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La familia Bravo es una familia de mujeres que, en un intento por abrirse camino en un mundo dominado por los hombres, establecen una lecheria. La trama se adentra en los valores y lazos que unen a una abuela, Hilda Bravo, su hija Emilia, y sus tres nietas, Gracia, Milagros y Trinidad. Estas mujeres, que han decidido excluir a los hombres de sus vidas, se enfrentan a un pasado repleto de secretos que amenaza con alterar su existencia.

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00:04So what?
00:06What? Don't tell me anything?
00:08What do you want me to say?
00:10I don't regret it.
00:12And it's not like I'm always controlling them.
00:17All I've done in my life has been to protect them,
00:20But you, being so ungrateful,
00:23They don't understand.
00:24What I don't understand is why you didn't tell me, Grandma.
00:27And why would I tell you?
00:29Even if I hadn't spoken to her, she would have left.
00:31The word says it all.
00:33Temporary!
00:34If I had been so in love with you,
00:37I would have looked for you, I would have called you on the phone,
00:39but not.
00:40She went off as if nothing had happened to her parents.
00:43All I did was interrupt a silly summer thing.
00:47that it was going to end anyway.
00:49If you had no reason to get involved, you had no right.
00:52You got him fired from his job, you threatened him with a bullet.
00:55What's that?
00:56That's amazing!
00:58As if I had never threatened anyone with a stray bullet in this town.
01:01I was waiting for a bus from him.
01:03But I didn't know that.
01:05When I spoke to him, it was precisely for that reason.
01:08because I didn't want any misfortunes for you.
01:11It should have been discussed sooner, poor fool.
01:13I arrived late.
01:14He should have been spoken to earlier.
01:16Things would be very different.
01:19Please,
01:21speak more quietly.
01:24What happened?
01:28I met up with Nico.
01:30But I couldn't tell him.
01:33Anyway, I'm going to meet up with him tonight.
01:36Well, now I'm really going to have a heart attack.
01:39Start getting used to the idea, grandma, because it's going to happen.
01:42I can't and don't want to lie anymore.
01:44It's over.
01:46Okay.
01:47So first you'll have to tell your sister Milagros.
01:51Are you not acting so cocky?
01:54I'm going to do it.
01:56But everything in its own time.
01:59If you tell Nico,
02:00You have to tell Milagros,
02:01to Trini, to Marta,
02:02to everyone.
02:05But let me tell you one thing.
02:06That filthy guy isn't coming into my house.
02:12You see, that's not how things are done.
02:16Mother,
02:16I believe we can find a solution.
02:19No.
02:20There is no possible solution.
02:22But you say that because...
02:24Okay, Dad, relax!
02:27Can someone explain what's going on here?
02:30That?
02:41In plain Chilean slang, you're kicking us out of the house.
02:45It's better if we live in separate houses.
02:49I assure you that our relationship will improve a lot.
02:52Now, I'll take care of all the expenses, of course.
02:55This isn't about money.
02:56I have never asked you for money.
02:58The point here is that we're together because we're family.
03:01Well, for the same reason.
03:03For the same reason.
03:04I want to support them.
03:05I want us all to live together in Octavio.
03:08But...
03:09But within certain limits.
03:12In other words, to improve our coexistence.
03:15Look, I prefer to go back to Santiago.
03:19So, one thing, Manuel, is staying here,
03:22But it's quite another thing if you rent us a place.
03:25For me, that's already too much.
03:26Okay.
03:27Because?
03:27Okay.
03:28I mean, I think it's best if we all live close by, right?
03:31And my dad is trying to make a fair proposal,
03:34reasonable and generous too.
03:36No, but I'm not saying otherwise,
03:38But for me, this situation has already reached its lowest point.
03:41And if limits need to be set, okay.
03:43I'm going to set my limits too.
03:44and I prefer to go to Santiago.
03:46If you want to be close to your child,
03:48Well, you'll see.
