- 5 months ago
Category
📺
TVTranscript
00:00Previously on America's Next Top Model, the girls were overwhelmed when they were flown to Paris.
00:07This is so beautiful.
00:09Shannon's fantasy became a reality.
00:11Oh my word!
00:13When she met the man of her dreams.
00:15The rift widened between Robin and some of the girls.
00:18How do you say Adrian has enormous chatos?
00:20I don't speak like that. I don't act like that. I don't want to hear that.
00:23And everyone was sad when Kissy was asked to leave.
00:26Kissy and myself, you know, used to read the Bible together.
00:56Oh...
00:58Oh, are you?
01:00Tell me what I want to show you.
01:02I love you.
01:04I'm sorry to interrupt you but I'm going to hurry to some friends.
01:07I'm waiting for you to come to Paris and friends.
01:09Oh my God!
01:15It's so nice!
01:17Give me a minute to see your story.
01:19I'm sorry to...
01:20I'm sorry to interrupt you.
01:21I'm sorry to interrupt you.
01:22So I'm sorry to interrupt you.
01:23I'm sorry to interrupt you.
01:24She was the only one beside you that didn't judge me all the time.
01:37What's the case like that?
01:39The holiest holy rollers in the bottom barrel of the middle of it.
01:43When Ms. Kizzy left, it was her for Sierra.
01:48I physically couldn't stand up.
01:50I remember leaning on the wall, then I remember going to sit down.
01:52She reminded me of my sister.
01:54We were sorority sisters, we were from the South, roommates, Christian.
01:57She was my best friend in this situation.
02:01I felt like a little piece of me went away because Kizzy was probably one of the girls
02:04that I'd hang out with the most, besides Robin.
02:07I believe in a higher power.
02:09I don't believe that higher power asks you to sacrifice your every damn moment to them.
02:14I do believe in God, and I'm just not psychotic about it.
02:18I hate how Robin rolls her eyes at me when I'm, like, praying.
02:20I'll be sitting there praying for my grandma or something,
02:23and she'll look over at me in Rome in her eyes.
02:25And half the house is under control of Robin.
02:28Uh-oh.
02:29And half the house is under control of the dick.
02:32Things would have definitely sucked if my closest ally in the house had been eliminated,
02:37and I'm really, really glad that Adrienne stayed on.
02:40Booyah.
02:40I'm going to make you more edgy, Shannon.
02:48Thanks.
02:49I've been photographed by every top photographer in the world,
02:52and I've taken pointers from every single one of them.
02:55That's why I decided to shoot the girls myself,
02:57to see what the girls look like through my lens,
02:59and how they connect with a photographer.
03:02But it's so important to me.
03:04Now that fewer and fewer girls are left,
03:06I'm starting to take the competition much more seriously.
03:08I love that.
03:11There we go.
03:13It is a lot of pressure because, um,
03:15the four of us that are left in the house
03:16are, like, staring our dream right in the face.
03:18See there?
03:19When I was photographing the girls,
03:21I felt like they were finally realizing
03:22the possibility of becoming a major star.
03:28They're really narrowing it down to who has what it takes
03:31to be a top mile and who doesn't.
03:38It's just all about profile and looking to the sky
03:40and feeling like an angel.
03:42What comes with this is power.
03:44The right person can use this as a modem
03:46to touch people, to make change.
03:50All right, we got you, Rhoda.
03:51Yeah.
03:52Yeah.
03:58Oh, my God.
04:01We took the girls to the house of Carven,
04:04which is the oldest couture house in all of Paris.
04:08Now, this is my favorite thing.
04:10No lie.
04:11The clothes are, like, besides being expensive,
04:13they are some of the neatest clothes.
04:15Hello.
04:17Bonjour.
04:18As you guys know, Paris is the fashion capital
04:19of the world and the fashion capital
04:21of couture modeling.
04:23Couture is the epitome of fashion.
04:25A lot of times, couture clothing will be one of a kind.
04:28You guys notice how I have your hair pulled back
04:30in a bun, in France that's called a chignon.
04:32A chignon is the most elegant way to wear your hair,
04:35and it's important that your hair in no way
04:36distracts from the clothes.
04:38And tomorrow you'll be tested on your ability
04:40to carry yourself in a couture situation.
04:42Today you're going to meet the artistic director
04:43of Carven.
04:44Pascal?
04:45Bien ici.
04:45Bienvenue.
04:46Bienvenue.
04:46Bienvenue à Carven.
04:47Bienvenue à Paris.
04:48Bienvenue à la magie world de haute couture.
04:51Only a few girls work for couture.
04:53And couture is not only showing clothes,
04:56it's showing an attitude, an allure.
04:58You will see the clothes, you will try the clothes,
05:00and you will understand.
05:06I will give you gloves.
05:07It's very important.
05:08Much better.
05:18You have to be kidding me.
05:18I'm wearing these dresses.
05:19These dresses are probably more expensive
05:21than everything that I own personally.
05:23The gown is like a $20,000 gown.
05:25Are you not going to like some gown that's worth more
05:27than your house and your car?
05:31We are all very professional.
05:34I think it will be tough to find a winner.
05:35There's only one winner.
05:38And so, you know, this is getting pretty close.
05:40And hopefully, you know, I will make it to the top.
05:43You can do a small super meal.
05:45Oh, thank you so much.
05:47I sprayed the summer when I first came in.
