- 5 months ago
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00:00Previously on America's Next Top Model
00:04I joined the final five for dinner
00:05And things got emotional
00:07I feel so lucky because we actually are friends
00:10The girls met South Africa's fashion elite
00:12Hi
00:13And Kenya
00:13And got a taste of Kenya's competitive side
00:16Cheers
00:17And Kenya loved the local cuisine
00:20Got you
00:21Yeah
00:22In the end, Christina couldn't thaw her cold persona
00:25I'm not feeling anything from you
00:27And she was sent home
00:28Four girls with names
00:30Naima, Kenya, Kaylee, and Brittany
00:32Who will be eliminated tonight
00:58Oh, hey, thanks, Britt.
01:04You're welcome.
01:05Hey, you're welcome.
01:06Hey, you're welcome.
01:07There are four of us now, and I think Kenya and Brittany have made a friendship where they can support each other.
01:16And Kaylin has been my best friend in this competition. She has been my emotional support.
01:22Before we went to town, it was so hard for me. I was like, this is ridiculous.
01:28You all must are used to being judged by us. This week, you're going to judge each other. Having my competitors judge me, it was very hard, but I think overall it's important in the competition.
01:38The person who I think may have the least potential in this, I would probably have the least potential in this, I would probably have to say Naima. I think there's a shell around her sometimes.
02:00Naima's personality is not very outgoing. People aren't going to relate to her as much as they would relate to, like, Brittany or, you know, to me.
02:07The whole point of that challenge was to see how much we've learned. So if that means I have to pinpoint every little thing that maybe they would say, then I'm going to do that.
02:15The thing that annoys me with Kenya is she doesn't put other people ahead of her. It's always Kenya, Kenya, Kenya.
02:21So I really didn't care who was my friend at that time. I was really showing them the way you said it. Can I finish talking, Brittany, please? I just want to finish this sentence.
02:29Okay, don't ever get rude with me like that again. You cut people off all the time. I know, and I'm learning that thing. You, I've asked you already, I'm not finished talking, but you still go.
02:36We've been together for so long. Little things that maybe wouldn't have bothered us in the very beginning when we were just starting off, it's just irritating now.
02:44You didn't let me finish. I want to finish.
02:51Is that caramel?
02:54In this modeling competition, every step counts. Be ready at 9.45 a.m.
02:59Every step counts? How obvious is that?
03:02It's obvious? What is it?
03:05Is it that chocolate thing?
03:07What?
03:08Eating is like, I don't know, it makes me feel better. I don't know what kind of syndrome I have.
03:13You've got that chocolate, what is that in your hand?
03:15Yeah, it's a chocolate muffin. Well, what are you talking about the chocolate milk?
03:17You really think it's that obvious? You think it's runaway again?
03:20I hope it is.
03:21No, a real, like, can I hold a piece of it? I'm sorry. I'm kind of creepy.
03:26Would you finish a gosh darn thought?
03:28I feel like it's going to be a runaway show.
03:30I don't think Kenya is watching what she eats. That's what the judges keep telling her. That's what they keep complaining about.
03:35And I really don't see that much progress. At all.
03:40Can I wear this, um...
03:49What's your name? Brittany?
03:51What's your name? You can borrow whatever you want of mine.
03:54Because I'm special. Say, because you're special at the end of it. Say it again.
03:58Because you're special.
04:00Cool, cool, cool, cool.
04:03Right here, guys.
04:09Hi, guys.
04:10Hello. How are you doing?
04:11Good. How are you?
04:12I'm fine. I'm Bebe.
04:14He's Mandela Mogwena.
04:15Pleasure to meet you.
04:16And together we're the co-founders of Jimbo Urban Ethnic Clothing.
04:20It's a proudly South African brand. South Africa comes from a pretty rough background. We just got a democracy just about ten years ago.
04:29So we wanted to wear something that would reflect who we are and where we come from and where we want to go.
04:35So we're going to show you what it is like in the township and where we derive some of our inspiration.
04:44These are the informal settlements, shacks.
04:48A township is basically what we call the ghetto back in America.
04:52It's like little meadow-like shacks, like with plastic bags for roofs.
04:56I'm sure you have shacks overseas.
04:58They're not like this, though. This is...
05:00This is more rough.
05:01This is very extreme.
