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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:10¡Gracias!
00:01:14¡Gracias!
00:01:16Rolote.
00:01:18It's just a matter of hours. Maybe, moments.
00:01:20¡Suscríbete al canal!
00:01:33¡Hola, Duke!
00:01:35¡Oh!
00:01:37¡Suscríbete al canal!
00:01:40¡Sí, Duke!
00:01:42¡No se olvidará!
00:01:44¡Suscríbete al canal!
00:01:46Duke, we'll always be grateful to you.
00:01:50Why don't you bring her in here for?
00:01:52She don't belong here.
00:01:54Get her out.
00:01:55Oh, Duke.
00:01:57Now quit bawling.
00:02:01You don't owe me anything.
00:02:03Why don't you get married and get a house and have some kids.
00:02:08Maybe don't pay off big, but pay off steady.
00:02:16Somebody... somebody told me that once, but...
00:02:19I couldn't see it.
00:02:23I was a wise guy.
00:02:27Had all the angles figured.
00:02:31Yeah, that's a...
00:02:33wise guy.
00:02:35Big shot.
00:02:39In that show, Warden,
00:02:41you got a lot of guys up at your place like that.
00:02:46Hey, uh...
00:02:48Here's the red one.
00:02:49Sure.
00:03:05Five years.
00:03:06Ten years.
00:03:08Five years.
00:03:09Three raps.
00:03:11And I knew I was washed up.
00:03:13The next time they'd throw the key away.
00:03:16I wasn't cured, you understand.
00:03:18I was scared.
00:03:19So I decided to go straight.
00:03:23Boy, that's a very funny joke.
00:03:26Me go straight.
00:03:27With what?
00:03:28What did I know?
00:03:29What could I do?
00:03:30Case a joint?
00:03:32Knock over a bank?
00:03:33Stick up a payroll messenger?
00:03:34That's all.
00:03:35Who wants to give a crook a job?
00:03:38Not me, if I was handing out jobs.
00:03:41So I didn't blame him.
00:03:42I had it coming to me.
00:03:44Only that didn't solve the coffee and cake problem.
00:03:47On account of a crook gets just as hungry as an honest man, see?
00:03:51But that don't count.
00:03:52Because he's finished.
00:03:53He's done.
00:03:54Why feed a dead man even if he is walking around?
00:03:58That's the copper, they know.
00:04:01They're wrapping a cage around you every time they look at you.
00:04:05You can't be a crook anymore because you used up your chances.
00:04:09And you can't be honest because nobody will let you.
00:04:12So what?
00:04:13So you keep moving, ducking down alleys.
00:04:16Always looking back over your shoulder like something was after you.
00:04:20And something is after you.
00:04:23Something you can't hide away from.
00:04:26What was it that colored boy used to sing in Condemned Row?
00:04:30I went to the rock to hide my face.
00:04:33And the rock cried out,
00:04:35No hiding place.
00:04:37No hiding place.
00:04:40That's the way I felt that morning I sat in Sarto's restaurant.
00:04:44With no place to go and nothing to do.
00:04:47I was close to 40.
00:04:49A three-time loser with my past catching up to me.
00:04:52Afraid of my own shadow.
00:04:55Come on, boys. Be good fellows. No trouble in this place. No rough house in this place. Please.
00:05:12How about it, Duke? What do you say?
00:05:14I said nothing doing.
00:05:17I want this table.
00:05:19There's plenty of empty tables around.
00:05:21I said I'm sitting here. I want it.
00:05:23Frenchy.
00:05:24Duke. Duke.
00:05:25Please.
00:05:34Go on. Get out of here and bring me a glass of beer.
00:05:36Yes.
00:05:37Two beers.
00:05:38For him or a glass of milk? You got milk?
00:05:40Sure.
00:05:41All right. Bring it out for him.
00:05:42Yes, quick.
00:05:43Frenchy, that's not the way.
00:05:44You should treat him with some kind of respect.
00:05:46After all, he was a big shot once.
00:05:49Big shot.
00:05:50Look at him.
00:05:51Dresses just like a tramp.
00:05:53You want this table?
00:05:56Ah, and sit down.
00:05:57Why don't you press your pants and change a shirt once in a while?
00:06:00Why don't you shave regular?
00:06:02Ah, here.
00:06:04Drink it.
00:06:05Or maybe you want it in a bottle with a nipple on it.
00:06:09I'll take it from you, kid.
00:06:11Go ahead.
00:06:12Fool around.
00:06:13Say anything you want.
00:06:14Ah, what do you keep coming to him for?
00:06:15We can't use him.
00:06:16It's a waste of time.
00:06:17Why, he couldn't blow up a paper bag.
00:06:20He's yellow.
00:06:21He had it once.
00:06:22He's still got it.
00:06:23Besides, we need him.
00:06:24Why do we need him?
00:06:25There ain't anything he can do that I can't do better.
00:06:27Anything.
00:06:28At least I got the nerve.
00:06:31You like yourself, huh?
00:06:32No, I'm not bragging.
00:06:34Just talking cold facts.
00:06:36Well, don't get too good, kid.
00:06:38When you get like that, it ain't so hot.
00:06:40Why, you?
00:06:41Shut up. You said enough.
00:06:42Ah, come on. Let's get out of here.
00:06:44This is a waste of time.
00:06:45Keep quiet.
00:06:47You see, Duke, it ain't right for a healthy man like you to be inactive.
00:06:53You'll get sick.
00:06:55I don't like it in a man when he's morbid and depressed.
00:06:58He's no good, I tell you.
00:06:59He's afraid.
00:07:00I kicked him around.
00:07:01You just saw me do it, and he just laps it up.
00:07:03He don't even make a move.
00:07:04I told you to shut up.
00:07:05You're too dumb to see his side of it.
00:07:06His side of it?
00:07:07What's there to see?
00:07:08You don't want to take chances, naturally.
00:07:10You ought to understand that.
00:07:12He's a third-timer.
00:07:13Next time for him, it's life.
00:07:14Ah, Balani, and you know it.
00:07:16See, Duke, I take everything into consideration.
00:07:19The reason I keep coming to you, this is surefire.
00:07:22All we need is you to plan the job, just like old times.
00:07:25And Duke, I didn't tell you this before because the party didn't want me to mention it.
00:07:29But confidentially, we got Fleming.
00:07:34What do you mean, you got Fleming?
00:07:36Well, it was his idea that we contact you.
00:07:38You see, we're protected.
00:07:39What do you say?
00:07:44Nothing going.
00:07:46Hey, come on.
00:07:47Come on.
00:07:48All right, think it over, Duke.
00:07:49Maybe you'll change your mind.
00:08:09Hey, Sato.
00:08:12This milk paid for?
00:08:13Yeah, sure.
00:08:22Put that glass on the cup.
00:08:23Shoot, Duke, shoot.
00:08:24It's all right.
00:08:33Mr. Fleming's bag.
00:08:34Oh, thanks, George.
00:08:35Hey, how about Fleming, sister?
00:08:43I told you, Mr. Fleming is very busy.
00:08:44He's engaged.
00:08:46You told me five minutes.
00:08:47It's been a half an hour.
00:08:48I'm sorry.
00:08:50Oh, you're very welcome.
00:08:52Thanks very much.
00:08:53I'll see you tonight about 8.30.
00:08:548.30? All right.
00:08:55Bye-bye.
00:08:56My suitcase comes?
00:08:57Yes, Mr. Fleming.
00:08:58Oh, yes, there it is.
00:08:59Thanks very much.
00:09:00Oh, hello.
00:09:01Come in.
00:09:02Come in.
00:09:03Come in.
00:09:22How about a drink, Duke?
00:09:23No, thanks.
00:09:28Oh, pardon me.
00:09:29This is my wife, Mrs. Fleming.
00:09:31Mr. Byrne.
00:09:32Duke Byrne.
00:09:34Hello, Lorna.
00:09:35Hello.
00:09:37Oh, you know each other?
00:09:39We used to.
00:09:40But we haven't seen each other for a long time.
00:09:43Five years, to be exact.
00:09:45Six months off for good behavior.
00:09:48You should have had me handling your case, Duke.
00:09:51I guess I should have.
00:09:53Well, go ahead.
00:09:54What do you want to see me about?
00:09:57What's on your mind?
00:09:58Sander said you wanted to see me.
00:10:00Oh, yes.
00:10:01I'm glad you dropped in.
00:10:02I didn't drop in.
00:10:03Sander in French.
00:10:04He said you sent for me.
00:10:05Well, yes, I did, in a way.
00:10:08I want to find out if you were still active or not.
00:10:11You know, sometimes a man in your spot, uh,
00:10:14finds it hard to get back, to get started again.
00:10:16How do you mean, Martin?
00:10:18Well, it's rather difficult to explain, Lorna.
00:10:21There comes a time in a man's life when everything seems to freeze up.
00:10:24Doesn't it, Duke?
00:10:25Thanks.
00:10:26Thanks.
00:10:27You want to get started again, but you can't.