05:50Thank you so much.
05:50Good luck in the future.
05:51Where?
05:51Nice to meet up here.
05:57Tomorrow is your day.
05:59You have from 10 to 3 to enjoy Paris
06:02and all the swunders ahead to offer.
06:03We got a tire mail saying that the next day
06:06we would have some free time
06:07to do whatever we wanted all day.
06:09I took our mother.
06:12Shopping.
06:12You guys want to go shopping?
06:15I really don't like to shop.
06:16It gets really old after, like, an hour.
06:19How are you wanting to go?
06:20I don't have money to go shopping.
06:22I just want to go see Jim Morrison's grave.
06:25Who is Jim Morrison's grave?
06:26He's the lead singer of The Doors,
06:28one of the most influential bands
06:30that has ever existed on the face of the earth.
06:32Adrienne wanted to go see Jim Morrison's grave
06:34and she wanted to go up the top of the Eiffel Tower
06:36and Robin and Shannon wanted to go shopping.
06:38She's willing to go shop with us.
06:39We should do something for her, too.
06:40But we have to compromise so we can stay together
06:42because I don't want to split off into two groups.
06:44I want to go shopping.
06:46I think we can all compromise so we can stay together.
06:48Robin did not want to, but she did not want to go along with her.
06:51So she's going to have to compromise and go shopping with us
06:53and we're going to have to compromise
06:54and go to the grave with her.
06:56And I said I want to go shopping.
06:57You're not willing to go to Jim Morrison's grave for Adrienne?
07:00This conversation can go on all night.
07:04Because you won't compromise.
07:05Respect me when I say that I don't want to go see the grave.
07:08Just respect me for that, just like I respect you.
07:10I didn't want to listen to what that bitch had to say.
07:12She was, she's psychotic.
07:14I said I want to go shopping.
07:15Shannon said she want to go shopping.
07:16It just sucks that I'm the one who has to compromise
07:18and you guys don't.
07:19I don't go see grave.
07:20Just like you don't believe in God, I don't go see grave.
07:22I don't try to make you believe in God, do I?
07:24I got really upset when I saw this stubborn, bitchy side of Robin.
07:28I sort of fled away from her.
07:32What?
07:33Who is such a bitch?
07:34Who is a bitch?
07:37I just, dude, seriously?
07:39She's so mean to you.
07:41She's so mean to you.
07:42I think I was crying mainly out of frustration
07:44because Robin wouldn't see things my way.
07:47I was being so intolerant.
07:49It really pissed me off.
07:50It's four people with four different things they want to do
07:55and having to compromise it into two groups.
07:58It's not dumb.
07:59It's just called a difference of opinion
08:00and you try to make the best out of it.
08:03One day, she's going to go against somebody
08:05that does not care how much money you have
08:07or how much mommy and daddy have given you
08:09and she's going to get her ass walks.
08:11That's just how it is.
08:13The word says that if you are standing there
08:17and somebody asks you for your coat,
08:18you're supposed to give it.
08:19You know, because you're a Christian.
08:22Christians are not selfish.
08:25She don't go see graves.
08:26She doesn't seem very Christ-like to me.
08:28In fact, I think she secretly worships the devil.
08:31All this stuff she's pretending to be,
08:33if there really is this big, wonderful man in the sky,
08:37then he's going to whoop her ass when she gets up.
08:40I was trying to keep it from becoming you and me
08:43versus the two of them, but that's it.
08:46After the fight in the hotel room,
09:00our group completely polarized into us versus them.
09:03Adrian wanted to go see Jim Morrison's grave.
09:05Ooh, disco and a sec.
09:07And Robin and Shannon wanted to go shopping.
09:09This is only our one-day pair.
09:13To get whatever we want to get done, done,
09:15it's best just to split up.
09:16Go ahead, let's talk to you today.
09:20Mercy.
09:21You just run a car.
09:23You can't run a car, Perry.
09:24You can't run a car.
09:24I ain't run a car.
09:27Come on, come on, come on.
09:28You can't.
09:28What are you doing?
09:29All right, let's see Jim Morrison's grave, dude.
09:31This is so cool.
09:34Elise didn't want to go see Jim Morrison's grave,
09:36but she sacrificed that for me,
09:38and just like, you know, that's cool.
09:39Dude, Elise, I need a boyfriend for this place.
09:42Will you be my boyfriend?
09:43Yes, madam.
09:44I'd like it this way.
09:45Come on.
09:47I've heard of mommy.
09:48Where are you going?
09:49Is this it?
09:50It has to be it.
09:52You want to look at those signs?
09:54I don't know.
09:54What do you think?
09:55This is so beautiful.
10:01We're lost in the graveyard.
10:06Did they move Jim Morrison's body?
10:10Officially lost.
10:12We went to see Jim Morrison's grave,
10:14and we ended up lost.
10:17But we're just having fun with each other.
10:19It's fun.
10:20Okay, well, there's a photo place.
10:21Let's go in there.
10:27We decided to separate.
10:29Adrian and I did our thing.
10:30Robin and Shannon went to the Gap,
10:33and in retrospect,
10:33I don't know why I wanted the four of us
10:35to stay together at all.
10:37Do you remember the name of the hotel?
10:39Did you write it down?
10:40No, I don't.
10:40I thought I asked you to go and get the name of it.
