- 7 weeks ago
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00:00Previously on America's Next Top Model,
00:05Takara's sexy full figure made her a star.
00:07I love the beach spotlight.
00:09I like to be the center of tension.
00:10Kelly received harsh criticism from the judges.
00:13Kind of looking like breast exams to me.
00:15And although Jennifer showed a critical error in judgment,
00:18Are you kidding me?
00:19It was Christy's insecurity that the judges couldn't overlook.
00:23Ten girls remain.
00:24Who will be eliminated tonight?
00:30Who will be eliminated tonight?
01:00And they thought I had no personality.
01:06Girl, I wouldn't have had you to do that.
01:08You should have asked me before you went.
01:09Uh, plus judging didn't go so well.
01:12That's like life since you get fired.
01:14You're playing that kind of a joke on a runway.
01:16The whole writing on the butt thing of something that I would do.
01:18I'm trying to joke around more, but...
01:20Tyra is a very classy lady.
01:22She does not like that type of stuff.
01:23That's not classy.
01:24And Janice didn't like it.
01:26And I'm going to tell you, if Janice don't like it,
01:28It ain't good.
01:30Foul ball.
01:32That hadn't been doing well, but Tyra and Nigel loved my photo for the lead jeans ad.
01:37Wow, Ann.
01:39So that was good because they finally said to me,
01:42Now we see that, like, why you're here.
01:44If I can get myself together, I think it'll keep getting better.
01:46I definitely didn't get this far in the competition for having, like, amazing photographs.
01:59That's for damn sure.
02:01But I'm trying to keep in mind that, you know, that that's something that just can come to practice.
02:05Let me speak to Daddy.
02:10Like, Mama's been making me mad a lot lately.
02:12And then I called her and I told her about it.
02:14She's like, well, I'm depressed right now.
02:15I don't want to talk about it.
02:16You know what I'm saying?
02:17And it was like...
02:17I'm proud of who I am.
02:19And I'm proud of where I come from.
02:22I kind of had to be tough all my life.
02:24My mom and my father, they had problems.
02:27And so I've kind of been the mama.
02:29I have to make sure that I'm okay.
02:31I can't rely on anybody but me.
02:33Tyrone, we're eating it now.
02:36New York pretzels aren't the only things that are twisted.
02:38Twisted.
02:39That's good.
02:43Tyrone says that pretzels are not the only thing that can bend.
02:48Go upstairs and Savas is there.
02:50I'm getting one back for you.
02:51Okay.
02:53Savas is our personal trainer.
02:54I think Savas' purpose is to, like, get us into, like, ideal model shape.
02:59Yoga for the day.
03:00All right, let's get started.
03:02And breathe.
03:04No exhalation.
03:05Yoga is hard.
03:06Because we'd be, you know, upside down or squatting and just weird stuff.
03:11Try to control your body.
03:13Just relax.
03:14I was playing so hard.
03:16I don't think I like yoga.
03:18Come down, lay down on the floor, face towards me.
03:20Bring your chest off the floor.
03:22Bring your hands on the left side of your body.
03:23One of the moves entails turning around.
03:26And right behind me is Janice.
03:28We're just looking fabulous as always.
03:30In the modeling art and field, we have a series of poses we have to do that goes along with the whole lineup of modeling.
03:39I'm now going to teach you how to pose.
03:41We'll start with bathing suits.
03:44With the stomach in.
03:46Woo-hoo!
03:47With my direction, I think any model can be directed to becoming a super diva.
03:53We're going to count four bathing suit poses that we can go to.
03:57One, two, three, four.
04:01Now, do you see my hands and my toes?
04:03Here's my friend, the photographer.
04:04Are you single?
04:05No.
04:06Just kidding.
04:07The photographer is only there to take your picture.
04:09Everything else is on you.
04:10Like, the way you move your hair.
04:11The way you do this.
04:12You must always be aware to not bring the crotch light.
04:16Hello!
04:16Important not to look like a porn star.
04:20Important to look editorial.
04:22Suck it in.
04:23Hike it up.
04:24Own it.
04:24Neck, hands, feet.
04:26Neck, hands, feet.
04:27Come.
04:28Stretch that center from this side here.
04:32Stretch your body.
04:33Stretch.
04:34Not that far.
04:36Come on.
04:36Work with me.
04:37We're going to do a triple.
04:38Take all the tension out of your faces.
04:40Janice put Cassie, Jan, and Ann in a photo together.
04:43Think length here.
04:44Kind of jut it forward.
04:46Suck it in the stomachs.
04:47Okay, you step out.
04:49Kicked in out of the photo.
04:51Jan, better wake up, honey.
04:53You're not looking too hot.
04:54Bam.
04:55Bored through the camera.
04:56French Vogue.
04:56Mm.
04:57Elle magazine.
04:58Mm.
04:58Maybe I wasn't doing it right.
04:59Maybe something wasn't there.
05:01That's fine.
05:01You know, it was just practicing.
05:02It's not like it was such a big deal.
05:04Next, we're going to have another category.
05:06We're going to be diva in gowns and pose with gowns.
05:08Janice walks in in this gorgeous gown.
