- hace 2 días
Alguien deja abandonado a un bebé en el portal de la comunidad, provocando que algunos vecinos con vocación de madre se lo disputen. Roberto traba amistad con José Miguel a pesar de su diferencia de edad, descuidando su relación con Lucía. Al nuevo novio de Alicia también le gusta Belén, y no le importa mucho jugar a dos bandas.
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00:00Here! Here! No one lives here! Not here! Not here!
00:30There's no one living here!
01:00No one lives here! Not here! Not here! Not here!
01:02Oh! I don't know! He didn't tell me here!
01:04Come on, man! Get out of here! Come on, man!
01:06What's up?
01:08Emilio!
01:09Yeah!
01:10Stop playing with the intercom, man!
01:12It wasn't me!
01:14This goalkeeper is an idiot!
01:14Hey! What color do you want to practice?
01:16What to practice?
01:17No way!
01:18No way! Tacuasta already!
01:19Here! Here! Here! Here! Here! No one lives! Not here! Not here!
01:27Every day is like this
01:29I couldn't imagine it when I came here.
01:31I was just looking for something bad
01:34I wake up every day in the middle of a hurricane
01:36Here! Here! Here! No one lives! Not here! Not here!
01:40Here, here, here you don't have to send, not here, not here
01:44The house above me is collapsing, I can't find the doorman.
01:49The neighbors watch me and listen to me, I can't stand it.
01:53In this place, they put a copalera
01:58A train, an earthquake and a volcano
02:02And you will have this ladder
02:07Here, here, here there is no one who lives, not here, not here
02:12Here, here, here there is no one who lives, not here, not here
02:16Here, here, here there is no one who lives
02:19Where, but what is this?
02:30But this is a child
02:31And why did they leave this here for me?
02:33Friend, this is yours
02:37No no
02:38No, look, I'm going to leave it here and I'll get it myself.
02:41Poor thing, but how can I leave him there?
02:45No, no, no, I'll get you, I'll get you, of course
02:47Who got you out of here?
02:49Who got you out of here?
02:50Oh, oh, a baby! Oh, how exciting! A baby!
02:54Yes, a child, yes
02:55What's up, Emilio? What did your girlfriend give you?
02:58No, no, this isn't mine, this is what they left there at the door.
03:00Oh, so who are you?
03:02What do I know?
03:02The stork must have fallen.
03:04Poor thing
03:05Well, what do I do with this now?
03:07Upload it to the president, that's what he's there for, to eat the shit.
03:10Come on
03:11Come on, his name is
03:12Where are you going?
03:18Let's find out
03:19What you like, a gossip with the dog and everything
03:21Mr. Juan, have you called Teleniño?
03:27But what are you saying?
03:28It's that you're bringing the package that they left us at the door.
03:30Who?
03:31We don't know
03:31Juan, what's up?
03:33They left us a baby in the doorway.
03:35Who?
03:36That we don't know
03:37You must have done something.
03:38Yes, I wish
03:39So what? The boy or the girl?
03:41He's a boy
03:41And how do you know?
03:42Well, because it says so on the bottle.
03:44Well, I'm going to call the police to notify social services and take charge of the child.
03:48But aren't we going to keep it?
03:49But how could we not keep it, madam?
03:51Juan, poor thing, don't call anyone, because this child will surely have a mother.
03:55Yes, a mother who abandoned him in the doorway
03:57But maybe he has problems and has left it for us to take care of.
04:00Well, you've chosen a good place.
04:02Maybe it belongs to a neighbor.
04:03Whose?
04:04Well, I don't know.
04:05Mom, I'm leaving.
04:06Hey, they have a certain resemblance, don't they?
04:11What's up, neighbors?
04:12What, what's going on? Where were you nine months ago?
04:14Come on, look, let's see if this thing they left us in the doorway is yours.
04:16Oh, no, no, no, no, no, impossible
04:18I always take precautions
04:20I never give my address
04:21Also, my son wears those hoods.
04:24I saw them in your wallet.
04:26Mother
04:27So what do we do with the child?
04:28A little please, because this is heavy, eh?
04:30Well, I would keep it in case the mother comes back.
04:32Look, 24 hours
04:34If you don't claim it within 24 hours, I'll call the police.
04:37Okay, but who are you staying with tonight?
04:39Because this child has appeared in a common area
04:40I?
04:41I'll keep it
04:42Fuck
04:43What a pity of a kid
04:46Well, what's up, you little rascal?
04:52Punishment again?
04:53Don't even answer him.
04:54You're just throwing money away, Belén.
04:58Don't fool yourself
04:59If you go out with Licia, you won't get a single thing.
05:01You have to go out with people uglier than you
05:02No, don't exist, Emilio
05:04I'm not going out with you.
05:05Are you calling me ugly?
05:06Well yes, couple
05:07I have stayed
05:08Hello good
05:08Look, a responsible woman
05:10He works and gets home at a decent hour, of course.
05:12Some fun, huh?
05:14Hey, let's see, when are you coming with us for a drink?
05:16I don't have a single free minute
05:17I'm working all day
05:18I hardly see Roberto?
05:20But well, I'll think about it.
05:22So, what? Are we leaving?
05:25But hey, what nerve you have
05:26But what a nerve, I'm always waiting for you.
05:28But, Belén, if you've been waiting for hours
05:29But what?
05:29This is how the country is going
05:32Come on, stop complaining, you bore.
05:36Dude, don't look at my remote.
05:46But you're freaking out
05:47If I'm watching TV
05:48Yes, I'm watching TV, aren't I?
05:51Hello darling
05:52Take it, asshole
05:53You haven't even seen that one.
05:53Dude, it's no good.
05:54That he is very distracted
05:55Let's see
05:55Well, are you guys like this again?
05:57No, it's just that you've caught another game from me.
05:59Take it, in your whole mouth
06:00Hey, how did you do?
06:02You've run out of nuts, man.
06:04Roberto, you put the washing machine on for me.
06:06Hey, hey, hey, how did you do?
06:08Uncle, don't look at me.
06:09Hey, but how did you do that?
06:11Don't look at me
06:11Roberto
06:12Roberto
06:12You haven't put the washing machine on
06:15You haven't done anything
06:16I'll put it up later, damn it.
06:18Hey, do you have much more TV time?
06:20I want to watch a movie.
06:21I'll buy it for you on DVD.
06:22Man, what a stupid bore
06:25You think a lot of my mother
06:26They have that in their genes.
06:29Here, I'll melt you, okay, kid?
06:32I'm exhausted, dove.
06:33Well, go to bed.
06:34I'm already waiting for the child.
06:35She will get along well with Valentín
06:37But who are you?
06:41Pretty thing
06:42What are you laughing at?
06:47What are you laughing at?
06:47Of the faces you make
06:49Stop talking nonsense to the kid.
06:51Look at him, look at him, how handsome he is
06:54Handsome?
06:55But it is a wrinkled piece of meat
06:57Marisa, this is a divine sign
07:00Because?
07:00I always wanted to be a mother
07:02Why don't we keep it?
07:03I can say it's mine
07:05Of course you can say it.
07:07But not even God will believe you.
07:08Why not?
07:10I say I've had it in the bathtub
07:11And I haven't had time to go and register it.
07:13Look, you're the only thing you can have in the bathtub
07:15It's a slip
07:17Hey, we'll have to breastfeed her.
