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00:01Jornal da Manhã
00:30Jamie Smith Jackson
00:34Richard Hatch
00:37Barbara Stewart
00:41Nancy Wickwire
00:42Special Guest Star Sharon Acker
00:45Tonight's episode, Her Chance to Kill
01:10Tony, help
01:19My zipper's stuck
01:24Why, you're not even ready
01:26I'm not going
01:28With what I've learned about Steve and the firm
01:29I'd be a hypocrite
01:33Okay, drop the other shoe
01:35What's Steve been doing?
01:37Stealing stamps?
01:40Stealing's more serious than that
01:43For heaven's sake
01:45Steve Kingston?
01:47I wish there were a kinder way of putting it
01:48But there isn't
01:50Steve Kingston is a thief
01:56Thank you
02:02What are you going to do about it?
02:05I, uh, don't know yet
02:07Not definitely
02:11I thought a man was supposed to be innocent
02:13Until he was proven guilty
02:15Until he is, I think you ought to go to the party
02:18I'm certainly going
02:21I told you, I'm not going
02:23And I'll need the car
02:26Okay, I'll get a lift
02:29And don't worry
02:30I think you're wrong about Steve
02:53Hey, where's our host?
02:54Okay, you look beautiful
02:55Thank you
02:56Sorry to you, sweetheart
02:57Hi, how are you, darling?
02:58As always
02:59See you when you get back
03:00Steve, how are you?
03:01Tonight
03:02There's going to be a little wet out tonight
03:03I think you're right
03:03I'm going to powder my nose
03:04Don't have too much fun without me
03:06It can't be done, you know that
03:07Come on inside
03:08Oh, everybody's here
03:10Sure
03:11Did you have a hard time getting here?
03:12Something you want?
03:13No, we were just slow starting
03:15It was a little
03:16It's been too long
03:29It's been too long
03:36Steve
03:37Wait, problems
03:39It's Tony
03:41What about Tony?
03:43I don't know
03:44He's uptight about something
03:48What's bothering Tony
03:49It's the fact that the firm
03:50Is moving up as younger guys
03:52And old Tony is no longer a younger guy
03:54That's all
03:56Old Tony is going to block your partnership
03:58No way
03:59He says you've been stealing
04:02Well, is there something called the park estate?
04:06What did he say about the park estate?
04:08He says you're a thief
04:11Well, it isn't true, is it?
04:13Why would he say such a thing?
04:16Of course it isn't true
04:17You know better than that
04:27But look, maybe
04:29Maybe I better phone him right now
04:30And see if
04:32Why don't you cover for me
04:34And play the hostess band?
04:36Hey, Steve
04:37Is everything all right?
04:39Of course it's all right
04:40I'll just be a few minutes, okay?
04:43Okay
04:57Thank you, sir
04:58Have a nice time tonight
04:59Hey, man
05:00Can I ask you something?
05:02Not right now
05:02I'm busy, but hang in there
05:38My wife didn't waste any time, did she?
05:43Tony, I want to talk to you about something
05:48That park estate is my client
05:51Now, you had no right to take out that file
05:54Do you want to discuss the right and the wrong of this matter?
05:57Listen, man, I thought you and I were friends
05:59Bull, we're not friends
06:01We work for the same firm
06:03And we live in the same neighborhood
06:05But we're not friends
06:09I want that file, Tony
06:10I should think you would
06:12Especially with the margin notes that I made
06:20You wouldn't shoot me
06:24Now hand it over to me
06:27You stupid fool
06:28Spencer's gonna know anyway
06:30You told him?
06:58You're on the door
06:59E aí, o que você está fazendo?
07:02Winnie!
07:02Oi!
07:03Oi!
07:04Você tem o Steve?
07:05Oh, eu só fui aqui mesmo.
07:07Eu não sei o meu host.
07:08Ei, essa dressa é incrível.
07:10Eu amo isso.
07:11Obrigada.
07:11Obrigada.
07:12Ok, querida.
07:44O que é isso?
07:59O que é isso?
08:29O que é isso?
08:37O que é isso?
09:10O que é isso?
09:28O que é isso?
09:36O que é isso?
09:38O que é isso?
09:44O que é isso?
