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00:00:00Musique
00:00:30Musique
00:01:00Brittle, give me the other flat side, idiot!
00:01:02Come on, let's go, come on!
00:01:04Oh Jesus Christ!
00:01:06Come on, oh!
00:01:12Good, back in it, back in it, back in it
00:01:15That's a good dog, that's such a good dog
00:01:32All right, that's fine.
00:01:49All right, that was great.
00:02:00I think he looks good, don't you?
00:02:08Yeah, we're out of film.
00:02:09All right, take five.
00:02:10We're reloading now.
00:02:10This is the dumbest dog in the whole world.
00:02:13Where the hell did you get such a dumb dog?
00:02:15That's my dog.
00:02:16I trained that dog.
00:02:17I love this dog.
00:02:18Then you are as dumb as the dog.
00:02:36All right, is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:03:00This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:09In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman
00:03:16of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in
00:03:28the world.
00:03:29The covers of Vision, Olay, and Velary, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion.
00:03:40And is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:55She's been described as the highest paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C.
00:04:03And Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:53Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:08This is great stuff.
00:05:16Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:54This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:06I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:25I am talking 50% right down the middle.
00:06:31Yes!
00:06:35I love peace.
00:06:40I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:56Lord, Lord, I can't believe this. I mean, I can't believe it. I mean, God, this is beautiful.
00:07:00I mean, this woman could be the President of the United States. I got to see this again. This is
00:07:05history in the making. I mean, this is tape at its best. I got history right in front of me.
00:07:09I can't believe it. Let me rewind this. Let me see this again. Come on. Let's go, man.
00:07:13Oh, my Lord.
00:07:14I will tell you, you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes! 50-50. 50%, honey. Come on. Come on. Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No. 50-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes! 50% down the middle. Nothing more, nothing less. Come on, baby. Psychicode.
00:07:46I'm talking peace, ladies. I'm not talking a small piece. I am talking 50% right down the middle.
00:07:57Yes! Yes! Yes! Yes! Just get the pie. Just get it, honey. Come on!
00:08:03I want to thank you so very much for having me here today. I will treasure this for the rest
00:08:09of my life.
00:08:10Thank you.
00:08:40Okay. I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:48Fine. What about the deal?
00:08:50Okay. For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris. Howard thinks it may be Mexico City, but he won't know until you
00:09:00get to France.
00:09:02Phil, what do you do when I'm not in town?
00:09:07No, come on. You can tell me. I'm in town three months out of the year. You're on a full
00:09:10salary.
00:09:12Well, I work out. I go to a lot of movies. I hope I haven't created a problem. I'm always
00:09:19ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:22Well done, let's talk to you all.
00:09:25That's all.
00:09:26Two weeks.
00:09:26You were reps are, 둘, Rudd his fellow.
00:09:39Incredible
00:09:40Girl, I see you.
00:09:41I'm talking that Sydney way.
00:09:44There's something about you, that turns on two sizes, the other way.
00:11:13And welcome to a man's world
00:11:17Let me tell you a little about men, ladies
00:11:21They'll tell you anything they want you to hear
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job
00:11:32God, I hope not
00:11:35Oh, Lord, woman
00:11:38We have a problem here, Emmanuel
00:11:43It's the word they
00:11:45Now we all know that they pertains to men
00:11:49So, why don't you just come out and say
00:11:51Men, you're blessed with great beauty
00:11:55You should be satisfied with that advantage
00:11:58But you're not
00:12:00I think all you girls should remember the terminology
00:12:04Manpower
00:12:05Manipulate
00:12:06The rights of man
00:12:09Manhole
00:12:09I mean, all you girls can climb down
00:12:11And it's still gonna be a manhole in the eyes of God
00:12:13In the eyes of everyone
00:12:14You can't change that
00:12:15Not even God can change that
00:12:16Understand that, lady
00:12:22You have a lot to learn, Emmanuel
00:12:25And one Richard T
00:12:28Who's gonna teach you, darling
00:12:50Okora Hotel
00:12:51Uh, yes, Miss Emmanuel Griffith, please
00:12:54May I say who's calling?
00:12:55Uh, yes, tell her that our studio driver has arrived
00:12:58One moment, please
00:13:00Yes?