05:14She just starts moving in it and working the gown.
05:17And that was, that's our lesson right there.
05:20Okay, all wrong.
05:22Okay.
05:23I like Janice Dickinson.
05:24What she says is it's sugar-coated.
05:25You have a bit of a handicap because you're smaller.
05:28So you need to think length.
05:30There you go.
05:31Diva pose, ladies and gentlemen.
05:33Eva has promised.
05:34She owned it.
05:35She worked it.
05:35She's got potential.
05:36Try to put some couture feeling into this Mark Bauer gown.
05:39Now I want you to own it and rule it.
05:42That's heaven.
05:42That's impressing you.
05:43I was really impressed with Narelle, even though she can't walk in heels.
05:46She posed in them.
05:47Kind of hike the nipple up so they're not like bent downwards.
05:51Like you kind of take it up and like lean them back.
05:54If a hold in your stomach.
05:56Diva queen.
05:58Takara nailed the pose.
06:00She got that feeling of diva.
06:03I'm digging this.
06:04Chin down, chin down, chin down.
06:05Yes, that's a pose.
06:07Thank you very much.
06:07You nailed that.
06:08Keep doing those spins.
06:10Bring motion to those stringy thingies.
06:14Stringy thingies.
06:17You are next.
06:18That's gown.
06:18How do you feel in it?
06:20Oh, that's pretty good.
06:21You can do better even in Idaho.
06:23Pretend it's a cow just giving birth.
06:26It's like it's the most incredible cow giving birth.
06:29And sell me the gown when I ask you.
06:34There's no expression in your face and you're not aware of your intent.
06:37Watch your mouth and watch your expression.
06:39Close your mouth.
06:40Don't look angry.
06:41Look couture.
06:41All right, let's start over because this is not working for me.
06:44Kelly has no expression in her face.
06:46It was like I was at the dentist's office pulling out a tooth.
06:48I couldn't get her expression to change.
06:50Then hide your face if you can't do it.
06:52Like, it was just discouraging.
06:54And maybe, you know, I was just also sensitive because I had been taking such horrible, horrible
06:59pictures.
07:00And it's like, well, maybe you're not as cute as you thought you were.
07:03Thank you so much for allowing me to be of service too.
07:05Thank you so much for allowing me to be of service.
07:35Tyra stopped in, which was a pleasant, pleasant surprise.
07:39So I know this whole experience is extremely stressful.
07:42So I came here to have a one-on-one talk with every single person here.
07:46Kelly, you're first.
07:47How are you?
07:48Okay.
07:48Have a seat.
07:49Do you have any questions or anything?
07:51Yeah, I want to know what some of my strengths and my weaknesses are.
07:54I think your strength is your skin.
07:55And then the weakness is that you don't understand your face.
07:58Because you are photogenic, but the way you place your face in a picture makes you not photogenic.
08:02Okay, but Tyra, you know what?
08:03It's so different in the mirror.
08:05Kelly is not different in the mirror.
08:06That mirror is the photo.
08:08It is the photo.
08:09I'm trying to get that fierce on that picture.
08:11I am, I am.
08:12So what did you think modeling was before you got here?
08:14I knew it was hard.
08:15I just, I guess I assumed because I'd always been told, you know, oh, you should be a model, you should be a model, that it would naturally come to me.
08:21Do you know why you're good at everything else?
08:23Why?
08:24Because you study it and you practice.
08:25Right.
08:26You didn't just start doing water polo and saying, oh, cool, that's cute.
08:29Let me get in it with my bikini and I'm going to win.
08:31You walked into this modeling world.
08:32Right.
08:32And didn't have a clue.
08:34Right.
08:34So what's up, Cassie?
08:35How you doing?
08:36I'm glad I'm here.
08:37Because I didn't come here so I could get away from what I did.
08:40I'm not going back to stripping.
08:41If I have anything to do with it, you ain't going back.
08:44And I'll be coming up on the stage and grabbing your little naked butt off that stage and saying, you're coming home with me, Cassie.
08:50We're not doing this anymore.
08:51You're going to make me cry just because you care so much.
08:53I don't necessarily feel like you want to be at the top or even really want to be here.
08:59And I don't know why people think that.
09:00Maybe because it doesn't come across strong and I've always kind of kept that to myself.
09:03In order to win this competition or even to progress from week to week, there's a fire that people need to feel.
09:09And I think that would be my note for you to learn how to wear your emotion a little bit more in your sleep because it's endearing.
09:15Basically, to me, what she was saying is, if your personality doesn't come out, I was going home is what I took as.
09:20And people ask me, what is your goal?
09:22And it's like, I'm here to win.
09:23And I'm also here to break barriers.
09:25I'm here to be the first black plus slash supermodel.
09:27So some people are like, oh, no, you're too big.
09:30And everybody was just telling me stuff.
09:31How does it feel when those negative ones are saying that to you?
09:34I've been through so much negative stuff in my life.
09:37My mom didn't raise me.
09:38My daddy didn't raise me.
09:40And why are you making me cry tired?
09:42Okay, this is the beautiful part of you.
09:44And this is going to make you a better person by being a human being and not just being one dimensional.