10:13O que é isso?
10:15O que é isso?
10:17O que é isso?
10:20O que é isso?
10:22O que é isso?
10:23O que é isso?
10:23O que é isso?
10:25O que é?
10:25O que é isso?
10:27O que é isso?
10:31O que é isso?
10:33O que é isso?
10:34O que é isso?
10:42O que é?
10:44O que é isso?
10:46O que é isso?
10:47O que é isso?
10:50O que é isso?
10:51O que é isso?
11:08O que é isso?
11:20O que é isso?
11:26O que é isso?
11:26O que é isso?
11:27O que é isso?
11:30O que é isso?
11:33O que é isso?
11:35O que é isso?
11:37O que é isso?
11:39O que é isso?
12:02O que é isso?
12:08O que é isso?
12:09O que é isso?
12:10O que é isso?
12:12O que é isso?
12:13O que é isso?
12:14e a hangar left at the store.
12:15Eric's got a crash pad made out of an old bus.
12:18You go over White Bridge, and you can't miss it.
12:21Doesn't sound like it.
12:23Thanks.
12:47Thank you.
13:16Thank you.
13:44Thank you.
13:46Howdy.
13:48My name's Fletcher.
13:49Are you interested in this property?
13:52No, I'm just looking for the people living here.
13:55Living?
13:57In that?
14:00There's a couple of squatters hanging around.
14:03You can guess the type.
14:05I'm sorry, maybe they're friends of yours.
14:07A young fellow and a girl.
14:09Name seems to escape me.
14:11Eric Garvin and Christie are the people I'm looking for.
14:14How do you spell those?
14:16Well, Mr. Fletcher, if your name is Fletcher, I'm wondering why a real estate broker would be that interested in
14:22a couple of squatters, if you are a real estate broker.
14:26I'm a police officer.
14:34Well, Mr. Jones, what's your interest in this?
14:38I represent the girl's parents.
14:41She's a runaway.
14:41Naturally.
14:43I imagine that the department's interest is a little more serious than that.
14:48Like murder?
14:50Officially, they're wanted for questioning on the Anthony Bloom homicide and robbery.
14:59Eric can't move.
15:01I hear you.
15:03He has to move, Christie.
15:06You're going to have to split, man.
15:08Both of you.
15:10I can feel fuzz all over the neighborhood after what the radio said about him looking for a couple of
15:16street people.
15:19You better take off, Christie.
15:23You've got some place to go.
15:25Now, do what I tell you.
15:34Can you sit up and eat this, or shall I help you?
15:37We haven't got time for anything, Chris.
15:39Artemis is right.
15:43Look, whatever you decide to do, I'm not leaving you.
15:49I'm going to stay with you.
15:54Okay.
15:58We're both leaving.
16:04Grab your stuff.
16:09Artemis, can we use your bus?
16:11Uh, sure, yeah.
16:14I'll tell him you ripped me off.
16:18Go down the back way and get it started.
16:21Hey, we can make it.
16:37Hello, Miss Sanders.
16:40Hello, Miss Sanders.
16:57I can't make a judgment because I don't know the facts.
17:00But just because I'm not a cop doesn't mean they're not cops behind me.
17:04Yeah, how close?
17:05At the health food store, tracking back just the way I did.
17:11Eric and I didn't do it.
17:13Don't you believe me?
17:15It's the truth.
17:16I mean, we couldn't kill anybody.
17:18Difference does it make, huh?
17:19I mean, we were around there and we're long-haired hippies.
17:22And that's the label, man.
17:24I mean, we're guilty, right?
17:25Anything they want to pin on us.
17:27All right, what really happened that night?
17:32Okay, you went to Eric's to say goodbye and pick up your things.
17:36Yeah, to pick up my debutante's wardrobe.
17:40Eric and I had sort of an argument.
17:43He said that I was copping out if I went back.
17:46Yeah, I'm like a stupid jerk.
17:48I started through this empty lot and I fell in the dark and my legs snapped.
17:52I thought it was ligaments or something.
17:54I didn't know it was broken.
17:55I could even put some kind of weight on it, you know what I mean?
17:58So we went back up the road to try to hitch a ride.
18:01Do you think anybody would stop for us?
