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00:02:24What's happening now, Basilia?
00:02:25I can't stand her.
00:02:27She's crazy!
00:02:27Basilia, that lady is my wife!
00:02:29What she's doing to Enriqueto is something not even the worst mother would do.
00:02:32He told me on the phone that he was feeling better.
00:02:33What does she know?
00:02:34That's what Enriqueto has.
00:02:36And if not, in time, it's without tracheal deer.
00:02:37Come on, come on, come on, don't be so dramatic.
00:02:39Where is the lady?
00:02:40Sunbathing.
00:02:45But I was afraid.
00:02:48Poblino!
00:03:05Hello, Paulino.
00:03:06What are you doing there?
00:03:08Well, you see, I'm getting a tan.
00:03:10Getting a tan outside the lines?
00:03:12What do you think?
00:03:12Is this a stage set?
00:03:14Sorry, Paulino, I hadn't noticed.
00:03:16You never realize what you don't want to realize.
00:03:18Where you were, the neighbors could see you.
00:03:20And what are you looking at, Paquita?
00:03:21You do you!
00:03:22Impossible.
00:03:22If they could see me, I would see them.
00:03:24On top of that.
00:03:26I don't understand you, Margarita.
00:03:28Leaving aside morality,
00:03:29I don't know how you have a body like that,
00:03:31Given the state of poor Enriqueto.
00:04:01Do you see?
00:04:02Enriqueto has lost his voice.
00:04:04She can't sing.
00:04:05Yes, but it is not ingamus traquealis.
00:04:07It must be something psychosomatic.
00:04:08Enriqueto is very nervous.
00:04:10Have you checked his poops?
00:04:11Yeah.
00:04:12He has done it three times.
00:04:14The first one was quite painful.
00:04:16The others are better.
00:04:18That means it's starting to react.
00:04:19If you experience a relapse and the process becomes complicated,
00:04:22God forbid,
00:04:24We'll see what happens.
00:04:25The Gilbert Italicus worries me.
00:04:32Maria, please turn it down.
00:04:39Oh, what a fright!
00:04:40I thought it was one of those bugs.
00:04:42Maria, take out your earplugs.
00:04:44Oh, I just can't stand the noise of those vultures.
00:04:47Maria, please.
00:04:48Do you want to get off the Gilbert Italicus right away?
00:04:52Carefully!
00:04:54They are very sensitive.
00:04:55Have a little humanity.
00:04:57I think he's caught lice.
00:04:59It could be because the stick is hollow.
00:05:01No, I don't think so.
00:05:02But anyway, change the sticks.
00:05:04Prevention is better than cure.
00:05:05Carefully.
00:05:15Hello.
00:05:16Hello.
00:05:18Eduardito is my favorite.
00:05:22It's a shame I didn't get to meet him, Mom.
00:05:24Julieta is in heat.
00:05:28She's unhinged.
00:05:29Julieta, you tell me if we pair her with the Greenfinch or wait until they bring the Red Siskin from Venezuela.
00:05:34Let her wait, Juliet.
00:05:36A few days of chastity wouldn't hurt anyone.
00:05:39As long as he doesn't lose his heat.
00:05:49Vasily, have you seen the state of this cage?
00:05:54As?
00:05:55Dirty.
00:05:56I haven't seen it to be dirty.
00:05:58Give me your finger, please.
00:06:02What is this?
00:06:04The fact that?
00:06:04This.
00:06:05I don't see anything.
00:06:07Margarita, is this finger dirty or not?
00:06:09It's dirty.
00:06:19That lady wishes she had a conscience as clean as my finger.
00:06:39Let's see if you can get the hang of it once and for all, won't you?
00:06:45But you don't realize you're singing out of tune.
00:06:49Excuse me, Paulino.
00:06:53Paulino.
00:06:54That?
00:06:56I was thinking that since Enriquito is feeling better, we could go out, go to dinner, go to the movies.
00:07:03That.
00:07:04Precisely today, a Saturday.
00:07:05Do you know what all the places are like on Saturday nights?
00:07:07No.
00:07:09We haven't gone out for three months.
00:07:10That's not true.
00:07:11We left last month.
00:07:12You took me to Madrid to have my appendix removed.
00:07:16Besides, where would we be better off than at home?
00:07:18I don't know, but...
00:07:20Sometimes?
00:07:21Sometimes.
00:07:22Sometimes.
00:07:23Sometimes.
00:07:23I am sometimes too.
00:07:25Go on, keep playing.
00:07:26And pay more attention.
00:07:28What you learn, the birds will learn later.
00:07:45Which side are you on today?
00:07:47In law.
00:07:49Okay, relax.
00:07:51I can't, Paulino.
00:07:52I still feel the pain from the day before yesterday.
00:07:53Don't you see it?
00:07:54My whole body is swollen.
00:07:55That's psychological.
00:07:56I don't see anything.
00:07:57Don't be a scaredy-cat.
00:07:58You're really messing things up, Paulino.
00:08:00And what is it you want?
00:08:01Say it.
00:08:02Have a trainee come and look at your buttocks.
00:08:04But they're very used to it.
00:08:05And are you used to it too?
00:08:07I'd like to know what happened on that tour you did in America.
00:08:09singing the one from the vineyard grove.
00:08:11Let's leave it at that, Paulino.
00:08:12Alright.
00:08:22It wouldn't hurt you to learn how to put them on yourself,
00:08:24as many decent women do.
00:08:26In case you ever need me.
00:08:30I have urgently called this extraordinary meeting of the homeowners' association
00:08:35to tell them that unless we make a firm decision
00:08:39Regarding the matter of the young ladies on the eighth floor left,
00:08:42I'm throwing in the towel.
00:08:43And I'm throwing in the towel because the ladies on the eighth floor left...
00:08:47They call anything "ladies" these days.
00:08:50They're pulling our leg.
00:08:52I've tried to talk to them.
00:08:54I've written them I don't know how many letters.
00:08:56And nothing, absolutely nothing.
00:08:57Sorry, I wasn't at the previous meeting.
00:09:01What's wrong with that young lady?
00:09:03Well, it turns out they put the record player on full volume at six in the morning.
00:09:07It so happens that Don Paulino and they set up some hangouts...
00:09:09Orgies.
00:09:11Orgies, that's it.
00:09:12Some tremendous orgies.
00:09:14And some friends who are hooligans come up to see them.
00:09:16They've removed the pudos I don't know how many times.
00:09:19And they sunbathe naked on the terrace.
00:09:21The other night they were playing bowling until very late.
00:09:24And with a racket and laughter that made it impossible to sleep.
00:09:27Well, I haven't heard any scandal.
00:09:29Because he only has his office here and doesn't live here.
00:09:32But I would have to hear them at night.
00:09:34I'm telling you, I sleep with a partition wall between us.
00:09:36We can't fall, look out.
00:09:38That's what I tell my husband.
00:09:40As if this were a house of...
00:09:42You understand me now.
00:09:43You don't want to know what we have to hear.
00:09:46A disgrace.
00:09:47I believe that Mr. and Mrs. Guruceta have made the community's opinion known.
00:09:52Gentlemen, I only see one solution.
00:09:54And it is to ask Mr. Paulino, as a lawyer, to take charge of this matter.
00:09:58Well, actually, I specialize in tax advice for companies.
00:10:01And I don't understand much about this.
00:10:03Please, Mr. Paulino.
00:10:05On behalf of the community, I urge you to resolve this troublesome matter as soon as possible.
00:10:09Because this is outrageous.
00:10:11It is immoral.
00:10:12Alright.
00:10:14I'll do what I can.
00:10:15Do you know how many small plants they put out to dry in the yard yesterday afternoon?
00:10:19You can't imagine it.
00:10:22Twelve.
00:10:23That's a lot, isn't it?
00:10:25It's indecent.
00:10:28Good morning.
00:10:29Hello good.
00:10:30My name is Paulino Fontalba, and I came to speak with Miss Veronica on behalf of the community to...
00:10:34Now?
00:10:35Yes, now.
00:10:36Okay, come in.
00:10:40Diego, give me alms.
00:10:42It's that way, across the room.
00:10:44Couldn't you warn her?
00:10:45Who am I?
00:10:46At 10:15 in the morning, no.
00:10:47Go ahead.
00:10:48Hey, for...
00:10:49My child is thirsty.
00:10:51Long live the lute!
00:10:53My child is thirsty.
00:11:09Thank you.
00:11:45Good morning and excuse me.
00:11:46I am Paulino Fontalba and I am here to speak to you on behalf of the community to...
00:11:49You have a cigarette.
00:11:50A cigarette?
00:11:54It's black.
00:11:56Thank you.
00:11:57Fire?
00:11:58Yes, yes.
00:12:00You're Alfredo's friend, right?
00:12:02No, no. I am Paulino Fontalba, a lawyer.
00:12:05And I've come to speak with you on behalf of the Neighborhood Association to inform you that according
00:12:10the latest...
00:12:10Why don't you bring me something to drink?
00:12:12Anything to drink?
00:12:18Here's champagne, orange juice, and Coca-Cola. Which would you prefer, miss?