07:18Well, we are very poorly equipped in that regard, daughter, I mean.
07:21Hey, but you'll have to eat something, right?
07:23Well, open a can of mussels.
07:25I really don't know how I could raise your daughter.
07:28Well, why do you think he doesn't talk to me?
07:30Oh, what a child!
07:31God
07:32Juan
07:34Juan
07:37That?
07:39That I should have stayed with the child
07:41You? Why?
07:43Well, because I have more experience as a mother.
07:45Those two, what do they know?
07:47Man, Vicente has a dog
07:48Yes, man, dog
07:49Imagine something happens to the child.
07:51You're the one responsible, huh?
07:53Hey, and the one who found it in the portal was Emilio
07:55Yes, but you are the president
07:56Oh, what a mess!
07:58You see how I should have called the police?
08:00No, don't worry.
08:01Don't worry, I'll take care of that child.
08:04You've already kept me awake
08:05Shall I make you some linden tea?
08:06No, you don't do it.
08:07You don't do it
08:09Yes, hello, I'm Armando
08:11Yes, that's it.
08:13We were together eleven months ago
08:14Yeah
08:14Hey, you didn't leave anything for me at the gate, did you?
08:18No, no, for nothing, nothing
08:20Nothing, nothing
08:20A kiss, yes
08:21Yeah
08:22Well
08:23Maria
08:25Maria, Maria, hello, I'm Armando
08:27Yes, yes, yes, yes, I lost my phone.
08:29Hey, you haven't been pregnant lately, have you?
08:35Okay, okay
08:35Yes, the same.
08:37Cardigan
08:39Rebeca, bye, how are you?
08:42I am Armando
08:43Yeah
08:44And you didn't hurt a bambino at the gate of my house?
08:50No, it's going well, it's going well, it's going well
08:52Yes, remediam
08:53Well, it's not mine.
08:57Hello
09:12Fuck
09:14Hello
09:15How are you?
09:17You rebel, aren't you?
09:18Alicia made it for me
09:19Nice to meet you
09:24Likewise, I am Frank
09:26How are you?
09:28Well here...
09:29Do you want to eat something?
09:32No, Mom, thank you very much, don't bother.
09:33No, that's not a bother.
09:35If we operate like this here, Alicia will sleep with you.
09:37And I'll prepare breakfast for you.
09:39I'll take this for you, okay?
09:43I'll peel it for you
09:43As?
09:44What if I wash it for you?
09:45Hey?
09:46The apple
09:47Ah, no, no
09:50I like the skin
09:51Tell Alicia I'll call her later.
09:54He is sleeping
09:55Delighted
09:58Bye
10:00Fran!
10:06He's gone!
10:15Wow!
10:16Hasn't he told you anything?
10:17Yeah
10:19That if he goes to school to pick up his children
10:22But don't get upset.
10:23If you come home early you'll be left without a plan.
10:25Well, let's see, Alice.
10:27You weren't in love with Fernando.
10:30Hey, if you don't listen to me somehow I'll have to forget, right?
10:33Isn't it good?
10:36Well, yes
10:37It's cute
10:38But come on, that's not my style, eh?
10:41Not at all
10:41Well, I'm going to bed.
10:44Let's see if I get some sleep.
10:45We haven't stopped.
10:47We were left stunned
10:53Hello good morning
10:59How is the kid?
11:00Did you have a good night?
11:01He is a prince
11:02It doesn't give any war
11:03Well, I'll upload it, okay?
11:05But where are you going with the child?
11:06Well, to my house.
11:07Now it's my turn
11:07No, no, I have to take him for a walk.
11:09Oh, don't worry.
11:10I'll walk it myself.
11:10No, no, no
11:11The child is doing very well with us.
11:12No, it's better with me.
11:13You are a spinster
11:14And I have two children
11:15This is how they turned out for you
11:16Hey, what do you have to say about my kids?
11:19Give it to me!
11:20Vicenta, I'm going to get carried away, huh?
11:21Gosh, they're hitting me!
11:23I'm in my bathroom!
11:24Can you tell what's going on here?
11:25He wants to take my child away from me.
11:26But if it's not yours
11:27Oh, you're going to throw it away!
11:29Let's see, whose child is this?
11:30Mine!
11:31Come on, now seriously
11:32They left it in the doorway
11:34And we are waiting to see if the mother appears
11:36But what it's all about
11:37It's that when the mother appears
11:38He finds it whole
11:39Besides, you can't keep it.
11:43Why not?
11:44Because I'm keeping it
11:45Hey!
11:49See what you've achieved?
11:51Now the child has another mother.
11:53Well, then we're leaving.
12:00But you're still like this, get dressed, huh?
12:05I'm just exhausted, huh?
12:07I don't know what I've taken
12:07I have a bad stomach
12:08Oh well
12:10But why didn't you tell me before?
12:13I could have called Paula
12:14And cancel dinner
12:15No, no, no, no
12:16I really wanted to go
12:17I was waiting to see if it would go away.
12:19But what's up?
12:20No, well you don't have a fever.
12:21Do you want me to stay with you?
12:23Hey?
12:23Should I make you some white rice or something?
12:24No, no, no, no
12:25Really, don't worry.
12:26It's a bitch, man.
12:27They are your friends
12:28You haven't seen them for a long time.
12:29They have bought the new house
12:31What's up?
12:32No no
12:32Really, calm down.
12:33If this happens to me
12:34Sure?
12:35Well, nothing.
12:37Anything you need
12:38You call me
12:39Come on, my love
12:40And give them regards
12:41Okay
12:41Tell them I'm looking forward to seeing them.
12:43What a rage!
12:44Already
12:44Well
12:46Bye
12:47Bye, have a good time
12:49Hey, you bastard
13:03Get in, you're going to shit yourself
13:05Come on, go on
13:05I'm going there
13:07I'm leaving, man.
13:09That I have been left
13:09Where are you going?
13:11Above, with Roberto
13:12Hey, I'm not going to be able to handle you.
13:14Sorry, man.
13:15The thing is
13:16There are only two controls
13:17Okay
13:21Hello
13:29Hello good
13:30Come on
13:48Let's get down to business
13:49What a sleepy face
13:51You have been practicing
13:53All night
13:54Hey, man
13:55You're going to get a callus.
13:57You're freaking out, kid.
13:58Look
13:59If it is where we left it
14:00The other day
14:00But, man
14:01He who is clumsy
14:02He is clumsy
14:03Go on
14:03Put it on your back
14:05Loser
14:05But are you stupid, brat?
14:06Or what?
14:07Look, look
14:07The fat man with the mask
14:08Where?
14:09Hey, no, no, no
14:10Wait, wait
14:11That the fat man with the mask
14:12It's mine
14:12Look, look
14:13The first in the mouth
14:14Take
14:14Yes, yes, I already know.
14:16How do you do that kick, kid?
14:17You hit this one and this one at the same time
14:18Yes, but you always eat them.
14:19Look
14:20Yes, look, look, look, look
14:21Take it, you bastard!
14:23Gosh, take it!
14:24This remote doesn't work
14:25This controller is wrong, man.
14:26Yeah, it works.
14:26Roberto
14:26That?
14:28You're suddenly feeling good, aren't you?
14:30I got you, man.
14:31No, no, no, no
14:32I'm terrible
14:33It's that Josemia has uploaded
14:34Bringing me some medicine from his mother
14:35Who says they are very good
14:36Already
14:36But why are you lying to me?
