- 2 days ago
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00:00We are going to steal the face of the Great Masturbator.
00:04So Jackie helps us get in undetected.
00:06Don't get involved with a babe, she is not worth it.
00:10I'm leaving, Kloge.
00:12Leaving? Leaving me?
00:14Someone stole a murderous dress with an incalculable value.
00:17And you have substituted it for that cheap thing.
00:19But all your officials are looking for my wife.
00:21And the people who did it, I want her to be jailed.
00:23Okay, but another visit to the doctor.
00:26Let's see how you work under real pressure.
00:28It's sharpened the mind.
00:30Nothing can just be mine, can it?
00:32Not even finding my daughter.
00:35I want to be more involved.
00:37We need another capable pair of hands.
00:39I would really like for us to work together.
00:41I just wanted you to be you, whatever you turned out to be.
00:44Can we not talk about the cancer?
00:45I just want to enjoy my time with you.
00:47Take care.
00:48I was going to keep it, but give it to Maria.
00:51It's worth more than I are.
00:52I'm worried you have a short memory.
00:53You promised to cut me in on something big.
00:56What are you doing?
00:57You haven't got cancer.
00:58I faked it.
01:00Is there anything else I need to know?
01:02Nothing.
01:03Brown is on her.
01:04I boy.
01:07I love you.
01:09Amor and millimeter.
01:12Amor and millimeter.
01:13Oh, my Александra.
01:15Amor and millimeter.
01:17Amor and millimeter.
01:17Amor and millimeter.
01:23Amor and millimeter.
01:25No, no, no, no.
01:55You okay? Do you want me to come and see the doctor with you?
02:10No, fine.
02:25Oh, I forget my hat.
02:48Cheers.
02:48Yes.
02:49Hey.
02:50Hi.
02:51Um, so, spontaneous remission, you know, where the cancer just kind of disappears.
03:08You ever heard of that?
03:10No.
03:11I'm just a man.
03:17Maria.
03:18How do I look out at my prison duds?
03:23Why keep this up?
03:24You're out now.
03:25No one thinks you're a threat.
03:26I had to keep someone invested.
03:28Like, you don't understand.
03:29She's my oldest friend.
03:30I had to get her to want to spend some time with me.
03:31The less I know about what you do on the outside, the better.
03:36I do need paying.
03:37What?
03:38You've been paid?
03:39From Blast?
03:40I gave him a watch to give you.
03:41What watch?
03:42There's been no watch.
03:43Ah.
03:45Ahhhh.
04:01I
04:31We've got a big problem.
04:36Yeah.
04:44That's going to be crawling with security.
04:46Have you seen this?
04:47Right, next door to the master beer.
04:48Just focus, okay?
04:49Come on, this is impossible.
04:51So what do we actually know?
04:52Well, that the place is in total lockdown
04:54and half of Spain's press are camped outside.
04:57That'll only be the case for a couple of days.
04:59When the Mona Lisa were nicked in 1911,
05:01people came to stare at the space at the wall.
05:03They'd never had so many visitors.
05:06Right, let's deal with the facts.
05:08We know that due to the size of the painting...
05:10It's really massive.
05:11Yeah, so it won't be removed and it'll be restored in situ.
05:14Yeah, and most of the work will be done at night.
05:16With a restoration team in there around the clock
05:18and increased security, that rules us out going in at night.
05:20There's no way we can go unnoticed.
05:22I mean, we'd just be seen.
05:23So what, we push the job?
05:25No, we can't.
05:26Selene's given us a deadline.
05:28What then?
05:28We go in during the day
05:31and steal a painting in front of all those people.
05:33That's impossible.
05:34Yeah, we're not going to do anything that puts you in any danger.
05:37We come up with a plan and we execute it.
05:42Craig, do fuck off.
05:45Why did you do that?
05:47He needs to leave you alone.
05:49Jackie, you need to come up with a plan
05:50to get the painting in and out during the day.
05:52Yeah, I'm all ready on it.
05:54You don't have to worry about me.
05:56Can you two guarantee that you're not going to go rogue?
05:59Nobody's going rogue.
06:01Get some rest.
06:02Tomorrow will be a big day.
06:13Do you really think we can pull this off in a crowded gallery?
06:15The security guard.
06:21The prison.
06:22Yeah?