00:12:22Miss Veronica?
00:12:28You were going to get burned.
00:12:32I know this might not be a convenient time for you, but at the Neighborhood Association meeting of
00:12:37Yesterday it was decided that...
00:12:38What time is it?
00:12:41Ten twenty-seven.
00:12:43And what do you want at this hour?
00:12:44I'm trying to tell you, Miss Veronica.
00:12:47At yesterday's meeting, and due to the numerous scandals that are coming...
00:12:50Yes, that's all very well.
00:12:52But I am not Veronica.
00:12:54Oh, no?
00:12:55No. I'm Paloma.
00:12:57And I live here with Veronica.
00:12:59But the apartment is hers.
00:13:01Come with me.
00:13:08Come on, let's go.
00:13:10Come on?
00:13:10Yes, yes, let's go.
00:13:18Veronica.
00:13:25Veronica.
00:13:27Veronica.
00:13:30What's happening?
00:13:32This gentleman who wants to talk to you about not staying at a meeting.
00:13:35Go on.
00:13:38Good morning, miss.
00:13:40I am Paulino Fontalba and I came to speak to you on behalf of the community.
00:13:43You must be Alfredo's friend, right?
00:13:45No.
00:13:46No, miss.
00:13:47I have already told your friend that I am Paulino Fontalba, a lawyer.
00:13:50Achada!
00:13:51Fingerprint!
00:13:52Nobody!
00:13:53Don't scream.
00:13:54Hey, why don't you come see me at a more civilized time?
00:13:56Okay, so what time?
00:13:58I don't know, maybe at night.
00:14:01At night.
00:14:22I don't know, maybe at night.
00:14:40Young master, young master, young master.
00:14:42That Doña Amparo and Doña Josefa have arrived with the stallion.
00:14:45Cut, cut.
00:14:46You are irresponsible.
00:14:48Irresponsible, do you understand?
00:14:50Ladies, please come in.
00:14:51And remove your earplugs.
00:14:53And to think that I came to this house because there were no children.
00:14:57Let's listen to the recording, Margarita.
00:15:02Good morning, Mr. Paulino and Mrs. Lolita.
00:15:06No, Mrs. Margarita.
00:15:08Oh, what a head.
00:15:09Doña Margarita.
00:15:11Good morning.
00:15:12Good morning.
00:15:12Good morning.
00:15:13Oh, what idealism and song.
00:15:17Who is it?
00:15:17It's Caruso.
00:15:19Wow, Caruso.
00:15:20Yes, I recorded it to give to him as a gift.
00:15:22Thank you very much, thank you very much.
00:15:23And what about the Venezuelan cardinal?
00:15:25Here it is.
00:15:26More vibrant, more Russian.
00:15:28Oh, how cute, little cardinal!
00:15:31Oh, cardinal, cardinal!
00:15:33And you're going to stay here, handsome.
00:15:35I love myself more than you.
00:15:36I love myself more than you.
00:15:37More than you, to me, to me, to me, to me, to me.
00:15:39There's video footage of this, sir!
00:15:40Okay, okay, okay.
00:15:42Let's get everything ready.
00:15:43Yeah.
00:15:44Vasilia, take it.
00:15:49I'm going to put it a little more here.
00:15:51The little cardinal will be well prepared, won't he?
00:15:53Superior.
00:15:54He's been all alone, fattening himself up like a donkey.
00:15:57So that we don't look ridiculous on a day like today.
00:16:00Well, we have Julieta ready here.
00:16:03Just wait and see!
00:16:08Go on, Margarita, give the five hundred pesetas to Doña Amparo.
00:16:12Here you go, Doña Amparo.
00:16:14And Julieta shouldn't see it, her pride might suffer.
00:16:17Please sit down.
00:16:20Okay, let's see.
00:16:24Quetecito, quetecito.
00:16:26I've got you now, you poor thing.
00:16:28What a lovely scare, love, motorbike.
00:16:32Come on, you rascal, they've caught you, they've got you.
00:16:35Okay, take that one, Ana.
00:16:37And now, let's leave them alone and see what they do.
00:16:40Let's see what they do.
00:16:42What are they going to do? What are they going to do?
00:16:50Oh, look, look.
00:16:52It seems he has already noticed his partner.
00:16:54Yes, yes.
00:16:59I don't think so.
00:17:00Let's hope the little red siskin doesn't turn out to be a dud.
00:17:04Yes, yes, yes, he sings now, he sings now.
00:17:07You can see what our family's little cardinal is like.
00:17:10I knew it wouldn't fail.
00:17:11He's a man through and through.
00:17:13Absolutely, sir.
00:17:14Well, Julieta isn't exactly lacking either.
00:17:16No, compare, no, compare.
00:17:18You see, I think we're coming, the little cardinal.
00:17:23It's nice to see them.
00:17:25It boils over a Alasánir.
00:17:26Look, look, little cabinet.
00:17:27Water, goal, goal, goal!
00:17:29Ada, look, look!
00:17:31Come on, honey, come on!
00:17:32Look how he follows the voice of instinct.
00:17:35But he's a little saint, he's adorable, he's a...
00:17:39Sunshine, monkey!
00:17:40How beautiful!
00:17:41Look, what's up with him...
00:17:44That's nature.
00:17:47They look exactly like two people.
00:17:58Oh, what a thing!
00:18:00Oh, what a thing!
00:18:23Poblino, I really want them all to leave.
00:18:25Let's stay just you and me.
00:18:35Good night.
00:18:37Hello.
00:18:37Miss Veronica, please.
00:18:40Veronica?
00:18:40Yes, I've spoken to her and she told me to come over tonight to...
00:18:43You're sure?
00:18:44Today?
00:18:46Well, you see, I don't know...
00:18:48But I'm here today.
00:18:50It just can't be.
00:18:54Veronica!
00:18:56Veronica!
00:18:57There's a gentleman here who's come to see you!
00:19:00But come in, come in.
00:19:01Don't just stand there at the door.
00:19:02I suppose you already know the house.
00:19:19Hello.
00:19:19Hello.
00:19:22Don't you remember me?
00:19:23This morning...
00:19:29Come here, man.
00:19:30Want to play a game?
00:19:31I just don't know.
00:19:33That crazy woman is still in the bathroom.
00:19:34Do you know why women bathe so much?
00:19:36No.
00:19:36Well, just look at me.
00:19:38No idea.
00:19:40Who would think of meeting up with you when they've already made plans with me?
00:19:44Let's see who wins.
00:19:46Well, I think there's a misunderstanding on their part.
00:19:48My name is Paulino Fontalba.
00:19:49I am a lawyer and I am here on assignment to...
00:19:53I wouldn't want to bother you.
00:19:55You told me to come at night, remember?
00:19:56I am Paulino Fontalba, a lawyer.
00:19:58And I came to speak with you on behalf of the Neighborhood Association
00:20:00to clarify the assumptions, of course,
00:20:02scandals that, it seems, occur here.
00:20:05Ah!
00:20:05That was it!
00:20:07I said, let's see it!
00:20:09Man!
00:20:09Come on, sit down, friend.
00:20:11Sit down!
00:20:12Don't go beheading that crayfish!
00:20:14You'll see, how cool.
00:20:16Veronica!
00:20:16Oh!
00:20:17Yes, he brought them to me.
00:20:18And Paloma?
00:20:18Isn't he coming?
00:20:19Now, he's taking a bath.
00:20:21Well, why do you spend all day bathing women?
00:20:23How should I know!
00:20:25How disgusting all these co-owners are!
00:20:28Scandals, us.
00:20:29Envious, that's what they are.
00:20:31Do you know something?
00:20:32Every night at five in the morning
00:20:33They start banging on the wall
00:20:35because we have music.
00:20:36Isn't that annoying?
00:20:38They're probably pressing their ears to the wall now.
00:20:40listening to us.
00:20:41Well, now you'll see.
00:20:57What are you doing?
00:20:58Listen, listen to what it says here.
00:21:04Paulino Fontalba, lawyer.
00:21:06We've already greeted each other before, haven't we?
00:21:08Yes, and this morning.
00:21:09This morning?
00:21:10In your bedroom, don't you remember?
00:21:12You and me this morning?
00:21:15Yeah.
00:21:16No.
00:21:18Yeah.
00:21:19You are Alfredo's friend.
00:21:21Lifelong friends.
00:21:23How odd.
00:21:24I've never spoken to you.
00:21:25Hello, Claudio.
00:21:26Hi gorgeous.
00:21:30Do you know what it says here?
00:21:31The neighbors say we live an orgy life and all that.
00:21:35Hypocrites.
00:21:36That's what they are, hypocrites.
00:21:38Did you know that we can no longer sunbathe naked on the terrace?
00:21:40As soon as we leave, all the neighbors go up to adjust the antennas.
00:21:45You understand, right?
00:21:46Yes, yes.
00:21:47As you can understand, we don't mind them coming up to look.
00:21:50We don't care about that.
00:21:51Everyone can look at whatever they want.
00:21:53But now we're on tenterhooks.
00:21:54They climb onto the roof risking their lives.
