of our capabilities...
18:35You net the crown of thorns?
18:36Yeah, right from under everyone's noses.
18:39It's a little gift.
18:40Just to show you that everything you've heard about me is true.
18:43Yeah, well done.
18:46Now every man and his dog from here to Tarifa's looking for it.
18:50Not if it just sits in your private collection.
18:53What, this thing?
18:56Look at it.
18:58It's an eyesore.
18:59Well, the gold itself is worth a small fortune.
19:01Oh, hang on. Let me get my smelting kit out.
19:03Turn it into sovereign wings, shall I?
19:05Boys down the market will be happy.
19:07Okay, well, we'll get rid of it.
19:09No.
19:11Let's see how you work under instruction.
19:15And real pressure.
19:17Then I'll decide if the job is yours.
19:19You put it back.
19:20Today.
19:21The cathedral isn't open to the public.
19:26Exactly.
19:28It's a perfect little spot for you to show me what you're capable of.
19:31Before I agree to you being my supplier.
19:34Okay?
19:36Off you pop.
19:38I want it back there by six.
19:41Raphael.
19:43Introduce them to Nacho.
19:47Sharpen the mind.
19:48The cathedral is a perfect place.
20:19You made out like it was a done deal. It wasn't.
20:22And now we're on the back foot singing for our supper.
20:25We'll return it. It's fine.
20:26But she knows who we are. I've pitched her for months.
20:28She's just testing us.
20:29Can I touch on the fact that you stole a relic without telling me?
20:32And for what? To show off to some woman you don't even know?
20:35Stole a relic to remind you how good I am at this shit.
20:38Prove myself to you.
20:44Oi.
20:46Do you like my new hat?
20:48For fuck's sake.
20:50We're gonna need more than your shit hat.
20:54It's a good job I kept some of our staff.
20:56Did you?
21:01It's the forger.
21:02Shall we go and welcome the talent?
21:04Well we better be quick because if that lunatic says it needs to be put back today, it's today.
21:08I'm not getting strapped to a chair.
21:10I can't look.
21:12Right.
21:13I'm gonna hug that.
21:14And then you gotta breathe in.
21:16Four.
21:17Three.
21:18Four.
21:19Hold.
21:20Well you're such a pretty nose.
21:22That's it.
21:23Do it one more time.
21:24Right.
21:25Okay.
21:26I'm gonna smoke.
21:27Now you breathe in.
21:28There's more to this than looking pretty, you know.
21:30You need to treat the equipment with respect.
21:32Put everything away at the end of each show.
21:34Check the safety on each trick before each show.
21:38..isnt that what you're here for?
21:39He does this, you know, gets infatuated.
21:40There's more to this than looking pretty, you know.
21:47You need to treat the equipment with respect.
21:49Put everything away at the end of each show.
21:51Check the safety on each trick before each show.
21:56Isn't that what you're here for?
21:59He does this, you know.
22:01Gets infatuated.
22:03Then he'll start to pick holes in you.
22:06And you'll start to feel like you're not good enough.
22:09But by then, he'll have moved on.
22:11The only person who won't be moving on is you, Jackie.
22:14Because you're the kind of person that lets people pick holes in you.
22:18This is just a stepping stone for me.
22:21Don't talk to me like that, you little madam.
22:24You're still going to be stuck here in 20 years' time.
22:27Looking like a two-pound sausage in a one-pound skin.
22:30You don't know anything about me.
22:32Don't I?
22:33Well, I know when I've touched a nerve.
22:39Come here.
22:39Come on.
23:10Hi, hi, Billy boy. Welcome to Espanol. Pleased to meet you Bilal. I'm Sam. Hiya. It's boiling
23:32here, ain't it? Cheers. I'm sweating cobs. It's when I get my money. Yeah, should we show
23:40you around first before we talk turkey? It's alright for you? Got all your stuff in your...
24:02beans. Mmm. I'll go through a four pack of days. Yeah, sure, we'll get you some more.
24:17And Wi-Fi. Need to ring my mum. Let her know I've got it okay. She'll be worrying. So,
24:25money. Yeah. There you go. Well, this isn't what we agreed. I need a hundred. I've got bills.
24:3810K doesn't cover your bills. We agreed a hundred. And I never stopped painting until
24:45I got all my money. Can you stop my wimple? Thought you'd never ask. Shit to meet you.
