Juliana, una esclava hija de la violencia, que se niega a ser tocada por hombres blancos. Su vida da un giro al conocer a Miguel, un viajero portugues que busca respuestas sobre su pasado, con quien vive un intenso amor prohibido. Juntos enfrentan poderosos enemigos y los prejuicios de una sociedad esclavista, incluyendo a Maria Isabel y al Comendador Almeida, mientras Juliana lucha por su libertad y por el futuro de su hija, Isaura.
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#TelenovelaLaEsclavaMadre #NovelaEscravaMae #NovelasBrasileñas
Encuentra todos los capitulos en https://sites.google.com/view/cyberhome-nicaragua
#TelenovelaLaEsclavaMadre #NovelaEscravaMae #NovelasBrasileñas
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TVTranscripción
00:13Bye bye!
00:32Bye bye!
00:34Bye bye!
00:37Bye bye!
00:39Bye bye!
00:40Bye bye!
00:41Bye bye!
00:42Bye bye!
00:43Bye bye!
00:44Bye bye!
00:48Bye bye!
00:50The life of a black person is difficult.
00:52It's difficult, of course it is.
00:55But every story has two sides.
00:57Two ways of seeing each other,
00:59two colors.
01:01And the more we think we understand a tangle,
01:05that we have seen all that we can see,
01:08reality comes
01:09and proves us wrong.
01:13That's true, that can bring suffering.
01:16pain,
01:17even courage.
01:19But even in that sad story there is beauty.
01:22And that's what we have to hold on to.
01:25a little piece of love,
01:27a glimmer of hope.
01:31But if you really want to know your roots,
01:35It's best to be prepared.
01:37It won't be an easy trip, no.
01:40It never was.
01:42Also, stories that transcend time.
01:48Africa, Kingdom of Congo, Angola, 1789.
01:52It has likely that I deserve you again.
01:53You owe it to yourself.
01:55Be quiet!
02:03Look!
02:04Look!
02:08Look!
02:10Look!
02:11Look!
02:21Look!
02:22Thank you!
03:10Thank you!
03:24Thank you!
03:25Thank you!
03:28Thank you!
03:32Thank you!
03:33Thank you!
03:34Don't covet what belongs to someone else.
03:38Find your own path, your own story.
03:53Thank you!
03:54It's time to plant the seed of the future, my love.
03:58What future, Kamau?
04:00If the children of our land lose their freedom.
04:03No, that won't happen.
04:05Old Tiao is not like the other chiefs.
04:07He won't change our lives for anything a white man offers him.
04:10I'm not talking about white people, if you know that.
04:13There are people from the tribe negotiating with other chiefs.
04:16They are not acting alone.
04:30Will I really find the pieces you promised me?
04:45Go away!
04:53I like being welcomed with parties.
04:55We are not at war here!
04:57Catch them all!
04:58Don't let them escape!
05:07Luena!
05:08Take the old man away!
05:14No no!
05:16Not her! She's staying!
05:19Traitor!
05:28Kamau!
05:28Not her! She's mine!
05:30I'll make you even prettier!
05:32Kamau!
05:35Kamau!
05:36No, Nia!
05:39No!
05:39No!
05:39Out of here!
05:41Otite!
05:42Out of here!
05:45Come on!
05:48Keep moving!
05:50Quickly!
05:52Very live!
05:53Rise up, rise up! Bring me the slaves!
05:58Attention! Let's go!
06:08Let's go! In silence!
06:10Men on one side and women on the other, tear off their necklaces.
06:15We will mix them until all batches are marked.
06:19Did you hear me?
06:20I don't want anyone who speaks the same language to be together.
06:27These black people can't be trusted.
06:3515 pieces like these complete the Portuguese man's lot.
06:50No!
07:01Hurry, take the slaves away.
07:03Let's go! Luena! Luena!
07:05Luna! Luna! Luna! Luna!
07:27Luena!
07:28Come on, get in! Quickly!
07:32Fast!
07:33Let's go! Let's go!
07:36Come on!
07:37No!
07:40Help me here!
