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00:00Previously on America's Next Top Model,
00:05flirtations rocked Shandy's relationship.
00:08I didn't know that.
00:10And an insightful psychic saw right through Camille.
00:13Camille, you put people off.
00:15And while recording in my music video,
00:17Ioana and April fought for the spotlight.
00:19I'm pissed.
00:20Finally, at an emotional elimination.
00:22Sarah, for me, I'm starting to feel that she could be going way down market.
00:26It was Sarah who was sent home.
00:28Only five girls remain.
00:30Who will be eliminated tonight?
00:58The last elimination.
01:07We're all crying because Sarah just chose to be eliminated.
01:10It's a lot, you know.
01:13I recently lost a lot of weight.
01:14It was about 45 pounds.
01:16I might feel a little uncomfortable with my body,
01:18and I don't want that to be a reason that I would ever get eliminated.
01:21I got, you know, what she said about, you know, finding a friend and celebrating.
01:25The psychic who came to our house told us,
01:28oh, Camille, you know, you're not going to win this competition
01:29unless you open up and you become friends with people.
01:32You need to take her words and think about what she said
01:35and then really apply it to how you are.
01:37I've never been the person to think of a friendship from anybody,
01:41but I'll do whatever it takes to win.
01:44I'm not playing peacemaker, but I just,
01:46I want all the arguing and bickering to stop between Ioana and Camille.
01:50I don't trust you.
01:52I just really think that a lot of times Camille is a very lonely girl.
01:56I think she wants to have friends,
01:57but I think she puts a front that she's tough.
01:59I pray for Camille at night.
02:01She wants to talk to you.
02:02You know that, right?
02:02I mean, you never know if she could be a good person.
02:05It's not that I'm saying she's a bad person.
02:07I never said that.
02:08I know she's needy,
02:09and I don't think she's felt the love that she's needed.
02:10She just wants to, like, feel wanted, you know,
02:14and especially by you.
02:19You got a tire now.
02:20Oh, my God.
02:21It's time to head to Heidi Giselle's and my house.
02:24Heidi and Giselle.
02:26No, who's here?
02:27Oh, my gosh.
02:28We're actually going to get to meet Giselle and Heidi Klum.
02:31It's for real, Shamsay.
02:33We're beating the big ones.
02:36But Tyra Mound says,
02:38come to Tyra's house to meet Giselle and Heidi,
02:40and I'm thinking,
02:41we're going to meet those two supermodels?
02:42Good morning.
02:44Good morning, guys.
02:45This is the home of Tyra, Heidi, Giselle.
02:49I was like, oh, okay.
02:52I get it.
02:53It's IMG.
02:54And this is huge because this is an agency
02:56that whoever wins is going to have a contract with.
02:59You see 100 people on a daily basis.
03:01Of that 100 people,
03:03we only sign approximately two a year.
03:05It's so crazy that you have to stand out that much.
03:10On a go-see?
03:11A go-see.
03:12It's just like going on an airy for a job.
03:14Nobody cares who you are,
03:16and you've got to make them care.
03:17You've got to make them want you.
03:19In a minute,
03:20let's say I'm doing an advertising job
03:22for a major fashion house.
03:25How old are you?
03:2623.
03:26Where are you from?
03:27Valencia, California.
03:29Who's your favorite photographer?
03:30Craig McDean.
03:31Why do you want to work for me?
03:32I love the style and design of your clothing.
03:34That's how the go-see is going to go.
03:36It's just key that you give them your all.
03:39Congratulations on getting to this point.
03:43Come on, Camille.
03:44Let's do our first confession together.
03:48Honestly,
03:49I don't know when it happened,
03:50but all of a sudden,
03:51Johanna and Camille are like friends.
03:54Well, hello, Miss Diana Ross.
03:55You're a ride.
03:56Now, how are you taking the city?
03:58Is this space enough room for you?
04:00Oh, are you talking to me?
04:01I'm so sorry.
04:02So what do you think, Mr. IMG man?
04:04Do you think he's going to put us
04:05in an Ebony and the Ivory campaign?
04:06He better,
04:07because if he doesn't,
04:08we'll just have to scare the hell out of you.
04:09I'll scare him.
04:10Yeah?
04:10You want us?
04:11I love you.
04:12Give me some love.
04:17Some days I love you, too.
04:19Well, off we go to lunch in Little Italy.
04:21Ebony and Ivory's first confession all together.
04:28Oh, that looks good.
04:30Oh, that looks good.
04:31Oh, that looks good.
04:32Oh, that looks good.
04:33Oh, that looks good.
04:34Oh, that looks good.
04:35So what did you guys do today?
04:36Oh, no, you went to my house.
04:37Oh, no, you went to my house.
04:38Yeah.
04:39Oh, I went to my house.
04:40How was it?
04:41It's fabulous.
04:42Miss Camille, you got on too much makeup.
04:43I do?
04:44Yeah.
04:45As a model, you guys got to kind of be a clean palette
04:47when you're walking around.
04:48You guys all are naturally beautiful.
04:50You don't need all that stuff.
04:51Can you flow, Tyler?