00:13:01Yes, Miss Griffith
00:13:02Yes, your limo is here
00:13:04What time is it?
00:13:05No, I'm an hour from now
00:13:07Oh, no, but they moved the time up, ma'am
00:13:09Did they tell you that?
00:13:11No
00:13:12All right, fine
00:13:14I'll be down in a minute
00:13:15Okay, thank you
00:13:22Oh, no, I'm coming
00:13:46Oh, no, I'm coming
00:13:49Oh, no, I'm coming
00:13:52Oh, no, I'm coming
00:14:01Oh, no, I'm coming
00:14:04Oh, no, I'm coming
00:14:04Oh, no, I'm coming
00:14:05Oh, no, I'm coming
00:14:05Oh, no, I'm coming
00:14:05Oh, no, I'm coming
00:14:08Oh, no, I'm coming
00:14:13Oh, no, I'm coming
00:14:16Sous-titrage Société Radio-Canada
00:14:50Hey, mister! Hey, mister! What are you doing? What are you doing? Open my window!
00:15:17What are you doing?
00:15:21Jesus Christ!
00:15:34Sous-titrage Société Radio-Canada
00:16:11Don't worry, baby. I'm here to help you. Everything's going to be just fine.
00:16:17All right.
00:16:18All right.
00:16:28All right.
00:16:29All right.
00:16:30All right.
00:16:55All right.
00:16:57All right.
00:16:57All right.
00:17:16All right.
00:17:20All right.
00:17:23All right.
00:17:24What do you ask?
00:17:26Who the fuck are you and why am I here?
00:17:30I don't like women who use profanity.
00:17:34You don't?
00:17:35What?
00:17:36No.
00:17:39Well, then you just tell me a few things.
00:17:43What the fuck is going on?
00:17:45Where the fuck am I and who the fuck are you?
00:17:50You'll find out, Manny.
00:18:17You'll find out, Manny.
00:18:17ipes in some modern themes...
00:18:33I'm going to be talking to you when you listen to me.
00:19:12Sous-titrage MFP.
00:19:18I must tell you, I love the barefoot and pregnant line.
00:19:22I'm going to play it for you again, and watch the smile that crosses your face just after you say
00:19:27the line.
00:19:27It was great.
00:19:29You were in charge then, and wasn't it wonderful?
00:19:37Good morning, ladies, and welcome to a man's world.
00:19:42You know what? I think we're going to have to rethink that dumb speech of yours, but don't worry.
00:19:47I mean, we're going to make it right.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I want you to see the look on your face.
00:19:57But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression that you presented to that audience.
00:20:05But don't worry, it's going to be okay.
00:20:08We're going to make it out just fine.
00:20:10Be careful.
00:20:14Now, what would you like for lunch?
00:20:18Nothing.
00:20:19I want nothing from you.
00:20:22Oh, okay.
00:20:23Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:29And if you just push it, I'll bring you anything you need.
00:20:35Leave it dirty, Emmanuel.
00:20:36Farewell.
00:21:05Farewell.
00:30:38Eh bien, près de l'intimité, un ami et moi, nous avons passé 5 jours d'aujourd'hui, c'était
00:30:46magnifique, je ne l'ai jamais oublié.
00:30:47Nous nous étions sur la piste et nous étions à l'aise, nous étions dans un jardin, dans l'ombre
00:30:56de l'orange, dans l'ombre de l'orange, sous cette roche.
00:30:59Regardez, c'est la roche très grande. Et les nœuds, ne pas le dire, les nœuds, étaient magiques.
00:31:07Les nœuds, les gens, l'islam, les beaux, les poèmes de l'amour.
00:31:15Et puis, quand nous nous étions sur la piste, c'était assez souvent, nous avions à l'aise magique.
00:31:23Oui, c'est l'aise de l'aise, juste entre nous. Nous l'ai fait partout.
00:31:34Et puis, c'est l'aise de l'aise, c'est l'aise de l'aise.
00:31:40C'était magnifique.
00:31:42Oui, je sais.
00:31:45C'est une mémoire.
00:31:47Oui.
00:31:48Oh, excusez-moi.
00:31:50Maintenant, vous allez travailler seul ?
