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2025 S01E04 >>> https://dai.ly/x9wasua
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00:00You know, non-militant Catholics are being radicalised by police brutality.
00:16The sound of his own voice.
00:17This makes them vulnerable to recruitment to the IRA.
00:19He looks tired.
00:20At this rate, the RUC and the IRA might as well be working together.
00:26Has he forgotten that judge's IRA shot last year?
00:28Yeah, I won't let the bully boys on either side tell me what I got.
00:31Beggin' for a bullet, all right?
00:33I'm just a freedom of affair.
00:34I'm going to the loo.
00:58I'll be watching over you when your spirit slips away.
01:09I'll be watching over you.
01:14I'll be watching over you.
01:34But it was a poor election for his unionist party of Northern Ireland, which took only five seats.
01:59Unionist opposition to Faulkner's support is power-sharing.
02:02I've undertaken the election believing that they are supporting policy...
02:08He should take up Goff.
02:10What?
02:12Ryan Faulkner.
02:14He should just give up.
02:17Michael Agnew, the lawyer representing Connor Kelly, Michael McAlevey and Patrick Coyle, spoke out today about police brutality.
02:24Young, non-militant Catholics are being radicalised by police brutality.
02:28There's another one who needs a hobby.
02:30At this rate, the RUC and the IRA might as well be working together.
02:35That's a very inflammatory statement.
02:37Yeah, I won't let the bully boys on either side tell me what I can and can't say.
02:40I choose freedom over fear.
02:42We're in fairness to him.
02:44We're in fairness to him.
02:45We're going to go to bed.
02:46Nah.
02:47Kershla.
02:48Ah, thank you for coming.
02:49No thanks for having me.
02:50No Michael?
02:51Is he not here?
02:52No.
02:53Oh.
02:54Here's your grab a wee drink and I'll see you inside, yeah?
02:56Here's your grab a wee drink and I'll see you inside, yeah?
03:11Here's your grab a wee drink and I'll see you inside, yeah?
03:28Kershla.
03:29Thank you so much for coming.
03:31Ah, your dress is lovely.
03:34Thank you, Penny.
03:35I love your work.
03:37Is there no sign of Michael?
03:38No, but he did say that these are your favourites.
03:42He brought you to Beaulieu.
03:44Aye, and Switzer's.
03:45In the look of it.
03:46Ah, speak of the devil.
03:47I'm sorry I missed it, Penny.
03:48Aren't they at the office?
03:49You could say that.
03:50Come on, let's take the rest of mine.
03:51Bloody REC legal team trying to pretend they're impartial.
03:54Have you ever thought that maybe it's you that's not impartial?
03:57You're right, Vic.
03:58I am partial to a bit of justice.
04:00Oh, stop with the grandstanding.
04:02Would you like to be hauled off the street and have a false confession beaten out of you?
04:05Don't.
04:06We know all this.
04:07And then you get tried by one old judge who thinks you're inherently wrong on all three fronts.
04:10Class, religion, haircut.
04:12You are so bloody wearying.
04:14I can understand why the IRA are telling our lads not to recognise these diplod courts.
04:20Even if it makes my life harder.
04:22You're doing a good enough job of that yourself.
04:25Wasn't enough just to defend them, no?
04:27What do you mean?
04:28Michael here wasn't getting enough attention.
04:31So he's taking a case against the RUC.
04:34Police brutality.
04:36Enough is never enough with you.
04:38You're so good.
04:39Michael.
04:40You need to keep some friends.
04:42What does that mean?
04:43It means you might need someone watching your back.
04:46I think I'm already being watched.
04:49Or surveillance might be a better word for it.
04:53Kushner.
04:54Do you want to help me gather the rest of the glasses?
04:56Yeah?
05:03Forget you work in a bar.
05:08Have Victor and Michael always sparred like that?
05:10To some degree, yes.
05:12Yes, but it's getting worse.