04:52Can I flow?
04:53Can I wrap?
04:54Okay, I have a wrap.
04:55Okay, here you go.
04:56I wrote it in the ninth grade in algebra one class.
05:00Oh.
05:01Okay.
05:02Mm-mm-mm.
05:03Mm-mm-mm.
05:04Mm-mm-mm.
05:05I'm 34 speed with no silly.
05:07Cone, take a feel and you will see.
05:09I'm five foot nine.
05:10I look so fine.
05:11Yes, all my feels are so divine.
05:14When I'm finished with this, you might as well just dismiss.
05:18Don't go to female rappers cause y'all just piss.
05:23Top models pack quick.
05:24On the road, always on.
05:25Pack your bags, y'all.
05:26You going to my life.
05:27Milan!
05:30And I'm like, ah, that's where I wanted to go.
05:32This is where I wanted to go my whole life is Milan, Italy.
05:34As a model, getting this type of information, it's, I don't know, it's probably better than
05:39sex.
05:40So, nah.
05:41No, yeah, well, I don't know.
05:43You are going to feel so damn fine and amazing cause every single man you walk by is like,
05:48Ciao bella!
05:49Oh, donna bella!
05:50Oh, grazie baby, come here!
05:52I'm excited to go to Milan because it's an opportunity to look into the market and
05:55kind of study it as regards to fashion.
05:57And the boys are delicious.
05:58And in the fashion industry, you know, there's Tokyo, there's Miami, there's L.A.
06:02But in Milan, you guys, it's all about high fashion.
06:04You can't just be soft and pretty over there.
06:05You've got to be really edgy.
06:07I'm nervous.
06:08Wow!
06:09I'm pretty much in shock.
06:11I'm just like, okay, let's go.
06:14Let's go now.
06:15You guys have to be packed and ready to leave in one hour.
06:18I'm just trying to think of all the scenarios that could possibly pop up while being in
06:28Milan.
06:29Physically, this competition has been draining.
06:31Luke, this goes through remissions and flares.
06:33I'm trying not to think about that because I just want to make it as far in this competition
06:37as I can.
06:38I can't be on here very long, but I just need to tell you that I'm going to be leaving
06:41for a little while.
06:42No?
06:43My boyfriend, you know, deep down is probably thinking like, oh, she's doing her own thing.
06:50She's just going to leave me behind.
06:51Bye.
06:52I love you.
06:53I love you too.
06:54Bye.
06:55Heavenly Father, we ask that you bless all our luggage.
06:58We rise safely on time.
06:59In Jesus' name, we ask that you bless our Lord.
07:02Amen.
07:03Welcome to Milan.
07:04I've got something for you.
07:17It's this one.
07:18It's Target.
07:19I'm here.
07:20Buongiorno.
07:21And welcome to Milan.
07:22Your adventure begins at my Italian modeling agency, D-Management Group.
07:27I've been dreaming about coming from Milan, not just to come here, but coming here and
07:32pursuing fashion.
07:33I'm so excited to be here.
07:35And I know that I'm just a top model in training.
07:38Can I keep the little card here?
07:40The best, buddy.
07:41The scenery is unbelievable.
07:42It's just so beautiful.
07:43I just can't stop, like, looking out the window, even though I'm so tired and I'm so
07:46hungry.
07:47Oh, my God.
07:50Hi, girls.
07:51Welcome to Milan.
07:52I hope you had a good fight.
07:53My name is David Brown, and this is D-Management Group.
07:56D-Management Group.
07:57D-Management is a rather special agency.
07:59It's an agency that represents exclusively top models in the world, such as Tyra Banks,
08:05Kate Moss, Angela Linval.
08:07I'm looking around, looking at all these supermodels, looking at the pictures on the
08:11wall like, I could do this.
08:12Milan is the most important training ground in the world for models.
08:17Today, you're on five go-sees.
08:19And what is a go-se?
08:20It's actually going and seeing a prospective client.
08:23This day is going really, really fast.
08:25We don't get to rest.
08:26We don't get to do anything.
08:27We are going straight to work.
08:28You'll be seeing clients where you'll be displaying some aspects of being a top model.
08:33Your appearance, your personality, your professionality, and your confidence.
08:38We'll be seeing you back here at the end of the day to judge who is the winner.
08:43Here are your books.
08:44Now follow me.
08:45It's really cool to see your pictures, like your portfolio is starting to become something.
08:51My attitude is, walk to the best of my ability, show confidence, and win.
08:57I got my Italian book.
08:58I got my high heels in my bag.
08:59I got my makeup on.
09:00My hair is a little bit messed up, but you know what?
09:01I'm going out there and I'm ready to win this competition.
09:02Here's how you're going to be getting around Milan.
09:03Wow!
09:04As far as what I can say, I like.
09:05Ciao!
09:06I like a lot.
09:07Oh wow!
09:08Ciao!
09:09Ciao!
09:10Ciao!
09:11Ciao!
09:12Ciao!
09:13Ciao!
09:14Ciao!
09:15Ciao!
09:16Ciao!
09:17Ciao!