00:21:56And of course, it doesn't feed you to sunbathe while waiting for a man to break his neck.
00:22:01Truly, everyone should do what they want, but of course, without bothering others.
00:22:05That's my rule.
00:22:06And ours?
00:22:09Huh?
00:22:10That must be for me.
00:22:12No, no, don't bother.
00:22:17Yeah?
00:22:20Piece of animal.
00:22:21Are you starting already?
00:22:23Yes, I'm wearing them.
00:22:24Into the air.
00:22:26Well, let them get contaminated.
00:22:29What do you want?
00:22:32Veronica?
00:22:33No, I don't think I can tonight.
00:22:35One moment.
00:22:35Veronica.
00:22:36It's Paco.
00:22:37What did John do at that French car guy's house?
00:22:39No, you're going to do it.
00:22:40No, no, no, he can't.
00:22:43Yes, I'm going.
00:22:46Okay.
00:22:47In half an hour.
00:22:48Okay?
00:22:50Kisses.
00:22:55Well.
00:22:56I'm leaving.
00:22:57But wait, woman, let's finish this.
00:22:59Can't.
00:23:00Are they coming to get me now?
00:23:02The first time you approach a bird with the intention of starting a new friendship,
00:23:08limit yourselves to not crossing the threshold of the cage with your hand.
00:23:12Walk with prudence.
00:23:14Offer him a seed with your hand outside and near the bars.
00:23:18For the breeder and the bees to understand each other, all that is needed is a word spoken in a whisper or a very slight sound.
00:23:26whistle.
00:23:27If you approach cautiously, always taking extreme care not to frighten it, you will even be able to hear the
00:23:35frantic beating of his heart.
00:23:36Paulino!
00:23:51Hello, Paulino.
00:23:53Hello how are you?
00:23:56Oh man.
00:23:56But what have you done?
00:23:57It doesn't matter.
00:23:59Hey, you didn't want anything from me, did you?
00:24:01You called me because you like me.
00:24:03Right?
00:24:03Well yes.
00:24:04It doesn't surprise me, everyone likes it.
00:24:06Waiter, please.
00:24:08Okay, Paloma, let's go somewhere else.
00:24:11Come on, this has fallen down.
00:24:13Thank you.
00:24:15Let's go.
00:24:24But you're crazy.
00:24:26You gave the waiter 500 pesetas.
00:24:28But that's about all they give me for dressing up like a dandy.
00:24:32It doesn't matter.
00:24:34Okay, where are we going?
00:24:36To the cinema, to the Capitol.
00:24:38I think they're showing a beautiful film.
00:24:40But really?
00:24:43What's happening?
00:24:45Am I doing something wrong?
00:24:46Well, it's just that...
00:24:48That?
00:24:50Are you embarrassed to go with me like this?
00:24:52You're starting to attract a bit of attention, aren't you?
00:24:55Stop right here.
00:24:59Hang on a minute.
00:25:01But what are you going to do?
00:25:07Give me 2,000 pesetas.
00:25:11There you go.
00:25:14The joy these little animals feel
00:25:17when they see people approaching who sympathize with them
00:25:20It manifests itself with an increase in liveliness.
00:25:24They jump for joy
00:25:25and they chirp
00:25:26as if they wanted to send an affectionate message to those who love them.
00:25:31Don't get discouraged if you don't achieve your goals right away.
00:25:34Come back the next day
00:25:36and as many times as necessary.
00:25:47Hey, I'm not wearing this suit for fun, you know?
00:25:50What do you think I live off of?
00:25:52I don't know.
00:25:54Veronica and I
00:25:55We work at the MEC agency
00:25:56And being a female advertisement is part of our business.
00:26:00But that's what we work on the most
00:26:01It's for congressional flight attendants.
00:26:04Do you know what that is?
00:26:06Hey...
00:26:06Not quite.
00:26:08Well,
00:26:09So we accompanied the congressmen
00:26:10when their work sessions end.
00:26:13Let's go dancing, let's have dinner with them,
00:26:15We showed them Madrid,
00:26:17We help you choose gifts for the family.
00:26:20Typical gifts, you know.
00:26:22Everyone who goes out with me
00:26:25They take a sword from Toledo
00:26:26and a little nappa leather coat for the woman.
00:26:29And not...
00:26:31Don't you have any other obligation towards the members of Congress?
00:26:34No!
00:26:35The MEC agency
00:26:36It doesn't tell you to sleep with anyone.
00:26:38Well, what happens is that later
00:26:40Each one can do what she wants.
00:26:42Man,
00:26:42as you might guess,
00:26:44All the congressmen want the same thing.
00:26:47Regardless of which congress they belong to
00:26:48and from whatever country.
00:26:50Congressmen and everyone else.
00:26:52How do you want it?
00:26:56I've been thinking about something, Paulino.
00:26:59I could take the test to get my driver's license.
00:27:01It's a shame not to have it,
00:27:02Because I know if I know...
00:27:04You learned in America, didn't you?
00:27:07No.
00:27:08You taught me about boyfriends.
00:27:10Yes of course.
00:27:11I taught you many things
00:27:11because naturally you didn't have
00:27:13no experience of anything.
00:27:14Not what you're saying.
00:27:15I met you singing
00:27:16The Rose of Saffron, Margarita.
00:27:17You were an artist
00:27:18and you had done a tour of America.
00:27:19Don't pretend now, Ursuline.
00:27:22Okay, Paulino.
00:27:24I won't get my driver's license.
00:27:29Forgive me, darling.
00:27:31Don't get angry.
00:27:33What are you doing, Margarita?
00:27:35Nothing to be ashamed of
00:27:37a married woman.
00:27:39Alright.
00:27:46Well no.
00:27:47Miss Paloma is not here.
00:27:49She went shopping with a Chinese man.
00:27:51Well, it doesn't matter.
00:27:52Give this to him when he arrives.
00:27:53And what is that?
00:27:54Tell him I brought it to him.
00:27:59And what is he supposed to do with this bird?
00:28:01Nothing, just have it.
00:28:05You've brought him to a good place.
00:28:07His name is Eduardito.
00:28:09Eduardito.
00:28:10That's great.
00:28:12You see, I'm going to introduce you.
00:28:13Here's the retreat,
00:28:14Here's a friend.
00:28:16Breathe,
00:28:16Take a deep breath.
00:28:18And that's despite the fact that the retirement home is right in the middle of the city.
00:28:20You'll see.
00:28:21You'll see the day I show you the field.
00:28:23You'll see.
00:28:24But you really didn't know about retirement.
00:28:26No, really no.
00:28:27Uh-huh.
00:28:29Hey,
00:28:30Is that machine any good?
00:28:31Yeah.
00:28:32Can I have it?
00:28:33Take.
00:28:34What do you want to portray?
00:28:35No, nothing.
00:28:36What I'm saying is, if you give me the machine for myself,
00:28:38forever.
00:28:40Well.
00:28:41It's a bit complicated to handle.
00:28:43Do you know what aperture setting to use for the diaphragm?
00:28:46I don't know.
00:28:47Oh, no?
00:28:47No.
00:28:48It's the little hole for the light to enter.
00:28:50Look, it's best if I write you some instructions.
00:28:52Especially for cloudy days.
00:28:53Sit here.
00:28:54Give me a sheet of paper.
00:28:55Take.
00:28:58Hey.
00:28:59And where do you live?
00:29:01In a chalet on the outskirts, with my birds and my things.
00:29:05And who are your things?
00:29:06Your wife?
00:29:08Yeah.
00:29:09But why are you ashamed?
00:29:11No, I'm not ashamed.
00:29:12So why did you say it so quietly?
00:29:13Hey, I have my own problems too.
00:29:15And I'm very proud of it.
00:29:16Don't even joke about that.
00:29:17It's not the same.
00:29:18My commitment is a serious, lifelong thing.
00:29:19What you're going through is perfectly avoidable.
00:29:21And why should I avoid it?
00:29:23Well...
00:29:23by your own estimate.
00:29:25Oh, how funny!
00:29:25Hey, I can walk with my head held high.
00:29:28I've had the best flings in Spain.
00:29:32Go ahead, write down the information about the machine for me.
00:29:34Let's see.
00:29:35Sun.
00:29:37Diaphragm, 8.
00:29:39Speed, 100.
00:29:41What a mess.
00:29:44What is this?
00:29:45They are all male names and have data.
00:29:48Gonzalo, impetuous, blue eyes, a 5.
00:29:52Ernesto, very conceited, then disappoints, green eyes, a 2.
00:29:56What is this?
00:29:57These are the men I've slept with.
00:30:00I rate them from 0 to 10.
00:30:04Hey, can I have your pen?
00:30:07The pen?
00:30:08No, no, not the pen.
00:30:10It's a gift from my wife, you know.
00:30:28Paulino, look.
00:30:30Did you see what?
00:30:33Excuse me, how much does it cost?
00:30:3535 pesetas photo.
00:30:36No, I mean his machine.
00:30:38It's not for sale, it's a work tool, understand that.
00:30:40For a worker, these things are priceless.
