- 2 days ago
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TVTranscript
00:01Shit!
00:02Carl Deacon, we want to talk to you about a shooting earlier this afternoon.
00:05Guernica, you got a backup plan?
00:07We just told the lunacy we have a plan.
00:09Yep, we need a plan, don't we?
00:11With a restoration team in there that rules us out going in at night.
00:14Dos mujeres de cuarenta y tantos años, ojos marrones, iban vestidas de monjas.
00:19Estoy buscando a Roberta Mancini, que la tenemos registrada aquÃ.
00:21Está muy enferma, con gante.
00:23The security guard.
00:25I sort of kept in touch with him, but now we've got a requirement for an inside man at the museum.
00:29¿Tiene hora?
00:30¡Eh! ¡Eh! ¡Pero!
00:32Roberta, are you mad with mother?
00:35Should the mother be mad with you?
00:37Why?
00:38Because I went off to live my life.
00:39What about what I was owed for having you being dumped on me?
00:43I know you want a relationship with your mom.
00:46But you can't get in between them.
00:47She doesn't need special treatment.
00:49I'll be the judge of how I treat Kayla.
00:50I can't end up in prison like Bert did.
00:52She took the rap because it was her rap to take.
00:54Your decision to contact us has been key to our investigation.
00:59You could have killed her, you prick.
01:03It was wild.
01:05I am calling the police.
01:06No.
01:07You deserve that, yeah?
01:09I did the right thing.
01:10Sam.
01:12Yeah, you did.
01:13I need to speak to Jackie.
01:16No, Bert.
01:17Not now.
01:18She's at the hospital.
01:19Just need to get this back.
01:20Yeah.
01:21What if she blabs to the police?
01:22Just give her some space.
01:23Look, take it home.
01:24Get some sleep.
01:25Where are you going?
01:26To check on Caitlin.
01:28Tell me.
01:29I will.
01:30Take it home.
01:31Get some sleep.
01:32Where are you going?
01:33To check on Caitlin.
02:04Come on, Jackie.
02:11Okay.
02:16Is he going to be okay?
02:17He has suffered a head trauma,
02:20and we had to put him in an induced coma
02:21to avoid the risk of bleeding on the brain.
02:24He's recovering well,
02:25but the next 12 hours are very important.
02:28Okay?
02:31You're a bloody idiot, Craig.
02:34Jackie.
02:36No!
02:37You're rewriting what happened.
02:38Look, I was defending you.
02:40What are you playing at?
02:41You cannot be here.
02:43What do you want me to do?
02:44Do you want me to say sorry?
02:45I'm sorry.
02:46Miss, you can't be here.
02:49Next of kin only.
02:50Yeah.
02:51When you are ready,
02:52the police would like to speak with you.
02:58Just remember why you left him.
03:01Yeah.
03:04Don't stop.
03:04Don't stop.
03:16Don't stop.
03:16Hey.
03:18Hey.
03:20It's really hurt, isn't it?
03:22What the hell was that?
03:24Is she going to be a problem?
03:26It was a lot, I know.
03:28But this is what it's like with Bert.
03:30It's exciting, but it always gets out of hand.
03:32Sam, we don't have much time.
03:34We can, we can keep it in track.
03:36Can't we?
03:38Hey.
03:42We can make this work.
03:44Yeah, we can.
03:46And if for some reason
03:48it doesn't work,
03:50we make sure our fingerprints are not on this job.
03:52What if Jackie talks to the police?
03:54She won't.
03:56She just needs to cool off.
03:58I think she's out.
04:00There is a version of this where we don't go through
04:02with the job. No, there isn't.
04:04Sam, think of the life we could have.
04:06It's three days away.
04:10I can manage this. I'll go see Jackie.
04:12Okay.
04:14What do you need from me?
04:16Nothing for now.
04:18You relax.
04:20Yeah.
04:34Sam?
04:36All right.
04:42Hello?
04:44It's Sam. Leave a message.
04:46Where are you?
04:52Where is the controlling cow?
04:54Eh?