00:10:28You don't know how.
00:10:29And after a few terms in prison, what are you fit for?
00:10:33You go through the motions, yes, but it's not really you.
00:10:36You're scared.
00:10:37You're afraid to even talk to people.
00:10:39Why, even if some fresh kid sashes you on the street,
00:10:42you walk away and keep your mouth shut for fear it might start more trouble.
00:10:45You're finished.
00:10:47Why stuff?
00:10:48Isn't that so, Duke?
00:10:50If I mean, what's the deal?
00:10:53Lorna, do you mind stepping in the outer office for a moment, please?
00:10:57Not at all.
00:10:58Will you hurry it up, please?
00:11:00Mm-hmm.
00:11:01How much do you get?
00:11:02150,000.
00:11:03150 grand?
00:11:04It's over half of what's in that armored truck.
00:11:05What half?
00:11:06What armored truck?
00:11:07Do I have to know about that?
00:11:08That's my fee.
00:11:09150,000.
00:11:10Take it or leave it.
00:11:11I'm sorry, Duke, I'm busy.
00:11:14150 grand?
00:11:15That's a lot of money for what you do.
00:11:18Duke.
00:11:19That's a lot of money for what you do.
00:11:23Duke.
00:11:24What's what you're doing?
00:11:26What do you mean?
00:11:28Theidades?
00:11:29That's a lot of money for what you do.
00:11:33Look.
00:11:36Cup.
00:11:38That's a lot of money for what you do.
00:11:40Duke.
00:11:42You've done all right for yourself.
00:11:44Hit the jackpot, eh, Mrs. Fleming?
00:11:47Duke, I...
00:12:07I was just closing up, I...
00:12:10Duke, please.
00:12:14Won't be any trouble.
00:12:16Bring us some beer.
00:12:20And a glass of milk for him, Sato.
00:12:23Yeah, I had a bad idea.
00:12:26Glass of milk for me.
00:12:27Hiya, Faye, Sander.
00:12:28Hiya, Duke.
00:12:29Hiya, big shot.
00:12:31Well, I see you took my advice, huh?
00:12:33Pest your pants, clean shirt, shave.
00:12:37Ain't he sweet, boys?
00:12:38Lay off.
00:12:40Here, give me a light.
00:12:55Pull up a chair, Duke.
00:12:55Sit down.
00:12:56I'm taking Frenchy's chair.
00:13:03Take your hand off that...
00:13:04Lay off, Duke.
00:13:06Frank.
00:13:07Hello.
00:13:08Give me that gun.
00:13:09Just like old times, ain't you?
00:13:13Yeah, clean yourself up.
00:13:15I swear I knew it.
00:13:17I knew it the moment you stepped through that door.
00:13:18You even walked different.
00:13:19What happened?
00:13:20I took a look at the route that armored truck's gonna take.
00:13:23You did?
00:13:24Boys, our troubles are over.
00:13:25We got the best man in the company for the job.
00:13:26We couldn't get better.
00:13:27Give him his gun.
00:13:30Here you are, Frenchy.
00:13:32Sit down.
00:13:40Now, you guys gotta remember, this armored truck is no can of corn.
00:13:44It's gonna be hard to get in it.
00:13:45Come on.
00:14:01Duke.
00:14:03What do you want?
00:14:04I've got to talk to you, Duke.
00:14:06No, please.
00:14:12I had to see you, Duke.
00:14:14¡Muy bien!
00:14:15has entrado por seis meses y me haces de ver el mismo año,
00:14:18pero me he hacía miedo de ver él.
00:14:20No he hacía miedo de que realized que te vayó a tuyos.
00:14:23¡He hacía que me había visto por cinco años!
00:14:25¡Porque sé qué me hacía tan malo!
00:14:30¡Ahora sí!
00:14:31¡Corrói una malgave hasta eso!
00:14:33¡I sé!
00:14:35¡VIé.
00:14:36¿Tienes algo? ¿No te sentiste lo que querías?
00:14:38¡Por supuesto!
00:14:38¡Feliz lo que esperaste lo que te querías!
00:14:40¡Sú se mueran el banco!
00:14:41Oh, Duke, if you'd only listened to me, things might have been so different for both of us.
00:14:46You know how desperately I tried to stop you.
00:14:49I had hoped you cared enough.
00:14:51I had hoped you wouldn't do it if I threatened to break off everything between us.
00:14:55Seems I was wrong.
00:14:58You were such a big shot.
00:14:59You knew all the smart angles. You couldn't miss.
00:15:03After they sent you away, things got pretty rocky for me.
00:15:07I had no one to turn to.
00:15:08So...
00:15:11So you married Fleming, huh?
00:15:16Strictly from hunger.
00:15:19Go ahead, give it to me. I love that line.
00:15:22Your old man lost his practice, and then you got very poor.
00:15:25Then one by one he had to sell his instruments.
00:15:27The instruments he used to take slugs out of guys like me.
00:15:30Go ahead, give it to me. I'm a sucker for that kind of stuff.
00:15:37He not only lost his practice, he lost his license, too.
00:15:40And I was to blame for it, no matter how I looked at it.
00:15:44Ever since that night, you came with that bullet in you, and I made him take it out.
00:15:47That was the first time he ever did it.
00:15:50I thought that was his racket. I kept sending him guys...
00:15:52And he kept taking care of them. He had to.
00:15:55You know how it is once you get in with a mob.
00:15:57Well, he did it.
00:15:59Until they caught up with him.
00:15:59The cops?
00:16:02Sure.
00:16:03If that's how I met Fleming, he got him off.
00:16:06After the trial, the old man gave up.
00:16:08He was sick a long time before he died.
00:16:10I was working all day and nursing him all night, every night.
00:16:13Well, I got what I wanted. I'm not beefing.
00:16:16I'm married to a very respectable man.
00:16:19He doesn't stick up anybody with a gun.
00:16:21He plays it safe.
00:16:22Gets the big end of everything.
00:16:23But little guys like you get shot at, pushed around, sent to jails, to hospitals, to the morgue.
00:16:28And I'm supposed to like him, see?
00:16:30Because he's very fond of me.
00:16:32Ken gave his hands off me.
00:16:35Easy pickings, huh?
00:16:36I got what I wanted, did I?
00:16:37Go on. Tell me I got what was coming to me.
00:16:43No.
00:16:48No, it wasn't comedy.
00:16:50It was a bum rap.
00:17:07Behind that door.
00:17:15Hiya.
00:17:16All set, Duke.
00:17:17We picked up a sedan, just like you said.
00:17:19The boys are waiting for you in front of Sardo's.
00:17:22You go ahead. I'll meet you there.
00:17:31What are you waiting for?
00:17:32I see you got company.
00:17:34Beat it. I said I'd meet you at Sardo's.
00:17:37Sure.
00:17:38Duke, what are you going to do?
00:17:59I'll meet the boys at Sardo's.
00:18:01This is the deal you came to see Fleming about, isn't it?
00:18:03Duke, you can't do it.
00:18:04You've got to listen to me.
00:18:06I didn't want that kind of money before, and I don't want it now.
00:18:09Don't you realize what you're letting yourself in for?
00:18:11You'll rot in jail the rest of your life.
00:18:13I'm rotting out here, ain't I?
00:18:14Letting myself get pushed around, bombing meals, living on the cuff.
00:18:17Take a look at this place.
00:18:18Cute-headed.
00:18:20Think I want to let you live in a joint like this?
00:18:21I could learn to like it.
00:18:23That's not the way it's going to be with us.
00:18:30Put that thing down.
00:18:32No, Duke.
00:18:32You're not going.
00:18:34Come on, now give me that gun.
00:18:36No, Duke, please.
00:18:37Please don't.
00:18:37Don't let me do it.
00:18:43If I get a hunch you would.
00:18:46Yes, Duke.
00:18:47I would.
00:18:48You know, smoking this cigarette is going to cost me just exactly a hundred grand.
00:19:14At the last minute, he got yellow, just like I told you.
00:19:17I can't understand it.
00:19:19Imagine passing up all his dough for a dame.
00:19:34Step on it.
00:19:34Are you hurt?
00:19:53No, I'm all right.
00:19:55Don't let him.
00:20:16Don't let him.
00:20:18¡No, no, no!
00:20:48¡No, no, no!
00:21:18¡No, no, no!
00:21:48¡No, no, no!
00:21:49¡No, no!
00:21:50¡No, no!
00:21:51¡No, no!
00:22:52¡No, no!
00:22:53¡No, no!
00:22:54¡No, no!
00:22:55¡No, no!
00:22:56¡No, no!
00:22:57¡No!
00:22:58¡No!
00:22:59¡No!
00:23:00¡No!
00:23:01¡No!
00:23:02¡No!
00:23:03¡No!
00:23:04¡No!
00:23:05¡No!
00:23:06¡No!
00:23:07¡No!
00:23:08¡No!
00:23:09¡No!
00:23:10¡No!
00:23:11¡No!