18:03Then you did go by the Bloom house where the murder occurred.
18:08The only place that we stopped was this place where there were lots of people in cars.
18:12They wouldn't even let us in to use a telephone.
18:15Remember the address?
18:17It was a big party.
18:19Galley parking, you know, the whole bit.
18:21And then we went on down the canyon.
18:22And his leg was hurt really bad and we had to get to a hospital.
18:26And this guy stopped and gave us a ride.
18:31Look, this joker isn't going to do any good for us.
18:34Let's get out of here, huh?
18:35Eric.
18:37But I found out it's pretty tough trying to get your ideas across when you're running away from somebody yelling
18:43over your shoulder.
18:44The only chance we've got is to run.
18:47On one leg?
18:50You got the keys, Chris?
18:53Sure.
18:55Artie?
19:18Hey, uh, good luck, you guys, huh?
19:28All the luck in the world is not going to help them too much.
19:32What key do you want me to wind up now, Pops, huh?
19:35Law and order?
19:36The younger generation and the evils of pot, huh?
19:42The younger generation and the evils of pot, huh?
19:51The younger generation and the evils of pot, huh?
20:00I love him.
20:00Come on, Pops.
20:00I love you.
20:03I love you.
20:16Obrigado por vir, querida.
20:22Você sabe como desculpe que eu tenho que passar por tudo isso.
20:29Tudo isso, desde que aconteceu, e os declaros que eu fiz para todos, eu não esqueci de lembrar que você
20:38foi naquela cama tão longa.
20:41Darlene, eu estava lá porque eu kepto com a busy-signal.
20:45Eu tive que ir para o Tony. As soon as ele terminou, eu só kepto com a dial-in.
20:50Gail, eu nunca deixei daquela casa. Não tinha tempo para isso, por isso.
20:55Eu quero acreditar.
20:58É a verdade. E se eu te dizer que é a verdade, é.
21:03Ok?
21:06O polícia sabe quem fez isso.
21:09O motivo aquele telefone estava ocupado é porque o Tony estava chamando.
21:14Há um monte de fiquete-se em casa, estavam passando por isso.
21:18Antes de eles mataram, ele entrou o telefone e deixou-se uma descrição.
21:29Então você está definitivamente no clima.
21:31Claro que eu estou no clima.
21:35Excepto por uma coisa.
21:37Eu preciso o file de Poc.
21:40Quando o polícia levou você de volta para o casa?
21:44É que ainda está na casa, o file?
21:47Onde está que vai ser?
21:51Darlene, eu preciso esse file.
21:54Você vai ter que comprar para mim.
21:57Ok?
22:02Você está tão bonita.
22:03Você está tão bonita.
22:11Você está tão bonita.
22:23Eu estou procurando para o Sr. Kingston.
22:26Eu sou o Sr. Kingston.
22:28Meu nome é Sr. Kingston.
22:30Eu sou o detective.
22:31Onde você disse que eu ia encontrar você aqui.
22:34Eu vejo você depois, Steve.
22:36Você pode me encontrar em Winnie's?
22:37Eu vou fazer com o Sr. Kingston para você voltar para a casa.
22:39Hoje, Gail.
22:40Excuse-me.
22:47She é Gail Bloom.
22:49That's right.
22:51Eu represento ela agora.
22:54A três nós nos separamos.
22:56É incrível.
22:58Tragic.
23:00Mas eu acredito que eu
23:02estou em torno de Nonquilha tudo já.
23:09You know, the shocking thing is that it could have happened to any one of us living up here.
23:13Or down on the beach, or on Beverly Hills, or any place else.
23:17Nobody is safe.
23:19Please, Jones, have a seat. Make yourself comfortable.
23:21Okay?
23:24These people, no sense of morality anymore.
23:29No qualms about breaking in, or holding in after your throat, or knocking you over the head.
23:34And that's what's frightening.
23:36These people?
23:37They're the two hippies.
23:39Oh, would you like a drink?
23:40No, thank you.
23:42How did you find out about the hippies?
23:44It's on the news, you know, on television, too.
23:48I didn't think the case against them was that strong, myself.
23:52Why not?
23:53Well, the one with the broken leg, he couldn't do much, could he?
