Aquí no hay quien viva - 3x12 - Erase una grieta - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Mauri necesita una habitación para el niño. Andrés convoca su primera Junta como presidente en la que no se aprueba la reforma. Aún así, Mauri decide seguir adelante, y Marisa, Vicenta y Concha preparan un plan para boicotear la reforma. Entretanto, Andrés se traslada a vivir al ático e Isabel a casa de Juan. Pero Nieves no se va y deciden tirar el tabique sin comunicárselo a la comunidad y unir las dos casas, la de Isabel y la de Juan. Pero en casa de Lucía sale una enorme grieta que les delata. Emilio sigue en la portería, Belén no quiere saber nada de él, pero Victoria, la madre de Alicia, viene a pasar unos días con su hija y le tira los tejos a Emilio, destapando los celos de Belén.

Transcript

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00:01:00But after three months they stop crying.

00:01:01Three months in? Now I'm the one joining in the crying.

00:01:04He has fallen silent.

00:01:06Come on, hurry up, let's go to bed.

00:01:11Who the hell is knocking at the door at four in the morning?

00:01:12Of course, who's it going to be?

00:01:17Mauri, could you ask the boy to be quiet?

00:01:19We're standing next to each other and you wouldn't believe how loud it sounds.

00:01:21We're retired and we don't have to be bitter, but damn.

00:01:24Madam, you would have just kept quiet if someone hadn't rung my bell.

00:01:26You don't take precautions.

00:01:28And after nine months, what happens happens.

00:01:31Concha, which was artificial insemination.

00:01:33All the more reason.

00:01:34You should always wear a condom.

00:01:37This child is angry because you haven't given him a name yet.

00:01:40That's all I need to finish the bib.

00:01:43He has fallen asleep.

00:01:44Come on, come on, dream with Arturo Fernández.

00:01:51I can't believe it.

00:01:56Hello.

00:01:57I have many dreams.

00:01:59Me too, I swear.

00:02:00Please don't ring my bell anymore.

00:02:02Come on.

00:02:09Mauri, we can't go on like this.

00:02:12I think it's best if I go to Rosa's house.

00:02:14She has two rooms.

00:02:15To Rosa's house, you're not moving from here.

00:02:17No, you're not moving from here.

00:02:18The only thing I have to do is renovate the apartment.

00:02:20I'm going to make a special room for the child.

00:02:23Soundproofed.

00:02:23Are you going to get into renovations?

00:02:25And do you think the neighbors are going to let you?

00:02:26Man, just put up two partitions.

00:02:28I think I'm going with Rosa.

00:02:29Sus, this falls.

00:02:30Give it to me, give it to me.

00:02:32Let's see, the hands.

00:02:33They are the same.

00:02:34Equals.

00:02:35Equals.

00:02:36Custo.

00:02:41But what are these ladies doing up and down?

00:02:44It's four in the morning.

00:02:45Dad, will you stay still now?

00:02:47I'm tight, damn.

00:02:48Why haven't you left Belén?

00:02:49That she left me.

00:02:51Do you listen when I talk to you?

00:02:52Well, you deal with it.

00:02:53If I did it, it was my fault.

00:02:54Forgive me.

00:02:55It's all been invented, damn it.

00:02:57I'll talk to Belén tomorrow.

00:02:58What are you going to talk about?

00:02:59That has no solution.

00:03:00We took a test at Telva and there was no answer for us.

00:03:03That was all.

00:03:03He doesn't know, he doesn't answer.

00:03:05What about me?

00:03:05That I have been married to your mother for 35 years.

00:03:08Hey?

00:03:09There was no divorce before.

00:03:10Just suicide.

00:03:11Well, let's keep quiet since I have to get up early tomorrow, okay?

00:03:15Don't hug me, damn it.

00:03:16Forgive me, it's the custom.

00:03:18Tomorrow I'm buying a stuffed animal.

00:03:19I think there was one more missing from the bed.

00:03:23Here, here, here there is no one who lives.

00:03:26Not here, not here.

00:03:28Every day is like this.

00:03:30I couldn't imagine it when I came here.

00:03:32I was just looking for some peace.

00:03:35I wake up every day in the middle of a hurricane.

00:03:37Here, here, here there is no one who lives.

00:03:39Not here, not here.

00:03:41No, no, no.

00:03:42Here, here, here there is no one who lives.

00:03:44Not here, not here.

00:03:45No no.

00:03:46The house is filled with partying.

00:03:48I can't find the goalkeeper.

00:03:50The neighbors visit me and listen.

00:03:53I can't stand this place.

00:03:55It is if the pines have are my neighbors.

00:03:57If not, come to me yourself.

00:03:58Come to the bathroom, cousin, I want to show you.

00:04:00Where we cry, thieving clowns steal from us and stones always fill us with something to tell.

00:04:05Put in a cocktail shaker.

00:04:09You in an earthquake and a volcano.

00:04:12Yeah.

00:04:13And you will have this ladder

00:04:17Here, here, here there is no one who lives

00:04:20Not here, not here

00:04:22Here, here, here there is no one who lives

00:04:25The days are like this

00:04:26I couldn't imagine it when I came here.

00:04:29I was just looking for some peace

00:04:31And I wake up his cheek in the chop

00:04:33Here, here, here there is no one who lives

00:04:36Here, here, here there is no one who lives

00:04:39Here, here, here there is no one who lives

00:04:41What I was missing, a meeting with the dream I have

00:04:48Madam, if the child cries, it's not my fault.

00:04:50If you have it, you have to dip the pacifier in chinchón and it will stay calm.

00:04:54Mr. Juan, how do you change his face?

00:04:56Of course, so many years seeing him in profile

00:04:57I feel strange too, Emilio, but we have to be strong.

00:05:00Can someone tell me what this meeting is for?

00:05:03Mauri has called us together to decide the name of the child.

00:05:06But why do you invent?

00:05:07I like Leonardo

00:05:09Which Leonardo?

00:05:10Augustine, who is getting lost

00:05:12Attention, the incoming president is coming in.

00:05:16Turn off your cell phones

00:05:17And check that Doña Concha is asleep

00:05:19That it is not something more serious

00:05:20Shell!

00:05:22Sausage!

00:05:23Whenever you want, RoboCop is already on.

00:05:24Well, first of all, I want to thank Juan

00:05:27That despite having lost the elections resoundingly

00:05:30Continue to offer your room for meetings.

00:05:33There is nothing to be thankful for

00:05:35I am willing to exercise constructive and responsible opposition.

00:05:38Because I firmly believe in democracy and open dialogue, without restrictions.

00:05:42Okay, okay

00:05:43First item of business

00:05:44Porter's pay raise...

00:05:47You put this

00:05:49It is a hot topic of burning relevance.

00:05:51Votes in favor

00:05:53Nothing, there's no way.

00:05:55Second point

00:05:58Our neighbor Mauricio announces that the renovation work on his apartment will begin tomorrow.

00:06:03Protest

00:06:04According to article 4 of the statutes I recommend the president to read

00:06:08Any type of work carried out on the property must be notified six weeks in advance.

00:06:12Presenting a copy of the project signed by an architect

00:06:15Juan, but nobody does that.

00:06:16I'm not going to make a room for the child, it's just putting up a wall of nothing.

00:06:19They said the same thing in Berlin and look what a mess they made.

00:06:22I think that since it is a minor work, nothing happens.

00:06:26Protest

00:06:26I remind you that in case the work causes structural damage

00:06:29Repair costs are borne by all residents.

00:06:32But what structural damage, I'm going to put up a partition, not remove it.

00:06:35My brother says it for the good of all of us.

00:06:37This house is like the three little pigs' house.

00:06:39The wolf comes, blows a little and collapses

00:06:41The chunga is right, I sometimes hear the building creak

00:06:45Concha, those are your knees

00:06:47But what's going on?

00:06:48I'm the first one who's going to do home renovations.

00:06:50Lucia, when she came she also did it

00:06:51No, no, no, don't involve me.

00:06:53Well, let's vote.

00:06:54Protest

00:06:54These issues are not voted on

00:06:56They are simply disavowed and the resolution is communicated in writing to the interested party.

00:06:59So what do we do?

00:07:00Protest

00:07:01The president is unaware of the procedure

00:07:02Challenge to the Board

00:07:03Juan, please, you're making me feel like a drum.

00:07:06Shut up, Mr. Cuesta

00:07:08Shut up

00:07:10Emilio, let it be on record that I am being deprived of my right to express myself.

00:07:13What minutes?

00:07:14Let's talk about that topic right away, there's never been any talk of that here.

00:07:16What do you mean there is no record?

00:07:17Protest

00:07:17Oh, Juan, relax, you look like a jerk.

00:07:19Debate whatever you want

00:07:20But if I were you, I would go to bed early today.

00:07:22Because tomorrow at eight the bricklayers are here

00:07:24Hey, we haven't given you permission.

00:07:26Think about it carefully and reflect.

00:07:28That then, by bad means, it is worse

00:07:30Andrés, tell him something

00:07:31And what do you want me to do?

00:07:33If it's your house, what do you care?

00:07:35If it is true

00:07:36Hey, pretty, it's because you live on the third floor.

00:07:38But we swallow all the noise

00:07:41And you don't know how to put the ladder

00:07:43And I don't clean, huh?

00:07:44I'll note that down in the minutes.

00:07:45And the workers tell you unpleasant compliments

00:07:47Vicenta, that was 40 years ago

00:07:50And they saw you from behind

00:07:51Oh!

00:07:52In the end we forgot to put the child's name

00:07:54I think it has been more than proven

00:07:56That this president lacks the necessary authority to exercise his office

00:07:58Therefore I demand his resignation.

00:08:00And the urgent call for elections

00:08:01Okay, a little please.

00:08:03What the opposition is talking about

00:08:04Very well, Juan

00:08:05You have created an atmosphere of tension

00:08:06What is important?

00:08:07That wears you down

00:08:08And Juan

00:08:09Thank you, Emilio

00:08:10Do you want to stop uploading here?

00:08:17Your son and I have already left.

00:08:19Well, that doesn't have to affect our friendship, right?

00:08:23Hello, I'm here for my things.

00:08:24What things?

00:08:25Oh, you mean this one with the mustache?

00:08:27I've been living here

00:08:28I guess I must have left something out, right?

00:08:29Yes, the hairs in the bathtub

00:08:31But I've already collected them

00:08:32Belén, we're going to handle this breakup like adults.

00:08:34You don't hurt me anymore

00:08:35You've lost me

00:08:35Accept it

00:08:36See if I've assumed it.

00:08:38I've stopped taking the pill

00:08:39We take one before the effects wear off.

00:08:41One as a farewell

00:08:42In apotheosis mode

00:08:42But you are an idiot

00:08:44Well, give each other a little kiss, damn it.

00:08:45If I don't look

00:08:46And you stop scrounging

00:08:47Dad, finish this sum, we're leaving.

00:08:48Well, if you can't put it in the box

00:08:51It's wet

00:08:52Nativity scene

00:08:54I have found the man of my life

00:08:56Just like in the movies

00:08:58Our eyes have met

00:09:00Time has stopped

00:09:01And my heart has said

00:09:02It's him

00:09:02My search is over

00:09:04Alicia, did they put something in your glass?

00:09:06Belén, this is love

00:09:07We've been talking all night

00:09:08And he hasn't tried to sleep with me.