07:45Down, that's fine! Come on, quick!
07:49What are you doing? What are you doing?
07:57Luena! Luena!
08:04Luena! Luena!
08:34Let me go! Let me go! Don't do that!
08:37I'm going to do what I want.
08:39You are a slave, you are here to serve me
08:44Let her go, you bastard! Let her go!
08:46Kamau! Kamau!
08:49Kamau! You are a warrior!
08:51This is not the end, Kamau, it is not
08:58Damned!
09:06Damn it! Damn it!
09:18It took the ship 40 suns and 40 moons to reach these rhombuses
09:28Many were left behind along the way
09:30And those who survived were not the strongest.
09:48They were those who still managed to have a little faith.
09:56Rio de Janeiro
10:23Hurry, I don't want to lose the cargo to the pirates who show up around here.
10:26They appear suddenly!
10:29Hurry up! Let's go!
10:42Old Tiao, old Tiao, fight for your life, man
10:45It's not the end, old Tiao
10:47Those were your words
10:48Don't give up on your destiny, Kamau
10:54In every corner of this world
10:57There's a little bit of our land in it.
11:00Never give up on your land
11:04No, fight.
11:05Fight, old man
11:07Struggle!
11:09You will never be alone
11:12Come on, don't stop!
11:18Come on!
11:19I'll take care of this
11:24Move aside!
11:25No, Tiao
11:26No, Tiao
12:07Luena, my love
12:09It's me, Kamau
12:11I'll take the chain off you.
12:12I'm going to get you out of here, my love
12:27Come on!
12:34Catch him!
12:36Capture that miserable slave!
12:38Catch him!
13:05Damned slave
13:08But you're not going to escape.
13:27Captain, there are pirates on the coast
13:30Wretches
13:31Let's go!
13:35Let's go!
13:44We're free, my love
13:46Free
13:47What place is it?
13:52I don't know, my love
13:55But this land is now ours.
13:57And it has to be good for our son.
14:01Let's go!
14:10Northern Region of Rio de Janeiro
14:11Interior of Rio de Janeiro
14:13It's not enough for the next few days
14:15Months later
14:16But we must find another place to stay.
14:18One route is being diverted this way
14:20Because of all the movement of the estates
14:21It won't be long before another captain shows up here.
14:25Can't we stay in one place because we are slaves?
14:30We are not slaves
14:32Nobody is born with chains on their arms
14:35We are free
14:36Free to Piao
14:44Kamao will be a good father
14:45What if a white child comes along, Mama Kiteria?
14:48Ah, he's going to be a good father too.
14:51If fear for that child's suffering weakens you, my daughter
14:55Kamao's love and the love that will be born with that child will make you stronger.
15:00Let it be a boy.
15:02At least men defend themselves better
15:04That's how it is
15:05But they will never have the strength that springs from within us
15:09Never
15:10And that strength is right here inside you.
15:14Don't waste your happiness, daughter
15:16We already know that she leaves like a breeze
15:19But it leaves memories that warm our hearts
15:23When everything is cold
15:25Hold on to it while you can
15:35My dream
15:38My dream
15:40My dream
15:42Vai buscar quem mora longe
15:45My dream
15:47My dream
15:50My dream
15:53How lovely
15:54How lovely
15:57What's happening?
15:59Tell me, Luena
16:00What do you have?
16:01Oh, I won't be able to do it.
16:03It's better if you go through Mama Kiteria
16:05But you can't stay here alone
16:06No, hurry up, Kamao
16:07Our son wants to come into the world now
16:32Mama Kiteria
16:33Mama Kiteria
16:34The baby is about to be born, Mama Kiteria
16:36Let's go now
16:37Hurry!
16:39Did they have to go so far?
16:40With Luana feeling unwell all the time
16:43Strolling along the riverbank
16:44And now you're demanding that this old woman hurry up?
16:47Ah, hold this and help!
16:49Oh, come on!
16:52I knew I would find you again
16:55Only this time you won't escape
17:06Wait a moment, please.
17:17If someone tries anything
17:19I'm going to do a clean-up here now.
17:21Right now!