00:31:52Ah, non, je vais travailler avec ma femme.
00:31:58Je vais travailler avec ma femme.
00:32:01C'est l'aise.
00:32:02Oui, c'est l'aise.
00:32:03Non, c'est l'aise.
00:32:05Non, c'est l'aise.
00:32:06Vous voulez que je vous enregistre ?
00:32:08Oui, c'est l'aise, pal.
00:32:12Comme je dis, je vais faire la première classe tout le monde.
00:32:14Je vais prendre la piste, je vais prendre la piste, je vais prendre la piste, je vais prendre la piste.
00:32:16Mais je ne veux pas que ça, pal.
00:32:35Bonjour, c'est Dick.
00:32:39Qu'est-ce que je peux faire pour vous ?
00:32:40Regardez, Richard, je n'ai rien contre vous.
00:32:47Please, let me go.
00:32:48Not until your act is together, my darling.
00:32:52OK.
00:32:54You're right, I'm sorry.
00:32:56Let me explain something to you, darling.
00:32:58OK?
00:32:59I kidnapped you.
00:33:01I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:07And I'm not going to let you out until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:14Look, Richard, I have nothing against you.
00:33:19Please let me go.
00:33:21Not until you get your act together.
00:33:25I know, you're right, I'm sorry.
00:33:29Not only do I hate women who use foul words, but I hate women who lie.
00:33:35Good night, sweetheart.
00:33:37Oh, no!
00:33:38Richard!
00:33:40Richard, come back!
00:33:43Oh, please, don't go away.
00:33:47Oh, please, you've got to come back.
00:33:50You've got to talk to me, Richard.
00:33:52Please!
00:33:54Oh, God.
00:33:57Oh, God, don't go away.
00:34:03Please, Richard.
00:34:07Please.
00:34:10Yes, my darling.
00:34:12I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:22I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want, then?
00:34:30I want you to be a nice little girl.
00:34:33I want you to be nice to the men who support you.
00:34:36I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:44Look, I will do whatever you want.
00:34:49I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:58I want to see you.
00:35:04You can see me?
00:35:07You've been watching me?
00:35:09Just relax, baby.
00:35:13How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:20What is it?
00:35:22Is it a peephole, dick, you prick?
00:35:25Oh, no.
00:35:26Not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it, and I will find it,
00:35:42I am going to smash the shit out of it.
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it.
00:35:47Never.
00:35:48You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are, anyway?
00:35:54Listen to me, and you pay attention.
00:35:56I'm the guy with a key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:04You listen to me, Dickie Boy.
00:36:07When I get out of here, you are dead meat!
00:36:14Don't do it!
00:36:15Don't do it!
00:36:19Don't do it!
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:27Fuck you!
00:36:31Good night, sweetheart.
00:36:33Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough, and you can't take it.
00:36:45You've got to turn off the sound, huh, buddy?
00:36:47Well, let me tell you something.
00:36:50I'm still gonna find it.
00:36:52And when I find it, you can watch yourself for the rest of your fucking life!
00:36:59AHHHHH!
00:37:35C'est parti.
00:37:59C'est parti.
00:38:28C'est parti.
00:38:30Jerry Turner, please. Sam Weston calling.
00:38:33Please hold.
00:38:35Hello.
00:38:36Uh, Mr. Turner, this is Sam Weston.
00:38:39Hey, Sam.
00:38:40Just make it Jerry, okay?
00:38:42Okay, Jerry. How are we doing?
00:38:45Well, Sam, while you were flying in first class from New York,
00:38:49I found the last person to see Emmanuel Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel, helped her out to the phony limo.
00:39:00Okay.
00:39:01Sam, I gotta tell you.
00:39:03I run one of the best detective agencies in this area.
00:39:07Why don't we get this thing wrapped up real quick and go out and do some more business together?
00:39:12I can have her here on Wednesday. How's 1 p.m. for you?
00:39:16Sounds good.
00:39:17She'll be here.
00:39:18Good.
00:39:44Hello?
00:39:47I have no water in here
00:39:52What's going on?