00:23:12¡No!
00:23:13¡No!
00:23:14¡No!
00:23:15¡No!
00:23:16¡No!
00:23:17¡No!
00:23:18¡No!
00:23:19¡No!
00:23:20¡No!
00:23:21¡No!
00:23:22¡No!
00:23:23¡No!
00:23:24¡No!
00:23:25¡No!
00:23:26¡No!
00:23:27¡No!
00:23:28¡No!
00:23:29¡No!
00:23:30¡No!
00:23:31¡No!
00:23:32¡No!
00:23:33¡No!
00:23:34¡No!
00:23:35¡No!
00:23:36¡No!
00:23:37Oh, darling, I was just on my way to meet you, and I saw the paper.
00:23:41Where are you?
00:23:42Never mind that. Now, listen.
00:23:44I've got to talk fast and move fast.
00:23:47Yeah, that crazy old dame put me right on the spot.
00:23:50Yeah.
00:23:51And when is Fleming coming back from Washington?
00:23:53What time this morning?
00:23:55Oh, okay, I'll be right over to see you.
00:23:57Oh, but Duke, he'll be sure to pick you up.
00:24:00Oh, don't worry about that, baby.
00:24:01The best place to hide from a copper is right under his nose.
00:24:07Well, what's keeping him?
00:24:28I don't know. Maybe the train's late.
00:24:31Duke, I'm afraid.
00:24:33Why can't we go away like we planned?
00:24:34Oh, we can't do that. I've got to have an alibi.
00:24:36Why? Fleming's my only chance.
00:24:38If cops catch me while I'm running away, I'll never clear myself.
00:24:44I'll have your bag sent up to your apartment.
00:24:45Very well, thank you.
00:24:47Duke, you can't clear yourself.
00:24:51I can tell them the truth.
00:24:53What, and get yourself smeared all over the front page of every paper in the country?
00:24:55Nothing doing.
00:24:57Fleming cooked up this deal, and if he doesn't come through for me,
00:24:59I'll blast him wide open to the cops.
00:25:01Oh, good morning, darling.
00:25:12Good morning.
00:25:13Aren't you up rather early?
00:25:14Yes, I am.
00:25:15But there's someone here to see you.
00:25:16Hello, Fleming.
00:25:19What the devil are you doing here?
00:25:20I'm in a jam.
00:25:21I need help.
00:25:22I read the papers.
00:25:23You need plenty of help.
00:25:24But you came to the wrong place.
00:25:26If you've got any business with me, see me at my office.
00:25:28Now get out.
00:25:29Please listen to him, Martin.
00:25:30He tells me he's innocent, that he wasn't anywhere near that holdup.
00:25:34Is that all he told you?
00:25:35What else could I tell her?
00:25:37What else could you tell anybody that they'd believe?
00:25:39Plenty.
00:25:44Darling, get me some coffee, will you please?
00:25:45Sure.
00:25:50Well, what happened last night?
00:25:51How do I know?
00:25:52I wasn't there.
00:25:52I changed my mind.
00:25:53You changed your mind.
00:25:54That's fine.
00:25:55And your changing your mind cost me $100,000.
00:25:56Well, I hope you've got a good alibi.
00:25:59Because if you haven't, that's your headache from now on.
00:26:01Yeah, well, that's what I came up to see you about.
00:26:03I haven't got a good alibi.
00:26:06I was out walking alone.
00:26:08Uh-huh.
00:26:08That's a fine alibi for a three-time loser, isn't it?
00:26:10That's the only one I got.
00:26:12You've got to get me a new one.
00:26:13And why do I have to get you a better one?
00:26:15Because you're in this up to your neck.
00:26:17You framed this deal.
00:26:18My dear Mr. Byrne, that's merely an allegation on your part.
00:26:21That has to be corroborated with conclusive evidence in a court of law.
00:26:24Oh, I can't that shyster talk and listen to me.
00:26:27If they pin this on me, I'm going to prison for life.
00:26:29And I'm not going alone.
00:26:31You don't think for one minute that you can pull that on me and get away with it, do you?
00:26:34Yes, Fleming, I can.
00:26:36You see, none of us guys could ever put the finger on you before.
00:26:38Because if we did, they'd send us to the can for pulling the job.
00:26:42Well, I didn't pull this job.
00:26:44So I can put the finger on you.
00:26:45You seem to forget that a certain Mrs. Miggs placed you at the scene of the crime.
00:26:51Well, maybe Mrs. Miggs will change her mind when the cops let her take a look at Frenchy and me together.
00:26:57The cops are not looking for Frenchy.
00:26:58They're looking for you.
00:26:59The minute they pick me up, I'm going to start them looking for Frenchy.
00:27:02You don't think for a minute that he's going to squawk with a 10-year rap hanging over his head, do you?
00:27:10You can't afford to take the chance that he won't.
00:27:13You pulled some pretty rough stuff in this town.
00:27:15That Romero case was a cutie, remember that?
00:27:17The DA would love to get his hooks into you.
00:27:20Maybe he couldn't pin this job on you.
00:27:22But it might give him a whole lot of new ideas.
00:27:25He might come up with something that would blow you higher than a kite.
00:27:29See, I figured that you wouldn't want to take that chance.
00:27:33If I'm in the clear, you're in the clear.
00:27:37What could be simpler?
00:27:39Let's see, you said you were out walking all by yourself, didn't you?
00:27:45Yeah, yeah, that's what I said.
00:27:48Not much of an alibi, is it?
00:27:49No.
00:27:51Well, we've got to find you a better one than that.
00:27:54Yeah.
00:27:55A much better one than that.
00:28:02You're demonstrating this car?
00:28:13Yes, yes, I am.
00:28:14Are you Mr. Burns?
00:28:15Yeah.
00:28:15Well, get in, please.
00:28:23When was the first demonstration?
00:28:25Friday night.
00:28:27What time was it?
00:28:28Nine o'clock.
00:28:29How long was I with you?
00:28:32Oh, 20 minutes, a half hour.
00:28:34Where did we go?
00:28:35Prospect Parkway.
00:28:38You know, they're going to ask you how you remember all this.
00:28:41What are you going to say?
00:28:42The book.
00:28:43The book?
00:28:44What book?
00:28:45The salesman's record down at the office.
00:28:47Every one of us, we have to mark down who we take out, where we go, the time, the customer's
00:28:52reactions, things like that.
00:28:54A whole list of details, it's all in the book now.
00:28:56All right, that's enough.
00:28:57Go on down Rodney Street.
00:28:59Well, this is pretty new to me.
00:29:00You see, it's the first time I've...
00:29:01What are you telling me?
00:29:03Oh, don't get me wrong.
00:29:05I'm not afraid.
00:29:06I want the money.
00:29:07I need it.
00:29:08I'm perfectly willing.
00:29:09The only thing is, I don't want to do anything to get my girl mixed up in this.
00:29:13A girl?
00:29:14What's your girl got to do with it?
00:29:15Nothing.
00:29:16But you see, I've caused enough trouble between her and her folks.
00:29:19I don't want to make things worse.
00:29:21You and your girl.
00:29:22Why do I have to hear about your girl?
00:29:24What are you looking at?
00:29:25What's the big attraction?
00:29:27Nothing.
00:29:27Nothing, Mr. Byrne.
00:29:30Mr. Byrne.
00:29:32All right, stop here at the police station.
00:29:36At the police station?
00:29:39Yeah.
00:29:58It's brutal.
00:29:59That's what it is.
00:29:59Just brutal.
00:30:00Man's got to be a millionaire nowadays to afford a stake.
00:30:04Now, where's your desk, Sarge?
00:30:05Stay out in a minute.
00:30:06May the saints forgive me, but sometimes I wish I was a fireman.
00:30:09Yeah, you're telling me.
00:30:10Only the other day, Eileen says to me, Tim, she says, how soon do you suppose we can afford to have a baby?
00:30:15How do you like that?
00:30:16Afford to have a baby like it was a battleship or something?
00:30:19Hold on, I says to her.
00:30:20Take it easy, I says.
00:30:21Not till we can afford to buy a teething ring, I says to her.
00:30:24I'd hate to tell you the chances I'd take to get my hands on Duke Byrne and get some of that reward money.
00:30:31You got it now, Tim.
00:30:33Tell your wife to go right ahead and have that baby with my compliments.
00:30:37Duke Byrne!
00:30:37Holy...
00:30:38Hey, lieutenant!
00:30:38Lieutenant, come out here, see what I got!
00:30:40Put her around here.
00:30:42Tim's having a baby.
00:30:43What?
00:30:44Well, that's perfectly beautiful, darling.
00:30:58My favorite number.
00:31:00You haven't played it in a long time.
00:31:01No, I haven't.
00:31:02I'd almost forgotten it.
00:31:04You, dear.
00:31:04Thanks.
00:31:07Martin, how do you feel?
00:31:09Me?
00:31:10Well, I feel fine.
00:31:11Why?
00:31:11Aren't you nervous?