10:43I have it on the newspaper,
10:44but I don't know where I put it.
10:45Yeah, come on.
10:46Some things Robin does might get on my nerves
10:49after a little while.
10:50Come on, Shannon.
10:50You're going to have to walk fast.
10:51Okay, it says,
10:59you have until 4 p.m.
11:00to get ready for a spectacular night out.
11:04It says be ready at 4 p.m.
11:05hair and makeup time.
11:06It's for a spectacular night out.
11:13Everyone know what time it is?
11:14Yeah, it is.
11:15We have 15 minutes.
11:16You're lying.
11:17No.
11:18Holy poop.
11:19Can you pop the truck?
11:31Welcome back.
11:34So, as I told you yesterday,
11:36couture is about attitude,
11:38a way of life.
11:39So, tonight,
11:41you will go to a fancy restaurant
11:43where we met four guys
11:45from the Society of Paris.
11:46Oh, my word.
11:47But to go there,
11:48of course,
11:49you will have to wear a couture dress.
11:51Famous black little dress
11:53from Paris.
11:54I'm going to be scared
11:54to wear one of your dresses.
11:59They give me this gown.
12:02This gown.
12:03Like, my boobs are hanging out the side
12:04and in the middle.
12:06The couture challenge
12:07was to go out with some men
12:10and have them judge us
12:11on being a lady.
12:13Women that wear couture
12:14are socialite.
12:16They are a lady in every sense.
12:18Tonight, the winner
12:18will have to be chosen
12:20among you girls.
12:21And she will go
12:23to the presidential suite
12:25of a big hotel in Paris.
12:26So, have fun
12:27and welcome again in Paris.
12:28We've been living
12:31in really close quarters
12:32in our model apartment
12:33and every single girl
12:34is fantasizing about
12:35spending a night away
12:36from there.
12:37Are you excited?
12:38Are you excited?
12:39Yeah, yeah, yeah, yeah.
12:41I'm so excited.
12:42I feel so good in this.
12:44I feel like I'm somebody else.
12:49There it is.
12:49Fuganuts.
12:50Where?
12:51Fuganuts.
12:51Fuganuts.
12:52Fuganuts.
12:53I think it's like
12:54Fungui.
12:56Welcome to the Fuget
12:57The Order Restaurant
12:58in Paris.
12:58Will you follow me, please?
13:02Hi.
13:03Hello.
13:05I'm Adrian.
13:05Nice to meet you.
13:06I'm Stanin.
13:06Nice to meet you.
13:08Elise, nice to meet you.
13:09I like the Adrian dude
13:10just, well,
13:11because his name is Adrian.
13:12I'm Stanin.
13:13Nice to meet you.
13:14Nice to meet you.
13:14They were going to judge us
13:16on how we acted like a lady.
13:18So, I was like,
13:18you know, I can do this.
13:19I'm, you know,
13:20I'm a lady.
13:23I'm sorry,
13:26I'm trying this one.
13:27Oh, Fugan.
13:29Fugan.
13:30Is there a goose
13:31or duck liver?
13:34Are you ready to try?
13:37Okay.
13:38Let's see how this is.
13:39Bon appétit.
13:40So, this is our dinner.
13:43This is it.
13:44This is quick.
13:47I ate everything I was served
13:48just to try everything.
13:53The food was nasty.
13:54You know,
13:54it wasn't like all that,
13:55you know,
13:56it was cracked up to be.
13:57You like it?
13:58It's different.
13:59It doesn't really.
14:00It's different.
14:00Robin was being a bitch,
14:01bitch, bitch, bitch, bitch.
14:03Shannon's just like...
14:06So, I was like,
14:07all right,
14:07I'm going to have this opportunity.
14:17This person's big.
14:18After we left the restaurant,
14:21we went to see a ballet
14:23at the Opera House in Paris.
14:28I don't like ballet.
14:31It's like all these guys
14:32are like...
14:33dancing around.
14:35It's like,
14:35oh, my God.
14:36But I didn't sit there
14:37and bitch and complain.
14:38I just tried to keep acting
14:40like a lady.
14:41Are your accents ugly,
14:42too, guys, honestly?
14:44American accents.
14:45Are they ugly?
14:46Like, be honest.
14:48No, it's not ugly.
14:49Well, that's...
14:50She's got to get used to it.
14:51Is it harsh?
14:52Well, I was born down
14:53south in Texas.
14:56Let's go and party
14:57all night longer.
14:58These cat-dadded,
14:59lustful type of men
15:00were there.
15:01You could tell
15:02by their conversation.
15:03They weren't socializing.
15:04That's the reason
15:05why I tuned them out.
15:07That's all she did
15:08for like four hours
15:09with these dudes
15:09was reading the Bible.
15:16Oh, it's pretty.
15:21Wow.
15:22Fruit.
15:23Chocolate.
15:27Oh, my...
15:28Oh, my word.
15:34Beautiful.
15:35It's huge.
15:37When I saw
15:38the presidential suite,
15:39I was really attracted to it,
15:42but I knew that either way,
15:43separating myself and Adrienne
15:45from Robin and Shannon
15:46would have been a prize.
15:48And that is back
15:49it fit all of us.
15:50I mean, really, no lie.
15:51We stepped in
15:52and it was just...
15:53It was immaculate.
15:54It was a palace.
15:55A palace that had Adrienne
15:56written all over it.
15:57Oh, my word.