00:39:55Richard, I have no water
00:40:03How many ways do I love you
00:40:09I'm gonna show you now
00:40:12I'll buy you nice little things
00:40:15And a big diamond ring
00:40:19Oh wow
00:40:23You said that you didn't love me
00:40:26Honey, I got class and style
00:40:32I'll make sure we're together
00:40:35With stormy weather
00:40:37Mile after mile after mile
00:40:41Yeah, how many ways do I love you
00:40:46Let me tell the world
00:40:49Let me tell them all
00:40:52I'll buy you a rainbow
00:40:54I'll buy you the moon
00:40:56I'll buy you boats and planes
00:41:00Horses and trains
00:41:01I'll buy you the queen of the ball
00:41:22The gown is $625,000
00:41:24However, if you wish to purchase the undergarments we discussed
00:41:27I'm sure we can come to some kind of agreement for a discount
00:41:31Let's say 5%
00:41:34Well, that sounds okay
00:41:36I'll tell you what
00:41:37Why don't you have her try the brown one?
00:41:40I'm sorry, sir
00:41:42But we don't model underwear
00:41:45Why not?
00:41:46Company policy
00:41:47Who said what company?
00:41:49This company
00:41:49You in charge of this company?
00:41:51I am
00:41:52You set forth the rule?
00:41:53I did
00:41:54Why'd you go and do that?
00:41:56I mean, why is everybody going to spoil my fun?
00:41:59Sir, this is a respectable establishment
00:42:03Are you suggesting that I'm not respectable?
00:42:09Honey, could you go over and get me the gold dress?
00:42:11I mean, I don't like this at all
00:42:12I gotta tell you
00:42:13I don't want that at all
00:42:14I deal with gold
00:42:15And I love gold
00:42:16I mean, look at the shimmering of this
00:42:17I mean, this is beautiful
00:42:20Well
00:42:21I'll tell you what
00:42:22Why don't you throw all this shit in the box
00:42:23And, uh
00:42:26Oh
00:42:27Let's say
00:42:28A 10% discount seems, uh
00:42:30Pretty respectable to me
00:42:33Don't you think?
00:42:51Oh, hell man
00:42:55Oh, exasperating
00:42:59Well
00:43:00Look at that
00:43:02Front page
00:43:04Above the fold
00:43:05In living color
00:43:06I really am
00:43:10Very fantastic
00:43:12Da-da-da-da-dum
00:43:17Da-da-da-da-dum
00:43:20Da-da-da-da-dum
00:43:22Da-da-da-dum
00:43:22Da-da-da-dum
00:43:22Da-da-dum
00:43:24Pow
00:43:24Da-da-dum
00:43:26Da-da-da-dum
00:43:27Da-da-dum
00:43:29Pew
00:43:30Boom
00:43:30Pow
00:43:31Boom
00:43:33Boom
00:43:33Boom
00:43:35Good morning, Emmanuel
00:43:37I have something very special for you
00:43:41Something pink for pink lady
00:43:44How are you?
00:43:46Hey you, what's going on here?
00:43:47Plug it back in, there's a little bra for you in black
00:43:49I've been calling you all day, I don't have any water and where the hell's my food?
00:43:53Plug it back in and things will be quite beautiful for you
00:43:55Here's something royal for a royal lady
00:43:57Oh yes
00:43:59Prick
00:43:59Here's some golden threads for you, just plug it back in
00:44:02Another thing for pink lady, here's a little thing for purple
00:44:05I want some goddamn water, I don't know what the hell you're talking about
00:44:09Well try running for the goddamn water with these tennis shoes, you bet your life, there they are, run for
00:44:15it baby
00:44:16I'm gonna stick these shoes right up your ass, give me some water
00:44:19Come on, here's the little undies for the baby
00:44:21You prick, you turned the water off, didn't you?
00:44:23You got it sweetheart, and if you want it back on, plug it back in
00:44:28What the hell are you talking about?
00:44:31Oh, well, Jesus Christ
00:44:35I got faith in you, I mean, I think you'll figure it out
00:45:06I'm not taking any calls sweetheart, and I'm going to get some water, alright?