06:23I sort of kept in touch with him.
06:25I didn't say anything because obviously I didn't see it going anywhere.
06:28But now we've got a requirement for an inside man at the museum.
06:31And you trust him?
06:33Trust is a relative concept.
06:35But there's never been a man that between us we couldn't handle.
06:38Well, let's go see him.
06:39You know that Caitlin's part of the team.
06:45She doesn't need special treatment.
06:47I'll be the judge of how I treat Caitlin.
06:49I'll be the judge of how I treat Caitlin.
07:15Buenas.
07:16Buenos días.
07:17Mira, quería saber el precio de esto.
07:19Por curiosidad.
07:19A ver.
07:28¿De dónde has sacado esto?
07:33Oiga.
07:34Oiga, vuelva.
07:37Vuelva.
07:37Sí, policía.
07:49I'm in contact with a journalist who's reporting at the museum.
07:52Convince him I'm an editor at El Mundo.
07:53Promise him an exclusive.
07:54He can feed me the details of what's going on on the ground.
07:57Oh, great.
08:00I'm worried.
08:02Please, that's the last thing I want.
08:04Part of the job is rolling with the punches.
08:06No, I'm worried about you.
08:08And Bert.
08:09It's just...
08:10When you're together, it's just this thing with the two of you.
08:14Well, we were best friends for years.
08:16We're about to do a massive job.
08:18I can't end up in prison like Bert did.
08:21You won't.
08:21How can you know that?
08:22Because I'm in charge and I wasn't when she was arrested.
08:25What actually happened?
08:32There was this job.
08:35Taking something from a safe or a client.
08:38And it caused a whole load of trouble.
08:41Two guys who'd happily worked the same area,
08:44started a turf war, but ended up on the wrong side.
08:46It was a mess.
08:48People got hurt.
08:50A turf war.
08:51You were involved in this job?
08:58Look, we were both arrested, Bert.
09:00Bert kept me in the dark on a lot of it.
09:03She took the rap because it was her rap to take.
09:06That can't happen this time.
09:07It won't.
09:08Whatever happens, you can trust me.
09:11I'm running this, I'm managing Bert,
09:13and we're rebuilding the plan.
09:16You have to understand.
09:18I will always have your back.
09:20I'm in charge this time,
09:22and you are my priority.
09:24And that means a lot.
09:25I'm in charge of you.
09:33Do you the corona of Spinas?
09:36Are you back?
09:37The rape of the corona of Spinas
09:39is related to the rape of joya and value
09:41which had a place that day.
09:43I don't have any idea.
09:44No, I don't have any idea.
09:46I don't have any idea.
09:47I don't have any idea.
09:47I'm in charge of you.
09:52Hello.
09:53Inspector, Pérez aquí.
09:54What does that cure in the TV saying that he doesn't know anything?
09:57He's lying, sure. Something is hiding.
10:00And you know what it is.
10:24What are you looking at?
10:29I'm not sure.
10:34You think that car's following us?
10:36I don't know.
10:38Well, let's not find out.
10:47Can you lose him?
10:49No.
10:54Jesus.
10:55Who is that?
10:57I don't know.
11:01Fuck this.
11:14Oi.
11:15Somebody killed us, you knob.
11:16Selene needs to see you.
11:18Now.
11:19Where the fuck do you even find us?
11:21Follow me.
11:25Shut up.
11:33Guernica.
11:35The minute you heard about that, I should have had a phone call.
11:38Telling me you know there's a spanner in the works, but you are moving hell and high water to sort it.
11:42Yeah, we are.
11:43We didn't want to come to you with a half-baked idea.
11:46Well, thank fuck for that.
11:48You got a backup plan?
11:49Yep.
11:52Do I need one?
11:53Because the buyer is breathing up my arse and I am holding her off.
11:58But she is not to be messed with.
12:00The buyer?
12:01That's not you.
12:02No.
12:03That's fucking not me.
12:04But I am the one with all the exposure if this goes tits akimbo.
12:08So don't be slacking off.
12:10We've got a lot at stake.
12:11We need this to work as much as you do.
12:13Okay, so we're in agreement that just because some yoghurt knitter lobs paint around a museum, we are not going to let anything slip.
12:21And by we, I mean you.
12:22Your delivery date remains as safe. We just need to redesign the acquisition.
