- 7 weeks ago
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00:00Previously on America's Next Top Model, the remaining six girls arrived in Tokyo, Japan.
00:07We've seen classes, they came to Tokyo together, baby.
00:09But excitement turned to dread during the girls' first commercial shoot.
00:12You girls are going to do this commercial in Japanese.
00:17And rose to the challenge.
00:20While Eva struggled.
00:23When the tables were turned, Eva panicked.
00:26I have good pictures.
00:27Up, up.
00:28So hopefully someone with pictures.
00:30What's up?
00:31But in the end, it was Nicole who was sent home.
00:34Five girls remain.
00:35Yaya, Norell, Anne, Amanda, Eva, who will be eliminated tonight.
00:56What is your style?
00:57What is your style?
00:59What is your style?
01:01What is your style?
01:01What is your style?
01:02What is your style?
01:02What is your style?
01:03What is your style?
01:04What is your style?
01:05What is your style?
01:06What is your style?
01:06What is your style?
01:07What is your style?
01:08What is your style?
01:08What is your style?
01:09What is your style?
01:10What is your style?
01:10What is your style?
01:11What is your style?
01:11What is your style?
01:12What is your style?
01:12What is your style?
01:13When we first arrived in Tokyo, we get to the Fontaine, Akasaka.
01:34It's a businessman's traveling capsule hotel.
01:37It's like really low rent.
01:39Good morning, girls.
01:41It's time to wake up.
01:43Ohayou gozaimasu.
01:46You have a little friend of Taira.
01:48You want to read it for us, yeah?
01:50Hope you enjoyed your cozy beds, but now it's time to stretch your legs, pack your bags,
01:56and get ready to go.
01:57At 11 o'clock, a new home you'll know.
02:01Thank God we got Taira Milk.
02:02The expectations of our home in Tokyo were not the capsule hotel.
02:06During the panel, the critiques have to do with performance, and Taira's critique for me had
02:16to do with character.
02:17I suggest you go to the nearest bakery in Japan and order up the biggest slice of humble pie.
02:22I know who I am, and I know what kind of reputation I have, but I didn't show that to you here,
02:27so I'm going to take that and I'm going to swallow it.
02:29I am so surprised that I've even made it this far.
02:34Who would have thought for me to be top five?
02:36Holy crap.
02:38There's five of us left.
02:39It's going to be four of us, and the numbers are keep getting fewer.
02:41I'm going to give all my effort and energy to anything that I do in this competition.
02:44I am surprised at the way my relationship with Eva has changed, and it went so fast, and
02:50it's like we immediately clicked.
02:53Toast to tap to.
02:54Let's get her done, let's get her done.
02:59You'll be at my wedding, like I swear to God, like I love you.
03:04I know that people might think I'm Eva's shadow, I'm not.
03:07My opinion of Eva has changed drastically.
03:10I have good pictures, I f*** up.
03:11So hopefully someone with f*** up pictures, f*** up, and they go home.
03:16So who would that be me on her own?
03:17It's really annoying when you know she's going to take a good picture, you know she's going
03:21to do well.
03:21I have absolutely terrible pictures.
03:24Everybody ready?
03:25Ready.
03:26In Japan we say,
03:26Let's go.
03:30How do you feel, you guys?
03:37Five people now.
03:39As the numbers get smaller, it's hard to see someone like so close.
03:41They're a dream.
03:42You've worked so hard to get here, and it's like footsteps away.
03:45As much as I wanted to, everyone wanted to.
03:47I feel that a lot of people in the house don't necessarily want to be around Eva.
03:52The house has to have a target.
03:54That's just mob mentality and human nature and competition.
03:58Who's your favorite model, Eva?
04:00Kate mom.
04:01She's like 5'5", and she's a supermodel.
04:035'6".
04:045'6".
04:04She's not even 5'6".
04:06No, she's not.
04:06I find myself now listening to Eva try and fake her niceness.
04:10I know people see it.
04:10I know people don't buy into it.
04:12We pull up, and our new home is this decked-out Japanese-style home in Tokyo.
04:22Please leave your bags here.
04:25So low.
04:26Look at my head.
04:26It's like so quiet.
04:29The atmosphere calls for a calming personality.
04:32Since I've gotten here in Tokyo, my whole mood and demeanor is so different.
04:36Because the environment, I've been more relaxed and more quiet.
04:39Two girls may use this room, and three girls may use this room.
04:44Well, clearly, three are going to think positive.
04:47Two is Amanda and Yaya.
04:51Amanda and I emulate the Japanese style.
04:54So it's just a whole different mindset that we have.
04:58We serve Japanese cold tea, especially for this season, and also Japanese sweet.
05:05What is this made of?
05:07From beans.
05:08Oh, my God.
05:09I don't understand Japanese food.