03:49I got tired of carrying a load.
03:50Okay, okay, we're talking.
03:54Are you happy?
03:54Goes?
03:55Bravo, bravo, bravo.
04:01Don't think I don't understand you, Manuel,
04:05But you could have waited until the baby was born.
04:09Vale is here to be close to Felipe
04:11And boy, has he put in his share.
04:15We've all done our part.
04:17Look, Manuel, this situation is super awkward.
04:21For everyone.
04:23But you can't humiliate me like that,
04:25I'll stay at home, and they'll offer to pay my rent.
04:29If it were just me,
04:31I would grab my things and go to Santiago,
04:33But she is the mother of our grandson, our grandson.
04:38I think you're confusing your priorities, Manuel.
04:44What I don't want
04:45It's like continuing to fight like a cat and a dog.
04:48Well, when there are conflicts,
04:50People are talking,
04:52Conflicts are resolved, they are settled.
04:55He's being selfish.
04:56And Felipe too.
04:57Do you know what I see here?
04:58That you are making common cause
05:00for a quiet dating experience.
05:02That's what I see.
05:04Let's be frank.
05:08Let's be frank.
05:18Okay, then.
05:19They're not going to tell me anything.
05:20What's happening?
05:25Trini, we were...
05:27talking about adult topics.
05:30Excuse me, Grandma, but I have to tell you.
05:33Grandma wasn't feeling well.
05:35In fact, we were going to the doctor.
05:40To the doctor?
05:42I felt terrible.
05:44You know, my love,
05:46those tantrums I get,
05:47those fits that make your heart...
05:49And then I kind of feel better.
05:51I feel good.
05:52I'm like a prickly pear cactus, I swear.
05:54Really?
05:55Yes my love.
05:55Yes, Grandma is fine, Trini.
05:57Don't worry.
05:58It feels good.
05:59But he felt terrible.
06:00And isn't it so that you don't get annoying?
06:02and argue with her?
06:04We were discussing work-related things.
06:07They do everything wrong.
06:08But we are already reaching an agreement.
06:10Those are grown-up things, my girl.
06:12Why don't you wait for me outside?
06:13I'll be there in a little while to...
06:14I don't write to him anymore.
06:15None of you.
06:26How could Trini even think of making something like that up?
06:30I had no other choice.
06:32I wanted to get her out of the house
06:33in case the seasonal worker decides to take a stroll around here.
06:37I'm going to do things the way I think they should be done, okay?
06:41I'm going to tell Nico first.
06:43Then to Milagro.
06:44And finally, Trini.
06:46So everything I told you
06:48It went in one ear and out the other.
06:50Please.
06:51You have to support me,
06:52They have to help me.
06:54And the most important thing of all this
06:56It's just that Trini doesn't know anything yet.
06:59I'll take care of that.
07:20I just don't know how I was able to
07:22to ask me such a question.
07:24To fill myself with illusions
07:26and then stick my foot in the bottom
07:27as if nothing had happened.
07:28Oh, that's just how married men are, isn't it?
07:31That's why you shouldn't interfere in a marriage.
07:33She swore to me, she swore to me that she was going to separate.
07:35What am I going to do?
07:37And what do I care?
07:38I don't care.
07:39Go to hell.
07:42Sorry.
07:44Sorry, it was a slip of the tongue, it was a slip of the tongue.
07:45The thing is...
07:46Evelyn, look.
07:47I think the important thing here
07:48It's about thinking with a cool head.
07:50Mauro already...
07:51He already kicked you out.
07:53And now for the important part
07:54is that you
07:54back to page
07:56Another thing, butterfly.
07:57I mean, right?
07:57Yes, yes, yes.
07:58You might be right.
07:59because actually
07:59I have to stay strong
08:01for the baby roti.
08:02Oh, I don't have the hen peeing.
08:03Please look,
08:04the important thing
08:04It's that your brothers
08:05They want to marry us off.