09:18Ciao!
09:19Ciao!
09:20Ciao!
09:21Ciao!
09:22Ciao!
09:23Ciao!
09:24Ciao!
09:26So, five vespas pull up and I'm just wondering in my mind whether or not we're the ones that
09:45Oh, come on, let's go.
09:48Let's go.
09:51Idiotic.
09:52Woo-hoo.
09:53This is nice.
09:54Yeah.
09:56My mom, she speaks Italian for me only because when she came here for the first time, she met a guy.
10:08This is something I've always wanted since I was a little girl.
10:11I, like, had this dream for myself that I wanted to be a part of, you know, the fashion world.
10:15How long have you been modeling for?
10:17Um, for about, um, four months.
10:20Right.
10:20Maybe we can have a polaroid, what do you think?
10:22Johanna, I think she was very elegant, but she was kind of strange.
10:25Like, her shoulder and the breast, she was too square.
10:29They're always looking for different things.
10:31It's hard to tell whether I did well or not.
10:33Oh, my goodness.
10:34Milan for me is, like, unbelievable.
10:36Everything is just a million times nicer.
10:39Can you walk for me?
10:40Sure.
10:41Do you want me to pose or anything?
10:43No, be sexy.
10:44Just be sexy.
10:45Yeah.
10:45Okay.
10:50My very first kiss.
10:51So, yeah.
10:52Did it go good or?
10:53Yeah.
10:54Okay.
10:57So you don't have a wife?
10:58You're kidding?
10:59Riley, hold on.
11:00I don't have a wife.
11:04Okay, you pay me later.
11:08It's my hair.
11:10Okay, see you in a minute, right?
11:11Good luck.
11:12Okay, thank you.
11:12You know that this is the number one agency, so we usually top model.
11:17Okay, so I'm in the right place.
11:19You think so?
11:20I just put on my personality and made it a point to get a business card and leave the window of opportunity open.
11:25And Camila, she has a strong attitude inside it.
11:28I like the princess today.
11:31Thank you, guys.
11:32Thank you, guys.
11:32Thank you, guys.
11:33Thank you, guys.
11:33Thank you, guys.
11:34Thank you, guys.
11:34Thank you, guys.
11:35Okay.
11:35No es bueno.
11:37Wow, I feel like I'm in, like, an action movie.
11:41Where, you know, you're almost about to die, but you don't.
11:44Do you do a lot of magazines?
11:46Actually, it's a weekly fashion magazine.
11:49They're looking for a classic, elegant type of look.
11:52I need to, like, learn how to be more edgy.
11:54Mercedes, I like her.
11:56She has a nice attitude, but she was a little commercial for me.
12:00Are you cold?
12:00No.
12:01No?
12:01You sure?
12:02Yeah, for you or not?
12:04I have a warm heart.
12:08Okay.
12:08Hi.
12:10For me, go see what's business mode.
12:11I'm here to sell myself.
12:12And you're mixed-blooded, no?
12:14I see that.
12:15So where are your origins?
12:17My mom is Japanese.
12:18Yeah.
12:18And my father is German, Irish, Scottish, and Welsh.
12:24This is what I feel when I have a weed, man.
12:26I can't scratch my head.
12:27Come on, pretty boy.
12:27Let's go.
12:28My little Italian man, he really doesn't speak that much English.
12:31But other than that, I'm having fun.
12:33My mom is from Mexico.
12:34My father's Canadian, and I love children.
12:37Have you ever graced any of the covers yourself?
12:40The first step in belly dancing is the figure eight.
12:43So you go like this, and then the movement is like this.
12:46But when you have that, like Shakira, you know, when you have the thing, it's like...
12:52Last stop.
12:54Let's make this happen.
12:55Your name?
12:55Camille.
12:56I'll trucco, è truccata.
12:57Why did you come with make-up?
12:59I'm coming from...
13:00I'm coming from...
13:01Provate questi capi, per favore.
13:02She would like you to try the sun.
13:03Quickly, please.
13:04It is very important for fashion shows that you learn how to change very quickly.
13:10She thinks that that's not good to have these...
13:13I don't know what you call these things.
13:17Come è camminato, secondo te?
13:19Come è la tua camminata?
13:20What made me nervous was her attitude.
13:22I felt like I was her bitch or something.
13:24Provate anche le scarpe.
13:25Ragazzi, scostati un pochettito.
13:28No, no, no, no.
13:29Closed.
13:30Okay, go.
13:31Io devo vedere un mucchio di ragazze oggi.
13:34Okay, she wants to know why you walk like this.
13:35Explain, explain, try to explain.
13:38Perché this is my signature walk, and this is what's going to make me famous.
13:40Okay, do you have experience?
13:42No, okay.
13:43Okay, can you change?
13:44Bye.
13:45The lady was tough, but I'm not going to go cry in a corner or anything.
13:47Why should she take you with as little experience like you do?
13:52Or to see something in me.
13:54Si, però va bene.
13:55Grazie.
13:55She's a meanie, and she is a bad woman.
14:00I don't like her.
14:01In your pictures, what do you portray?