00:45:11Jeez
00:45:38I got faith in you, I can say and drop in you, I can say that
00:45:48I'll just give you a little break
00:45:48Yes
00:45:48Youieben
00:45:48You have to check blogs
00:45:48You
00:45:48You
00:45:53You
00:45:53Sous-titrage Société Radio-Canada
00:46:23Now, all you gotta do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're gonna be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:40All you gotta do is come over here and plug it back in.
00:46:43You want something to drink? Plug it back in.
00:46:45You want something to eat? Plug it back in.
00:46:47It's that simple. Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:51That's your only contact with the outside world.
00:46:57What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:03You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:12All right, Richard.
00:47:14We'll do it your way.
00:47:30Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:37Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:45And tonight,
00:47:47tonight I'm gonna fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul,
00:47:54and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:20It's wonderful.
00:48:24Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:38Later, I'll share the method and the recipe with you
00:48:41as soon as we get to know each other better.
00:48:44The secret is, though,
00:48:45that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:06That's quite up to you.
00:49:08You know that by now.
00:49:09Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight,
00:49:16I'm going to be the designated driver.
00:49:19Are we going out?
00:49:21No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that,
00:49:32it'd be better for both of us.
00:49:33I have learned that.
00:49:35Really, I have.
00:49:36Oh.
00:49:38Well, here, this toast.
00:49:39Okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you
00:49:53when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:33You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:51:07Oh, I got you back on now.
00:51:10So, after that,
00:51:12I invented this crazy thing
00:51:13that helps idiots program their VCRs,
00:51:15and I, uh,
00:51:17I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:21No, just,
00:51:22just lucky.
00:51:25What about you?
00:51:26I mean,
00:51:27how'd you get into your crazy business?
00:51:32That was funny.
00:51:35I went to New York
00:51:36to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So, what happened?
00:51:49I found out I was no actress.
00:51:53Then what?
00:51:56My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:11I did nude dancing
00:52:13at a Times Square bar.
00:52:16Well, I mean,
00:52:19how'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:30I got off on guys
00:52:32watching me.
00:52:34It was a turn-on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:44Doesn't matter
00:52:45if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing,
00:52:50so you're a sexist.
00:52:54I didn't say that.
00:52:55Yes, you did.
00:52:59Well, men just take advantage.
00:53:02Oh.
00:53:04So,
00:53:05so when you're stuck naked
00:53:07in front of those good old boys,
00:53:09I mean,
00:53:11who has the advantage then?
00:53:21Why don't you play me some music?
00:53:27I want to dance for you.
00:53:32I want to dance.
00:53:34I want to dance.
00:53:41I want to dance.
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01:18:45Tu n'as pas l'honneur, tu ?
01:18:47Oui, j'ai l'honneur. Merci, merci.
01:18:51Si j'ai besoin d'un autre chose, je te donne un appel, ok ?
01:18:54Merci.
01:18:57Let's do lunch.
01:18:58Hey, j'ai un leed.
01:19:02Tu as quoi ?
01:19:03Un leed ? Tu sais ce qu'un leed est, tu ?
01:19:07Talk to me, Jim.
01:19:08I called this guy up in Pacoima.
01:19:11He says that he rented a black limo to this guy at this address
01:19:15at 5.45 a.m. on the morning of the 5th.
01:19:21Rick.
01:19:23Hey, I just dialed the next number on the list.
01:19:27What's the problem ?
01:19:29No problem ?
01:19:31Yeah, but you're acting like there's a problem.
01:19:34Me ? Acting like there's a problem ?
01:19:36Oh, no.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43You got nothing.
01:19:45Now, you make one phone call and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing ?
01:19:53You people, how you work.
01:19:56Cause I know damn well that since you know you can't go in and arrest him,
01:20:01you want me to do the dirty work for you, don't you ?
01:20:03Isn't that how you people work ?
01:20:05And what the hell do you mean by you people ?
01:20:07I don't tell me the racial innuendos are starting.
01:20:13There was no racial innuendo.
01:20:17I just call him as I see him.
01:20:20I call a spade a spade.
01:20:22I was talking about LAPD.
01:20:25The way you people do business.
01:20:28I should have spoken more clearly.
01:20:30I should have been referring to you people as assholes.
01:20:34Real nice. Real good. I'm out of here.
01:20:37Sam.
01:20:40What ?
01:20:42Good luck.