05:13Everything always looks so clear to Michael.
05:19It'll do him no good in this town.
05:21Kushner.
05:26Have you thought about the risk to yourself?
05:31If people find out about you and Michael.
05:34Or if you are with Michael and if, God forbid, anything should happen.
05:43We must have the courage to choose from you.
05:46They're his words, not yours.
05:49Would your life be easier without me?
06:14Us.
06:15Easier.
06:16Safer, I suppose.
06:17I like us a lot.
06:18I should go.
06:19Are you sure?
06:20I'll let you get ahead.
06:21Have a big day tomorrow.
06:22Communion.
06:23It'll be the first time seeing them be youngs in a while.
06:26I like us a lot.
06:33I should go.
06:35Are you sure?
06:37I'll let you get ahead.
06:39I'll have a big day tomorrow.
06:41Communion.
06:44It'll be the first time seeing the McGuings in a while.
06:52Is it for you?
06:54So you can come and go as you please, whether I'm here or not.
07:01Thanks.
07:14For making my life immeasurably better.
07:23He's in need for you to accept yourräge, aren't you?
07:31Your cocoa, thanks, best friend.
07:34Oh my God.
07:36Myары成长.
07:38Find out what happens to the arc in my book.
07:42How are you?
07:44You know what happens to the family's Pretty Next Thing.
07:47Oh
07:59Stop away one of me. God knows this good again
08:05Beautiful
08:09Don't you look dapper do you think that's miss this guy to give me photos cheese
08:17That's not one except that
08:19Oh, baby, baby, let's get a photo of all of us
08:25Why don't you move in there Tommy
08:36Hey, Davey
08:44Thank you, Mrs. Lavery. Yes, thank you
08:47Too generous. Sorry, so we don't
08:51We best get on
08:53Five point no, daddy
08:54Get your daddy out of this chaos
08:57It wasn't me that called the social. It was Bradley
08:59I told mum you wouldn't be out nice to us and then report us
09:01Yeah
09:03I'm labouring now
09:05With my cousins
09:07Drop a couple of books around
09:09Keep reading and all will not be lost
09:11Yes, miss
09:13Yes, miss
09:16I'm labouring now
09:17I'm labouring now
09:18With my cousins
09:20Drop a couple of books around
09:22Keep reading and all will not be lost
09:25Yes, miss
09:26Yes, miss
09:27Yes, miss
09:28Yes, miss
09:29Yes, miss
09:30Why does Jimmy have the egg in his pocket?
09:36I don't know
09:37You've got this home
09:38You haven't
09:42Who's that man?
09:44That's my repealer from the school disco
09:45Who's that man?
09:46That's my repealer from the school disco
09:47I don't know
09:48Why does Jimmy have the egg in his pocket?
09:51Why does Jimmy have the egg in his pocket?
09:52I don't know
09:53I don't know
09:54You've got this home
09:55You haven't
09:56You haven't
09:57You haven't
09:58You haven't
09:59Who's that man?
10:01Who's that man?
10:12That's my repeater from Skandisco.
10:14My suitor.
10:20Thanks for the whiskey.
10:24Gentlemen,
10:27I'm in need of your assistance with the crossword.
10:30Here, minty.
10:30Help me, help me.
10:32Look, you can see here.
10:38Why would your disc opinion be in the pub?
10:40Well, Jerry reckons he has eyes for me.
10:43There's nothing to be jealous of him.
10:45Chris, this is serious.
10:48You need to tell me if he comes in again.
10:51Could it not just be a coincidence?
10:54There are no coincidences in Belfast.
10:58I saw a car.
11:01Inside your flat the other night?
11:03Did he get your number played?
11:05If he wanted it.
11:06Did he follow you home?
11:08No.
11:09Happy birthday, Jim.
11:23Thank you, Kushner.
11:24Michael, do us a favour.
11:25Grab that shirt.
11:27All right.
11:27Oh, this is Mrs. Coyle, and we could not live without her.