04:56I don't know Bert.
04:58They're all fucked off.
05:00How?
05:02How have they now?
05:20It's Sam. Leave a message.
05:22Someone answered that fucking phone.
05:24Yeah?
05:25Bert? It's Glass.
05:26Where the hell have you been?
05:28There's a problem.
05:30El robo de los relojes.
05:32Entiendo que el hombre en cuestión se ha escapado de nuestros oficiales.
05:36Si. Estamos trabajando en ello.
05:38Pues os falta trabajo.
05:40Carlos Pérez me ha llamado esta mañana antes de que me despertara.
05:42Es el tipo de persona que no lo dejará estar.
05:44Y como resultado nosotros no vamos a dejarlo estar.
05:46Entendido?
05:48Si, señor.
05:49Es que...
06:15Jackie. Jackie.
06:17Hey.
06:18Hey.
06:19Jackie you know Bert was here telling me she was defending me didn't want to know
06:28and then the police turned up and you told him it was Bert no I said I didn't
06:34want to talk right now please don't talk to the police I haven't decided what I'm
06:38gonna do but one thing I do know without you this whole thing falls apart we need
06:45you don't want to do it I can keep her on track no you can't if you could you'd
06:51have done it years ago
07:15hello she's out she can't be what the hell are we gonna do
07:36maybe I contact Celine by some more time and look weak no I'll finish the rig I'll be the
07:43look out whatever it takes I'm sorry I just we need you on the inside if
07:50anything we need more of a distraction not less but don't worry I'll work it out
07:53fine then let me handle Jackie okay okay
08:01I am home how long until you can come home Bilal not long now I'm I'm nearly finished and I'll be on the first fight out of here can I see it of course imagine being paid to copy a painting oh Bilal it is beautiful
08:29yeah it's all in the blazing with Dali
08:34give over never mind Dali you did that
08:38Bilal you can do anything you set your mind to
08:43thanks mom
08:44all right
08:55the watch you gave me the police chased me to question me about it
09:00well if you'd have given it to Maria like I asked then no one would chase you anywhere
09:04you hadn't given me a stolen watch that I wouldn't have been trying to sell us
09:07do you think I got it out of a Christmas cracker
09:10it's too risky for me at the museum right now
09:12what's wrong
09:14you
09:15you're what's wrong
09:16hanging around here you're embarrassing yourself like a dog with its dick out now
09:20hurt back to the reign of Sophia
09:22don't talk to me like that
09:23or what
09:24or I'll let Sam know that you're lying
09:28yeah
09:29yeah
09:30or the authorities
09:32yeah
09:33then I'll let the authorities know that you helped me lie about cancer
09:36so you knock yourself out maybe it's me that should give someone a call and knock you
09:40you do that you'll end up back in prison
09:42you think I give a shit about that
09:45I tell you someone who wouldn't fare well in prison
09:49you
09:50so they love X screws inside you think about all that lovely attention you've got
09:55I know
09:56stop crying and get back to work
10:19hey
10:20you need to rein it in
10:23what
10:24well Jackie's out
10:25we still don't have a distraction
10:26and Blast just called
10:28what did he want
10:29the police are on to him
10:31yeah
10:32I spoke to him
10:33well we can't expect him to manage it
10:35yeah okay well
10:36you manage Jackie and I'll manage Blast
10:38no you need to let me deal with everyone
10:40how am I
10:42cheers for asking
10:43I got into a fight defending our mate
10:45I wonder how I am
10:46you all right how are you
10:55I'm okay
10:57but then I'm always okay aren't I
10:59right let's go together to stop Blast out yeah
11:02yeah
11:06right
11:07you go in there in your front here
11:25you don't mess this up because you can't tell a white lie about a nicked watch
11:29whatever they say deny deny deny
11:32okay
11:35okay
11:40we'll wait on the next street over
11:41the next street over
12:02hi
12:03have you slept you have had an enormous shock and this could be a long road the best advice
12:18I have is go home and do something even if it's just for 20 minutes that is just about you
12:33so
12:41so
12:47so
12:52Thank you for bringing us this, and for doing the interview.