09:49It's true.
09:50As I figure, maybe once I get to where I want to go, maybe I can have my mommy and I can have my daddy.
09:56And then I just realized that I don't have power.
10:00Like, she has to want it.
10:01My daddy has to want it.
10:02So it doesn't matter who I am or who I become.
10:05They just have to want it.
10:06I can't make them do anything.
10:08But do you think maybe by you being America's Next Top Model or just being successful in any type of way here will inspire them to want it?
10:14You know, look what she did.
10:16I can't cry no more.
10:17I don't want to cry no more.
10:20I can't even go with my dad.
10:21It's the same thing.
10:24It's the same thing.
10:25But do you know when you're crying, that means it's still there and it's still inside?
10:30You know why I cry?
10:31Well, sometimes you can't do anything about, you know.
10:34And maybe I'm tossing myself up, you know, because I can't do anything about it.
10:39I can't dwell on it.
10:41I can't be stuck on it.
10:42I can't let it infect me.
10:44I can't, you know, I can't.
10:46You gotta go.
10:47I can't keep me.
10:48But look where you are right now.
10:49You are here.
10:51And your sister, 11 years old, is right there looking at you.
10:54And I think you have to use that as power.
10:57That's what's fueling you.
10:58That's what gives you that beautiful smile and that beautiful energy.
11:01And that's what's making those pictures beautiful.
11:03It's where you come from.
11:05Come here, sit with me.
11:06I can't change them.
11:08I'm telling you.
11:08No, you can't change them.
11:10But you can do for you and you can do for your sister.
11:12You can be an inspiration for your mother.
11:15She's going to see her baby and be like, oh my God.
11:19I screwed up so bad.
11:20I don't know how my baby got there, but she got there.
11:23She got there.
11:31I don't believe it.
11:32She made me cry.
11:33We were talking about my family and me growing up.
11:36And I was just...
11:38I'm just shocked at myself that I cried.
11:40I couldn't believe that I had tears coming out my eyes.
11:43Because like I said, this is my life.
11:44This is just what I had to go through.
11:46I had to be supportive.
11:47I had to be strong.
11:48So I had to be that one that people could come to and cry on.
11:51You know, I want to be an inspiration to people, you know.
11:53But the ultimate goal here is to be the last one standing.
11:57So you got to survive.
12:04The past three panels, I've had probably the worst photos in the group.
12:09I've had a penis.
12:10I've been a deer in headlights in the middle of a cemetery.
12:13I've been a platypus that just came from a dentist.
12:16The mirror is the camera.
12:17By just seeing myself.
12:18And I'm like, oh my God.
12:20I'm a idiot.
12:23Where is Kelly?
12:25Don't be crying.
12:27Come here, mama.
12:28It's wrong.
12:29I can't look at myself in the mirror.
12:32I'm so serious.
12:33You understand?
12:33I spent the last hour.
12:34Every time I look in the mirror, I'm crying.
12:36Before, you was all in the mirror.
12:37You couldn't get your ass out the mirror.
12:39Every time I turned around, you was in the mirror.
12:40You was here.
12:41You was there.
12:41You was there.
12:42Kelly came in this competition, and she was just like, oh, I am beautiful.
12:47And the judges have totally broke her.
12:50It's not good practice.
12:50It's not healthy.
12:51Okay, come to my room.
12:52Stand up there.
12:53Talk to me.
12:53Get out of the mirror.
12:54Come on.
12:55Go.
12:55I said, girl, get out of that mirror.
12:58Come to my room.
12:59I realized what it was.
13:01It's this part of my mouth right here.
13:03It's like an extra layer of fat or something.
13:05So it's like a snout.
13:07And that's why I said, like, you see it?
13:09Look.
13:10Like, she has that, too.
13:11See?
13:11Look.
13:12Look at it.
13:13You see how it's like a snout part?
13:15Okay, but what's ugly about that?
13:16I'm just saying.
13:17I don't, I didn't, I didn't, I was in denial about my snout.
13:21And now I know.
13:22And so it's just hard to work.
13:24You're very limited.
13:24Well, obviously she's doing something because bitch can pay.
13:27Because she knew.
13:27So obviously bitch working it.
13:30That's what I look like in the magazine.
13:33I'm going to kick you out of my room in a minute.
13:40Yes.
13:41Tyra Mail!
13:43Do you ever have a dream that you were walking around in all your underwear?
13:47We get our Tyra Mail, and I'm thinking we have to do a runway show in panties.
13:52You think we need to wear sexy panties?
13:53No, that's okay about some things.
13:55I'm going to be me.
13:57I'm going to be wearing my lucky lady drawers.
14:03Everybody knows La Perla is it in lingerie.
14:07It's just hot and beautiful.
14:09Hi there.
14:09Hi.
14:10Hi.
14:10Hi.
14:10Hi.
14:11Hi.
14:11Okay, girls.
14:12Welcome to La Perla.
14:14My name is Simon Doonan.
14:16I'm the creative director of Barney's.
14:18I understand yesterday you learned a lot about posing, and today's challenge is all about posing.