00:31:12I mean, about the trial tomorrow.
00:31:14Why, no, not a bit.
00:31:16But you seem a little upset.
00:31:18Is anything wrong?
00:31:19Of course not.
00:31:20Well, you know, you haven't defended an innocent man in a very long time.
00:31:24That's right.
00:31:25Not since I left law school and started chasing ambulances.
00:31:28Don't tell me you were ever an honest lawyer.
00:31:30Honest, but poor.
00:31:31But fortunately for both of us, I reformed.
00:31:34And now I've got everything.
00:31:36And you deserve it, Martin.
00:31:37You deserve everything you get.
00:31:40Thank you, darling.
00:31:42I'll get it.
00:31:51Hello.
00:31:53Yeah, who's this?
00:31:56Listen, Fleming.
00:31:57You're a sucker not to let Duke Byrne take the rap for me.
00:32:00Yes, that would make it nice and cozy for you, wouldn't it?
00:32:03Lay off that fancy talk.
00:32:05I didn't tell you this before because I thought it was none of my business.
00:32:08No, it is.
00:32:10But Duke didn't tell you the real reason he didn't show up for that job, did he?
00:32:13Since I'm thoroughly convinced of Mr. Byrne's innocence, naturally, I believe whatever story he tells me.
00:32:19Well, Fleming, let me set you straight.
00:32:21Duke didn't show up because he had a dame in this place.
00:32:23I know.
00:32:24I saw her fur coat.
00:32:26Mm-hmm.
00:32:26If that means that you ain't interested, maybe you'd like to know that the dame's car was parked in front of Duke's place.
00:32:32And the tag on the steering wheel said the car belonged to, uh, Mrs. Martin T. Fleming.
00:32:40Oh.
00:32:41I see, then.
00:32:45Yes, yes.
00:32:46Yes, I understand perfectly.
00:32:49Yes, you'd better be at my office the first thing in the morning.
00:32:52Anything wrong?
00:33:08No, no, no.
00:33:09Mr. Newspakerman.
00:33:12Seems to think that Duke Byrne might jump his bail.
00:33:15Well, he wouldn't run away now.
00:33:17Why, of course not.
00:33:19Under the circumstances, he'd be a fool.
00:33:21Well, where would he go?
00:33:24Besides, he hasn't got a friend in the world, but you and me.
00:33:29And that's why, you know, Lorna, in a way, I feel more responsible to him than I would be to a client with money.
00:33:37That's very sweet of you, Martin.
00:33:39You know, if we don't do our best, our very best, he might go to prison for the rest of his life.
00:33:46Martin, you will do your best for him, won't you?
00:33:49My very best.
00:33:51For you, my darling.
00:33:54You've got to keep on your toes, sir.
00:33:56The competition, see?
00:33:58It's quite fierce.
00:33:59I see.
00:34:00Well, supposing you tell us something about it, George.
00:34:02What I mean, well, there's this contest.
00:34:06Contest?
00:34:07Between all the salesmen in the place to see who sells the most cars each month.
00:34:10I see.
00:34:11And how are you making out, George?
00:34:14Well, not so good.
00:34:17And is that the reason you've been demonstrating after business hours?
00:34:20Yes, sir.
00:34:21Now, George, let's get this again.
00:34:24Absolutely straight and definite.
00:34:26Yes, sir.
00:34:26On Friday, May the 5th, exactly what time did you meet Joseph Byrne?
00:34:33Nine o'clock.
00:34:34I had an appointment.
00:34:35And you say you drove down Prospect Parkway?
00:34:37That's right.
00:34:39Now, George, on Friday evening, May the 5th, starting at exactly nine o'clock,
00:34:44how long did you spend with Joseph Byrne?
00:34:46A half an hour, at least.
00:34:48You're positive?
00:34:48Oh, yes, sir.
00:34:49Your Honor, the defense wishes to introduce at this time in evidence this salesman's record book,
00:34:55which corroborates all the testimony given by this witness.
00:35:00Your witness, Mr. Toohey.
00:35:02No questions.
00:35:03You're quite sure you don't wish to question the witness?
00:35:06The man's going to tell a certain story, and he says those are the facts,
00:35:10there doesn't seem to be much point in making him tell it all over again.
00:35:13Very well.
00:35:14In that case, Your Honor, the defense rests.
00:35:16But, Your Honor, the prosecution is ready at this time to introduce a new witness.
00:35:22Proceed.
00:35:22Thank you.
00:35:28Order in the court.
00:35:32Hey, what's he pulling?
00:35:33How do I know what goes on in old man Toohey's mind?
00:35:36Let him fiddle around.
00:35:37He enjoys it.
00:35:46Ruth.
00:35:52George!
00:35:54Ruth, what are you doing here?
00:35:57Over here, Miss Carter, please.
00:35:58Who's that girl?
00:36:10Raise your right hand, please.
00:36:11Anderson's girlfriend.
00:36:12Who brought her into this?
00:36:14Now, Duke, will you let Toohey have his fun?
00:36:16I tell you, it doesn't mean a thing.
00:36:17Ruth Carter.
00:36:20Preceded.
00:36:23Will you tell us your name again, please?
00:36:25Ruth Carter.
00:36:26Where do you live?
00:36:27Eleven Lake Drive.
00:36:28At this city?
00:36:30Yes.
00:36:31Oh, that is, of course, you live at home with your parents.
00:36:33Well, yes, except for these past few months.
00:36:35I've been away in the country.
00:36:37On a vacation?
00:36:38Well, yes, in a way.
00:36:40Well, no, not exactly.
00:36:42You see, my father, my parents, they don't want me to be in town.
00:36:46Oh.
00:36:48Miss Carter, how long have you and George Anderson known each other?
00:36:52A year almost.
00:36:53Ten months.
00:36:54You two are very much in love?
00:36:55Yes.
00:36:57But your parents don't approve of your young man, do they?
00:37:00No.
00:37:01Have you any idea why?
00:37:03No, I don't know.
00:37:04Oh, come now, Miss Carter, please.
00:37:07Well, I don't know.
00:37:08They're very strict.
00:37:09I suppose they think we're being too serious.
00:37:12I suppose they think I should wait for a man old enough to support me.
00:37:15George says it's because he's only a car salesman.
00:37:18But he's working hard for an agency of his own.
00:37:20He's trying to save money for a franchise.
00:37:23George, should I talk or should I be quiet?
00:37:24Oh, my dear girl, I'm so sorry.
00:37:26Now, please don't be afraid or embarrassed.
00:37:29You've nothing to hide.
00:37:30I know how you feel.
00:37:32It probably seems much more embarrassing to you than it really is.
00:37:36There's nothing so scandalous in what you've been telling us.
00:37:39I'm an older person.
00:37:40I can assure you it's a thing that happens in many, many families.
00:37:43Your Honor, my landed opponent has brilliantly developed the existence of a romance.
00:37:48It's charming.
00:37:49It's touching.
00:37:50A very sweet story.
00:37:51But, Your Honor, if Mr. Toohey is leading to a point,
00:37:54if Mr. Toohey has something in mind...
00:37:56Yes, Your Honor, I am leading to a point.
00:37:58Very well, Your Honor, in that case.
00:38:00Thank you.
00:38:02Now, as I understand it, your parents, to prevent you meeting each other,
00:38:05sent you away to the country.
00:38:07Yes, yes, I said that.
00:38:08And, of course, you were unable to see George Anderson in several months.
00:38:12Oh, no, I didn't say that.
00:38:13Oh, you mean you did see him?
00:38:15You disobeyed your parents?
00:38:17Yes, George drove up to see me on weekends.
00:38:20He came straight from the office every Friday afternoon.
00:38:23Miss Carter, on Friday evening, May the 5th,
00:38:27were you with George Anderson?
00:38:29Yes, yes, I told you he came every Friday.
00:38:32He stayed at the village nearby.
00:38:34At 9 o'clock were you with George Anderson?
00:38:35Yes, I was!
00:38:38George, tell me what I've done!
00:38:43Tell me what did I do to you!
00:38:47Mr. Flemming!
00:38:51Your Honor, I wish to apologize to the court.
00:38:54I relied on what my client told me.
00:38:56And the witness Anderson corroborated every detail.
00:38:58I'm sorry, Duke.
00:39:05You got the wrong lawyer.
00:39:07I never did have any luck defending an innocent man.
00:39:09You did it, didn't you?
00:39:24Joseph Duke Byrne,
00:39:25it is the judgment of the court
00:39:27that you be imprisoned in the state penitentiary
00:39:28for the term of your natural life.
00:39:30Five years.
00:39:39Ten years.
00:39:40Five years.
00:39:42Life.
00:39:42Five years.
00:39:43Five years.
00:39:44Well, there I was, then again.
00:39:46This time for something I didn't do.
00:39:48Ten years.
00:39:48That was a funny part of it,
00:39:50for something I didn't do.
00:39:51Five years.
00:39:51This time I was in for life.
00:39:53In for life, you understand?