05:11I do not eat Japanese food.
05:13If I do, I eat, like, Panda Express.
05:17You have to go to first lesson in Tokyo.
05:19Restaurant?
05:20Lesson.
05:20First lesson.
05:21Lesson.
05:22Oh.
05:22And don't be late, okay?
05:24Yes.
05:32Konnichiwa.
05:33Dozo.
05:33Sit down.
05:34Welcome to our tea house.
05:37My name is Yoko Takahashi.
05:39As a top model, you must learn to interact with people around the world.
05:45Today, I'm going to teach you the tea ceremony.
05:48America's next top model has to be respectful of the culture that you're in.
05:52The tea ceremony has been in existence for thousands of years.
05:55It doesn't get any better than that.
05:58Japan and Japanese anything, it's like space.
06:01Like, I have no idea what to expect.
06:03Let's practice how to enter the tea room.
06:06Open a little bit.
06:07And then move the hand.
06:09Open.
06:10And change the hand.
06:12A little lower.
06:13Yes.
06:13No.
06:14Hold here.
06:15Mm-hmm.
06:16Yes.
06:16No, no, no.
06:17Open a sliding drawer in Japan.
06:19Seriously, it takes five minutes.
06:20Yes.
06:20Very good.
06:21Once again, please.
06:22Everything starts from the first day.
06:25When you are asked to have the sweets, the most rude thing is just bite the sweets.
06:30So, don't do that.
06:32Cut in any time.
06:34After you finish eating, yes, that's right.
06:37Fold the paper.
06:41Just really got this sense of otherworldliness and calm about me.
06:46But a lot of the girls aren't really absorbing the culture.
06:49The front side, the most beautiful part, faces the guests.
06:53After we drink, we turn the tea bowl back, appreciate the tea.
06:58The tea bowl is served outside the black line.
07:01Then, she takes it inside the black line and osakini.
07:07And then put it in front of herself and in shinball to the host.
07:15Thank you for the tea.
07:17There is so much detail.
07:19Do you think of tea like going to your friend's house and having some tea?
07:21It's not.
07:22It's so hard.
07:23Laurel seems to have a big aversion to anything foreign.
07:26Osakini.
07:27That's very good.
07:28I travel the world and people tell me all the time how respectful I am and how humble a person I am.
07:33That's very good.
07:35Do I just do the osakini?
07:36No, no, no, no.
07:37You don't have to.
07:37Oh, I don't have to do that?
07:39Oh, yes.
07:40Okay.
07:41Osakini.
07:42No.
07:43No, no, no.
07:43If you want to.
07:44If you want to.
07:45You say that to me.
07:45That's what I'm saying.
07:46When Emma Ann seems to do bad, she just gets mad at me.
07:49I don't want to use the word jealousy, but she gets frustrated because of the way she's
07:52feeling about her performance.
07:55We make much of each tea party because it is the only opportunity to experience that
08:03tea gap.
08:04With my blindness, I appreciate every sunrise, a butterfly, the dew drop on a petal.
08:10Emma Sensei was talking about appreciating it being the only opportunity for that moment.
08:16It's so true.
08:17And I think it's something that I don't know if the other girls will pick up on.
08:21I had a great respect for learning their rituals.
08:25I definitely wasn't as deep as Amanda who cried.
08:29Now you're an expert.
08:32That's all I'm going to say about Japan.
08:33It's the most difficult place I've ever been in my life.
08:35Thank you very much.
08:36Thank you very much.
08:47You're in a competition.
08:48There's only a few of us left.
08:49And at this point, everyone's stressed out.
08:51Everyone's tired.
08:53Everyone's face is hilarious.
08:55I want socks and eggs.
08:56I want pancakes.
08:58I want a cake, too.
08:59Excuse me.
09:01Rika.
09:02Oh, thank you.
09:04Arigatou gozaimasu.
09:06Tire mail.
09:07There's much to learn surrounding these three.
09:09Be ready at nine.
09:10Three Japanese words.
09:11Maybe those are desserts.
09:13Oh, no.
09:14They say tea ceremony.
09:15Yeah.
09:16The Tire mail that we got, we all knew that we were doing something with a tea ceremony.
09:19So be ready at nine.
09:20I'm confident.
09:21I'm winning all these challenges.
09:23I can do it.
09:25Everyone thought I'd be gone a long time ago.
09:27I'm going to stay longer than you, Eva, and you'll see.
09:29Go, guys.
09:30I got a new shoe.
09:31I'm not.
09:32Yay.
09:33All right.
09:33I need a room.
09:34My ponytails are pre-charted.
09:36The competition is really starting now.
09:38Any little thing will send you home.
09:39It's stressful.
09:40You really have to give everything you have because you will go home.
09:43Good morning and welcome.