12:26Okay.
12:27Or you come back to me with a nailed on plan of what you're going to do.
12:31Okay.
12:34Right.
12:35You're done. Get the fuck out.
12:37Unless you're in any way handy with a bucket of star drops.
12:40You'd be amazed the amount of piss you have to deal with in this place.
12:44Oh, for fuck's sake.
12:49We just told a lunatic we have a plan.
12:51Yep.
12:52And our gang thinks we have a plan.
12:54Yeah.
12:55We need a plan, don't we?
12:58We're going to stop seeing the crowds as a problem and start seeing them as a solution.
13:03Oh, that's all I've got. Sorry.
13:06Beautiful.
13:08Come on.
13:25Just a bit on edge.
13:28Didn't mean to startle you?
13:30Are you okay?
13:31Yeah.
13:32Thanks.
13:33Yeah, I'll put those on there.
13:36Let's come and grab this for me.
13:40Pinch it.
13:42Very good.
13:45We might be missing a trick, you know.
13:48I was just thinking about how does a woman get in and out of somewhere without getting noticed.
13:53Like?
13:55Well, you're an older woman.
14:00No one takes a blind bit of notice.
14:01You could take the crown jewels off the king's head and the courtiers would be like,
14:05Ooh.
14:06Is there a breeze?
14:07And we can use that invisibility to our advantage.
14:14Your husband?
14:15I've done the same thing for 30 years.
14:19I'm not going back to it.
14:21That bad?
14:23Yeah.
14:26What did you mean about Sam and Bert going rogue?
14:30When it's good.
14:32They're the best in the world.
14:34But when it's not, it's...
14:37What?
14:39It's toxic.
14:40I know you want a relationship with your mum, Kael.
14:48And you can have that.
14:50But you can't get in between them.
14:53Because it's a game.
14:56They don't think it is.
14:58But it is.
15:03Just... I just really need this.
15:07Me too, darling.
15:08Cheers.
15:13Cheers.
15:18I pressed the cure a little more.
15:20It turns out that shame is a great motivator.
15:22Suddenly, she agreed.
15:24Two women, 40 and so many years,
15:26with red eyes,
15:27and were dressed as men.
15:30There's a high possibility that they weren't as men.
15:32They were the crown of espinas.
15:38The crown of espinas.
15:40Robada and then revueled.
15:42A the same as a great roba of joyas.
15:44The crown of torero.
15:46Also robbed and then revueled.
15:48I don't understand why someone would be able to revuel it.
15:51Well, I suppose...
15:52No.
15:53Supongo que...
15:54Miedo a la ira de nuestro señor.
15:57Una vez igual, pero dos.
16:02Vamos a mirar a ver si tenemos a alguien registrado.
16:05Tenemos que investigar a cualquiera con un historial de este tipo de robos.
16:09Algún estafador con antecedentes o alguno recién salido que necesite dinero rápido.
16:13Si alguien te llama la atención, empieza a hacer llamadas.
16:17Perfecto.
16:27Hey.
16:28Please meet you.
16:30Martha Samuels.
16:31Sam to my friends.
16:33Well, Sam to my friends.
16:36You're late.
16:37Yeah, I know.
16:38We're really sorry.
16:39We had something important to attempt to.
16:42Not a hospital thing.
16:44No.
16:45It'll make us a lot of money thing.
16:53Look, we've said we're sorry for being late.
16:56Come on, please.
16:57Stay.
16:58We'll get you another drink.
17:00Yeah, please, stay.
17:02Look, we need you.
17:07I'm going to need an advance.
17:08We can get you $5,000 before the end of the week.
17:12The rest is payable when the job's finished.
17:17Doesn't work for me.
17:20You know, I'll bet she still hasn't told you.
17:26About Isabella.
17:28Her cellmate.
17:30What?
17:31So she got the idea for the job from.
17:33You're not worried about her finding out.
17:35No, she won't find out, will she?
17:40Go on.
17:41Tell me more.
17:43Hello.
17:48Hello.
17:49Hello.
17:50I'm the inspector.
17:51I'm looking for Roberta Mancini.
17:53We have her registered here.
17:55She's very sick.
17:56With cancer.
17:58She's in the hospital because she has a appointment.
17:59But can I tell her what you've been doing?
18:01It's a routine control.
18:02I'm sorry to see her.