00:39:56On top of that,
00:39:57I got an innocent kid into a jam
00:39:58and he drew a year for perjury.
00:40:00All this was on my mind
00:40:02the morning warden Booth sent for me.
00:40:08Here he is, warden.
00:40:13Byrne.
00:40:14Duke Byrne.
00:40:16George Booth, I thought so.
00:40:18The last time I saw you,
00:40:19you were head keeper up at Franksville.
00:40:21Yeah, that's right.
00:40:22Now, you've come up in the world.
00:40:24Yes, I did,
00:40:25but it looks as though
00:40:26things hadn't been going
00:40:27quite so well with you.
00:40:28Listen, if that's why
00:40:29you had me brought in here...
00:40:30No, no, no, I'm not riding you.
00:40:32A man like you,
00:40:33you were a good crook.
00:40:34Competent about the best there was,
00:40:36I guess.
00:40:37You worked hard for 20 years.
00:40:39But where are you now?
00:40:40In jail for life.
00:40:42Without a friend,
00:40:43without a dime.
00:40:45Maybe it's my adenoids, warden.
00:40:46Maybe I went wrong
00:40:47on account of my bum tonsils.
00:40:50Maybe.
00:40:50All right, you're the warden.
00:40:52That's your job.
00:40:53All you've got to do
00:40:53is feed us and work us.
00:40:55That's all you've got to worry about.
00:40:57No, Duke, that's not all.
00:41:00While you're here,
00:41:00there's going to be one idea
00:41:02working in your head
00:41:03to break jail.
00:41:04Every day, every minute,
00:41:05you're going to be
00:41:06figuring and waiting.
00:41:08I know that, Duke,
00:41:09and I just want you to know
00:41:10I know it.
00:41:11You've been reading
00:41:12my mail, warden.
00:41:14That's all I've got to see to you.
00:41:16Watch your step.
00:41:17Hey, draw me that ball,
00:41:30will you?
00:41:33There you are, Duke.
00:41:34Thanks.
00:41:35Don't go away from me, Duke.
00:41:37Every time I want to talk to you,
00:41:38go away from me.
00:41:39Why do you keep
00:41:40following me around for?
00:41:41Because I've got something
00:41:42I'd like to say to you.
00:41:43I'd like to tell you
00:41:43how sorry I am.
00:41:45What do you got to be sorry about?
00:41:46I ain't blaming you
00:41:47for anything.
00:41:47I know you're not.
00:41:48That's what makes it so tough.
00:41:50You're here yourself,
00:41:51aren't you?
00:41:52Yeah, but I'm not in here
00:41:53for life,
00:41:53and I know if it wasn't for me...
00:41:54Oh, don't be a sucker.
00:41:56I can't help being sorry, Duke,
00:41:58because I like you.
00:41:59It was the first time
00:41:59I ever saw you.
00:42:00I knew you were a swell guy.
00:42:02Go away from me, will you?
00:42:04Hey, Butch.
00:42:07All I wanted to say, Duke,
00:42:08is if there's anything
00:42:09I can do for you,
00:42:10after I get out of here,
00:42:11I mean, to help you,
00:42:12I'll do it.
00:42:13Anything.
00:42:14You can count on me.
00:42:17Keep away from guys like me.
00:42:19Stay away from all
00:42:19these other guys in here, too.
00:42:22Get yourself some time off
00:42:23for good behavior
00:42:23and get out of here
00:42:24and stay out.
00:42:25Stay away from guys like me.
00:42:28Because if you don't,
00:42:29you'll wind up a crook.
00:42:31You'll be a rotten crook, too,
00:42:33and if you don't get me,
00:42:33you ain't got the gift for it.
00:42:36Okay, Duke.
00:42:36That's the way you feel about it.
00:42:45How do you like that?
00:42:46What kind of a trade
00:42:47do you call that
00:42:48for a grown-up guy?
00:42:50Criminals ain't what
00:42:50they used to be.
00:42:52Eighteen carat wank.
00:42:53Yeah, yeah, yeah.
00:42:55Well, you ought to see
00:42:55all the loving cups I got.
00:42:57Every ballroom contest
00:42:58I ever entered,
00:42:58I won it.
00:42:59Hiya, Duke.
00:43:01Can you do a specialty?
00:43:04No?
00:43:05Can you do a dance routine?
00:43:07Act?
00:43:08No?
00:43:09Can you play a musical instrument?
00:43:11I'm in charge,
00:43:12putting on the first
00:43:13prison show here.
00:43:14I gotta look for talent.
00:43:15You're wasting your time.
00:43:16He's a high-class guy.
00:43:17He never has nothing to say.
00:43:18He must be a deep thinker.
00:43:20I'm telling you guys,
00:43:21the warden's got his heart
00:43:21set in the show,
00:43:22and anybody,
00:43:23anybody who wants to help out
00:43:24gets special privileges.
00:43:25Like I got for Tony,
00:43:26for working on a coal pile.
00:43:28Because he knows how to paint scenery.
00:43:29And I can do it for anybody else
00:43:30who wants to help out.
00:43:31Hey, dancer.
00:43:32Yeah?
00:43:32I got bad news for you.
00:43:34What's the matter now?
00:43:35I'm checking out of here
00:43:35in 10 days.
00:43:36The warden just told me
00:43:37the parole board located.
00:43:38Gee, Kendo, you can't do that.
00:43:40Who's gonna run the spot
00:43:41for my dance?
00:43:41Sorry, you'll have to
00:43:42get yourself another boy.
00:43:44You wouldn't be hanging around
00:43:45here no longer than you had to,
00:43:46would you, dancer?
00:43:47No, I guess you're right, Kendo.
00:43:49One of my main special dancers
00:43:50all shower without somebody
00:43:51running the spot.
00:43:52Too bad.
00:43:54I'll run that spot for you.
00:43:55You know how?
00:43:56Oh, I can learn.
00:43:58Sure, sure, Duke.
00:43:59Kendo will show you how.
00:44:00Come on, let's open the auto shed.
00:44:02Gee, Duke, I'm sure glad
00:44:03to have you on my show.
00:44:04That's better than
00:44:04working on the coal pile, ain't it?
00:44:06Sure, Duke, anything's better
00:44:07than working on the coal pile.
00:44:10Here's the spot,
00:44:10and I'll show you how it works.
00:44:13Now, these are the carbons.
00:44:14When you turn this knob here,
00:44:16it brings the carbons together
00:44:17like this.
00:44:18When the juice is on,
00:44:20don't you bring no metal
00:44:21in contact with the carbons,
00:44:22it'll blow you right out of the joint.
00:44:24Then you close the door.
00:44:25Now, when you get the cue
00:44:27from the dancer,
00:44:28you're all set to follow him
00:44:29like this.
00:44:31See, Duke?
00:44:31I do a dance with this doll.
00:44:33I'm a Harlem Danny.
00:44:33This is my girlfriend.
00:44:35Think you can do it?
00:44:36It's a cinch.
00:44:37Then you're all set.
00:44:38Sorry to run out on you.
00:44:39It's okay.
00:44:40I'll have it set up for you
00:44:41on the stage tomorrow
00:44:41and you can try it.
00:44:42Yeah, thanks.
00:44:43Hey, Duke,
00:44:44that's how my girlfriend's
00:44:45gonna look,
00:44:46just as soon as I get
00:44:46this gully walk finished.
00:44:48Nice layout you got here.
00:44:50Yeah.
00:44:50Yeah.
00:44:52Everything to work with, huh?
00:44:55Yeah, sure.
00:45:05They give you everything
00:45:06to work with in this joint.
00:45:08They give you to eat,
00:45:09clothes to put on you,
00:45:10got a place to sleep,
00:45:11radio, shows,
00:45:12baseball, books from the library.
00:45:13Yeah, and I'd give it all
00:45:16back to them
00:45:16for a hole in the water
00:45:18on the outside to live in
00:45:19with nothing but a hunk
00:45:20of stale bread
00:45:21and rusty clothes
00:45:22and no dough,
00:45:23no nothing.
00:45:25Boy, would I grab it.
00:45:26I wouldn't kick.
00:45:27No, sir,
00:45:28I wouldn't kick.
00:45:36What's on your mind?
00:45:37What's on your mind?
00:45:39The same thing
00:45:40that's on yours,
00:45:41I guess.
00:45:43Yeah, I got it on my mind.
00:45:44Listen, pal,
00:45:45don't even think about it.
00:45:47Don't give it a thought,
00:45:48see?
00:45:49Let me do all the thinking.
00:45:52Get me?
00:45:53Yeah.
00:45:54Tell me about it.
00:45:56How's everything going,
00:45:57dancer?
00:45:57Oh, fine.
00:45:58The show's gonna be so good
00:45:59the warden'll send us
00:46:00on the road with it.
00:46:01You hope.
00:46:03Well, the guy can dream,
00:46:04can't he?
00:46:07It's time, darling.
00:46:16Good night.
00:46:17So long.
00:46:24Come on, darling.
00:46:26Hello, George.