05:02Yeah.
05:03This is not decent living by any man's standards.
05:06You want what?
05:07Decent living.
05:08This is not... this is not life.
05:12You see it on TV, but when you're actually in it and you see it, it's like, wow, this really does exist.
05:19We show up at the community center in the township.
05:28This is Jackie from Jazz Art.
05:30Hi, I'm Jackie Manyapilu.
05:32Hi.
05:33We're the Jazz Art Dance Theater.
05:34Today you'll be learning about rhythm and dance.
05:37I gotta say, I do not know how this is gonna go.
05:41You'll be paired up with an instructor, so let's get started.
05:45I hate dancing.
05:47I don't even know what tribal dancing is.
05:49You don't want me because I can't even...
05:51I know.
05:52This is gonna be embarrassing.
05:54Okay.
05:55Zoom.
05:56Stop.
05:57Stop.
05:58I've always thought that there was a connection between dance and modeling.
06:04It helps you realize your body as a whole piece of movement.
06:08Touch.
06:09I'm an actor where my people are from, so I should feel even more empowered.
06:14Like, I am where I'm from now, and so I really should bring it.
06:17Oh.
06:19My jeans are too tight.
06:21Step, step, step.
06:23I don't dance.
06:25Not at all.
06:27Especially not African tribal dance.
06:29I can't get into the motion jacks.
06:31I don't even know, like, what I'm doing.
06:33Okay.
06:34Skip.
06:35Woo.
06:36I'm just wiggling around up there.
06:39When things get too hard in my life, you know, I give up.
06:43Because I don't ever want to fail.
06:45Kaylin let it build and build and build.
06:48It made her feel even worse about herself.
06:50She's on water.
06:52Is it the best time you know people in the movie?
06:54Mm-hmm.
06:55All of us.
06:56It's good to come here.
06:57Not that it's more important to me than them because they're not black.
06:59I'm black.
07:00Kenya's just like, I'm black.
07:02I'm black.
07:03And this means a lot to me.
07:04And I'm just like, well, Kenya, don't you see me sitting here?
07:08Of course, I don't have dark brown skin.
07:10But my father is black and Mexican Indian.
07:14And my mama is black and Irish.
07:16Coming from America being black, like, I was like, before I die, I have to go to Africa.
07:20It feels really good to be here.
07:23Some of them are saying to me, like, welcome home, welcome home.
07:26And they're not saying this to the other girls.
07:27I feel very good they say that to me.
07:30Okay.
07:31So you've learned the dance.
07:33You know it.
07:34And now we're going to be performing it in front of an audience.
07:38There are times where, you know, ultimate and total humiliation is just not something I want to throw myself into.
07:44I do a pretty good job of that by myself.
07:46It is a challenge.
07:48And you will be judged.
07:51This is Alfred Henkel, chief director of jazz art.
07:54And you've also got a special guest.
07:56What's up, girls?
07:57Hey!
07:58What's going on?
07:59It's very nice to see Miss J, but I don't want to dance in front of her.
08:00You gonna show me what you got?
08:01Yeah.
08:02Okay.
08:03Good.
08:04Go back into the dressing room, get your costume on.
08:05It's show time.
08:06Yes.
08:07Dancing is one thing I can't do.
08:08And I never want to be on the stage dancing.
08:09I hate this challenge.
08:10It's just, it's frustrating.
08:11It's really frustrating for me to watch girls, my friends, and I feel
08:34And I never want to be on the stage dancing. I hate this challenge. It's just it's it's frustrating really frustrating for me
08:50Today's challenge we're gonna be judging how well we can move and how well we've learned the actual choreography
08:56you've learned the dance and
08:58Now we're gonna be performing it in front of an audience. I'm just like, okay, let me just roll with the punches and see if I can do this
09:04I
09:06I
09:08I
09:10I
09:12I
09:33The audience didn't like my dance. I don't blame
09:42I
09:44Got up and you know in front of that stage in front of the audience, of course, I was very nervous
09:48But I acted I acted the entire time I was up there because I wasn't comfortable
09:52Kaelin never thinks that she did good or she's doing good or does good and she always does
09:59I
10:01I
10:03Feel very honored and very blessed to actually learn some african dance
10:09Being the only black girl not that I appreciate it more than everybody else because they're not black
10:13But this is very important to me
10:15Being a quiet person is part of who I am for me because I've been like training and ballet for so long dancing
10:25I've given me an outlet to express myself without speaking
10:29To perform in front of african people who live here in a township it was like really cool like I feel very very good about myself
10:55I would like to ask the audience
10:59Who do you think was the better Kenya?