11:31Mrs. Coyle, this is our friend Kushler.
11:33I'll just give you a hand.
11:38We've done this before.
11:39We have a bar.
11:41How is the other woman in my eye?
11:43Oh, hi.
11:44Kushler, this is the lady responsible for the hospital corners of the Shelly Brassers in my flat.
11:48Penny, how are you?
11:51I'm all right.
11:53If you're around me, he's not working nice.
11:56I don't know what to do.
11:57I want to be home to speak to him this week.
11:59Are you pleased to see you in a medium?
12:01No.
12:03You got a movie on?
12:07Michael, nice to see you.
12:09Nice to see you.
12:09Not too bad.
12:10Good.
12:11Hey, look.
12:12There's Jim.
12:12You look beautiful, Penny.
12:16Oh, Sean.
12:23Marjorie.
12:24How are you?
12:25I'm Brian.
12:26How are you?
12:26Good.
12:27Kushler, this is Marjorie Marjorie.
12:29Nice to meet you.
12:31See you later.
12:35Oh, my God.
12:40I'm greedy.
12:40Nobody will work back in all spots.
12:43Oh, my God.
12:44Oh, my God.
12:45We're in the wrong spot.
12:46Sarah, I'm sorry.
12:52I don't know how much I'm doing in my business.
12:55How are you two getting along?
12:56Great.
12:57See you in corner, we're calling it, aren't we?
13:00Michael!
13:01What's happening here?
13:02Jesus, don't tell me if a party pays.
13:04Yeah, go on, you two.
13:06Let me get back to work.
13:09Come on.
13:10I travel with Jesus
13:18Honey, most of my life
13:24Yes, I travel overland, the sea
13:30I'll be taking my last trip
13:37Up to heaven on high
13:42That will be the last move for me
13:49When I move to the sky
13:57When I move to the sky
13:58Up to heaven on high
14:01What a wonderful trip
14:09What a wonderful trip that will be
14:11I am ready to go
14:14The last days of my life
14:20That will be the last move for me
14:27You're full of surprises
14:36Why the fuck are you crying?
14:38You know, your language is related to you
14:40You know, your language is related to you
14:40You read it sentimentally
14:42What is it?
14:44The song made me sad
14:47Are you Catholics?
14:49Are you high emotions?
14:51Are you Catholic?
14:52Are you high emotions?
14:53Come on, let's go inside
14:55I have not got one word left of me for those people.
15:03Just go home.
15:04Yeah, I'll go get my jacket.
15:14You're sneaking away, Mrs. Coyle.
15:17I wouldn't let any of them ones look down on me.
15:20I clean for some of them.
15:22Dirt birds.
15:23Well, now I want to stay and hear every ming and detail.
15:29Right, let's go.
15:30See you later.
15:33I'll phone you tomorrow.
15:34Okay, thank you.
15:37Come on, let's go.
15:39Here, what's the crack on Mrs. Coyle?
15:42Her son's in trouble. He's being identified in that line.
15:46What's that, Ace?
15:48Do you think he can help?
15:50Only if he accepts the services of a lawyer.
15:53The IRA, man, he's on remand with it, telling him not to recognize the court.
15:57Sorry.
15:59It's your night off.
16:00It is.
16:01No, I'm sorry.
16:05Oh!
16:07Good after you.
16:14You're mine.
16:18What would Sally ball sound like if she were Irish?
16:22I am not reading Irish.
16:23I am not reading Irish, do you?
16:25Come on, come on.
16:25No, not as Sally and not as me.
16:28It's one line.
16:29One line.
16:31For fuck's sake.
16:31Do you have any idea how sexy that sign?
16:47You have a finion about it.
16:49I don't blame you.
16:50I don't blame you.
16:52I'm the alternative of a shagging old woman that answers to the name Marjorie.
16:58You don't miss much, do you?
17:00That was an age ago before I knew they made women like you.