25:05Shit to meet you. Shit to meet you.
25:12Shit to meet you.
25:16Oh, but, but, but we're here to meet the, uh...
25:21Yeah, good to meet you.
25:25Okay, sir. Let's make any of that indication.
25:28You can back up and down but then you get out of the way you...
25:30We're here to meet the, um...
25:33Estamos aquí, Paraval, Acura.
25:36Ah, l'aviso, no hay problema. El puede venir aquí a hablar con ustedes.
25:39We... We could, uh...
25:41Ramos, por atrás.
25:43Documentos de identidad, por favor.
25:46Ah, of course.
25:56Ah, êtes-vous Française? De quelle partie de la France vous venez?
25:58Ma mère et mon père sont français, de Bretagne, en fait.
26:02Señor, moi aussi.
26:04À côté du Saint-Brioc.
26:07Saint-Brioc, je connais pas.
26:10Et qu'est-ce que vous avez ici, en Espagne?
26:12Je vais aller, Señor, me-même.
26:18Continuez.
26:20Merci.
26:20Bonne journée.
26:21Gracias.
26:28Sous-titrage Société Radio-Canada
26:30Sous-titrage Société Radio-Canada
26:32Sous-titrage Société Radio-Canada
26:34Take a look at this place.
26:35Oh, lovely.
26:36I've got some of your school friends here.
26:39Brack and Gary.
26:40Wait...
26:41Right, but I'll mush.
26:43Lovely gaff, man.
26:44Where is it?
26:46Erm...
26:47Spain, somewhere.
26:49I don't know what you two do in there.
26:51We could ask you the same thing.
26:53Jibbing off to Spain without inviting us.
26:55Mum, you don't have to make these two cups of tea.
26:58Why don't you go for a walk or something?
27:00You can't send your mum out in freezing cold
27:02while you're sunning it up over there.
27:04Hey!
27:05He's got workmanship on that.
27:06Give that to you.
27:07It's from Dunham.
27:08Oh!
27:09I've just thought.
27:10You know who's over near you?
27:12Tell him.
27:13Big.
27:14You'll have to meet up.
27:16He...
27:17He don't want bothering with me.
27:19Oh, I reckon he does.
27:20That hundred grand you owe will go a long way.
27:22He's there to invest in the gym in the main plaza.
27:24I'll text you the address.
27:26Make sure you see him tomorrow.
27:27Aye, smash him.
27:29See ya.
27:31See ya, Bilal.
27:43Hermanas?
27:44What are you doing here?
27:47Ables Inglis.
27:48Yes, no problem.
27:49We're visiting and we'd love to pray.
27:52Of course.
27:53Please, sister, do you prefer Lady Chapel?
27:55Oh, she does, don't you, sister?
27:57Yes.
27:58In fact, she has a lovely Lady Chapel herself.
27:59There are always people in and out of it.
28:01Ah.
28:02Okay.
28:03Follow me, please.
28:04What is it about the Virgin Mary?
28:05Mother of Christ?
28:06Doored by millions, prayed to you daily.
28:07No, the fact that it's so sacrosanct to be a mother.
28:09I mean, any fool could knock out a sprog.
28:10I didn't mean you.
28:11Caitlin, I'd be lucky to have you.
28:12Caitlin, I'd be lucky to have you.
28:13Is there anyone you would like me to hold in my prayers?
28:17Yes.
28:18There is a family friend.
28:19Yes.
28:20There is a family friend.
28:21There is a family friend.
28:22What is it about the Virgin Mary?
28:23What is it about the Virgin Mary?
28:24Mother of Christ?
28:25Doored by millions, prayed to you daily.
28:26No, the fact that it's so sacrosanct to be a mother.
28:28I mean, any fool could knock out a sprog.
28:31I didn't mean you.
28:34Caitlin, I'd be lucky to have you.
28:36Is there anyone you would like me to hold in my prayers?
28:42Yes, there is a family friend.
28:47She's dying.
28:48I'm sorry.
28:49She's worried and I don't know what to say to make it better.
28:52Our job is not to make it better.
28:54Our job is just to be there.
28:57I find small kindness as help.
28:59She's been cared for by her best friend.
29:01But I do worry about the burden that that places on her.
29:05Her friends.
29:07At the end.
29:09Hail Mary, full of grace.
29:12The Lord is with me.