00:09:09I want to marry him

00:09:11Grow old with him

00:09:12Have children with him

00:09:13Stop, stop, stop

00:09:14Oh, Mom is here.

00:09:16What do you mean, mom?

00:09:17I have invited her to spend a week

00:09:19Lately we were very distant

00:09:20This year I have decided to be a better person.

00:09:22And suddenly everything is going well for me

00:09:23Everything flows

00:09:24You see?

00:09:25If we have to be better people

00:09:26Give me the shot

00:09:27Hello, princess

00:09:29Look, mommy, you're Belén

00:09:32Nice to meet you

00:09:33Here, take this to my room.

00:09:34Pussy

00:09:35But if it's Victoria Peña

00:09:37The pioneer of uncovering

00:09:38Yeah

00:09:39We were modernizing Spain

00:09:42I've also done a lot of Shakespeare

00:09:43I've made trips to France.

00:09:45To admire his interpretive technique

00:09:47Dad, we're leaving.

00:09:51That we have nothing to do here

00:09:52Well, wait a bit.

00:09:53It is not so clear

00:09:54Hey

00:09:54You are the famous goalkeeper

00:09:56The one who left the wallet at the altar

00:09:58And he lay with Bethlehem in his wedding dress

00:10:00I'm hooked on your story.

00:10:02Mom, I'm telling you this so we can laugh together.

00:10:04This way it loses grace

00:10:05Well, there is no story anymore.

00:10:06The soap opera is over

00:10:07Now I'm going to focus on my career

00:10:09What career?

00:10:10Whatever

00:10:11Out

00:10:12Out

00:10:13Out

00:10:14Out

00:10:15Out

00:10:16Out

00:10:17Hey

00:10:17Well, he's cuter than you told me.

00:10:20Juan

00:10:26I thank you for the little gift.

00:10:28But about getting married again

00:10:29I find it a bit tacky.

00:10:31I don't want to end up with Elizabeth Taylor

00:10:33No, it's not a ring

00:10:34Open it

00:10:35An apartment in Torrevieja, Alicante

00:10:41It is the key to this house

00:10:42Since we no longer have to hide from anyone

00:10:44We can start a life together

00:10:46Ah, yes

00:10:47And does it have to be here?

00:10:48Clear

00:10:49You rent your apartment or you leave it to your children.

00:10:51I rent it, I rent it

00:10:52But why don't we just drop everything and run away?

00:10:56I had always been excited about going out for a cigarette.

00:10:58And not return in 20 years

00:10:59But I don't smoke.

00:11:01You will know that we cannot

00:11:02We have responsibilities

00:11:03My son is still little

00:11:04That's why

00:11:05Hey, Dad

00:11:07Did you take my house keys?

00:11:08Yeah

00:11:08I'll give you a copy

00:11:09Hello

00:11:10That time

00:11:13I thought you wanted to

00:11:15Start a new life with me

00:11:17But it's not going to be new.

00:11:19We are gathering the remains of two families

00:11:21This is a sentimental scrapping

00:11:23Mind you, I was in a scrapyard last year.

00:11:25I got a rearview mirror for half price

00:11:26It even had one of those little ones for blind spots.

00:11:29But what about your sister?

00:11:30What are we going to do?

00:11:31Because me and Nieves...

00:11:32No, no, as soon as I tell him he'll leave.

00:11:34You already have a great house

00:11:35And here it has already covered its cycle

00:11:37Now that you are here

00:11:38She will want to move on with her life

00:11:39With what?

00:11:41But does it have any of that?

00:11:42José Miguel, this is an adult conversation.

00:11:44It's that if you speak in a low voice

00:11:45I get curious

00:11:46Speak in a normal tone and disconnect.

00:11:48Don't worry and prepare your things.

00:11:50That today I'll tell Nieves that you're coming to live here with me.

00:11:53I won't miss that.

00:11:54José Miguel, a day without going out

00:11:56Wait, I'll find a space in my schedule.

00:11:58You have to be tough on him.

00:11:59Don't hold back

00:12:00Yeah, yeah

00:12:01Thanks for having me, huh, Roberto?

00:12:06Well, here we can both manage very well.

00:12:09No, no, no, all for you

00:12:11I'm moving downstairs

00:12:11I'm back with Lucía and she's crazy to live with me again.

00:12:14So, perfect, I'll set up my office here, OK?

00:12:17Yes, this site is very good for thinking

00:12:19What am I doing with my life?

00:12:20How did I get here?

00:12:22Where can I pee?

00:12:23You rack your brains

00:12:23Well, come on.

00:12:24See you later

00:12:25See you later

00:12:27It's very bright, huh?

00:12:30Dad, why do you have to leave home?

00:12:32If the one who has gone with others, mom

00:12:33Because I have my dignity.

00:12:35And even if I were able to swallow what I am

00:12:38The apartment is in your name

00:12:40That's right, huh?

00:12:41Let your mother be clear

00:12:42That I'm also going to rebuild my love life.

00:12:45Welcome to the penthouse, Mr. President.

00:12:47I brought you a cake

00:12:48Yeah, you won't have any problems with that.

00:12:51The intern is here

00:12:52I'm just asking you to shelter me here for a few days.

00:12:56Since I hooked up with Alba on New Year's Eve

00:12:58He doesn't leave me alone

00:12:59It's like...

00:13:01See? See?

00:13:03It's torture

00:13:04Look, he's standing guard at the front door.

00:13:06And I told the butler

00:13:06Let the dog go

00:13:07But they have become friends

00:13:08And play throwing the car air freshener at him

00:13:10To the dog, not to the butler

00:13:12In short, it's a disaster.

00:13:12Please, please, please

00:13:14But why don't you talk to her and tell her it's over?

00:13:16No, no, no

00:13:17I disappear and he'll get tired.

00:13:19Okay, fine, Carlos.

00:13:21If it's up to me you can stay a few days

00:13:22But as it is another of your absurd strategies

00:13:25No, no, no

00:13:26Sit down

00:13:27Look, I've realized how tiring it is that I do you good.

00:13:33So I ask your forgiveness

00:13:35And because of how annoying I've been

00:13:37And I swear, I swear

00:13:38That I will never try anything with you again.

00:13:40Friends

00:13:41Damn, Carlos

00:13:42I've been waiting for this moment for so long.

00:13:45Stay

00:13:46But I assure you that the sofa is extremely uncomfortable.

00:13:48Oh, don't worry.

00:13:49I enter a zen state

00:13:50And my mind rests apart from what is stuck in the body

00:13:52That's ok

00:13:53I'm here now

00:13:55Oh, but, but, but

00:13:56Where are you going with all this?

00:13:58Damn, let's settle in, huh?

00:13:59How did we get back?

00:13:59Let's see, no, no, no

00:14:01We're back, Roberto

00:14:02We gave each other, well, some silly Christmas kisses.

00:14:04Well, they weren't that stupid.

00:14:06They were clearly moving kisses.

00:14:08But don't you realize that little by little is much more beautiful?

00:14:11Hey?

00:14:11We are recovering the magic

00:14:12Ah, okay, okay, okay

00:14:15Magic

00:14:15Yeah

00:14:16Okay, but then we're either dating or we're not dating.

00:14:18Because with so much romanticism I get distracted

00:14:20Sorry

00:14:20Hello

00:14:21Regarding cabinets, what are the placement criteria?

00:14:24It doesn't matter, wherever you are

00:14:25Okay

00:14:25And this has completely confused me.

00:14:28Carlos, who has asked me to stay here for a few days

00:14:29Because he's stalking Elba

00:14:30Ah, magic is awesome.

00:14:32Now this jerk appears every hour.

00:14:34Roberto, let's not start, okay?

00:14:35During all this time you will have matured a little.

00:14:37Yes, yes, yes, yes, that's right, that's right

00:14:39Well, then little by little

00:14:41Yes, little by little

00:14:42Call me later

00:14:44Okay?

00:14:45Okay

00:14:45Bye

00:14:46See you later

00:14:48Let's go, don't fuck with me.

00:14:52He tells me to go little by little

00:15:04What if magic

00:15:05And I find Carlos inside the house

00:15:06What will happen in a few days?

00:15:07Dude, well, sleep with Andrés Guerra.

00:15:09Dude, don't let yourself be bullied, okay?

00:15:11You have to mark your territory

00:15:12Like lions in the jungle

00:15:13And what do I do?

00:15:13Do I pee on the doormat?

00:15:14No, then you aim badly.

00:15:15And I have to scrub it.

00:15:16Let's see

00:15:16Why is Carlos getting in there?

00:15:18Well, because he wants a topic.

00:15:19He will take advantage of any moment

00:15:20To attack

00:15:20When Lucia is naked in the shower

00:15:22Or when I'm sleeping

00:15:23In panties in bed

00:15:25Paquito, be quiet

00:15:25That the child is at a very bad age

00:15:26Dude, don't be a loser.

00:15:28You are giving him too much advantage

00:15:29This one lifts us up

00:15:30What do you mean he lifts it up for us?

00:15:31Do you see it?

00:15:32How are you at a very bad age?

00:15:33No, no, no, no

00:15:33Let's see, no.

00:15:34Step of insecurities

00:15:35I have to prove it to Lucia

00:15:37That has matured me

00:15:37I'm not jealous

00:15:38I trust her completely

00:15:39But if it gives you problems, pass.

00:15:41Do as I do

00:15:42I left Belén behind.

00:15:43And I'm better now than ever.

00:15:44Freedom to do whatever you want

00:15:45No schedule, no

00:15:46I have missed her so much

00:15:50Even their lentils

00:15:52I have to talk to her

00:15:53Don't let yourself get carried away

00:15:56Yes, I crawl.

00:15:57That I crawl

00:15:57I want to return for a change

00:15:58The pressure is very strong

00:16:01It falls apart

00:16:02Paco, this movie is not going to see you

00:16:03The record is scratched

00:16:05It looks jumpy

00:16:05Fuck

00:16:06Damn, it's full of fingerprints.

00:16:07Those of OVD

00:16:08You have to pick them up by their size

00:16:09Hey, those prints aren't mine, okay?

00:16:10Well, send her to the police.

00:16:12And let them analyze it

00:16:13But it is not necessary either

00:16:13That you pay it with them

00:16:14That they are not guilty of anything

00:16:15He's just a little nervous.

00:16:16Because those of the reform

00:16:17They left her at the last minute

00:16:18These people don't care about that at all.

00:16:20Hey, well if you want

00:16:21I can do the work for you at a good price.

00:16:23You?

00:16:23Yeah

00:16:24I used to work in construction.

00:16:25Well, it's that a film director

00:16:27He has to know everything

00:16:27Look, look

00:16:28This is my parents' house

00:16:30You see?

00:16:30I did all the renovations myself, right?

00:16:32Carpentry, masonry

00:16:33Electrical installation

00:16:35Well that's very good.

00:16:36And when could you start?

00:16:38Tomorrow

00:16:38And this afternoon?

00:16:40Is it necessary?

00:16:40Yeah?

00:16:41You see?

00:16:42Problems solved

00:16:42If you are worried about nothing

00:16:43Ah, how good

00:16:44Well, come over now.

00:16:46And I'll explain to you

00:16:46If they are two nonsense

00:16:47Okay

00:16:47I'll wait for you

00:16:48But what reform are you going to do?

00:16:51If the closest

00:16:52That you've been in a toolbox

00:16:53It's playing Super Mario

00:16:54Damn, I need the money.