08:06And have they threatened me?
08:08Yeah, me too, right?
08:09Hey, me neither
08:10I want to marry you now,
08:11and on top of that, you're blushing.
08:13What are we going to do?
08:14What are we going to do?
08:15What are we going to do?
08:16What are we going to do?
08:17I am the only one
08:17that has no candle
08:18at this burial.
08:19Sure, but no.
08:19I banish him, please.
08:20which scares me.
08:21Oh well, that's obvious.
08:22that what needs to be done
08:22We have to get going.
08:24Do we have each other?
08:26I'm not going to start.
08:27No, no, no,
08:28Let's think carefully,
08:29Let's think carefully
08:29with a clear head.
08:30Where are you going?
08:31I don't know, man,
08:32from here to Santiago,
08:33where you can't find me.
08:34You hate me so much,
08:35really,
08:36You hate me that much, Rodrigo.
08:37How can you leave me alone?
08:38so in a moment
08:39so delicate in my pregnancy?
08:41Okay, then,
08:42Tell Mauro
08:42that will accompany you.
08:44Hey, that's it.
08:46Put your finger in the wound.
08:47Add some spice to the matter.
08:52No, no, no, no.
09:19This, but, but,
09:20on the edge
09:21that falls on me at the bus stops.
09:22Well, what was I supposed to know?
09:23that rooster
09:24was the one who was
09:24with grace,
09:26I had no way of knowing.
09:27But if I did to you
09:28even signs,
09:29because of black.
09:31Well, but,
09:31It's not my fault
09:33if everything,
09:33Not everything is my fault.
09:35Hey, cut it out.
09:35She's going to get pregnant, huh?
09:37No, no, no,
09:38because Felipe
09:39He's a sensible guy.
09:41Yes, but it doesn't have
09:41a silly hair.
09:43Oh ok,
09:43but let yourself
09:44of blaming me
09:45everything to me, my dear.
09:46I don't have
09:47the fault of nothing.
09:48Yes, for you.
09:49Did you screw up?
09:50Ah, I see.
09:51What do you want?
09:52Hey, look,
09:53Look, I already have
09:54the list
09:54that we're going to need
09:55for the materials
09:55social assistance.
09:56Let's see.
09:57Look, here we're going to need
09:59brushes, paint
10:00and also that I put
10:01with the wall paste.
10:02Very good, my love.
10:03Okay, sorry,
10:03Who's going to pay?
10:04All that, huh?
10:06Who's going to pay?
10:06That?
10:07Black, already.
10:08No, not anymore, because...
10:09He hasn't messed up.
10:10But why...
10:10My love, tomorrow
10:11I'll take you with me.
10:12No, not anymore.
10:13Already?
10:13Yes, thank you.
10:14You are welcome.
10:15Look, the first thing
10:16we're going to do
10:17It's going to be fixed
10:18this facade here.
10:19Yes, the points
10:20recycling
10:21They'll be around here.
10:22This right here.
10:23But it's still the priority
10:23It will always be
10:24the garbage dumps.
10:25As usual.
10:26Look, we need to talk.
10:27with the mayor
10:28and we have to ask him
10:28one hour
10:29and talk to him there.
10:30Look, when I'm mayor
10:31Bureaucracy is over.
10:33Nothing alpine
10:34hours, no visits.
10:36No, no, Dad.
10:37Do you know that the way you're going
10:38It won't be enough
10:39not even for treasurer
10:40of my course?
10:40Yes, yes, I died.
10:41Cut it out.
10:42Is that the family cock?
10:44I'm going, I'm going.
10:45Come on.
10:45That's it, little cane.
10:48Well, I know.
10:49Not even my family can stop me.
10:53No, no, no, no, no!
10:54Cut it out!
10:55No, no, no!
10:56No, no, no!
10:56No, no, no!
10:56No, no, no, no!
10:57No, no, no, no!
10:58Rodrigo!