13:07I want to clarify something.
13:10I didn't run away because I didn't have anything bad.
13:13I ran away because they were chasing me.
13:15I'm here to cooperate.
13:17How did you find the clock?
13:20A part of the cards.
13:23I don't know any names, or anything like that.
13:26I didn't know what I was robbing.
13:29You can't wait.
13:31But you're not going to get me for this.
13:34¿Algun of the players were women?
13:38No.
13:40Are you sure?
13:42Because we're looking for two women in connection with this clock.
13:46And a religious religion.
13:50Is that your face of poker?
13:53I'm surprised that you won't win.
13:59Look, I don't know anything about these two women, what they do, what they do.
14:05But in that game we're all men.
14:09If you're going to have to accuse me of something, let me go.
14:13But I didn't do anything bad.
14:15Hmm.
14:28I need your data if I have more questions.
14:30Hello?
14:31That's great.
14:44We'll go together.
14:45Meet at mine.
14:47Jackie's agreed to meet Caitlin.
14:49I'll take you back to the house.
14:52Get out of your hair.
14:58They're looking for two women in connection with the watches.
15:02And the theft of a holy relic?
15:05Did they get a description?
15:07Apparently.
15:08We need to lay low in Madrid for a couple of days.
15:12Do this when there's less heat.
15:13No, no, no.
15:14You need to go back to Madrid and stick to the plan.
15:16The police are looking for you.
15:17Are you mad?
15:18We're still doing this.
15:19We're so close.
15:20We need to make this happen.
15:21Then we can all disappear.
15:22But I think we should split up.
15:24That's convenient.
15:26It's just said that there's a description of two women.
15:29It makes sense to split up.
15:31Also, you're sick.
15:32You need to rest to be ready for the big day.
15:33I don't think you want me to have a rest.
15:34I think you want a rest from me.
15:36I'm taking you back.
15:37I'll keep you informed of everything that happens, okay?
15:56Hello?
15:57Hey up, gorgeous.
15:58I'm out on bail.
15:59I need to get home.
16:00And you?
16:01Obi-Wan Kenobhead.
16:02I'm my only hope.
16:03Me?
16:04That little shit crack's been making moves on my patch in Bratford while I've been banged
16:11up.
16:12He's going to lose his marbles when he finds out what's happened to his cousin, Kyan.
16:28Wait, what has happened to Kyan?
16:31Is he not okay?
16:33Never mind all that.
16:34Listen.
16:35Seeing as you're the reason I were banged up in the first place, you're going to help
16:40him.
16:41And I can't exactly jump on the $3.45 out of Alicante here, can I?
16:43Can't Rocky help you?
16:44I can't get in touch with him.
16:47And even if I could, he ain't robbed a massive bag of money off me, has he?
16:51Deeds, look, I can't.
16:52I'll get in trouble.
16:53Do you know how much trouble you're going to get in if you don't?
16:56I need that money today.
16:57And what about my mum?
16:58I just had a lovely little chat with her.
17:01So, do this for me.
17:03Your mum will be sweet, your desk will be cleared.
17:05Me and you are back to square one, yeah?
17:07Old buddy, old pal.
17:08Go on then.
17:09Let's have a look at that painting.
17:10I know you're making a copy.
17:11Come on then.
17:12Chop, chop.
17:13It's proper good, that Bilal.
17:14Who did it originally?
17:15Salvador Dalit.
17:16Did it?
17:17Dirty bastard.
17:18It's good, that.
17:19Alright then, I'll see you in a bit, yeah?
17:21Get us that money, you prick.
17:22Get us that money, you prick.
17:23Who did it?
17:24Who did it originally?
17:25Who did it originally?
17:26Who did it originally?
17:27Salvador Dalit.
17:28Did it?
17:29Dirty bastard.
17:30It's good, that.
17:32Alright then, I'll see you in a bit, yeah?
17:33Get us that money, you prick.
17:39Shut up!
17:40I'll see you in a bit, yeah?