00:16:56Okay, it won't be that hard, will it?

00:16:58This is your family

00:16:59Jocho, sign her for a movie

00:17:01Hey

00:17:02The Zaz breaks down a lot, huh?

00:17:04Paco, you better find someone

00:17:05May it help you

00:17:05You're going to get into a mess.

00:17:07Pelén

00:17:10Are you home?

00:17:11I come in the Sound of Peace

00:17:12And so we talked things over

00:17:13Sorry, it's not there.

00:17:14What's happening?

00:17:16Have you come to fix a socket?

00:17:19Uh, yeah

00:17:20I say, no, no, no

00:17:21Well, I'll be back later.

00:17:23No!

00:17:23Sit down

00:17:24If it will be about to arrive

00:17:25He went shopping

00:17:27Oh, I have to clean the inside of the mailboxes.

00:17:29Alicia isn't here either, right?

00:17:30If you went with your boyfriend

00:17:31Are we alone?

00:17:33Do you want a margarita?

00:17:35Uh, no

00:17:36Thank you so much

00:17:37It's that I'm on duty

00:17:38And if it scrubs

00:17:39Do not drive

00:17:39I mean, if you drink

00:17:40Hey, maybe you were doing some atriz stuff.

00:17:43And he interrupted her

00:17:44Take

00:17:44Emilio

00:17:48Do you want someone's advice?

00:17:50That you have had many romantic relationships?

00:17:53Do you know Obregón?

00:17:54I was referring to myself

00:17:55Don't suffer for love

00:17:58The young people

00:17:58We have to enjoy life

00:18:01There are many women to meet

00:18:02Many

00:18:03Yes, yes, yes

00:18:04If I have read that each of us is entitled to seven

00:18:06But there must be some bastard out there.

00:18:07Who has been left with thirteen

00:18:08And the one left over was Bethlehem

00:18:10And on top of that she leaves me

00:18:11As a goalkeeper, one is very limited.

00:18:13I don't understand why

00:18:14It seems like a profession to me.

00:18:16Very erotic

00:18:17You have stained yourself

00:18:19Oh, sorry, sorry

00:18:21I'll clean it myself.

00:18:22I have a super absorbent towel here.

00:18:24Well, now everyone should clean up their own mess.

00:18:29I'll come back later for Valletta.

00:18:31We already talked about it another time.

00:18:34It's very cute

00:18:38What a shame about you.

00:18:40I don't know if you know what this is abandonment of home?

00:18:45We could report you.

00:18:46We are not prepared to live without a mother

00:18:48We are very young

00:18:49But it is the dream of any Vencañero

00:18:51It's not that serious either.

00:18:53If I'm going to be right here

00:18:54Yes, that's what E.T. said.

00:18:55And no one has seen his hair again.

00:18:56Dude, it's about time you got over it.

00:18:58So you're going to leave us here alone.

00:19:00But no

00:19:00How am I going to do that?

00:19:01I rent the apartment

00:19:02And you look for a life

00:19:04That lasts a long time for me

00:19:05Children need a little push.

00:19:07Before they give it to you

00:19:08Bye

00:19:09Well

00:19:13Let's not lose our cool

00:19:15Renting an apartment is never easy

00:19:17For now this is ours

00:19:18Let's enjoy

00:19:19Yeah

00:19:20You have to cook

00:19:21That dad did it

00:19:22You have to wash and iron

00:19:23That mom did it

00:19:24It needs cleaning

00:19:25What did he do?

00:19:26I don't know

00:19:27But we don't

00:19:28Well, we're not ready for this, Alex.

00:19:30Do you want to tell me how we're going to survive?

00:19:33Hey, grandma was already in a bad way, wasn't she?

00:19:35We could go to the residence and feel it out.

00:19:36Probably

00:19:37Well, it was an idea

00:19:39He loves us so much

00:19:40I'm going to a concert

00:19:44Don't wait up for me

00:19:45Dad is going to kick Aunt Nieves out of the house.

00:19:47Well, they'll act again.

00:19:48If you are on tour

00:19:49I'm not going to kick her out

00:19:50I'm just going to tell you

00:19:51That Isabel is going to live with us

00:19:53It's a bit of a delicate situation.

00:19:54Please, I ask you not to intervene.

00:19:57So, there is a movement.

00:19:58We separated

00:19:58Help me, come on

00:20:01No, not that.

00:20:02What is my meditation chart?

00:20:03I'll take it myself.

00:20:04A painting to meditate on?

00:20:06Yeah

00:20:06A bandit

00:20:07If you stare at it

00:20:09It helps you clear your mind

00:20:10And isn't TV better for that?

00:20:14How are you?

00:20:15Has he left already, Nieves?

00:20:16No no

00:20:16I was about to tell him

00:20:18It's a procedure

00:20:18I have tried various options

00:20:20To choose the right tone

00:20:21Depending on the mood

00:20:22Where it is located

00:20:23You hear

00:20:24Stretch the sheets

00:20:25It's not making the bed

00:20:26Juan, tell them something

00:20:27I'm exhausted

00:20:28No no

00:20:29Wait, nothing's happening.

00:20:30Snow

00:20:31We have some news for you.

00:20:32Isabel is going to live in this house

00:20:34Permanently

00:20:35Oh?

00:20:36Well, that's good.

00:20:37But you should have warned me.

00:20:38To organize ourselves

00:20:39José Miguel

00:20:40You are going to sleep on the couch

00:20:42Until we buy a folding chair

00:20:43That?

00:20:44Go on, bring it

00:20:45I'm going to make room for you in the closet.

00:20:47Look

00:20:47What was I thinking?

00:20:48That you didn't care about going back home

00:20:49Which is as spacious as it is well connected

00:20:51If I sold it

00:20:52Didn't I tell you?

00:20:53Hey?

00:20:54Well no

00:20:55It's a fact I didn't know.

00:20:57You'll see how good it will be for us all to be here.

00:20:59Do you remember Conocho Basta?

00:21:01What a joy to be home!

00:21:02Let's see if they release that series on DVD.

00:21:04Well, it seems I've taken it very well.

00:21:06What is not clear to me is when he is leaving.

00:21:08No, I just don't think it's going away.

00:21:10Let's see Isabel

00:21:11He just didn't get the message.

00:21:12Have a little patience

00:21:14I'll work on it.

00:21:14Children, sister-in-law

00:21:16But if this can't go well

00:21:17Go on, feel the sky

00:21:18Take

00:21:19Look at the mandala

00:21:20Clear your mind

00:21:22Hey dad

00:21:23We'll draw lots for the sofa, right?

00:21:25José Miguel, don't overwhelm me.

00:21:26I ask you, please

00:21:26We brought out the champagne to celebrate.

00:21:29Hello good

00:21:36Hello good

00:21:37Hello good

00:21:38Hello good

00:21:39Hello good

00:21:40No, no, no, no, no

00:21:41But what is this man doing here?

00:21:42That?

00:21:42Hadrian

00:21:43Well, if he is an expert

00:21:44About 70 laborers

00:21:45It is that in addition to the child's room

00:21:47Maybe one will be made for him.

00:21:48Now that I need help

00:21:49Don't worry, I'll control it.

00:21:50Mauri

00:21:50I don't play with lentils, okay?

00:21:52Let's see, what walls did you knock down?

00:21:53No, no, no, no

00:21:54Don't throw anything away

00:21:55I want a partition here

00:21:56And another one here

00:21:57With its door and that's it

00:21:58The chiverea?

00:21:59Otada or exposed brick?

00:22:01Yes, yes

00:22:01No, it's a joke.

00:22:02Mason's humor

00:22:03You'll get the hang of it.

00:22:05Well, you leave it in our hands.

00:22:06Don't worry, we are professionals.

00:22:07Well, I'm going to take care of things.

00:22:09And it happened to me

00:22:09Let's see how everything goes, okay?

00:22:14Hey, can I go in peace?

00:22:16Yes, yes

00:22:17Yes, man, yes.

00:22:18If this is cement, brick

00:22:20Pin, bread and paint

00:22:21But first we'll have to put the cast on him, right?

00:22:23Yes, yes, yes, plaster, plaster

00:22:24And that first?

00:22:25Of course, man.

00:22:25If all this goes with everything

00:22:26Come on, don't worry about anything.

00:22:27Come on

00:22:28You finally dared

00:22:30We going the good way

00:22:32Politely threatening you

00:22:34And you, my fucking case

00:22:36I tell you this for the last time

00:22:37I do what I want in my house.

00:22:38I'm going to tell you now.

00:22:41How you should decorate your living room

00:22:42And look at the topic that would give a lot of itself.

00:22:43You as a gay, what would you do?

00:22:45I would like to put the sofa in the back.

00:22:47And paint the most modern

00:22:48Of gotelé

00:22:49Ah, the gotelé is modern

00:22:52Look, I don't care.

00:22:53For me, it's fine if they build a loft.

00:22:54But why would I enter another one?

00:22:56The Beatles sang that.

00:22:58All you need is a loft

00:23:00And what do you think?

00:23:02React

00:23:03That you are the president

00:23:05Man, if all the neighbors agree

00:23:07We can report Mauri to the court.

00:23:10Look, leave the judges alone.

00:23:12They have a lot of trouble

00:23:13Preemptive attack

00:23:14Think a little

00:23:16Water cuts

00:23:17Light

00:23:19Silicone on the lock

00:23:21Neighborhood Guerrilla

00:23:22If that is made up

00:23:23Look, you live above

00:23:25You turn on the bathroom faucet

00:23:26And you screw up Mauri's entire roof.

00:23:28He doesn't want works

00:23:29Well, take works

00:23:30That's what Paloma did to us.

00:23:32Bad people, bad people

00:23:34Ladies, don't talk nonsense.

00:23:36I am the president of this community

00:23:38And I don't plan on leaving.

00:23:39Of the strictest legality

00:23:42Permission

00:23:44Have you heard it?

00:23:46If he already speaks the same as the other

00:23:48If it cannot be delegated

00:23:50Come on, let's get down to business.

00:23:52How nice to be working with your hands again.

00:23:56Intellectual work was killing me

00:23:58Hey, how's this cement thing going?

00:24:00But you didn't tell me that you had worked as a laborer.

00:24:02Yes, in a resfumano agent

00:24:04In a shopping center

00:24:05But they ate me right away

00:24:07The mate pastor of the balls

00:24:08Mariano, I have taken responsibility

00:24:10And now what do we do?

00:24:12Should we call the teleworker?

00:24:13Well, calm down.

00:24:13Instructions will come on the back

00:24:15Like in the soup packet

00:24:16Of course, you still have to put it in the microwave.

00:24:18Steering wheel of life

00:24:22Water is added to this

00:24:24It is removed and when bricking

00:24:26But what does it do?

00:24:27Is the whole floor going to be loaded?

00:24:29But I wasn't going to change it.

00:24:30He hasn't told me anything

00:24:31Well, well, nothing happens

00:24:32We changed it for you

00:24:33If we are going to eat it, it is very little.

00:24:34Well, see if there are any beers in the fridge.

00:24:37That I am exhausted

00:24:39Who told me to get into this mess?

00:24:45Am I jealous?

00:24:46No, I'm not jealous

00:24:47Lucia is living with a friend

00:24:49An ex

00:24:50A sucker who is waiting for the moment

00:24:52Hi how are things?

00:24:54Is Lucia there?