29:14Blessed art thou in one woman.
29:16Blessed is the fruit of the womb, Jesus.
29:18Holy Mary, Mother of God, pray for us sinners now
29:21and in the hour of our death.
29:23Amen.
29:24Please, excuse me.
29:26Sister, she gets very emotional.
29:29Father, would you hear my confession?
29:32Mm-hmm.
29:34Bless me, Father, for I have sinned.
29:37But I have been having very, very bad thoughts.
29:41I have thoughts about putting things away.
29:44I have to hope.
29:49Spend to God.
29:50The wet, wet dreams, Father.
29:56Blessed is the God, of God.
29:58The wet, wet dreams, Father.
30:03Your appendices tend Hail Mary's and, um...
30:07Your appendices then hail Mary's and Mary be the glory of the Hail Mary.
30:17Bless you, Father.
30:18Bless.
30:37You're okay?
30:59Yeah.
31:00Yeah.
31:01One and done, then.
31:03Yeah.
31:04But what a one.
31:07I'm not a cop, then.
31:26Not a nun, then.
31:29Miguel tells me you handled yourselves with panache.
31:32Mm-hmm. So do we get the job, then?
31:34I'm only as good as my last job, and if I give it to you,
31:38you're in charge of my reputation.
31:42So am I going to stick my neck out and say yes?
31:48Okay.
31:50You got the job.
31:55Now don't fuck us up.
32:04The end of the day.
32:17What's up, Rosa, cariño?
32:18¿Cómo estás?
32:19Después del funeral.
32:20Quiero mi reloj.
32:21Papá, no puedo vivir sin él.
32:23No te preocupes.
32:24Volverás a estar en tu muñequita bien pronto.
32:27Voy a hacer una llamada.
32:34¿Inspectora García?
32:36Sí, estaba esperando una llamada tuya,
32:37confirmando que habíais encontrado a los ladrones
32:39que faltaron el respeto en el funeral de mi padre.
32:42Mira, quiero a todos tus oficiales
32:44buscando el reloj de mi hija
32:46y el resto de joyas robadas.
32:48Y a la gente que lo hizo,
32:50la quiero encarcelada.
32:52Inspectora,
32:54no olvides quién te ayudó a asegurar tu ascenso.
32:57Podría sentirme decepcionada.
32:59De acuerdo.
33:01Le doy otra visita al cura.
33:04Muchas gracias, señor Pérez.
33:07Por decirme cómo hacer mi trabajo
33:09solo porque tú juegas al golf con el jefe.
33:12Es que...
33:13What time is it?
33:22Eleven?
33:23What?
33:24I want you to get some rest.
33:27Here.
33:29What are your wishes, Bert?
33:36We need to talk about it.
33:39Well, I'll tell you what I don't want.
33:40A wick of coffin.
33:41You may as well put me in a waste paper bin.
33:46OK.
33:47I want a silk-line coffin
33:49in the heaviest mahogany
33:50because I want the pallbearers to buckle at the knees
33:53of which you will be one at the front first
33:55on the call sheet
33:56wailing and gnashing your teeth.
33:57Oh, I'm not dead yet.
34:07Yeah.
34:10Come on, Jackie.
34:11No, no.
34:11I'll have another runner.
34:13You put your feet up.
34:14I'm also working on a solution
34:16for our money problem.
34:16I've found someone
34:18who can break down the jewellery
34:19and sell it separately
34:20as gold and diamonds
34:21so we can get all the money we owe, Bilal.
34:24Now get some rest.
34:25What?
34:26Why?
34:28Why?
34:28What?
34:29Zones.
34:56Oh, you're a good girl. Daddy won't shoot.
35:03Oh, what will Daddy do?
35:26No, you don't get to cuff me anymore.
35:46Is it because if you rank a husband, you're worth so much more than him?
35:52Yeah, you're right.
35:56I'm worth 500,000 euros.
36:00And while you're mulling it, I want 10% up front.
36:15How's that for a start? Worth more than 10%, I reckon.
36:18Wow.
36:20I can't eat it.
36:22But, uh, I'll flog it if I have to.
36:29Where do I sign?
36:32Woo!
36:34Thanks.
36:35Oh, look who it is, sir. I live and breathe.
36:41It's not 100 grand, but I'll get you the rest tomorrow.
36:45And in the meantime...
36:47Look.