10:59Yes, for you!
11:01No, no, no, no!
11:03No, no, no!
11:04No, no, no!
11:06I knew he was coming back.
11:07Oh, my dear!
11:11I knew they had caught you
11:12to my brother
11:12and it had scared you
11:13And that's why you were like that.
11:15Clear.
11:15What do you want in the meantime?
11:16I'm embarrassed
11:16Your Sunday the 7th, right?
11:17I'm not talking to you!
11:19Roró!
11:21Oh, how wonderful that I'm back!
11:22Mommy, let's see where, right?
11:23Because of everything that's happening today.
11:24Aid.
11:25It doesn't matter, do you know why?
11:27Because my suitcase is packed,
11:29so I grabbed her
11:29And we're off right away.
11:31The thing is, no
11:33We're not going anywhere together.
11:35As?
11:38What do you mean, no?
11:41Eve, the thing is that
11:43I can't leave Vicky now.
11:45In other words, less now
11:46because we came back.
11:48We came back.
11:48And the truth is, look,
11:49I believe that at some point
11:50We will meet again.
11:51Ah, of course.
11:52And you want that in the meantime
11:52I'll take care of it
11:53from Evelyn's bus
11:54And you want me to marry her
11:55and all that stuff, right?
11:58Are you kicking me?
12:01Mommy.
12:02Chilula.
12:04Chilula, we really
12:05at some point
12:05We're going to meet.
12:06I swear to you, I swear to you.
12:07But now...
12:08We can't now.
12:09Is this for real?
12:12Yeah.
12:18Go away.
12:20Chilula.
12:20Go away.
12:22Mommy.
12:22No, go away.
12:23Mauro, I don't want to see you.
12:24My eyes don't want to see you.
12:25Leave.
12:26Go away, Rodrigo, take it out.
12:27Take it out, take it out, take it out.
12:29Yes, yes.
12:30Okay, I'm going, I'm going.
12:31Okay, say hello, say hello.
12:34What am I going to do?
12:38Now I'm serious.
12:39What am I going to do?
12:41No, no, no, no, no, no, no, no.
13:30My love, please answer me.
13:32Answer me.
13:33It was silly, it just slipped out.
13:36I know I messed up, but...
13:39But it wasn't something I thought about.
13:41It's gone, no, ma.
13:44Talk to me, we were doing great.
13:47Since I've been with you, I've been making progress.
13:52I love you.
14:03Canito, come out now.
14:04What are you gossiping about?
14:06What are you gossiping about?
14:07What are you gossiping about?
14:08Yes, Marambio.
14:09Yes, it's done, Nicolás Marambio.
14:11Here he is, look, Nicolás Marambio Montt.
14:15One thousand eight hundred and eighty-six.
14:16Yes, yes, yes, yes, yes.
14:17Don't worry.
14:17Get on them.
14:18But that's what came out...
14:19Look carefully.
14:20For now.
14:21Here's another one.
14:21Here's another one.
14:22That one, that one, that one, that one.
14:24Nicolás Marambio Estudillo.
14:26Estudillo.
14:26That's it, then, look.
14:27Oh, look at the photo.
14:28Oh, he's handsome.
14:29The rooster is handsome.
14:30Yes, well, he's handsome.
14:33Nothing.
14:34The funny thing is, when she's in the mood, she tried to convince me that I was a believer.
14:38No, that's clear.
14:39The guy is black, to me, the piste, he doesn't play guitar, he flattens them all.
14:43Well, maybe we're just exaggerating and maybe it's me.
14:47Okay, how, how?
14:48So, are you trying to drive me crazy?
14:50Hey, well, it's, well.
14:52Okay, that's it.
14:54Set your route.
14:55Yes, his route.
14:55Let's see.
14:56Fifteen.
14:57Fifteen.
14:58Nine.
14:59Nine.
14:59Nine.
15:00I'm going to write it down.