14:38If you don't want to go to dinner
14:39You tell me and that's it.
14:40Well no, I don't want to go to dinner.
14:41Your friends are a pain
14:43They look like my parents
14:43As?
14:44What if the new furniture
14:45What if the mortgage
14:46What if the little paddle tennis match
14:47Come on, damn it, please.
14:48I have a better time watching the news.
14:50Well, you and I are going alone.
14:51Because for one night we went out
14:53But if we see each other every day
14:54Since we live together
14:56See you in the morning
14:57See you tonight
14:57Come on, aunt, please
14:58I'm so overwhelmed, damn it.
14:59I need my space
15:01And your space is to be with a child
15:02Ten years old playing all day
15:04Eleven
15:05And if it's my space, what happens?
15:11Very good
15:11Okay, so nothing.
15:13You calm down
15:14If you want your space
15:15You're going to have it
15:15And you, what?
15:17Aren't you going home now?
15:18But I have three lives left.
15:19Hello, how was the trial?
15:38Evil
15:38I get him a hell of a divorce settlement.
15:41And in the middle of the trial goes
15:42And she reconciles with her husband
15:44Oh, how nice, isn't it?
15:46Yes, beautiful
15:47I have run out of commission
15:48Oh, I'm sorry.
15:49And how are you?
15:51Here, here
15:52Open
15:57What is this?
15:59A rabbit?
16:01No, the one on the side
16:02A child
16:04Do you want to have something?
16:05Hey
16:06You won't have stolen it.
16:07When have I ever stolen anything?
16:09And that shirt of Seracarisima doesn't count
16:11Mori, can you tell me where you got it from?
16:13The neighbors had it downstairs
16:14They found it in the portal
16:15And they gave it to me to take care of.
16:16Right, my life?
16:17And you haven't called the police?
16:18Yes, I was communicating
16:19The whole bichisua has been taken more well.
16:21Isn't that right?
16:22This child has to be taken care of
16:24To social services
16:24There you go, the clever one has arrived
16:26What's happening?
16:26Why can't we keep it?
16:27But you're stupid
16:28What is the most difficult thing to achieve in an adoption?
16:32The child
16:32Well, we already have it.
16:34Now we have to sort out the paperwork, right?
16:36Already
16:36Gay couples cannot adopt.
16:38And I don't understand why
16:40Me neither, but that's how things are.
16:42Hey, what if we keep it and don't tell anyone?
16:45And what do you want to end up in jail?
16:47But look how cute he is!
16:48Look, look how cute it is
16:50Look, look at him
16:51Look at that kick he has
16:52If he looks like Ronaldo
16:53My child
16:54I haven't wanted to teach him how to say dad and mom.
16:56Because it was going to be a mess
16:57No, no, no
17:02I'm going to talk to the president right now.
17:04To clarify this
17:04I don't know if we're going to get into a big mess.
17:06You won't be able to
17:07Look, look, look
17:07If he looks like you and everything
17:09Hey, it won't be yours
17:11Come on, open the door for me.
17:13Fernando
17:15If I don't understand
17:20How could it have crossed your mind?
17:22To hold an abandoned baby
17:23Really
17:23Let's see
17:23I am fully aware
17:25That the right thing to do would be...
17:25If we have already spoken to the police
17:27And he said he'll be right back.
17:28So give me the child
17:29We already give it to you.
17:30Sure?
17:31Yes, yes, yes
17:32Very sure
17:33Well, if you have any problems
17:34Let me know
17:35I'm down
17:36No, yes
17:36The police know my husband very well.
17:39Pigeon
17:39Oh, oh, come in.
17:41That?
17:46We have done what we had to do
17:48No
17:48We have done what you wanted
17:50As usual
17:51Maurio
17:55Well
17:56Thank goodness they're coming to get him.
17:58And so we take this weight off our shoulders.
18:00No, silly.
18:01I haven't called anyone
18:02I said it so they would leave us alone.
18:03With our child
18:04Look
18:05Look at everything I bought for him
18:07But do you want to keep it?
18:09That when they are little they are very cute
18:10But then look what they become
18:11Juan
18:12This would be the perfect child
18:15Now we have experience as parents
18:17Natalia, my poor thing
18:19Well, there's no solution now.
18:20It was the first and it is normal
18:22With José Miguel we have done a little better.
18:24And yet, look
18:25This is our last chance
18:27Who's to say this kid isn't going to be a Beckham?
18:30Or a Bisbal
18:31Or a scientist
18:33No no
18:33I'm talking about important people
18:34A famous person or something like that
18:36Juan
18:37Imagine
18:38That we bought the chalet
18:40Pigeon
18:40The neighbors are not going to be happy if we keep it.
18:43Where did the child appear?
18:46On the portal
18:46And who is the president of the portal?
18:48You
18:49Well, the child is the son of the president and the president's wife.
18:52And a point in your mouth, eh, Juan?
18:53Point in mouth!
18:54And whoever doesn't like it, don't come to the baptism.
18:56Look
18:58José Miguel's stroller
18:59Good thing I don't throw anything away, huh?
19:01Yes, I don't know
19:02Look, I think what we should do is return it.
19:04And then, if we want to adopt, we go and process it.
19:07Yes, man
19:08And give it to others, right?
19:09Tell me a place where this child could be better.
19:12Yes indeed
19:12You are absolutely right about that.
19:13But
19:14And this time we are going to give it a very modern name.
19:17Kevin
19:17That?
19:19Kevin
19:19Kevin costs
19:21Man
19:23Like the Kostner
19:25Ah
19:25Now yes
19:27Hello
19:36Hello
19:38Step, step, step
19:41Hey, Alice
19:45Fran is here
19:48I saved immediately
19:50Hey
19:51This is very pretty
19:53Ah, yes
19:53It's a...
19:55A...
19:56Phew!
19:57I'm killing myself!
19:57I'm doing well!
19:59Peaceful
20:00And have you found a parking space?
20:09Yeah
20:09If not, I wouldn't be here.
20:11It's true, what nonsense
20:13It's just that I say some things sometimes that...
20:16I'm here now
20:16Okay, now.
20:17You're going to catch a cold, woman.
20:21I don't think so
20:22Me neither
20:23Well, what do we do?
20:30We left
20:31I put on the TV
20:33Or I take out the violin
20:35Come on, let's go
20:38Or be having the most fun
20:40Hello
20:41Hello
20:41Hello
20:42Is the drink still on?
20:46Yes, yes
20:47You don't know how good you are for me today.
20:49Do you have a key?
20:52Yeah
20:52Yeah
20:52Where are we going?
20:54We're going down
20:55Come on
20:57Well, damn
21:10Where did this go?
21:11Where did this go?
21:12Where did this go?
21:13Where did this go?
21:14Where did this go?
21:15Where did this go?
21:16Where did this go?
21:17Where did this go?
21:18Where did this go?
21:19Where did this go?
21:20Where did this go?
21:21Where did this go?
21:22Where did this go?
21:23Where did this go?
21:24Where did this go?
21:25Where did this go?
21:26Where did this go?
21:27Where did this go?
21:28Where did this go?
21:30Thank you!
22:00Thank you!
22:02Bye bye!
22:04Bye bye!
22:26Hello darling!
22:30Are you awake?
22:32Now yes, you woke me up with the door.
22:37How was dinner? It's been a long time, hasn't it?