23:59Now, Lieutenant, you didn't tell me about that one.
24:04But from what I heard about the struggle that Tony Bloom put up, maybe he broke the guy's leg in
24:09the fight.
24:10Or, or maybe the other one actually killed Tony Bloom.
24:14The other one was a girl.
24:16Or didn't the lieutenant tell you that either?
24:18It was a girl?
24:23That's incredible.
24:25Well, some of those girls these days, I guess you just can't tell the difference anymore, can you?
24:33Now, tell me, Jones, how does Lieutenant Keele like a man on his staff to go against his own murder
24:39theory?
24:40Me?
24:41That makes you think I'm on Lieutenant Keele's staff.
24:43You told me you were a detective.
24:46What's this all about?
24:47Aren't you a detective?
24:48Private detective.
24:49Dave, I wanted to talk to you because I was told you gave the party that night.
24:54That's right.
24:57And Mrs. Bloom was here.
24:58I mean, that's all a matter of record.
25:01Tony Bloom was late coming home.
25:05He was going to come along later.
25:09So, you had valet parking?
25:12I certainly did, yes.
25:14Well, I wanted to find out what outfit you used and get the names of the car jockeys that were
25:19here.
25:20Why?
25:21The two suspects, the young hippies, said that they talked to the parking attendant and asked to use the phone.
25:31Well, if they did that before they passed the Bloom house, it kind of rules out the possibility that they
25:39beat up on Mr. Bloom and murdered him, wouldn't you say?
25:44Hmm.
25:45Yeah, I guess you're right.
25:48Now, what if, well, what if he actually broke the guy's leg in the fight?
25:54It doesn't seem logical that they would limp back up here and talk to people and be seen, make their
26:01identification that much easier, does it?
26:05No, it doesn't. You're right.
26:08So, what do you want from me is the valet parking service?
26:11That's all?
26:12Be a very great help, Mr. Kingston.
26:16I can have to help.
26:18Chuck has his own service.
26:19I've used him for years.
26:22I've got his number right here, so I can give it to you.
26:25You know the biggest problem?
26:27Parking costs in Southern California?
26:30Making sure your legs don't give out on you.
26:33Tower Road,
26:35Summit Drive,
26:37the old calf muscles and tendons, I'll tell you.
26:40Yeah, I have the same hazards in my profession.
26:43Now, about those two,
26:45they were coming west on Mulholland?
26:47Right.
26:48The 8900 block.
26:50And we were swamped.
26:51Party just starting to swing.
26:53So I had to say no.
26:55Wasn't one of them hurt?
26:56Yeah, his leg.
26:58The guy was really in pain.
27:01The girl practically had to hold him up.
27:03I hated to have to say no dice, but
27:05I work for Mr. Kingston a lot,
27:07and I know he's got a short fuse.
27:09Then they went on by down the hill to the 8700 block.
27:13Yeah, they mumbled something hostile and kept on going.
27:16Would you be able to identify them?
27:20Tell you the truth, Mr. Jones,
27:21I never pay much attention to faces.
27:24Radiator grills, yes.
27:26People, no.
27:36Lieutenant, I guess that cleans it up for me.
27:39Okay, Ames, I'll see you downtown.
27:41You talk to Barnaby Jones yet?
27:42Got here just a few minutes ago
27:43with that open-faced, friendly smile there is, you know.
27:47Where is he?
27:48Right here.
27:49Will, I'd like to talk to you.
27:51Have you got a minute?
27:52Just.
27:53Well, Lieutenant, I think I'll take this stuff down to the lab.
27:56So long, Ames.
27:58Will, one of the kids you're questioning is a client of mine.
28:02Tough.
28:02Which one?
28:04The girl.
28:06Well, she needs a lawyer, too.
28:08More than she needs you right now.
28:10Will, a 90-pound teenager beats a six-foot man to death.
28:16It's a cinch.
28:17The boyfriend's holding him.
28:19Not such a cinch, but the boyfriend's got a broken leg.
28:21Listen, I know they said it happened earlier.
28:24Falling down a hill or something.
28:26Do you know I can deliver a witness who will confirm it?
28:29Who?
28:30The valet parking attendant at the Kingston party.