11:09Brittany
11:11You know
11:13You know really deserve it. She did a great job, so I can't be better though. I would love to be for the winner of this competition
11:32You get an extra
11:3530 frames on your next photo shoot
11:37You also choose one girl that will get an extra 20 frames on her next photo shoot
11:44So who will be the lucky girl?
11:46Kenya
11:47My name picks Kenya to share in the present. I'm not really sure why
11:51I have a very strong friendship with Kaelin
11:53But I have to think as a competitor her pictures are already great and if she gets more frames
11:58It's gonna give me less likely of a chance of surpassing her in the panel
12:01Now Kenya, you get to choose the girl who gets an extra 10 frames on her next photo shoot
12:10These
12:11Miss Brittany
12:13You get to tell Miss Kaelin
12:15That she gets nada
12:17She takes fabulous picture. She doesn't need any extra frames
12:20So girls congratulations and good luck
12:23He did beautiful
12:30He did beautiful
12:32Really why did you pick?
12:34Because I think I could keep you in health if I have extra frames, right?
12:37And so I get picked last and I don't get anything
12:40Is this some kind of small attack on me?
12:43Okay?
12:44Yeah, fine
12:45What's going on?
12:47What is their motives for doing this?
12:48Are they, you know, just trying to get rid of me?
12:50I just hope that the rest of this competition goes by fast
12:54Because it's just really starting to wear on me
12:57Hi, ma'am
13:04Hey
13:064-6-6-6-4
13:08Be ready at 11 a.m.
13:11Tyra
13:12What does that mean?
13:13I know what 666 is, but what the hell is a 4?
13:154-6-6-4
13:17I'm not really sure what it means
13:18It could be a pizza delivery boy's phone number
13:21Hi
13:27Welcome to Robben Island
13:28My name is Mojise
13:29Robben Island basically was my home for 5 years
13:31Robben Island was a prison
13:33We find out that Robben Island was political prison
13:36When there was a lot of like racial segregation and stuff going on
13:40A lot of pain, a lot of beating, a lot of torture
13:43Robben Island was Nelson Mandela's home
13:45In a period of 18 years
13:48Nelson Mandela was a man who was a tribal chief
13:51Ultimately became a lawyer to be in the struggle
13:54He was arrested, brought to Robben Island
13:56On his release, rose from the ashes of Robben Island
14:00To become the first elected state president
14:021994 in a new democratic South Africa
14:06As we came here, we would be given a prison number
14:09And that would be your identity
14:11Mr. Nelson Mandela, the number is known as 4-6-6-4
14:14The name Nelson Mandela kept mine
14:17The name Nelson Mandela kept mine
14:20People hoping
14:24I didn't know if Nelson Mandela at the time was alive or not alive at the moment
14:29Okay guys
14:29Kenya asked me, you know, is Nelson Mandela even still alive?
14:33And I was like, yeah
14:34So, I didn't think that she knew much about him
14:39Today I hold a master key
14:41I never dreamt of having this key in my hand
14:44One of you ladies will have the pleasure to open Mr. Mandela's cell
14:48It's like, which one of you girls would really like to open the cell?
14:52What?
14:54Yeah, this is Naima
14:55And you know, as Naima was walking up to the door
14:57I like, I wish I was opening it
14:58Kenya wanted to unlock it
14:59And like, she thinks just because she's the black one that she deserves to open it
15:04I don't really think of Naima as black
15:06I just don't see that in her
15:09I'm not the typical black girl
15:11But it means a lot for me being here
15:131964 to 1982
15:19Just the courage of that one man
15:22Kept us going
15:27I didn't even think that Kenya knew who he was
15:30She doesn't know if he's alive or not
15:32So I didn't understand why she was getting so emotional
15:35You probably weren't emotional about it
15:37But
15:38I cried when I went in Nelson
15:40I was in Nelson Mandela's cell
15:46Do you know how big that is?