22:39No, in the end I didn't go to dinner.
22:41I went out for a drink with Belén and Alicia.
22:45Very good.
22:47You don't mind, do you?
22:49No, no, no. How could I care, please?
22:52That's what I was telling you, each one has their own space, their own things.
22:56Clear.
22:57Well, I'm going to take off my makeup.
23:00Oh, it's been a long time since I've had such a good time, eh?
23:06I laughed so much.
23:08Oh!
23:22Hi there.
23:23Hello good.
23:24How good he was, he never cried.
23:26He didn't even eat anything, with that clever face he put on.
23:29How we will miss him.
23:31But what's going on? Who died?
23:32No, man, we're talking about the boy.
23:34So the kid has been here with everyone except me.
23:38They haven't left me either and I'm the one who is most alone.
23:41Well, it's better that the police took him away, huh?
23:43The police, but nobody has come here.
23:45Will you see this asleep?
23:46No, pretty, no.
23:48But well, then where is the child?
23:51Good morning.
23:53But hey, what do you do with the child?
23:55Well, take it for a walk.
23:56We spoke to the police and they gave him to us for adoption.
23:59Lie!
24:00Let's see, let's see where the papers are.
24:02Papers?
24:03No papers or papers?
24:04What does this think it is? An all-terrain vehicle?
24:05Well, I'm sorry, but I'm in a bit of a hurry.
24:07Bye bye.
24:08And a morro mochito.
24:09This is what makes people think we're stupid.
24:10But this child is like the antenna, he belongs to the community.
24:12If she wants war, she's going to have it.
24:28Good morning.
24:30Hello.
24:31How did you sleep?
24:33Well.
24:35Well, if you have slept.
24:37What are you doing?
24:38Here, scrubbing.
24:40This is the best thing for a hangover, huh?
24:44Do you need help?
24:46No.
24:49That...?
24:50What have you...? What are you doing?
24:58Wait, wait, wait.
24:59What's happening?
25:00What's happening?
25:01What are you up to?
25:02You are Alicia's boyfriend.
25:04And?
25:05What's happening?
25:06Don't you like it?
25:08Hey...
25:09Well, we're not talking about that.
25:11Hey, who gave you permission to get out of my bed?
25:14Belén was making me a juice.
25:17That's how I like it.
25:18Vitamins for my child.
25:20At a walk, at a walk, at a walk, at a trot, at a gallop, at a gallop, at a gallop.
25:25At a walk, at a walk, at a gallop, at a gallop, at a gallop, at a gallop.
25:29Man, how was the walk, Doña Paloma?
25:31Oh, very good.
25:32Thank you so much.
25:33Nothing, nothing.
25:34Hello, little one.
25:42What's coming up?
25:45What the fuck is going up?
25:48What's coming up?
25:49It's just that she's not more aware of the trot than her head and ears.
25:53At a walk, at a walk, at a walk, at a trot, at a trot, at a gallop, gallop, gallop, gallop, gallop.
26:00Now I'm going to get the key and open the door.
26:03Of course, you're hungry.
26:06My boy.
26:10Open the door, I've seen her!
26:12Open the door!
26:13Who is it?
26:14Don't play dumb.
26:15How can I not return the child to me immediately?
26:17What are you going to do?
26:18Are you going to call the police?
26:20Oh no, not the police.
26:22Oh, John.
26:23Juan, what have they taken from me here?
26:26Shell, Shell!
26:28Who is it?
26:29Very well, Concha.
26:30Open the door!
26:31No!
26:32What do you mean no?
26:33I'm keeping this child!
26:35But if you don't like children.
26:37This one yes.
26:39What are you going to do?
26:40Either you leave it to me or the police will come?
26:42Hey, we're friends!
26:43Yes, and the Spiker too.
26:45And look how they ended up.
26:47But let's see, Mom, why do I have to accompany you on a walk with a child whose origins we don't even know?
26:55Because I feel safer.
26:57They've been stealing a lot of children lately.
27:00You're paranoid, Mom.
27:01Who's going to want to take it away from you?
27:02Who's going to want to take it away from you?
27:03You'll see!
27:12There's a moment!
27:14I'm going to buy baby food!
27:15Baby food at the video store?
27:16Oh yeah!
27:17Yes, there's everything here!
27:22Oops!
27:23No, no, don't worry.
27:24Forgive, forgive, forgive.
27:25Sorry.
27:26Oh, how cute!
27:28Is it yours?
27:29Yes, yes, yes.
27:30Yes, yes.
27:31It's mine, yes, yes.
27:32How long does it take?
27:33Hmm...
27:34A month, yes.
27:36But it's huge, isn't it?
27:38Well, yes, a month and...
27:40And sixty days, yes.
27:42It's beautiful.
27:43How lucky you are!
27:44Well, it's hard to raise a child all alone.
27:49And your mother?
27:50She died in childbirth.
27:54I'm sorry.
27:56Sometimes life tests you, but...
27:59one has to move on.
28:02Hey, hey, what are you doing tonight?
28:04Tonight.
28:13Hello.
28:15Hello.
28:18What's happening?
28:19Are you going out today too?
28:20Yeah.
28:21I'm going with these, although I don't know what we're going to do.
28:23Hey, I'm taking the car keys, just in case.
28:26But you already left yesterday.
28:28Yeah, but a friend of Alicia knows I don't know who,
28:30that he's going to have a party somewhere, and well, maybe we'll go.
28:34Ah.
28:35But what time are you coming back?
28:36Are you working tomorrow?
28:38Well, I don't know.
28:39What do you care?
28:40No, no, no.
28:41It doesn't matter to me.
28:42I say it for you.
28:43Then you're the one who complains in the morning.
28:44Oh, Roberto, don't bother me.
28:47I need my space too.
28:50Hey, hey, hey.
28:51That I have also been left.
28:54Hello.
28:55Is José Miguel here?
28:56What have you done now?
28:57No, no, no.
28:58I just wanted to see him.
28:59Ah.
29:00Come in, come in.
29:01José Miguel, they're asking for you.
29:05Hello.
29:06What's happening?
29:07That you wanted to see me and didn't know how.
29:10Hey?
29:11No no.
29:12I'm meeting up with your brother.
29:14Knowing when you're meeting me.
29:17What's happening?
29:18Do you also play console games?
29:19No, but you can play more things.
29:23Hey, please lower your voice a little, your father is there, you know?
29:26But I haven't said anything.
29:28What are you thinking about?
29:29No, but...
29:30Dad, don't bother me, he's a friend.
29:32But where are you going?
29:33What are you going to do?
29:34But what do you care?
29:35Damn, what marking, as if he were Ronaldo.
29:37What's up, man?
29:38Does it make you a movie?
29:39If you pay.
29:40Hey, but at eleven o'clock at home, eh?
29:42Yes, heavy.
29:44Come on, see you later.
29:45Roberto?
29:47Yeah?
29:49Nothing.
29:54Yes, yes.
29:56But hey, what's going on here?
30:01What movie do you want to watch?
30:02Don't know.
30:04Where are you going?
30:05To the cinema.
30:06Can I go with you?
30:07Come on, eh.
30:08No, man.
30:09That we have to talk about our things.
30:11Come on, man.
30:12What do you care?
30:13Hey, don't bother me.
30:14That we are together all day.
30:15I need my space.
30:20What's happening?
30:21I liked the phrase.