00:30:43Then I'll change it for him.
00:30:45This one is very good and a thousand pesetas more.
00:30:47But, Paloma.
00:30:48Well, what can we do?
00:30:49Come to that chamber.
00:30:50But so that it's neither for one nor the other, two thousand pesetas.
00:30:52Paulino.
00:30:59There it is, it's yours.
00:31:01Bye bye.
00:31:04And now, Paulino, guess what I feel like?
00:31:06I have no idea.
00:31:14Oh, oh.
00:31:18Oh, oh, oh.
00:31:19This is wrong, very wrong.
00:31:21Oh.
00:31:25Okay, that's enough.
00:31:27It's worse to keep rubbing the infected area, isn't it?
00:31:31Who was the animal that gave this injection?
00:31:34An intern.
00:31:36It looks like the work of a sadist.
00:31:38They'd better switch to another one.
00:31:40May I take another look?
00:31:45It hurts here, doesn't it?
00:31:46Yes a lot.
00:31:48Stop taking vitamin C injections for an extended period.
00:31:52And if the inflammation doesn't decrease within a few days, he calls me again.
00:32:00Apply this ointment at night.
00:32:04And that during the day he should try to get some sun.
00:32:06Where?
00:32:09Well, here.
00:32:11Where else would it be?
00:32:13And if possible,
00:32:15without the fabric.
00:32:42Hello.
00:32:43Hello.
00:32:44Hello.
00:32:44Hello, Paulino.
00:32:45Hello.
00:32:46What did you do last night?
00:32:47I called you, but you weren't there.
00:32:51I went to bed very early, at three o'clock.
00:32:53I went out with a congressman.
00:32:54Very worn-out Swiss.
00:32:56Both of them had their eyes closing.
00:32:58I don't like you going out with those congressmen.
00:33:00Well, I know it's your job, I know.
00:33:02Where is Eduardito?
00:33:03In my room.
00:33:04I've brought you your favorite birdseed.
00:33:06You'll see how happy he'll be.
00:33:10Pigeon.
00:33:11That?
00:33:12Paloma, what have you done with Eduardito?
00:33:14Good heavens!
00:33:16Who could have done this?
00:33:18You're crazy!
00:33:19Paloma, please let me do my gymnastics and answer me.
00:33:22What have you done to Eduardito?
00:33:24They've painted him as a Barcelona footballer.
00:33:26A Barcelona footballer?
00:33:28And who committed such an atrocity?
00:33:30Jordi, a friend of Veronica.
00:33:33Do you know how much this bird is worth?
00:33:36I don't know.
00:33:36Well, by weight it's worth much more than Cruyff.
00:33:38Just so you know, 50,000 pesetas were paid for Eduardito's father.
00:33:43But that's not the worst part.
00:33:44What hurts me the most is the way you've treated him.
00:33:47I just don't like birds.
00:33:52I can't help it.
00:33:54Do you know what I would like?
00:33:56What will you give me?
00:33:57The fact that?
00:33:58A horse!
00:33:59A horse?
00:34:00Yes, a horse.
00:34:01It's a joke, right?
00:34:02Do you see how you don't love me?
00:34:03For one thing I ask of you?
00:34:05Not one thing, a horse.
00:34:06I already knew you didn't love me.
00:34:08Listen, Paloma, I can buy you anything you want, but not a horse, understand that.
00:34:11Well then, go fuck yourself.
00:34:17You understand, Eduardito, a horse.
00:34:46But what are you doing?
00:34:48Are you already writing me down in your diary?
00:34:50I assure you that I have written wonderful things about you.
00:34:52Oh, really?
00:34:53Things I've only posted before ten other people.
00:34:55Well, fifteen.
00:34:56I gave you an eight, I won't say more.
00:34:58Okay, one eight, give me the agenda.
00:34:59Give me the agenda.
00:35:00Give me the agenda.
00:35:01Give me the agenda.
00:35:07Come here.
00:35:08Give me the agenda.
00:35:20I love you, Paloma.
00:35:26How wonderful, Paulino!
00:35:29Look!
00:35:31A four-leaf clover.
00:35:33It's true, it brings good luck.
00:35:35They say that when you find a clover like that, you can ask for something you desire with all your heart.
00:35:38And is it achieved?
00:35:39Almost always.
00:35:40Come on, let's do it.
00:35:42Close your eyes and ask for something.
00:35:43Alright.
00:35:45I hope that this happiness we both feel now...
00:35:49Because you're happy too, aren't you?
00:35:50Yeah.
00:35:51Come on, don't be a cheater.
00:35:52Go on.
00:35:52I wish that this happiness we both feel now will last forever.
00:35:56Now you.
00:35:57Let's see.
00:36:00I want?
00:36:02What could I ask for?
00:36:04Give me the fountain pen.
00:36:06But, Paloma, what a habit.
00:36:07Remember that if my wish doesn't come true, neither will yours.
00:36:12Oh, but what's with this obsession with the agenda?
00:36:13What do you want it for?
00:36:15Or are you one of those people who like to torment themselves?
00:36:17No.
00:36:18So that my name is the last one written on these damned pages.
00:36:23But what are you doing?
00:36:26You're a beast.
00:36:28If you behave as well as before...
00:36:30Ah, it's just that...
00:36:32Have I behaved well?
00:36:33Clear.
00:36:34Did I give you an eight?
00:36:35It's true.
00:36:37If you behave as well as before, I promise I'll tear up last year's planner too.
00:36:41Uh!
00:36:41That one definitely has names.
00:36:45No, no, no, no, no, no, no.
00:37:15Oh, Paulino!
00:37:17Paulino, stop!
00:37:18I can't take it anymore!
00:37:19Oh!
00:37:21I'm fed up with being an Amazon!
00:37:23Oh!
00:37:24My thighs hurt terribly!
00:37:27Oh!
00:37:29Oh!
00:37:30But, Paloma, what about the horse?
00:37:31What do we do with the horse?
00:37:32Let him go wherever he wants.
00:37:34I can't take it anymore.
00:37:35I don't know why you always give me bugs.
00:37:37See how crazy it was to buy a horse?
00:37:39You don't expect me to take it to an eighth floor, with the kind of neighbors that building has.
00:37:42Okay, so what do we do now?
00:37:43Get in the car!
00:37:44But I don't know how to drive!
00:37:46It's all the same!
00:37:47Get in!
00:37:48Damn it, it's crashing into me!
00:37:49If only...
00:37:50Well, I thought...
00:37:51Come here, horse!
00:37:53Come here!
00:37:54Come in, come in!
00:37:57Happens!
00:37:58Do you see what a mess we're in, and it's all your fault, Auntie?
00:38:00But what do you want me to do!
00:38:01What do you want me to do?
00:38:01What do you want me to do?
00:38:02Oh, I don't know anything!
00:38:05Careful!
00:38:06One moment!
00:38:07But get the horse out of there!
00:38:08Don't you see you're blocking traffic?
00:38:09Let's see what we can do, little horse.
00:38:12Look, it's making me nervous.
00:38:14Oh, come on...!
00:38:14Let's see what we can do.
00:38:15Come here.
00:38:16Come here, I'll tie you up.
00:38:36Yes, I've been away.
00:38:37What's happening?
00:38:38I don't have to give explanations for everything I do.
00:38:40But I haven't said anything.
00:38:43Did you hear that, Paulino?
00:38:44A horse's neigh.
00:38:46No, I haven't heard any horse neighing.
00:38:47And don't change the subject.
00:38:50And I never want to see a dirty cage again!
00:39:02Paulino.
00:39:03Yes, I was right.
00:39:04A horse has wandered into our garden.
00:39:06So what?
00:39:07It will have to be returned.
00:39:08It will belong to someone.
00:39:09Of course it belongs to someone.
00:39:09It's ours.
00:39:10Like ours?
00:39:11Like ours?
00:39:12I brought it myself.
00:39:14And why have you brought a horse home?
00:39:15Ah, you can't just bring a horse home whenever you want, can you?
00:39:19And get into bed.
00:39:24But what an inability to see the bright side of things, sir.
00:39:30This one is also unfertilized.
00:39:33It seems to me that this little cardinal is not as good as Doña Amparo says.
00:39:36Aren't they taking advantage of the poor thing?
00:39:41Ah, this one is good.
00:39:42Change it to a plastic one until the clutch is complete and it begins to incubate.
00:39:45Yes, Paulino.
00:39:47Mister?
00:39:48What's happening?
00:39:49There's a young lady there asking for the gentleman.
00:39:51Let him go for a walk, I'm busy.
00:39:53I've already told her, but she told me to tell you that she's Miss Paloma.
00:39:56and that he brings her the book she ordered.
00:39:58Ah, yes.
00:40:00The book...
00:40:01Ah, yes, yes, yes, yes.
00:40:03I'll be right there.
00:40:04Yes, wow, it's broken.
00:40:07Pick this up, thank goodness it wasn't fertilized.
00:40:16But what are you doing here?
00:40:19Good morning, Mr. Paulino.
00:40:21I have taken the liberty of bringing the book you ordered to your home.