15:48I guess
15:49I mean, maybe it really does mean a lot to Kenya
15:51I just feel like it's somewhat for show
15:53I've heard her say it so many times
15:55It just means so much to me because I'm black
15:56And then she's like, okay, alright, great
16:02Carmel
16:03Yes, Carmel
16:04Are your feet as heavy as your luggage?
16:06Find out tomorrow at 8.30
16:088.30am
16:17How you guys doing?
16:17Good
16:18Good
16:19No, we're not riding ostriches today
16:20Okay
16:21Look at them
16:22On today's show we're doing like a 1940s photograph
16:24For Caress Sensational Smoothing Body Wash
16:27And the setting is here at this ostrich farm
16:29So you girls are kind of like the aristocratic women on vacation in Africa
16:34We're going to have some African drummers
16:36And you guys have learned all about what?
16:38Movement
16:39Movement
16:40Today's real challenge is how well you can dance and move and make it look believable and beautiful in a photograph
16:46So you guys had a little competition this week and who won?
16:50Naima?
16:51Okay, so normally when we do a photo shoot we give each of you girls 70 frames
16:55So you won 30 extra frames, so you have a total of 100 frames today
16:58Naima doesn't need 30 extra shots, she's a great dancer, she'll probably get it on the first shot
17:03Then Kenya, you won 20 extra frames, and Brittany, you have 10 extra frames, and Kalen, you don't have any extra frames
17:10That means you've got to work the hardest
17:12Your photographer today is Johan Wilkie, he has shot for a lot of international fashion magazines
17:17Today we're going to have people dancing, I think it's important just to be yourself, relax
17:22But you're going to be dancing with three hot guys
17:26So these are your guys today
17:31Hello
17:32Leroy
17:33Karpini
17:34And Mark
17:35So, let's go to hair and makeup
17:39Do you want to go out?
17:49Oh, you guys?
17:50Oh, you want to go out?
17:51Mm-hmm
17:52Why go out?
17:53You want to know how to party in South Africa?
17:56Oh, yeah
17:57It'll be fun to go out with the guys for dinner
18:00We don't get a lot of interaction with other people
18:02Bertini?
18:03Bertini
18:04Yeah
18:05I like that name
18:06Bertini
18:07Bertini is a very interesting person
18:10Before we go on to the shoot, like, he's very, very flirty
18:13Do you want to give me your number?
18:14I don't have one
18:15Number?
18:16I'll give you mine
18:17Be able to take you a picture of myself
18:19He's trying to get my phone number
18:20And, um, he's trying to take a picture of me on his camera phone
18:23And, um, it was very awkward
18:25Can you give me that massage?
18:26Can you give me that massage?
18:27He wants a massage for me
18:28Sorry, gotta go right in the wardrobe, that's it
18:31I need to go Mickey D style
18:34You know, I need to really watch what I eat
18:36So that I can get my body back to how it was when I first entered the competition
18:40I feel like I am pretty much sticking to my diet
18:43If there are only french fries to eat, I just eat a small amount of french fries
18:50I think that she hasn't been paying attention to a lot of things she's putting in her mouth
18:59Ready there, Naima?
19:00You wanna dance?
19:01You're gonna have some fun
19:02You look great, alright?
19:03So, you know, have fun with this
19:04Do we have some music?
19:06Because I'm a dancer and because everyone knows that
19:16I really have to work a lot harder
19:18It definitely puts the pressure on
19:20You're giving the perfect expression
19:22You're confident, you're alluring
19:24I deliver when I'm on a photo shoot
19:26I need to bring that with me to the pan
19:29Naima, we're gonna go into your 30 extra frames right now
19:31When we got into those extra 30 frames, Naima got a little carried away
19:35And we're from ballerina into...
19:37Showgirl
19:45That's it, Johan, she's got a hundred shots
19:51Getting space now
19:52Huh?
19:53I gotta...
19:54I gotta break this out
19:55I need some space
19:56Hey guys, get this...
19:58Music
19:59What you're doing right now is...
20:04I need you to be you
20:07I need to believe this
20:08I need it to feel carefree
20:09And I need you to stop posing for the camera
20:11I need you to kind of get into it
20:13And I hear Bartini moaning
20:16I feel him like breathing on me touching me
20:19And it's not comfortable at all
20:21Stop!
20:22What's the issue?