09:55Today, you'll be graded on your participation in a traditional Japanese tea ceremony.
10:03A famous Japanese kimono designer, Kyoko Hika, provided these kimonos that you will be wearing today.
10:13The winner of this challenge and a friend will be treated to a Japanese hot spring.
10:19I'm expecting to win the tea ceremony challenge.
10:29I will be approaching it with a lot of reverence.
10:32Raya and Amanda, they're taking it like dead serious.
10:34They really like remember it precisely.
10:36They're just so like, wait, osakini.
10:39I always think I'm like old socks and bikini.
10:42We're dressed up in kimonos and thrown to the lions, basically.
10:52What?
10:53Who are these people?
10:55They were so like proper, upright.
10:58I didn't know what to do.
11:01Eva, she made a mistake.
11:03What's that, kids?
11:04She noticed the order was different.
11:06I'm like looking over to the left, trying to see like if they see me.
11:09I look so suspicious.
11:12Tea is a green, frothy, not enjoyable.
11:15I like little bits in it.
11:17It's just weird.
11:17Tea nipple just tastes like that.
11:23And maybe she's very tall.
11:26She sits down on black line.
11:28That's a mistake.
11:30When she's going to tea, she drinks like this.
11:34She should relax herself.
11:36Amanda, I feel a little bit awkward because she's not used to walk wearing kimono.
11:50During the tea ceremony, I was on emotional shutdown.
11:53I didn't want to cry.
11:54I know that this top part is gelatin.
11:57But what comprises the purple?
12:00Purple.
12:01Purple.
12:03The same gelatin, but put some color.
12:11Saki.
12:12Amanda, she forgot to move the tea bowl when she says osaki.
12:17I felt most relaxed in front of the scroll, appreciating the flower, taking that breath.
12:23That moment was just really calming.
12:30Yeah, yeah.
12:31Forgot to wipe the rim of the tea bowl after she drank tea.
12:35That's a mistake.
12:36I was overwhelmed with this feeling of, wow.
12:49In the tea service, there's people I've noticed before.
12:52Everyone's staring at you.
12:54And they're probably like professional at this.
12:55So I felt like, come on.
12:58Noru, her bowing looks very old.
13:01When Noru took the sweets, she used the pad of paper upside down.
13:09Nobody made that mistake before.
13:16She couldn't, the beak dropped.
13:26Noru didn't do very nicely, actually.
13:32Are you enjoying your time in Japan?
13:34It's truly magical.
13:36I'm enjoying it very much.
13:37Oh, I love it.
13:37Japan is great.
13:38Yoroshiku onegashimasu.
13:41I'll enjoy your time in Japan.
13:45I'll enjoy your time.
13:48Oh, it's different, but it's a lot of fun.
13:51The weather's like hard for me to adjust to, and the food too, but I like it.
13:55Now, the tea ceremony ended.
13:58That winner is...
14:02Yaya.
14:04Yaya, once again, it's a conspiracy.
14:07Amanda, would you come with me?
14:08Hi, Amanda.
14:10Yaya's won, like, five times.
14:12More power to her, because I'm sharing in the fruits of her labor.
14:15Yaya and I went to Hakone Hot Spring Spa.
14:25It was so nice being outside the city.
14:28Oh, my gosh.
14:30Oh, my gosh.
14:31Oh, flowers.
14:32Konnichiwa.
14:33Our guide takes us to this hot spring.
14:37This is outdoors.
14:38It's a naturally heated spring, and it goes down into this kind of stone tub.
14:45Get in, get in, get in.
14:45Oh, my gosh.
14:47Whoa.
14:48Wait, the towel.
14:51We're like UVA, man.
14:55With such a small number of girls, and being together for the period of time that we have
14:59been, you're finding out who's real and who's not.
15:01It's nice to meet you.
15:03We're laughing and away from the noise of the other girls.
15:09And it's like, why are you so quiet?
15:11The atmosphere calls for a calming personality.
15:14This isn't a time to be laughing and loud and joking around to me.
15:17I now don't know where I stand with UVA as a friendship, because I don't know who she
15:21is anymore.
15:22Modeling is a lot more difficult than I ever imagined.
15:26I'm nervous, because I still don't feel like I'm the strongest girl, but Yaya could win
15:31every single talent source and not be a America's Next Top model.
15:34Can we take a moment and appreciate these bowls?
15:36Yeah.
15:37At least we appreciate.
15:38Yeah.
15:39Oh, we're eating from these.
15:41Okay, I'm going to cry.
15:44Dinner was fresh, fresh, fresh.
15:47Oh, fish.
15:48Best salmon I have ever had.
15:52Oh, my God.
15:53It was incredible.
15:54It was so good.
15:55Let's make someone a steady fish.
15:57Holy sheep.