28:33You've got to him first?
28:35How come we missed him?
28:37Ames?
28:38Ames!
28:42Somebody's gonna get chopped off at the pockets.
28:46How reliable is the statement?
28:48Time checkout?
28:49Seems to.
28:50But what I really want is permission from you to talk to the Sanders girl.
28:55Sure.
28:57Listen, uh...
28:58As long as you're laying your cards on the table...
29:01What does Eric Garvin and the Sanders girl have to say about how he got to the emergency hospital to
29:06get his legs set?
29:08Hitch.
29:09Car picked him up near Lookout Mountain.
29:11That's a lie.
29:13They stole the car, Barnaby.
29:15We found it in the hospital parking lot, covered with their prints.
29:18Thanks for telling me.
29:21Thanks for telling me.
29:21Whose car?
29:21The victims.
29:23Tony Bloom.
29:39You're both in a mess of trouble, young lady.
29:41You need all the help you can get.
29:43And whether or not you get it from me depends on when you start telling the truth.
29:46Now, one more lie, and I drop it.
29:48You understand?
29:49Okay.
29:52Yes, sir.
29:54Look, the only reason that we went to the Bloom house was to try to call Artie so he would
29:59come and get us.
30:00We rang and we rang, and nobody came to the door.
30:04So we ripped off the car, but we never went inside, and we sure never killed anybody.
30:14You were more or less identified by the four people.
30:18Two guests who arrived about the time you did, the parking attendant, and a woman walking her poodle.
30:25Do you happen to see anybody outside who may have committed the murder?
30:30Wow.
30:31There was a valet.
30:32We talked to him, and there was a car that drove up just then.
30:36We asked them.
30:38Oh, and there was this guy that looked like he was leaving the house, and then he went back into
30:42the house around to the side like.
30:44Could you identify him?
30:46Heck no.
30:48I probably wouldn't have remembered him except that he was wearing very fancy threads, dressed all in white.
30:55White suit?
30:56Yeah, very Marcello Mastroianni.
31:02Very cornball, Mr. Jones.
31:08Is that all you want?
31:10If that's all you can tell me.
31:14Will my mother be coming down?
31:17I imagine she can get permission.
31:22Well, I guess we'll both survive.
31:24She always comes loaded with handkerchiefs.
31:31Thank you very much, Mr. Jones.
31:34I'll be talking to you day after tomorrow, Christy.
31:37They may have moved you by then.
31:51Hybrid talisman?
31:54Reporter of policemen.
31:56I'm Barnaby Jones, ma'am.
31:58I'm a private investigator.
31:59Well, first time in my life I ever have detectives asking me questions, and not one of them's younger than
32:05me.
32:05Well, I always knew I missed my chance with bogey.
32:09Actually, I want to talk to Mrs. Bloom.
32:11I understand she's staying with you.
32:13Oh, no, no.
32:13She went back to her own house.
32:15I guess everyone knows which one it is now.
32:18She's probably there.
32:19I want to ask you a question about the party.
32:23Who was wearing the white suit?
32:25White suit?
32:27Nobody was wearing a white suit.
32:29Well, maybe the bartender.
32:31No.
32:32No, he was wearing a red mess jacket.
32:34Nobody was wearing a white suit, Mr. Jones.
32:36Why did you think that?
32:38Must have been mistaken.
32:40Thank you very much, Mrs. Harbeck.
32:42Oh, just a minute, Mr. Jones.
32:44You are a good detective.
32:47It is a hybrid talisman.
32:56Hello.
32:57Steve.
32:59Did you find the file, darling?
33:00No, I'm still looking.
33:02I think you ought to know that detective who talked to you, the gray-haired one.
33:07Yes, what about him?
33:08He was here.
33:09He just left.
33:10He wanted to know what suit you wore at the party.
33:14So he asked you, too, huh?
33:17When you just told me that he had been to her house.
33:21What's it all about?
33:23It was nothing important, really.
33:26Listen, maybe it's best if you don't call me.
33:30Unless, well, you know what I mean.
33:32Yes, I understand.
33:34And I'm still looking.
33:35Okay.
33:39All right, keep at it.
33:41Bye.
33:52Well, you back again, Jones?