00:40:24Have you gone mad? How dare you put me in this awkward position?
00:40:26And what are you doing dressed as a doctor?
00:40:28The birds, I'll tell you about them later.
00:40:31Be careful, I know houses with rich uncles.
00:40:34Oh, how the horse is going to enjoy himself!
00:40:39Well, here's the book.
00:40:41Oh, yes.
00:40:43Miss Paloma, legal texts representative, my wife.
00:40:46Nice to meet you.
00:40:47Very good.
00:40:49Well, you shouldn't have been upset, miss.
00:40:52I'll keep the book.
00:40:53Send the bill to the office.
00:40:55And now, if you don't mind, I must continue to take care of...
00:40:59Of course, Don Paulino.
00:41:01Goodbye, ma'am.
00:41:03You have a beautiful horse.
00:41:05Thank you.
00:41:06Good morning.
00:41:11Don't bother, Don Paulino.
00:41:13Thank you.
00:41:14Bye bye.
00:41:14Bye bye.
00:41:16Bye bye.
00:41:24Come on, Margarita.
00:41:40She's very pretty.
00:41:42What's it called?
00:41:43Daisy.
00:41:46How did you come up with the idea of getting married?
00:41:48Well, those are things that happen in life, I don't know.
00:41:53It looks really good, doesn't it?
00:41:54Yes, she's good with birds, she's affectionate.
00:41:57But it's missing...
00:41:59vitality, spirit, joy of living.
00:42:01They are all fears and anxieties.
00:42:03Do you want plums?
00:42:04Well.
00:42:06Sure, she's the classic decent wife, very much a homebody, very much into everything.
00:42:10It used to be something else, don't think otherwise, but now it's been abandoned.
00:42:12I suppose what she really wants is to get married.
00:42:15And once it's achieved?
00:42:16You know how Spanish wives are.
00:42:19You must have washed them well, right?
00:42:20Let's not catch anything.
00:42:23Margarita used to be an artist, you know?
00:42:26Mom was so upset when she found out.
00:42:29That's why I'm telling you...
00:42:30You say very good, very decent, but that's when I worry, when I'm on top of her.
00:42:36Well, whatever he wants, there you go.
00:42:59Margarita, let's have lunch, I have to get back to Madrid soon.
00:43:06Will you give me a ride?
00:43:08I need to do some shopping downtown.
00:43:10Okay, but hurry up.
00:43:30Veronica, let's go!
00:43:32Bye, bye!
00:43:32We got to the people here.
00:43:34We got to fit in that cap, come on.
00:43:35Hey, what are you doing now?
00:43:36We got to the people here.
00:43:37Is there another car?
00:43:40But I am a married man.
00:43:42I'm a happily, happily married man.
00:43:45You know, I got...
00:43:46I did it.
00:43:49I did the whole thing.
00:43:51Three.
00:43:52One, two, three.
00:43:55Tend...
00:43:56Children.
00:43:57You know, kid.
00:43:59Child.
00:44:00Little girl.
00:44:00Little girl.
00:44:01Little girl.
00:44:02You know, a little girl.
00:44:03Uh, a little boy.
00:44:06Child.
00:44:07Child.
00:44:08Um, teeny little boy.
00:44:11Oh, so sweet.
00:44:12A three.
00:44:13I don't know which...
00:44:13A four.
00:44:14And a five.
00:44:16Here we go.
00:44:18One, two.
00:44:19A three.
00:44:20And a four.
00:44:21And a five.
00:44:22And a six.
00:44:22Oh, shh.
00:44:23Quiet.
00:44:23Uh, a lot of money.
00:44:26Uh...
00:44:28Uh...
00:44:28Big money.
00:44:30Big money.
00:44:31Here we go.
00:44:31Yeah, wall.
00:44:32A lot, a lot.
00:44:34A lot.
00:44:34A lot.
00:44:49Big money.
00:44:50Hey.
00:44:50Hey Dave! Let's play ball!
00:44:53Oh dear! Just what we needed!
00:44:55What aunts!
00:44:57Wow, what a hookup we had! They're crazy!
00:45:03That?
00:45:05Cheers! Cheers!
00:45:08Health!
00:45:10Out!
00:45:22Oh! What women!
00:45:25Oh, please!
00:45:33You've really taken to the environment, son!
00:45:35Yes indeed! What an eco-friendly Wanderpool!
00:45:38Oh, please!
00:45:40You've really taken to the environment, son!
00:45:40No! My no, no!
00:45:42Why not?
00:45:43I don't understand you, man!
00:45:45Little girl.
00:45:46Yeah?
00:45:47But where are you going?
00:45:48Yeah.
00:45:49What do you want now?
00:45:50He's almost dead.
00:45:52But what are you doing?
00:45:54Little girl.
00:45:55Little girl.
00:45:56Little girl.
00:45:58My wife is beautiful.
00:46:00Get out of my bed, you beast!
00:46:02Out!
00:46:03Out!
00:46:05Get out of my bed!
00:46:06Get out of my bed!
00:46:08Get out of my bed!
00:46:10Tarzan's wife!
00:46:12Ah!
00:46:12You're going to wreck my house!
00:46:14Oh yeah!
00:46:14Get down from there!
00:46:15Get off!
00:46:17Oh my God! I wrecked the house!
00:46:20Still!
00:46:21My Tarzan!
00:46:21Don't come near me, okay!
00:46:23Don't come near!
00:46:24Oh!
00:46:25Oh!
00:46:26Oh!
00:46:26Oh!
00:46:26Ah!
00:46:27Get out of my bed!
00:46:28Your Jane! Tarzan's wife!
00:46:30Jane and Tarzan!
00:46:32This one is already here.
00:46:33No!
00:46:35Still!
00:46:35No!
00:46:37Oh!
00:46:37You're going to ruin my house!
00:46:40Oh my God! Oh my God!
00:46:45They must be some annoying people downstairs.
00:46:47Paulina!
00:47:06Mitazan!
00:47:07You, Jane!
00:47:09You, Cheetah!
00:47:10Oh, how annoying!
00:47:12Her mother is a Cheetah and her father is an anteater, do you understand?
00:47:16Leave him alone, Paulino! Can't you see he's an animal!
00:47:18He's hugging you right in front of me!
00:47:20But can't you see it's a gorilla!
00:47:21Can't you see it's a gorilla? Well, even worse!
00:47:23Your mother is a Cheetah!
00:47:25Your mom... your mom... How do you say mother in English?
00:47:27How do you say "mother" in English?
00:47:29Mother!
00:47:30Mother?
00:47:31Your mother is a Cheetah!
00:47:32Your Cheetah!
00:47:36What's that?
00:47:38Just a minute.
00:47:42Cheetah, if you don't behave yourself...
00:47:44And I'm going to get angry and throw you out!
00:47:59No, no, no, no, no, no, no, no, no, no!
00:48:16No, no, no, no, no!
00:48:53No, no, no, no, no, no, no!
00:49:25No, no, no, no, no, no, no!
00:49:44No, no, no, no, no, no, no, no, no!
00:50:07No, no, no, no, no, no, no, no, no!
00:50:42No, no, no, no, no, no, no, no, no!
00:51:28No, no, no, no, no, no!
00:51:37The MEC agency, the congressmen, and Veronica are gone forever.
00:51:41Here we'll live, just you and me, without any neighbors to bother us or look in.
00:52:13Margarita, I want to talk to you.
00:52:14I have three great loves: my mother, you, and the birds.
00:52:18Thank you so much for the support from the people.
00:52:20Thank you very much for my part in it.
00:52:21Now I want you to listen to me carefully, Margarita.
00:52:24Now I feel something special.
00:52:27I love.
00:52:28Thank you very much, Paulino.
00:52:30I love you very much too.
00:52:33You haven't understood me, Margarita.
00:52:35I mean that I love in a different way and with a different person.
00:52:41You've always kept me locked up between four walls.
00:52:45And what had to happen, happened, understand that.
00:52:49Okay, stop it already, stop going in circles, you're making me dizzy.
00:52:53So, stay still, stay still.
00:53:04And can you tell me where you have the new bird?
00:53:07Her name is Paloma, right?
00:53:09Well, you know what I say?
00:53:10You've just given me great joy.
00:53:12You just opened my cage.
00:53:14I was fed up.
00:53:15I'm still young and eager to live.
00:53:17And without lice.
00:53:17That's precisely what I wanted to talk to you about.
00:53:19From the louse?
00:53:20No, from the birds.
00:53:21Since we don't have children, we'll have to divide them up.
00:53:23There's nothing to share.
00:53:24You can take it all.
00:53:25The flute, the tape recorder, Basilia, the canaries, the lettuce, the birdseed
00:53:28and the corresponding louse.
00:53:31Please stop swinging.
00:53:32You're making me nervous.
00:53:33There's no way to talk like this.
00:53:34Well, it seems you liked me.
00:53:36You said it looked like a little bird.
00:53:37Naturally you can keep the chalet.
00:53:39As for money, you don't need to worry.
00:53:43Well, you have no idea how glad I am that things have worked out.
00:53:46in such a civilized manner.