17:22Nobody is going to try anything
17:24Free at least those
17:25They can't handle heavy work
17:35If they are not suitable for the job
17:37They're useless to me.
17:39They're useless to me.
17:42Oh, there isn't one.
17:54Oh
17:55Oh
17:55Oh
17:58Oh
18:00Oh
18:00Oh
18:01Oh
18:01Oh
18:02Oh
18:03Oh
18:11Mama Quiteria! No, Mama Quiteria! Mama Quiteria! Mama Quiteria! No!
18:30Let me go! Let me go!
18:39Where is the woman you stole from me?
18:42Tell me where he is. Speak!
18:44It's useless to look for her because she's dead! She died when she got off the ship!
18:48I'm not killing you too because you're a sellout.
18:51And your owner is going to pay me what he owes me.
18:59You won't die! You won't die!
19:04You don't die!
19:22Hurry!
19:24I want to record all the surroundings.
19:27If there's any miserable person hiding
19:28He must return to my chains
19:45Sapio! Come here! Come here!
19:52Sapio!
19:53Listen, you have to go to the river
19:55Luena is there
19:56The baby is going to be born, Zapiao
19:58You have to save her, Zapiao
20:00Don't let this bastard catch her.
20:02Go! Hurry!
20:19The captain caught everyone!
20:21They killed Mama Kiteria!
20:23And Kamao?
20:24He is also in prison
20:25I managed to escape
20:26He sent me to find you because those men are coming.
20:28Take it away, Zapiao
20:31Walk through the jungle until you find a shelter
20:33I'm not going to achieve it
20:38I love you my love
20:40Amendo Kusole
20:43I love you and I will always love you
20:52Runs
20:55Those were your mother's last words
20:57Words of love
20:59And a plea for your life
21:07Hope did not die with her
21:22Don't be sad
21:23You are not abandoned.
21:25Your wife preferred to stay in the river
21:27And the child?
21:28There were no children.
21:30Come on! Hurry!
21:34I'm going to look for our son, Luena
21:36It doesn't matter how long it takes me.
21:38But I will
21:48Please, baby
21:50Please stop crying.
21:53What are you doing here, kid?
21:55It's not as simple as it seems.
21:57I cannot receive slaves who have fled from other masters.
22:01They are children, my husband, and they are lost.
22:04I don't even know if the baby will survive.
22:07It's just been born and it's so weak it's pitiful.
22:10So why did you bring them here?
22:12Because I know my wife has a good heart
22:24Oh, you poor thing!
22:25He must be hungry
22:26Please let a wet nurse come.
22:28But the same one who breastfeeds our daughter?
22:31I assure you that he won't mind.
22:32No, my dear?
22:36Come, come, come
22:37Come here
22:38They're going to feed you.
22:40Calm down, calm down, calm down
22:43Yeah, yeah
22:44That
22:47Did you see Teresa's eyes looking at you?
22:50She is your friend
22:52What is your name?
22:55Then she will be baptized
22:57And it will be called...
23:01Juliana
23:03Juliana
23:07Hey, that's hers.
23:08Maria Isabel, you don't have to get like that
23:11Fine, do whatever you want
23:12I have to work
23:13I just want to see how this story will end.
23:27Eighteen years later
23:28April, 1808
23:30And so it ended
23:31You grew up
23:33And you became the pretty girl
23:36That I am watching become a woman
23:37Then everything my mother feared happened
23:41I was born a woman and whiter because of that wretch.
23:43Let those thoughts settle, daughter
23:45That's why I waited for the right moment to tell you this story
23:49As I promised a long time ago
23:52It's strange to know that they didn't leave me here at the ranch like I imagined.
23:55It was better this way, daughter
23:57How do you know all this about Joaquina?
23:59What Zapiao didn't tell me
24:00The others did it
24:02The stories circulate here
24:05Every child of this land
24:07It shares a part of the same root.
24:09Yeah
24:10And I carry misfortune on my skin.