18:03No, please.
18:04Thank you very much.
18:05That's it.
18:06Wait.
18:10Are the police?
18:11Are the police on to me?
18:12Are they on to us?
18:13This is getting out of hand.
18:14It's too disky. I'm done.
18:15Calm down.
18:16You need to go inside and finish the painting.
18:18And then you can go home.
18:20Okay?
18:21You just need to trust them.
18:22Oh, they can't even trust each other.
18:25I saw them batting each other in the pool.
18:27Proper fist fight.
18:29Bloody wild animals, the pair of them.
18:32Okay.
18:35Just breathe through your nose, okay?
18:38Yeah.
18:41Keep breathing.
18:42Look.
18:44We're looking for someone who works in security,
18:46with an unblemished record,
18:48can get a job at the municipia,
18:49and feed us information about their new security.
18:55She's cute, right?
18:57Oh, yeah, she's cute.
18:58But if you keep trying her,
18:59she'll pull your arm off and shove it up your arse.
19:01Oh.
19:06Here's the deal.
19:08I'll pay you 100,000 euros on completion of the job.
19:12And what is exactly you're taking from her Reina Sofia?
19:15Very good.
19:16Three hundred.
19:17Two hundred?
19:18Are you in or are you out?
19:19I'm in.
19:21Three hundred.
19:23Two hundred?
19:24Are you in or are you out?
19:34I'm in.
19:35Three hundred?
19:42Two hundred?
19:43It's kind of join.
19:47Everything okay?
19:49Mm-mm.
19:50Your painter is having a meltdown.
19:53What?
19:54a policeman came around earlier to talk to me no to talk to Bert I got rid of him did he say
20:07he said it was a routine check and I told him that Bert was very sick and she had a hospital
20:12appointment to attend to okay good uh let's not bother her with this
20:19don't take the piss Bilal we did a full kidnap and rescue on you so how about you finish the job I've
20:30employed you to do now you take your balls get back to that easel crack on all right and cheer up
20:39blast all right thanks for letting me know he's got an interview tomorrow at the museum
20:53he'll talk his way into that they're desperate and he's absolutely bubbling
20:56great when he's in let's get to Madrid we'll assess the crowds be in the space I'll come to
21:04you no you stay here yeah it's far more useful if you stay here and keep your eye on Bilal and Jackie
21:10she needs us we don't know how long she has you hold the fort here we can have all the time in the
21:34world together when this is done so we need a new plan and the night is completely out that means
21:51we have to go in during the day and use the crowd to our advantage the good news is the paintings on
21:56track have been finished in a week which gives us ample time for any last-minute adjustments Jackie's
22:02designing a rig to get the faking ready for the swap working on making it as fast as possible
22:06using disruptors to block the magnetic locks what we don't have is a diversion how do we control the
22:13crowd we don't know that yet but hopefully our inside plan will give us access to security and
22:18the museum cameras we still need an exit strategy but Caitlin's nicked a van we'll get access to the
22:26loading bay and we'll go in as service workers so that's half a plan what do you think I'd say we're
22:35getting there a lot to work out buckle up buttercup and pat your knaffers we are off to Madrid
22:44I know the score at the back of my hand them or the boys I don't give a damn they kiss on the rain
23:07I carry the crown nothing can break nothing can break me down
23:13don't you know if I I got a plan I know the direction
23:20I'm a man come round and nothing can break you can't break me down
23:26I got gas in the tank I got money in the bank I got news for you baby you're hooking at the rain
23:36I got gas in the tank I got money in the bank I got news for you baby you're hooking at the rain
23:44masturbator is on the list of paintings which have been given 24 7 one-to-one security government's
23:56orders as the carnica room is closed the masturbator has the most footfall well I'll be honest if I
24:02had a masturbator room that I'd get a lot of footfall and all maximum numbers nothing official but if it
24:10feels like it's getting crowded we can stop people entering doesn't help that the carnica is in the
24:17same space the rooms are interconnected and there are a lot more visitors this is all sounding pretty
24:22hard to get around no we can use some of this to our advantage something else gets disturbed we can