17:41I'll see you in a bit.
17:42I'll see you in a bit.
17:43I'll see you in a bit.
17:44Where are you going?
18:11I need you to do something.
18:12I need you to do it now.
18:13And if you don't, let me.
18:15I can't finish the picture.
18:17What?
18:17Deegs is out. He needs this money.
18:19That massive lump.
18:20Bilal?
18:20He said if I do it, he'll clear my debts.
18:23If I don't, how do I ever go back to Bradford?
18:24How do I ever go home?
18:26I don't know, but I do know that you're going back in the house and finishing that picture.
18:29Got your money.
18:30It's a pain.
18:31What are you doing? Get up.
18:33It needs to be finished by tomorrow.
18:35No.
18:36If you don't let me go, I won't finish it.
18:38I don't care if you shoot me.
18:41Get your phone out.
18:42No.
18:43Just get your phone out.
18:44Don't lie.
18:45Get back in the house.
18:46We're going to sort this out.
18:54You've got no mate's your own age to phone.
18:56I wanted to see if you needed anything.
19:02You've been sent on a job, I'm a fan, sir.
19:04Firstly, I wanted to see how you were doing.
19:06Secondly, how your husband is.
19:08You don't care how my husband is.
19:11Do you?
19:13Listen, when I met you, you were not only doing something you loved, but something you were good at.
19:17Why do you want this job so badly?
19:20I'm just a huge fan of art.
19:25And I'm sick of being broke.
19:26Look, my place is so small, I can touch the toilet from the end of my bed.
19:31Bloody hell.
19:32Handy if you want away.
19:35Look, I just want you in, man.
19:37You seem straight up.
19:38You know, for a crook.
19:39Hmm?
19:40Well, you know what to say to a girl.
19:44Listen.
19:46Those two are full of shit.
19:48My husband is lying in there because of them.
19:51It does sound like he went pretty nuts, though.
19:53That's not the point.
19:55I'm still fucking raging with Bert.
19:58It's so much money, though.
20:00And I know that money isn't everything,
20:03but money buys you the time to decide how far away from this life you want to be.
20:07So, are you in?
20:14Jackie?
20:17Yes.
20:18But my foot will be on the pedal,
20:20and I am in charge of when we leave
20:22and who gets left behind with the misbehaving.
20:27Entienders?
20:27Well done.
20:39You did what Bert and I couldn't.
20:42She still isn't happy.
20:44Oh, well, the money she's going to make from this job will put a spring in her step.
20:47So, our next problem.
20:51The distraction of the museum.
20:52Yeah, we're working on that.
20:54Look, I didn't want to mention it
20:56because, you know, we've got enough on our plate,
20:58but Bert's in a volatile place.
21:02Okay.
21:02I mean, she can sense me managed a mile off,
21:04so she has to think that she isn't being,
21:06else we run the risk of the wheels completely coming off.
21:11Thank you for trusting me.
21:14It's okay.
21:14Come on.
21:203 p.m.
21:23Yeah, that's right, yeah.
21:25I'll be there.
21:26With the money.
21:29That's it.
21:29Good boy.
21:30You know, all you have to do is stay here
21:32and finish this.
21:35I'm nearly there.
21:38Bloody hell, Bilal.
21:40I'm not just a pretty face.
21:44No, you're a good'un.
21:48Just don't cook it up at the final hurdle,
21:51or I'll batta you.
21:53Right.
21:54I'm off to see a man about a dog.
21:56He's coming up.
22:20Oh, he's coming up.
22:22Oh, for fuck's sake. Fucking spare me.
22:35Where's Bilal?
22:37What's what Bilal for?
22:39I thought you just wanted the money.
22:41I do.
22:46I'll get it then.
22:52Drop the bag and piss off.
23:11Why are you down there?
23:22I don't know, detective.
23:26He heard that the reloj has been back to Mr. Pérez.
23:29And he's very happy.
23:31Ah...
23:32Creo que hay un enlace aquÃ.
23:34No solo con este robo,
23:36sino entre la clona de espinas y el traje de torero.