15:01Emilia told me she had family problems, but I don't think she liked the idea very much.
15:06Okay, well, let's wait for confirmation.
15:08If not, it doesn't matter, because we're going to celebrate your birthday anyway.
15:11Whoever comes.
15:12Write Mila down.
15:13Mila is coming with Pablo.
15:15Pablo.
15:16I don't think Grace will come.
15:17And since Emilia isn't coming, Trine isn't coming in the end either.
15:20Ah, I see, then.
15:20It's the same, no, it has nothing.
15:21We're going to have a few freeloaders here at our table.
15:24It doesn't matter, the idea is to have a good time.
15:27Celebrate yourself.
15:28Yes, because it's a beautiful day.
15:29Hey, it's like I'm not here, just in case, it's like you haven't seen me.
15:32I've come to get a small glass of water, that's all.
15:35Hey, how are you?
15:36Evil.
15:37Super bad.
15:38Yes, I've never felt so bad in my life, so awful.
15:41I thought the magician didn't really love me.
15:43But no, they were all lies, pure lies.
15:45It was a whim the child had.
15:48Oh, what a shame.
15:49A whim, a whim.
15:50What a shame, what a great shame.
15:53Poor thing.
15:53Oh, how tiresome, how insensitive.
15:56Well, she started two of these fights that she already admitted didn't kill anyone.
15:59Hey, that doesn't give you the right to kick me like that on the ground.
16:02I'm going through a lot of depression and you treat me like this.
16:04That can't be good for baby Rodri.
16:06Baby Mauro.
16:08Look, I already understand the whole thing.
16:09I understand now that Mauro is married, that he has a wife, and that he is your brother's friend.
16:12I understand the whole thing now.
16:14What am I going to do?
16:16Do you know what you have to do?
16:18Tell you to get lost.
16:19That's what you have to do because your brothers are wild and capable of anything.
16:23Sorry, sorry.
16:23Can someone explain to me what's going on?
16:25Ah, yes, look, the thing is that it's a bit long, but it's very entertaining.
16:28There's nothing to explain, Don Francisco.
16:31Evelyn, why don't you go there instead?
16:34Can you go, I don't know, to Chiloé?
16:36They say it's beautiful at this time of year.
16:38Or you can go to Tomé too.
16:41They say there's a wonderful swing in Cochamó.
16:44Oh yes, I've seen it, it seems.
16:46Yeah?
16:47But no, no, I can't leave like this.
16:49I can't just leave like that because the pain prevents me from moving.
16:53Besides, if I leave I have to go with you, I can't go alone.
16:56And you keep going on about the same thing, why?
16:57Oh, but I've tried to explain it to you like twenty times, Rodrigo.
17:00If I leave and my brothers come and don't find me, they're going to bother you and they're going to
17:04bother me and they're going to bother me.
17:05The only solution is for us to leave together, do you understand?
17:08Already.
17:31Look, thank goodness I managed to take the picture, imagine what would have happened.
17:36I'm sure there's a mystery to be solved here.
17:40This isn't Da Vinci's code, Triani, this is pure nonsense.
17:43Hey, it's not nonsense.
17:44I just told you that they left us a letter like 200 years ago and you still didn't believe me.
17:50That's true, girl.
17:51We went up the hill and found that box full of questions inside.
17:55Excuse me, but I don't believe in all that nonsense.
17:58No, look.
17:59I don't have time for that.
18:00I showed you the clues here.
18:02Look, you just have to pay attention to the drawing.
18:04I think this is something near the lake.
18:09Little Mila, why aren't you joining us?
18:11I just don't dare go alone with Trini.
18:14Come on, then.
18:15And when do you want to go?
18:16Now.
18:17So, now?
18:17Now?
18:18Yes, because look, in the drawing it appears as a full moon, so you have to go at night.
18:22Clear.
18:23And besides, that way the three of us can go and it seems like a stroll, you know.
18:27Yeah, right.