14:04Quickies?
14:05Tranquility.
14:06Molto tranquilla.
14:07Sex appeal.
14:08Molto un polisexy.
14:10Can you fix yourself outside, please?
14:12Finished.
14:12Okay.
14:13It was a bit coarse, but I'm sure that caricature will be calling me pretty soon, so it's not a problem.
14:19I'm at worst.
14:20And this is the castle.
14:25It's very famous in Iran.
14:29Here, look at that.
14:29Wow.
14:30Wow.
14:31It's gorgeous.
14:32It's pretty.
14:33Bella.
14:42Are you there?
14:43Uh-huh.
14:43Excuse me, I'm on the screen.
14:45In how far were you finished?
14:47No.
14:48It's pretty clean.
14:48What's your day?
14:50I'm missing.
14:54You like my walk?
14:57Which is good.
14:58It's all right?
14:59I like not only your walk.
15:01It's very big, friend.
15:14Our day is finished.
15:17I want everything good for you.
15:21It was a very, very, really pleasure.
15:25A very nice man.
15:26He wanted to win my heart, and I'm happy with that.
15:31Oh, hey, how are you?
15:38After doing all the go-sees, we go back to de-management to meet with Tyra and David.
15:45What was the hardest thing for you guys?
15:46You're new and you're learning.
15:47That was the hardest part.
15:48What was the easiest part?
15:49The Vespa.
15:50The Vespa.
15:52When I used to have a lot of fashion shows, they would throw you in the backseat of that
15:56Vespa with that pretty Italian boy.
15:58I have your results from your go-sees.
16:02With Shandy, you're more fashion than commercial, but you're way too shy and not self-confident.
16:08April, they said that you were very strong in appearance, but weak in all of the other
16:12areas.
16:13Yoana, they said that you had a really gorgeous face, but that you had to work on your body.
16:18They aren't so sure you have a body for high fashion.
16:20Mercedes, they said that when you walked in, you're very weak in your appearance, but strong
16:24and a very confident person.
16:25Camille, they said that your look may be a little too classic and standard, but that
16:28you had the best confidence overall.
16:31They gave you scores from one to ten.
16:33Who thinks they won?
16:34You think Shandy won?
16:35Shandy has the body to be a fashion model, and we're in Milan, and that's the look.
16:40That's not how I love this one.
16:41I think it's either going to be Mercedes or Camille.
16:43Their critiques were all about confidence.
16:45The person that had the highest score was Camille.
16:50Me?
16:50I was right.
16:51Camille won!
16:53Soldiers up at the go-teens.
16:55Yay!
16:56Camille is very excited because she hasn't won a contest yet.
16:59You're going to get your portrait done by an Italian artist, and you get to choose one
17:04person to go along with you to get their portrait done too.
17:10Yoana?
17:12Yoana, you guys are going to be done.
17:14Okay, cool, thanks.
17:15It feels good to see them friends.
17:17It feels like we've come full circle.
17:19Yoana, she has an issue with her self-confidence, and I chose her because I wanted her to actually
17:24see that she is gorgeous.
17:27I was going to say, in regards, I mean, they said work on the body, like, do you mean, like,
17:31toning or...?
17:32Probably.
17:32Yeah.
17:33Because I'm already a size two, I mean...
17:35It is hard for Yoana to take in all that information about her body because that's so sensitive.
17:39You're like, what's wrong with me?
17:41After a long day, I'm sure you want to go and get some rest.
17:44I have the keys to your model apartment.
17:46It's really cool that Camille chose me, but honestly, it did upset me with the criticism
17:50that I don't have the body type.
17:52I probably won't be able to be a top model.
17:54It's too much, you know?
17:57It's time to go home.
17:58I'm upset because a client said that I probably don't have the body to be a top model.
18:21This is the first time I've heard of it, other than having to do more toning.
18:24Do you want to be here because you're confused?
18:26Oh, I think it's just, like, being over-exhausted, not sleeping, not eating, just everything, and
18:32then hearing that.
18:33Yoana's feeling self-conscious, and it's going to hurt her in the long run in the modeling
18:37industry.
18:38I know that Yoana wants this, like, more than anything, but it's, like, slowly taking its
18:42toll on her.
18:43She's had this constant battle with her weight and trying to look like a model.
18:46I want to go to bed.
18:50I've had a long day.
18:52It's really hard to become a model.
18:53Ooh.
18:55Nice.
18:57You got tired now.
19:00Many, many years ago, Verona was the home of Romeo and Juliet.
19:04Tomorrow, it will be the home of your first photo shoot in Italy.
19:06Be ready at 7.30.
19:08Romeo and Juliet.
19:09Verona's beautiful, you guys.
19:10We're in a smaller apartment, much smaller, in a totally different environment.
19:16We're all here to win, and I think everyone knows it.
19:21Ew, don't put your scary boyfriend here.
19:23Shut up, you know.
19:24Can't you put it on the wall?
19:25No.
19:26I have, like, a piece of home with me.
19:28I don't feel so far away from my boyfriend.
19:31Who never thought Ebony and Ivory would be sharing a room to go to?