14:23Not only are we going to put you gals in lingerie, but we're going to put you in the window of La Perla in front of the whole of New York City.
14:33Um, I never thought I'd be half naked in the window of a store.
14:38Oh, God, you know, everyone's going to see my butt.
14:40You've got to look alluring.
14:41You've got to look interesting, but you can't look cheap and slutty.
14:44I'm going to divide you into groups.
14:46Each group is going to pose for 10 minutes.
14:48You're going to be judged on your creativity, your style, and your technique.
14:52I'm really comfortable with myself.
14:54So long as you have something that fits me, hey, put me out there.
14:57The winner gets $5,000 worth of lingerie.
15:08Okay, hi, hi.
15:09So you are a 4D.
15:11You're a 34D.
15:13Okay.
15:14And what size are you?
15:15Um, good question.
15:17Are you 32, 3, or 34?
15:20Not a B, eh?
15:21And what size are you?
15:22I'm a 38 Triple D.
15:25Okay.
15:26They're going to have a cute outfit.
15:28You can try this one, too.
15:31Let's see how that fits.
15:32La Perla didn't have my size bra in stock and the robe with a medium.
15:36But, you know, you have to deal with what you're given.
15:39You don't have to.
15:40I have to work with them.
15:41I'm going to see.
15:41Okay.
15:42Okay.
15:43I'll buy this one, and I will take this one, I will paste this, and then I will paste this over here, and I will sew it together.
15:49I'm kind of practicing what poses I might do.
15:51I'm remembering the tips that Janice had given us about, you know, foot up, knee down, twist, back, elongate, butt out, whatever.
15:59I'm feeling pretty good, especially since I've been practicing a lot in the mirror.
16:04I have, like, a new focus point today.
16:06Okay.
16:07First group, Kelly, Nicole, and Yaya.
16:11Follow me, and let's go into the window.
16:14We're in the window.
16:16There are only a few people walking by, but those few people stop, and then all of a sudden the street got busier.
16:21Come on, yes.
16:25It's a competition, girls.
16:27I'm like, oh, my God.
16:28Yaya's doing all this flexible stuff.
16:30And Nicole is doing, like, just really weird stuff.
16:33We're in the window of, like, La Perla, which is this very high-end lingerie line.
16:38They don't want to see, you know, a pin-up girl and a statue of, like, mighty-a-pid-a-dity.
16:42Fabulous, great, love it.
16:46Kelly just seems very natural.
16:48Everything she's doing seems effortless.
16:50Okay, next.
16:53I was very, like, stiff.
16:55I just...
16:59Cassie is just, wow, and she's just, like, ugh, ugh, ugh.
17:06I'm like, okay.
17:07Remember what Janice said, class, not crass.
17:13Fabulous.
17:20Ann is a girl with a lot of potential.
17:22She is very strong, very elegant.
17:24It's a natural thing.
17:25You can tell that's who she is.
17:27Three minutes more, girls.
17:29Give it all you've got.
17:31Yeah, more.
17:33Jennifer, she's a little dull.
17:35Slash very dull.
17:37And cut.
17:38Okay, girls, good job.
17:40Amanda, I don't think necessarily Lange,
17:42Dere is your forte.
17:43Now, Yaya, a lot of it was very athlete, very bodybuilder, which is maybe good if you're
17:49doing Nike.
17:50Norelle, of all the girls you came across as being the most sweet, Kelly, I thought you
17:54were very creative.
17:55Didn't seem like it was a big deal for you.
17:57You actually look more nervous now than you did in the window.
18:00Cassie is a little too bad a bing.
18:03Those guys out on the street would crash in their cars into each other.
18:05Nicole, you were kind of like 50s pin-up.
18:09I thought that was very cute.
18:10Takara, you're, obviously you have a sense of humor, but I didn't see any of it in the
18:14window.
18:15Work on bringing some of your natural charm into your modeling.
18:19Anne, you weren't particularly creative, but you have a natural elegance to you.
18:24Never once did you look sleazy.
18:26Eva, you're a real show-off, and I like that.
18:29Jennifer, you have a great body, but you look like you'd had a quaalude or something.
18:34Sometimes if my energy's low, I just try as hard as I can.
18:37Today, I know I wasn't going to be up to part of being Miss Personality because I didn't
18:41feel too good.
18:42The winner of this challenge is Kelly.
18:49This means a lot to me because the judges have only kept me around because they saw potential
18:54in me, and I can give them some reassurance that I do belong here.
18:58You get 5,000 bucks.
19:00You have to pick two other girls, and the first one that you pick gets 1,500 bucks.
19:06The second one gets 500.
19:08Okay.
19:09You get the 1,500 a man, but you get the 500 bucks.
19:11I love it.
19:12I get it.
19:13I don't think that this gives Kelly an edge.
19:15She's beautiful in person, but she hasn't been able to pull it off in pictures yet.
19:18Thank you so much.
19:20See you so much.
19:21Bye.
19:24Fire mail.
19:26The modeling world is a cat-eat-dog-eat-dog biz.
19:29Sometimes you just got to roll with the pungeons.
19:31Be ready to leave at 7.45 in the morning.
