Aprile 1998. In meno di una settimana, vengono trovati i cadaveri di due donne barbaramente uccise nei bagni di due treni in transito nel territorio della Liguria. Subito scatta l'allarme e con esso la psicosi. E' meglio che in quella regione le donne non viaggino in treno da sole. Rischierebbero di trovarsi di fronte a qualcuno di terribilmente pericoloso. Quel "qualcuno" è Donato Bilancia, ladro, giocatore d'azzardo ma, soprattutto, spietato killer seriale.
#StelleNere #DonatoBilancia #Walter #Treni #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
#StelleNere #DonatoBilancia #Walter #Treni #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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00:00:07Dice, fascinating objects, have for centuries been the very emblem of chance, of
00:00:22fortune and destiny of men. I can throw them in the air and then see what face they will show me.
00:00:33and whatever that face is, fate, chance, has decided. If I expect that by pulling these
00:00:44If the dice comes up with the number two six times, well, mine is really a gamble. It's possible, but
00:00:52highly unlikely. A bizarre case. Let's say you planned to spend time in your
00:01:00family beach house on Easter Sunday. How much do you keep them? It's likely that that same
00:01:06On Sunday, however, you find yourself on a train that wanders around the Mezzitalia railways, closed
00:01:12in the toilet of a train car with a gunshot wound in the back of his head. Well, you say, still
00:01:19more unlikely than rolling twos six times with my dice. And she would have agreed with
00:01:26me too Elisabetta Zoppetti, a tireless thirty-year-old nurse, happy, in love
00:01:33of her husband and with a beautiful three-year-old daughter. It is April 12, 1998. It is not a
00:01:44Any day, it's Easter. We're on Intercity 631 which crosses the entire country from west to east.
00:01:53Northern Italy. The Intercity was born in La Spezia, Liguria, and, as they say, died in Venice.
00:02:02Roberto is a conductor. There's not much work to do. In truth, the passengers are...
00:02:09very few. On the other hand, it's Easter Sunday. Whoever wants to travel can start
00:02:14train at Easter. When Roberto reaches the end of the carriages, he notices in the compartment
00:02:20Number 7: a jacket, a bag, and a duffel bag in storage. Roberto stops there for a few minutes,
00:02:30but nothing, no one arrives. At this point he contacts Salvatore, the colleague who went up
00:02:37at Prescia station. Look, says Salvatore, there's a toilet at the end of the carriage which is
00:02:43busy for some time. What if something happened to the baggage lady? Roberto and
00:02:51His colleague goes to the restroom. The door is locked. They knock several times. No answer.
00:03:02Roberto then takes out the service key and opens the cabin. From the open slot, he notices
00:03:09in the small space, an inert leg stretched out on the ground partially prevents it from opening.
00:03:16Roberto recoils in horror. Salvatore gathers his courage and peers inside.
00:03:25A woman lies slumped in a pool of blood. She's young, perhaps in her thirties.
00:03:31Next to the clothed body, a jacket and a cotton sweater. They are perforated. It's her,
00:03:42Elizabeth Zoppetti.
00:03:47The medical examiners will say that Elisabetta has a deep lesion in the retroauricular region
00:03:54left. In other words, someone used those clothes to prevent the barrel of the
00:03:59gun was in direct contact with the skin and blood stained it.
00:04:08He fired the bullet right behind the neck. Then he closed the bathroom door from the outside.
00:04:17and he disappeared from that train. Why? This is the question Giulio obsessively asks himself,
00:04:29Elizabeth's husband was devastated by her grief. Why? Elizabeth was a very good girl,
00:04:40A believer, beloved by all her colleagues. No one could wish her harm.
00:04:50I started thinking about revenge. A terrible thought. I knew I had some
00:04:57guilt. For days and days I tried to piece together the missing pieces of my existence.
00:05:08We leave Giulio with his atrocious doubts and his unanswered question.
00:05:15At 7.55pm on that same Sunday, April 12th, the same hand that pulled the trigger
00:05:21of the gun that took Elizabeth's life, is holding a handgun
00:05:27a public telephone booth. The person using it is talking pleasantly with his family. Dad,
00:05:34Mom, Happy Easter. They ask him how he is. He's fine. And who he spent the day with.