15:58When we got back, we all decided to go out and have some fun.
16:08Oh, I'm wearing the shoes.
16:09Oh, oh, oh.
16:10Go.
16:11Go.
16:11Go.
16:12Go.
16:12Go.
16:12Go.
16:12Go.
16:13Go.
16:13Go.
16:13Go.
16:19Go.
16:19Go.
16:21Go.
16:23Go.
16:23On the roof, there is a separation.
16:25Like, it was four of us and Eva.
16:26We moved this way.
16:28It's just a very weird energy around.
16:29I'm not close with other people in this house.
16:31If I, like, understand where that's coming from.
16:34It's just, like, so personal.
16:35Top five.
16:43So Tyra walks out in scorched stress, and it was so neat.
16:46Being in such a beautiful location, and I'm just sitting there wrapping the tire.
16:51My feet hurt.
16:51Do you guys mind if I know?
16:52Hey, it hurt.
16:53This is so much more relaxing to see Tyra in a different atmosphere than panel, because
16:57she's so down to art, and she's so cool.
16:59It's getting this far.
17:00How do you guys?
17:01It doesn't really hit you yet.
17:02It's like, okay, he's very real.
17:04Did you guys understand, before you got here, that Tokyo was a fashion capital?
17:07I think that's so amazing.
17:09I used to do 20 to 25 fashion shows in Paris every season, and about six of them were Japanese
17:14designers.
17:15Wow.
17:15I've been in so many different places.
17:17I've been on all the continents except for Antarctica.
17:19And for some reason, with Japanese culture, I feel so connected to it.
17:23Okay, to say I'm hungry, this is the first thing I learned in every language, it's una casuita.
17:30Una casuita.
17:31How are you guys feeling, competition-wise?
17:34I feel like I've seen another side of, like, people here.
17:38Did you have a problem with trusty girls at all?
17:41I have trust issues.
17:44I have a camp for young girls.
17:45It's called T-Zone.
17:46One of the things at camp we talk about is sisterhood.
17:48And being in the fashion industry, you guys are going to be around women all the time.
17:51Just to kind of have that rapport on the set, it makes it so much better.
17:54It was so weird, because I just said, you know, I really don't care.
17:56It don't matter.
17:57I'm in this competition to win.
17:58And just to get into it, you start to care so much.
18:01It's sickening, like, you know what I mean?
18:03You really do care, like, even with Yaya.
18:05I feel like I knew a lot about people here, and, like, I've been surprised.
18:09You think you might be friends with someone, and you don't see the other half?
18:11People have so many different layers.
18:14I always say that there's no such thing as a bitch, that there's always, like, a hurt soul underneath that.
18:19A lot of the times when we're saying something negative about somebody else, we're trying to cover up something inside that we're dealing with.
18:25Whenever I get real gossipy, it means I'm being insecure, and I check it, because I'm like, you know, she's great.
18:31She's talented, she's gorgeous, and that's why I'm hating right now, because I'm feeling like, ugh, I'm not so strong, not so great.
18:38I have to go, but I will see you soon.
18:44Do you like that accent?
18:45I don't know what to do.
18:46Is it a little French maybe now?
18:48Bye, everybody.
18:49Bye, time.
18:50Give me a hug.
18:51Thank you so much.
18:52In that conversation with Tyrone, it's just very important to be aware of sisterhood and trusting other women and how people are acting, even in the context of the competition.
19:01Bye, guys.
19:03In the competition, drama's always the same.
19:06And it's fine for a couple of days, and then something happens.
19:08It hurt me, and it hurt Narelle that you said that you hope she did bad.
19:11So hopefully someone will put your s*** up, and they go home.
19:14Me or Narelle?
19:15Clearly not you, Ann.
19:18That is s*** up.
19:20That you will sit in there and be best friends with Narelle, and then turn around and say, I hope Narelle bites her.
19:25That is not even right.
19:27My intent wasn't to hurt anybody.
19:28You go around saying constantly, everybody here's faking, I'm real, everybody's two-faced.
19:32You seem like the one person who embodies that the most.
19:36I thought I knew who you were, and I've seen such a difference.
19:40I don't know if I like what I see now.
19:43When the lionesses are hunting in a pack, when there's a flaw, you see it, and everybody goes for it.
19:47It hurt me, and it hurt Narelle that you said that you hope she did bad.
19:58That is s*** up.
20:00My intent wasn't to hurt anybody, and I do apologize for that, because that was very me.
20:03Just the fact that of all the people you could have said about it, it was me.
20:05Definitely, and it's wrong, and that's why I apologize.
20:08And then I have to wonder, do you sit there and go talk to her about me?
20:11You've said s***, so don't even.
20:13I said, don't, don't even.
20:14I have never once said that.
20:16Here's some line.
20:17I was so confused.