00:24:55Chame, yes, it happens

00:24:56We are watching a movie

00:24:58Oh, how nice!

00:25:00There on the couch, warm

00:25:02Hello darling

00:25:03Have you seen Empire and Senses?

00:25:04It's mind-blowing

00:25:06Well, it's a beautiful reflection.

00:25:07On sex and death

00:25:08Yes, sex and death

00:25:10Two concepts that go very closely together

00:25:12Hey, Lucia

00:25:13Look, what I was thinking

00:25:14If you want, we can go for a walk.

00:25:15And then to dinner

00:25:16In a trendy restaurant

00:25:17What have they recommended to me?

00:25:17Yes, which one?

00:25:18One

00:25:18It's a surprise

00:25:19Yes, yes, yes, yes

00:25:20Come on, come on

00:25:21Are you waiting for me to get dressed?

00:25:22I'll be right out

00:25:23Well, that's great.

00:25:25I'm having dinner, huh?

00:25:26But you, what are you up to?

00:25:27You are a wimp

00:25:28What's wrong with you?

00:25:29But what do you think?

00:25:29Am I an idiot?

00:25:30There, as a sensitive friend

00:25:31Let's see what you get up to

00:25:32I see you coming, kid.

00:25:33When you go, I come

00:25:34How about Chenoa?

00:25:36Oh, come on, now seriously, Roberto

00:25:38Lucia and I are just friends

00:25:39And if she's happy with you, I'm delighted.

00:25:41Are you provoking me?

00:25:42You're provoking me, huh?

00:25:43But what do you want me to tell you, boy?

00:25:45Come on, relax a little.

00:25:46Do you want something to drink?

00:25:47If I want to have something, I'll get it myself.

00:25:48I know where things are.

00:25:49Don't believe it, I've made some changes.

00:25:51Because it wasn't logical

00:25:52That wasn't logical?

00:25:53I bet you don't tell me that on the street.

00:25:54I'm coming out!

00:25:56Bastard

00:25:56Well, come on, let's go.

00:25:59Hey, do you want to take my car?

00:26:00That is that I have it very romantic

00:26:02With six ballad compilations in the magazine

00:26:04No, we'll take a taxi now.

00:26:07Don't worry

00:26:08Yes, yes, yes, you leave it to us

00:26:09I drive

00:26:10No, no, but a convertible

00:26:12In winter

00:26:13Plus, you mess up your hair.

00:26:14Well, you make a ponytail, darling.

00:26:16Well, you'll tell me.

00:26:17Where the gentleman takes you

00:26:18Oh, idiot

00:26:19Come on

00:26:20José Miguel, do you want to stop playing now?

00:26:32And eat it at once?

00:26:33It is having prepared it with great enthusiasm

00:26:35If I don't know what it is

00:26:36Me neither

00:26:37But I bet that it is eaten

00:26:38Dad, eat it yourself

00:26:39That you are the one who is in love

00:26:40Juan, this is torture for children.

00:26:42Miebes, please

00:26:43You also contribute a little.

00:26:44Further?

00:26:45If I am here displaced, humiliated

00:26:47And still with a smile

00:26:48Suffering in silence

00:26:50Like that of hemorrhoids

00:26:51Equal

00:26:51Juan, if you want me to go

00:26:53Tell me now

00:26:54Break my soul

00:26:55No, no, that's not it.

00:26:56This apartment is small.

00:26:57AND...

00:26:57That everyone is eating

00:26:59Oh!

00:27:00But you are still like this

00:27:02The second course is going to be fried.

00:27:03I want to raise my glass

00:27:04In honor of Isabel

00:27:05New member of this

00:27:07Our family

00:27:07That has had the detail

00:27:09Prepared

00:27:09Hey, what is this white thing that you're rubbing?

00:27:11Tofu

00:27:12Mix it with the seaweed

00:27:14That gives it a lot of flavor

00:27:15Algae?

00:27:15We are eating that

00:27:16Your feet stick to the beach

00:27:18Here we are more of a steak and potatoes person.

00:27:19But don't worry.

00:27:20You'll get the hang of it.

00:27:22And what is the second one?

00:27:23Vegetable burger

00:27:24You see?

00:27:25You do like that.

00:27:26Vegetable burger

00:27:27It is a contradiction in itself

00:27:29Well, enough complaining, man.

00:27:30No one can eat this.

00:27:32But Isabel has done it

00:27:33With all the love in the world

00:27:34Salt is added

00:27:36And he holds his breath

00:27:38If we like it

00:27:38Can I prepare something else?

00:27:40That is not necessary

00:27:40These are new flavors

00:27:42From the world

00:27:43This is culture

00:27:45Hey, don't you know how to make macaroni with tomato sauce?

00:27:47No weird moves?

00:27:49I know how to make them

00:27:49But now your mother is her

00:27:51Well, what are you going to order?

00:28:01Oh, girl, I don't know.

00:28:02Lately every meal is a torment

00:28:05But you don't know Fijadén

00:28:07Fix it

00:28:09If your dentures stress you out

00:28:14Fix it is the answer

00:28:16It also sticks ceramics, glass and rubber.

00:28:19Fix it

00:28:20And to bite

00:28:21This can relaunch my career

00:28:25Total, total

00:28:27It's a very social ad

00:28:29That deals with the problems of women your age

00:28:31Oh no, no, I don't have dentures.

00:28:33Oh no?

00:28:33No

00:28:34Well, what an interpretation

00:28:35I had believed it

00:28:36There is another longer version

00:28:38With a steak

00:28:38And I look better

00:28:39But it's only for theaters

00:28:41Ah, daughter

00:28:43How's it going with your new boyfriend?

00:28:45Oh, how beautiful

00:28:46Alicia, can we talk for a moment?

00:28:51Oh, how strong this thing of being in love is.

00:28:53I finally understand Laura Pausini's songs.

00:28:55Hey, you invite your mother to spend a few days

00:28:57And I'm the one who's with her

00:28:58Something is wrong here

00:28:59Ah, that's a charm

00:29:00I love her a lot

00:29:01Ali, do you want to see my ad?

00:29:03Wait, Mom

00:29:03What am I talking about?

00:29:04Yes, yes

00:29:05If you are a very special person

00:29:06So special

00:29:07That they are trying to link up with Emilio

00:29:09My mother?

00:29:11Do you know who that lady is?

00:29:13What's sitting there?

00:29:14In Almería he was with Clint Eastwood

00:29:16The Bridges of Madison County

00:29:17She was going to do it

00:29:18But she was engaged

00:29:19With which it arrives late

00:29:20Okay, okay.

00:29:20Whatever you say

00:29:21But tell your mother

00:29:22Don't make things any more complicated.

00:29:23You're paranoid

00:29:25Forget about Emilio already

00:29:26Get out of that hole

00:29:27Love is simple, Belén

00:29:29In love there is no pain

00:29:30Well, what I was missing

00:29:32Tinkerbell fluttering

00:29:33Tomorrow I will introduce you to Ricardo

00:29:35When you see us together

00:29:36You will understand everything

00:29:37Well

00:29:37Tell her I'm watching her

00:29:39Come on, yes

00:29:40Go with her

00:29:40I'm going to bed.

00:29:41Come on, give me a friendly kiss.

00:29:43Remove

00:29:44Pussy

00:29:45Yes

00:29:48That Alicia's mother

00:29:49He hit on me

00:29:50And why has Bethlehem arrived?

00:29:51If I don't see myself there?

00:29:52Damn, if he likes you

00:29:53He likes me

00:29:53But what is it like?

00:29:54Is it good?

00:29:55Paquito, you don't respect anything.

00:29:56That she is a proper lady

00:29:57Say yes

00:29:58That is very good

00:29:59It's Victoria Peña

00:30:00The goddess of uncovering

00:30:01No, it doesn't sound familiar to me.

00:30:02Fuck

00:30:02And you are the movie expert?

00:30:04Less Tarantino and more joy

00:30:06Damn, culture here

00:30:07Emilio is perfect

00:30:08Take advantage of it

00:30:09Damn, keep it up

00:30:10If Belén gets jealous

00:30:11It's because he still loves you.

00:30:12Clear

00:30:12And if not, I already have a 50-year-old girlfriend.

00:30:14It is very well thought out

00:30:15Damn, because it's your only chance.

00:30:16To recover it

00:30:17Do you want to get her back like this or not?

00:30:18Ok, but we will have to evaluate

00:30:19All the risks, right?

00:30:20Well, wait

00:30:20Welcome to the planet of videos

00:30:24If you want to talk with orders

00:30:26Press

00:30:26Paco, I'm Mauri

00:30:27Can you come up for a moment?

00:30:29Yes, yes, yes, yes

00:30:30Okay

00:30:30It's Mauri that we go up

00:30:32You will have already seen the work

00:30:34Cojoludo

00:30:34We're going to collect

00:30:35Man

00:30:39She was the queen of the uncovering

00:30:40And she who had, retained

00:30:42But can you explain to me?

00:30:47What is this?

00:30:48This?

00:30:50What is this?

00:30:51Mauri, who is not finished

00:30:52That he lacks plaster

00:30:53It lacks many things

00:30:54For example, that it is straight

00:30:55If it is straight

00:30:56Man, please

00:30:57Get here, Diego

00:30:58You see it straight

00:30:59Are you laughing?

00:31:00No, man.

00:31:01If this is a shame

00:31:02I'm going back to...

00:31:03Mauri

00:31:04You are being a victim

00:31:05From your ignorance

00:31:06Obstructions

00:31:07They take time to settle

00:31:09Five years

00:31:09Of all the life of God

00:31:11Whether we like it or not

00:31:12And in nature

00:31:13There are no straight lines

00:31:15Okay, okay

00:31:15It's very straight

00:31:16And all these gaps?

00:31:18And the missing piece?

00:31:18Up to the ceiling, what?

00:31:20Ventilation

00:31:20Yes, by law

00:31:21Look, Mauri

00:31:22I'll bring you tomorrow

00:31:23The color sample

00:31:23No, I want it here tomorrow.

00:31:24Two perfect partitions

00:31:25Straight

00:31:26Smooth

00:31:27Eñesados

00:31:28And painted the same color

00:31:29That the rest of the walls

00:31:29And without ventilation

00:31:31Did you understand me?

00:31:32Yes, yes

00:31:32Okay?

00:31:33Okay

00:31:33Well, okay.

00:31:34Take

00:31:35Let me go see

00:31:35Hello, how is the child?

00:31:38How did it get?

00:31:40It's normal

00:31:40It's called reform shock

00:31:42The eye is late

00:31:43By accepting the visual changes

00:31:44That's why they wanted to throw away

00:31:46The Unfaithful Tower

00:31:47The luxury work

00:31:48Tomorrow they finish

00:31:49Hey, about the advance

00:31:50For material

00:31:50But

00:31:51But you come back tomorrow

00:31:52And so we choose together

00:31:53The decoration

00:31:54Okay?

00:31:55Come on, a little kiss

00:31:55But why does everything have to be so difficult in this life, Diego?

00:31:59Why so much pain?

00:32:01Well, don't worry.

00:32:01If this is nonsense, don't despair.

00:32:03What do you mean you don't make me desperate?

00:32:04If this is the Wailing Wall

00:32:05Do you think they'll finish it by tomorrow?

00:32:07For the sake of it

00:32:08The little warriors either come out or they don't come out.

00:32:15Standing for so long is terrible.