30:32Lucia.
30:33Hello good.
30:34That?
30:35Are we going out?
30:36Something happened to me that's going to freak you out.
30:40What's happening?
30:42It's just that she's very strong, aunt.
30:43It is very strong.
30:44Yes, but it is good or bad.
30:45Well, it is, it is the...
30:46What do I know?
30:49Fran kissed me.
30:52But what Fran?
30:54Well, Fran, Fran.
30:55Fran from...
30:56Yes, Fran, Alicia's.
30:58Damn, with Fran?
30:59With Fran?
31:00This morning.
31:01In the kitchen.
31:05I don't know what to tell you.
31:06He seems like a loving boy.
31:07Equal...
31:08Well, it will be a good morning kiss.
31:09He touched my ass and stuck his tongue up to here.
31:12So far.
31:13So far.
31:14Oh really?
31:15So it's not a good morning kiss.
31:17No.
31:18And what have you done?
31:19Well...
31:20Holding onto the handle of the pan to keep from falling to the floor.
31:22And at that moment Alicia came out of the bedroom and the guy was so calm and I was here all day exhausted.
31:28I haven't even been able to clean the dishes.
31:31I walk into the kitchen and get horny.
31:34Auntie, but tell him, Alicia. Because that guy has a nerve.
31:38Tell him, Alice. Tell him, Alice.
31:40It's not that easy.
31:41Do you know how long it's been since a guy like that kissed me?
31:44How long?
31:47Thirty years.
31:49Yeah.
31:50Auntie, but hooking up with your best friend's boyfriend isn't right, Belén.
31:54Okay, now. No smoking, no talking on a cell phone, no using dyes with ammonia.
31:59And everyone does it.
32:01You do it too.
32:02No.
32:03To a hot guy who is interested in me and is dating Alicia.
32:07If it isn't fair, man, it isn't fair.
32:09If the worst happens to me.
32:10Well, you have a dilemma.
32:12Already.
32:13But with Fran I want to have orgasms, not dilemmas.
32:17Well, I don't know, don't tell Alicia.
32:19Didn't you say that the bride and groom last two days?
32:22Well, patience.
32:24Hey.
32:25Clear.
32:26Good idea.
32:27Maybe at this point they have already cut and can no longer be seen.
32:30I don't know, how many days has it been?
32:33Sorry for the delay.
32:35Hello.
32:36We were just taking a walk in the park and the afternoon flew by.
32:40I'll get some drinks, okay?
32:41We took the first one at home today.
32:43Ali, this one is lasting a long time, isn't it?
32:50I just love it.
32:51I like it more and more.
32:53He's not only handsome, but also very affectionate.
32:56Yeah.
32:57That's what we were talking about earlier, right?
32:58How affectionate he was.
33:00Oh, I don't know.
33:01But I think this time it's serious.
33:04I'm going to... to... to talk... to...
33:06Well, I'll be right back.
33:08Belén, give me this room, come on.
33:11Hey, this can't go on like this.
33:17It's not possible that you're dating someone and at the same time you're hooking up with her best friend, you know?
33:22Hey, I'm talking to you.
33:24You see? I don't know where I was going anymore.
33:34Do you want an orange juice?
33:36Don't change the subject.
33:38Look, what's wrong with you?
33:40What's on your mind?
33:41You're like Arguiñano, you go into the kitchen and go crazy.
33:44Hey, but listen to me.
33:45Well!
33:46I'm talking to you.
33:47What do we toast to?
33:49For you.
33:50Thank you.
33:51Not for me?
33:54For you.
34:02Armando, what a ride! What did you take with you? Disney-style?
34:05This kid thing is a steal, man.
34:07Having a ten-year-old child is a pain, but having a month-old one is too.
34:11This is a pickup machine, man.
34:13But what are you telling me?
34:14The aunts approach you in droves.
34:15Look, I have a roll for Friday and Saturday.
34:18Come on, now.
34:19Well, and when I've already taken him out of the stroller to give him the bottle.
34:22It was the apotheosis, man.
34:25A mother approached me to recommend a good brand of diapers.
34:28I've used up the baby's wipes.
34:30Emilio, I've filled up my schedule.
34:33Look, phones, phones, phones.
34:35I had no choice.
34:36My goodness.
34:37Now don't get me in the shower.
34:39Hey, could you let me have it for a little bit?
34:40Hey, man, I'm not leaving this child with anyone.
34:42No, not now, why isn't it?
34:44Hey.
34:45Pussy?
34:46Clear.
34:47Have you put the handbrake on?
34:49The child has gone, to...
34:51Juan, I'm here!
34:52Paloma, honey, we need to talk.
34:54José Miguel is with...
34:55Juan, I have Kevin!
34:56Where?
34:57It was already here.
34:59Honey, are you okay?
35:01He was already here, Juan.
35:03Marisa, Marisa, run, open, open the door.
35:13I'm in the bathroom!
35:15But where will they have the keys?
35:17Vicenta, let me help you.
35:18Thank you.
35:21Marisa, open up.
35:24Hey!
35:25Hey!
35:26Vicenta, and the child?
35:27The one in front of him took it.
35:29Juan, do something!
35:31What a mess!
35:33Look at it!
35:34Look at it, if you have this one!
35:35Hey, hey, why do you take the child away from me?
35:37I haven't taken anything from you, okay?
35:38And let me pass, I don't want to resort to violence.
35:40No, no, no.
35:41You're not going anywhere.
35:42Get out of the way!
35:44Well, well, well.
35:45I have the same right as not enjoying the baby.
35:47Hey, if you wanted kids you should have had them in time.
35:49If you haven't had them, there must be a reason.
35:50For narrow.
35:51And you give me Kevin.
35:52Kevin, that's awful.
35:53I don't call my child that.
35:54That he is not your child.
35:55Not even yours!
35:56Oops!
35:57Hey, don't mess with my sister!
35:59Don't mess with my sister!
36:01For a little calm!
36:03You're not setting this up in front of the kid.
36:05We must give an account.
36:06He's going to cut my hair.
36:07This can't go on like this, okay?
36:08It's getting out of hand.
36:09A profon falls asleep with an extraordinary meeting
36:11so that we can treat the issue of the child as weakened people.
36:15But madam, what are you doing?
36:16My hand slipped, guys!
36:17My hand slipped, man!
36:18Your hand slipped, man!
36:19Oh!
36:20Oh!
36:21Oh!
36:22Oh!
36:23Oh!
36:24Oh!
36:25Oh!
36:26Oh!
36:27Relax, it doesn't sound that serious, man.
36:29That guy who's now taken to going out every day with the two women in front of him.
36:32Joy!
36:33So she's definitely set them up for you because those two are with guys all day long.
36:36No, no, no, no.
36:37Lucia is not like that.
36:38You just don't know what girls are like.
36:39What's happening?
36:40Don't you watch TV?
36:41Hey, what kind of buddy are you?
36:43I'll tell you my problem so you can cheer me up a little.
36:45Well...
36:46Talk to her.
36:47Tell him you don't like him going out so much.
36:49No, I can't do it now.
36:51I told her I wanted my space and she found hers.
36:53And now I'm more concerned about their space than mine.
36:55Because I don't like your space at all.
36:57And I'm not going to tell him that I want his space and my space to be the same space.
37:00You understand me?
37:01Yes, yes, yes.
37:02We are clear.