33:54I'm afraid so, for a minute.
33:56Come on in.
33:59You got a hold of Chuck all right?
34:01Oh, yeah.
34:02Did you get what you needed?
34:03Yes, yes, fine.
34:04Thank you very much.
34:06Well, I hope you don't mind if I do my 30 laps.
34:08No, no, not at all.
34:10I hate to miss a day, you know.
34:11I feel the same way Mark Twain did about physical exercise.
34:15When I get the urge, I lie down immediately till it goes away.
34:21That's a good one.
34:26So what did Chuck have to say?
34:28He confirmed that he had seen Garvin and Sanders, Garvin with the bad legs,
34:33just about the time that they said he had.
34:36He also said they asked you to use a telephone,
34:38but he told them that you wouldn't like it.
34:41That's right.
34:45So now you came straight and out to business about the white suit and the blue sweater, huh?
34:49I see that both of the ladies have already called.
34:57Well, I am Mrs. Bloom's attorney, you know, Jones.
35:01She very correctly told me that you had been by
35:06without, by the way, telling her that you are not on the force.
35:11As for Winnie Harbeck, she'd call a man on any excuse.
35:16Well, you got your story down pat.
35:21The beginning of the party
35:24was wearing a white suit.
35:27I spilled the bloody marijuana
35:29on the jacket.
35:32So I had to change.
35:35That's as simple as that.
35:38Okay.
35:39If you were wearing a white suit,
35:42then you were the man that Garvin and Sanders saw
35:45when they were outside with Chuck.
35:49I went outside to the car
35:53because I left a case of booze in the trunk.
35:55If they saw you, Mr. Kingston,
35:58there's an even better chance that you saw them.
36:03Come to think of it.
36:07I remember Chuck talking to somebody.
36:11I just thought they were some of the guests, you know?
36:19You look kind of skeptic about me changing clothes, Jones.
36:23I don't mean to.
36:24It makes good sense.
36:25But it would be a lot easier to accept
36:29if you hadn't already sent the suit out to the cleaners.
36:39The cleaners pick up is tomorrow, Jones.
36:48And the suit, Jones,
36:50is right in there.
36:53Here.
36:54Let's see now.
36:56Take a look.
37:00Looks like a couple of things,
37:02including blood.
37:04You want to take a bet, Jones?
37:07No, I don't want to bet.
37:09I've got too many things on my mind.
37:12Oh, yeah?
37:14Like what?
37:15Like, uh,
37:17let's assume that those kids did not murder Mr. Bloom.
37:20When I was a lawyer,
37:21I'd have to say that
37:23no proper foundation was laid for that.
37:26All right, uh,
37:28trying to do the foundation.
37:29The desk sergeant,
37:30who took the call from the Bloom house,
37:32logged a message like this.
37:34Two guys broke into my house.
37:37They beat me.
37:38Now, wouldn't you think that Mr. Bloom
37:42would have noticed if one of them was a girl?
37:44Yeah, you'd think so.
37:45Yeah.
37:46I think the murderer made that call.
37:50He remembered seeing those kids
37:51in this area somewhere,
37:53not too clearly,
37:54and he was trying to lay it off on them.
37:56Uh-huh, Dr. Watson.
37:58You already tricked me into admitting
37:59I did see them.
38:02Look,
38:03I'm just noodling around with all this.
38:05I'm trying to make some sense out of it.
38:07Do me a favor, Jones.
38:09Start noodling around
38:10with something called motive
38:11for me to have killed
38:13my good friend Tony Bloom, all right?
38:16I saw the glimmer of a motive
38:18out by the pool.
38:20My, what big eyes you have, Grandpa.
38:23Gail and I embrace each other.
38:24We kiss.
38:25People do that, you know,
38:26for more than one reason,
38:27especially if there was a death in the family.
38:29It didn't quite seem like a kiss of condolence,
38:33or a kiss a lawyer might give his client.
38:36You are serious, aren't you?
38:38A crime of passion.
38:40How romantic,
38:41and how ridiculous.
38:45Lovers don't kill spouses today, Jones.
38:48They just move in together.
38:51Besides, I got a girl.
38:53You know what she is?
38:54She's a biology major at UCLA.