00:53:49The horse.
00:53:50As?
00:53:51I'll keep the horse too.
00:53:57See, Paloma?
00:53:58This canary has lice.
00:54:00Is it serious?
00:54:01It could be.
00:54:02The louse is also known as the plague mite.
00:54:06It is a malignant parasite that attacks them at night, preventing them from sleeping.
00:54:08Like you.
00:54:11Please, Paloma, everything in its own time.
00:54:12Now we're focused on what we're doing.
00:54:14This parasite causes extremely painful itching.
00:54:17How much do you know, Paulino?
00:54:19Yeah.
00:54:20My whole body is already itching.
00:54:23Please, Paloma, button up your blouse.
00:54:25Because?
00:54:25Because you don't look decent like that.
00:54:27But there's nobody there.
00:54:28It's me.
00:54:29It's a favor I'm asking of you.
00:54:31Button up your blouse, I beg you.
00:54:33Okay, Paulino.
00:54:52You've gone crazy.
00:54:54Paulino, what a scare!
00:54:56I think it came out blurry.
00:54:58Can you tell me what you're doing like that?
00:55:00I'm taking pictures of the little birds.
00:55:02They're so conceited, they pose really well.
00:55:04So we have their photos.
00:55:06And we pasted them in Basilia's register book.
00:55:10What do you think, huh?
00:55:11It's a disgrace, that's what I think.
00:55:15Are you serious, Paulino?
00:55:16What do you want?
00:55:17That I laugh seeing you like that in a bikini, in the middle of the garden.
00:55:20In a provocative pose and...
00:55:22And obscene!
00:55:23That's it, obscene, that's been said.
00:55:25Don't you realize you're the talk of the neighborhood?
00:55:27But if there are no neighbors...
00:55:28And what do you know?
00:55:29They may be hidden.
00:55:30And I won't allow you to make a fool of me.
00:55:33Besides...
00:55:35On the other hand, there must be your own estimate.
00:55:44Whose idea was it to rent a villa near Barajas airport?
00:55:47Did you rent it, Paulino?
00:55:49But don't worry, they can't see me at that height.
00:55:52I say this because of the birds.
00:55:53They're hysterical with all the airplane chaos.
00:56:06Hello, Basilia.
00:56:07Don Paulino, I can't stand her anymore.
00:56:09She's crazy.
00:56:10Basilia, tone down your language.
00:56:12The young lady is my...
00:56:15Well, she's like my wife.
00:56:16It will be what you say it is.
00:56:18But it's ruining the breed of all canaries.
00:56:21He does not respect family trees.
00:56:23Bringing brothers and sisters together like in Mogambo.
00:56:25And he does it all for fun.
00:56:27I no longer know who is whose son.
00:56:28Basilia, we need to have a little patience.
00:56:29At first they are all the same.
00:56:31Of course, Don Paulino, like his holy mother who is in glory.
00:56:35And like his holy wife, who everyone knows where she is.
00:56:38One moment.
00:56:39Why does he say that everyone knows where he is?
00:56:41Doña Margarita passed the driving license exam on her first try.
00:56:44And he's bought a car.
00:56:45Maria told me.
00:56:50Miss Paloma and her friend are going to dig with the canaries.
00:56:54They're putting minced beef in all the cages.
00:56:56Which friend is your friend?
00:56:57One that is with her in the garden.
00:57:02Come on, let's go!
00:57:11Hey Paulino, handsome!
00:57:13Go on, Paulino!
00:57:23Paloma, do you want to get out of the pool?
00:57:25I'm coming.
00:57:26Bécil!
00:57:31I invited Veronica over for lunch.
00:57:33How could I not know about the chalet?
00:57:34I didn't even have to know him.
00:57:35This is a decent house.
00:57:36Please come inside.
00:57:38It's embarrassing that you're here with that guy watching and throwing paper airplanes.
00:57:40But that guy's mentally deficient, you know that.
00:57:43Poor thing.
00:57:43He may be a fool, but he's a man.
00:57:45And you're in a swimsuit.
00:57:46Please.
00:57:47Alright.
00:57:52Please.
00:57:58And you, get out of here right now or I'll smash your face in.
00:58:02What a house, man!
00:58:03I'm happy for Paloma, she's a very good girl and deserves to be retired, yes.
00:58:07I haven't retired it, as you say.
00:58:10Paloma and I love each other.
00:58:18Do you know what I want?
00:58:20That?
00:58:21Take me to Madrid.
00:58:23So that?
00:58:23I don't know.
00:58:24Let's go for a walk.
00:58:26We haven't gone out for two months.
00:58:27I was planning to surprise you, but since you've already told me, I'll tell you.
00:58:31Next month an international canary breeding exhibition opens in Madrid and I'm going to take you.
00:58:38And please, Paloma, put your trousers on, it gets chilly at night.
00:58:42Yes, Paulino.
00:58:49I've been noticing it lately.
00:58:51You're lacking calcium, Paloma.
00:58:54I don't feel any pain.
00:58:55However, I've noticed you seem a bit down lately.
00:58:59Right?
00:59:00It's possible.
00:59:04What you need are double doses of vitamin C injections.
00:59:10Yes, Paulino.
00:59:34I'm sorry, I failed.
00:59:36What a pain!
00:59:38What a pain!
00:59:39The liquid can't hurt you because I haven't put it in yet.
00:59:41Now for the good part.
00:59:47Miss Paloma says, why don't you call a doctor?
00:59:50She can't move, and the swelling in her buttocks is increasing.
00:59:53And if the injection was toxic, because if it wasn't, it's not normal.
00:59:55Did you put the ointment on it?
00:59:56Yeah.
00:59:57They are all the same.
00:59:58They don't stop until they show their buttocks to a stranger.
01:00:01Speaking of that, I don't know if I should tell you something.
01:00:06What thing?
01:00:06Maria told me.
01:00:07What did Maria say to him?
01:00:09Miss Margarita has returned from performing.
01:00:14That's just how we are.
01:00:16She started singing zarzuela and has returned to zarzuela.
01:00:18She doesn't sing zarzuela.
01:00:20He works at the fountain.
01:00:21And what is that?
01:00:22Cabaret theater.
01:00:24He works at a magazine owned by a certain Alonso Millán called "A que nos quitan lo bailao" (They can't take away what we've danced).
01:00:28What are they taking from us?
01:00:29The dancing.
01:00:30Imagine what that will be like.
01:00:31And Miss Margarita is now called Margot.
01:00:35With your permission, Don Paulino, the goat always heads for the mountain.
01:00:40It is a tango from the slums, born in the outskirts.
01:00:46A tango for export.
01:00:49A tango that is a howl, sung by a repressed soul.
01:01:03"It's not Gardel, he didn't compose it," says Polón.
01:01:11Homer, Mancio, Coglián, out with Vallejo, Fermán.
01:01:17There is no talk of the surgeon, nor is the lumbar region translated.
01:01:24It's a very bastardized tango, what's depicted here.
01:01:32The bandoneon cannot be heard under the neon light.
01:01:39And he does a pirouette, upon entering the suburb.
01:01:45It's about Margot Blanco, a kid who doesn't give up.
01:01:50They've created a tango in Polente, without Corrientes Street even being involved.
01:01:59The bandoneon cannot be heard under the neon light.
01:02:05The bandoneon cannot be heard under the neon light.
01:02:25The bandoneon cannot be heard under the neon light.
01:02:32The bandoneon cannot be heard under the neon light.
01:02:54The bandoneon cannot be heard under the neon light.
01:02:54Hermia the plainsman, will never be heard in Spain.
01:02:59You think you're so smart, but you'll be left wanting.
01:03:08Go ahead, girl.
01:03:32I don't know what's happening in this house, nobody is happy anymore.
01:03:34Neither you, nor I, nor the birds.
01:03:39I am happy.
01:03:40No, you're not, Paloma. You have to be honest with yourself.
01:03:43Society doesn't let you be happy.
01:03:45They are the ones who prevent our happiness.
01:03:48But who is it? We haven't seen anyone for months.
01:03:51It doesn't matter, it doesn't matter. They're there.
01:03:53And we carry their reproaches within us.
01:03:54And do you know why?
01:03:55Because our situation is irregular.
01:03:57Because we live outside of society, on the margins of what is established.
01:04:01Because we're all tied up, Paloma.
01:04:04That doesn't matter to me.
01:04:05Of course you care!
01:04:06You may not be consciously aware of it, but subconsciously you have a guilt complex.
01:04:10"I'm guilty, I'm guilty," you're telling yourself.
01:04:13And you're right.
01:04:14Because you are guilty, Paloma.
01:04:18You already know me.
01:04:20Do you know how much I enjoy the joy of living, the anarchy of living?
01:04:26I remember how happy we were at the beginning, but now...
01:04:30Everything has changed.
01:04:32You yourself have changed, although perhaps you don't realize it.
01:04:37It's curious.
01:04:39How different can we become over time?
01:04:51Hey!
01:04:52Hey!
01:04:54I bet you don't know why women bathe so much.
01:04:57What did you say?