00:32:18Varicose veins appear

00:32:19In short, one more, it doesn't even show.

00:32:21I don't see this plan.

00:32:22Won't Isabel get angry if we flood her bathroom?

00:32:24No, it's not her turn.

00:32:25If the water goes down

00:32:26What if you detour and instead go to Mauri

00:32:28Doesn't the humidity reach us?

00:32:30You've been thinking today, haven't you?

00:32:31Hello

00:32:33Hello

00:32:34Instead of going out, why don't we take advantage and have a party at home?

00:32:38Of course, to have to clean more

00:32:40Have you put the washing machine on?

00:32:41Yes, damn it, don't be distressing.

00:32:43Good night

00:32:44Good night

00:32:45How are you?

00:32:46Here, on patrol

00:32:47Hey, aren't you interested in an hourly assistant job?

00:32:51Alex

00:32:51What's happening?

00:32:52Integration of our elders

00:32:53Have a good time, okay?

00:32:57Pablo has a better ass than his father

00:32:59Marisa

00:33:00Leak command

00:33:02Let's go inside

00:33:03Neighborhood hydrological plan

00:33:19Water for all

00:33:21What are you doing?

00:33:22Since we were here, I continued

00:33:24Grab some band-aids, we've run out.

00:33:30Vicenta, test passed

00:33:32Let's go

00:33:33What are you doing?

00:33:35Poor kids, they are alone

00:33:36I'm making you an omelet

00:33:37But they don't have to know that we've been here.

00:33:39But if they don't know, they're not going to know.

00:33:40We left it like that, anonymously.

00:33:41Come on, you'll finish it at home.

00:33:44Come on, we have to get in here in half an hour.

00:33:46Well, Carlos's car isn't doing so well either.

00:33:49With that cushioning all the bumps go to the column

00:33:51Have you seen how people looked at us on the street?

00:33:53Normal, it is a provocation to the most disadvantaged

00:33:55This is how the French Revolution began

00:33:57Well, we had a good dinner, didn't we?

00:33:59And the one that fascinates him in the seats is terrible.

00:34:00That kills sperm by the handful.

00:34:02This guy is going to have trouble, you'll see.

00:34:04Roberto, you're a little silly.

00:34:05What's the matter with you and Carlos?

00:34:06Nothing to me, it's a comment

00:34:07Roberto

00:34:08Hey, nothing's wrong with me, really.

00:34:09Okay, come on, okay, yeah.

00:34:11I'm a little jealous

00:34:12But I have recognized it

00:34:13That's already mature enough for you to shit.

00:34:14Carlos is a friend

00:34:15Yes, a friend, a friend

00:34:17Well, and because you want to be here for a few days at home

00:34:18It doesn't mean that something is going to happen between us.

00:34:20Yeah, yeah, yeah, I know, I know, I know

00:34:22Okay, well, don't see ghosts where there aren't any.

00:34:24Look, look at what the son of a bitch has done for when you get back.

00:34:32Tell me if it's not to kill him

00:34:33But if this is for you

00:34:35I thought that after the romantic dinner

00:34:37Maybe you wanted to be alone.

00:34:39So I'm going to take a walk and I won't bother you anymore.

00:34:41Thank you very much, Carlos

00:34:43But where are you going to go at this time?

00:34:44Nowhere, for God's sake

00:34:45Damn, man, that was a really thoughtful thing to do.

00:34:47But don't worry

00:34:48If Lucia and I go little by little

00:34:50There's no hurry

00:34:51I'd better go myself.

00:34:52I leave you here in a good mood

00:34:53No, no, it really doesn't matter.

00:34:54If there is a very bohemian karaoke

00:34:56What I like to go to

00:34:56Hey, no, no, no

00:34:57I'm leaving

00:34:58Fuck

00:34:59It was a nice gesture, man.

00:35:01It has arrived to me

00:35:01Well

00:35:02Well, yes, the truth is that it has been very nice, Carlos.

00:35:07Do you want me to help you clean up?

00:35:08No, no, no, no

00:35:09You go to sleep and I'll take care of it.

00:35:11And I'm going to put this in the fridge.

00:35:13In case you feel like it tomorrow

00:35:14Buddy, it's getting cold.

00:35:23What are you doing?

00:35:24I want to know what's going on down there.

00:35:25I'm going to take pictures of it with my cell phone.

00:35:27Ah

00:35:27And how are you going to press the button?

00:35:30Hmm?

00:35:32You're in bad shape, aren't you?

00:35:33And how do you want it to be?

00:35:35That guy plays the victim

00:35:36And in the end he softens Lucia

00:35:37Nobody does that nonsense.

00:35:38If you don't want sex

00:35:39If she wants to fuck him

00:35:41He's going to get it

00:35:42You can't do anything

00:35:43Yes I can, yes I can

00:35:44Hey, stop, stop, stop, stop

00:35:46I can't think about these things

00:35:47How is Lucía going to get along with Carlos?

00:35:49And how was Isabel going to get involved with Juan Cuesta?

00:35:52Good night

00:35:53Well

00:35:58It finally seems that the time has come

00:36:01This is like a wedding night

00:36:03Yeah

00:36:04The only thing is that the bathroom in the crucial suite

00:36:06It's a little collapsed

00:36:08But Natalia hasn't come out yet?

00:36:09Natalia

00:36:10Yes, yes, yes

00:36:11It has come out

00:36:11But Nieves has slipped in on me.

00:36:12That she is waxing her legs

00:36:13In winter

00:36:14And single

00:36:15Because?

00:36:15Well, I don't know.

00:36:16But I need to brush my teeth.

00:36:18Because if not, I can't sleep.

00:36:19Not even making love

00:36:20Nor anything

00:36:20Nieves, you are missing a lot

00:36:22The wax is heating up

00:36:24Well, it's not essential either.

00:36:25The brush thing

00:36:26You relax

00:36:28Right now

00:36:29There is only you and me

00:36:31Dad

00:36:33Natalia is watching TV

00:36:34And he doesn't want to go to bed

00:36:35And I need the couch to sleep on.

00:36:37José Miguel, for God's sake

00:36:38It is called before entering

00:36:39Ah, you were going to...

00:36:40Damn, that's strong.

00:36:41Tell your sister to go to bed

00:36:43Where should we go?

00:36:45There was only you and me

00:36:46Dad, I want to watch TV

00:36:49Tell him to let me have the couch.

00:36:50But what are you saying?

00:36:51Let's see, I don't sleep with Aunt Nieves.

00:36:52Talks in his sleep

00:36:53So do as when she is awake

00:36:54Don't listen to her

00:36:55Natalia, for God's sake, record it.

00:36:56And you see him tomorrow calmly

00:36:58Now it's time to sleep

00:36:59Yes, it depends on who it is for.

00:37:01I'm going to have to put a bolt on it.

00:37:05For God's sake

00:37:05Juan, put order with the children

00:37:07That I am no longer his mother

00:37:08But I end up taking off my shoe

00:37:10Pretty, you're missing a lot in the bathroom.

00:37:12Tomorrow who prepares breakfast?

00:37:13Isabel or me

00:37:14And what does that matter now?

00:37:15I have to set the alarm clock

00:37:16We have to organize ourselves

00:37:18I shave

00:37:18And we make a calendar in a moment

00:37:20I'm so sorry

00:37:22This is not for me

00:37:23I'm going home

00:37:23No, no, no, please

00:37:25Isabel, wait

00:37:27Wait

00:37:28No, no, I don't expect it

00:37:32Because I'm starting to miss things

00:37:35That I used to miss more

00:37:36This is already a joke, huh?

00:37:38Let's see, the first moments

00:37:39They are always difficult, Isabel

00:37:40This is like a family on set right now.

00:37:42Yes, yes, the project is very nice, Juan

00:37:45But here, well, there's not room for everyone.

00:37:48Clear

00:37:48Being crowded is kind of silly.

00:37:51If we have another free apartment next door

00:37:53We knock down the partition in your room

00:37:55And we unite them

00:37:55Sorry

00:37:56Don't you love each other that much?

00:37:57Well, we have a great apartment with plenty of space.

00:37:59With two doors like the houses of category

00:38:01We can even bring dad from the nursing home.

00:38:03No, no, because if we knock down the walls

00:38:06It's to have more space

00:38:07All

00:38:08Let's see, let's see, let's see, a little coherence

00:38:10How are we going to get into reforms?

00:38:12And I have strongly opposed Mauri's work.

00:38:14It eats me alive

00:38:15He is a political alaquiri

00:38:16Hey, I don't perform like this.

00:38:17I disown the third evaluation.

00:38:19José Miguel, please

00:38:20But if it is to remove four bricks

00:38:22No one has to find out

00:38:24What do you mean no?

00:38:24And the noise, and the workers, and the rubble

00:38:26You leave it to me

00:38:27One hundred and eighty square meters of house

00:38:29We are going to do

00:38:30Was there anything I could do with having my own little bathroom?

00:38:34What are you doing?

00:38:56Nothing

00:38:56It's raining in the bedroom

00:38:58No, well

00:38:59We're going to have to do the roof too, huh?

00:39:09You have dampness

00:39:10But we've already got the hang of this bubble puppy, huh?

00:39:13It's coming out very straight for us

00:39:14This has been Andrés's thug

00:39:16That since he is president of the community

00:39:17He goes by bus through life

00:39:18And close that

00:39:19May you have very bad luck

00:39:19Hey, besides, I don't know what you can say.

00:39:22They are mysterious faces

00:39:23A cousin of mine did it in Belmez

00:39:25And don't you see

00:39:26Man, maybe a pipe has burst.

00:39:28Paquito

00:39:30We're going to make a lot of money on this floor.

00:39:33But how could I have been, Mauri?

00:39:35If I'm living in the attic

00:39:36Children

00:39:37But you can't be left alone.

00:39:39If we just arrived

00:39:40We found the bathroom taps open

00:39:42The taps?

00:39:43You haven't broken into my house, have you?

00:39:45It must have been the children who caught your attention.

00:39:47They are asking for affection

00:39:49Have you been?

00:39:50Oops, oops, oops

00:39:50My nonsense is burning

00:39:52Mauri, it was nobody

00:39:55In these old houses

00:39:57You start doing a work

00:39:58And it happens in accidents

00:40:00Well, be careful because they already know what they say.

00:40:01That misfortunes never come alone

00:40:03And the community pays me for this.

00:40:04I demand the creation of a commission of inquiry

00:40:06To clarify the origin and causes of this incident

00:40:09And I request the appearance of Mr. President

00:40:11You instead of being so annoying

00:40:13You could help a little.

00:40:14Yeah

00:40:14Juan, the child's music teachers are here.

00:40:18Teachers of what?

00:40:19Come on, let's go home.

00:40:20That has to start now

00:40:22Hey, you can't play instruments here, huh?

00:40:24The child is gifted

00:40:25And we will study whatever we want.

00:40:27He's going to be a great musician.

00:40:29Like Luis Combs

00:40:29And now what do we do?

00:40:31We open the cock taps

00:40:33If we have so much work to do

00:40:35Ladies, if you enter people's houses

00:40:38They can go to jail

00:40:40I haven't been to Pinochet and I'm going to go.

00:40:41And Ives?

00:40:46May I know?

00:40:47We have slipped them right under their noses

00:40:49They haven't even smelled it

00:40:50These things turn me on.

00:40:51You don't even see, for God's sake, that I'm playing for a lot.