20:18Hey, president, what's going on?
20:20Are we getting a divorce?
20:21No, no, no.
20:22I'll tell you about that later.
20:22No, no, no, you won't.
20:23If I said something, I want to know what I said.
20:25You've never said you don't think Narelle's pretty, and you don't like her wearing.
20:28We talked about how she had a different look.
20:30No, about her size, about her waist.
20:33She's hip.
20:33Narelle, I mean, she has a bigger midsection.
20:35That is something that, to me, is factual.
20:38Oh, my God, my one friend wants me to go home.
20:40My one friend thinks I'm fat.
20:41For you to say that and sit there, it's just like, I'm not going to have sense.
20:45You sugar-coated for her.
20:46Like, seriously, you really want to make me study psychology more.
20:51So, I'm continuing talking, actually, because I'm talking the b***h of the house.
20:55Anybody could say that it is you.
20:57What does Narelle's situation have to do with you, Yaya?
20:59She feels like I'm her competition.
21:01She even said it to me.
21:02We're both short, we're both black, and there you go.
21:06You know, but was that you, or is this you now, because it's two totally different people?
21:10For me to do one thing, and now I'm a completely different person, I think Ann knows I've been
21:14nothing but a friend to her.
21:15And so, for her to bring that situation on the table, without trying to understand me,
21:19or trying to clear it up, it's like, whoa.
21:22You're very whack right now, homie.
21:23Like, you are so whack.
21:24I guess you never did know me from the beginning.
21:29Tire of mail.
21:32Tire of mail.
21:32Bust out from the old, embrace the new, get ready to walk in my footsteps.
21:37Be ready to leave at 8 a.m. in the morning.
21:38We're going to do a photo shoot today, and I'm always nervous, because you never know
21:46what it's going to be.
21:47Bail.
21:48Today, we're going to play with a theme that's modern slash traditional.
21:52So you're doing the shoot today for T-Mobile, okay?
21:56But every shoot, I feel like I'm constantly telling you about, well, when I'm with Tyra,
22:00she does this, and she does that.
22:01So today, it only makes sense that if we're shooting, we got her.
22:08I'm going to be doing a photo shoot today, and you guys are going to be able to watch
22:11me.
22:13And while I'm shooting, I'm going to be coaching you at the same time.
22:17That's going to be tough, because I'm sure she's going to beat y'all.
22:21The competition.
22:21I want you to meet your photographer today.
22:23She's really, really talented.
22:24Her name is Amiko.
22:25Amiko.
22:26Hi.
22:26Are you guys ready?
22:30Yeah.
22:30All right, let's go.
22:31I've really been wanting to see Tyra on set, to see how someone who has been in it for so
22:37long, and who's been so successful, is a great, great opportunity.
22:42Last night, whoa.
22:43What happened?
22:44Last night, we were from Toasty.
22:46After I left?
22:47Yeah.
22:47What'd you do?
22:48Me, Eva, and Anna are like, pink positive.
22:50We've like, clicked the most of each other.
22:52We have since the beginning.
22:52Mm-hmm.
22:53And Eva had said that she hoped I did bad, so I would go home.
22:57And then, Eva was like, oh yeah?
22:59And, well, you think you're all ugly and sad?
23:01Well, Norell, you're one of the top five, and you have to realize that's what makes beauty
23:05interesting, is when it's debatable.
23:07Do you know what I mean?
23:08There's so many people that say, oh, Tyra Banks is beautiful.
23:10And there's so many people that say, Tyra Banks has a big-ass forehead, and I think she's
23:13ugly.
23:13One thing you guys have to realize is that everybody talks about everybody.
23:18It's about where it's coming from.
23:19Is it coming from an ugly place?
23:21Is it coming from just a chatter place?
23:22Is it coming from a helpful place?
23:24But everyone talks about everyone.
23:27I'm talking about best friends, too.
23:28Do you know what I mean?
23:35I was wrong, and I said something that I should have never said.
23:38Me wishing you gone, and me wishing you not here, and me wishing you bad, it isn't like
23:41that.
23:41It was more so just more of my insecurities.
23:43It was not even thinking when I said it.
23:45You know what I mean?
23:46So I apologize, like, from the bottom of my heart.
23:48I'm not going to change the way I think about you, because you made one statement.
23:50And, like, for a second, I was like, ugh, why would she say that about me?
23:54I mean, it wasn't the most terrible thing, like, because I didn't think of it that you
23:57really wanted me to go, and I thought, oh, maybe she's just frustrated.
24:00We might not be as close as we were before, and that's fine.
24:02That's nice.
24:03That's nice.
24:03Everyone's like, oh, my God, I would tell Eva off, and I would do this, and I would
24:06do that.
24:07But I don't care.
24:08I love Eva to death, regardless of what happens.