19:33I wonder if we're going to have a photo shoot with animals.
19:36I need no matter what to have a good picture because if I'm not consistent, I think that
19:39that would cause me to be eliminated.
19:40I think that we are going to be dog boxing.
19:45We're going to have to fight each other, fight some bitches.
19:47Well, I'm not going to be out.
19:49You know, really don't know exactly what to expect.
19:51I have to take whatever it is.
19:52I have to be fabulous.
19:54Oh, I'm stressed out.
19:56Everything we do, we're basically judged on.
19:58And I have to give 100% more, you know?
20:02Generally, I have that attitude deep inside me.
20:03I just don't want it out.
20:05And even though I do want to win it now, nobody sees that.
20:08Sure.
20:08So we got this tire mount and it says roll with the punches and it's a dog eat dog world
20:25or something.
20:25We were thinking all kinds of crazy stuff.
20:27What's in here?
20:33We arrived at the Roxy and we're greeted by J. Manuel.
20:36We got a lot of hair and makeup today.
20:38It's really exciting.
20:39So I just want to take you guys up there.
20:41What are we doing?
20:41And start hair and makeup.
20:42We're going to do a photo shoot, girl.
20:43What do you think?
20:44What are we doing?
20:44We get there and J doesn't tell us what's going on.
20:47He just sent us up to hair and makeup.
20:52Oh, that's cool.
20:54I love it.
20:55I look like one of those dolls that's like so pretty.
20:57But if you look at it at night, you're running out of the room screaming.
21:00I loved it.
21:01Oh, looking cool.
21:02Can I borrow all of them for like one second?
21:04I just want to introduce them to the photographer real quick and stuff.
21:07As you can see, the hair and makeup is really fun and the clothes are really fun.
21:12So it's a really creative, cool shoot today.
21:13Kelly just told me that you won the posing competition, which I still find hard to believe.
21:18But all right, work it out, girl.
21:19We got a little something else we're adding on top of the shoot.
21:21We're like, oh, God.
21:23Here it comes.
21:27Yo.
21:31Hi, everybody.
21:32Hey, Tyra.
21:33So today you guys are doing a photo shoot for Dooney and Burke Purses.
21:39And you're going to be doing it on roller skates.
21:41Did you notice the Tyra male says sometimes you got to roll with the punches?
21:45We thought animals were going to be involved in every shoot because we're retarded and we've read way too much in the Tyra.
21:50Today you're going to be photographed by Matthew Jordan Smith.
21:54Yo, lady.
21:55Hey, I'm good.
21:55Hey, I'm good.
21:55What's going on?
21:56He took all the most amazing pictures of me when I started, even now.
22:00And you're going to make him face, right?
22:02Absolutely.
22:02Bye, guys.
22:04Bye.
22:05Bye.
22:05Bye.
22:05Bye, Tyra.
22:09Beautiful, Norella.
22:10There we are.
22:12It's fun, but I don't roller skate, so it's kind of difficult for me.
22:16You're the dog.
22:17I want to get all of this, all of your face.
22:19Norella was good, but she kept wondering about the skating versus worrying about giving me a great face.
22:25So are you a roller skater, Yaya?
22:26Oh, I'm not.
22:27I was very surprised by my inability to just skate and stop and have control.
22:33Let's go, Yaya.
22:33Keep moving.
22:34Now you're on.
22:35Now you're on.
22:36Love that.
22:37Love that.
22:37That's an ad.
22:38Like that I can see as a billboard.
22:40You know what I mean?
22:40Yaya sucked on the roller skates, but her poses were incredible.
22:43Oh, you're so dry.
22:44I know how to say it.
22:46I'm anxious on lotion or something.
22:47Oh, I thought you were talking about some kind of remover.
22:49My booty don't enjoy doing it.
22:50Just tap my booty.
22:51Tap my booty.
22:52I'll slap it, young lady.
22:58Okay.
23:00Am I supposed to be you going to be skating around the ball or not?
23:02Putting on skates and trying to model is so difficult.
23:05Whoa, careful, careful, careful, careful, careful.
23:07Slow it down.
23:08Keep your composure here.
23:09No falling.
23:10There we are.
23:11Careful, careful, careful, careful.
23:12I'm okay.
23:13I fell pretty hard a couple of times.
23:16Gracefully.
23:17Hope, hope, hope.
23:18Careful, careful, careful, careful.
23:20Sell me that face.
23:21Forget about the skating.
23:22I want you to think about this.
23:24You're in a competition.
23:25I know.
23:25Show me the best you have.
23:27Kara, she was like just caught in the fun of it all versus getting the shot.
23:32Oh, oh.
23:33Change it around.
23:34Go the other way.
23:36Ooh, I'm going to say just didn't even go.
23:38Remember, you're selling the bag.
23:40She said she forgot that she's selling a bag.
23:41Cassie was very awkward with the bags.
23:44She was a little mediocre for me today.
23:46You ready to not feel like you're in Idaho?
23:49We need couture.
23:51We need like Paris Vogue.
23:53There we are.
23:54Let's go.
23:55Go back more.
23:56More energetic.
23:57More energetic.