23:39Creemos que dos mujeres están detrás...
23:41No, no, no.
23:42No gastemos recursos, encorazonada.
23:43Creemos que estamos cerca.
23:44¿Cerca de qué?
23:45¿Dos mujeres robando cosas y devolviéndolas?
23:49Ni hablar.
23:51Dejadlo.
23:52Dejadlo.
23:53Dejadlo.
23:54Dejadlo.
23:55Dejadlo.
23:56Dejadlo.
23:57No solo con esto.
23:58Dejadlo.
23:59Dojadlo.
24:00Dejadlo.
24:02Dojadlo.
24:03Dojadlo.
24:04Arrr.
24:10Arrrr.
24:12Arrrgh.
24:13Arrrgh.
24:14Take this bug off my edges, I can't tell.
24:15Arrrgh.
24:16Arrrgh.
24:18Yeah, okay, because you've got such a lovely way with words.
24:42Hey, Bert?
24:44Bert's gone to pay off Deeks.
24:49What?
24:50Whoa, whoa, just wait.
24:52Um, let me explain.
24:56What are you doing?
24:58Where are we?
25:03Here we are.
25:09Bert!
25:14Where the fuck am I?
25:23Ah, mocking uncle.
25:28Quick down.
25:29All right.
25:30Ah, ah.
25:35Yeah.
25:37Ah!
25:38Jesus!
25:40Your mum must have dropped you on your head or something, I swear to God.
25:42Shut up.
25:43Sit still.
25:44You fucking mental.
25:52All right.
25:55Ah!
25:56Fuck!
25:57Fuck!
25:59Fuck.
26:01What do you want, Jack?
26:05I want you to stay out of my business.
26:09Yeah, well, that's not going to happen, is it?
26:11Yeah, I've heard you've got Bilal forging a Dalai painting for you.
26:15I reckon I know why you're doing that.
26:17That sounds like fun.
26:19Fucking knew it.
26:23Fuck.
26:24You burst my eardrum!
26:25Yeah?
26:26I think I've caught your ear there as well, Mr. President.
26:27What do you want?
26:28Just tell me what you want and I'll do it.
26:29You're going to leave Bilal alone?
26:30Yeah, I'll leave him alone.
26:31I'll leave him alone.
26:32Just let me go.
26:33Yeah, the thing is, if I take you back with me, I don't think you're going to behave,
26:34because I don't think you're capable of behaving, are you?
26:35Hmm?
26:36Sorry.
26:37I'd lick that up if I were you.
26:38I'd lick that up if I were you.
26:39That's all you're going to get for two days, because I'm leaving you here.
26:40You're fucking not.
26:41Oh, yeah, yeah, I am.
26:42And if you keep using all your energy to get free, then you're going to get squinty
26:44and knackered and really fucked up.
26:45You're going to get squinty and knackered and really fucked up.
26:46Yeah.
26:47What do you want?
26:48What do you want?
26:49Just tell me what you want and I'll do it.
26:50You're going to leave Bilal alone?
26:51Yeah, I'll leave him alone.
26:52I'll leave him alone.
26:53I'll leave him alone.
26:54I'll leave him alone.
26:55Just let me go.
26:56That's all you're going to get for two days, because I'm leaving you here.
26:58You're fucking not.
26:59Oh, yeah, yeah, I am.
27:01And if you keep using all your energy to get free, then you're going to get squinty and
27:06knackered and really fucking thirsty.
27:08That'll bring your need for water up to, what in this here, a day and a half.
27:13So maybe you wriggle free.
27:15Maybe you make it to the next town, which is about three hours away on foot.
27:21But in which direction?
27:23So that's the decision you're going to have to make.
27:25Or you sit there like a good little boy, and in two days' time someone's going to
27:29come, pick you up, give you your money, and then offer you fuck on your merry way.
27:32Fuck you!
27:34Just leave me alone, you nightmare!
27:50And if you need a little wee-wee, you'll have to do that in your knickers.
27:54Oh!
27:55Oh!
27:56Oh!
