Project Runway - Season 4 Episode 11 Full HD - Vídeo Dailymotion

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Transcript

00:01Previously on Project Runway.

00:03Oh, my God.

00:05Designers, your clients for this challenge.

00:07The divas from WWE.

00:09Oh, no.

00:11You think this is too much, though?

00:13It's a little Wonder Woman.

00:15I just think it's...

00:16Hideous.

00:17Really ugly.

00:23Congratulations, Chris.

00:26Of course, I ended up winning the tackiest challenge.

00:30I feel like it looks a little unfinished to me.

00:32I don't like it as a costume.

00:35Ricky, that means you're out.

00:43The winner of Project Runway will receive a spread in Elle magazine,

00:46an opportunity to sell their line on bluefly.com,

00:49an all-new 2008 Saturn Astra,

00:52and $100,000 to start their own line,

00:54furnished by Tresemme Professional Hair Care.

00:57This is Project Runway.

00:59Let's go.

01:00Hell yes, I'm the best.

01:01You're either in or you're out.

01:03I'm in, they're out.

01:05I wouldn't be caught dead in his clothes.

01:07Fashion is my life.

01:08Who will be the next big fashion designer?

01:10That's me.

01:11Bottom line, I'm the best.

01:13I will own the runway.

01:15For these 15 designers, Project Runway is a chance of a lifetime.

01:24There's five of us left.

01:29I was surprised that Ricky was the one sent home.

01:33I'm happy that I dodged that bullet.

01:36I so do not feel ready to go.

01:38I think a lot of the designers are kind of freaking out.

01:42But I am used to the moment that comes when you have to do it.

01:48It's been a dream for me to be a designer since probably the age of five.

01:53So this is rooted on a much deeper level.

01:57I came here to show in Fashion Week.

02:00And I'm hopeful that I get there.

02:02So excited for the challenge.

02:04Hey.

02:11Hello.

02:12Hi.

02:15Before we talk about your next challenge,

02:17let's bring out the winning and losing designers models.

02:27Models, this is a competition for you too.

02:31The model paired with a winning designer will get a fashion spread in L Magazine.

02:36Chris, you were the winner of the last challenge.

02:38So you have the option of swapping models with a fellow designer.

02:42Your model was Marcia.

02:44If you decide to stay with her, Amanda will be out.

02:48If you decide to swap, I will bring out all the models for you to choose from.

02:53What do you want to do?

02:55I have to stay with Marcia.

02:58I'm sorry, Amanda.

02:59Okay.

03:00You can leave the runway.

03:02That means, Amanda, you're out.

03:06Bye, guys.

03:07Good luck.

03:08Bye, Amanda.

03:09Bye.

03:11Are you ready for your next challenge?

03:13Yes.

03:14Yeah.

03:15Because it will decide which three of you will make it to Fashion Week.

03:19And two of you will be out.

03:21You're going on one last field trip.

03:28Tim is waiting for you on Fifth Avenue and 82nd Street.

03:32And I see you on the runway.

03:33Bye.

03:34Bye.

03:35I don't live here, so I'm like, what's on the Upper East Side?

03:42The other designers were like museums and fabulous stores.

03:47Can you guys, we go to the flat?

03:48I'm so excited.

03:49We're all kind of speculating.

03:51Well, what's east of Madison Avenue that's worth going to visit?

03:56Wow-wee.

03:57Yay.

04:01We arrived in front of the Metropolitan Museum of Art.

04:04I've never been to it, so it's quite exciting.

04:07Designers, welcome to the Metropolitan Museum of Art,

04:10one of the premier arts and cultural institutions in the world.

04:13Follow me inside and I'll tell you about your next challenge, okay?

04:18Come on up.

04:22The first thing I noticed walking in, it's huge.

04:28It was like a great privilege to be part of the final five

04:32in the Metropolitan Museum of Art with no one else there.

04:36There's nothing more phenomenal and inspiring in this country.

04:49Designers, throughout time, art has served as a critical and essential inspiration for fashion.

04:56For your next challenge, you will choose a work of art to serve as the inspiration for a look of your choice.

05:02I'm extremely happy. This is every designer's dream.

05:07I love this.

05:08That's amazing. What more can any of us ask for?

05:10It's just about artwork.

05:13The Met contains 5,000 years of art and it's one of the largest museums in the world.

05:18So we've narrowed the galleries from which you will choose your inspiration to three.

05:22The Greek and Roman Sculpture Courtyard, where we are now.

05:26The European Painting Wing and the Temple of Dendur.

05:28You will have 45 minutes to seek your inspiration.

05:32And I have cameras for each of you to record the source of your inspiration.

05:36Your 45 minutes will begin now.

05:39Let's go, okay?

05:41The first room is the Roman and Greek Sculptures Gallery.