24:28use the chaos that ensues to pull focus away from us true but you don't want to end up in a
24:34lockdown gallery good point pluses and minuses minus a lot more security plus a lot of them are new
24:45minus everyone's on high alert plus when people are on high alert they get easily distracted and
24:53spooked especially with the restoration are all the exhibits alarmed everything in the permanent
24:58collection the temporary collection no they're just stacked so that's a weak spot let's see if it
25:06could be useful we'll need a distraction to move the crowds something big enough to get people away
25:15from the masturbator room
25:16it's just beautiful that's all
25:38want to play a game
25:46what
25:47oh my god your waters oh my god well help uh it's it's my waters i'm pregnant i'm uh i don't i don't speak
25:58um maybe call my doctor uh
26:01come on hurry up
26:07why did you leave i had to style it out and say i'd just piss myself
26:12just trying to prove a concept
26:14what i wanted to see what we could achieve when no one is paying attention
26:18turn around
26:20for you
26:30can we go somewhere on the way home
26:40hang on
27:00hang on
27:08what do you want craig
27:13what do you want craigie for you to give your head a shake and come on no i can't can't
27:26i won't
27:43i won't
27:44i won't actually
27:45not this time
27:48all i've ever done
27:53is look out for you jackie
27:55no one will ever love you like me
27:58comet craig
28:03comet craig
28:04she's a kid
28:05and you're a show
28:16and you're a show
28:18you owe me jackie
28:19you owe me jackie
28:21i don't owe you anything and i don't want anything
28:24who brought you to spain
28:26me
28:28i brought me to spain
28:30oh you've got a short memory
28:31i've got a long one unfortunately
28:34i made the great diavolo craig
28:37not you
28:38do you really believe that
28:39put a wind beneath my wings is that what you think
28:42i mean if you want to put it in like that
28:45don't let your head get a turn now
28:46do you
28:49believe that you're bigger
28:51than this
28:52think yourself lucky
28:55that you're here at all
28:56why do you have to make me feel so seen
29:00i can't make you feel anything jack
29:06you're just responding to what i say because
29:10it's true
29:11i am just a realist
29:14and i know that whatever you're up to now
29:16will just be a flash in the pan
29:18and you'll wake up
29:19and know
29:20that you need me
29:21so let's just save us the trouble
29:24and then just
29:26do it now eh
29:28no
29:32i don't want anything from you
29:34i don't want anything to do with you
29:46you need to get back on those days jackie
29:54all right
30:02thanks
30:04the
30:06Oh, Raven, it's still standing.
30:28It was so green when we came.
30:31It must have all been burnt to the ground.
30:35Don't recognise it, dear.
30:37No. Come on.
30:45Oh, my God.
30:48You can't buy.
30:50Yeah, we went to that Fiesta in San Pedro.
30:52Yeah.
30:53And that Ferris wheel was completely unsafe,
30:55and we screamed at the guy to let us off, and he wouldn't.
30:59So when we did, we just jammed his engine so it wouldn't stop.
31:02He went nuts.
31:04And we pegged it past you on your moped.
31:06It's like a hairdryer on wheels, I think.
31:13So is this where you want to...
31:17Yeah.
31:23Yeah.
31:26Right.
31:27You know, I, I, I, like, over the years I've been, and you were, it was, it was a lot, and I'm, it's just, I was, you were brilliant, you were mental, and you were a fucking nightmare,
31:51but you were fierce, and you were loyal, and you were just, just the ace, and if you'd been given a bit of love and opportunity, you could have ruled the world,
32:11then this job, Bert, this is, this is you putting it right.
32:21Yeah. You're the only friend I've ever had. Same.
32:29You.
32:33I'm sorry.
32:38You've got nothing to be sorry for.
32:42Nothing.
32:51I'm sorry.
32:52One more time, Samuel.
32:54Yes.
32:56Ah!
32:58Ah!
33:00Ah!
33:02Ah!
33:04Ah!
33:06Ah!
33:08Ah!
33:10Ah!
33:12Ah!
33:14Ah!
33:16Ah!
33:18Ah!
33:20Ah!
33:24Sam.
33:26You've been really brave.
33:28Help her with the wire.
33:36Your decision to contact us has been key to our investigation.
33:40Hey, look at me.
33:42You should be proud of yourself.
33:44You've got a clean record and you can put this behind you.
33:46You can start again.
33:48Ah, look at me...
33:50Oh, God.
33:52You've got a..
33:54Oh, God.
33:56Ah!