19:34Neil and I are getting along a lot more so than in the beginning.
19:37I want to keep peace.
19:38The best way to seek revenge on someone is to kill them with kindness.
19:42So that's what I'm doing.
19:43I'm killing Ioana with kindness.
19:52We know that we are going to be doing a photo shoot today, our first photo shoot in Italy,
19:56and it's in Verona.
20:05Hey, girls, over here.
20:07You didn't think I was going to abandon you out here in Italy, did you?
20:10You guys have a good trip?
20:11Yeah.
20:12So this is where we're going to shoot today.
20:13This is your backdrop.
20:14The Arena di Verona.
20:16Beautiful.
20:18Today's shoot is for Solstice.
20:20They're a high-end retailer of luxury brand sunglasses in America.
20:24One of you will be wearing Dior.
20:25We also have Max Mara, Burberry, Gucci, and, of course, Giorgio Armani.
20:30Our photographer is Massimo Costoli.
20:34So, Massimo.
20:35Hi.
20:35Hi.
20:36Hi.
20:36Now, the look of today's shoot, just so you get an idea, it's supposed to look like high
20:40fashion.
20:41You've got to create an amazing editorial about five of you, too.
20:45After the ghosties, I'm definitely very aware of my body.
20:48I want to prove that I can be a high fashion model.
20:50Well, let's walk back down to wardrobe.
20:52We're going to see which one is the absolute most fabulous on you.
20:55Over the shoulder.
20:56Fabulous.
20:57Fabulous.
20:58This can be fabulous.
21:00Those boots are fabulous.
21:01Fabulous, they've said, you're a designer's dream.
21:03I should do a word count how many times a lace is fabulous in a day.
21:07Wow.
21:07That one looks great.
21:10You feel pretty?
21:11That's a good thing?
21:12Good to know.
21:13You need to feel pretty.
21:14It's a new morning.
21:15I'm feeling well-rested, and I definitely don't want to go home.
21:19These, Yorna, are going to be the glasses you're going to wear today.
21:21Wow.
21:22Excellent.
21:23Dior.
21:24Absolutely.
21:25Dior.
21:25Dress.
21:26It's for Galliano.
21:27That's it.
21:28And you remember the poses kind of bent over.
21:30I asked all the girls today to give me very deconstructed poses that are like this.
21:34They don't care, because most of the shoots, they're tending to overthink their poses,
21:39and they're a little stiff on set.
21:41Look.
21:41I feel like I am living the teen dream.
21:45I am wearing haute couture.
21:46What more can a girl ask for?
21:48You just have to be a little more aware of your fingers.
21:51The fingers, more natural movement of the fingers.
21:53Yeah.
21:55Bravo.
21:56See, this looks like a real high fashion shoe.
21:58I'm sizing up my competition and looking at how they're performing, and it is seriously
22:03giving me insecurities.
22:04Yorna, she was slightly larger than the other girls, but overall, she really moved well.
22:09I think much more editorial, because it's not a pose.
22:13It's a relaxed pose.
22:15I feel very privileged to be here in this spot, even quite royal.
22:22I don't like the faucet.
22:24Do you understand why that looks forced?
22:25This is forced.
22:26If you're going to do this, it doesn't, it needs to mean something.
22:29Stay like this.
22:30Stay.
22:31Close your eyes.
22:32Look more in front of me.
22:34Do you understand?
22:35Relax.
22:36This is nice.
22:37Camille overthinks her poses.
22:39She just never lets go.
22:41I'm just in total awe and, like, shock of where I'm at.
22:44It's gorgeous.
22:45I'm not really sure what I'm doing.
22:47This is nice.
22:48Very nice.
22:48Bella, bella così.
22:49When you try, it looks awkward.
22:51When you don't try, it looks good.
22:54Yeah, that's it.
22:55Oh, now I get it.
22:56I'm not supposed to, like, think about what I'm doing.
22:59Shandy.
22:59She looks like she's an Italian buff here.
23:01Hands down, baby.
23:02I don't know how she came from Walgreens to this.
23:04That's where they all come from, Walgreens and Dairy Queen.
23:07Shandy completely blew me away.
23:09From the last time I worked with her, it looked like she was just electrified and put into the water.
23:13This time, she came out as a total superstar.
23:16Bella, bella così.
23:18Nice.
23:20Brada.
23:22I felt like the sun, just like a flaming ball of fire.
23:25And I love that because colors fuel my energy.
23:27They set the tone for me on a shoot.
23:29Brada.
23:33April is very consistent.
23:35April continues to do a great job.
23:38So if you watch my body, my arms are here.
23:40They're hunched, but it's like I don't care.
23:42It's like, what?
23:42It's like this.
23:44I'm trying not to be as cute and bubbly.
23:47Being cute is a nervous twitch for me, like smiling.
23:50I have a commercial look.
23:52I need to work on being more edgy.
23:54You got to think of your hips being turned under.
23:56I know it feels weird, but it looks good.
23:59Yeah, that's it.
24:00The winner of this competition needs to be able to do commercial and be able to do high fashion.