24:13Hello!
24:14What I'm going to be doing are very strong poses.
24:17Kimonos are very dramatic.
24:19We don't want to waste all this drama on boring poses.
24:23You guys have to constantly keep on thinking about what the camera is seeing.
24:26It was amazing for me to see her, like, whoa.
24:33Sometimes every face doesn't have to be pretty.
24:35I'm going to experiment.
24:36It might be really ugly, but I just give her a couple of those frames.
24:44You guys have to constantly think about your lines.
24:46If I do this, she doesn't really see that.
24:48But the minute I do this, the camera can see that.
24:51Oh, great.
24:51I don't have the most muscular legs, so I have to always push some tension into it.
25:01Usually, most of us, she's pretty confused and pretty safe in our poses.
25:05Tyra is, like, non-stop posing.
25:07Yeah.
25:09Tyra must have taken at least 50 frames, and every single frame was different.
25:13It was amazing.
25:15All right.
25:16Yay!
25:18You guys start now.
25:20You're back to hair makeup.
25:21All right, let's go.
25:21All right, guys.
25:23Today, the photo shoot really is about geisha escape by changing up the hair, the makeup,
25:27and having a T-Mobile phone in their hands.
25:29It's kind of modern meets traditional.
25:35That turning one was great.
25:36It was just your mouth was open, and your eyes were half-closed.
25:40Amanda, I think she tried to pick up a little bit of Tyra, but she's just not getting it.
25:44Don't make yourself dizzy.
25:45All right.
25:45All right.
25:45All right.
25:45All right.
25:46All right.
25:46All right.
25:47All right.
25:47All right.
25:48All right.
25:48All right.
25:49All right.
25:49All right.
25:50All right.
25:50All right.
25:51All right.
25:51Don't lose your neck.
25:54And look up and into the light as well for me.
25:57No.
26:01It's just too squat.
26:06Bust the product.
26:09Okay.
26:09Watching Tyra just made us see how versatile we can really be, jump around, play around.
26:24Think like you're a princess.
26:26Just pretend you're in your palace.
26:27Just pretend you're in your palace and you are this ornate prince.
26:31Did you ever see at least Attack of the Clones, Star Wars?
26:34Oh, raise one shoulder and make it a little more graceful.
26:38Well, you're not getting it.
26:39Well, you're not getting it.
26:40Try and feel it.
26:41These girls need some grace.
26:42I swear.
26:43Jim got more grace on this.
26:44Now, bring some intensity.
26:45There we go.
26:46It'll be really interesting to see what Ann does today.
26:51After watching Tyra and kind of feeling Tyra's energy, maybe she's got something for us.
26:57Relax without pursing your lips.
26:58Just close your mouth.
26:59You close your mouth.
27:00Close your mouth.
27:01Close your mouth without pushing them out.
27:04Maybe the next one.
27:05Every week when I work with Ann, I just kind of give up.
27:07She's just stuck.
27:09I mean, you could do things that are just graceful.
27:11Did you ever see My Fair Lady?
27:12Please tell me you saw that at least.
27:14Ciao.
27:15You see Tyra moving around and being crazy and then it's like I get on there and it's like not like that.
27:19And then just tip your hips under from there.
27:21Hold your tummy in.
27:22In a graceful way.
27:23And not a linebacker kind of way.
27:25Seriously.
27:28Let me see the other hand a little.
27:29And do something graceful with the hand.
27:39Okay, Eva, you got steps up to the plate.
27:41I was trying to show Ann a little bit of grace.
27:43Like, I suppose no one's yet been able to get.
27:45Oh, that's pretty.
27:48Exactly.
27:49Give me.
27:50Oh, you felt it.
27:51She's learning.
27:52Eva was always aware of the T-Mobile phone and her body.
27:55Everything.
27:56All right, Eva.
27:58Keep working for the children as if the rent is due tonight.
28:01Oh, that's good.
28:11Tomorrow you'll meet with the judges.
28:12Only four of you will continue on in hopes of becoming America's next top model.
28:16One of you will be eliminated.
28:17Four girls are eventually going to have to go home.
28:20And I would want nothing more than not to be any of those four girls.
28:24I came into this competition wanting to win.
28:27I'm going to leave it wanting to win.
28:28One way or the other.
28:30One way or the other.
28:31I want to stay longer than Eva.
28:33Honestly, I want Eva to be eliminated.
28:37Hello, ladies.
28:38Hello.
28:39It's time for the judging panel to make our tenth cut, which will bring us one step closer to finding out who will become America's next top model.
29:00Now, of course, we have some lovely prizes.
29:02You'll receive a modeling contract with the top international modeling agency, Ford Models.
29:07A photo spread in Elle magazine, which will be shot by world-renowned photographer, Gilles Bensimon.