00:46:28How've you been?
00:46:29All right, and you?
00:46:30Fine.
00:46:32Mother and father
00:46:33have been wonderful, George,
00:46:34especially father.
00:46:35He says it's his fault
00:46:36that you're in here.
00:46:37Oh, no, that'll be for long, darling.
00:46:38The warden says
00:46:39you'll be out
00:46:39in a couple of months.
00:46:40And father says,
00:46:41look, darling,
00:46:42I've got to talk so fast.
00:46:43I've got so much
00:46:44to say to you that...
00:46:45Well, anyway,
00:46:46father's going to give you
00:46:47a job when you get out.
00:46:49I don't need him
00:46:50to get me a job.
00:46:51Oh, George,
00:46:51don't be foolish.
00:46:53Don't be like that.
00:46:55Everybody's been so kind.
00:46:56You never know
00:46:57how many friends you have.
00:46:59Even Lorna.
00:47:00Who's Lorna?
00:47:01Mrs. Fleming,
00:47:01the lawyer's wife.
00:47:03She looked me up.
00:47:04She wanted to know
00:47:04if there was anything
00:47:05she could do for me.
00:47:06That was sweet of her,
00:47:07don't you think?
00:47:08Yeah, only I don't know
00:47:09why she'd be interested.
00:47:10Well, maybe because
00:47:12she's had trouble,
00:47:13she's sorry for us.
00:47:14She left her husband,
00:47:15you know.
00:47:16She did?
00:47:16Yeah.
00:47:17I think it had something
00:47:18to do with the trial.
00:47:20You know, George,
00:47:21I think there was something
00:47:22between her and that fellow,
00:47:24what's his name?
00:47:25You mean Duke, Duke Byrne?
00:47:27She can't see him.
00:47:29It's against the rules,
00:47:30but she asked me
00:47:31to give you a message for him.
00:47:35Hey, Duke.
00:47:36Yeah?
00:47:37That kid, Anderson,
00:47:38why do you keep
00:47:39chasing him away from you?
00:47:40I got reasons.
00:47:42You got reasons not to chase him.
00:47:44He just got a new job,
00:47:45driving the warden's car.
00:47:46A swell break for him.
00:47:48Yeah.
00:47:49He'll be going to town
00:47:50most every day now,
00:47:52driving the warden
00:47:53on business,
00:47:54or his wife
00:47:54to do some shopping.
00:47:56I thought you might
00:47:56like to know.
00:47:57Thanks.
00:47:58You're welcome.
00:48:00Hiya, Duke.
00:48:01Hiya, George.
00:48:03Listen, Duke,
00:48:04I gotta talk to you a minute.
00:48:06Go ahead, shoot.
00:48:06What's on your mind?
00:48:07I just saw Ruthie.
00:48:09She gave me a message for you.
00:48:11Yeah?
00:48:11What is it?
00:48:12It's from Mrs. Fleming.
00:48:14What is this?
00:48:15A clam break?
00:48:17Give me a hand
00:48:18with this stuff.
00:48:18I want to take it over here.
00:48:19Okay.
00:48:20Hey, look, Kendall.
00:48:26Everything's set
00:48:27like I was telling you.
00:48:28I got somebody
00:48:29on the outside.
00:48:30That's fine,
00:48:31but how do I get paid off?
00:48:32You get paid off,
00:48:33all right.
00:48:34Now, contact this party
00:48:35when you get out.
00:48:36She's got plenty of dough
00:48:37and she'll take care of you.
00:48:39Got it?
00:48:39Right.
00:48:40Are you sure the car
00:48:50hasn't gone by already?
00:48:51Are you sure we haven't missed it?
00:48:52No, ma'am.
00:48:52You can't miss the old crate
00:48:53the warden rides in.
00:48:55It has 16 wheels on it
00:48:56and roars like a lion.
00:49:00There she is.
00:49:10Thank you.
00:49:28Come on out, Judge.
00:49:29Here we are
00:49:30and a million things to do.
00:49:31Yes, we'll buy things today
00:49:32to return tomorrow.
00:49:34Well, it doesn't cost us anything.
00:49:40I'll only be about 20 minutes.
00:49:52Yes, ma'am.
00:50:10How do you do, sir?
00:50:32Thanks, George.
00:50:33I won't need you anymore today.
00:50:40Here comes the car.
00:50:45Hi, everybody.
00:50:46Hiya.
00:50:47Afternoon, Mr. Slope.
00:50:49I'll just change these clothes
00:50:50and come right back.
00:50:51The old Queen Mary's
00:50:51got chill blades or something.
00:50:53There's a funny kind of rattle
00:50:54underneath her.
00:50:54Might be her drip pan.
00:50:56Okay.
00:50:56I'll take care of it, George.
00:50:58Okay, dude.
00:50:59Thanks.
00:51:10Hey, Rusty.
00:51:15Look what you're doing, will you?
00:51:17You've got to put tape
00:51:18on all those wires
00:51:19or you're going to get a short.
00:51:20Here, I'll do it myself.
00:51:21You go get me some,
00:51:21some more twined.
00:51:23All right, all right.
00:51:24You're awfully touchy lately.
00:51:26I don't know what's got into you.
00:51:28Oh, say, Mr. Sorkum,
00:51:29did you see the new step
00:51:30I'm going to do?
00:51:30Watch.
00:51:32You're a sensation.
00:51:33Wait till you see the show.
00:51:34It'll murder you.
00:51:40Wait till you see the show.
00:52:10Hey, can I do anything
00:52:12for you, Dan, sir?
00:52:13No, no, I'm all right.
00:52:14How about this golly walk?
00:52:15Can I help you with this?
00:52:16No, no.
00:52:16I'll set the stage myself.
00:52:18Good luck.
00:52:18I hope you knock them dead.
00:52:19Thanks.
00:52:19Thanks a lot.
00:52:20How you do?
00:52:21Say, I hope they like this show.
00:52:22They're going to like it.
00:52:23They can't walk out on you.
00:52:27How you doing?
00:52:28Now, look.
00:52:29You've got to get it right.
00:52:30Quit worrying, will you?
00:52:31Yeah, but how are you going to do it?
00:52:32You keep telling me not to worry.
00:52:34Right after the stretch,
00:52:35you go under that scissor kick,
00:52:36don't you?
00:52:36Yeah, then I do the rock and chair.
00:52:37Yeah, then after that,
00:52:38you do the whirl around, right?
00:52:39Yeah, that's the finish.
00:52:40I got you, pal.
00:52:41But how?
00:52:41How are you going to do it?
00:52:42That's about it, Rick.
00:52:43It'll be Rick.
00:52:44Come on, put yourself together.
00:52:46Okay.
00:52:46Those boys are good jugglers.
00:53:04What are they up for?
00:53:05Well, they got kind of tired
00:53:07of juggling those things
00:53:08and started juggling
00:53:09the boss's book.
00:53:10Hey, you fellas are straight.
00:53:37Ah, we want southern St. Quentin.
00:53:40Yeah, I know.
00:53:40This is why I help strike the set.
00:53:42Sure, sure.
00:53:42We'll give you a hand.
00:53:43When you're doing it, aren't you?
00:53:44Hey, Mike.
00:53:45Yep.
00:53:45Pull the plug.
00:53:46I want to trim my lamp.
00:53:48Okay, Duke.
00:53:49Mike, you won't forget.
00:53:50The star of the dance,
00:53:50everything up full.
00:53:51I'm going to pick up the doll
00:53:52and kill everything
00:53:52but the spot that Duke is running.
00:53:54Yeah, I know.
00:53:54I know.
00:53:55Okay, fellas.
00:53:56Come on.
00:53:56You got it set?
00:54:00How are you, dancer?
00:54:01How are you feeling?
00:54:02I feel fine.
00:54:03Why?
00:54:04Well, you look like
00:54:05you got stage fright.
00:54:06I'm always a little nervous
00:54:07before I go on.
00:54:08You better get a hold of yourself.
00:54:09You're going to be on in a minute.
00:54:10Yeah.
00:54:15Okay, Mike.
00:54:16Plug it in.
00:54:17All right, Duke.
00:54:18All right, Duke.
00:54:31All right, Duke.
00:54:32All right, Duke.
00:54:32All right, Duke.
00:54:33All right, Duke.
00:54:48All right, Duke.
00:54:48All right, Duke.
00:54:51¡Gracias!
00:55:21¡Gracias!
00:55:39¡Muy bien!
00:55:41¡Duke!
00:55:43Rápido, ¡Duke!
00:55:45¡Duke!
00:55:47¡Duke!
00:55:50¡Duke!
00:55:54¡Duke, tú eres crazy! ¡No te vas a hacer!
00:55:56¡Duke, they'll kill ya!
00:56:06¡Sid tight! ¡The lights will be on!
00:56:08¡Wardón!
00:56:09¡Wardón!
00:56:10¡Wardón!
00:56:17¡What is it?
00:56:19¡It's a break, Wardón!