20:25I know it's not about feeling comfortable
20:27But...
20:28I hear moaning
20:29It just threw me off
20:30Moaning where?
20:31Like on me
20:32Like, I'm sorry
20:33I just didn't feel comfortable
20:36It's just so awkward
20:37And very disrespectful to me
20:39So...
20:40I don't feel...
20:41We can continue on with the shoot
20:46What's the issue?
20:47I know it's not about feeling comfortable
20:49But...
20:50I hear him moaning
20:51It just threw me off
20:52I'm sorry, I'm sorry
20:53I don't feel bad about
20:54Stopping the shoot at all
20:55Bartini has crossed that profession online
20:57And I feel extremely uncomfortable
20:59We're here in a professional situation
21:01There are like 50 of us in here
21:02Oh, right, right
21:03We...
21:04We're going with the flow
21:08Whoa, whoa, whoa
21:10Yeah, yeah, yeah, yeah, yeah
21:12The Bartini guy...
21:13He didn't catch the hint
21:14He kept doing it
21:15Yeah, yeah, yeah, yeah, yeah
21:16So this is for the guys
21:18Let's try and be interested
21:21Without literally grabbing her butt
21:23I feel a lot of pressure added on to me
21:26Because I can end up being eliminated
21:28For not doing so well in the shoot
21:29Because of his actions
21:31Last frame
21:32Hey, cool
21:35I know that it's not about being comfortable
21:37But there is a line that I feel was crossed
21:39And I hope that doesn't come out in my picture
21:42When I go to the panel
21:43I'm fine with the other people
21:45You know, getting into the moment
21:46But don't flirt and attempt to get in my panties
21:51And if I have to go home because I didn't make it seem real
21:54Then I'm going to feel proud that at least it wasn't because of me
21:58It wasn't because of me
21:59I don't think that she should have let Boutini affect the way her shoot's going to go
22:04It's not fair for Kenya to blame someone outside of herself for her shoot going wrong
22:11Brittany's probably loving it
22:12I just feel that I've really got to step it up because Naima is such a great dancer
22:19So I've just got to get a good shot
22:25I can't use a shot with your arms straight up like this, eh?
22:28So if you have your arms up, do something a little more graceful
22:30Because right now it's looking like, woo!
22:32This shit's very awkward
22:33And I just don't know if I'm doing it good or not
22:36That was a whole lot of nothing
22:38All the other girls have had extra frames today
22:44And you don't have time to be nervous
22:46I have a lot of pressure on me because I have less frames than the other girls
22:49And there are all these male models
22:51And that makes me a little uncomfortable
22:53And I can't dance
22:54I want you to get in the scene with this
22:59I don't know really why I do have this discomfort around boys
23:01It's just the way I am
23:02You know, I'm not ever looked at like this sexy girl
23:04So it's really hard for me to think of myself that way
23:08Less posey Kaelin, a little more dance
23:10Kaelin needs to learn how to trust herself more
23:12She can't walk onto a set super nervous and doubting herself
23:16I think it went okay
23:17It felt more like dancing than posing to me
23:19Which is a little strange
23:20Because I'm a poser, not a dancer
23:22I know that was a lot for you to let out
23:24How was it for you?
23:25How was it for you?
23:26Awkward
23:27I did this one?
23:28No
23:29I went into dinner like we're gonna have fun
23:34These guys are cool I ain't got with
23:36They were cool on set
23:37Why not?
23:38Hey Kaelin
23:39What's up?
23:40First thing I see is we're cheating
23:42Ugh
23:43Why?
23:44I do not want to see this guy
23:45He's so obnoxious
23:46It's gonna be a very irritating night
23:48Hold on
23:49He was full on
23:50You're gonna suck though
23:51You're so like
23:52Intrude, you're moaning
23:53And I felt you on my side
23:55There's a line
23:56Was it a thin line?
23:57No, it was a pretty thick line
24:00And I crushed it
24:01It was pretty darn thick
24:03I thought I was trying to make the picture hot
24:05You did good
24:06You did a great job
24:07I didn't mind you at all
24:08I thought you were fabulous
24:09I was trying to make the picture hot
24:10Ha ha ha
24:11Where did you go for your drink?
24:12Where is it?
24:13Are you going to go for some more?