27:57Oh!
27:58Oh!
27:59Oh!
28:00Oh!
28:01Oh!
28:02Oh!
28:03Oh!
28:04Oh!
28:05Oh!
28:06Oh!
28:07Oh!
28:08Oh!
28:09Oh!
28:10Oh!
28:12Oh!
28:13Oh!
28:14Oh!
28:15Oh!
28:16Oh!
28:17Oh!
28:18Oh!
28:19Oh!
28:20Oh!
28:21Oh!
28:22Oh!
28:23Oh!
28:24Oh!
28:25Oh!
28:26Oh!
28:27Oh!
28:28Oh!
28:29Oh!
28:30Oh!
28:31Oh!
28:32Oh!
28:33Oh!
28:34Oh!
28:35Oh!
28:36Oh!
28:37Oh!
28:38Oh!
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28:41Oh!
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28:45Oh!
28:46Oh!
28:47Oh!
28:48Oh...
28:49Oh!
28:50Oh!
28:51Oh!
28:52Oh!
28:53Oh!
28:54How are you thinking?
28:55Oh!
28:56Oh!
28:57Oh!
28:58Oh!
28:59Oh!
29:00Wow, it's beautiful.
29:04It's perfect.
29:08Take him to the airport, Caitlin.
29:11Oh!
29:13Well done.
29:14Thanks.
29:17Yeah.
29:18Good luck, guys.
29:22You don't have to look at her like that.
29:23Like what?
29:24Like you're a team and you're edging me out.
29:26I'm not edging you out, Bert.
29:27I'm trying to help.
29:29Where is Deeks?
29:30Probably in a puddle of his own piss.
29:33But we don't have to worry about him anymore.
29:43Where are you going now?
29:45Out.
29:46Out?
29:47Okay?
29:48I need time to think.
29:49Hey.
30:12Hello.
30:12To what do I owe the pleasure?
30:20We're doing a job.
30:23Bert and I.
30:24Big money.
30:26I think you make a great addition to the team.
30:30There's no team in I.
30:34What's the job exactly?
30:35Huh?
30:35You need a babysitter for Bert.
30:40That's not what's required.
30:41That's always what's required.
30:43So, what's the job?
30:45A heist in two days.
30:47Cutting it fine, aren't you?
30:48Well, we need someone who can cause a mistake-sized distraction long enough for us to get in and out.
30:54Whole differences aside, you're the perfect person.
30:56What are you paying?
30:58A million euros.
31:00What are you stealing?
31:04The crown jewels.
31:05I only share that information with my team.
31:12Give me the address and my job description and I'll be there.
31:17Well, we're going to need you before that.
31:21Of course you do.
31:24This one million euro job, why don't we wait?
31:27No, she's dying.
31:30Wait until she's gone.
31:32Then we do it.
31:34We get a larger cut.
31:36No.
31:38It's her dying wish.
31:40Still sentimental.
31:42Well, play your cards right, you might get it anyway.
31:44She's always had a soft spot for you.
31:48So, are you in?
31:50Can I trust you?
31:51Well, as much as anyone can trust Bert.
31:54That's not what I asked.
31:55Can I trust you?
32:09Oi, oi.
32:10Did he get on his plane?
32:11Yeah.
32:12And now that we've got Jackie back on our side, we're winning.
32:15Don't get mad, but I'd invite someone to help lighten the load.
32:18For a good time?
32:20No.
32:20Absolutely not.
32:21I don't want her involved.
32:22It was you who wanted her here in the first place.
32:24Yeah, now I don't.
32:26Well, Caitlin can't be the only distraction.
32:28It won't be big enough.
32:30And what is more distracting than this?
32:32Oh, give it a rest.
32:32You've been knocking out the same shtick for years.
32:34We don't want your help.
32:36That's not what you said when you came to see me.
32:38We do need the help.
32:41From anyone but her.
32:42Bert, it's you and I with 30 seconds to switch a painting.
32:46We have to have all eyes away from us.
32:50We need someone who can make sure everyone leaves the masturbator room.