00:40:53Well, I had class

00:40:54Let's see if he gets some sleep.

00:40:55No, you are sick today.

00:40:56We need you

00:40:57Tomorrow I'll give you a receipt.

00:40:58Awesome

00:40:59Ma'am, what if we have to throw it away?

00:41:01Hey, stop, stop

00:41:02Do you want to tell me?

00:41:03How are we going to hide the noise?

00:41:05Don't worry about it

00:41:05If everything is thought out

00:41:06Take the girl's radio cassette

00:41:08Come on, this way

00:41:09I'll put the music on for you

00:41:12And you provoke me with the orchestral strokes

00:41:16Like aerobics

00:41:18Hey?

00:41:19I set the pace for you

00:41:21An essay

00:41:22Juan, press play

00:41:24No, not that one.

00:41:26And four

00:41:26Pickaxe, mallet

00:41:33And pick, pick, mallet

00:41:35See how easy it is?

00:41:37Come on, you lead them.

00:41:38I'm going to peel the dog bean.

00:41:41Okay, pay attention, please.

00:41:43Now

00:41:45Pickaxe, mallet

00:41:46Pick, pick, mallet

00:41:49Pickaxe, mallet

00:41:51Beak, beak

00:41:52The eighth notes

00:41:53Pickaxe, mallet

00:41:55Pick, pick, mallet

00:41:57Pickaxe, mallet

00:41:59Pick, pick, mallet

00:42:01Good morning

00:42:06Oh, I woke you up with the noise.

00:42:08No, no, no, no

00:42:10What have been the costs

00:42:11They must have put an after-hours bar.

00:42:12I don't know

00:42:13Hey, Carlos

00:42:13And all this?

00:42:14Uh, well

00:42:15Well, since we've never woken up together

00:42:17Well, I didn't know you had breakfast.

00:42:19So I opted for a small firm

00:42:21And drink the juice or the vitamins will disappear.

00:42:24You?

00:42:24I have already had breakfast

00:42:25I got up a little earlier

00:42:27To see if I could clean up a bit and such.

00:42:28And now I'm going shopping.

00:42:30Do you need anything?

00:42:31No no

00:42:31Carlos, really

00:42:32You don't have to treat me so well.

00:42:34Thank you so much

00:42:34But no

00:42:35But I am happy

00:42:36I mean, I have to take advantage of these days.

00:42:38Yes, yes

00:42:39You don't know how many times

00:42:40I've dreamed of living with you like this.

00:42:42And I've always known that you were the woman of my life

00:42:44But let's go

00:42:44I hadn't imagined it would be like a friend.

00:42:46Eh, but come on

00:42:48That between you and me

00:42:49No, no, no, no, no

00:42:50Nothing, nothing

00:42:51Peaceful

00:42:52If it is also much better this way

00:42:53I, I love you so much

00:42:54I don't need more

00:42:56Well, if you remember anything you need

00:42:58I'm on my mobile

00:42:59Okay

00:42:59I have told Roberto that we are going little by little.

00:43:07But now that I'm living with Carlos

00:43:09Well I realized that it is a sky

00:43:10She takes care of me, she does my housework, she cooks for me.

00:43:12And he told me that he just wants us to be friends.

00:43:14He hasn't tried to kiss me

00:43:15It's another Carlos

00:43:16I don't know what to do

00:43:17But what are you trying to say?

00:43:19That you like now

00:43:20No, no, no

00:43:21What happens is that now I compare him with Roberto

00:43:23And of course, I see Roberto as more selfish.

00:43:24More childish

00:43:25Further

00:43:25Today I don't have to make the bed.

00:43:26Come on, Carlos is no longer Carlos.

00:43:28And Roberto is still Roberto

00:43:29If I could take the best of each one

00:43:32Yeah

00:43:32But which of the two makes it harder for you to breathe?

00:43:34Hey?

00:43:34No, it's just that Alice isn't Alice either.

00:43:36You listen to me

00:43:37At our age we have to be practical.

00:43:39If Carlos treats you like a queen

00:43:41As long as you control oral sex

00:43:42What more do we want from men?

00:43:44Yeah

00:43:44But it's Carlos Belén

00:43:45Imagine I'm starting to see him.

00:43:48Even more attractive and everything

00:43:49Lucia

00:43:50Don't close yourself off to love

00:43:51Do you hear it?

00:43:52So all day

00:43:52Hey, how are you and Emilio?

00:43:54Ah, very good, very good

00:43:55Yes, I think they have a beautiful relationship.

00:43:57With Alicia's mother

00:43:58And go for it

00:43:59What are you saying?

00:44:02I loved that walk to the hardware store.

00:44:04Yes, I had to buy a 7 drill bit.

00:44:06And I said, maybe you'd like to join me.

00:44:08Hello

00:44:10That?

00:44:11Well, if you want, we can meet tomorrow.

00:44:13I have to bleed the boiler.

00:44:14And it's quite a spectacle

00:44:15Of course, call me.

00:44:16Well, see you later.

00:44:18Goodbye Belén

00:44:19Mom, what the hell are you doing?

00:44:25Are you hitting on the goalie?

00:44:26He's throwing them away

00:44:27He's throwing them away

00:44:28Oh, please!

00:44:29I just pretend to be nice

00:44:31If it's him, poor thing.

00:44:32He has ended his relationship with Belén

00:44:35And he's fascinated with me

00:44:36How naturally they call you ugly in this family

00:44:40Yeah

00:44:40It's like living with two Alices

00:44:42I'm going to talk to the doorman

00:44:44Well, Alice

00:44:45So what do you think?

00:44:45Carlos or Roberto?

00:44:47Listen to your heart

00:44:48Yes, yes, yes

00:44:50I'm going to have an ECG.

00:44:52And now I bring it to you, eh?

00:44:58It's been awesome

00:44:59If you get to see Bethlehem's face

00:45:00When he saw me come in with Alicia's mother

00:45:01She was deformed by jealousy

00:45:03Dislocated

00:45:04Yes, yes, yes, yes

00:45:06It was just that face

00:45:06How well it turns out for you

00:45:07I have to get Carlos out of there no matter what.

00:45:09Do you know how to get a snake out of its burrow?

00:45:13No

00:45:14With a weasel

00:45:15Oh, and who's the weasel?

00:45:16Dawn

00:45:17Hello, I'm Roberto, your brother-in-law.

00:45:19You were looking for Carlos, weren't you?

00:45:21You don't know where it is, do you?

00:45:23Really, how twisted can you be for a woman?

00:45:26And you, what?

00:45:27Hey?

00:45:28That you're after Alicia's mother just to make me jealous

00:45:30Sorry, but she's the one who wants me.

00:45:32I feel like an objectified man and that's nice.

00:45:34That woman can teach me many things

00:45:36Yes, like going through menopause, for example.

00:45:38How little class we have

00:45:39What a pity

00:45:40Look, it's Vicky

00:45:43Vicky?

00:45:44Hi gorgeous

00:45:45Emilio, why wait until tomorrow?

00:45:47See you tonight

00:45:48Hey?

00:45:48No, no, no, no

00:45:49But the boiler has to be turned on during the day because it makes a lot of noise.

00:45:52Forget the boiler

00:45:54I go through the goal

00:45:56What did she tell you?

00:45:57What are you going to tell me?

00:45:58What do you wish for me?

00:45:59There are going to be brains here tonight, Belén.

00:46:00Emilio, for God's sake, what could your mother be?

00:46:02No way, I'll show you a picture later.

00:46:04But hey, you leave me first and then you get jealous.

00:46:07You are out of here

00:46:07Am I jealous?

00:46:09Look, Emilio, do whatever you want.

00:46:10Little eye, how I see you sunk in pain

00:46:12I'm going to give you the last chance to come back.

00:46:14We'll be back at one, we'll be back at two

00:46:16Go fuck yourself a little!

00:46:17Well, think about it.

00:46:18But think about it quickly, because I'm coming up short.

00:46:21Emilio, give me the key to the first one

00:46:23So that?

00:46:26Why do I ask? I mean, there's the box.

00:46:27Of course, if I'm going to have to start charging for this service separately.

00:46:31Ori, are you crazy?

00:46:34We can't just walk into a house like that?

00:46:36What do you mean, no? And what about them?

00:46:37They are professionals, but they are going to catch us.

00:46:39Of course, if the ladies are 077 agents, license to raid

00:46:42They're not going to find out, can't you see they've gone to bingo?

00:46:46I don't know where this escalation of community crime is going to take us, huh?

00:46:49I make them sink into misery.

00:46:51Well, anything that breaks them is a favor, because...

00:46:54What is this?

00:46:55Come on, get out of here, damn it, you're leaving it cool.

00:46:56What do I do to them? What do I do to them?

00:46:59Man, look at what a delicious little thing!

00:47:01Come here, baby, come here

00:47:02Come

00:47:03All day long the music was on

00:47:09I'm going to call the police

00:47:10We are very old, for God's sake.

00:47:13But what does it cost you to lower it a little?

00:47:14I just don't understand it.

00:47:15The child is soaking up musical styles

00:47:18You have to develop your hearing

00:47:19If we lower the volume, orchestral nuances are lost.

00:47:22If José Miguel is about to finish the class

00:47:24And it's just one day, as he's a genius...

00:47:26Come on, see you later.

00:47:26But what bad people there are in this building

00:47:30Mr. President, cut off their power!

00:47:33Already

00:47:33But how am I going to do that?

00:47:35This is not a ladder, this is the cat board

00:47:37And you stay still, eh?

00:47:39I can't find Valentin anywhere.

00:47:41It has disappeared

00:47:42Thank you, sir

00:47:44I have to go on my knees to buy tobacco.

00:47:46Marisa, I'm serious.

00:47:47Manolo left me, but the dog left you.

00:47:51I don't understand, how is he going to get out if everything was closed?

00:47:54This smells like kidnapping to me, gay.

00:47:56You see, the situation is already unsustainable.

00:48:03The Morzanan neighbors

00:48:04Which one is already there!

00:48:04If they're done, look at what a great bedroom!

00:48:07Come on, you guys, let's get the paint.

00:48:09Let's see, please, I'm growing.

00:48:10You'll see what kind of back you get.

00:48:12You can download everything in five trips.

00:48:14And if someone asks you, do you have school books?

00:48:17Mom, you couldn't have chosen another day to do works.

00:48:19You know the hangover we have

00:48:20So now we don't have to leave home, right?

00:48:23Well, we'll see for now.

00:48:24These two beds in my room and mine in lates

00:48:26Are you bringing her here?

00:48:27No, be careful

00:48:28That room is for me

00:48:29That I also need my space

00:48:31Yes, of course, that's where we fit in.

00:48:32Well, I'll stay with the other room.

00:48:34With separate entrance so as not to disturb

00:48:37No, I need the living room for yoga.

00:48:39And why are you going to keep it for yourself?

00:48:41Well, I don't know, because the apartment is in my name, for example.

00:48:43So why did we knock down the partition?

00:48:45A little thing

00:48:46Are you in charge of the dirty laundry issue?

00:48:48Juan, if I'm going to be treated like a maid

00:48:50I'm going back home

00:48:51That she was very well alone

00:48:53But you hadn't sold it.

00:48:54What if you were just fine on your own?

00:48:56What are you doing here?

00:48:57Oh!

00:48:58He's looking for me, huh?

00:48:59He's looking for me!