23:58When you push off, you push to go, oh, oh, and then your head is up.
24:04I got the skating down, but it's just like so many things you have to do.
24:07You have to skate.
24:09You have to have your positioning right, the bags right, your face right.
24:13Have fun with this.
24:14Modeling is fun.
24:15Come on, I want to see that.
24:16Jennifer, she's a beautiful girl.
24:18There's no doubt about that, but she gives nothing.
24:20What's your hair?
24:20No, no, that's my stuffing.
24:23You're getting the stuff.
24:24You're getting the stuff.
24:25You're getting the stuff.
24:25You're getting the stuff.
24:25You're getting the stuff.
24:25You're getting the stuff.
24:26Beautiful.
24:28There.
24:29Ava.
24:30Oh, that's nice.
24:34That's nice.
24:36You better work.
24:37You did so well today.
24:38This is Ava's best shoot to date.
24:41She allowed herself to become more fluid and much more beautiful.
24:45I feel like a Marilyn Monroe done by Andy Porco.
24:49It's really fun.
24:52Oh, oh, careful, careful.
24:54I love this one.
24:56I don't know if this is good news or bad news.
24:58You lucked into, like, the shot of the century.
25:03Don't take out the crew.
25:06In the past, you know, I haven't been one of the strong forces in this competition,
25:10but since yesterday at La Perla, when I won,
25:13I thought this was really my time to show them, like,
25:15all the things I've been practicing and how far I've come.
25:17Have fun with it.
25:19It's cool to try weird things, but if it's coming out like this,
25:23and not even, like, a funky something.
25:27Come on.
25:28Come on.
25:29That's it.
25:30That looks like Mary Tala more.
25:32Don't get ghetto in the face, Kelly.
25:34That one was, too.
25:35If this photo sucks, then I'm pretty much going home, but I've got to think positive.
25:40All right, here we go.
25:42What do you guys think?
25:43Give it a spin.
25:44Oh, my gosh.
25:45Oh, my gosh.
25:45She looks gorgeous.
25:50Whoa.
25:51Oops.
25:52Oh, that's nice.
25:54Beautiful.
25:56Beautiful.
25:57You are rocking this, young lady.
25:59Rocking this.
26:01Whoa.
26:01You fell the most, but you have the most frames.
26:08Like, I have so much to choose from over there.
26:09It's kind of daunting me.
26:12Ann tries to become a model, and when she does her model thing, she becomes...
26:16Ugly.
26:17Well, not like a model.
26:19That's so cool.
26:20You're already doing that thing with your mouth, Ann.
26:23Ann, what are you doing?
26:25Don't pose again.
26:26Remember that.
26:27There's the face thing.
26:28I just want to stop you before we get through the end, and then it's like, I just...
26:32It sucks.
26:33Right.
26:34But it sucks.
26:36She's killing me.
26:37Ann, I would hate to see you not move on in this competition after this shoot.
26:42Take it easy, Ann.
26:43Nice and easy.
26:44Take a couple deep breaths.
26:47Look, this is working.
26:48This is really working.
26:49That's hard.
26:49That's definitely hard.
26:51It's fresh.
26:51Alive.
26:52Trust me.
26:53Oh, that's nice.
26:54Yes.
26:54Ann definitely responds to me.
26:56Like, you're nice to her, and she sucks.
27:00That's all I know.
27:01You did great.
27:02Jake, come on over here.
27:02Love me.
27:04But you know what?
27:05You got better when you were just 15 minutes.
27:11Hi, Romeo.
27:13Tomorrow, you meet with the judges.
27:15Only nine of you will continue in hopes of becoming a model.
27:17America's nice to have a home.
27:18That one's going home, guys.
27:20People are coming here.
27:22At night, we get home, and there's a tire amount, and it's like, okay, one of you will
27:25be eliminated.
27:25They're like, yeah, okay, we know that, duh.
27:27But, you know, despite the fact that we know it's coming, it's like a weight falls on the
27:32house.
27:32I'm really nervous to see the pictures.
27:34Yeah.
27:34I hope you did well.
27:37I hope you did well.
27:38Me too.
27:39If you can't leave me, I won't have a friend.
27:41I have no idea who will get eliminated.
27:45I think that, unfortunately, it's going to be Kelly or Ann.
27:48We did stuff today, and I feel like it's just not good enough.
27:52Honey, you've gone a very, very long way.
27:54And just to even be there, to be one of the 10, relax, and whatever will be, will be.
27:59It's like, I feel like I'm wasting such a good opportunity.
28:04Just let go of it, and whatever's going to happen is going to happen.
28:07You just go with the flow.
28:08Yeah, but Mama said something I want.
28:11I know, honey, but sometimes maybe that's not what is going to be best for you.
28:24I'm feeling frustrated because my shoot yesterday was not where it should be.
28:29You know, if Kelly has a good picture, or if Jen has a good picture, I assume that I might be leaving.
28:34If I'm eliminated, I would be disappointed in myself, you know, because I really am making an effort.
28:38I would start it off with 14 girls, and tonight's going to be nine.
28:42I'm thinking I might go home, I might stay.
28:44I'm happy.