15:59Oh.
16:01One, two, three, three, three, four, five.
16:03Cheers.
16:03Cheers.
16:04I thought that Robin
16:05would easily dominate
16:06the etiquette competition,
16:08but she wasn't willing
16:09to make conversation at all,
16:10so I think that definitely detracted
16:13from her performance
16:13in the competition.
16:14All right, ladies.
16:15We came to a point
16:16where we have to make a decision
16:18about who's going to be the winner.
16:21Would you excuse us
16:21for some minutes?
16:23Thank you very much.
16:28It's a really difficult process
16:30for us now.
16:31It's a key point of the night.
16:33Let's start with Robin.
16:34I wouldn't vote for Robin.
16:35She didn't live up
16:37to this social scene
16:38in terms of the discussion
16:40of being interested
16:41in other people's interests.
16:43Robin, yes.
16:44She didn't eat anything.
16:46By French standards,
16:47it's a problem.
16:49Adrienne is very funny,
16:51brilliant, smiley.
16:52I would say she's maybe less clever
16:54or less witty than Elise.
16:58I love Elise
16:58because she's a charming girl.
17:01I think of the four,
17:02she's very interesting.
17:04She has a lot to say.
17:05Shannon.
17:05I love her face,
17:07but it's beautifully dressed.
17:09I think she did a great job
17:10wearing that dress
17:11and living up to the standards.
17:13I feel something cold.
17:17So we've come to a conclusion.
17:22Elise, Shannon, Robin, Adrienne,
17:26thank you very much
17:27for this wonderful evening.
17:29As we say,
17:30all good things come to an end.
17:32So we had the difficult mission
17:34to select one person among you.
17:38And the person we retain
17:39is Adrienne.
17:42And congratulations.
17:44Thank you, Adrienne.
17:46You're going to have to give me
17:48one name among your friend.
17:50Who's going to be staying with you?
17:51Please.
17:52Congratulations.
17:53Oh, I need that.
17:54Can we give you a kiss?
17:57Oh, the art group is sweet.
18:00Sweet.
18:00I told you I ruined your day.
18:02I was so sorry.
18:03I was so sorry,
18:04but Jim Morrison is so cool.
18:06I thought Robin was going to win it
18:08because she's been to etiquette class.
18:10You know,
18:10she can just cut that whole thing.
18:16Adrian and I had a lot of fun
18:18in the presidential suite
18:19after our escorts left.
18:21That's going to be more like pink.
18:23I'm a real meal.
18:23You know what?
18:24I know how to work the mess.
18:27We're back.
18:29Adrienne was very, very, very,
18:32very, very friendly.
18:33She worked it.
18:34And she got the prize.
18:36I love a mansion in Paris.
18:38I love a mansion in Paris.
18:40We ate a bunch of chocolate cake
18:42and we ate a lot of fruit.
18:43And we're so happy
18:44to be away from Robin and Shannon.
18:45I feel like a queen.
19:01Dude, they have set this up
19:03for our romantic night together, Elise.
19:09Do you have your top on?
19:11Me?
19:12Yeah.
19:13Should I put mine on?
19:15Do you have your top off?
19:16Yes.
19:17Girl.
19:21Basically,
19:22just tried to act very ladylike,
19:25to have a lot of grace,
19:26and it was everything I'm not.
19:28I guess I proved
19:29that I can be abroad.
19:31Good night, Slutho.
19:32Good night.
19:33We got a tire mail saying
19:57that we would be doing
19:57an advertisement for diamonds.
19:59This place is nuts.
20:11Hey, girls.
20:12So today,
20:13I'm going to be working
20:14with you with makeup
20:15and directing you on set.
20:17We're in Budabar Restaurant,
20:19which is one of Paris'
20:20most famous restaurants.
20:21It's very chic.
20:22A lot of celebrities come here,
20:23so now you guys can say
20:24you've been here.
20:25We're here with a Serena collection,
20:27which is jewelry,
20:28so you know you're modeling diamonds.
20:30Cool, right?
20:31Okay.
20:31The look, though,
20:32we're going to have
20:33very strong,
20:34kind of edgy,
20:35greasy,
20:36kind of black charcoal eyes.
20:38The body's going to be really greased,
20:39and we're going to spray water,
20:40and we're going to wet your hair,
20:42and you're posing nude.
20:46He said that we would be posing nude.
20:48I was like,
20:49okay, you know,
20:50keep on going.
20:50I know you're just kidding,
20:51but he was telling the truth.
20:52I was like,
20:53oh, no.
20:54The reason we're adding
20:55the extra hair
20:56is that the hair can come down.
20:57Your breasts will be covered.
21:00As I expected,
21:01Adrian and Elise were just like,
21:03oh, okay,
21:04no problem.
21:05Robin,
21:06I saw her whole face change.
21:07She went gray.
21:09Shannon, I felt,
21:10might be able to do this.
21:11We have Patrick Katzman.
21:13He's going to talk to you guys
21:14about the look.
21:14It's going to be very moody,
21:15the lighting, everything.
21:17So here he is.
21:17Hello.
21:18How are you guys doing?
21:19So today we're going to go
21:20for something kind of dramatic,
21:21very stretched out poses,
21:24exaggerating your body,
21:25the shape.
21:25So don't worry,
21:26we're going to do a lot of like
21:27hands across the chest,
21:28hands across the lower body
21:29so you don't have to worry
21:30about being exposed
21:31or anything like that.