01:04:59But you don't remember me.
01:05:01I am Claudio Lamota, the world's first taster of Cantabrian seafood.
01:05:05Ah, yes.
01:05:06What's up?
01:05:07What's up?
01:05:09Golfo, I already know about Paloma, huh?
01:05:13Matthew, come here.
01:05:15You looked like a fool, didn't you?
01:05:18Here's Mateo, my nephew.
01:05:19Paulino, one of our own.
01:05:20How are you?
01:05:20I won't say any more.
01:05:22Pepe, give us some whiskeys.
01:05:24So, how are you, Paulino?
01:05:25Tell me how it went, okay?
01:05:26How has the irredeemable Pepe been, that I see you, son, that I see you.
01:05:31Do you come here often?
01:05:32No, no, hardly.
01:05:33Well, I did, but today we're celebrating that my nephew passed his civil service exams.
01:05:36I told him, Mateo, if I pass the civil service exams, I'm going to throw you a party you'll never forget.
01:05:44Come on, let's go, the table is ready.
01:05:46Now, grab the whiskeys and let's go, now.
01:05:49You'll see, you'll see the treat I have for dessert tonight, you'll see.
01:05:56Here, tell the kid to replenish the ice for the seafood, okay?
01:05:59Don't worry, Mr. Flor.
01:06:00But very spicy, you know, huh?
01:06:02Yes, yes, as always.
01:06:06Once upon a time there was a daughter from a family, her name was Pepeerina.
01:06:14Every day his mother told him that he couldn't go out at night.
01:06:24Pepeerina, because she was a good girl.
01:06:27In the afternoons...
01:06:29Well, what do you think, Cristina?
01:06:31She's the platinum blonde in the green suit.
01:06:40That's mine.
01:06:41That's fine, isn't it?
01:06:43She's from Pepeerina del Campo, like Veronica.
01:06:46When it comes to eroticism, I'm very regionalist.
01:06:49The one with the sequins, dude, the one with the sequins is really good.
01:06:51How are you?
01:06:57Now, when the show's over, we're going with them, okay?
01:07:00I already have the seafood.
01:07:02Everything is ready.
01:07:02But I'm going with the sequined one, dude?
01:07:04She's absolutely stunning.
01:07:05Look at those thighs, Paulino.
01:07:06Yes, I see it now.
01:07:07Besides, that's a sure thing.
01:07:10What a pancake!
01:07:13We're going to give you a real treat!
01:07:15This clear night.
01:07:17We already have men.
01:07:21Satan, Barabbas!
01:07:22Lucifer, you give them to me.
01:07:26That's a current photo.
01:07:29A national theater.
01:07:33It's on the main one.
01:07:35Giselle's Carmen.
01:07:37Cristina, I'm here with two top-quality spider crabs.
01:07:42I'll be waiting for you with two more spider crabs.
01:07:44Shut up, watch your back, dude!
01:07:45Shut up, man!
01:07:46Let one of the spider crabs be the one with the sequins.
01:07:53Yes, the one with the sequins.
01:07:55Another one is fine, right?
01:07:57Yes, yes, yes.
01:08:06A national theater.
01:08:11A national theater.
01:08:14A national theater.
01:08:17A national theater.
01:08:21A national theater.
01:08:28A national theater.
01:08:29Shut up, watch out for the glasses, watch out for the aunts!
01:08:32Shut up, watch out for the aunts!
01:08:34Singing, singing, singing.
01:08:37And keep going like that, thinking about being able to go.
01:08:43Singing, dancing, thinking, dreaming until the end.
01:08:48Until the end.
01:08:51Until the end.
01:08:57Sing!
01:08:59They're not coming, they're not coming.
01:09:01But of course they're coming, come on, don't get nervous.
01:09:04They take a long time.
01:09:06Do you know why?
01:09:07Because they are bathing, purely and simply for that reason.
01:09:11Because they're always taking a bath.
01:09:13You'll see, the one with the sequins won't come.
01:09:16Oh, really? And what's that coming over there?
01:09:19Cristina, my dear, come here.
01:09:22Heart.
01:09:26Paulino, Mateo and this is Cristina.
01:09:29Hello hello.
01:09:29What's up?
01:09:30How are you? Margot.
01:09:31Oh, Margot, Margot, Margot.
01:09:34A beautiful name for a beautiful woman.
01:09:37Did you see, man, what I can say?
01:09:39You are a poet.
01:09:40Know more, know more.
01:09:41Margot, Margot.
01:09:43A beautiful flower in a beautiful garden.
01:09:45Oh yes, go ahead!
01:09:47Well, beautiful.
01:09:48My name is Miriam.
01:09:49Beautiful ladies, what would you prefer, some infamous, adulterated whiskey in this boring place, or some oysters that are like breasts of
01:09:58Virgin mermaids of the Galician Atlantic?
01:10:01I want merman oysters.
01:10:03Well, we have that too.
01:10:06Where are we going?
01:10:08I know a place on the outskirts that's fantastic.
01:10:10Better yet, if we care, let's go to my house.
01:10:13It's a discreet place.
01:10:14I don't like to show myself off.
01:10:17I am married.
01:10:17Well, don't worry.
01:10:19I'm not jealous.
01:10:21Under way!
01:10:25Come on!
01:10:25Hip hop!
01:10:26Hip hop!
01:10:28Hip hop!
01:10:34How wonderful!
01:10:36How wonderful!
01:10:39Did you hear me, Margot?
01:10:39Yeah.
01:10:40Well, go ahead and we'll follow you.
01:10:41Okay, here you go.
01:10:43You look beautiful, Margot!
01:10:44I'm going with you.
01:10:45That's how I'm getting by along the way.
01:10:48Go on, Cristina.
01:10:49Paulino.
01:10:50Go up.
01:10:50Come, come with me, come.
01:10:51No, no, you come with them.
01:10:53Yes, Paulino, you be yourself, my hands are busy.
01:11:00Come on, guys!
01:11:02Let's eat the spider crabs!
01:11:04Forward!
01:11:09The uncle says.
01:11:10The uncle says.
01:11:12All the way down the street!
01:11:15Do you know why we always bring seafood?
01:11:18Well, no, no, why?
01:11:19Because they are aphrodisiacs.
01:11:22For me, everything is an aphrodisiac.
01:11:24I'll take two aspirins and then I'll get to you.
01:11:26I'll have two fried eggs and then I'll get you.
01:11:28No, I mean, you're now breaking the sound barrier.
01:11:33And we're going to break it even more, right, Margot?
01:11:38You're always so quiet, you don't say anything.
01:11:41Well...
01:11:42Oh, but he does know how to say it, well!
01:11:44He's just very pessimistic.
01:11:46He said, they're not coming, you'll see.
01:11:47Have you seen it?
01:11:48What was I telling you?
01:11:48And why did you think we weren't going to come?
01:11:50Could it be that he has cow's blood pressure?
01:11:52He just doesn't know women.
01:11:54I, on the other hand, as soon as I saw you I said to myself,
01:11:56Mateo, there you have it.
01:11:57Right?
01:11:59What a scoundrel you are, Mateo!
01:12:01Well, and your husband?
01:12:04We're separated.
01:12:05As it should be!
01:12:06What happened?
01:12:07You dumped him, didn't you?
01:12:11No, he left me for someone else.
01:12:13Hoppus, how would the other one be to leave you?
01:12:15And to leave all this behind, huh, man?
01:12:18Stop calling me uncle already, okay?
01:12:20And don't remind me of marriage
01:12:22I remember your aunt.
01:12:27It's at the end.
01:12:29Go out that door on the right, you'll find it.
01:12:32Hey, what about you, Margot?
01:12:34Having this house, why do you work?
01:12:35Well, for showing her legs.
01:12:43So, what did you think of the oysters?
01:12:45Like the breasts of virgin mermaids.
01:12:47From the Galician Atlantic.
01:12:50Well, that's it, after a good meal and plenty to drink,
01:12:53We only have one little thing left to do.
01:13:02Well, son, I suppose you'll be more talkative later on.
01:13:04Or neither.
01:13:06Or are you one of those who likes to sleep and keep quiet?
01:13:07Don't trust the silent ones.
01:13:10And why don't we go for a swim in the pool, huh?
01:13:13Yes, what an idea.
01:13:15That.
01:13:15Come on, that'll wake you up.
01:13:17Well, I didn't bring a swimsuit.
01:13:19Oh, don't worry.
01:13:21Naked, man, naked, man, naked.
01:13:24Striking, striking!
01:13:25You'll see, it'll be fun.
01:13:28Well, there you go.
01:13:30Come on.
01:13:31Go on, get down on the little thing.
01:13:33And to the water, which strengthens the muscles.
01:13:37I'm sorry, it can't be.
01:13:39It's empty.
01:13:40I didn't remember.
01:13:41What a lovely alcove you have, eh, Margot.
01:13:44It's calling out to us.
01:13:45Oh, oh!
01:13:47Look what I found in the bedroom.
01:13:48Oh, what a little bird!
01:13:50Yes, it looks like a banana!
01:13:51Ha ha ha!