24:14Dinner stinks
24:15Dinner is awful
24:17The food's great
24:18The conversation stinks
24:20This table has been extremely awkward over this bill
24:24What's mine on here?
24:27Hey, thank you
24:29My thing's not on the bill
24:33What do you need?
24:34I don't have rent
24:35Who comes to dinner with no money?
24:36You know what, Brittany?
24:37I feel tension right now
24:38I don't want to talk about it
24:39So we can just not talk right now
24:40And I am
24:41Embrace it
24:42Love it
24:43I just squash it
24:44Wall around in the tension
24:45Poor guys
24:46Are just sitting there looking at us
24:47Bash each other
24:48Hey
24:49Okay
24:50I think her personality more and more selfish factor
25:06It's driving me the same
25:07I think I can see things that are fake
25:11And I see fake
25:12And I see fake
25:13A little awkward
25:17You're very selfish
25:19Very much
25:20Like you didn't have the money
25:21You didn't have room
25:22But you ordered drinks
25:23How do we even pay for your drinks then?
25:25Explain that, how?
25:26Let me tell you this
25:27How?
25:28How?
25:29How?
25:30Brittany
25:31How?
25:32With what?
25:33This is very interesting
25:34No!
25:35Yellen's not going to change it
25:36So if you want to think that I'm selfish
25:37You go ahead and think that I'm selfish
25:38Are you listening?
25:39It just goes back to her selfish tendencies
25:41Like in Nelson Mandela's jail cell
25:43You just automatically think because
25:45You know, you're black
25:46That you should be the one that opens the cell
25:48I know this experience means a lot to Naima as well
25:51You didn't like that she got the key
25:52When he gave her the key
25:54You cried about it
25:55You didn't even know
25:56If he was still alive or not
25:58Whatever
25:59I don't know if you're over someone
26:00That you don't even know is alive or dead
26:02I hate listening to people yell
26:04And just scream at each other
26:05Because there are other ways, you know, to deal with that stuff
26:07After she opened the key
26:08It was an emotional moment for me
26:09You were not in my shoes
26:10You don't know how I felt at that moment
26:12So you go ahead and say
26:13She felt annoyed
26:14I'm thinking in my head
26:15Wow, thank God, Naima
26:17You got to hold that key in your hands
26:19Because obviously these girls don't hold that experience in such high esteem as you do
26:24You are just taking this because you're black
26:26You've said it many times
26:27This whole experience to me because I'm black
26:30Please warn me because this is
26:31Because you're black
26:32This is where I came from
26:33Yeah, what do you think?
26:34Yeah, because I'm black
26:35Oh my God!
26:36What is that?
26:37What the hell?
26:38Yes!
26:39Yes!
26:40Yes!
26:41You're black
26:42You let me play myself so I can talk here
26:47I am!
26:48I am!
26:49Brittany and Kenya are arguing with each other over what happened at the previous day and
26:56it pissed me off
26:57When you got all teary-eyed because she opened his jail cell
27:00I thought that was you being, why does she get to open it?
27:03Oh, you thought I was crying because I couldn't open the jail cell?
27:05Yes!
27:06Because you're black and she's whatever
27:08We need to respect each other
27:10We both have different cultural experiences
27:12Can I just...
27:13No, no, I'm not asking questions
27:16You're trying to talk, I'm trying to...