32:54Someone skilled enough to turn the crowd to our advantage.
32:57Control the crowd and we control the space.
33:01Calm, Roberta.
33:04Let's all work together.
33:06You don't have to worry.
33:08I put on a show to end all shows.
33:11Nobody will be remotely interested in you two.
33:14Yeah.
33:14Oh, nice ambush.
33:30Well, it'd only been an ambush if you hadn't already been back-channelling to her.
33:32I wanted to see her because of everything that was happening with me
33:34and she was just shit.
33:37Well, you were right.
33:38We do need her.
33:39Yeah, what's she going to do?
33:39Jump out of a cake or have everyone trip over on her bingo bowls?
33:42Well, we haven't discussed the details yet.
33:45Who, you and Caitlin?
33:46No.
33:47Me and Mistake or me and you, Bert?
33:49You're worrying me.
33:50You don't have to worry about me.
33:51Well, you're acting out.
33:52You are?
33:53Fuck.
33:55How's your hand?
33:56Fine.
33:57I scraped it.
33:58Did you?
34:02So, you're Sam's daughter.
34:05Mm-hmm.
34:06I see it.
34:08It's the eyes.
34:10So how are you finding being back with your mother?
34:12Good.
34:13I'm glad.
34:15I don't think she's natural mother material.
34:18But then who among us is, really?
34:29What's going to happen?
34:30When all this is done, are you going to come back, nurse me,
34:34or are you going to sail off into the sunset with Caitlin and just leave me?
34:38I told you I'd take care of you.
34:40It gets messy towards the end, though.
34:41What do you want me to do?
34:42Are you even sad that I'm dying?
34:48Of course.
34:49How long do you hope it's going to be until I actually die, though?
34:51What sort of question is that?
34:53Because you want rid of me, don't you, as soon as possible.
34:55Yeah, yeah, yeah, yeah, you do.
34:56You've wanted rid of me all day.
34:58You can't even let me in on my own job,
34:59because let's remember this is my job.
35:01I know.
35:08This is nothing compared to what I'm capable of.
35:12Getting in and out of a museum and stealing a painting
35:15is a piece of piss compared to what I can get out of.
35:18What prison?
35:23You got yourself out of prison.
35:25How?
35:32You haven't got cancer, have you?
35:35It's took you this long to even think about working that out.
35:40Why would you lie about that?
35:43Oh, my God, you're deranged.
35:45No, I'm not.
35:45I'm so much smarter than you.
35:48I worked out how to pay for a cancer patient's records,
35:52and then I lined up all the people inside prison.
35:55I took pills so that you thought that I was sick,
35:57which made me sick,
35:58and actually that was really fucking inconvenient at times.
36:02I played the long game, and here I am.
36:04That is so much better than any con that you could go.
36:07I put you to bed.
36:09We drank to life.
36:10I admit that you're a little bit impressed.
36:12And anyway, I'm not dead now,
36:14so aren't you happy?
36:16To life.
36:17Why?
36:18There are worse things that I could have done.
36:22What's worse than pretending you're dying of cancer?
36:27Wearing a wire for the police like a nasty little grass.
36:33I didn't.
36:33They did.
36:35And then you watched as they dragged me out of that club,
36:38and you pretended that we were in it together.
36:40And I never once gave them your name.
36:44And then I wrote to you, and I said, you can't live your life.
36:47But you betrayed me, hadn't you?
36:56I didn't have a choice.
37:00They were coming for you, and you were wild.
37:02We were going to end up dead.
37:03So you put me inside.
37:04You put yourself inside.
37:06The police came to my door because you put us on their radar.
37:11I didn't have a choice.
37:13We always have a choice.
37:14Not with you, Bert.
37:15Because you push, and you push,
37:17until you're in a corner, and that is what you're doing now.
37:19You were nothing without me.
37:21You were just some knocked-up little teen,
37:24working in a shitty little club in the middle of nowhere.
37:26You think I don't hate myself?
37:29No.
37:30I'd have preferred to serve a sentence than live with this guilt.