37:03José Miguel!
37:04Have you seen what time it is?
37:06No!
37:07Home!
37:08Is he grounded?
37:09It's that my friend has a problem with his girlfriend.
37:11Well, call the radio, come up right now.
37:13And by the stairs, as children under 12 cannot go up alone in the elevator.
37:17It was my fault.
37:18And why do you buy popcorn?
37:20No dinner now!
37:21Sorry, Mr. Cuesta.
37:23José Miguel!
37:24That?
37:25That?
37:30Well, let's start the extraordinary meeting.
37:32Please turn off your cell phones and do not smoke.
37:34To speak, they raise their hand.
37:36And to insult each other, they also raise it at me.
37:38Agenda.
37:39First point.
37:40And what about the child?
37:42I'll keep the child, since I'm the only mother in the building.
37:45Oh yeah? And what am I?
37:46Do you want me to tell you what it is?
37:48Cecilia named him Kevin. Come on, you hear a judge take custody of you.
37:52That child needs a mother.
37:53Yes, one mother, not seven.
37:55Man, if you let me walk him around...
37:57Please, a little order.
37:58Let's see, let's reflect.
38:00What happens when a child appears in a doorway?
38:03The magic rays are coming.
38:05Sorry.
38:06The normal thing to do is call the police, but since we're not normal people, we keep it to ourselves.
38:11That's as far as we go, right?
38:12Yeah.
38:13The question is, who gets it?
38:14Could we do a raffle?
38:16Of course, the child's draw.
38:19Sorry, what...?
38:20Are you finished?
38:21Yeah.
38:22We just have to decide which home is best for the child to grow up in.
38:25Ours, mine, because of course, Fernando, is a lawyer.
38:28With all the papers...
38:30How do we get back?
38:31How do we get back?
38:32How do we get back?
38:33How do we get back?
38:34Well.
38:35Hey, what if we all do it together?
38:41But what are you saying?
38:42Well, that would almost be fine.
38:43Sure, like the beach apartment, a timeshare.
38:46Okay, the proposal is accepted because there are no other ones.
38:48But Juan, Juan...
38:49Let's see, questions and requests?
38:50And we won't put him on it, because I, Kevin, refuse to call him.
38:53It is very modern.
38:54Let everyone call it what they want.
38:56So this child will have seven names.
38:57Well, so what? Look at the Infanta's son.
38:59Matter resolved.
39:00I'm making a color calendar right now with the child hours that correspond to you.
39:03to each neighbor.
39:04Hey?
39:05Dad, I'm leaving, I have something to do.
39:07Okay.
39:08But remember, you're grounded, okay? José Miguel.
39:10Yes, yes I remember.
39:12And where will this child go?
39:14And what do you care where this child goes?
39:16Of course I care, since it concerns my grandson.
39:18Well, then you take care of your grandson, your son, and your house.
39:21If you worry about your daughter and me, the same.
39:23To me my daughter and not even her!
39:24To me my daughter and not even her!
39:28Hello?
39:29Sorry, Mr. Console.
39:31Roberto is not horny.
39:32I know.
39:33If the one I want to talk to is you.
39:35Baso, okay?
39:36Okay, okay.
39:38Sit here for a moment.
39:44You here?
39:45Look, you've got Roberto really screwed.
39:49As?
39:50Come on, don't play dumb, he's my friend and he'll tell me everything.
39:54And what exactly did he tell you?
39:56Well, he asked you to leave him a little to his own devices.
39:59And now you don't even pay attention to him.
40:00Well, let him tell me, because he's very stubborn.
40:03That he's scared, that you don't understand.
40:05For men, the step of moving in with a woman scares us.
40:09And besides, we don't all mature at the same time.
40:12No, no, no, I see, I see.
40:13Well, what? So what are you going to do? Are you going to talk to him or not?
40:16Well, I don't know, I'll see what I do.
40:19No, I'll see, no, because when he's depressed he plays terribly and he's not funny.
40:23And that's why I play with my father.
40:26Oh, and I haven't told you anything.
40:32Bye bye.
40:37Damn, or the Pokémon generation?
40:43Stay with me.
41:00Until the sun comes up, until the sun comes up.
41:20Stop, stop, stop, stop, stop.
41:21Look at my arms, I slept so much.
41:25You have stolen my heart.
41:29Oh, oh, oh, oh.
41:31Shalalala, shalalala.
41:34We you, we you.
41:35Shalalala, shalalala.
41:36Oh, oh, oh, oh.
41:39Until the sun comes up.
41:41Stop, stop, stop, stop.
41:43Until the sun comes up.
41:45Stop, stop, stop.
41:46Look at my arms, I slept so much.
41:49You have stolen my heart.
41:54Oh, oh, oh, oh.
41:56Shalalala, shalalala.
41:59We you, we you.
42:00Shalalala, shalalala.
42:01Oh, oh, oh, oh.
42:09Oh.
42:10Belén, look.
42:11It's the first time I've ever made breakfast for an uncle.
42:14You've worked hard for it, huh?
42:15Yeah.
42:16I'm going to take it to him.
42:16No, wait.
42:17We need to talk.
42:22Yes, I scrub the bathroom.
42:23No, that's not it.
42:25Ah, you're the one who messes it up.
42:26That's not Fran.
42:27But how is he going to clean it?
42:30He kissed me, damn it.
42:32That?
42:34Twice.
42:35And with tongue.
42:37And he touched my ass.
42:39With both hands.
42:41What are you daydreaming about?
42:42No, it's true.
42:44Sure, sure.
42:45Wild sex on the kitchen table.
42:46Well no, it was against the sink.
42:48Ah, look, much more practical.
42:49So, while he does it, you wash your hair.
42:51You don't believe it, do you?
42:53Well, wait, we'll ask him.
42:55No, I was sleeping.
42:58You!
42:59Get up.
43:00What's happening?
43:01Salt.
43:01Blessed God.
43:05But cover yourself, man, cover yourself.
43:07Here it comes.
43:13Are you okay?
43:14Let's see.
43:15You, have you kissed me, yes or no?
43:18Yeah.
43:18Don't lie to me!
43:20I told you yes.
43:21Ah, you see?
43:23He said yes.
43:24This one kissed me.
43:25But why do you kiss her?
43:28What's the problem?
43:28I thought you were two liberal girls.
43:32As always, the three of us had gone out together,
43:33I thought we were going to have a threesome.
43:36A threesome?
43:38What do you think?
43:39Okay, okay.
43:42I'm going now.
43:43It was just an idea.
43:47Asshole!
43:49Well, don't go around being modern.
43:51Bud!
43:53Cats.
43:56Hello.
43:57Hello.
43:58Hello.
43:58What happened?
44:00Nothing.
44:01That we have argued and broken up.
44:04I have realized that we are incompatible.
44:06Cultural differences.
44:07Well.
44:08I'm sorry.
44:09Nothing.
44:09We'll see each other around, right?
44:11Yeah.
44:11See you later.
44:15Bye.
44:17Bye.
44:18What happened to me on the stairs?
44:32Well, you're not interested in listening.
44:34Slut.
44:34Hey, no, what was he?
44:36But Alicia, do you want to listen to me?
44:37That I haven't done anything.
44:38No, open your mouth and stick out your tongue.
44:40Does that seem like little to you?
44:41But that's a reflex action.
44:42When did I already take your boyfriend away from you?
44:44Never.