21:31It just needs to be
21:32really, really strong.
21:33Think just wild.
21:35The order is going to be
21:36Adrian, Elise,
21:38Robin, and Shannon.
21:39All right?
21:40You ready to start?
21:41That's good.
21:41Hair and makeup?
21:41Yes.
21:42Nudist colony.
21:44What Shannon and Robin
21:46thinks that the industry
21:47doesn't have anything
21:48to do with being sexual
21:49or lustful or naked.
21:51That just ensures
21:52that Elise and I
21:53will be head-to-head
21:54at the end.
22:06Adrian spreads open
22:07and lets the makeup artists
22:09oil her down.
22:10And at that point,
22:11I think Shannon started crying.
22:14A lot of people would do that.
22:14A lot of girls would do anything.
22:15Yeah, serving the lower
22:17that ain't easy.
22:18But in the end,
22:18you always come on top.
22:20Nice.
22:21Beautiful, beautiful.
22:25The idea of this shoot
22:26was to look damn good.
22:27Cover your body parts,
22:28look like you're buck naked
22:30and covered in diamonds.
22:32We first started with Adrian.
22:34Any direction the photographer
22:35gave her or that I gave her
22:37she went with,
22:38she's never a problem.
22:40Adrian was a real pleasure
22:41to start with.
22:43She had a lot of confidence,
22:44she knew the position.
22:45She looks right into the camera
22:46and it really helps
22:47shooting a girl like that.
22:48It really shows
22:48on the final image.
22:49I wanted Robin and Shannon
22:52to see the more intimate setting
22:53we had created
22:54for the rest of the shots.
22:55I wanted them to trust me
22:57and understand that
22:58what I was going to do for them
23:00would not expose them in any way.
23:02We were just resetting
23:02for Elise's shot,
23:04which is just over there
23:05by the bar.
23:05I just wanted you both
23:06to see that it's a little
23:08more quaint,
23:09it's a little less open,
23:10and we're actually going
23:11to block off some
23:12of these archways
23:12so that it's completely
23:13private from downstairs.
23:15I just have to really stress
23:16what the outcome of the shoot
23:18is supposed to be
23:19and that the outcome
23:19of the shoot is
23:20the illusion of nudity,
23:23even though you're not nude.
23:24What we have for an option
23:25for covering up
23:26is the underwear
23:27and we've got the band,
23:28which we can double band round
23:30so we can go over once
23:32and then go back around
23:33a second time
23:33to make it wide.
23:35Tell me your concerns.
23:36Is it the illusion of nudity
23:37that bothers you?
23:38Me, personally,
23:39it, um,
23:40the being nude,
23:42first off,
23:43and having people see that,
23:45um, because...
23:46But you don't have to be nude.
23:47You know, like I said,
23:48we can double band your top.
23:49And then, too,
23:51is that illusion
23:52is really not
23:53really sitting well
23:54with me, either.
23:55The illusion bothers you.
23:57It doesn't sit well.
23:58My body is sacred,
23:59and it's mine,
24:01and, um,
24:02my religion teaches me
24:03that my body is a temple.
24:04Shannon?
24:05I want to tie it on
24:06to see what the band
24:07looks like.
24:08You want to try the band?
24:09Yeah.
24:10I want to try,
24:11at least try it out,
24:12because you never know
24:12until you try something out.
24:13And what would you like to do?
24:14I want to try the band, too.
24:18They're a little apprehensive.
24:19Remember when we were
24:20at Carvan the other day
24:21and you guys were fitting
24:22and I was sitting on the side?
24:23Did you know what Robin did?
24:24Now, it's so funny
24:25that she's so uncomfortable
24:26with this.
24:26What?
24:27She went,
24:27Mr. J,
24:28and I went,
24:28uh-huh.
24:29She opened up the drape,
24:30and she was just in a panty,
24:31no bra,
24:31and was, like,
24:32shaking her boobs at me.
24:33But what she didn't know
24:34is Tyra was standing right next to me
24:35around the corner.
24:38Yes.
24:49I always see that Elise
24:50is doing a little bit better than I,
24:52and it just drives me
24:53to try to whoop her ass.
24:56I wasn't uncomfortable at all
24:58during the actual shoot.
24:59I don't think the photographer
25:00is going to manipulate
25:01any of the images
25:01he had to make porn.
25:03Elise, I feel like,
25:05is she starting to feel
25:06the competition with Adrienne.
25:08She got up on that bar,
25:09and, I mean,
25:09the look that was coming
25:10out of her eyes
25:11is incredible.
25:13I can see the hurt
25:14in your eyes
25:14The pain in your tears
25:17You're running after blood
25:19Go back down and see
25:21All right,
25:23I got it.
25:30I'm not going to do it.
25:31You're not going to do it?
25:31Yeah, I decided not to.
25:32I was trying to imagine
25:33the picture in my head
25:34of what I would look like,
25:35and it would just not be me.
25:37Right.
25:37It wouldn't be you.
25:38Are you going with Robin,
25:40or are you just kind of...
25:41No, I'm going with my own self.
25:42She's her,
25:42and I'm me.
25:44You're looking at a representative
25:45for not only young women,
25:47but America as a whole,
25:49and a woman
25:49that has integrity.
25:50Last week,
25:51it was broad pants.