24:04Mercedes, I don't know if she can pull off high fashion.
24:07She's a beautiful girl, but I keep looking at Mercedes thinking that she'd be a toothpaste girl.
24:11Very commercial.
24:13It's a pleasure.
24:17Camille and I are walking the streets of Verona off to go and meet our artist who will paint our portrait.
24:21Look at this.
24:22Thank you for choosing me.
24:24I feel so special.
24:24Oh, Louis Vuitton.
24:26Hello, Camille.
24:28This is gorgeous.
24:29Oh, I love it.
24:43What a beautiful day.
24:45Mm-hmm.
24:46I feel like Ioana is appreciating the fact that she's getting her portrait done.
24:51Just keep looking around, wanting to absorb everything.
24:54The stores, the people, the food, the boys.
24:58The boys.
24:59At this point, I think I'm building a friendship with Camille.
25:02It actually ended up being more fun than I thought it would have been.
25:04Oh, my goodness.
25:07My piace.
25:08I see.
25:08We're off to have some dinner at a quaint little restaurant in Verona.
25:16We have to get health, happiness, friendship, love, and successful.
25:22Ciao, Bella.
25:23Hi.
25:24Hi.
25:26Everybody's hair looks very European.
25:29There's something about these Italian men, like, when they look at shoes, like, they have such a...
25:33I told you.
25:33You just hear violins all of a sudden.
25:35And it's interesting, because the Americans, we discard our women after, like, age 40.
25:40They're mature.
25:40They can't get acting parts.
25:41They can't model no more.
25:42But here, the woman matures, and she's still amazingly beautiful.
25:46You guys never even told me about your trip or your apartment at all.
25:49Oh, yeah.
25:50That's strange.
25:51We opened the door.
25:52It was gorgeous.
25:53First, we didn't register what was happening.
25:55Yeah.
25:55Until this morning, and we woke up, and we're like, wow.
25:57What's where we're staying?
25:58Do you guys have separate rooms, or what's the...
26:00Two rooms.
26:00Two large rooms.
26:00Two large rooms.
26:01Three beds and one room.
26:02Ebony and I ran one room.
26:03Ebony and I ran one room.
26:05We're like a whole family now.
26:08I like that.
26:09Hi, Amalou.
26:10She'll probably get some tea.
26:12She's going to the bathroom.
26:13No.
26:13Hey, Helen.
26:14Okay, why eat that face, Camille?
26:16Ask her when she comes back.
26:19Why?
26:19She wants to go to the bathroom.
26:20Huh?
26:21She always disappear to the bathroom at dinner?
26:24What?
26:24No.
26:24No.
26:25No?
26:26She, you know, disappears and...
26:28After every meal?
26:30No, not after every meal.
26:30Just she goes to the bathroom a lot.
26:32Well, the eating disorder thing is very sensitive to me.
26:35I've never experienced it personally, but I know a lot of people.
26:37I had a friend.
26:38So if you guys just keep an eye on that, you know, if you can watch it for me.
26:41It's really important that what gets said at that table when Tyra is there is the truth,
26:47and nothing but the truth.
26:48I think, you know, Camille insinuated that Johanna has an eating disorder, which is not true.
26:53Oh, you were smoking.
26:55No, but I took these for memory.
26:57Oh.
26:57I was like, where did this girl go?
26:59All right, everybody, I'm full of mine.
27:01Good night.
27:02Good night.
27:03Good night.
27:03Cabela.
27:04Cabela.
27:04But you understand everything, right?
27:08One thing led to another.
27:09I told Johanna because I don't think that it's right for people to talk behind her back.
27:14You're just concerned with all Tyra and Jay.
27:16I'm infuriated because of the fact that that would plant a seed in Tyra's head.
27:21You said it in front of Tyra Banks.
27:23Oh, my God.
27:23What did you just say?
27:31What did you just say?
27:33Jay and Tyra said, do you, does you want to, like, go off on our own, like, often?
27:38And I was just like, sometimes.
27:40You said it in front of Jay and Tyra Banks.
27:42Oh, my God.
27:43I've never in my life had an eating disorder.
27:46My body is a temple, and I'm not going to abuse it like that.
27:48Camille, you were sitting here like this, and Jay said, you know, just,
27:52and she's a paralyzed.
27:53No, he didn't say, does she have an eating disorder?
27:55She said, does she disappear a lot?
27:57Does she want to get up and go to the bathroom and disappear a lot?
27:59Obviously, the underlining thing is that she has an eating disorder.
28:02Duh.
28:02The question was, does she disappears a lot?
28:04And yes, she does disappear a lot.
28:05Camille, do you understand this is a modeling thing,
28:08and for someone to come out and say that Johanna might have an eating...
28:10I didn't say that.
28:10I did not say that.
28:10Or have it inferred?
28:11She didn't say that.
28:12I did not say that.
28:13Tyra said that, and Jay said that.
28:15And I was just like...
28:17I'm crushed that she would bring that up behind my back.
28:20Now I have to fix it.
28:21Hey, Tyra.
28:23Hey.