17:04What's Marjorie like you to do, too?
17:06You really don't know.
17:10I really do.
17:11I really do.
17:12And the fog is in, things start to be like a fog is in the wind.
17:42I'll not be able to contact you for a while, or be here at the flat.
18:12Incommunicado, must be serious.
18:29Mrs. Corley's gonna love you forever.
18:40Morning.
18:50Morning.
18:52Don't take any needless risks.
18:56I wonder if I come in peace.
19:01You are a brave man.
19:06That I can wait for you.
19:16Morning.
19:17Morning.
19:18Morning.
19:19Morning.
19:21Morning.
19:22Morning.
19:24Morning.
19:28Very, very careful.
19:31Be very careful.
19:34I'm gonna go tag on them.
19:35Best of luck, Gerry.
19:36Yeah, I'll need it.
19:41I find a wee fella for you, Miss.
19:43Let me see.
19:45You know, I have a friend who has a book,
19:48and in it it says,
19:50if you can turn a bluebell inside out
19:53without tearing it,
19:55you get the one you love.
19:59Isn't that nice?
20:00Yeah.
20:02Can you take some photographs for me?
20:04Yeah.
20:05Yeah?
20:06On you go.
20:20Sean was chasing Zoe with a used condom on a stick.
20:24That's him flirting.
20:27Charming.
20:30What or who has you charmed?
20:34Nobody.
20:36Tell me.
20:37No.
20:38Somebody calls you Easter Sunday.
20:46Okay.
20:48I'll tell you,
20:49but you have to swear to God
20:51not to tell a son.
20:54I swear.
20:57It's Brian Faulkner.
21:00Fuck a way off.
21:01It is!
21:03That's why I couldn't tell anyone.
21:07So you're saying I'm still in with a chance then.
21:12Fancy coming to a wedding with me?
21:13This Saturday?
21:14This Saturday?
21:15In Belfast?
21:16Guy gone.
21:26I hope the bluebell looks like Venus.
21:28Somebody somewhere is determined that the ceasefire which has held so precariously so far will not keep any of the conditions.
21:38It's a remake on home.
21:39You'd be happy to hear he got blown up.
21:42Nobody here is happy when anyone gets blown up.
21:43Except they are you, eh?
21:44You're all ungrateful animals.
21:45We should just go home and let you murder each other.
21:46I'm sorry about your friend.
21:48I don't know.
21:49I'm sorry about your friend.
21:50It's a remake on home.
21:52You'd be happy to hear he got blown up.
21:59Nobody here is happy when anyone gets blown up.
22:01Except they are you, eh?
22:04You're all ungrateful animals.
22:06You know we should just go home and let you murder each other.
22:10I'm sorry about your friend.
22:28Jerry's eyes will be on stocks.
22:32Well, for you, out gallivanting again.
22:36Nothing like a good one.
22:38Just do that one, mate.
22:39What?
22:41Feel sorry for yourself?
22:42If I don't feel sorry for myself, who will?
22:45Not you.
22:46I get more sympathy from a shoe.
22:49You don't know what it's like to lose someone you love.
22:53Yeah, I do, Mummy.
22:55He was my daddy, so...
22:57At least I've got the bottle to keep me company.
23:00I'm not even giving you an audience.
23:02What does that mean?
23:04It means that I'm going to stay in Jerry's tonight
23:06because I can't be bothered to come home and find you bleeding out in the bath.
23:09I've got nothing to look forward to!
23:13Nothing!
23:13If you do your nails
23:27instead of getting plastered tonight,
23:30I'll take you for a fancy lunch in the hotel tomorrow, okay?
23:33I can't tell you they booked a firebomb last week.
23:55I'm very proud of our Kathleen.
24:04She's been a busy, happy wee thing since the day she was born.
24:09You better look after her or you'll be getting the visits.
24:18You look like you might cry.
24:21You thinking about your upcoming nutrels with Brian Falkner?