25:52I probably would never do that.
25:54This week
25:55is two strands
25:56of ribbon and a thaw.
25:58What is it going to be next week?
25:59My grandmother used to always tell me
26:01if you don't stand for something,
26:02you'll fall for anything.
26:03So this stand right here
26:05I'm taking
26:05might make me be eliminated
26:07so if my time is up,
26:09then I'm okay with it.
26:11Mm-hmm.
26:11I'm okay with it.
26:12I loved Paris.
26:28I love Paris so much.
26:31Paris has left
26:32a bittersweet taste in my mouth.
26:34France is gorgeous,
26:35but my experiences in France,
26:37they weren't the most happiest.
26:42Wow, we are all
26:53in one room now.
26:56This is spectacular.
26:58Models just starting out
26:59share really cramped quarters,
27:01so I'll reduce the penthouse
27:02down to just one room.
27:03We have mail.
27:07Welcome back.
27:09Milana's your new home.
27:10Unpack and settle in.
27:11Tomorrow,
27:11three of you will continue
27:12on to become
27:13America's next top model.
27:14One of you will be eliminated.
27:16Tomorrow.
27:16Tomorrow.
27:18I don't know
27:19how that photo shoot
27:20that I did not do
27:22will affect me.
27:23I never have any concerns
27:24because I know
27:24that it's not in my hands.
27:26It's in God's hands.
27:27I think that Robin
27:27and Shannon's decision
27:28will definitely affect them
27:30adversely in the competition.
27:31Can I sleep on?
27:32Can I do some?
27:33Yeah, you have to.
27:37I'm just asking.
27:38Robin, she's going to start realizing
27:41that here comes the queen
27:42and better move over
27:43because it's in my house now.
27:46Welcome home.
27:52Hello, ladies.
27:54Now it's time to make our seventh cut.
27:56Only three of you will remain
27:57on the quest towards
27:57becoming America's next top model.
27:59The winner will receive
28:00a Revlon contract,
28:01a contract with
28:02Wilhelmina Models, Inc.,
28:03and a fashion spread
28:04in Marie Claire magazine.
28:06As usual,
28:06we have our panel of judges.
28:07First,
28:08we have Janice Dickinson,
28:10one of the first supermodels
28:11ever.
28:12I am the first supermodel.
28:13We have Beau Coulian,
28:14Beau's the fashion editor
28:14at Marie Claire.
28:15We have Kimora Lee Simmons,
28:17Kimora's the creative director
28:18and owner of Baby Fat Fashions.
28:20And last but not least,
28:22Mr. Derek Khan.
28:23Derek has been your stylist
28:24throughout this whole journey,
28:26and he's always fashion forward
28:27or backwards,
28:28as you can see.
28:29Derek has come up
28:30with a test for you today.
28:31I'm going to send you upstairs
28:33to dress in gouttour garments.
28:35I have beautiful accessories.
28:37I have lovely shoes.
28:37I have hats.
28:38I got the gloves.
28:39I got it all.
28:40And in 10 minutes,
28:41I want you to come back here
28:42and show me what you've learned
28:43in Paris, okay?
28:53What is it?
28:54Yeah.
28:54Hi, Regan.
28:55Yeah, mine's a dress.
28:57Girl, I'm going down there
28:58like naked.
28:59Are these the only shoes
29:00I have left?
29:01These aren't going to fit.
29:10Send Elise in, please.
29:13Elise, you look fabulous.
29:16I think it looks great.
29:19You had a nude photo shoot
29:21with the photographer,
29:22Patrick Katzman.
29:23We found your top picture,
29:24and here it is.
29:25I think you look so sexy,
29:26and your booty looks kind of big
29:27and juicy.
29:28That's great.
29:29She looks fat in that picture.
29:30This is your first time,
29:31I'm assuming,
29:32doing a nude photo,
29:33and you don't look uncomfortable.
29:34You don't look intimidated.
29:36Absolutely gorgeous picture,
29:37and your eyes are really amazing.
29:38How did you feel doing this shoot?
29:41There was definitely
29:42a lot of trust involved.
29:43It was totally obvious
29:43we weren't making porn.
29:45I see an incredible,
29:46confident woman
29:47that owns the photograph.
29:49Looks great.
29:50Nothing else?
29:51Okay.
29:51Hello, Shannon.
29:54Hi.
29:55What's the one thing
29:56that the designers
29:56and the people
29:58that you went on the go-sees
29:59with in Paris
29:59complained about your look?
30:01Not edgy enough.
30:02What is the one thing
30:03that can take you
30:04from being Miss California Girl
30:06to being edgy?
30:07Flicking my hair back.
30:08And so why didn't you do that?
30:09I ran out of time.
30:10It's a little too California.
30:12That extra, exactly.
30:13That extra pizzazz,
30:15that extra grace
30:15that's essential.
30:16Shannon,
30:17we're supposed to have
30:18a photo shoot
30:18with Patrick Katzman.
30:20It was supposed to be
30:21a semi-nude shoot,
30:22a simulated nude.
30:23We don't have a picture
30:24for you.
30:24Why is that?
30:24I never want to pose nude
30:26no matter how much money
30:27or how much fame I would get.
30:28If you're not willing
30:29to do that,
30:30you might as well go work
30:31at a car factory
30:32or a bakery
30:33because that's part
30:34of being a model.