00:56:21¡Duke Byrne!
00:56:22¡The Dancer!
00:56:23¡And George Anderson!
00:56:24¡Take care, Rebellas!
00:56:25¡Yes, Wardón!
00:56:42¡There's a break!
00:56:44¡Sound the alarm!
00:57:08¡Get back in there!
00:57:10Here's one of them, Warden.
00:57:16Warden Booth, I wasn't trying to make a break.
00:57:17I was only trying to stop him.
00:57:19Get him back to his cell.
00:57:25Get that rope out of there.
00:57:40Get that rope out of there.
00:58:10Get that rope out.
00:58:40Get that rope out of there.
00:58:42Duke!
00:58:44Duke!
00:58:46Duke!
00:58:48Duke!
00:58:50Duke!
00:58:52Duke!
00:58:54Duke!
00:58:56Duke!
00:58:58Duke!
00:59:00Duke!
00:59:02Duke!
00:59:06Duke!
00:59:08Duke!
00:59:10Duke!
00:59:12Duke!
00:59:14Duke!
00:59:16Duke!
00:59:22Duke!
00:59:24Duke!
00:59:26Duke!
00:59:28Duke!
00:59:30Duke!
00:59:32Duke!
00:59:34Duke!
00:59:36Duke!
00:59:38Duke!
00:59:40Duke!
00:59:42Duke!
00:59:44Duke!
00:59:46Duke!
00:59:48Duke!
00:59:50Duke!
00:59:54Duke!
00:59:56Duke!
00:59:58Duke!
01:00:00Duke?
01:00:02Duke!
01:00:04¡Suscríbete al canal!
01:00:34¡Suscríbete al canal!
01:01:04¡Suscríbete al canal!
01:01:06¡Suscríbete al canal!
01:01:10¿What can I do?
01:01:11¡Suscríbete al canal!
01:01:13¡Suscríbete al canal!
01:01:17¡Suscríbete al canal!
01:01:19¡Suscríbete al canal!
01:01:25¡Suscríbete al canal!
01:01:27¡Suscríbete al canal!
01:01:29¡Suscríbete al canal!
01:01:31¡Suscríbete al canal!
01:01:33¡Suscríbete al canal!
01:01:35¡Suscríbete al canal!
01:01:37¡Suscríbete al canal!
01:01:39¡Suscríbete al canal!
01:01:41¡Suscríbete al canal!
01:01:43¡Suscríbete al canal!
01:01:45¡Suscríbete al canal!
01:01:47¡Suscríbete al canal!
01:01:49¡Suscríbete al canal!
01:01:51¡Suscríbete al canal!
01:01:53¡Suscríbete al canal!
01:01:54¡Suscríbete al canal!
01:01:55¡Suscríbete al canal!
01:01:56¡Suscríbete al canal!
01:01:57¡Suscríbete al canal!
01:01:58¡Suscríbete al canal!
01:01:59¡Suscríbete al canal!
01:02:00¡Suscríbete al canal!
01:02:01¡Suscríbete al canal!
01:02:02¡Suscríbete al canal!
01:02:03¡Suscríbete al canal!
01:02:04¡Suscríbete al canal!
01:02:05¡Suscríbete al canal!
01:02:06¡Suscríbete al canal!
01:02:07¡Suscríbete al canal!
01:02:08¡Suscríbete al canal!
01:02:09¡Suscríbete al canal!
01:02:10¡Suscríbete al canal!
01:02:11¡Suscríbete al canal!
01:02:12¡Suscríbete al canal!
01:02:13¡No hay más que tu esposa!
01:02:15Pero, mi querido Quinto,
01:02:17no es mi esposa.
01:02:19No tiene una vez que se ha pasado.
01:02:21Y es donde tu sueño falla.
01:02:23Pero, Quinto,
01:02:25¿no le de ellos a la prisión?
01:02:27¡Oh, sí, sí!
01:02:29¡A la que me lleve a la prisión!
01:02:31¿Se si?
01:02:33¿Qué opinas, Quinto?
01:02:35¿No sabías que te iba a conducir?
01:02:37¿Y?
01:02:38¿Dónde?
01:02:39No, no.
01:02:41No, no, no, no, no, no, no, no.
01:03:11Listen, Mr. Fleming.
01:03:14Where are they?
01:03:15I was supposed to drive Duke up to the Adirondacks where your wife would be waiting for him.
01:03:18Where in the Adirondacks?
01:03:19Bald Ridge.
01:03:20They got a cabin from a guy called, uh, Travis.
01:03:23Bald Ridge, eh?
01:03:24Travis cabin.
01:03:25Yeah.
01:03:27Good night, kiddo.
01:03:35Spring 3-100.
01:03:41There ought to be another way to build a fire.
01:03:47It takes a good old steam heat anytime.
01:03:51Hey, Duke, come on in.
01:03:52Breakfast is almost ready.
01:03:54Now that one's got me.
01:03:57I was better on the rock pile.
01:04:02I don't know how Daniel Boone ever did it.
01:04:05Oh, Duke.
01:04:11If you only knew how funny you looked.
01:04:14Never mind the wisecracks and get some of this iceberg off me.
01:04:17All right.
01:04:18You've got a fine sense of humor you have.
01:04:20I'd sit on a tack you'd laugh, wouldn't you?
01:04:22My great big outdoor man.
01:04:24Yeah.
01:04:27Now what's the matter?
01:04:29What's the matter?
01:04:29I'm cold.
01:04:30Here you are, darling.
01:04:37Is that better?
01:04:38No, no, no.
01:04:40Well, maybe it's the altitude.
01:04:41No, it ain't the altitude.
01:04:43It's the air.
01:04:44There's too much fresh air up here.
01:04:46Now they ought to mix it up.
01:04:47About four parts cigarette smoke and one part air.
01:04:50Then maybe a guy could breathe.
01:04:53Okay.
01:04:54Fill your lungs full of that nice, good, clean cigarette smoke.
01:04:57Then come on out in the kitchen and give me a hand.
01:04:59Yeah, I will if it don't freeze up and drop off before I get there.
01:05:08Here.
01:05:09What's that for?
01:05:10To open the can with.
01:05:12Yeah, but how?
01:05:14Duke, Byrne, do you mean to stand there and tell me you've never opened a can before?
01:05:18Yeah, I opened a can before.
01:05:21Had a combination on the outside and dough on the inside.
01:05:23Duke.
01:05:24Yeah, but it cost me plenty.
01:05:29Where's the Travers' place?
01:05:32About eight and a half miles up the hill there.
01:05:34Much snow on the road?
01:05:35Well, yes and no.
01:05:36It's a friend from the road you look at it.
01:05:38Can't wait here till you figure it out, brother.
01:05:45Here.
01:05:45Maybe you can learn to mix this batter.
01:05:49It's very simple.
01:05:50Batter?
01:05:51What kind of batter is this?
01:05:52For buckwheat cakes.
01:05:53Oh, say, I ain't had those since I was a kid.
01:05:56You know, my old lady used to make them.
01:05:57Boy, they were good.
01:05:58Really?
01:05:58You could blow them away.
01:06:01This is a job that calls for sitting down.
01:06:15Oh, look at them.
01:06:20Are you hurting?
01:06:20Hey, no, this thing threw me.
01:06:23What is it?
01:06:24Oh, silly.
01:06:25It's a rocking chair.
01:06:27Yeah.
01:06:28I ain't seen one of them things in years.
01:06:30Go on, sit in it.
01:06:31It's safe.
01:06:33Nuts.
01:06:37Hey, it's all right, too.
01:06:40You look very comfortable, darling.
01:06:42Here.
01:06:42I'll get you some music.
01:06:45Hey, you know, my old lady used to have one of these things.
01:06:48I can see her now.
01:06:50Used to like sitting in front of the fire.
01:06:53Yes, sir, and there she'd sit.
01:06:55Just a sitting and a rocking and a looking and a looking and a rocking and a second.
01:07:01Back and forth.
01:07:02Back and forth.
01:07:04She always said there was nothing like sitting in front of a big open fire and a good old rocking chair.
01:07:09Said it was kind of soothing and relaxing to your nerves.
01:07:12Took your mind off your troubles.
01:07:15She had plenty, too.
01:07:17Like the time we was wondering about paying off the mortgage on the house.
01:07:21Well, sir, she set herself down in the old rocking chair in front of the fire and she started a rocking and there she sat.
01:07:28A rocking and a sitting and a rocking and a sitting.
01:07:31Back and forth.
01:07:32Back and forth.
01:07:33Pretty soon we knew that everything was going to be all right.
01:07:36And by golly, it was.
01:07:38You know what happened?
01:07:39She got the mortgage paid off.
01:07:40Nope.
01:07:41The house burned down.
01:07:42This is station WFAB.
01:07:43On the last note of the chime, the time will be exactly 9.30, courtesy your station management.
01:07:49And now some late news flashes.
01:07:51Twenty-five persons were injured, one seriously, in an explosion today in the Pacific refinery plant three miles east of here.