05:47And nothing could have been better for me.

05:48Let's face it, Rami is going to be choosing this section.

06:01There is no way he's not making something Grecian and Drake.

06:05There were so many things I was in love with, but the statue of Aphrodite was sort of like a soul mate situation for me.

06:14It was like instantly meeting my match.

06:16After that, we headed to the European Painting Gallery.

06:26And of course, for me, that was the most exciting part.

06:30Just because I love European art.

06:32I'm really inspired by this beautiful Spanish military painting.

06:44There are so many amazing paintings in there, and there's actual clothing on people.

06:49There was no one there, and it was so cool.

06:57I probably could have touched a painting, but I didn't.

07:01Where to net?

07:03The Temple of Dendor is an Egyptian temple that was lifted from Egypt and put in the Metropolitan Museum of Art.

07:12It's incredible.

07:14It's almost like you're looking at a movie set, but it's real.

07:18Look, Joan Rivers carved her initials in here when she was a little girl.

07:22That's fierce.

07:26Oops.

07:27We're very lucky, all of us.

07:29I know.

07:31I think it was more the experience of being in the room that was inspiring.

07:35It was almost spiritual.

07:37All right, everybody. Our time is up at the Met, but what an experience.

07:41It's great.

07:42Let's head back to Parsons.

07:43All right.

07:44I took like 238 pictures.

07:46I want to just pick something that I like, focus on it, and get to work.

07:50It's pretty amazing.

07:51Hopefully there are no surprises.

07:56All right, designers.

07:58Choose one of the photographs of the works of art, okay?

08:01Okay.

08:02You have one hour to sketch, and then we're going to have half an hour at Mood, where you will have a budget of $300.

08:09You have two days for this challenge, and the styling and makeup will be critical elements in the evaluation of this challenge, all right?

08:16So keep that in mind as you're designing.

08:19I'll be back in an hour.

08:21Hi, Tim.

08:23What are you doing?

08:25I'm doing a men's outfit.

08:27I'm doing like a female version of it.

08:30I chose this fabulous Spanish military-inspired, almost Zorro-like painting.

08:36I didn't want it to be costumey, necessarily.

08:39I wanted it to be more high-fashion, avant-garde.

08:42What one are you using?

08:44Peacock.

08:45Peacock?

08:46I was thinking of that one.

08:48I love it.

08:53I don't feel shameful about choosing Aphrodite.

08:56I connected with the Grecian draping because I know that that is something I'm extremely passionate about, and this is what I do.

09:03All right, designers, you ready to go shopping?

09:11My inspiration is a peacock.

09:14I found a beautiful purple, a teal, and a rusty red that I think are just going to be fantastic.

09:20I put down that boning somewhere.

09:23Oh!

09:25Oh, my God, I need so much stuff.

09:26I needed like 10 yards of organza and white, and then I needed about 15 yards of cotton.

09:31Can I have whatever you can give me on that roll?

09:34I want to wow them.

09:35I don't want to be safe at all.

09:37Take care.

09:38Let's head back to Parsons.

09:39Thank you, guys.

09:44All right, designers.

09:46You have until midnight tonight.

09:48You have all day tomorrow, so make it work.

09:51I'll see you tomorrow.

09:52Bye.

09:53Bye, Tim.

09:54How are you doing?

09:55I'm fine.

09:56Yeah?

09:57Are you on the track now?

09:58Yeah.

09:59I think that this painting in particular, Master of the Argonauts, with the armor that they

10:03used to wear during the fight, was inspiring.

10:04I'm trying to express a certain edgy side of myself.

10:09It's gonna have a whole, like, corseted dress thing out of the oyster stuff.

10:10Mm-hmm.

10:11The colors are pretty.

10:12The painting that I chose as my inspiration is a portrait of an 18th century noblewoman,

10:16and I wanted to do a really super modern couture version of that idea.

10:20Honey.

10:21Are there any fabric left at me?

10:22No.

10:23We all have in the back of our heads that two people are going home.

10:28So I think that people are feeling the need to, like, over-design and add more pieces,

10:35and who has the biggest collar and the biggest sleeve is probably going to be a little bit

10:40about the fabric.

10:41I think that people are feeling the need to, like, over-design and add more pieces, and

10:45who has the biggest collar and the biggest sleeve is probably going to be a little bit

10:48attention.

10:49That'll give it some poof.

10:50Yeah, it will.

10:51It's not always, to me, about who's the loudest.

10:53I'm not here to make noise.

10:54I'm here to make beautiful work.

10:55That's creepy.

10:56I know.

10:57Are you making a collection, honestly?

10:58Yes.

10:59Oh, my God.

11:00I was making, like, 15 pieces.

11:01That's, like, retarded.