30:35Do you have any idea
30:35what it's like backstage
30:36at a fashion show?
30:37Because you've got 30 girls
30:38that have to just strip
30:39completely naked.
30:40I don't pose nude,
30:41but I will simulate it,
30:43meaning a G-string,
30:44and then later they retouch
30:45the G-string out on the side.
30:46And to me,
30:47that's not nude at any
30:48Now, what do you think?
30:49Like, do you feel
30:49more comfortable
30:50biting a man's ear
30:51or doing a photo shoot
30:52and simulating nudity?
30:53I'd rather bite a guy's ear
30:54than be nude in the shot.
30:57Well, I wish that
30:58I'd seen you semi-nude,
31:00but I don't.
31:00I wanted to judge
31:01some pictures, darling.
31:02I do think you want to see.
31:03You're pretty dressed.
31:05Hello, Adrian.
31:07Hello there.
31:08Ooh, it's bellissimo.
31:11There you go.
31:14Let me see your foot, honey.
31:15What are you wearing?
31:16Woo!
31:16Oh, girl.
31:17Oh, I love this.
31:18Where didn't you put
31:19any more accessories?
31:20I thought, like,
31:20just the earrings
31:21and the shoes
31:22were flashy enough
31:22to, like, pull off
31:23such an extreme...
31:25It's a very sophisticated dress.
31:26You should have
31:27smacked out on a red mouth,
31:28maybe,
31:28or just made the makeup
31:29a little bit darker.
31:30Are you nude under that?
31:32No.
31:32Yes, ma'am.
31:32You got some panties on?
31:33No, ma'am.
31:34You butt naked.
31:35Shaw, you better work.
31:35No time, ma'am.
31:38I love the fact
31:39that you pulled that hair back.
31:40You listened to what I said,
31:41that couture is about chignons
31:42or slicking it back.
31:44You had a nude photo shoot,
31:45and we picked your top photo,
31:46and here it is.
31:47Janice?
31:48I think the photograph
31:49is exquisite.
31:50This is so in your face.
31:52This is fabulous.
31:53It was excruciating pain,
31:54having to, like,
31:55arch my body like that
31:56for so long
31:57and try to keep
31:57the perfect balance
31:58where I wouldn't fall.
31:59If you photograph beautifully,
32:00you look gorgeous right now,
32:01but sometimes in your appearance,
32:03you're a little bit buff for me.
32:04I love that this picture
32:05looks like an ad.
32:06I feel like whatever you're selling,
32:08it'll make the company
32:09millions of dollars.
32:10I'd suggest that they give you
32:11as much money as possible.
32:12Thanks.
32:13Baba.
32:14Send in Robin, please.
32:16Hi, Robin.
32:17I'm surprised the dress.
32:18I think the dress actually works.
32:20I mean, it looks kind of European.
32:21It gives effect,
32:22but what I don't love
32:23is the accessories.
32:24Do you mind taking the hat off?
32:26Oh, yeah.
32:27I was very eager
32:28to talk to Robin
32:29about her refusal
32:29to do the simulated nude shoot
32:31because when the cameras
32:32weren't rolling,
32:33I saw something
32:34that was very out of character
32:35for her,
32:36and it shocked the hell out of me.
32:38Robin, you were supposed
32:39to have a nude photo shoot.
32:40We don't have a photo
32:41for you this week,
32:41and why is that?
32:42I didn't want to feel uncomfortable.
32:45My body is mine.
32:47I just didn't think that,
32:49you know,
32:49that is what I needed to do
32:50in order to get ahead.
32:52I don't understand
32:52how you can say no
32:53to something like that,
32:54but then in the dressing room
32:55when you think
32:56no one is looking,
32:57when you didn't know
32:57Miss Tyra was right there,
32:59I saw you open
33:00the dressing room
33:00at the couture house,
33:02and you were nude,
33:03and you shook your chest
33:04at Jay.
33:05I said Mr. Jay
33:06because I saw him
33:07right there in the opening,
33:08and I said Mr. Jay
33:09like that,
33:10and then he said,
33:11he looked like Robin.
33:12He did like that, Robin.
33:13I was right there.
33:14What is this person
33:15that preaches all this?
33:16I'm holy, I'm this,
33:17I have my Bible open,
33:17and here you are
33:18opening a curtain,
33:19and you're topless,
33:20and you're shaking your chest,
33:21jiggle, shimmy.
33:22I saw them go round and round
33:23and up and down.
33:24Now whether or not
33:24they shook or whatever,
33:27I'm going to own up,
33:28I'm going to own up
33:29to what I did.
33:29It's okay, Robin.
33:31You are human.
33:32Right, and then to be honest
33:33with you,
33:33it's not like Mr. Jay
33:34hasn't seen you.
33:35Where was your Bible
33:35when you were shaking your chest?
33:36It was right there next to me.
33:38Let's just go to the next thing.
33:39I feel like this is not
33:40making any kind of sense.
33:41Make a comment, I'm sorry.
33:41You know, I appreciate you
33:43and Shannon taking your stands.
33:44I'm kind of disappointed
33:45that you didn't do it.
33:46I was sort of expecting
33:47this kind of, you know,
33:48Botticelli image.
33:50You know, I was just,
33:51I was sad that you just
33:52kind of didn't put yourself
33:53out there, you know,
33:54representing women
33:55of a different size.