18:28Let's also take advantage of the fact that Gracia, Mom, and Grandma are distracted talking.
18:32Oh no, Trini, I'm not in the mood right now.
18:34Sorry.
18:35Did you have a fight with Pablo?
18:37Look, if we don't find that heart, I'll never be able to be happy with him.
18:43Dude, come with us.
18:44That way she forgets about Pablo for a while and clears her mind.
18:48And he takes it as entertainment, as a walk, as an adventure.
18:53Oh, they're so persistent.
18:54Already.
18:55Let's go, but quickly.
18:56Seriously, shall we go?
18:57Yes, okay, hurry up.
18:58Come on, come on, it's your turn.
19:04Nicholas Maraveta.
19:05There it is, look.
19:06Look, he has a purified water company.
19:11Now, he says nothing about Octavio.
19:13In other words, the whole Grace thing was pure nonsense.
19:16No, I mean, he's going, yeah, me, no, no, let's just leave it at that.
19:19In addition, I have to take care of my campaign too.
19:21Oh, little black boy, hurry up, but that's over now.
19:25Let it go, let it go.
19:27Hey, do you want to weigh?
19:28Hopefully, look, when you have a dream.
19:30It's going to be amazing, so shut me up.
19:33Pin, bon, pin.
19:34Can you imagine if Martin Luther King had been told, when he said, "Hey, I have a dream"?
19:39And they would have told him, no, shut me up, pin, bon, pin.
19:41How lovely, isn't it?
19:42How beautiful, that's how it breaks.
19:44Hi Nicolas, how are you?
19:45Hi, Jan.
19:46Thank you so much.
19:47I'm going to make you afraid for a while.
19:47So, are you going to be late?
19:49I mean, if you want, I'll leave you there so I can make you something to eat.
19:51No, no, don't worry, I'll manage.
19:54Okay, is anyone going to be there?
19:57No, I mean...
19:58Have a good time.
19:59Yes, thanks.
20:00It's through the door, because it needs to be closed.
20:03We're closing.
20:03Already.
20:04No, no, don't worry, I'll be back soon.
20:06Good night.
20:06Bye.
20:07See you later.
20:08See you later.
20:08Thank you.
20:10Thank you.
20:10No, no, no, no, don't worry, getting out of it.
20:13Thank you.
20:15Was that the point?
20:16He said grace.
20:18In other words, the charm is with the little bull and now it's going to come out with this one.
20:21Oh, what a shame, poor thing, thank goodness after all the trouble he had finding a polo shirt.
20:25Did you know?
20:25This can't be.
20:26Did you know?
20:26I need to talk to Manuel.
20:28I mean, it can't be that they're going to call my best friend's son "the deer."
20:32No, no, no.
20:32You, black man.
20:33That?
20:33That's it, pin, bambin.
20:35This thing called grace.
20:36Hey, but if you wanted to find out, well.
20:38Well, we already figured it out.
20:39Now.
20:40Already.
20:41So, now I can't say anything.
20:43No.
20:43In other words, I'd rather close the room than not be heard or anything.
20:47Yeah, seriously.
20:47No, yes.
20:54That's fine, but my dad is doing it with the best intentions.
20:57He is thinking of the good of all.
20:58That's a lie, Felipe.
20:59He's thinking about what's best for both of you.
21:01Nobody has thought about me.
21:03But it's not good that we're fighting all day long.
21:05Besides, think, my dad lived here alone.
21:07Oh, suddenly three people arrived to invade his space.
21:10People who are close to you, not strangers.
21:13Well, but one of those people is my mom.
21:16Someone with whom my dad already had friction, even after they were separated.
21:19Imagine now that they see each other every day.
21:20Well, I don't have to take responsibility for that.
21:23Yes, that's true, but...
21:25Wow, okay, you get along well with her.
21:28Perhaps it would be better if they lived somewhere else.
21:31If they were more independent, I don't know, if they had more autonomy.