00:49:00Let's see, let's see, let's see

00:49:00Let's see, we'll see how we manage.

00:49:03Let's not complicate things

00:49:04If we have achieved the most difficult thing

00:49:05We have completed the work in record time

00:49:07And without anyone knowing

00:49:11But anyway, how did that turn out?

00:49:13But what's going on?

00:49:13Do you have a neighbor doing construction work?

00:49:15Mauri, but he is in the first

00:49:16Well, I don't know what he's done.

00:49:17But he has really messed up

00:49:18My goodness

00:49:19Well, don't worry.

00:49:20Don't worry, I'll talk to the president.

00:49:21Yeah?

00:49:22Of course, this must be communicated now.

00:49:23No, no, no, of course.

00:49:24Sorry, I'm not used to it.

00:49:25To live with someone

00:49:26Case more responsibilities

00:49:27Well, Roberto in a case like this

00:49:28I would do something too

00:49:29Yeah, well, it was a poster.

00:49:30Carlos, sit down.

00:49:32Come, we need to talk for a moment.

00:49:33Do you want me to leave?

00:49:34No, no, no, no

00:49:35Let's see, how do I explain it to you?

00:49:37Look, there are times when you've gone out with a person

00:49:39And never, ever

00:49:41It would cross your mind

00:49:42Go out with her again

00:49:43Well, because you've turned the page.

00:49:44Do you want to meet new people?

00:49:45But one day you have contact with that person again.

00:49:48And you start to discover a series of things that were there.

00:49:51And you hadn't realized

00:49:52And you start to feel a series of other things that unsettle you.

00:49:55And well, I don't know if you understand me

00:49:58Of course

00:50:00Forward

00:50:01Yes, Roberto is going to make you very happy.

00:50:03It's made for you

00:50:04Well, I'm going to talk to the president now.

00:50:05I haven't explained myself well.

00:50:10Mauri, you shouldn't have gotten involved in renovations.

00:50:12And I'm fine at Rosa's house.

00:50:13You'll be better off here.

00:50:14You'll see what a bad room I've prepared for him.

00:50:16Let's see if we can put a dent in it once, shall we?

00:50:19Yeah

00:50:19Rosa was blocked

00:50:21I don't like

00:50:21What have you done with Valentin?

00:50:23You wouldn't dare kidnap my dog.

00:50:25Don't tell me you've lost it.

00:50:27Of course, they just let him loose.

00:50:29And they have run over him the same way

00:50:31Or they euthanize him in the pound

00:50:32Or they experiment with some vaccine on him

00:50:34Good luck, huh?

00:50:35Hey!

00:50:36What the fuck?

00:50:38Has the dog been stolen?

00:50:40He's in the bedroom eating your slippers.

00:50:42Now yes, yes

00:50:43Two straight, smooth zapiques painted in the same tone as the living room

00:50:47An aesthetic decision as erroneous as it is respectable.

00:50:51That's all very well

00:50:52But he doesn't notice that he's missing something.

00:50:54Yes, charge

00:50:55But we artists don't like to talk about money.

00:50:57Can you tell me where the door is?

00:51:00Damn, Paco is painting inside.

00:51:02See how something was missing?

00:51:03The client said two zapiques

00:51:05And the client would be me, it's not my fault.

00:51:07Well, well, well, well, well, well, well, well, well

00:51:09Mauri, this is a joke, right?

00:51:10But what planet are you from?

00:51:11What sect do you belong to that you can make a room without a door?

00:51:14No, it seems absurd to me too.

00:51:15But it looks good in pyramid plan

00:51:17Look, I'd better go back to Rosa's house and...

00:51:19No, no, no, you go in there with the kid to play with the dog.

00:51:21That this lacks nothing

00:51:22If it doesn't have a door

00:51:23You are already opening a hole for the other to come out

00:51:26Well yes, because I'm already finished, right?

00:51:27I'm getting dizzy with the paint

00:51:29Well, I bite, eh?

00:51:30But these are from a budget

00:51:32Until you pay me what you owe me

00:51:33Oh, and he even wants me to pay him.

00:51:34This is mind-blowing

00:51:36Come on, go open it.

00:51:37But Mauri, what have you done?

00:51:39Lucia has a huge crack in her bedroom.

00:51:42You've kidnapped Valentin!

00:51:45Valentine!

00:51:45But how am I going to make a crack in the third if I've only made one room?

00:51:48If you don't have a door

00:51:49I already know

00:51:50Nor will he have it

00:51:51If you act like a slow-burner, I won't lift a finger.

00:51:54There I leave you, you so Paco

00:51:56Make way, please.

00:51:57Hey, there's a human being walled up in there.

00:52:00Dizzying!

00:52:01And have they kidnapped Paco too?

00:52:03Mr. President, the gay man is out of control.

00:52:05No, no, let's see, let's see

00:52:07This thing about Paco is my fault

00:52:08But the third one is impossible

00:52:09Lucia, I haven't moved the structure.

00:52:12Well, you're the only one doing work on the building.

00:52:14Hello!

00:52:16Hello!

00:52:18Okay, the school books

00:52:20What bricks!

00:52:21Come on!

00:52:22No!

00:52:23It's not what it seems

00:52:24I categorically deny that we are doing any work in this home of mine.

00:52:32The child has back problems

00:52:34And the doctor has recommended that you lift weights to strengthen your lumbar muscles.

00:52:37Nothing else!

00:52:38Ah

00:52:38Do you expect us to believe it?

00:52:39It's just absurd, come on.

00:52:40It's an imbecility

00:52:41Let's see if we will now have to present the medical certificate.

00:52:44It hurts me that my neighbors, after 13 years of honest management

00:52:47They accuse me of doing work in my house without having the relevant permit.

00:52:51And everything in rega and like God

00:52:52What color do I paint the room?

00:52:54Like the one on that floor or the one across the street?

00:52:57What sense of humor do these musicians have?

00:53:00Clear!

00:53:01You have joined the two floors, that's why the crack has appeared

00:53:04Sausage!

00:53:04Have you ever pulled a pack donkey?

00:53:06No, no, no, no

00:53:06Wasn't it cargo?

00:53:08I don't think so

00:53:09It's Andrés's fault

00:53:10That he should have realized

00:53:12He has no presidential instinct

00:53:14Me, me, me, me

00:53:15I don't believe it

00:53:16Urgent meeting in half an hour, huh?

00:53:18Yes! Mauri has kidnapped Valentín!

00:53:20I want a search warrant!

00:53:26I'm telling you that your mother has a meeting with Emilio at the gate tonight.

00:53:29Melen, you're not well, aren't you?

00:53:31And you, what?

00:53:32Are you tidying up the living room?

00:53:33I just want Ricardo to find everything beautiful.

00:53:35Well, the kitchen is a mess.

00:53:36Oh my God!

00:53:39How do you clean that?

00:53:40I'm going to take out the trash, I'll be right back.

00:53:41How beautiful the garbage comes down!

00:53:43It's that I wear whatever I wear

00:53:45Do you want me to help you?

00:53:46No!

00:53:46No, no, no, the easiest thing is for me to go and spend time later.

00:53:48to guide me a little

00:53:49Mom, Ricardo is about to arrive.

00:53:51Of course, I'm looking forward to meeting you.

00:53:53Come on, see you later.

00:53:53And where are you going?

00:53:57Ricardo is coming

00:53:58Hey, I'm going to explain the recycling issue to your mother.

00:54:00that maybe he doesn't know

00:54:01So eat envy, eh?

00:54:02Also, also

00:54:03Belén won't come down, I'm going to abort the mission.

00:54:24No?

00:54:25If you can get through this

00:54:26What's the problem with getting my story across?

00:54:28Dad, you're very sick.

00:54:29I'm playing with the feelings of two women

00:54:31Go on, the boy is a ghost.

00:54:33Technique, Cyrano

00:54:34You turn off the light

00:54:35You get under the bed

00:54:36And you don't start saying nice things

00:54:38I'll provide the body.

00:54:40Quality guaranteed

00:54:42Dad, don't talk nonsense.

00:54:43But how are we going to do that?

00:54:45You have a mustache, he's going to notice.

00:54:46Well, I shave.

00:54:47I'll do whatever it takes for a child.

00:54:49Hey?

00:54:49I didn't sleep with your mother to bring you into the world.

00:54:51That was the miracle of life.

00:54:53Hello good evening

00:54:56too late

00:54:57Let's leave the flag flying high

00:54:59But what are you doing here?

00:55:05Shh

00:55:06You're so morbid, aren't you?

00:55:09Leave me without you

00:55:09So this is where you live?

00:55:12Uh, yeah, yeah, yeah

00:55:12It's a little depressing

00:55:14I think it's best that we don't go to dinner.

00:55:15No, I love it

00:55:17It's dirty

00:55:17It's erotic

00:55:18Yes, we are made for each other

00:55:21Understand it

00:55:22I am your fantasy

00:55:24And you are mine

00:55:25Yes, well

00:55:26You know that women

00:55:27We make love with the mind

00:55:29The brain is the most powerful sexual organ

00:55:32Okay, okay, okay

00:55:33Well, we imagine it if it is more beautiful.

00:55:34Come on, come

00:55:35Come here

00:55:35Sit down

00:55:36I understand that all this is a dream for you.

00:55:40Yes, yes, yes

00:55:42And it's a shame not to be able to consummate this.

00:55:43But I'm a fan of Clint Eastwood.

00:55:45And since I know you've been with him

00:55:47Of course, I could never live up to Dirty Harry.

00:55:49It is practically impossible

00:55:51So I prefer that this dream remains a dream

00:55:54Are you a romantic?

00:55:55Yeah

00:55:56Son of a bitch

00:55:59I am Victoria Peña

00:56:00I am not rejected

00:56:02Of course not

00:56:03Come here

00:56:04Give me the final blow

00:56:05Please get out of the way.

00:56:06What happened, don Juan?

00:56:10Are you angry, Mrs. Inés?

00:56:11You don't understand it

00:56:12Ours is a romantic thing

00:56:13An impossible love

00:56:14Impossible because you didn't like it

00:56:16You're still crazy about me.

00:56:17You like me

00:56:18You like me

00:56:19You like me

00:56:19And what were you doing back there, you jealous powerhouse?

00:56:21You're the one who's crazy about me.

00:56:22But what are you saying?

00:56:23Yes, you are sorry.

00:56:24That you no longer know what to do to return without crawling

00:56:26It has been the mistake of your life

00:56:27No, the mistake of my life was getting involved with you.

00:56:30What a shitty relationship

00:56:31Oh, but you still don't even know why you left me.

00:56:33I don't know?

00:56:34No!

00:56:34I don't know?

00:56:35No!

00:56:36Well yes, yes I know.

00:56:37But I'm not going to tell you.

00:56:38You have to realize it yourself

00:56:40Uh, yes, darling.

00:56:41Sorry, it's my fault

00:56:42Everything is already arranged

00:56:43No, Emilio

00:56:44Don't get me wrong, okay?

00:56:46That we are not going out

00:56:47We have cut

00:56:48Yes, Belén.

00:56:49What we have cut

00:56:50Emilio, I'm serious.

00:56:52Hey, one little thing

00:56:53What you told me about stopping the pill

00:56:55It's a lie, isn't it?

00:56:57Host

00:57:01Mom, come out, Ricardo is here.

00:57:03Leave her alone, darling, don't bother her.