11:02Okay, I'm, like, making my pattern.

11:04Oh!

11:05Oh!

11:06Oh!

11:07Oh!

11:08Oh!

11:09Oh!

11:10Oh!

11:11Oh!

11:12Oh!

11:13Oh!

11:14Oh!

11:15Oh!

11:16Oh!

11:17Oh!

11:18Bitches, it's the last challenge.

11:19I have to do something.

11:21I sew fast.

11:22Get over it.

11:23Everyone else in that room should be sewing fast, too.

11:25If you're not, then that's your own problem.

11:28Jillian's been pressing for three hours.

11:30I'm making pleats, so stop worrying about me.

11:34I feel self-conscious enough as it is.

11:36Ew.

11:37Don't get bitchy.

11:38Damn.

11:39Christian is monitoring what everybody's doing at all times, and he's always ahead of

11:45everybody, and he's really arrogant.

11:47Jillian, I'm just not saying anything around you anymore.

11:50I'm so over it.

11:51I'm over it, too.

11:52We should all stop.

11:54Coming up on Project Runway.

11:55Sweet pig.

11:56Your model's late.

11:57If my dress isn't finished, for sure I'll get eliminated.

12:01After you, my darling.

12:02Thanks, love.

12:03Look at her waiting for me today.

12:04Our challenge was choosing one piece of art in the Metropolitan Museum of Art to inspire

12:24fashion.

12:25Would you drop the neckline, hear me?

12:26It's going to be more of a cocktail.

12:28I think at this level of the competition, you have to do what you think is right.

12:33You're right.

12:34I'm lowering it.

12:36I was getting ready to quit my business before I came here, because it takes a lot to do your

12:42own line, and I'm currently out of funds.

12:45So, in a way, I need to win, because it'll save my business.

12:49Hi, everybody.

12:50Hi.

12:51Hi.

12:52Hi.

12:53Hi.

12:54Hi.

12:55I'm sending in your models.

12:56Thank God.

12:57They're here for a fitting.

12:58Yay.

12:59Excellent.

13:00So, you'll have about 30 minutes with them.

13:03All right?

13:04Have fun.

13:05Hi.

13:06Oh, my God.

13:07Where's Lee?

13:08Sweet pea.

13:09Your model's late.

13:10Crap.

13:11Is somebody kidding?

13:12Lee has an emergency.

13:14She's fine, but she can't be here right now.

13:17At all?

13:18I don't know.

13:19But she will be here.

13:20Okay.

13:21All right?

13:22Maybe she will come.

13:23All right.

13:24Let's hope.

13:25Lee had, like, a family emergency or something personal.

13:28Now what?

13:29I'm like, what's happening?

13:31Tim says she is coming, but I'm sort of freaked out.

13:36So, this is our inspiration.

13:41So, you have pants, blouse, jacket, to have a lot.

13:45Fun.

13:46Is it fun?

13:47Move forward a little bit.

13:48Mm-hmm.

13:49I feel good about the dress.

13:51It's not necessarily the loudest piece, but it certainly makes a strong statement.

13:56You're going high couture again here, lady.

13:59There.

14:00Chris's dress was very costume-like and over the top.

14:05It was very similar to the dress that me and him already created.

14:08So, it was a little weird.

14:10Oh, sick.

14:11Sick.

14:12Fabulous.

14:13Do you have a lot to do, Jillian?

14:14Not that much.

14:15Not on the coat.

14:16Just now I have to move on to the dress.

14:18Oh, my God.

14:19What happened?

14:20See?

14:21I told you.

14:22The coat fits her perfectly, but the most difficult part is just the full execution.

14:27I'm not a fast mover.

14:29The whole dress needs to be done.

14:31I mean, there's still a lot for me to do.

14:34Oh, my girl's not here.

14:42Designers, may I ask you to gather around, please?

14:46I have a special guest I'd like to introduce.

14:50Hi.

14:55I want to welcome Collier Strong, consulting makeup artist for L'Oreal Paris.

15:05Welcome to Parsons, the new school for design.

15:07Thanks for having me.

15:08Collier is here to consult with you about the overall makeup look for the L'Oreal Paris challenge.

15:14So, this is a great opportunity for you to think outside of your outfits.

15:18What we want to do is use makeup as an integral part of your artistic expression.

15:24Cool.

15:25So, we're going to begin with Chris and Marcia.

15:29Okay?

15:30Cool.

15:31Go ahead.

15:32This is Marcia.

15:33Marcia.

15:34We could take this pewter color and work it into the eye.

15:38I do think a beautiful compliment to her skin tone would be a bright pink.

15:42I love this.

15:43We could actually make her very androgynous.

15:46Like, make her brow very masculine.

15:48Yeah, I love a really strong brow.

15:50The point here is to really make her look warrior Joan of Arc.