28:23There was a possible discussion of an eating disorder
28:25and how things got way out of control.
28:27One of your roommates made a face.
28:29That's what I heard.
28:30And then we were like, what do you mean?
28:32I think that's what hurt me the most.
28:34You really need to stand up for yourself.
28:36My mom calls it the ugly side of the beautiful modeling industry.
28:39Even though I saw there was a little bit of maybe sabotage in it,
28:41it did raise concern.
28:43Okay.
28:43You know, because I want you to be healthy.
28:45I want everyone to be healthy.
28:46All right.
28:48Thanks for your advice.
28:49Okay.
28:49Obviously, Camille created something out of nothing.
28:51I rushed in Camille's motives from day one.
28:53I was right.
28:54It's over.
28:57Guys, we have mail.
28:59Tomorrow you will meet with the judges.
29:01Only four of you will continue on with the hope of becoming America's next top model.
29:05One of you will be eliminated.
29:06I just hope that my pictures came out good because I really want to stay in Italy.
29:10Yeah, it's not fair for me to only be here two days and then go home.
29:14I might not be the Shandy size, but that doesn't mean that I can't do modeling.
29:17Hopefully, the judges know that.
29:24Congratulations for getting this far all the way to Europe.
29:28Now it's time to make our eighth cut towards determining who will become America's next top model.
29:32We've got some prizes.
29:34A contract with IMG, one of the top management companies in the world.
29:38A fashion spread in Jane Magazine.
29:40And a cosmetics campaign with Sephora.
29:42Now we're going to introduce our judges.
29:44First, we have Miss Janice Silverdress Dickinson.
29:48The world's first supermodel.
29:51Then we have Eric Nicholson.
29:52Eric is the senior fashion editor at Jane Magazine.
29:56Beth Nigel Parker.
29:57He's a note to fashion photographer.
29:58And as you can see, all the way over here, Mr. Michael Giannini.
30:04Michael was at one of your go-sees.
30:06Ragazzi, supposed to do un po' pitito, cute.
30:08No, no, no, no.
30:09His name might be Matogianni, but he talks just like me and you.
30:12He is American.
30:13He is not Italian.
30:15And he happens to be one of my agents at D-Management.
30:18Hello, ladies.
30:19When you need people like go-sees, it's critical that you come across as professional and confident.
30:26The other day when you met Lilian and me, it wasn't just an ordinary go-see.
30:29It was actually a test.
30:31We were purposely and particularly hard on you guys.
30:34Apologies.
30:35Because we needed to see a reaction.
30:36We put together video clips of that go-see.
30:39And Shandy?
30:41You're first.
30:41Come on, Shandy.
30:42Now, this is the first time that any of the judges are going to be seeing this video clip, okay?
30:45Shandy, let's see what they got on you.
30:48Okay, go.
30:51Look at Shandy walk.
30:53Why should she take you with a little experience like you do?
30:58Why?
30:58Please explain why.
30:59The only thing that I would think of is, especially by looking at the pictures, if she were to see something in me, like in my photographs.
31:07Bravo.
31:08Shandy, you responded honestly from your heart.
31:11I love the way you dealt with his bizarre questions.
31:14Your shyness really, really came out.
31:16And I think Michael's absolutely right in what he's saying.
31:18What he doesn't know is the journey you've taken that we've seen.
31:21From there to here, it's an enormous improvement.
31:24You had a photo shoot.
31:26Here is your shot.
31:28This is perfection personified.
31:30I'm crazy about it.
31:31And you know what?
31:31Your long limbs really work very well.
31:34The photographer gave notes to everyone.
31:36Not only were you his hands-down favorite girl, yours were some of the best photographs he's taken all year.
31:41Wow.
31:44Mercedes.
31:45Mercedes.
31:48You always walk like that?
31:49Yeah, I do.
31:50I tend to walk with my hips, straight forward.
31:54How old are you?
31:54I'm 22.
31:5622?
31:57I would have slapped that woman's face if she talked to me like that.
32:01And you would be homeless and jobless.
32:03The one thing I want to tell you that I noticed that was negative is she said,
32:06you always walk like this.
32:07You should have said, no, I will walk however you want me to walk.
32:09That's true.
32:10Because right then and there, that client is going, oh, she can only walk like that next.
32:14You look like a warrior.
32:15It's really good.
32:17Your body is doing this high-fashion, awkward pose, but your face is a sort of normal.
32:21The photographer said he had the greatest connection with you, but that your look was a little commercial for him.
32:26I mean, she is commercial.
32:29Miss Camille.
32:30Okay, girl, let's take a look at your clip.
32:31This, I gotta see.
32:33Okay, she wants to know why you walk like this.
32:35This is my signature walk, and this is what's going to make me famous.
32:38Actually, I'm here because I got chosen as 6,000 girls.
32:41And 12 were chosen for America's Next Top Model.
32:44I have to do it, Janice.
32:47Camille, what were you thinking?
32:49Time and time again, we've talked to you about attitude.
32:52You know what it looked like to me when you ran off the whole America's Next Top Model?
32:54Look, bitch.
32:56I was chosen over a million people.