33:58Oh, God.
34:00I'm a jerk.
34:02I'm a jerk.
34:06Oh, God.
34:08Oh, God.
34:12Oh, God.
34:14Oh, God.
34:16Oi, oi. Thought I'd swing by. How's the exit plan going? Need anything?
34:39Yeah, I do. Actually, can you go to the hardware store for me?
34:43Asking for a long stand. Is it taking longer than you thought?
34:50Getting the canvas off the wall is one thing, but stealing Idali in broad daylight is something else.
34:57If I can get the swap down to 30 seconds, we're in with a chance.
35:01But I need to finish off this rig. Craig leaving you alone?
35:06Yeah. It's hard, though. Why?
35:12Because he does this thing where he can just convince me black is white.
35:18He's a gaslighting, narcissistic prick. And the only thing he's good for is being a magician.
35:24Not even good at that, is he?
35:27Do you remember that time that he let all those rabbits go and they were up and all over the stage?
35:31And then that woman stood up and she said, I'm not staying here, Colin. No, it's absolutely dog shit. Do you remember?
35:37Yeah. Well, I took over the reins after that.
35:40Yeah, but you still let him have his name above the door. Just saying.
35:44Right. I'm going into town. I'm going to see the comms guys because we need new earpieces.
35:50Bert. Hmm?
35:57What have you been weird for?
35:59The great Diablo. More like the great Dickhead.
36:02I'll see you later.
36:03What a smart laugh with your friend, are you?
36:18What?
36:19I am your husband.
36:25And them rabbits were duds, by the way.
36:29The police came to my house looking for Bert.
36:32You promised me I'd be anonymous.
36:34You are. As long as she's not got you involved in anything.
36:37You don't need to worry about that.
36:39Well, Ferris, I need to know this has nothing to do with me.
36:42It was probably a routine house to house.
36:45But look, Sam.
36:46I will call my old partner on the force and see what they can find out.
36:50But if they seriously needed her for something, they would have stuck around.
36:54Okay? You're worrying unnecessarily. Trust me.
36:58Sam and Bert. A Dali painting theft.
37:02It's nothing.
37:04How much are you paying you? A fortune?
37:07A small fortune.
37:10Come back to me.
37:11Let's just get out of here.
37:15Let's set our sights on Vegas.
37:18Me.
37:19And you.
37:23Okay.
37:24It's like that, is it?
37:28Maybe I'll just phone police then.
37:29Don't police then.
37:40Policiero, por favor.
37:41Stop.
37:44Just stop.
37:46I'll split it with you.
37:48Split what?
37:49How much are you paying?
37:50Come back to work.
37:51Do your little side hustle and we'll sort of split out later.
37:57Jackie.
37:58Okay.
38:00I'll come back.
38:02Okay.
38:05I'll come back.
38:13As esperé.
38:15De mi lista nadie encaja.
38:17También he llamado a la cárcel.
38:19Le han dejado salir por liberación compasiva.
38:21No le queda mucho tiempo.
38:23Pobre mujer.
38:26No me ha salido nadie más.
38:29Ah.
38:30Pero me ha entrado otra cosa.
38:32Un joyero en Madrid llamó reportando a un hombre que intentó vender el reloj de Carlos Pérez.
38:38Consiguió escapar, pero tenemos cámaras de seguridad.
38:42Todos los policías en Madrid tienen ya una foto de su cara.
38:46Puede que este tipo sepa algo.
38:48Hey.
38:52Hey.
38:54Madrid good.
38:56Yeah.
38:57Yeah, it was useful.
38:59Thanks for understanding.
39:02I feel like you're keeping things from me.
39:05I'm not.
39:07I promise.
39:08Don't get me wrong.
39:09I love seeing you with her.
39:10I think she makes you feel alive.
39:12And I feel more part of it than ever when we're all together.
39:14And it's really exciting.
39:16I just don't want to be on the outside.
39:20Not with you.
39:22Understood.
39:24We're in this together.
39:26Do you want me to talk you through the new plan?
39:28Yeah.
39:29Right.
39:30Right.
39:55What are you doing?
39:56Hey, hey, quiet!
40:26What do you think?
40:50I don't know!
40:51I'm gone!
40:58You've got to be fucking kidding me.
41:02Jesus.
41:06You've reached out. Leave a message.