15:53Not overly feminine.

15:55That's so fun.

15:56So, what do you suggest?

15:57Grecian-y, feminine, but there's still an edginess to it.

16:02Thank you so much.

16:03I'll see you tomorrow.

16:04All right.

16:05Bye.

16:06Bye.

16:07We'll see you.

16:08Are you done, Chris?

16:11Yeah.

16:12You're done with your work?

16:14Uh-huh.

16:15Why don't you take a nap?

16:16I was thinking of it.

16:17I just couldn't even get up.

16:19I knew that it wasn't gonna take me that long to finish mine, so I wanted to lay down for a while.

16:28Love you, bye.

16:29Are you joking?

16:30It's the last challenge.

16:31You can't take a nap.

16:32I know I finished early, but you know what?

16:35I'm touching up, snipping threads, but whatever.

16:42All right, let's hope I got this right here.

16:49This is too much color, even for me.

16:54I think my design aesthetic has a very European classic effect.

17:00I graduated high school and basically moved to London for about three years.

17:04Ooh, yeah, yeah.

17:06I started working with Alexander McQueen, Vivian Westwood, and I definitely think that that helped me grow the most.

17:13I know I'm the youngest designer, but truthfully, like, I think I have the most cohesive ideas out of everyone.

17:22Oh, my God.

17:29Hi, everybody.

17:30Hi.

17:31Hi, Tim.

17:32Where's Chris?

17:33He's done.

17:34He's done, and he needed to go to bed.

17:37No one's done.

17:38Well, you tell him, Tim.

17:40I'm gonna go check on Chris.

17:42I'll be back.

17:43Okay.

17:44We'll be here.

17:49Chris?

17:50Yes?

17:54Why aren't you in the workroom?

17:55Because I'm finished.

17:57You're not finished.

17:58You can't be.

17:59Why can't I be?

18:01Is it wow-able?

18:03Yes, it is.

18:05Well, can you come in and show me?

18:07Sure.

18:08I wanna believe.

18:09Okay.

18:13So, talk to me.

18:15So, this is her.

18:17Chris, I don't think it's refined enough.

18:20I don't think there's enough here.

18:22Can you add to it?

18:24No.

18:25I wouldn't add a thing to this.

18:26All right.

18:27You're confident?

18:28It doesn't fit this.

18:29It fits her.

18:30All right.

18:31You own it.

18:32I do.

18:33I'm worried.

18:34Christian.

18:35Hi.

18:36Hi.

18:37What's up?

18:38I love the white shirt.

18:39I do, too.

18:40It's fabulous.

18:41And the blouse looks so good on me.

18:44That's all that really matters.

18:45It really is.

18:46What's the whole hook here?

18:47It's almost as though this is like an obfuscation.

18:49I was going on the whole thing that my pieces can be worn individually.

18:53Yeah, but where else would you wear this?

18:55I think over for evening.

18:56I think.

18:57I'm just saying, in terms of cohesion, it really makes sense.

19:01The last challenge.

19:02Three people are going into fashion week.

19:03I know, ladies.

19:04Don't you worry.

19:05Okay.

19:06All right.

19:07Yeah.

19:08Hi, Tim.

19:09Hi, sweet pea.

19:10So, talk to me.

19:11This whole peacock thing is what's inspired me.

19:12And this is basically what I consider the feathers.

19:15But they're not feathery.

19:16Also, I just think it's like, you know, what's going on?

19:18What's going on?

19:19What's going on?

19:20What's going on?

19:21What's going on?

19:22What's going on?

19:23What's going on?

19:24What's going on?

19:25What's going on?

19:26What's going on?

19:27What's going on?

19:28I'm not using the feathers.

19:29But they're not feathery.

19:30Also, I just wish that peacock were a little more, apparent and exuberant in a way.

19:36And of course, it doesn't help that I'm seeing on the form, not on the model.

19:39Yeah.

19:40Where is that model?

19:42Yeah.

19:43I'm going to try and figure something out here.

19:45Okay.

19:46Make it work.

19:48So, how's Jillian?

19:50I'm doing well.

19:51I'm just cutting the lining for the jacket.

19:53And then this is the back.

19:55And then I still need to do these cutouts.

19:57and I still just need to do the skirt part of the dress.

20:00You know, it's getting late, so now I just need to finish.

20:03That's all I'm worried about, really.

20:05Do it.

20:06I will.

20:09Rami.

20:10Hello.

20:11This is stunning.

20:14I mean, it's what I do.

20:16Can I be really honest with you?

20:17Yeah, please.

20:18Nina doesn't want to say,

20:20I've seen this look from you before.

20:22Yes, but you guys presented me with this challenge,

20:24and I had to take the Grecian draping.

20:26Just keep in mind that it needs to be fresh.