44:45But because they are all very ugly.
44:46Those don't count.
44:47Okay, but don't you realize that it's not worth arguing over a guy?
44:50Hey?
44:50And how do you know what we're talking about?
44:52Well, because I told him.
44:53What's happening?
44:55Well, you tell her before you tell me.
44:57Well yes.
44:58Can you tell me what happened here?
45:00That he wanted to have a threesome.
45:02But Belé.
45:03No, not me.
45:04That?
45:05Well, look.
45:06Sit down and calm down a little.
45:08I'm never bringing a man into this house again.
45:10Well, let's see if it's true.
45:12Well, hey, I came to tell you that I'm not going out.
45:15I'm staying with Roberto.
45:16And now she comes to rub it in that she has a boyfriend.
45:19Well no.
45:21Well, what about you?
45:22What happened to you on the stairs?
45:23Let's see.
45:23Nothing, I just tripped.
45:26Bye bye.
45:30Well.
45:31At least I still have Fernando.
45:35He's gay.
45:36He's not gay.
45:37And I don't scrub the bathroom anymore.
45:46Hey, hey.
45:50Have you seen my baby?
45:51How nice, huh?
45:52Look.
45:56Look.
46:00Where is a euro?
46:01I don't want money.
46:02I want your phone number.
46:05Hey, dude.
46:05Get your act together or something.
46:07You're not smiling, are you?
46:07Oh, how beautiful.
46:10How much time do you have?
46:11You care.
46:12Come on, ma'am, move along.
46:12Well.
46:13Come on, out, out.
46:13Come on, Emilio, let us have the child, it's our turn.
46:16But I'm doing something wrong.
46:17That's clear.
46:17But hey, what did they dress you up as?
46:19They gave it to me like that, huh?
46:20Go on.
46:21We're going to change you.
46:22Careful, careful.
46:24Careful.
46:24Oh, a baby.
46:27Let's see, how cute.
46:28No, there is nothing anymore.
46:29He's stupid, man.
46:31I have been.
46:32I have been.
46:37Hello, very good.
46:39Hello, good.
46:40This is the 21st.
46:41Are you sure I should leave it here?
46:42Yes, yes, right here, next to the door.
46:45Look, we're looking for a baby who was abandoned on this site four days ago.
46:48Oh yeah?
46:49Well, I clean every day and I haven't seen anything, huh?
46:51And what is this?
46:52This, my son.
46:53It's empty.
46:55Look, because this weekend it's my wife's turn.
46:57And you take the stroller out for a walk like that, alone?
47:00Yes, I have missed it a lot.
47:01Well, if you don't mind, let's take a look around the building.
47:05Okay, very good.
47:05Please wait for us in the car.
47:14Tell me.
47:15The police.
47:16As?
47:17The police.
47:19I don't understand.
47:20Just a moment, there's a knock at the door.
47:21They've caught her now.
47:23Let's see.
47:27The cops.
47:29Who?
47:29Damn, the cops.
47:30The cops.
47:31Come on, the cops.
47:31Get out.
47:32Hide the child, I don't know if I have you.
47:34Runs.
47:35Oh.
47:36Mauri!
47:40Fernando!
47:42Relief!
47:44Hello, ma'am.
47:45Hello.
47:46Happens.
47:47The police are coming for the child.
47:49Give it to me.
47:50Give it to me.
47:51I don't arrive.
47:52Hang on a minute.
47:56We are looking for a baby.
47:57What a bunch of shit you guys are carrying.
48:01Sorry.
48:03Well, I don't know if I can forgive you.
48:08Put it in the bag.
48:10Put it in without fear.
48:12Put it in today, woman.
48:13Put it in.
48:14That, that, that.
48:15There, there, there.
48:16Can you tell what you're doing?
48:17So you don't know anything about a baby.
48:19Man, I know how to do it.
48:24Hey, what about that rattle?
48:26It's from the dog that is very childish.
48:30What, the police have come?
48:31Shit, look, I told you.
48:33This is it.
48:33And these handcuffs?
48:37It must be a lot of fun, right?
48:39Well, ma'am, thank you for your cooperation.
48:42We have to keep looking, huh?
48:44Goodbye, huh?
48:44Bye bye.
48:45I'm here for whatever you need.
48:53Oysters!
48:54Here we go!
48:55But shut up, we didn't have to open it.
48:57If it is that...
48:58And what do I know?
48:59You're the lawyer here, aren't you?
49:00Come on, pick it all up quickly.
49:01The bottle, the bottle.
49:03Hey, you take the bottle, it won't be yours.
49:05Yes, it's coming, it's coming.
49:06Come on, and the elephant.
49:08The elephant, look how big the elephant is, damn.
49:10Go, go.
49:15There it is.
49:20Vicenta!
49:21What's happening?
49:23The police.
49:24Oh, my Kevin!
49:25Juan, Juan!
49:26I've heard it before.
49:27What a mess!
49:29Run, run!
49:31Put it in the bucket!
49:32But what do you say to him?
49:33She's already gone crazy.
49:33Very good.
49:34Hello.
49:35We are looking for a missing baby.
49:37Ah, well I didn't know anything.
49:39It doesn't matter if we take a look.
49:40No, no, please come in, come in.
49:43Ah!
49:46Hi there.
49:49Doña Concha, she's going to fall.
49:51You are very clumsy.
49:53Calm down, calm down.
49:54I have fished trout in Salamanca.
49:57Put it down.
49:58This baby abandonment thing is a problem, huh?
50:00With all the people waiting to be adecar.
50:02And when they let the gays out, things are going to multiply.
50:05Excuse me for a moment.
50:06That's what cooking is.
50:07What's happening?
50:08Are you hungry?
50:09If you want, I can make you an omelet that comes out delicious.
50:11Bring it down for me.
50:11What's going to stop?
50:13Put it down.
50:15Put it down.
50:17Bring it down for me.
50:20Bring it down for me.
50:20Bring it down for me.
50:32Hey, does your goalkeeper usually pray in the yard?
50:38Wherever you find him depends on the time.
50:40Yeah, so you don't know anything about a baby, right?
50:42Nothing, nothing, nothing.
50:44We're sorry we can't be of more help, aren't we?
50:46Hey, what about this kid?
50:47That's me.
50:49But you are next door.
50:50No, it's a computer montage.
50:52I'm a graphic conceptual artist, you know.
50:56And it's me and me.
50:57It's a metaphor.
50:59That is, a reflection on the time where the ego, the superego and this
51:01we unite in a single universal mystical experience.
51:04I might be louder, but I can't explain it any clearer, okay?
51:07Oh, if you want, we can invite you to the exhibitions on Tuesday.
51:10No, no, no. Thank you very much.
51:11Let's keep looking.
51:12Very good.
51:14Very well, thanks, huh?
51:15Bye bye.
51:16Bye bye.
51:16Bye bye.
51:16Hey, where did you hide the child?
51:23In the shell bucket.
51:24As?
51:26What you hear.
51:33Stay put here, okay?
51:35Nobody comes in here, huh?
51:37Tiny.
51:38What are you wearing, kid?
51:41Here, here nobody sees you.
51:43No, no, no.
51:44The police are listening to you.
51:46We're really here for whatever you need, huh?
51:48The police force will always be in this building
51:50a friendly, open and collaborative community.
51:53Honey, honey, honey.
51:54These gentlemen will have many things to do.