24:26He'd never settle for a leisure centre.
24:29I reckon he'd settle for anything at the moment.
24:30He's so sad.
24:53All right, all right, I'll read the telegrams first.
25:17This one's from Derry, it came through the window wrapped around a brick.
25:23When God created a woman for me, he must have been a beautiful woman.
25:41When he created a woman like you.
25:51He made the sunshine right out of your eyes.
25:57That's Martin Gallagher.
25:59You know exactly who he is.
26:00I taught his wee lad Luke, can teach your training.
26:03He asked if he could send a couple of boys around to smash Sherry trifles into the wall of my garage.
26:07Jesus Jerry, what did you say?
26:09He says I haven't got a garage.
26:11He asked after you.
26:13He says he knew I wasn't your boyfriend.
26:15How the fuck would the IRA, you know that?
26:17Look, I'm gonna get a taxi.
26:19No, I'll take it.
26:21I'm done dancing.
26:23Can you drop me somewhere?
26:24Within reason.
26:25My imagination's running overtime, Lavery.
26:33Thanks.
26:34Fucking Martin Gallagher sticking his nebb in.
26:37And now we're here, in enemy territory.
26:39Is Brant's love next?
26:41We live here.
26:43There are things we cannot do.
26:45Intriguing, what kind of things can happen?
26:47This kind of secrecy always blows up.
26:49The wrong people are asking after you.
26:51Forget about getting your heart broken.
26:53You're risking much more than that.
26:55I'll see you Monday, Jerry.
26:59Yeah, I bloody hope so.
27:25This isn't bad.
27:47I'm sorry.
27:48I'm sorry.
27:49X3
27:51My ship's without a sail
27:56If someone don't save me
28:05I won't be left to tell the tales
28:21Thank you, you're part of
28:33Morning
28:40Big night out, was it?
28:43Just started a wedding in Belfast
28:45Stayed with a friend
28:47Lucky friend
28:49Do I know him?
28:51Might have been a girl
28:53Was it?
28:57Everything all right, Kushler?
29:00Ah, sort of read
29:03Yeah, all good here
29:05It was you I was coming to see, actually
29:07I'm going to take my mummy for lunch
29:15Lavery
29:19There must be a mistake
29:25Sorry, yes
29:27There's a lavery table for two also
29:29Follow me
29:38I didn't expect to see yous here
29:40Obviously
29:41It's, er...
29:43Marianne's mummy's birthday
29:47Will you just come and join us?
29:49You're all right, thanks
29:53Happy birthday dear Eileen
29:57Happy birthday to you
30:00Happy birthday to you
30:01We're going easy
30:02Yay!
30:03Yay!
30:04Yay!
30:05Well, should we go?
30:06Shall we go?
30:29How are you, Michael?
30:31We met at the Anchor, our family bar.
30:34Hello, Mrs Lavery. How are you?
30:36Call me Jane, please.
30:38This is my wife, Joanna.
30:40This is my daughter, Kushla.
30:42Very pleased to meet you, Kushla.
30:48This is our son, Dermot.
30:50Dermot say hello to Kushla.
30:54Hello.
30:58I need to introduce you to Michael.
31:01Um, we really better be going on, but, um, enjoy your lunch.
31:07Sure.
31:15What does Michael and Joanna think?
31:16Go for us.
31:17Setting at separate tables.
31:19Hi.
31:22Hi.
31:26I've got an idea.
31:28Okay.
31:30No harm to you, but I'm fine, Dad.
31:34Maybe I'll get to wake up.
31:35Where do we go?
31:50And now, ladies and gentlemen, we move on to the ever-popular swimwear round.
31:55The chance of our job is to consider a pause in the posture.
32:04We now have number five.
32:07Point out.
32:08It's part time to do it.
32:10Get that Kushla, I can't move.
32:13It's either.
32:14She wants to stop the morning number with classic lines and coordinate lines.