29:13And a $100,000 contract with CoverGirl Cosmetics.
29:17Now, of course, we have our what judges, Janice?
29:20Gorgeous.
29:21We have the lovely Janice Dickinson.
29:24Nigel Barker, noted fashion photographer.
29:26Nole Marin, a prominent fashion editor and stylist.
29:29Hey, lady.
29:30And, of course, we have a guest judge this week.
29:32The lovely fashion designer, Kyoko Higa.
29:35Kyoko creates beautiful kimonos.
29:38This week, you will be evaluated on your photo.
29:41And you're going to have a test, which Nole will administer.
29:44You're going to walk for the judges.
29:46In a Kyoko Higa design.
29:48Your walk has to be fashionable, yet respectful, according to local customs and etiquette.
29:54Are you ready?
29:55Amanda, you'll be first.
29:56I liked that.
29:57You had a prop.
29:58Out of nowhere, this fan said.
29:59But to me, you felt a little bit wobbly.
30:00I thought you were delicate, like the bonsai butterfly.
30:01You had a photo shoot where modern met traditional while modeling a T-Mobile phone.
30:15And here is your best shot.
30:17That's beautiful.
30:18That's beautiful.
30:19Oh, the kimono is heaven.
30:21Strong pose.
30:22Very statuesque.
30:23Looks really beautiful.
30:24The photographer's comments.
30:25She said that you need to gain more personality if you were too timid.
30:28Amanda, you look confused by that comment, but I've been saying this to you.
30:31What I'm trying to get out of you is that sparkle that makes the photographer interested and inspired.
30:35She is walking very powerful.
30:45When she wears jeans, it's okay, but this is kimono.
30:50Oh, those hands and the arms.
30:53The Statue of Liberty looks better.
30:55I see the close-up.
30:56The makeup is fantastic.
30:58The headshot is flawless.
30:59Every photograph can't be judged on the close-up.
31:01It's the whole package.
31:02Yeah, yeah.
31:05You've got to be one of Ms. Kierke's favorites because you shuffled very well.
31:14My only criticism, I saw very little Yaya.
31:16I really didn't like the fact that you changed your hair.
31:19It took away all the fashion aspect of it.
31:21You pull the pins out and bring West meets East.
31:24That's great.
31:25That is so beautiful.
31:26Alrighty, Yaya.
31:27So you had a photo shoot and here is your best shot.
31:30Looks like a bonsai tree.
31:32It seems to be a leg missing.
31:33It's just too round and cumbersome.
31:35Having such a flat foot like that makes you like 5'4".
31:38You try almost too hard.
31:40It needs to be more natural feeling.
31:42Make it fluid.
31:43No wrap.
31:44You look completely sick.
31:45You look like as if you're going to pass out.
31:46Make sure that your appearance when you hit the catwalk is perfection.
31:48She looks very natural in a kimono.
31:49And her pose looks comfortable.
31:50I like.
31:51Wow, I like it.
31:52You look like a Japanese cartoon character.
31:53You're quite amazing.
31:54Because of all the strong posing, I thought you were going to be a little awkward.
31:59But I'm pleasantly surprised and I think it's really beautiful.
32:02Photograph.
32:03Fabulous.
32:04Walk.
32:05Horrible.
32:06I didn't feel that there was any grace to your walk at all and your eyes were way out
32:09in space.
32:10I don't know whether this is a hard week for you or whatever, but you look sloppy and
32:17a little down.
32:18You seem sad.
32:19Are you sad?
32:20Is it?
32:21No.
32:22Tell me what it is.
32:23What is it?
32:24What is it?
32:25What is it?
32:26What is it?
32:27What is it?
32:28What is it?
32:29What is it?
32:30I thought you were going to be a little awkward.
32:31I thought you were going to be a little awkward.
32:33But I'm pleasantly surprised and I think it's really beautiful.
32:35Photograph.
32:36Fabulous.
32:37Fabulous.
32:38What is it?
32:39You think the competition is getting a little too tough for you?
32:41I guess for the one time in this competition, I have felt drained.
32:45Not tired, but just spiritually, you know, I'm dealing with it.
32:48The winner of this competition schedule is going to be crazier than your schedule now.
32:51You only have to turn it on sometimes for 10, 15 minutes.
32:53The other girls, if they see you're down, they may play on that.
32:56She brought it home, everybody.
32:58You look like a model, someone who is working every element.
33:02You basically really paid attention to Tyra.
33:04It's an amazing shot.
33:05I like the toe pointed because you're not one of the tallest girls here.
33:07It's probably about four more inches of height that you are giving the camera.
33:10I think it's great.
33:11So now it's time for the judges to deliberate.
33:14And then we will call you back and determine which one of you will be eliminated.
33:22Amanda, this picture is fantastic.