20:31Yes.

20:32I'm going to think about that.

20:34I'm trying to be true to myself, and it could be great.

20:37It could be criticized,

20:38but I feel like I'm ready to back my work up.

20:40All right, designers.

20:42Tomorrow's our last runway show,

20:44so use the rest of your time to make it work.

20:47I'll see you tomorrow.

20:48All right.

20:49Thanks.

20:50Good night.

20:51Bye.

20:52I'm stuck into my model.

20:54Are you okay?

20:56I need my model,

20:57because I'm out of standstill right now.

21:03What are you doing?

21:04We were just talking about you.

21:05Here she is.

21:06Oh.

21:07Hi, Lee.

21:08Hi.

21:09Come here.

21:10Are you all right?

21:11Lee came in at the end of the night tonight,

21:14and I'm glad she showed up.

21:16Mission accomplished.

21:18Let's try it on like this.

21:19It's okay.

21:20Next, obviously.

21:21Are these going to be pockets, or?

21:23The fake ones at this point, I think.

21:25I feel a little overwhelmed.

21:27The dress fits, thank God.

21:30But I have a lot to do.

21:32All right.

21:33Bye, little darling.

21:34Bye.

21:35I decided I don't think I'm going to finish.

21:38Come on.

21:39Really?

21:40You do whatever you have to do

21:41to make it look ready for the runway,

21:43and that's all there is to it.

21:45I'm really nervous about tomorrow's runway show.

21:48Ugh.

21:49It's the last one,

21:50and if my dress isn't finished,

21:52for sure I'll get eliminated,

21:54and that sucks.

22:04Coming up on Project Runway.

22:06I need it.

22:07Nothing works.

22:08It's our last runway show.

22:11I'm tired.

22:22Waking up, day of the runway.

22:24Oh my God, I have to look amazing.

22:27So, I made sure my hair was extra fierce.

22:32The weight of this day is very heavy.

22:35It's the end of this roller coaster ride.

22:38I think that nobody really,

22:40like, absolutely hated each other.

22:42Who didn't hate each other?

22:43I sure didn't.

22:44I mean, damn.

22:46Every five minutes,

22:47I was ready to cut somebody.

22:50All right, let's go.

22:53No time to make your bed.

22:55Let's go, ladies.

22:56Parson's our last day.

22:58I'm going to work.

23:04The first thing I did this morning

23:06was run directly to my sewing machine

23:09because my dress is still in there

23:11from where I left off last night.

23:13Are we gonna kick ass today or what, Romy?

23:16Yeah, I think so.

23:18I'm a little bit worried.

23:19The whole bottom of my dress

23:21hasn't even been finished yet,

23:22so that's not a small amount of work.

23:25This is what determines

23:27who's going to Fashion Week.

23:28I don't want to go back

23:29to working in a cubicle

23:30and contributing to someone else's vision,

23:33so I hope that I make it to Fashion Week.

23:38Good morning, designers.

23:40Good morning.

23:41Good morning.

23:42It's our last day,

23:43so talk about make it work.

23:45Make it work.

23:46So you will have two hours

23:48to send your models

23:49to the Tresemme Hair Salon

23:50and the L'Oreal Paris Makeup Room.

23:52Remember, Collier Strong is going to be here.

23:54Remember to use the bluefly.com

23:56accessories wall, all right?

23:58Just blow the judges' socks off.

24:02Give them that electric jolt

24:05that sends Nina's shoes flying

24:07across that runway.

24:09Do it.

24:10All right, I'm sending in your models.

24:12Thanks, Tom.

24:13Come on in.

24:14Hey, Lee, I'm in here!

24:19Oh, so excited.

24:21Yeah.

24:22My coat's finished, but the dress isn't.

24:24So how are we doing?

24:26I'm just now putting a zipper in,

24:27and I got kind of a lot of work to do.

24:30Are you doing the real thing for me?

24:32I'm sending you confidence and peace.

24:35Send it here, honey.

24:37Oh, my God.

24:38It's great.

24:39Perfect.

24:40Good.

24:41Christian has a whole collection, pretty much.

24:43I don't know if I personally love this group of work

24:47that he's making.

24:48It's just like a little bit marshmallowy.

24:50That looks so fierce.

24:52That's the thing, this fabric is just so moldable.

24:56It's like, there it goes.

24:58I was kind of at peace with the fact

25:00that if they hated my dress and they eliminated me,

25:04that I loved it, and then I was happy to show that

25:07as my final thing.

25:09You know, going to Bryant Park would be like winning

25:11the lottery, but I don't count on it,

25:14but I don't count it out either.

25:20Yeah, we want eyebrows for days.

25:22It's all about L'Oreal.

25:25Wow.

25:29It's so cool.