28:45More people leave, the closer and closer I come to my dream.
28:48I dedicated my day to you, and I did so good.
28:52I was like, this is for my father.
28:54I'm not going home, so somebody else got to go.
28:59Hello, everybody.
29:06We are one step closer in determining who will be America's next top model.
29:10We have some fabulous prizes.
29:12A contract with the top international modeling agency, Ford Models.
29:16A spread in Elle magazine, which will be photographed by world-renowned photographer,
29:21Gilles Ben-Simon.
29:22Oh, exactly.
29:23And a $100,000 contract with CoverGirl Cosmetics.
29:27Now, we have some very interesting judges.
29:29Ms. Janice Dickinson, one of the world's first supermodels.
29:31Nigel Barker, a noted fashion photographer.
29:34Hello, ladies.
29:34Nolay Marin, prominent fashion editor and stylist.
29:38Ladies.
29:38And, of course, our special guest judge, Matthew Jordan Smith.
29:41First, Janice will administer your test.
29:43Here's the surprise you'll be working with.
29:47His name is Lanny, our male model.
29:50Hi, Lanny.
29:54A photographer will be taking photographs of you posing with Lanny.
29:58You'll be judged on how well you pose.
30:01Takara, you're first.
30:02Ready when you are.
30:03So, I'm, this is my canvas.
30:05I can stand.
30:10Stamper.
30:12Just stand right there.
30:14And then underneath.
30:23Okay, let's see.
30:30Getting kind of close.
30:31We are going to start with Takara.
31:01And we're going to see your photos now.
31:04You look like you're going to throw them over your shoulders like a cave woman.
31:07Maybe more natural, less dramatic.
31:09I disagree with all of you guys.
31:11Look at her arch of her back.
31:13Look at the bust.
31:14Look at her body.
31:14It looks retouched.
31:15Her body looks retouched.
31:16I like it.
31:18You did a photo shoot.
31:19And you were on roller skates.
31:21Here is your best shot.
31:23In the car, there's no sex appeal in that shot at all.
31:25And you are so sexy.
31:27Here, you just look like you're waiting for the bus.
31:29It should have been, I like the disco, you know, and gotten that feeling and swing in the bag, honey.
31:34Norelle.
31:36Oh, my God.
31:37Engage in the boy.
31:38Ew.
31:40That was scary.
31:41Roller skating in the roller rink.
31:42Your eyes and your face, solace.
31:44Damn.
31:44Norelle's gorgeous.
31:46No, sexy.
31:48Alrighty.
31:48Up next, we have Jennifer.
31:50I thought you hid behind him and had no intensity whatsoever.
31:54This scares me.
31:55Jennifer, out of all the girls yesterday, I thought you gave me the least.
31:59You have an incredible face for me.
32:01Counts, your face looks good.
32:02Why do you want to be a model?
32:04Who went through this last week?
32:06What?
32:08It does look like you don't want to be there.
32:11It looks like you're just skating through.
32:14Alrighty, up next, we have Eva.
32:15Eva, the diva needs to come out.
32:16Lanny is showing you up on your shot.
32:18Yeah.
32:18Here is your best shot.
32:19It's nice to see you perhaps take a little risk, you know, which through the hat could have been, you know, whatever.
32:23That was my hair.
32:24That was your hair.
32:25Yeah.
32:25Why didn't he put your hat on your head instead of your face?
32:28That was the look he was going for.
32:30I like the fact that you did not blame him.
32:32Really?
32:33Me too.
32:33Almost defended him.
32:35I like it.
32:36Next, we have Nicole.
32:37Looked like you were at a school dance, taking pictures.
32:39Like, hey.
32:41It's kind of cool.
32:42Now, see, I like the legs in this position here.
32:44I think it's kind of cute.
32:45It works.
32:45Gorgeous.
32:46It's the strongest picture in the bunch.
32:49All right, Yaya.
32:50Hello.
32:50Nail.
32:51When that leg went up shot, I was like, whoa.
32:53I like it.
32:54I was looking at a dancer sometimes, not a model.
32:57Here's your best shot.
32:58This is my favorite photograph.
32:59I agree with Matthew about the dancer versus the model thing.
33:03I'm saying instead of, blah, it's, I'm glad I didn't do the other pose.
33:06I was thinking.
33:08Next, we have Ant.
33:09Ant, I've titled you my orgasmic letdown because when I see you, I am so excited about you.
33:14But every time I see your photos, I'm like, yes, yes.
33:17No.
33:19The biggest problem I have with this picture is not that it's bad.
33:22It's just that it's not the best you can do.
33:24And Jay really got on you for a reason.
33:25And after he pushed you, we got that.
33:28You know, you need to be powerful.
33:29You need to be exciting.
33:30Just look at these two women on either side of me.
33:32Both of them are exciting, powerful.
33:33You want to be around them.
33:34They got that energy.
33:35You need to have that.
33:36You know?
33:36You know, I've seen this powerful girl.
33:39Put it there.
33:41Next, we have Amanda.
33:43I feel fire pulsing through the veins.
33:44It's the best pose yet.
33:47Here's your best shot.