37:36You said you were my friend.
37:39And then you took away
37:40ten years of my life.
37:49You're going to fuck me over, aren't you?
37:52Huh?
37:58Do you know the only thing
37:59that we can both know
38:02is that we need this money
38:04so that we can never see each other again.
38:08And aren't you fucking lucky
38:10that trumps me putting you in prison?
38:15But how do I know that I can trust you?
38:17Because I'm doing this for Gateland.
38:20And she needs this.
38:22Fuck you.
38:23You're doing it for you
38:24because you're a con through and through.
38:25And when this is done,
38:28I'm gone.
38:47And then I can't believe I'm
38:58going to be right.
39:00I'm sorry.
39:00I haven't got cancer.
39:27Well, that's good news.
39:30I had to do something to get out.
39:36I made friends with a prison nurse.
39:39She needed the money, so I saw an opening.
39:44So why keep up the light?
39:48Because it's the only way I could get Sam to see me.
39:54And because I wanted her to feel it when I hurt her.
39:57Because I wanted her to pay you.
40:01For what?
40:03For putting me in prison.
40:07She was a police informant.
40:13I found out when I was inside.
40:16So this is all revenge.
40:26It didn't need to be.
40:28I turned that around in my head.
40:30I was going to split the money with her.
40:34She's just used me like she always did.
40:39I'm sorry.
40:51I should have stayed with you.
40:55You're the only person that's ever really understood me.
41:04How do you know she's not planning to do the same thing again?
41:07Because she's doing it for Caitlyn.
41:10Roberta, we said some hurtful things to one another.
41:29Yeah.
41:31I need you to know that this isn't just about the money.
41:37But you are hard to love.
41:40But Mateo and I care deeply for you.
41:51It's the job real.
41:52Is the money real?
41:55Yeah.
41:57Is the money real?
42:00Very.
42:03Can I be sure that I can trust you?
42:09Pinky promise.
42:16I will watch your back.
42:17But anything to do with you and Sam.
42:23Not my problem.
42:26You understand?
42:28Yeah.
42:29I understand.
42:47Are you going to be okay?
42:59I only agreed to do this job because I thought she'd be dead by the end of it.
43:01Now I'm stuck with her.
43:03When this is done, we need to leave.
43:06We'll have enough money we can go anywhere.
43:08Why would she lie like that?
43:09Because she was born a liar.
43:12I'm just sorry you got pulled into all this.
43:15Look.
43:17I know you believed in her, but you cannot trust a single word that she says.
43:23Can we trust her to do the job?
43:25Yeah, because without this she really does have nothing left.
43:27Will you stop moving?
43:28Ow!
43:29That hurts.
43:31Well, hold still, Dad.
43:33My mum never does my hair.
43:35When's she coming back?
43:36She's not.
43:37But you're okay here with me, aren't you?
43:38Yeah.
43:39But you're okay here with me, aren't you?
43:40Yeah.
43:42No one is.
43:43You're okay with me, ma'am.
43:45No one is.
43:47No one is.
43:48I don't know.
43:52Oh wow, that hurts.
43:55Well, hold still Dad.
43:57My mum never does my hair.
44:03When's she coming back?
44:04for the showtime.
44:15I like it.
44:22I like it.
44:25I like it.
44:28I like it.
44:29Thanks.
44:30Who wants?
44:31Who wants?
44:32Who wants to do?
44:34Come on.
44:35Yes.
44:36Yes.
44:38Yes.
44:40Yes.
44:45But you haven't seen it yet.
44:59Trust nobody, kid.
45:28What's that?
45:29You must be starling.
45:31Oh, tame it love, tame it love, now I know I've got to run away, I've got to get away.
45:45You don't really want any love from me to make things right.
45:51You need someone to hold you tight, and who think love is to play?
45:58Well, I'm sorry I don't play that way.
46:01What's I read to you?
46:04I've got to run away.
46:05Yeah, I've got to run away.
46:07I've got to run away.
46:09I'm sorry.
46:11I've got to run away.
46:13I've got to run away.
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