24:13I am a child of violence
24:14You shouldn't think that way
24:16I was foolish to think otherwise
24:18To think that my father was a good man
24:20One day you had to face reality
24:22I can swear one thing to you, Aunt Joaquina
24:25If any white man tries to lay a hand on me
24:28He dies before anything else.
24:30But you mustn't think about death
24:32Today is a day to celebrate your life
24:55It is very dangerous to step away from work
24:58In such a turbulent time
25:00You can't imagine
25:02How the arrival of the prince regent
25:05It has affected businesses
25:06Yes, I can imagine.
25:08The transformations are visible everywhere.
25:10But in this case
25:12Unfortunately, nothing changes.
25:15You have to leave, Colonel
25:17For your health
25:18I can't do what you say because of my family.
25:21I have no one I trust to manage the ingenuity
25:25And any slip-up would give Quintilian cause for argument
25:28To try to harm me
25:30Can't enemies be professionals?
25:32When closing the business?
25:34I don't have
25:35And I will never do business with that man.
25:38But I would agree that a society
25:41It would be quite lucrative for both parties
25:44And he would certainly leave his family well taken care of.
25:46What you're telling me is absurd.
25:49Am I going to abandon my family's future?
25:51In those blood-stained hands?
25:53What is he trying to achieve with these unhealthy tips?
25:57Just to make him understand the seriousness of my words
26:00When I say that
26:01If you do not follow medical recommendations
26:05It will have a short lifespan.
26:21You will continue to deny that you had anything to do with it
26:23In the disappearance of the foreman
26:25That's right, Firmino
26:26Maybe tomorrow you'll wake up telling the truth
26:30What is he trying to achieve with the advice?
26:43Thank you!
27:19At dawn, everyone is brave.
27:25Don't think that attitude surprises me.
27:31And it intimidates me even less.
27:34Try it one more time.
27:36Provoke me.
27:37Dare to cover up for those who rise up against me.
27:41I give you my word.
27:43They're going to beg for hell.
27:47Does anyone have anything to say?
27:55Firmino had nothing to do with the disappearance of the foreman, the colonel.
27:59He left in the early morning, but he went to find his wife who is expecting a child.
28:05He told me he wanted to be calm before seeing his son.
28:08He doesn't want to get into trouble, sir.
28:11He wasn't going to do anything wrong.
28:17If he didn't want to do harm, he shouldn't bring children into the world.
28:30Cursed is the one who made you, demon.
28:33But you're going to get what you deserve.
28:36You'll have it in due time.
28:44Let me go!
28:45You were back at the river, weren't you?
28:47When the Ururau attacks.
28:49I don't believe in that alligator.
28:51Well, you should believe it.
28:52He can devour a whole person.
28:55And furthermore, the foreman of the evil colonel's ranch disappeared.
28:59I think it was the Ururau who ate him.
29:01Zapiao, there are much more serious things than an alligator that no one has ever seen.
29:05Oh, Juliana!
29:07Why do you say that?
29:08Did someone hurt you in the river?
29:10Was it seleao?
29:12No.
29:13Tell me and I'll go and solve it.
29:14I'm going there.
29:15And will I go back alone?
29:19You protect me for life.
29:21Did Aunt Joaquina tell you the story of your past?
29:25He told me.
29:28And I want to thank you because you saved my life.
29:32You saved my life too, Juliana.
29:34And if you really want to thank me, I know how.
29:49Oh, Juliana, Aunt Joaquina said that I, that I took you in my arms and protected you.
29:55Even in the jungle, Juliana.
29:56I protected you from the animals.
29:58What animals?
29:59Of the ounces.
30:00Oh really?
30:01A big ounce, Juliana.
30:03Yeah.
30:04Yes, very big.
30:06Believe me.
30:08The foreman did not appear.
30:10They probably killed him.
30:11He was worse than the colonel who murdered women.
30:14Don't say that, Tito Pardo.
30:15Don't bring those stories here.
30:18The things that happen in that man's lands.
30:22Hello good.
30:24And may I ask why all this is happening?
30:27It's Juliana's birthday and I decided to celebrate it.
30:30What can't I do?
30:32Yes, here it is.
30:33Hello, Juliana.