38:57Now, why don't you go down to Lieutenant Keough
38:59and tell him all about your theory?
39:02Because I'm quite sure
39:03he'll get a good laugh out of it.
39:05I might just do that.
39:06They could use a good laugh down at headquarters.
39:08All right.
39:24I might just do that.
39:24I might just do that.
39:27I might just do that.
39:28I might just do that.
39:28I might just do that.
39:29I might just do that.
39:30I might just do that.
39:30I might just do that.
39:30I might just do that.
39:30I might just do that.
39:30I might just do that.
39:31I might just do that.
39:32I might just do that.
39:34I might just do that.
39:37I might just do that.
39:41. . .
39:42. . .
39:48. . .
39:48. . .
39:53. . . . .
40:05It's got to be here.
40:07. . .
40:07Maybe Tony had a messenger pick it up before.
40:11Look, darling, I don't know what Tony might have put into that file, but I don't want Spencer to get
40:14a hold of it.
40:16What about the bedroom?
40:16Vamos lá.
40:47I'm almost finished.
40:49What'd you find out?
40:52The stain on top may have been a Bloody Mary, but something tells me that underneath is blood that he
41:00tried to wipe off.
41:02Did you check out?
41:05Nope.
41:07Tomato juice with just a trace of Worcestershire.
41:11A Bloody Mary without a drop of blood.
41:16A Bloody Mary without a drop of blood.
41:25Barnaby, do you have to be told that some people in this building would call this withholding evidence?
41:29Well, how can you say I'm withholding evidence when I'm laying it right in your lab?
41:33How did you get it?
41:41Marilyn, you there?
41:44I'll have to send this to the lab and get these stains analyzed.
41:46Now, hold it, Lieutenant. I've already analyzed it, and it's nothing but citric acid, ascorbic acid, sodium chloride, and pulp,
41:54tomato juice.
42:00Yes, Lieutenant.
42:01Morning, Mr. Jones.
42:02Morning.
42:03Tell Dr. Tamaka that the good fairy left this in a basket on my doorstep, and I'd like him to
42:07take...
42:08Hold it.
42:08What now?
42:09You know, I struck out on the stain, but isn't this a kind of a funny thing to have up
42:13your sleeve if you've been wearing the jacket?
42:15Price tag still sewed in.
42:18He didn't wear this.
42:20Brand new, right off the rack, he set me up.
42:24You're saying he got rid of the jacket with the blood on it?
42:26The real blood.
42:27Maybe.
42:28Or maybe he wore it with a price tag in it.
42:30I've done it.
42:31How long ago?
42:33Last time I wore anything with a price tag in it was a pair of knickers that my mother gave
42:37me for Easter because she wanted to prove she could afford to give everybody a new outfit.
42:42Well, I'm sorry to say it still doesn't make things look better for those kids.
42:47About those kids.
42:49If they were dumb enough to leave prints all over the Bloom car, how come they were smart enough not
42:53to leave any prints inside the Bloom house when they were supposed to be struggling with them?
42:58Barnaby, you've got too many friends in this department.
43:00Who let you in on that?
43:02You did, Wilbur, just now.
43:04I was only guessing.
43:11Anything else I ought to know?
43:15I think I'm still one up on you.
43:18Well, I have here a transcript from Charles Vlejos, the parking attendant.
43:23Only you already know all about his testimony.
43:26And then there's a one-pager here from Jonathan Hughes Spencer, head of the law firm that Bloom was with,
43:33and Kingston was with also, saying that Tony Bloom had called Spencer minutes before he was killed.
43:38He had something of vital importance to discuss with him, about which Spencer knows nothing more, and I doubt if
43:44any of us ever will.
43:46Thanks.
43:48Guess that makes us even.
44:05Come on.
44:10Come on.
44:11Come on.
44:15Come on.
44:20Come on.
44:23Come on.
44:39Abertura
44:57I'm sorry if I frighten you, Mrs. Bloom.
45:00Mr. Jones, I'm sorry. I don't have time to talk to you.
45:03You know what's in that?
45:06Personal papers that don't concern you.
45:08Mr. Jones, I'm sorry. I have nothing to discuss with you.