27:18Listen, Naima
27:19I don't want to hear it
27:20I know, I know whatever you have to say is going to be extremely important
27:22I have to stop this right here
27:24That experience yesterday that I had was too important
27:27Please, Kenya and Brittany, don't talk about this anymore
27:29I'm over the key moment too
27:31So give me another example so I can better myself if I am in fact selfish
27:34When I hear people yell and scream, I really do just want to separate myself
27:38Don't let little things add up and then at night like this happen and say
27:41You know what, you're selfish, blah blah blah happened
27:43Let me know at the moment
27:44It's just unfair that I'm the only one that will speak up
27:46And you don't have to leave the room because you feel that way
27:49It's not fair, I'm the only one that's saying anything
27:51I was great friends with Brittany
27:55But this is a new side of Brittany that I've never seen before
27:58Especially towards me
28:01Ms. Tyra Mill here, girls
28:03Tomorrow you meet with the judges
28:05Only three of you will continue on in hopes of becoming America's Next Top Model
28:08One of you will be eliminated
28:10We are all stressed out and pressure is definitely starting to pile on
28:20We're just ready for there to be a winner and let's do this
28:23Welcome ladies
28:34Hi
28:35Now it's time to make our 11th cut
28:37Which will bring us one step closer towards determining who will become America's Next Top Model
28:43And you guys know about our fabulous prizes
28:45The first is a contract from top international model management company, Ford Models
28:50A spread in Elle magazine shot by world-renowned photographer, Gilles Ben-Simon
28:54And a $100,000 contract with CoverGirl Cosmetics
28:57And of course you've grown to know these judges very well
29:00The first is Janice Dickinson
29:02Janice is one of the world's first supermodels
29:04Nigel Barker, a noted fashion photographer
29:06Hi ladies
29:07Nolay Marin, prominent fashion editor and stylist
29:11And of course you can see our gorgeous guest judges over here, Mandela and Bebe
29:15These guys are the designers of an amazing urban ethnic clothing line called Jimbo
29:19Hi ladies
29:20Hi
29:21Now as you guys know you've been moving all week
29:24And you know that one of the biggest requirements for a model is that she needs to know how to move
29:29So today you're going to be dancing together
29:33Not necessarily in unison but at the same time
29:36You're going to be moving, moving, moving, moving and bam
29:39Posing when I call for you to pose
29:41Are you ready?
29:43Let's go!
29:49And pose!
29:56Go!
30:00Pose!
30:01Up!
30:02Up!
30:03Up!
30:04Up!
30:05Up!
30:06Up!
30:07Up!
30:08Go!
30:09Yeah!
30:10Work it!
30:11Come on!
30:12You guys are one!
30:13Come on!
30:14More energy!
30:15And pose!
30:16Come on!
30:17Up!
30:18Up!
30:19Up!
30:20Up!
30:21Up!
30:22Up!
30:23Up!
30:24Work it!
30:25Woo!
30:26Up!
30:27Woo!
30:28No way!
30:29No way!
30:30No way!
30:31Go Nigel!
30:32Go Nigel!
30:33Go Nigel!
30:34Daniel!
30:35Go Gannon!
30:36Mandela!
30:37Mandela!
30:38Mandela!
30:39Woo!
30:40I needed that!
30:41All right!
30:42First is Brittany!
30:43all right you're really holding back you could have just given a little bit more
30:50bump and grind I don't see any energy in your face of personality just not there
30:55here's my Brittany my girl need to like really spice it up a little bit more
30:58all right Brittany so you had a photo shoot well you look great Brittany I'm
31:02seeing a different side to you this is not standing photograph you had a lot of
31:08shots with your arm up really beautiful like this when you were calm but when
31:11you were told to get energy you kind of lost it and we have examples of all the
31:15girls is four shots today that was you giving energy and you know energy doesn't
31:23mean it means you know hey hey hey yeah I couldn't keep my eyes off you you were
31:31smart enough to step out of the pack the movement was so sexy you look like a
31:38decent cup of hot chocolate I just want to tip you down but you look like
31:41they're gonna bake cookies in this outfit here is your best shot it's a good shot
31:46it's not a slamming shot I would like to see more neck yeah more neck more movement
31:50the thing is that this male Marlo Bertini he was flirting with me he was grinding on
31:55me I felt like he really crossed the line there has to be a way that you can
31:58handle it you know you have to be able to be in control like with your feminine
32:02wiles like boy you best to back up so I knock you inside the head but you do it in a
32:05fun way where he knows to back the heck up but it doesn't really put static in the air
32:10because then it makes you uncomfortable if someone is harassing you then it can
32:13manifest itself in the photos but it doesn't show this extremely professional
32:18thank you let's see what your bad thing wants
32:21tummy action again you learn how to suck it in girlfriend
32:25I got the same stomach girl and I got to hold it in like when I'm lost you got to work
32:28look what you got all right Kaelin Kaelin African birds have more rhythm I called you the saltine
32:35cracker dancer you are very square and very dry it was pretty strange to my eyes
32:40here's your best shot for me it's not my favorite shot of you you look a little scared sometimes the