30:34I'm letting you know, aunt, that I was alone at the river.
30:36And in Ururau's time.
30:38Ah, Zapiao, I'm the one who's starved for Ururau.
30:41Can we eat now?
30:42Yeah.
30:44Is no one going to kiss the slave's hand first?
30:47Well, you can be the first, Esmeria.
30:51Listen, let's have peace at least for today.
30:54And is it fair that we have peace here while we don't know what's happening in the big house?
30:59What happened?
31:00Dr. Pacheco was here and spent a good time with the colonel.
31:04It's more serious than you're telling me, isn't it?
31:08Please don't hide the truth from me.
31:10What did Dr. Pacheco tell you?
31:12Same old story.
31:14That I need to take care of myself.
31:17And why are you so disturbed?
31:22Because, because every time I come here I realize that I won't last forever and that I don't have
31:30no one to run the business when I'm no longer here.
31:34Your words frighten me, husband.
31:35I just want to say that we're going to marry off our daughters.
31:39What's wrong with that?
31:41In most families, girls are married before they even reach the age of 15.
31:46This is nothing new.
31:47And why do you think so many women get pregnant and die in childbirth?
31:51Naturally, because they are still just children.
31:52Ours are no longer like that.
31:55I agreed to wait, thinking precisely of his own good.
31:59But that could turn into something bad for the future.
32:04Maria Isabel is past the age to get married.
32:07But I'm sure she wouldn't object if we found her a decent husband.
32:13But who would it be?
32:14A man from a good family?
32:16Someone I trust?
32:18Ideally, a man with resources.
32:21That he can give her a fairly comfortable life and run the family business.
32:28I heard my father talking about the arrangement.
32:30That would be my salvation.
32:31It couldn't have happened at a better time.
32:34Salvation for what, gird?
32:35Because?
32:37Because I'm finally going to stay.
32:39But he doesn't even know with whom.
32:40I know enough.
32:43With a man of means.
32:44And he will be the lord of all this.
32:46And the teacher?
32:48Atil is an adventurer.
32:50He would never be suitable to be my husband.
32:52And he would not agree to run my father's business.
32:54I thought you wanted it.
32:57Since he risks so much to see it.
33:01I'm trying to liven up my life a bit in this hole, Esmeria.
33:06But if my father was able to bring those black men from the other side of the world,
33:11Why not bring in a young European to look after your eldest daughter?
33:16A handsome young man arriving on a white horse.
33:21A beautiful carriage with fine fabrics and gold details would be more to my liking.
33:29I leave those more romantic aspirations to my sister, who is condemned to remain alone, living on illusions.
33:43Goodbye!
34:01Goodbye!
34:06like someone who seems to be divining love.
34:16Will I marry her?
34:21Dear Tea, I apologize for not bringing verses or novels today as usual.
34:26I took the liberty of writing.
34:31I opted for the realistic blank sheets.
34:34I hope for a smile, as inspiration for the following lines.
34:38Yeah.
34:50It was happening.
34:52It is true that the road to the village is a bit far,
34:54But my father can't forbid anyone from entering.
34:58But you can forbid everything else, Inaciña.
35:01The young William is the son of Colonel Quintilian.
35:04The man he hates so much.
35:06Oh, I know it's totally inappropriate, but...
35:11I feel like for the first time someone is looking at me differently.
35:17In an affectionate way.
35:20And what she wrote to me was so delicate.
35:25So respectful.
35:27But let's stop talking about me, because I have something for you.
35:29For me?
35:30Uh-huh.
35:32A gift for your birthday, Juliana.
35:36It's cute.
35:37Hold this.
35:41Uh-huh.
35:43Look how beautiful you look.
35:47Didn't you like it?
35:49Of course, I liked it a lot, Sinaciña.
35:52It's cute.
35:52Thank you.
35:54It's because early this morning at the river...
35:58I found a white man.
36:00Portuguese.
36:01And were you alone?
36:03What did he do?
36:09No.
36:10No, don't come near me.
36:12Calm.
36:13Calm down, I won't do anything.