36:48Take this. It's worth a bomb. I painted it.
36:50Big, fat, naked baby with wings. Your second piss.
36:53Stop funning about painting and get me my cash.
36:56That's why I'm here. In Spain.
36:58I'm a painter, right?
36:59And these people, they're paying me enough to pay you back.
37:02Who's paying you enough?
37:04Some hot people.
37:05Would you tell Crack to leave my mum alone?
37:07No one touches mummy if we get our money.
37:10I lost you.
37:13I'll get you the money.
37:14Good.
37:15Because if you don't, I'll break your bastard fingers.
37:19How are you fixed for painting with your feet?
37:21I'll get you.
37:22Right there.
37:23Go on, piss off.
37:27Nice.
37:28Cheers.
37:33Well, you just made a dying girl very happy.
37:40Can you give me a lift somewhere?
37:51Go on, get her.
38:18Hey.
38:18So, how are you, Roberta?
38:41Good, yeah.
38:43Considering.
38:46How are you? You look well.
38:47Oh.
38:49Fabulous is the word I think you're looking for.
38:54Missed you.
38:59It must have been hard in prison.
39:02And now you're sick.
39:03Mm-hmm.
39:05Cancer.
39:07Yeah.
39:08Started off as a tumour on my liver and now it's...
39:12Go on.
39:15Sorry, are you a doctor now?
39:16Roberta, are you mad with Mother?
39:21Shouldn't Mother be mad with you?
39:23Why?
39:24Because I went off to live my life.
39:25I took you in when no one else wanted to.
39:29Yeah, so selfless.
39:30Mother Teresa's got fuck all on you.
39:32Should we stop reminiscing now?
39:33You wanted to talk to me about something you mentioned in your letter.
39:36Mm.
39:37But maybe we save the adult chat for another time.
39:41Just want to know if you can shift these.
39:48Sorry you're still having to make ends meet like this.
39:51I've moved on.
39:53But I wish you well, though.
39:54Wish me well, do you, you fucking bitch?
40:16I don't know if you want to be back.
40:17Damn it.
40:19Birds.
40:20Mateo.
40:23I'm so sorry.
40:25Yeah, so am I.
40:27That you stuck with her.
40:29What happened?
40:30I was about to offer her the opportunity of a lifetime, but she never changes, so...
40:35Birds.
40:36I won't be here tonight.
41:04Why?
41:05Where are you going?
41:06I'm leaving, Craig.
41:09Leaving?
41:12Leaving me?
41:16Yes.
41:18You can't leave me, Jackie.
41:21I can.
41:22What about a show?
41:24Well, the show must go on.
41:27Get Comet to help.
41:29What's she gonna do?
41:34Everything I do...
41:35I do for us.
41:37I do for us.
41:39For you.
41:43And this is how you repay me.
41:45Hello?
41:49Hello?
41:52Hello?
41:53Hello?
41:58Hello?
41:59Come on!
42:17Fuck yeah.
42:29The diamonds alone are worth thousands.
42:34Just say I'll take a look.
42:36Thanks.
42:38Bert?
42:59Bert?
43:29You scared me.
43:59I've been thinking about something.
44:02Have you?
44:03You said you'd help me find Caitlin.
44:07Yeah, well, you think it's a good idea, I could.
44:10Where would you start, though?
44:13What do you mean?
44:15I mean, where would you, Bert, go to find out where my daughter is?
44:23I don't know.
44:24You don't know where you'd begin the process of finding her?
44:26Writing to her to establish a relationship?
44:30You don't know how you would do that?
44:32I found the letters.
44:33I asked if you wanted my help to find her, and you said no.
44:36You'd already found her, you fucking psycho!
44:38You keep saying, you've got something for me.
44:56Something you call love, but confess.
44:59You've been a messin' where you shouldn't have been a messin'.
45:06And now someone else is gettin' all your best.
45:11These boots are made for walkin', and that's just what they'll do.
45:19One of these days, these boots are gonna walk all over you.
45:24You keep lying when you oughta be truthin'.
45:39And you keep losing when you oughta not bet.
45:45If you kill me, she'll hate you.
45:48Take me to my life.
45:49It's just what the hell's do.
45:53One of these days, these boots are gonna walk all over you.
45:58Did you get my money?
46:00What?
46:03Are you ready, boots?
46:07Done walkin'.
46:09I know.
46:31I know.
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