00:57:05I'll meet her another day.

00:57:06Excuse me, I was just getting comfortable.

00:57:09Make me a tonic

00:57:11With gin, just the way I like it

00:57:13So you are the famous Ricardo

00:57:17You are as handsome as I imagined

00:57:19Well, I didn't imagine you like that.

00:57:20They look like sisters.

00:57:21It happens to us a lot, sit down

00:57:23And what do you do?

00:57:26I am a researcher

00:57:27I work in a laboratory

00:57:28Oh yeah?

00:57:28Well, it's a profession.

00:57:31Very erotic

00:57:33But daughter, please

00:57:37If we were just talking

00:57:39You have never forgiven me

00:57:41May she be prettier than you

00:57:42Thank you

00:57:45You calm down

00:57:48I'm going with you to the meeting

00:57:49And tomorrow first thing in the morning

00:57:50That mess is fixed

00:57:51Carlos

00:57:52I don't want to go to the meeting

00:57:54We can protest in writing

00:58:02Guys

00:58:07Look who I found in the portal

00:58:08Attack, attack

00:58:10Well, what's wrong with you now, Carlos?

00:58:11What do you want?

00:58:13Dawn

00:58:13I have told you categorically

00:58:15That our relationship is over

00:58:16So stop harassing me already.

00:58:18But how to harass you?

00:58:19But if it's you

00:58:20The one who is harassing me

00:58:21The other day he was chasing me through a shopping mall

00:58:24No no

00:58:25I was doing some Christmas shopping

00:58:26And we meet on the seven floors

00:58:28But agreeing is not following

00:58:29If Alba wasn't stalking you

00:58:30Why did you lie to me?

00:58:31Let's see, Agatha Christie

00:58:32Relate

00:58:33Were you pretending to hook up with me?

00:58:36But it can always be like this

00:58:37If as friends things work out

00:58:39You even kissed me.

00:58:39What did he kiss you?

00:58:42Let's go out

00:58:43Sorry?

00:58:44You and I are going to fix a pending issue.

00:58:46That we have had for many years

00:58:47Okay, very good.

00:58:48But I'm warning you, boy.

00:58:50What am I doing capoira?

00:58:50Hey, hey

00:58:51Don't be kids, okay?

00:58:52This is not a schoolyard

00:58:53No, Lucia

00:58:53If I am maturing

00:58:54But what matures completely

00:58:56Roberto!

00:59:01What are you doing, idiot?

00:59:04Hey, watch the table.

00:59:05No, yes in the end

00:59:05I came for something

00:59:06Yeah

00:59:06Ah!

00:59:08No, no, no, no!

00:59:11Well yes, I have Valentín.

00:59:12What's happening?

00:59:13These three ladies

00:59:14They opened the taps in your house

00:59:15With your complicity

00:59:16So until the community

00:59:17Don't fix my roof.

00:59:18I'm not returning the dog.

00:59:19That I have also grown very fond of

00:59:20Monster!

00:59:21But, Mauri

00:59:22That's a kidnapping

00:59:23We are going crazy

00:59:25No, they are crazy

00:59:26And we're all going to end up grilled.

00:59:27This house

00:59:27It's like the Shining Hotel

00:59:30Juan, I'm scared

00:59:31This one goes for the axe

00:59:32This model of government

00:59:33It's in crisis

00:59:33I propose a motion of censure

00:59:35Already

00:59:35Okay, next point of the day.

00:59:37The house could fall down on us.

00:59:39What does it cost?

00:59:39I paid for everything

00:59:40There is no crack above

00:59:42Andrés made it up

00:59:44It is state terrorism

00:59:45Well, let's see the crack.

00:59:47And we got rid of doubts

00:59:48We are all very nervous.

00:59:50Everyone get that out of your dick.

00:59:51Let's see if he bought anything later.

00:59:52But if the only thing I ask of you

00:59:54It's that we all put a little

00:59:57Andrew!

00:59:59What's happening?

01:00:00Andrew!

01:00:01He has been poisoned

01:00:03They put something in the water

01:00:05That's a heart attack

01:00:06Madam, don't talk nonsense.

01:00:08That's a fainting spell.

01:00:09How is it at the Cuesta's house?

01:00:10Let them eat the brown

01:00:12No, no, no

01:00:13The legs are in the common area

01:00:14But then please call an ambulance!

01:00:17Oh my God!

01:00:20Now you will be quiet!

01:00:22Send several!

01:00:24What's happening!

01:00:25Let's see, eh, eh

01:00:26Chains are no place for fillers

01:00:27That the wood

01:00:28But you're crazy!

01:00:33But you're crazy!

01:00:33This girl always looks so cute!

01:00:39Come on, come on!

01:00:40Let's see how this ends.

01:00:42Be careful with the lamps!

01:00:43Those pulipar are no longer manufactured!

01:00:45But!

01:00:48Vicenta, please!

01:00:50Smell, sniff, sniff!

01:00:53Hey?

01:00:53Ah!

01:00:54Ah!

01:00:55Ah!

01:00:56Ah!

01:00:57Ah!

01:00:58Ah!

01:00:58Don't you see you're making fools of yourselves?

01:01:00Ah!

01:01:00You're already in the portal, man!

01:01:02What's the problem with going out on the street?!

01:01:03Ah!

01:01:03Jump me!

01:01:04Please!

01:01:04No, jump me!

01:01:05Jump me!

01:01:06Or so, club kid!

01:01:08We're going to give you the wrong idea!

01:01:09Come!

01:01:10Let's go through the door!

01:01:12Andrew!

01:01:14But what's going on here?

01:01:15Let's see if we don't play with the cubes

01:01:17Emilio, there was a neighborhood meeting

01:01:19May I know what you were doing?

01:01:22But again!

01:01:23If it was her who caught me by surprise

01:01:24Bea, but everything is already organized.

01:01:27Why are you leaving?

01:01:28No, for nothing

01:01:29You have the one from the video store sandwiched

01:01:31The neighbors' dog kidnapped

01:01:32The roof is falling apart

01:01:33And the community is in the midst of a civil war.

01:01:35Well, if you see everything in a negative way, of course.

01:01:36The good boy, right?

01:01:38Hey, Mauri, how's this being a father thing going?

01:01:40Nice, isn't it?

01:01:40Because I feel the same...

01:01:41Almerio!

01:01:43Hey, don't tell me that you and Belén

01:01:44The reverse gear that has not engaged, Mr. Juan

01:01:46I'll see!

01:01:52Oh!

01:01:53Thanks, man!

01:01:57No!

01:02:00I don't know, this stupid bastard left the keys to the work machine!

01:02:08Hey!

01:02:09It wasn't sitting elegy, was it?

01:02:10Yeah!

01:02:10You're going to destroy Paco's video store!

01:02:13Enjoy, you've got men fighting over you!

01:02:15Enjoy! You two assholes! Look, I don't want to see you again.

01:02:18Tomorrow I'm selling the apartment.

01:02:19For how much?

01:02:20Okay, okay. Stop, okay, okay.

01:02:24Come on, come on, yes.

01:02:26Come on, come on.

01:02:28Fuck!

01:02:29Stop it, damn it! That's enough, isn't it?

01:02:31You're right. This isn't getting us anywhere.

01:02:34Friends, come on, friends.

01:02:36Nothing, nothing.

01:02:36By hand!

01:02:37Come here, you bastard!

01:02:39Goes!

01:02:46Hey, girl, are you sure one of these two is the man of your life?

01:02:49It's just that I have too much free time. I have to start working 14 hours a day.

01:02:53Let's go.

01:02:57Oh, oh, oh! What a beast you are!

01:03:07Come on, you might have finished the box too.

01:03:09Treatments are not left halfway.

01:03:10What's going on? Am I to blame now?

01:03:13What do they want?

01:03:14Hello, good evening. Look, we wanted an RU486.

01:03:17The fact that?

01:03:19One of those morning after pills.

01:03:21What's up? Did you have unprotected sex?

01:03:23No, it's just that the venoria has gone up and he's caught a cold.

01:03:25Let's see if we wash our faces before serving people.

01:03:27Emilio, it's not that we've had a little problem with the prophylactic.

01:03:31With what?

01:03:31With a condom, damn it.

01:03:32Wasn't it one of these finite, supersensation?

01:03:35Yes, there was no need to make a fuss when we saw it broken.

01:03:37Well, I'm sorry, I can't give you the pill.

01:03:38You will need to go to a family planning center.

01:03:41And for that he asked us the whole story.

01:03:43Gossip!

01:03:44Emilio, would you like to tell me what we do now?

01:03:46Didn't you say our relationship wasn't going anywhere?

01:03:48Well, look, we may have already put it on track.

01:03:51Come on, let's go, what are we doing here?

01:03:52Get out!

01:03:53Wait there in the cold.

01:03:55I don't even know why I'm messing with you or anything.

01:03:58But you can tell what he has.

01:04:00We don't know, we've stabilized him.

01:04:02Andrés! Andrés, don't go!

01:04:04And they can't stabilize her too.

01:04:06Vicenta, please let me take it.

01:04:08If they need blood, I volunteer.

01:04:11That ours is no good, that it's expired.

01:04:12Let's curl our fingers so that it's nothing.

01:04:15Oh, I want, if only the best always leave.

01:04:17This one survives.

01:04:18You'll be happy, won't you?

01:04:19In the end, what had to happen happened, a tragedy.

01:04:22We just can't live together peacefully, huh?

01:04:24Because you always have to be screwing up your neighbor's life.

01:04:26I'm throwing in the towel, I'm leaving here, the apartment is over for sale.

01:04:29No way, and the community is the only one who pays for the day?

01:04:31See what you've achieved?

01:04:32No, do you see what you've achieved?

01:04:34Lucía is right, there has to be a before and after this.

01:04:37It's not difficult to get along either.

01:04:39It's just a matter of goodwill.

01:04:41Vicenta, take this and forgive me.

01:04:42You see? This is the mood.

01:04:44Look, I can't live like this.

01:04:46You may like it, but this really stresses me out.

01:04:48The best thing is for me to sell the apartment and go somewhere else.

01:04:50Juan, what's going to happen to someone else?

01:04:51No need, Mauri.

01:04:53We will pay for the damage to the roof.

01:04:55I think we've gone a little too far.

01:04:57Of course, the insurance doctor stuffs us with pills and no...

01:05:01We also commit to fixing it immediately.

01:05:03both the load-bearing wall and the gable of Lucía's house.

01:05:06Of course, Juan.

01:05:07Today is a special day for this community.

01:05:09On cordiality, we will build a better future.

01:05:12Come on, everyone, a hug.

01:05:14Thank you.

01:05:14Oh, it's not that bad.

01:05:16Mariano, stay still, you are not the owner.

01:05:18And neither do you.

01:05:22Well, after this emotional moment,

01:05:24I, as acting president...

01:05:26But what acting president?

01:05:28If this has to be voted on.

01:05:30My brother is the only one qualified to form a crisis cabinet.

01:05:34I do want to put the assumption for the wall you are knocking down.

01:05:37Let's see, let's see, let's take it one step at a time.

01:05:39Valentine!

01:05:39What have you eaten?

01:05:40Is he on the loose?

01:05:42Vicente, please clean that up.

01:05:44Well, I'm going up to add Paco.

01:05:46Thank you!

01:05:47Thank you!

Aquí no hay quien viva - 3x12 - Erase una grieta - HD 1080

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