01:13:56This bird is sick.
01:13:57He has a fever.
01:13:59In addition, it has plastic-coated sticks.
01:14:01And that's outrageous, because the little animal pecks them.
01:14:03and may suffer from gastric disorders.
01:14:09I'm sorry, but I forgot about the plastic sticks.
01:14:14This bird has early signs of sunstroke.
01:14:16Where was I?
01:14:16At the window.
01:14:18Look, man, what cheers this guy up are the little birds.
01:14:20Hahaha!
01:14:22How reckless!
01:14:23It's clear that it's neglected.
01:14:24What's it called?
01:14:26Paulino.
01:14:29Paulinus II.
01:14:33This bird needs peace and quiet.
01:14:35With so many voices, we've made him nervous.
01:14:38So what can we do?
01:14:40Let's go.
01:14:42That's what we should do, leave and leave him alone.
01:14:45But, can you hear me, man?
01:14:47Do you hear what he's saying?
01:14:48Do you want us to leave?
01:14:50Are you sure he has heatstroke?
01:14:52And big.
01:14:54A serious case of sunstroke.
01:14:56It is necessary to apply cold compresses to it continuously.
01:14:59Wow, what do you think?
01:15:00What this day understands about birds.
01:15:06I'm sorry, if it matters to us, we'll leave it for another day.
01:15:09The little bird was like that.
01:15:10That animal means a lot to me.
01:15:16So, shall we go?
01:15:17We do care.
01:15:19Yeah, so soon.
01:15:20They are very sensitive.
01:15:21They cannot be left unattended for even a minute.
01:15:24I'm staying, okay?
01:15:29I'm sorry, but...
01:15:31No, don't worry.
01:15:32Get well soon, little bird.
01:15:34Come on, let's go, daughter.
01:15:36Let's go outside.
01:15:38Come on, Paulino.
01:15:40Bye bye.
01:15:40Bye bye.
01:15:41Goodbye, daughter, goodbye.
01:15:43Therefore, I already know that you do it for me.
01:15:48Paulino, if you don't mind, stay.
01:15:50And you put the wipes on him.
01:15:52That makes me feel much better.
01:15:54Alright.
01:15:56Come on, man, can't you see they're kicking us out?
01:15:58Go on, out into the street.
01:16:03What a cut.
01:16:04But you saw it, man, and on top of that, that guy ends up with the one with the sequins.
01:16:07What I've seen is that you're an idiot.
01:16:09And I'm never taking you out partying again.
01:16:10So you can learn to take out birds when you shouldn't.
01:16:12But, dude, it was just for a laugh.
01:16:14Grace, why are you doing this?
01:16:16Have you seen a horse, man?
01:16:18A horse?
01:16:19Well, thank goodness we didn't go swimming, huh?
01:16:21It's a menagerie.
01:16:22They might even have sharks in the pool.
01:16:24Run, run.
01:16:27It seems unbelievable.
01:16:28Who would have imagined it?
01:16:29I never would have believed you capable.
01:16:31But, Paulino, I've taken better care of it than when you were here.
01:16:33It was Maria's oversight.
01:16:35I'm not talking about the bird, I'm talking about you.
01:16:36Of your indecency.
01:16:37Because of your lack of principles.
01:16:39Of your lewd behavior.
01:16:40That ashtray.
01:16:41You left that ashtray behind.
01:16:43Those dresses.
01:16:44And that way of looking on stage.
01:16:47I never thought you were capable of looking at men like that.
01:16:51And that neckline.
01:16:52Do you think that's the cleavage of a married woman?
01:16:54Hey?
01:16:55Say it!
01:16:58What a disappointment.
01:16:59What a disappointment!
01:17:02What a way to look at people.
01:17:04What a way to go asking for war.
01:17:07I have seen in you the most lustful.
01:17:09And that way you move, provocative.
01:17:12Provo!
01:17:14Provo!
01:17:20And you shut up and don't defend him!
01:17:23It has been a tough test.
01:17:24You can't play with fire.
01:17:26Because I love you very much, Margarita.
01:17:28Now more than ever.
01:17:30You'll see.
01:17:31We will be very happy again.
01:17:33Marriage is a very serious thing.
01:17:37Well, there's a problem.
01:17:40Pigeon.
01:17:41That was an illusion.
01:17:43I thought I'd found another woman, but she wasn't what she seemed.
01:17:46At first, yes, she was cheerful and fun, but...
01:17:49Then it all fell apart.
01:17:53I love you very much too, Paulino.
01:17:55I have never stopped loving you.
01:17:57Oh, you have no idea how bad this time has been for me.
01:18:00Well, tonight, seeing you at the cabaret, it seemed like something else.
01:18:03I have been very decent.
01:18:04I haven't cheated on you with anyone.
01:18:06You can rest assured about that.
01:18:07I couldn't have.
01:18:09Not even in thought.
01:18:11Yes, but tonight...
01:18:12Tonight...
01:18:14...I wanted to provoke you.
01:18:16Oh my God, I'm so nervous.
01:18:19So...
01:18:20...you have led an orderly life, as always.
01:18:22Of course.
01:18:25But you say it as if you're disappointed.
01:18:27No, no, no, no.
01:18:28That's not it, no.
01:18:29But...
01:18:30It has been a tough test for both of them.
01:18:33We will start a new life.
01:18:35Yeah.
01:18:36But without cabaret, okay?
01:18:37No showing your legs.
01:18:40Now you have your new home.
01:18:47Tell me, Margarita...
01:18:49...during all this time...
01:18:51Who gave you the injections?
01:19:01Well.
01:19:03I think that's all.
01:19:05Come.
01:19:07Always take care of it.
01:19:09Yes, Pauline.
01:19:11I would like it to serve as a reminder of you at all times...
01:19:13...whatever good may have been between us.
01:19:17Yeah.
01:19:18It's sad to separate, I know...
01:19:20...but it's for your own good, Paloma.
01:19:21In Ponferrada, at your aunts' house...
01:19:23...you're going to be very happy.
01:19:26I have been happy with you.
01:19:27Yes, but that's not the problem, you see.
01:19:29The problem is that...
01:19:30...we love too much, but...
01:19:33...we love well.
01:19:36Happiness has to be earned, Paloma...
01:19:37...and for that, you have to take the straight path...
01:19:39...which wasn't ours.
01:19:40Do you understand me?
01:19:43One day you will get married...
01:19:45...you will have children...
01:19:46...and you will be very happy with a good man...
01:19:48...the one you love as much as you have loved me.
01:19:52And, above all...
01:19:55...be very careful with bad company.
01:19:57Ponferrada is a good place for that, you'll see.
01:20:03Bye bye.
01:20:10Goodbye, Paulín.
01:20:11Goodbye, Paulín.
01:20:14Goodbye, Paulín.
01:20:45Goodbye, Paulín.
01:20:48Let them in.
01:20:53Hey, you've gained weight, haven't you?
01:20:55No. Why?
01:20:57It's the pants that are too tight on your body.
01:20:59You think?
01:21:00Yes, everything shows up, don't you notice?
01:21:02No.
01:21:03And that's not good for blood circulation.
01:21:05From now on, you should try to wear looser clothing.
01:21:12Good morning, Mr. Paulino and Mrs. Lolita.
01:21:15Good morning.
01:21:16No, Mrs. Largarita.
01:21:17Oh yes, yes, Mrs. Margarita.
01:21:19Oh, what a head I have.
01:21:20It's been so long since we last saw each other.
01:21:22How was your trip?
01:21:24Very good. And the red siskin?
01:21:27Well, more lively than Roluzón.
01:21:29I won't say any more.
01:21:30I don't do it just so you know.
01:21:34Go on, Violetita.
01:21:36Say hello to these gentlemen.
01:21:38Hey there, nice to meet you! How are you?
01:21:40Hello.
01:21:40How cute. That's my niece Violeta.
01:21:45Let's put the little cardinal to work.
01:21:48Nena, Violeta, go to the garden.
01:21:50And wait for us a moment.
01:21:54You are still too young to witness such violent and intense scenes.
01:21:59How long does intercourse last?
01:22:01Little girl!
01:22:02Go on, go on, go to the garden.
01:22:05What he said is green.
01:22:06Come on, come on.
01:22:07Yes, yes, yes. I think so.
01:22:10Yeah.
01:22:34Do you want me to swing you, Violet?
01:22:35Come on, but go hard, okay?
01:22:38What a beautiful watch.
01:22:42Where have you been all this time that I haven't seen you at your aunts' house?
01:22:45In London, just loitering a bit.
01:22:48People there must be very free, right?
01:22:50What's ordinary is what should be.
01:22:51No, that's not what it should be, Violeta.
01:22:54First and foremost, there must be your own self-assessment.
01:22:56Okay, let's go, shall we?
01:23:00Stronger?
01:23:02Come on, but hard.
01:23:04Further!
01:23:05Further!
01:23:07Further!
01:23:11Further!
01:23:29Further!
01:23:30Further!
01:23:59Thanks for watching the video.
01:24:28Thanks for watching the video.
01:24:40Thanks for watching the video.
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