33:56I totally agree with you
33:57that if you would have
33:58done that photo shoot
33:59and showed that big
34:00g'donk-donk
34:01can be beautiful
34:02and it can be sexy
34:03and I can stand right next
34:04to these other girls
34:05and serve and be
34:06fierce, I think
34:07that would have been
34:07a very strong platform.
34:11Bye.
34:14Adrienne.
34:15I think Adrienne
34:15looks phenomenal
34:16in this picture.
34:18I do think at times
34:19she comes across
34:19to be a bit hard.
34:20I just would like
34:21to see her tone it down
34:22just a bit.
34:23She's improved to me
34:24tremendously during these weeks
34:26as I've been working
34:26really closely with them
34:27and I find she,
34:29to me, is just phenomenal.
34:31I just can't find
34:31anything wrong with her.
34:33Elise.
34:34Elise's photograph here
34:36is the most versatile.
34:38I think she's
34:39penetrating the lens
34:40which is not the most
34:41easy thing to do
34:42especially for an amateur model.
34:44Shannon.
34:44There's no picture.
34:45I'm depressed that Shannon
34:47could not take the attitude
34:48of the other two girls.
34:51Big points off
34:51in my book on Shannon.
34:53I just find
34:53she's just really stagnated
34:54at that one spot,
34:56that one laugh,
34:57that one grin,
34:58that one smile.
34:59What kills it
35:00is limiting herself
35:01to this photo shoot
35:02as a top model.
35:03I'm not feeling her.
35:05Okay, Robin.
35:06It would have been important
35:07for other women,
35:09Robin's size,
35:10to see her
35:11be kind of languid
35:12and sexy
35:13and chewing lots of skin.
35:14I don't think that Robin
35:15is ashamed of her body
35:16because she's shown her body
35:18before in the swimwear
35:19and the lingerie
35:19and the representation
35:20that she shows to the world
35:21is a strong one
35:22that I think is very important.
35:24It's clear
35:24that Robin
35:26doesn't have
35:27the personality
35:28to be a top model.
35:30Physically,
35:30of course,
35:30I could use her
35:31but that kind of behavior
35:33is not something
35:34that I want to promote
35:35in this industry.
35:36I'm on the fence.
35:36I respect her being,
35:37you know,
35:38saying that she's not
35:38going to do the nudity.
35:39I don't know what to do
35:40about her.
35:41Honestly, I don't.
35:41Let's vote.
35:49Hello, ladies.
35:49There are four of you
35:52standing in front of me
35:52but only three of you
35:55will continue
35:56on your quest
35:57towards becoming
35:58America's next top model.
36:03Elise.
36:06Elise.
36:07Bravo on this photo.
36:08It's absolutely beautiful.
36:10You're still in the running
36:11towards becoming
36:11America's next top model.
36:17Adrienne.
36:17Adrienne,
36:21we've all come to see
36:22that you photograph
36:23beautifully
36:24but when you walk
36:26in this room, girl,
36:27you look like you're ready
36:28to lift 350 pounds
36:29and I'm not even talking
36:31about what you look like
36:32physically.
36:33I'm talking about
36:34how you walk in.
36:35You walk in like,
36:36yo, what's up, Tyra?
36:37You know, you know,
36:38I hope you choose me
36:38but if you don't,
36:39it's cool.
36:40You know what I'm saying?
36:40I want you to practice
36:42just relaxing your shoulders.
36:44Congratulations.
36:46Shannon and Robin,
36:47please step forward.
36:52Only one of you
36:53will still be in the running
36:55towards becoming
36:55America's next top model.
36:59Robin,
37:00I admire your faith.
37:03I admire your strength
37:04and I admire the fact
37:05that you said,
37:06I am me
37:06and I have my standards
37:07and I will not
37:08sacrifice that.
37:09But one thing
37:10that you have to remember,
37:11human is beautiful.
37:13Perfect is boring.
37:16Shannon,
37:18you are amazingly beautiful.
37:21One thing about your look
37:23is again and again
37:24we hear that
37:24it is too commercial.
37:26I gave you advice
37:27to slick your hair back.
37:28I felt like,
37:29you know,
37:29you didn't follow
37:30that advice
37:31and that advice
37:31would have just taken you
37:32to the next level today.
37:33You should have came in here today
37:34with a chignon so tight,
37:36that hair slicked back
37:37where it looked like
37:38you had a facelift.
37:48Shannon,
37:48congratulations.
37:50You're still in the running
37:51towards becoming
37:51America's next top model.
37:58It's been a lot to me
38:12to be a part of this
38:12because I had the chance
38:15to show a variation of beauty.
38:20It's time for me to move on.
38:22My job here is done.
38:22Stay tuned for scenes
38:40from our next episode.
38:46It's Fashion Week in New York,
38:47the height of American fashion.
38:49With Robin gone,
38:51the house rule
38:52is anything goes.
38:53How do you like these apples, baby?
38:56How do you like them?
38:57How do you like them?
38:58How do you like them?
38:59How are you guys?
39:01Thank you for coming
39:01to the house of Baby Fett.
39:03And it's time
39:03for our three remaining finalists
39:05to strut their stuff.
39:06Baby Fett,
39:07I didn't think
39:07I did a good job.
39:09And the judges
39:10finally choose
39:11America's next top model.
39:13All right, judges.
39:15Let's go to the right.
Be the first to comment