36:14If the scream gets near me, someone will come to help me.
36:16Calm.
36:17I just stopped here.
36:21Don't worry, I won't hurt you.
36:23I won't hurt you.
36:39You're pretty.
36:43You are as beautiful as nature itself.
36:45Go away.
36:46Now.
36:47Okay, I'm leaving.
36:50At least you could help me.
36:52I just need some information...
36:55I don't know anyone in the region.
36:57I've been traveling for several days.
36:59I know I must soon arrive at the village of San Salvador,
37:01But I'm looking for a job.
37:03Can you tell me which hacienda is closest?
37:10At least you can...
37:12Let it continue.
37:15Come on.
37:26Then Apiau found me and we went back to the hacienda.
37:29You did the right thing by running away.
37:31You never know what a man might do.
37:34Above all, a complete unknown.
37:38Was his appearance frightening?
37:40He was truly the most handsome man I had ever seen.
37:42And at that moment I had doubts.
37:44He seemed...
37:47I don't know...
37:48It seemed like something inside my mind...
37:50Did you think he was the man of your dreams?
37:52Oh yes, Naciña.
37:55After everything Aunt Joaquina told me,
37:57about how my mom brought me into the world.
38:00How I ended up here.
38:02Was it really that bad?
38:04And that's why I made a promise to myself.
38:07That a white man will never touch me.
38:10Never.
38:12Villa de San Salvador.
38:44Leave everything in a corner and go.
38:46If there's anything extra, I'll pay you the difference later.
38:48I can't open everything to check it now.
38:51Veliciña!
38:52They're calling for Veliciña!
38:53What's happening?
38:55Hang on a minute.
38:56She's coming.
38:59Please excuse the confusion.
39:00Thank you.
39:01But it seems that Prince Regen barely set foot on our land
39:04And people from all over showed up here too.
39:07I don't think I can handle so much work, sir.
39:10If a prince appears here,
39:12Maybe he couldn't handle the job either.
39:17Oh!
39:20Are you hot?
39:21Are you hot?
39:23Then go to the kitchen to freshen up.
39:25Untamed little girl.
39:28Permission.
39:29Get out of here, they're going to teach you!
39:31Salt!
39:33Yeah.
39:34I was there when the royal family arrived.
39:37And believe me, sir, Rio de Janeiro is crazy now.
39:41And from your accent I wonder if you didn't arrive on one of the ships.
39:45Oh, no, no.
39:45I was already in the region.
39:47Oh, really?
39:47Then you saw everything, you saw the ships.
39:50The prince had that cloak and that scepter in his hand, all of that?
39:56Not exactly, you know?
39:58The prince seemed a little exhausted from the journey.
40:00He even walked with some difficulty.
40:03But between you and me, maybe it's because of the excess weight.
40:05Is Don Joao really that fat?
40:08Yeah.
40:09And between you and me, Princess Charlotte isn't the most beautiful, is she?
40:12Did you leave there because of all the commotion, or are you just passing through here in the village?
40:16San Salvador?
40:17Well, actually I came here to stay.
40:19In fact, you must know everyone here in the region.
40:22Do you think I might know of any place?
40:24Hold on a minute, friend, there's chaos right now.
40:27Veliciña!
40:27Come here, Veleciña!
40:29I told you to play that.
40:30I told you to play it.
40:33Here you go.
40:34Thank you so much.
40:36See you later.
40:56Good afternoon.
40:57My name is Miguel.
40:59And I'm looking for Professor Calixto.
41:01Are you there?
41:04Why is he looking for the teacher?
41:06Because...
41:08Let's say we have some mutual acquaintances who mentioned the professor's name to me in case that came up.
41:13to the village.
41:13But is he there or not?
41:16The professor is no longer with us.
41:20Ah, I'm so sorry.
41:23I didn't know he had died.
41:26When did that happen?
41:27Okay, excuse me.
41:28I'm a little late for an engagement.
41:30I have to leave and I need to close the office.
41:33You can come back another time if you want.
41:35Yes, I will return.
41:37We'll have another opportunity to talk.
41:38See you soon.
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