32:21Exhaust is telling from much.
32:24She wants to stop the morning number with classic lines and coordinate lines.
32:34Exhaust is telling from much.
32:39It's not really easy with a stick.
32:47It's something that's not really easy.
32:52It's not really nice to you.
32:57You can do that in a month of 2019.
33:33I said, can you write to Jimmy Savile?
33:46What in God's name would you be written in for?
33:50Jim will fix it. It's a new program on TV.
33:53I heard he makes children's wishes come true.
33:56Fine. Might be good practice.
33:58Okay.
34:03Okay, you start with your address in the right-hand corner.
34:09Does that mean they'll know where you live?
34:12That's not always a bad thing.
34:16Dear Jimmy, I hope you're keeping well.
34:20Things are fine here.
34:22The school holidays begin next week, and I will be off work for two months.
34:26I had intended to spend the summer slinking round Michael Agnew's flat,
34:31making myself irresistible to him so he'd leave his wife.
34:35Only his wife is a lady, and they appear to be happily married,
34:40and he is a lying, cheating, philandering fucker.
34:45Wishes are for children and fools.
34:48Yours sincerely, Cushla Lavery, age 24 and three quarters.
34:52Trouble in paradise?
35:05Brick off, Gerry.
35:07You need to be safe from yourself.
35:12Come to France, with me and my friends for the summer.
35:15Leave the lead on some bar word.
35:19Cushla.
35:19Let me in.
35:22It doesn't matter.
35:25It's over.
35:34Was he married?
35:39Was he a brother?
35:41Like, since we're asking questions,
35:45what were you doing out by the lock in the middle of the night?
35:48Wasn't me.
35:49Yeah, it was, Gerry.
35:51I know what I saw.
35:54Is this anything to do with Martin Keller?
36:02Look, Gerry, are you in trouble?
36:07No disrespect, Cushla.
36:09But who the fuck are you to be demanding answers from me?
36:12Just leave it off the hook, Mummy.
36:25Excuse me.
36:27I might have someone calling.
36:30I assume it's Gerry you don't want to talk to.
36:33Well, if you ask me,
36:35he was never good enough for you.
36:37Yeah.
36:41Here.
36:42Steak always helps.
36:46Your daddy and I used to have a steak every Monday night
36:48when we first married.
36:50Just to spite the week ahead.
36:54Yeah, well,
36:56I'm home every evening now.
36:57I'm giving up the pub shifts,
37:00so
37:00that's for Ignite the tradition.
37:03Will you just talk to the way you puke?
37:26What happened at the hotel
37:40was appalling.
37:42Yeah.
37:44Because I thought that you were going missing
37:46to save Mrs. Carlson.
37:49I know.
37:50I'm sorry.
37:52I knew you thought it was work-related.
37:54I never thought it better much.
38:02And
38:02when I did,
38:06I pictured somebody else.
38:09Like a wizened wee hag
38:11or
38:12some old doll that needed a root stem.
38:19You're a fucking card.
38:21And you're always
38:25burning on about bravery.
38:30She held my fucking hand, Michael.
38:34She's not well, Cushlin.
38:38She seems perfect to me.
38:41Sometimes she's well enough to do things.
38:44Dermotor just finished his A-levels
38:47and so we
38:48we all went out for lunch,
38:51but
38:51she has long-term clinical depression
38:56and she's been in the hospital
38:58the last few months
38:59getting electric shock treatment.
39:02Is that why you could see so much of me?
39:06She came home the day after I last saw you.
39:11It's a bloody mess.
39:12I want to be with you.
39:20But I can't leave Joanna.
39:23Why not?
39:28I'm the one that will take the brunt of it.
39:32You'll
39:32keep
39:34your job,
39:36your friends,
39:36your life.
39:39I can't leave
39:40because I ruined her life.
39:42I'm the one that will take the brunt of it.
39:43How?