41:12If I could ask you just to stand here.
41:15And ladies and gentlemen, I want you to keep your eyes very closely on my hands.
41:21Real view and all the time.
41:35I saw her two hours ago.
41:37She can't have gone back to him. What does that mean for the job? We'd be fucked.
41:42Can you just get down here?
41:44We have a death-defying act. A beat like no other.
41:51I did as well.
41:52I'm sorry.
41:53I'm so sorry.
41:55I'm so sorry!
41:57You're not sorry.
41:59You're okay.
42:01I'm sorry.
42:24Jackie, are you mad?
42:26I can't.
42:27What are you doing?
42:28I'm busy.
42:30We are working up to a huge job.
42:32And you are an integral member of the team.
42:34What are you doing back here?
42:36Fucked up.
42:38Because he knows.
42:39He knows about the job.
42:41He overheard us talking.
42:42He was hiding in my workshop.
42:44He's a massive fucking weirdo.
42:46You know that that's not normal.
42:48He said he called police.
42:50If it didn't come back.
42:52Jackie Diamond.
42:54That's where I am.
42:55Jackie!
42:57Diamond!
43:00Jackie!
43:01Jackie!
43:02Jackie!
43:03Jackie!
43:04Jackie!
43:05Oh!
43:06Oh!
43:07Oh!
43:08It's a very scary one.
43:09Oh!
43:10Oh!
43:11Oh!
43:12Oh!
43:13Oh!
43:14Oh!
43:15Oh!
43:16Oh!
43:17Oh!
43:20Oh!
43:21Oh!
43:22Oh!
43:24Oh, oh!
43:25Oh!
43:26Ah!
43:27Oh, oh, oh!
43:28Oh!
43:29Oh!
43:30Oh my God!
43:31You could've killed her, you prick.
43:38Everybody help!
43:40Look at me, Jackie! Jack! Look at me!
43:42Matt! Come on!
43:43I'm gonna stop.
43:44What?
43:45He's coming. Come on.
43:46Come on.
43:47That is your fault out of your fear, ain't you?
43:49I need you to leave her alone.
43:50You stupid cow!
43:51Please!
43:52Come on, move!
43:53You're all right, my dad.
43:55Come on, Craig!
44:01Come on!
44:02Hey, Craig!
44:03Look, now, if you go away somewhere, then when all this is done,
44:08we can sort you out some money, yeah?
44:10What?
44:11I don't want your money!
44:12I want me wife!
44:13And your wife wants to be with us because we know who she is.
44:16Fucking know who you are.
44:18Please!
44:19Alright, so you've been crying at your mates, have you, about me, eh?
44:22You think they're gonna whisk you off to a better life than this?
44:24Shut up!
44:25You've always thought that you were something...
44:27Hey!
44:28...better than this, but you are nothing.
44:32She's not nothing, you put Rick.
44:37Please!
44:38Please!
44:43Bert!
44:48He's bleeding!
44:49Sam.
44:50He was wild.
44:51You always fuck things up!
44:53Not true, Sam.
44:54I'm calling an ambulance.
44:56And I am calling the police!
44:58No.
44:59Jackie.
45:04Sam.
45:05There's so much blood.
45:06There was an accident. He attacked you.
45:10His temper, Jackie.
45:12It was her.
45:13If you say it was her, they'll arrest her.
45:15And all of this will have been for nothing.
45:17He did that in front of people.
45:19He's a loose cannon.
45:20You know that. That's why you left him.
45:22She attacked him.
45:23He attacked you.
45:24You distracted him!
45:25Are you hearing yourself?
45:26Are you serious?
45:27You need to get cleaned up.
45:28Jackie!
45:30He's still bleeding.
45:31You too, Bert.
45:32Here.
45:33Right.
45:34We're never gonna investigate this.
45:35We need to get all evidence out of Jackie's workshop.
45:38Seriously?
45:39Is that what you think's important right now?
45:42Yes.
45:43It's what is important for all of us right now.
45:45I'm sorry.
45:46Caitlin.
45:47We need to get you out of here.
45:49Hey.
45:50Come on.
45:51Come on!
45:52Come on.
45:53So you're just gonna leave me?
45:54Hey.
45:55You deserve that, yeah?
46:10I did the right thing.
46:14Sam.
46:16Yeah, you did.
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