01:08:00Local and state police are still searching for Joseph Byrne, known as Duke Byrne, who escaped in the daring prison break last night.
01:08:08Killed in the break was convict Frank Smith, alias the Dancer.
01:08:12Amos Haskell, prison guard, who was stabbed during the escape, died early this morning.
01:08:17The grand jury has indicted convict George Anderson for the murder.
01:08:21District Attorney Watts has asked for a speedy trial and says he will demand the extreme penalty.
01:08:32Carrie.
01:08:33Terrible, isn't it, Duke?
01:08:41What's terrible about it?
01:08:43I mean, that kid George Anderson.
01:08:45I know what you mean.
01:08:47I'll send him to the chair.
01:08:49So what?
01:08:49What am I supposed to do about it?
01:08:51Nothing.
01:08:53I didn't say you had to do anything.
01:08:54All right, then forget it.
01:08:55That kid's got to take his chances just like anybody else.
01:08:57It's none of my grief.
01:08:59No, of course it isn't.
01:09:00If he'd mind his own business, he wouldn't be in this jam.
01:09:02No, no, he wouldn't.
01:09:04What's that?
01:09:05I said no, he wouldn't.
01:09:07All right, then quit talking about it.
01:09:11Oh, Duke, you don't have to do anything.
01:09:13I know I don't have to do anything and I ain't going to do anything except take it on the lamb.
01:09:17When?
01:09:18Right now, this minute, just as soon as we can get out of here.
01:09:21We'll go up into Canada.
01:09:22It's as far as we can get and lose ourselves.
01:09:26It's a pretty big place, Canada.
01:09:28Yes, I know.
01:09:29And there's lots of chances up there.
01:09:30I'll get a job and I'll work hard and I'll make good, you'll see.
01:09:32And I'll build us a little place like this, far away from everything.
01:09:35Get a new start, a good, clean start.
01:09:38Sure.
01:09:39Whatever you say.
01:09:40What do you mean?
01:09:43What do you mean, whatever I say?
01:09:46Why don't you say something?
01:09:48It sounds swell, Duke.
01:09:49You bet your life it's swell.
01:09:51That's the way it's going to be.
01:09:54We're going to get what's coming to us.
01:09:55The past is done, see?
01:09:56It's over, it's finished.
01:09:58That kid won't be the first one to take a rap for something that wasn't coming to him.
01:10:01I know.
01:10:02But he's such a kid.
01:10:04Such a decent kid.
01:10:05Then what's he come messing around for?
01:10:07Who asked him, acting like he was my kid brother, sucking around, telling me about his girl?
01:10:10Ruthie this and Ruthie that.
01:10:12What do I care about his girl?
01:10:13I guess it's because he liked you.
01:10:17That's his hard luck.
01:10:19And it's his hard luck I'm the only one that can help him, see?
01:10:21Because I can't.
01:10:22He don't mean nothing to me.
01:10:23I ain't sticking my neck out.
01:10:24Let him take his own rap, sucker.
01:10:35No, it's no use.
01:10:36It won't work.
01:10:38I was just talking.
01:10:40A guy can talk himself into anything if he talks hard enough.
01:10:44When a thing stinks, it stinks.
01:10:51Duke, I understand.
01:10:54Do you?
01:10:56Then you're smarter than I am.
01:10:58All my life I've only had one idea in my head.
01:11:01That if a guy did anything for anybody else, he was a sucker.
01:11:03Now look at me.
01:11:06Worrying about a kid I hardly even know.
01:11:10Duke, it's not him.
01:11:11It's us.
01:11:12Don't you see?
01:11:14We'd never get a kick out of anything if that kid took the rap.
01:11:18No matter where we went.
01:11:21You mean that everything we've done in the past would keep coming up?
01:11:24Is that what you mean?
01:11:25Of course, it's what I mean.
01:11:28It'd always been there.
01:11:30Every time we'd looked at each other.
01:11:32Getting it everything.
01:11:36Every little kiss, every, every laugh, every mouthful of food we took.
01:11:41Like poison.
01:11:44If I'd be right,
01:11:46I wouldn't know.
01:11:50I'll take your word.
01:11:54Come on, let's get your things together.
01:11:55We've got to go down.
01:12:03I'm all ready, Duke.
01:12:07You never did get to eat my buckwheat cakes, did you?
01:12:10No, I didn't.
01:12:13Maybe I'm just as well off.
01:12:16Come on, let's go.
01:12:17Come on.
01:12:28They're kind of well done, ain't they?
01:12:30Yes, they are.
01:12:32Well, come on.
01:12:33Well, come on, let's go.
01:12:51Take a look upstairs.
01:12:54Come on.
01:12:54¡Suscríbete al canal!
01:13:24¡Suscríbete al canal!
01:13:54¡Suscríbete al canal!
01:14:24¡Suscríbete al canal!
01:14:54¡Suscríbete al canal!
01:15:02¡Suscríbete al canal!
01:15:04¡Suscríbete al canal!
01:15:08No, no, no, no, no, no.
01:15:38No, no, no, no.
01:16:08Faster. Faster, Luke.
01:16:17Faster.
01:16:18There's one guy that won't bother us anymore.
01:16:39Suckers, we made it.
01:16:40Lorna.
01:16:43Lorna.
01:16:44Lorna.
01:16:46Lorna.
01:16:48Lorna.
01:16:53No, no, no, no.
01:17:23Take your hand out of that drawer.
01:17:38Turn on that light.
01:17:48Well, Fleming, the cops caught up with us.
01:17:51And they killed Lorna.
01:17:52What?
01:17:53Yeah.
01:17:54Yeah, Lorna's dead.
01:17:55Duke, I didn't know.
01:17:56I never dreamed anything like that could happen.
01:17:58Oh.
01:17:59So you did send the cops.
01:18:01That's all I wanted to know.
01:18:02What are you gonna do?
01:18:03Get out of that bed.
01:18:05Listen, Duke.
01:18:06Stay right where you are with your hands up.
01:18:22Hello.
01:18:23Get me Warden Booth State Penitentiary.
01:18:25Duke.
01:18:26Duke, don't.
01:18:27You're crazy.
01:18:28You'll never know how crazy I am.
01:18:30Lorna asked me to save that kid.
01:18:32The kid that you double crossed.
01:18:34And that's the way it's gonna be.
01:18:36Hello.
01:18:37This is Duke Byrne.
01:18:38Listen, Warden.
01:18:39I wanna give myself up for the killing of Martin T.
01:18:51Duke.
01:18:52Duke Byrne.
01:18:55Operator.
01:18:56Operator.
01:18:57This is Ward Booth.
01:18:58That call, please.
01:18:59It will take some time, sir.
01:19:00Will you hurry?
01:19:01Hurry, please.
01:19:02We'll have it for you in a moment.
01:19:03Oh.
01:19:04Please make it fast.
01:19:05It's really killing me.
01:19:06Warden, we've traced that call.
01:19:08It came from Edgemont 62424.
01:19:11The residence of Martin T. Fleming.
01:19:15Get me that number again.
01:19:16You're still connected, sir.
01:19:18Duke.
01:19:19Duke Byrne.
01:19:20Duke.
01:19:21Duke Byrne.
01:19:22Duke.
01:19:23Duke Byrne.
01:19:25Duke Byrne.
01:19:28Duke Byrne.
01:19:29Duke Byrne.
01:19:30Duke Byrne.
01:19:31Duke Byrne.
01:19:32Duke Byrne.
01:19:33Duke Byrne.
01:19:34Duke Byrne.
01:19:35Duke Byrne.
01:19:36Duke Byrne.
01:19:37Duke Byrne.
01:19:38Duke Byrne.
01:19:39Duke Byrne.
01:19:40Duke Byrne.
01:19:41Duke Byrne.
01:19:42Duke Byrne.
01:19:43Duke Byrne.
01:19:44Duke Byrne.
01:19:45Duke Byrne.
01:19:46Duke Byrne.
01:19:47Duke Byrne.
01:19:48Duke Byrne.
01:19:49Duke Byrne.
01:19:50Duke Byrne.
01:19:51Duke Byrne.
01:19:52Duke Byrne.
01:19:53Duke Byrne.
01:19:54Duke Byrne.
01:19:55Duke Byrne.
01:19:56Duke Byrne.
01:19:57Duke Byrne.
01:19:58Yeah.
01:20:10Yeah.
01:20:13Yeah, they thought they had it all figured out.
01:20:17They know all the angles.
01:20:20Yeah.
01:20:22Yeah.
01:20:26Please.
01:20:28Hey, nurse.
01:20:40It's dark in here.
01:20:43What kind of a cheap dump is this trying to save on electricity?
01:20:48There's hardly to see her hand in front of your face.
01:20:52Now, please, don't excite yourself.
01:20:55Okay, okay.
01:20:56Hey, just get me some light.
01:21:10Big shot.
01:21:11Do you see him?
01:21:13Look.
01:21:13No, no.
01:21:43No, no.
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