25:36Oh, beautiful.

25:37All right, we're ready to dress you.

25:40Why does the steam stop working at the last minute

25:43when I need it and nothing works?

25:45OK, I'm putting it on you.

25:48When it comes down to crunch time,

25:50I'm like, again, cramming at the end,

25:52and I need to get this dress on my model.

25:54Stand really still, Lauren.

25:56Please.

25:58It needs to be the best possible,

26:00and it was just not sitting right,

26:02and I could not see past it.

26:04I need to steam this really badly.

26:06It's really bad, Lauren.

26:08Yeah.

26:09That's right.

26:10Oh.

26:11I like it like that,

26:12but try not to, yeah,

26:14try to do, like, more straight.

26:16I'm so excited.

26:17I know.

26:18I don't understand why Rami

26:20would make another one of these dresses.

26:22He keeps getting in trouble from the judges

26:25for another draped Grecian-style dress.

26:28Bye.

26:29I'm so glad I finished.

26:30I love the lips.

26:31Oh, the dress came out really cute.

26:34Cut those threads off the bottom.

26:36Oh, my God.

26:37Whoa.

26:38I didn't even see those.

26:39I really loved seeing Leigh in my dress.

26:41I thought it looked great on her.

26:42It all got done with five, ten minutes to spare,

26:45and I want to win.

26:47All right, designers.

26:49It's our last runway show.

26:52Are you ready?

26:55That hem is a really big problem.

26:58If I don't make this fashion week,

27:00I would be incredibly let down.

27:02I really worked my ass off, and I deserve it,

27:04but I don't know how this is going to go.

27:07All right.

27:08Here we go.

27:09Coming up on Project Runway.

27:11How predictable.

27:12I mean, come on.

27:14I expect more from you.

27:22Hi.

27:25Hi.

27:26Welcome to the runway.

27:28I want to congratulate each of you

27:30for making it this far,

27:32but only three will earn the right

27:34to show collections at Fashion Week,

27:37so two of you will be out.

27:40For this challenge,

27:42we ask you to choose a work of art

27:44to serve as the inspiration

27:46for a look of your choice.

27:48Okay, let's meet the judges.

27:52First, we have top American designer,

27:54Michael Kors.

27:55Hey, guys.

27:56Hi.

27:57Hi, Michael.

27:58Next, we have Nina Garcia,

27:59fashion director of Elle magazine.

28:00Hi, everyone.

28:01Hi.

28:02Hi, Nina.

28:03And legendary designer, Roberto Cavalli.

28:09We will score your designs

28:10as they come down the runway.

28:12One of you will be named the winner,

28:14and two of you will be out.

28:18Let's start the show.

28:25I was just so excited

28:27because she looked kind of like

28:28some couture Cinderella.

28:30It looked really elegant

28:32and, you know, expensive.

28:43The outfit was so hot.

28:45I know it was really avant-garde

28:46and kind of over the top,

28:47but for the runway for show,

28:50it was perfect.

28:51It was fabulous.

28:52I loved every second of it.

28:59I'm pretty confident

29:00about the way Sam looks.

29:01The dress fits perfectly on her.

29:04I'm passionate about draping,

29:05but it could go either way for me

29:07considering that the judges

29:09want to see a variety of things.

29:11I liked the design of this dress.

29:15I feel like I'm a good designer,

29:21good at merchandising.

29:22I understand what sells.

29:24I thought it looked great on her.

29:26I think I did a good job with mine.

29:37There were definitely little issues here and there,

29:39but I don't see those anymore.

29:41I represented myself the way I wanted to.

29:55We've scored your designs.

29:56One of you will be named the winner

30:01and two of you will be out.

30:04Let's bring out your models.

30:05Okay, I would like to start with Christian.

30:19Well, I actually chose a Spanish painting.

30:23A lot of my work has been a play on masculine and feminine.

30:26I tried to create as many pieces

30:28that could be worn different ways.

30:30What's going on under the blouse?

30:31Actually, you could completely remove this into the blouse.

30:50You really think about the show

30:52and you have the ability to also think practically.

30:57I think it's super, super, super chic.

31:02Chris, tell us about your design.

31:04My design is based on an 18th century painting

31:09of a French noblewoman

31:11and I wanted to do a kind of modern couture version.

31:14I think that Chris is really maybe the most artistic for all of you.

31:21I can see you show in the future your collection in Paris.

31:27Maybe the old couture.

31:29That's what I love.

31:32Well, certainly you understand drama

31:34but I will say it's a little reminiscent of

31:38what we already saw from you with the shoulder piece.

31:41I was thinking the same thing.

31:43You kind of forget how beautiful the dress really is when you've seen it before.

31:47It's kind of the way that I wanted to

31:49reinterpret the big pewter colored bow on the front of her dress.