21:34I can go see them every day.
21:35No, Felipe, this is over.
21:37I'm going back to Santiago.
21:39I'm going to find a place, and I'm not going to live with your mom.
21:43Even though I get along well with her.
21:45Okay, please be open to the possibility that we can live separately, but close by.
21:50No, Felipe, living near you isn't good for me.
21:54I spend all day wondering if you guys are into it or not.
21:57I...
21:58I need to be alone, I don't know, go back to Santiago, think about myself.
22:04I need to be away from you.
22:05I just don't think that's a good idea.
22:09No, because you don't have anyone in Santiago, okay?
22:11Please don't leave Octay.
22:14Who will you turn to there if something happens to you?
22:16I don't know, maybe a friend.
22:17I just don't want to be away from you.
22:19I don't want to miss your pregnancy.
22:20I don't want to lose my son.
22:21Felipe, understand, I'm still in love with you.
22:29Okay.
22:32Okay, I love you very much.
22:34Yes, but not as a couple, Felipe, and that hurts me.
22:38But please don't go to Santiago.
22:42Stay here, let's solve this together.
22:46Let's talk about it calmly, I don't know, somewhere else.
22:50Shall we go out to eat?
22:53No, I don't know.
22:56Okay.
23:00Please.
23:03Let's get out of here and get some fresh air.
23:07Let's eat something together, shall we?
23:10Seem to you?
23:15You've called me several times and you're not answering.
23:17But how have they sucked you out, post-parlo?
23:19How can you get the name wrong, then, for everything that has happened?
23:21Sure, but that can happen to anyone.
23:23It was just a name.
23:25Don't make such a big deal out of it.
23:26Yes, but you erased with color what you believed with your hand, well, I would also be in a mare's house.
23:30Yes, and with all the effort I've made, I've taken pictures of the car, I invited her to live with me.
23:35And because I get the names wrong, he crucifies me; it's not fair.
23:38Well, now you just have to pray to the saints and wait for them to forgive you, then.
23:45And what happens if he never forgives me?
23:47If he never answers my phone again.
23:49Huh?
23:49What I do?
23:51Well, are you asking me to be your girlfriend then?
23:54Yeah, if there's one thing I know, don't take it as a joke.
23:58Look, what you have to do is apologize to him a hundred times.
24:02If you can't forgive yourself, ask for one hundred and one.
24:04Well, if you're as in love as you say, you'll have to give in, then.
24:11Okay, I'll do it.
24:13Hello.
24:14Hello, Felipe.
24:15No, Felipe, are you okay? Are you in a difficult situation?
24:18No, I've come to make Vale some tea, Dad.
24:20Ah, I'll prepare it for you, listen.
24:22Yes, thank you, Felipe.
24:24Hey, Pablo, right?
24:26Did you know anything about a guy who came here to Octavia to see the grace?
24:29I don't know, maybe it was related to a sale, something...
24:32No.
24:32No, Felipe, not that I know of.
24:34No.
24:34No?
24:35Already.
24:36You could take the tea to Vale and I just need to make a phone call.
24:39Yes, yes.
24:40You're welcome, go ahead.
24:50So all three of them left?
24:51Yeah.
24:52The traffic police took them for a walk.
24:54But she still cuts it short with the seasonal worker.
24:57Hey, Gracia.
24:59You still have time to reconsider.
25:02Why don't I come with you?
25:04And so he is sent away and never returns.
25:06Grandma, understand that I've already made my decision.
25:08I am prepared to accept all the consequences.
25:11I'm going to tell you.
25:13We need to see how he's going to react, and then we'll know what to do.
25:17Already.
25:19You are making the worst mistake of your life.
25:22No no.
25:22The worst mistake we made was when we let this lie get to this point, Grandma.
25:26We are only now beginning to resolve it.
25:30And you're not going to do anything?
25:35Pray, Mom.
25:38You should do the same.
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