51:57If we see anything strange, we'll let you know.
51:59We will investigate with the raballo.
52:00Have you found anything?
52:01I'm sorry, but I promise we'll keep looking.
52:04Do you want us to take you home?
52:06No, thanks.
52:14Are you OK?
52:15Yeah.
52:17Sorry.
52:19Do you need anything?
52:21To my son.
52:22The thing is, children can't just be left lying around like that.
52:26Already.
52:27When I got pregnant I was scared because I thought my parents were going to kill me and...
52:31and I left home.
52:33I worked as a waitress for as long as I could, but my boyfriend dumped me.
52:36When the child was born he was...
52:39I was alone, without money, I didn't know what to do, they kicked me out of the apartment.
52:45I thought that...
52:46that I wouldn't be a good mother.
52:48But I feel so miserable, so empty.
52:56I can't stop thinking about myself.
53:00Well, I'm leaving, sorry.
53:02Many thanks for everything.
53:03No, wait, wait a minute.
53:05What's the matter?
53:09Look, this is yours, isn't it?
53:10This is awesome.
53:31Wait, there's still some more.
53:33Look, with this account you fall asleep right away.
53:36And the bichisois loves it, take it.
53:38Yes, I can't.
53:39I want this to no longer fit here.
53:41Bring it, bring it, what a place.
53:42We're all here for whatever you need.
53:45That's it, if one day it's bad for you, I'll take it out whenever you want, okay?
53:48By the way, what are you doing tonight?
53:50Come here, please.
53:51Come on, we're leaving.
53:52What is the boy's name?
53:54Kevin.
53:55Oh, Kevin!
53:56Look, I didn't know what it was called.
53:58It's a very original name, isn't it?
54:00Well.
54:01Yes, I want to go.
54:02Goodbye, darling.
54:03Thank you so much.
54:04Dear God.
54:13Well, that's it.
54:15Damn, I haven't cried so much since Chanquete died.
54:19Clear.
54:20If we had called the police when you found him,
54:23now we wouldn't be having such a bad time.
54:24Well, that's what I said from the very beginning.
54:26But you wanted to keep it.
54:28Normal, with the two bugs it has.
54:31Lady, don't get me all worked up, okay?
54:32Don't get me worked up.
54:33You won't even get turned on by your husband, that one will get you turned on.
54:36I'm not pulling your hair, because you only have four left.
54:39I'll grab you by the hair.
54:40Go, go, go, go, go, go!
54:42Let's see, let's see, let's see, let's see!
54:44A little please, it was a very nice moment.
54:46But what donkeys, Fernando.
54:48Let's go home.
54:49Come on, okay, man.
54:51Also, okay, man.
54:52Uncle, uncle.
54:53Uncle, uncle.
54:53Uncle, uncle.
54:53Uncle, uncle.
54:53Uncle, uncle.
54:54Uncle, uncle.
54:55Dude, dude, dude.
54:55Dude, dude, dude.
54:56Dude, dude, dude.
54:56Hey, Roberto.
55:07Yes, I know.
55:07Don't tell me.
55:08You've been left.
55:08Yeah.
55:13But with you.
55:19Okay.
55:21And what do we do?
55:22Well, I don't know.
55:23Whatever you want.
55:24No, no, no, no.
55:25Whatever you want.
55:26We can go to the movies, to dinner.
55:27We can go look at furniture with your mother.
55:29I don't care.
55:32I just want to be with you.
55:38I have an idea.
55:45I've got you, kid.
55:47Are you kidding?
55:48No.
55:49Come on.
55:50Come on, come on, come on.
55:50If you don't know how to play this.
55:52Well, you teach me.
55:53Come on, go on.
55:54Let's see.
55:54How does all this work?
55:57Look.
55:58Upper kick, lower kick, spinning kick.
56:00Hey, slow down, slow down.
56:01Punch and jump.
56:02Punch and jump.
56:03Okay.
56:04Come on.
56:05I choose a character.
56:06That.
56:07The one with the pigtails.
56:08Wow.
56:09You'll see what I'm going to give you.
56:10Already?
56:10Come on.
56:11Goes.
56:13Take.
56:14To the ground.
56:15Oh, oh, oh.
56:15Wait, wait, wait.
56:16That we hadn't started.
56:16Let's see.
56:17What if I do this all the time now?
56:19Hey.
56:20Take.
56:20Jump with kick.
56:22Come on, damn it.
56:23This controller is all wrong, man.
56:23This remote doesn't work.
56:24But come on, come on.
56:25No, no.
56:25This command doesn't work.
56:26Wait, wait a second.
56:27Hey.
56:28Hey, hey.
56:28Let me get up.
56:30That?
56:30Hey, Lucia, let me get up.
56:31He has no idea how to play.
56:32He's got you beat.
56:33Hey, but...
56:33What's up, man?
56:39Shall we do something?
56:41Now yes, right?
56:42Why don't you go with the one upstairs?
56:44No, it's just that he's very young and...
56:47But I have learned a lot from women.
56:49Oh yeah?
56:50Come, come, come.
56:51Come on, come in.
56:52Hey, you liked one from school, right?
56:56Well, yes, I like several.
56:58Well now I'm going to explain to you how bad that is.
57:00Well, imagine you start dating one, right?
57:05Yeah.
57:06Well, never, never, never, never go live with her.
57:10That's it.
57:11That's it?
57:12That's the secret.
57:17Marisa, I should have been a mother.
57:19And I was Sofia Loren, but I lacked breasts.
57:25Hello.
57:27Do you remember me?
57:28I'm the same as before.
57:29It's the policeman.
57:31And what happens?
57:33I brought the handcuffs.
57:35Pull that way.
57:39I liked the other one.
57:42A girl.
57:44Alright.
57:46Here, here, here there is no one who lives.
57:49Not here, not here.
57:51Do you want to join neighbors?
57:52No no.
57:53Hello.
57:53It's a meeting of friends.
57:55We are having a drink.
57:56The fact is that we don't have liability insurance.
57:58And you have to pay for sick days, medical expenses, and possibly compensation.
58:02Listen!
58:03Man, they say third time's the charm, a little push would make his hair look better.
58:07I'm going to take you all to court.
58:10You are directly responsible for all of this.
58:12And I'm going to personally make sure he ends up in jail.
58:17Look, Emilio, even if you were the last man on the face of the earth, I swear I would become a lesbian.
58:22Oh, sorry!
58:25Police!
58:25Sorry, I just didn't believe it.
58:27Women, as soon as they reach 30 without a boyfriend, become overwhelmed with the idea of being a mother.
58:31And then they rush to have children and they hunt down anyone.
58:34It is the biological clock.
58:35But I don't have any clock.
58:37I bought you something.
58:39What an asshole!
58:40Can I have a pregnancy test?
58:42Blue.
58:43What is that?
58:43And what name are you going to give it?
58:45Shh!
58:45How cool, I don't know.
58:46It's because she doesn't want to tell Roberto.
58:48Well, because it's not yours!
58:49She's not scared.
58:50Completely.
58:51What child?
58:52Come on, kid, don't play dumb.
58:53That everyone knows that your girlfriend is pregnant.
58:58Do you see it?
58:59How do you expect me to tell you that I'm delayed if you're not able to deal with the problems?
59:02So what's the deal?
59:03Is it a delay or a pregnancy?
59:05I think he's faking.
59:07Why would I do that?
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