31:53If you take that piece out,

31:56it would have still been beautiful

31:58and I'm sure that you have other tricks up your sleeve.

32:00Sure.

32:01It's not just this one.

32:02Right.

32:03And that's what I wanted to see.

32:04Okay.

32:07Jillian, my inspiration was the master of the Argonauts.

32:11I felt like I could interpret in a way that was very modern.

32:15I love your interpretation of this.

32:17Mm-hmm.

32:18You keep me surprised.

32:20Really?

32:21And in a good way.

32:22Okay.

32:23The details, they are fantastic,

32:25especially in the back.

32:26I like very much.

32:27I would be very happy to have you with my stuff.

32:29Well, that would be an honor.

32:32As soon as she opened the coat and it was gold inside,

32:35I was like, woo!

32:36Boom.

32:37I was like, wow.

32:39You know, you're giving a nod to the painting,

32:42but I don't think it at all looks like a costume.

32:44I think the dress does great things for her body.

32:48You know, and that's what clothes are supposed to do.

32:52Okay, sweepy.

32:53I was immediately grabbed by this Dutch painting called Peacocks.

32:59It looks like a print to me when I look at it.

33:01I think it's a nice dress.

33:03Wearable, flattering, you know, but it's a show.

33:07You know, it's a show.

33:09This dress is the one that you have in the showroom to sell.

33:12Yeah.

33:13I agree completely with you.

33:15What is more fantasy than peacock tail?

33:21I think that you should do something more special.

33:27You do make a lot of sweet daytime dresses, wearable dresses.

33:32I know you know how to make commercial clothes.

33:34I need to see the next thing.

33:37And Robbie, tell us about your design.

33:40I found much beauty in the sculptures that pretty much resembled movement and flow.

33:46And I picked one that had an ease about the drape in it,

33:51because I am very passionate about draping.

33:54It's too normal.

33:55You are here because you have to show what you can do.

33:58I just feel passionate about the subject, and it was presented to me in this challenge.

34:04Sometimes an idea can be interesting without having to be screaming out loud.

34:09I know you're talented.

34:11I know you have great taste.

34:13And I expect more from you.

34:15You know how to make a dress that many women would like to wear.

34:21I would.

34:22I like it.

34:24It's a lovely dress.

34:25But how predictable that you picked drapery from Rome and Greece.

34:30I mean, come on.

34:31That's the first thing I thought.

34:32We always know it's going to be beautiful.

34:35It's going to be wearable.

34:36And it's always Greece and drapery.

34:38Why is it so negative?

34:39It's not negative.

34:40Every time I tell you the same thing.

34:42I want to see more.

34:43I'm really curious to see if you can do more.

34:45I want to see you out of this box.

34:48Okay.

34:51We've heard what you had to say.

34:53We're going to have a little chat.

34:54And then we'll call you back.

34:55You can leave the runway.

35:07So what did we think of today's show?

35:09I think that we saw some pretty wonderful looking clothes.

35:14And some that were not as extravagant and imaginative as I would have liked to have seen.

35:20What did you guys think about Jillian's?

35:22The jacket was nice.

35:24Yeah, it was beautiful.

35:25The back was beautiful.

35:26Yeah, it was nice.

35:27I think her clothes are impeccable.

35:29I've been surprised by her design.

35:31She's ballsy.

35:32You know, she's all quiet, but her pieces are not quiet.

35:35She goes pow.

35:36Here it is.

35:37All right, let's go to Christian.

35:40For me, it's a talent.

35:42He's good.

35:43Yeah.

35:44He understands how to make clothes that are emotional in a fashion show that can be taken

35:52apart and work in real life.

35:54He delivered.

35:55Yeah.

35:56He delivered.

35:59And then there is sweet pea.

36:01I don't have so much to say about that dress.

36:06Certainly the plus with her clothes, they're the kind of dresses and the kind of clothes

36:11that, you know, they're flattering, they're wearable.

36:13And it's more a commercial vision that she has, which is fine.

36:17Yeah, perfectly fine.

36:18There's a place for that, of course.

36:19Yes.

36:20But that doesn't make for fashion.

36:24Chris.

36:25He made a wrong choice taking something that memorable and doing it twice.

36:29But I will say that that looked like a couture dress.

36:32My vote was the highest, honestly, because I saw art in this piece.

36:40But yet again, I do think that he played it safe.

36:43But I do have to say, he has drama in his blood.

36:48There is undeniably that factor.

36:50He's a showman.

36:51Mm-hmm.

36:52He's a real showman.

36:53I mean, our taste or not our taste, he will put on a show.

36:56Totally.

37:01Rami, he technically is a very good designer.

37:04Technically, he's very good.

37:05Yes.

37:06But he doesn't want to take any risks.