32:46sexy thing is a little hard knock it off there's a way of just like lining those boys up and messing
32:53up their hair pulling down their g-strings and dancing and having a good time so yeah Kaelin you
32:58had some bad ones as a model you need to embody your environment and you're not modeling with
33:03these guys you look like you're just standing there waiting for a bus because of the challenge
33:06you had the least amount of frames and Kaelin you needed those extra frames badly
33:10Naima you're a beautiful girl and you dance well but you are hidden you need to make yourself
33:16get out in front I've seen you dance in that casting room in Los Angeles but now you were so
33:22holding back what was holding you back I don't know it's yes you do I don't I don't think I was
33:28concentrated you were concentrated or constipated Naima you're a professional dancer right do you think
33:33you would have gotten appointed to for a callback not today not today and here is your best shot
33:40that is spicy pepper you control this picture I'm looking right at you your body looks fantastic
33:46this is what you need to do in front of us just now step out let's see your bad ones that's not
33:51bad you had a hundred shots but you didn't need a hundred shots somebody else behind you needed a
33:56hundred but not you had this been an audition today I would not have booked you to do this
34:01and I would have missed this shot
34:03this is not my favorite picture of Kaelin she looks scared here but I think Kaelin is versatile
34:11I love the picture she's very eclectic Brittany this photo of Brittany is flawless I think her
34:17personality is shrinking I want a bit of the old Brittany come back Brittany has more personality
34:22than anybody in this entire country Naima Naima takes gorgeous photographs her attitude today didn't
34:29support what we've seen in this picture who is Naima I don't know that I know yet she's like a Fabergé egg
34:34she's so gorgeous and glittering on the outside but inside is empty she may crack Kenya she walks in
34:40and she looks like a top model no she looks pudgy by African standards she would be the skinniest girl
34:47in life by African-American standards she'd be skinny too you saw her I contact her dancing she just
34:52stepped up she didn't hesitate by the way Mandela I love watching you speak like your lips they're like
34:57I have four very beautiful girls standing before me and as you know I only have three photos in my hands
35:17these photos represent the three girls that will still be in the running towards becoming America's
35:22next top model first name that I'm going to call Kenya Kenya your performance today in this room
35:34showed that if you say I am it I am beautiful and I'm gonna take the spotlight and prove it to you
35:39sometimes it makes the judges turn their heads away from the little extra that we might have in our
35:44midsection congratulations you're still in the running towards becoming America's next top model
35:49you're almost a complete package the top model's got to be sexy they have to have a fire inside and
36:07they can't be afraid of that fire congratulations
36:10well Naima and Brittany please step forward
36:16I only have one photo in my hands and this photo represents the girl that will still be in the
36:26running towards becoming America's next top model neither of your comments are about your photos
36:30it's all about this because you Brittany you walked in with so much fire now the judges just see someone
36:39that's slipping away someone whose passion and desire may not be there like it used to be
36:44and Naima with you the judges see a fire that is burning very weakly the judges still say they
36:52don't know Naima and if they still don't really know who you are how are you gonna relate to all of
36:58America and I don't doubt that either of you have passion for this but one girl's passion seems to be
37:05dwindling and the other girl's passion seems to be stifled
37:13Naima
37:14we know it's there
37:19I see it but these people behind me have to see it
37:23congratulations thanks pretty
37:33he loves you sorry
37:38I love you thank you so much
37:44I can't believe it's, like, officially over for Lena.
37:50I'm going to miss, like, getting all, like, done up with fun costumes and, like, the photo shoots.
37:56I like the shoes.
37:58And I'm going to miss that.
37:59I'm going to really, really miss that.
38:02I'm going to miss probably Kenya the most.
38:06We call each other sisters.
38:07Like, we're so much alike.
38:09I'm proud of myself for making it this far, so I can look at the good.
38:13And it's just hard when you're so close, isn't it?
38:18So far.
38:32Stay tuned for scenes from our next episode.
38:35Coming up, it's finale week for America's Next Top Models.
38:39On Tuesday, catch some never-before-seen footage.
38:41This really hurts.
38:42As we take you through how we got from 14 girls to three finalists.
38:47And on Wednesday night, Kenya, Naima, and Kaylin duke it out in a CoverGirl commercial.
38:52Energy, please.
38:54And a Cape Town fashion show.
38:55All leading up to the final decision.
38:57Who will be America's Next Top Models?
39:00Find out next week.
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