45:11I don't know exactly what's in there, but Mr. Kingston does, doesn't he?
45:13He's not here.
45:14But he knows.
45:15And I know that whatever is in there is the reason your husband was murdered.
45:32No. No, he was murdered by those hippie kids who broke in to rob the house.
45:36These are private papers.
45:37Mrs. Bloom, it figures that those papers are the reason your husband wanted to talk to Mr. Spencer that night.
45:45Will you please leave me alone and get out of this house?
45:48All right, if you want to shield the man who killed your husband, that's one thing.
45:52But I don't believe you do.
45:54No man goes through.
45:55No man goes through a rigamarole with jackets like that unless there's something pretty feathery.
46:00And he saw two men in the darkness.
46:01This is what the murderer did when he called the police.
46:06Jones, put up your hands.
46:08Steve.
46:12Then move to the fireplace.
46:19What are you doing?
46:24Put your hands above it.
46:28And spread your legs apart.
46:39Steve, what did he mean when he said...
46:41Shut up.
46:42I won't shut up.
46:44I want to know.
46:45I'm laying a foundation for you, Kingston.
46:47You wanted a foundation.
46:49That's the motive of Mrs. Bloom.
46:52Steve, you swore to me you didn't...
46:53Now, be quiet.
46:55Open the door, Gail.
46:58Open it!
47:07Now, Gail, you and I weren't here, but Inquisitive Mr. Jones was here, as he was here before when he
47:14stole my jacket.
47:15Now, unfortunately, he went outside.
47:17He slipped on the wet deck.
47:19He cracked his skull.
47:20He fell into the pool and he drowned.
47:23Now, you get that?
47:24Steve, why?
47:26Because I say so again.
47:28Mr. Kingston, do you mind if I suggest a bargain?
47:32You haven't got much to trade, Jones.
47:34Except that if you kill me, Mrs. Bloom will probably decide that you actually did kill her husband.
47:40And right now, she's not quite sure.
47:44And if you stage an accident...
47:46That brings on more questions, lots of questions, because, believe it or not, I've got some friends in Homicide and
47:53some more scattered through the department.
47:55And they will hang on like bulldogs until they are absolutely certain there was no foul play.
48:03Mr. Kingston, you've got me covered.
48:07Do you mind if I turn around and look you in the eye?
48:11You just talked, Jones.
48:17Now, you're a very smart lawyer.
48:19All you need is a little time.
48:21A little time in the office to straighten things out, to sort of get things in shape, in condition.
48:27Why don't we burn that report in all of Tony's notes?
48:31Then nobody will know.
48:33And I'll walk out of here with a healthy skull and you two will be home free.
48:38Yes.
48:40Please, no killing.
48:43I wish I could burn everything.
48:46I'm glad I don't know what's in here.
48:48Steve, please do it.
48:49Do as he says.
48:51Open it.
48:52Take out the fan and bring it to me.
49:03Now light it.
49:04Mm-hmm.
49:07Mm-hmm.
49:08Mm-hmm.
49:08Mm-hmm.
49:10Mm-hmm.
49:10Mm-hmm.
49:10Mm-hmm.
49:11Mm-hmm.
49:11Mm-hmm.
49:12Mm-hmm.
49:12Mm-hmm.
49:28Mm-hmm.
49:32Mm-hmm.
49:38Kind right where you are.
49:41Mrs. Bloom did.
49:42Yes, Christine.
49:44Even true love doesn't run smooth.
49:46And theirs was kind of rough all the way.
49:49Well, ours is going to be different from now on.
49:53I hope.
49:54So do I.
49:56Won't be easy.
49:57Nothing's easy today.
50:00But every once in a while,
50:02some of you old establishment guys surprise me.
50:06Anyhow, uh, you did, Mr. Jones.
50:10Thanks, Eric.
50:12You know, uh, one of these days,
50:14maybe your parents and Christy's parents
50:17might surprise you, too.
50:18It's amazing how much we grown-ups
50:21can learn in a couple of years.
50:23Dig?
50:27Oh, I dig.
50:39Oh, I dig.
50:45Oh, I dig in.
51:07Oh, I dig.
51:08Oh, I dig.
51:08Oh, I dig.
51:08O que é isso?
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