39:46Joanna was studying law in Dublin
39:50when I got her pregnant.
39:51and, um,
39:52after the birth,
39:57she was never right.
40:01Never.
40:03And she just got worse
40:04and worse.
40:08She can't live on her own
40:09and I cannot
40:10ask Dermot
40:11to give up his life for her
40:12because he would.
40:13Do you sleep with her?
40:17Do you sleep with her?
40:17No.
40:18We share a bed
40:20but there hasn't been sex for years.
40:23Have you had many affairs?
40:27Three.
40:27Including me.
40:29This is not an affair.
40:31This is different.
40:33How?
40:34Because I love you.
40:39I love you, Kushler.
40:41And whatever happens,
40:42I will never
40:45ever lie to you again.
40:47I promise.
40:50I didn't expect
40:51to fall in love.
40:54And I do not expect you
40:56to give up your life for me.
40:58You'd make
41:02a wonderful,
41:04wonderful wife
41:06and mother
41:07but I, I, I can't
41:08give you any of that.
41:22Do you want to stop seeing me?
41:28No.
41:37God help me, I don't.
41:43There is so much
41:45that we can do.
41:49There's the same.
41:51Oh, it's beautiful.
41:54There's this cottage
41:55in Donegal.
41:56And we can go there
41:59at the end of the summer.
42:03And we'll see God
42:04in the skies.
42:10We can take trips away
42:12when we can.
42:15Go to Amsterdam
42:16and Barcelona.
42:22This is going to end
42:23really badly, isn't it?
42:26It doesn't have to.
42:30It doesn't have to.
42:46Jimmy.
42:46Here's our guard.
42:47Hello, hello, hello.
42:50Eamon, what can I do
42:51for you?
42:51What needs to be done?
42:52Just throw out a few pints
42:53and keep me company.
42:55You're actually doing
42:56an impression of Mike
42:57Yorwood,
42:57doing an impression
42:58of Frank Spencer.
43:00I'm missing my daughters
43:01growing up because
43:01of these ages.
43:02I love it.
43:04If you laugh,
43:05sometimes it's like
43:06it used to be.
43:07Here,
43:08finish this film.
43:09Can you not stay away from me?
43:37It appears so.
43:40Come to the flat
43:41on Thursday.
43:42I'm waiting to bring
43:42more of your things.
43:45I will,
43:46if I survive sports day.
43:49I love you.
43:52You better, Agnew.
43:53So we're all right, then?
43:58We're doomed.
44:00Apart from that,
44:01we're grand.
44:04Mummy!
44:08Mummy!
44:09I won, Mummy!
44:10I won!
44:12I won!
44:13I won!
44:13Well done, darling!
44:15I put my head down
44:16and I ran like the staffer.
44:18Did you?
44:18You outran them all, Daddy?
44:20I wish you could have seen them.
44:21I did.
44:21I'll put the kettle on.
44:26Yeah?
44:28Aye.
44:29Go on, tell Daddy.
44:30Daddy!
44:32Daddy, I won't!
44:34Look, Daddy.
44:36Davey played
44:37an absolute blinder.
44:40He's a good lad.
44:41Aye, pity we can't say
44:42the same about the other one.
44:44Tommy?
44:45Aye, he moved out weeks ago.
44:47We hardly see him.
44:48What we do,
44:49he's swaggering about
44:50with a few bob in his pocket.
44:51acting the big fella.
44:53Look, maybe it's just a face.
44:56Aye, I hope so.
44:59I'm sure she read Trophy.
44:59Well wait, I'm staying over at Jerry's tonight.
45:29The anchor. Where's mummy? She's bloody here, phone about the place, come and get her.
45:43Okay, but I have plans. Now, Coochley.
45:59What's going on? What's wrong with her?
46:05Do you not hear? Hear what?
46:08Michael Agnew is shot dead this morning.
46:29Do you not hear?
46:48Do you not hear?
47:00Do you not hear?
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