01:20:49You owe me 50 cents for that phone call.
01:20:53See ya.
01:21:00Okay, great.
01:21:02Gets a little rough up in here.
01:21:05Come on, babe.
01:21:06Great.
01:21:08Oh, come here.
01:21:10I want you to see something.
01:21:13Look at that view.
01:21:16I don't see much of anything.
01:21:20Well, you will when I cut that tree down.
01:21:22Hey, look at this rope.
01:21:23Here, grab it.
01:21:23Okay.
01:21:24Cause we're gonna have to pull ourselves up the rest of the hill.
01:21:26I'm gonna lead the way, okay?
01:21:27Mm-hmm.
01:21:28Okay, you were behind me?
01:21:29Yeah.
01:21:29Okay, here we go.
01:21:31Pull up.
01:21:37Where are you taking me?
01:21:39You said you wanted to go out.
01:21:41Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:45No, out, out.
01:21:46Look up there.
01:21:46You see the sky?
01:21:47That's out.
01:21:49I mean, you're about as far out as I can trust you.
01:21:53Come on, grab my hand.
01:21:55Come on.
01:21:55Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:22:04Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:13Come on.
01:22:17It really is nice up here, isn't it?
01:22:20Yeah.
01:22:24Oh.
01:22:25All it takes is a little cooperation.
01:22:28I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not gonna go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42That's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:50You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You gotta forget that woman.
01:22:58She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:06You and me.
01:23:08Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:19You've got the talent.
01:23:23Let's make it a team play.
01:23:31You really mean that?
01:23:33Yes, I do.
01:23:41Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's gonna be just fine.
01:23:47I know it will.
01:23:49Listen, I'm gonna get your clothes, okay?
01:23:51So why don't you go down there and just get in bed.
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:24:02Mwah!
01:24:03Mwah!
01:24:17Emmanuel!
01:24:19Come on, honey.
01:24:19We made a deal.
01:24:21Don't break a deal!
01:24:22Come on, open the door!
01:24:25Open the goddamn door!
01:24:41C'est parti.
01:25:12C'est parti.
01:25:33I love you, babe.
01:25:35Thanks, Dick.
01:25:36You're welcome. Listen to me.
01:25:38I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby.
01:25:45Just you and me.
01:25:46I mean, all the way.
01:25:47Do you understand that?
01:25:48I mean, are you staying with me?
01:25:49Royal Danish cruise lines, you don't believe me?
01:25:51Well, check it out, okay?
01:25:52Check it out, guys.
01:25:53I got the tickets in my tan coat.
01:25:55I mean, go ahead, you see?
01:25:56Inside breast pocket.
01:25:58Go up there and look.
01:25:58Please, for me, okay?
01:25:59Please, for me right now.
01:26:01Would you check one for me?
01:26:03God, I miss you.
01:26:04I miss you, baby.
01:26:07Are you listening to me, honey?
01:26:09You're not thinking of leaving me here, are you?
01:26:16Of course I hear you, sweet cakes.
01:26:19Oh, thank God.
01:26:21Jesus, you made me feel alone.
01:26:25What would you like for dinner?
01:26:28For dinner?
01:26:31For dinner?
01:26:53Yes?
01:26:54Emmanuel Griffith?
01:26:57Yes.
01:26:59I'm Sam Weston.
01:27:02I was hired by your mother to find you.
01:27:05Oh.
01:27:08Well, you found me.
01:27:10Hold it.
01:27:13Lady, a lot of people worried about you.
01:27:19The thing is, Sam,
01:27:21I just needed a break.
01:27:24I needed some time for myself, okay?
01:27:26So you tell my mom I love her.
01:27:29Everything's fine.
01:27:30And I'll send her the money for the rent.
01:27:34You tell the rest of the world I love them, too.
01:27:37You tell them I'll be back.
01:27:40Thanks a lot, Sam.
01:27:42Yeah.
01:27:52Good morning, ladies.
01:27:54And welcome to a man's world.
01:27:56The world is springtime.
01:27:57You too.
01:27:58You too.
01:27:58No.
01:27:58No.
01:27:59No.
01:27:59No.
01:27:59No.
01:28:00Sous-titrage FR ?
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