33:25Amanda is fierce in a photo, but she is not fabulous in person.
33:29She's very quiet.
33:30There's not much energy.
33:31I disagree.
33:32I really like Amanda.
33:33Anne.
33:34Anne the man certainly looks like a man in this picture.
33:37Woo-hoo!
33:38She holds the cell phone like, you know, it's a football.
33:41That could be sexy though.
33:42I think there was a lot of things about Anne which weren't.
33:44Name one except for the hair and makeup for this photograph.
33:46No.
33:47Anne walked down the catwalk today and she walked towards us.
33:48She had a glint in her eye.
33:49And she looked positive and I was like, okay, Anne, you're doing your thing.
33:52I think Anne should go home.
33:54When I was modeling in front of the girls, I kind of was modeling for Anne.
33:58You can just do a monkey see, monkey do.
34:00And Anne did a monkey don't.
34:02Norell.
34:03I think if she come to Japan, she would be popular.
34:08Unfortunately, this is America's next top model.
34:10And I think that we've seen her over the weeks.
34:12And I don't think that she has a face for America.
34:15Norell this evening, unfortunately, really was very unattractive to me.
34:19Because she looked wet, she looked greasy.
34:22I think Norell is like confused and scared and kind of doesn't know why she's here.
34:25Like, damn, I've made it this far.
34:27Why do you like me?
34:28Because I don't even like me yet.
34:29Next is Yaya.
34:30This picture is a disaster.
34:32I know Yaya can do much better than this.
34:34Eva.
34:35In this picture, Eva is absolutely flawless.
34:37Her pose is very fashion forward.
34:39I was rooting for Eva and I lost a lot of the love that I had for her tonight.
34:44You gotta know how to go home and cry to your mama, but show the world a great and happy face.
34:53I have five very beautiful women standing in front of me.
34:56But I only have four photos in my hands.
35:00And these photos represent the four of you that are still in the running towards becoming America's Next Top Model.
35:07The first name that I'm going to call...
35:10Amanda.
35:13This week you were very strong.
35:16But one thing that the judges are noticing is the personality is slipping away.
35:21There was a feisty fun girl that we met in New York and we want her back.
35:25Congratulations.
35:26You're still in the running towards becoming America's Next Top Model.
35:29You're still in the running towards becoming America's Next Top Model.
35:33Yaya.
35:34Your pictures from week to week are some of the strongest, but this isn't so strong.
35:43But what is the strongest that I have seen from you today is your appearance.
35:48Today is the first day that you look like a model in person.
35:53Congratulations.
35:54You're still in the running towards becoming America's Next Top Model.
35:55You're still in the running towards becoming America's Next Top Model.
35:56Next name that I'm going to call...
35:57Eva.
35:58Eva, you are standing before me by the skin of your teeth.
36:01You lost it today.
36:02You walked in here and I was like, what happened?
36:07But when America's looking at you, they're not thinking, what happened?
36:25They're thinking about the next girl.
36:28Leave your problems at the door.
36:29Congratulations.
36:31will Anna Narelle please step forward
36:39I only have one photo in my hands
36:45and this photo represents
36:48the young lady that is still in the running
36:51towards becoming America's next top model
36:53I will only call one name
36:56the girl's name I don't call
36:58must immediately return to your home
37:02pack your belongings and leave
37:04the judges have been debating about you two
37:08from week one
37:09one of you is very strong looking in person
37:14one of you is strong in her pictures
37:17people want to see a fantasy
37:20they want to escape when they look at a picture
37:23you have to do interviews, you have to do personal appearances
37:26and people want to see a girl that looks like she does
37:29in her photos
37:30so that's the big debate
37:32how important is it to take an amazing photo
37:35and how important is it to look strong in person
37:39I'm not sure if that question has been answered tonight
37:42but somebody has to call
37:44and congratulations
37:55you're still in the running towards becoming America's next top model
38:02I'm so proud of myself
38:11like I made it to the top five
38:12and I didn't even think I was going to make it like to a callback
38:15this experience has made me so much more determined to be a model
38:18I'm pretty good at this like better than I thought it would be
38:21so it's hard because you obviously want to win
38:23and all the girls leaving your friends
38:25I'm going straight home
38:27and straight into agencies like one after the other
38:30I'm not giving up like I'm not doing this
38:32and I'm not crying because like I'm sad or anything
38:34like I will be a model
38:35I will be America's next top model
38:37I'm okay
38:38Stay tuned for scenes from our next episode
38:53Coming up on America's next top model
38:58the girls get a crash course in navigating the streets of Tokyo
39:01What does that say? It's not English
39:03and Yaya struggles to keep up with the competition
39:06Yaya's not even here
39:08and pulls out all the stops to prove herself in the photo shoot
39:13There you go
39:13I like that intensity
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