33:48Oh, I love it.
33:48Fabulous.
33:49That is fabulous.
33:50Wait till you see the close-up.
33:52Amanda, this is my favorite picture in the bunch.
33:56Cassie.
33:57It's safe.
33:58Safe.
33:59I put sexy goods safe.
34:01Rolling on skates.
34:03You look kind of empty.
34:04There's no feeling you're not in there.
34:06On a job you've got to be on all the time.
34:09Kelly.
34:10You're very bossy with that male model.
34:12And you know what?
34:12You did intimidate him.
34:13And the funny thing is, these are his worst pictures.
34:16But at least you were the only girl that tried to do something as exotic as this.
34:20Though, as you can see, it didn't really work.
34:22Here is your best shot.
34:23Your neck looks like a quarterback.
34:25Just all wrong.
34:27I think your face is pretty.
34:28This is the best of the worst.
34:29It's the same face in each photograph.
34:37And she's so beautiful.
34:38But in a photo, she's basically a big loser.
34:41This is a pretty picture.
34:43But pretty don't make you buy Dooney and Burke purses.
34:46Norell.
34:46She looks dynamite.
34:47This is her only look.
34:49Yeah, yeah.
34:49This photograph just rocks.
34:51But for me, it's still too dancer, dancer, dancer.
34:55Cassie.
34:56Coldfish.
34:56I find her hot as hell.
34:58She's sellable.
34:59She's very sellable.
35:00Takara.
35:01She fills up the room for energy.
35:03But then when film, it's dead.
35:05She's got to go.
35:06So you're going to throw somebody away because they have one bad shot?
35:08Yes.
35:09Eva.
35:10Eva has one of the most incredible faces here.
35:12She definitely has a star power in person.
35:16In pictures, Eva's good.
35:18But Eva's not great.
35:20Exactly.
35:21Nicole.
35:22Nicole looks fantastic in this picture.
35:24She has a twinkle in her eye.
35:25Jennifer.
35:26Oh, Jennifer.
35:28My goodness me.
35:29Great bone structure.
35:30Jennifer is a pretty face.
35:32But it starts and stops there.
35:35She's not the worst of the lot.
35:37Amanda.
35:38By far has stole my heart.
35:40This photograph is clearly the best photograph.
35:43Kelly.
35:43She gives the same look over and over again.
35:45She looks like Jay Alexander in this picture.
35:47And I love Jay.
35:48I think this is the best photo Kelly has ever taken.
35:51I'm grading Kelly against herself.
35:52Now, if I grade Kelly against the other girls, she fails.
35:55Well, there you have it.
35:56Duh.
35:58Ten girls stand before me.
36:00But I only have nine photos in my hands.
36:03And these photos represent the nine of you that will still be in the running towards becoming
36:07America's next top model.
36:09The first name that I'm going to call, Amanda.
36:13Congratulations.
36:14You're still in the running towards becoming America's next top model.
36:17Yaya.
36:19Nora.
36:21Eva.
36:23Nicole.
36:25Takara.
36:27You look like you were over there giving up.
36:30Your eyes are so dead in your pictures, Takara.
36:32That extra something needs to come out of them.
36:35Congratulations.
36:36Four girls left.
36:38Three photos in my hands.
36:42Anne.
36:43And this photo, it's not horrible.
36:47Satisfactory.
36:49No top model is satisfactory.
36:51Congratulations.
36:53The next name that I'm going to call is Cassie.
37:01Congratulations.
37:02You're still in the running towards becoming America's next top model.
37:06Will Jennifer and Kelly please step forward?
37:10I only have one photo in my hands.
37:11And this photo represents the girl that will continue on in the running towards becoming
37:17America's next top model.
37:19I will call only one name.
37:23And the name that I do not call must immediately pack your belongings and leave.
37:30Jennifer.
37:30From week to week, it seems like you don't want to be here.
37:37And as much as you cry to the judges, as much as you say it, we don't feel it.
37:44Kelly, your pictures have been literally some of the worst in the bunch.
37:50Some of the judges wonder why you're still here.
37:52And when they look at you, they see a model.
37:54When they look at your pictures, they do not see a model.
38:03Kelly, maybe there is some potential locked in there somewhere.
38:07Congratulations.
38:08It's still in the running towards becoming America's next top model.
38:12You're welcome.
38:12Thanks, Jen.
38:19If I didn't want to be here, I wouldn't have left everything I had back home to come here.
38:24I'm a real independent person.
38:25I can do things on my own, do things by myself.
38:27Eventually, it will happen.
38:28I feel that this is my purpose, but it's just not at this time.
38:31Stay tuned for scenes from our next episode.
38:52Coming up on America's Next Top Model, Cassie fesses up about her dark secret.
38:57I have had several times where I've grown up in the past.
39:01Kelly locks horns with J-Manual.
39:03I don't deal well with like, yeah, you're doing great.
39:06Because I'm not really doing great.
39:07But you know, at the same time, Kelly, I can't baby you through every frame.
39:10And a practical joke turns ugly.
39:12I do have a sense of humor.
39:13I thought maybe Cassie had one too.
39:15Don't touch me.
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