32:58I don't know what your problem is.
33:00When the ghosty process was over, I won the award.
33:04Yeah, they said you presented yourself very well, but this is a test separate from your
33:07ghosties.
33:08This was a test of a ghosty from hell.
33:09Try to work on humility a little bit.
33:12You have a beautiful neck.
33:14Here, your hair is all over the neckline.
33:16You are pigeon-toed here.
33:17I just know that you can do better.
33:19You can do better.
33:20You've done better.
33:21The photographer said Camille was by far his least favorite girl.
33:24He said she needs to be more in touch with her heart and soul.
33:26Next is Johanna.
33:31She's asking if you've done it.
33:32No, ma'am, I'm starting out.
33:35How can your presence do us to sell?
33:39Please explain.
33:40Well, I'm basically, I mean, I have a classic look.
33:45I thought you looked absolutely amazing.
33:47And like, you were striking these poses that you didn't know you were, but I was like,
33:50damn, that's a picture.
33:51You didn't get aggressive nor back down because I was really hard on you.
33:56That doesn't even look like you, girl.
33:58It's fantastic.
33:59It's great body language.
34:01You know what?
34:01It's another look that I haven't seen of you, which is great.
34:04April's next.
34:06Why should she take you?
34:07Please explain.
34:08And don't just say, because you are pretty.
34:10Okay?
34:10Please explain.
34:12If she tells me what she wants from emotion in my face.
34:16She don't want you to think too much.
34:18Explain why you need to go into this explanation.
34:22One thing you have to realize is the fashion industry, it's romantic, it's artistic.
34:26It's all about emotion.
34:28It's very, it's less clinical.
34:29You have some of the best answers for what you should do.
34:32I mean, you've delivered those answers.
34:34Think Eartha Kitt.
34:37All right, here's your best shot.
34:39For me, you look like a corpse in the face.
34:42I don't really see that, actually.
34:43I like the intensity.
34:44This photograph looks like the batteries died in her vibrator.
34:48Ew.
34:51Shandy, this girl is a supermodel in the making.
34:54A problem I have with Shandy is she needs to focus more and be more sort of secure with
34:59herself.
34:59Ioana, Ioana has emerged from quirk nerd to elegant model.
35:04I've had a problem with Ioana over the weeks, and I keep saying she's got this great face,
35:08great face, but the body isn't working for me.
35:10This is a shot for me where the whole thing works.
35:12I love this photo of April.
35:14I think she looks absolutely gorgeous.
35:17I think April has fierce eyes.
35:19She has fierce lips.
35:20She's thinking instead of feeling it.
35:22Camille.
35:22Camille, what on earth is she doing?
35:24She just has to lose the attitude.
35:25She has all this energy, this aggressive energy, which could be channeled into such a successful
35:31career.
35:32Mercedes.
35:33It's almost an A, this shot on Mercedes.
35:36I like how Mercedes presents herself.
35:37I don't know if that necessarily is something that can take someone to high levels.
35:43She was wearing an amazing John Galliano dress, but she doesn't take you there all the way.
35:48She takes you to the knockoff version of John Galliano.
35:52All right, we've reached the decision.
35:53I have five young women standing in front of me, but I only have four photos in my hands.
36:03And these four photos represent the four of you that will still be in the running towards
36:07becoming America's next top model.
36:14Shandy.
36:15This picture is an ad, but we need our girl not to just look fierce.
36:20We need her to be fierce, to show that she has some fire.
36:23Congratulations.
36:25You're still in the running towards becoming America's next top model.
36:28Yoana.
36:30Yoana, every model has something that they just have to hide.
36:34It's your job to conceal it.
36:35And you did an amazing job here.
36:37Congratulations.
36:38April, you are so technical, but if you want a model, just relax and exhale.
36:49Congratulations.
36:51Will Mercedes and Camille please step forward.
36:56I only have one photo in my hands.
37:03Camille, you are undeniably beautiful.
37:06I once told you that we want you here.
37:09And for some reason, you feel like you still need to prove to the world that you're good enough.
37:14Camille, you are good enough.
37:16Mercedes, you're here because of your personality.
37:21There were tapes of girls that I saw that were so amazingly beautiful, but you have a fire and a drive.
37:27There's a little something extra.
37:29But at the same time, there is that commercial thing that makes the judges go,
37:33but will the fashion industry believe it?
37:42Maybe the world will believe it, Mercedes.
37:45Congratulations.
37:46You're still running towards becoming America's next top model.
37:49This is something that I wanted, but it didn't work out.
38:17I feel sad and I feel disappointed.
38:23I take all the positive from it.
38:25I take all the criticism, and I'm going to use that to make Camille a better Camille.
38:29Stay tuned for scenes from our next episode.
38:47Here's what's coming up on America's next top model.
38:50A visit from some local Italian men leads to a devastating crisis for Shandy.
38:56She's feeling extreme guilt.
38:58I want to die.
38:59I just let it happen.
39:00You had sex?
39:01Oh my God.
39:01I'm sorry, honey.
39:03What are you thinking?
39:04I just want to go.
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