37:09Well, you don't get ahead if you don't take risks.

37:12I like his work.

37:13I think it's sophisticated.

37:14It's well done.

37:15I just think that I want him to show me something else that he can do.

37:19I agree with Nina.

37:20He's a smart, driven designer who is passionate about fashion.

37:25And those are all the things that you have to be.

37:29This is a really tough decision.

37:31Do we know what we are doing here?

37:33Are we all good, do you think?

37:34Yeah.

37:35My mind's made up.

37:36Yeah.

37:37I agree.

37:38Okay.

37:39Let's bring them back out.

37:50Designers, it's been a long journey.

37:52But only three of you will make it to Fashion Week at Bryan Park.

38:09Designers, it's been a long journey.

38:13But only three of you will make it to Fashion Week at Bryan Park.

38:18Let's start with the winner of this challenge.

38:22Congratulations.

38:26Christian, you are the winner of this challenge.

38:30You have shown us a strong point of view throughout.

38:33And this win guarantees you a spot at New York Fashion Week.

38:38You can leave the runway.

38:39Thank you so much.

38:48At work.

38:50Jillian, you're in.

38:52Really?

38:53You are also guaranteed a spot to show at New York Fashion Week.

38:56You can leave the runway.

38:58Thank you all so very much.

39:00I've learned a lot.

39:16Sweet Pete.

39:21Sweet Pete, you're out.

39:23Okay.

39:24We do believe in your talent.

39:26I hate to see you go.

39:32A few days.

39:42I'm out.

39:44I knew it.

39:48I just got eliminated.

39:49And...

39:54I'm a big crybaby.

39:55But...

39:57I mean, I really believe what's supposed to happen will happen.

40:01And I know I'm gonna be fine.

40:03I'm just a little sad.

40:10Rami.

40:11Chris, this was a difficult decision.

40:15Rami, your work has been consistent.

40:18But as this challenge showed, it's been consistently safe.

40:22We question if you can bring anything new to Fashion Week.

40:27Chris, we know you can bring drama to the runway, even if it's something that we've seen from you before.

40:36Like tonight.

40:38But this was your moment to show us something new.

40:41We were disappointed.

40:42We were disappointed.

40:48Chris.

40:51You're in.

40:55Rami.

40:57You're also in.

40:59What?

41:00Rami.

41:04Rami and Chris, we were deadlocked.

41:06So we're going to give you both an opportunity to create collections for Fashion Week.

41:14Now, don't get too excited, because only one of you will make it there.

41:20When you return to New York for Fashion Week, you will show us your three strongest looks from your collections.

41:27We will judge these looks and determine which one of you will move on to compete at Fashion Week and which one will be out.

41:37We believe in both of you, which is the reason why we're giving you this opportunity.

41:43Congratulations, you can leave the runway.

41:47We're both in.

41:48Really?

41:49But they will choose one of us after we do the collection.

41:50Me and Chris still have to compete, so I will certainly create a collection that is very strong.

42:08I'm glad that they are going to give me a chance.

42:10I won't disappoint them.

42:12I'm glad I'm not done.

42:14Why are you talking?

42:16Oh, you guys, congratulations.

42:19Sweet Pea, I love you.

42:21Sweet Pea.

42:23Hi.

42:24Sweet Pea.

42:25It's okay.

42:26I think they deserve it.

42:28We love you.

42:30I'm so happy I made it this far, and I think it was well-deserved.

42:33Love you.

42:34But, um, it was our last challenge before Bryant Park.

42:42And I wanted to go.

42:48Next week on a special episode of Project Runway.

42:51Are any of you upset about anything you've heard others say about you?

42:55Yes.

42:56You know, we all say things that were under the heat of the moment.

42:59I just have to say, if being on Project Runway didn't turn you gay, nothing will.

43:04You want to come sit next to me?

43:07This is just showtime times a thousand.

43:09Upset is probably the operative word for me.

43:12Victoria's always a bit uptight, no?

43:14Or is it just me?

43:15It's not just you.

43:17The winner of our fan-favorite competition is...

43:22Visit BravoTV.com to learn more about the fashions you've seen on today's show.

43:34Like some speakers today, let me come back to my house.

43:36Like some hope, who we love to.

43:43Look at the future hit what's for you

43:44Did you not like this video you saw

43:47Can't miss anything.

43:48Can't.

43:50Hey, people, you're not a good view.

43:51Go on, we don't not let you know what you're saying today,

43:53but you're not supposed to be, instead of on.

43:55Really?

43:56Well, wherever you listen to me,

43:57You're什麼ını Hackersず,

43:58I'm send you to live here in the hour.

43:59And you're asking me,

44:00I'll answer any questions that you helped with me.

Project Runway - Season 4 Episode 11 Full HD

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