00:05:42He mumbles something. He makes a slightly off-color joke, laughs, reassures me, and hangs up.
00:05:52At that moment Giulio is thinking about the last few hours spent with his wife. A few hours earlier
00:05:59He and Elisabetta were in Lavagna, with José, their little three-year-old daughter.
00:06:07It almost feels like reliving the scene. Here they are in their beach house and they are enjoying
00:06:15that little break that the Easter weekend allows them. The phone rings. It's
00:06:22Maria, a dear colleague of Elisabetta's. I need a big favor, Elisabetta, she says.
00:06:29Maria. Could you please cover my shift the night between Easter and Monday? It's important.
00:06:37adds. Elisabetta looks for a moment at Giulio and little José who are playing. She pulls a
00:06:44He takes a long sigh and reluctantly accepts. Despite the little girl's protests, Giulio accompanies her
00:06:54Elisabetta at the Chiavari station. Giulio has a heavy heart. He's sorry that his beloved
00:07:02His wife has to go to Milan alone on Easter afternoon. Giulio is so sorry that when
00:07:08he goes to the ticket office to buy the ticket and decides to give Elisabetta one of the first ones
00:07:14class. A small thought of consideration for that sacrifice.
00:07:20He waves at her from the window. She responds with one of her beautiful smiles.
00:07:27Lakes. The last image of Elisabetta alive. Giulio can't find peace and continues to wonder.
00:07:37why? Why?
00:07:47Six days. Because on April 18, 1998, everything becomes terribly clear. Giulio is in front.
00:07:57on television.
00:07:58After the latest murder, last night in Ventimiglia, the victim was a quiet girl from Mariangela
00:08:03Ruby. In Liguria it has opened. On the Genoa-Ventimiglia train he was found in a
00:08:09Another corpse in the restroom. Giulio shivers. His attention focuses on the service.
00:08:16Mariangela Rubino lived in Ventimiglia. She got on at the Albenga station.
00:08:20Rubino, 29, was forced to kneel and then shot in the back of the head.
00:08:31Mariangela has her pants down and is curled up on the floor. After having cooled her down,
00:08:39There on his knees, his killer did something horrible, disgusting. He masturbated.
00:08:45over his body. The Attorney General of Genoa makes a televised appeal.
00:08:53Some precautionary measures are required, such as taking the train only if necessary,
00:09:02especially on holidays, and to travel in company if possible.
00:09:08It's now clear: there's a madman on the loose who murders women on trains. It's spreading in Italy.
00:09:16of panic. But Giulio isn't panicking, because that news tells him something else.
00:09:25Now, finally, he has his answer.
00:09:29It was the end of a nightmare. It's terrible to say, but in that moment I understood that Elisabetta
00:09:36she had died by chance, by mistake, one of many. And everything became paradoxically
00:09:47more illogical, but also more bearable.
00:09:58The murders of Elisabetta and Mariangela are not the first and will not be the last.
00:10:04Their author shoots at random, but for him killing is equally clear, it is a necessity.
00:10:11Terrible as it is inexorable. These crimes are the latest in a long series, which began
00:10:19Six months earlier. A macabre series of 17 murders.
00:10:30Its author calls himself Walter, but his real name is Donato. Donato balances.
00:10:38Nobody knows it yet.
00:10:41What is certain is that whoever he is for the history of Italian crime he is about to
00:10:47become a dark, authentic, black star.
00:11:03Until next time.
00:11:09Until next time.
00:11:16Until next time.
00:11:28This ruthless killer doesn't yet have a name. But he does have a face.
00:11:35This ruthless killer doesn't yet have a name. But he does have a face.
00:11:47A hand is drawing an identikit dictated from a hospital bed in Genoa. He's dictating it.
00:11:56Lorraine.
00:11:59His real name is John Zambrano and he's a transvestite on the streets of Barbellotta.
00:12:05She was much luckier than Elisabetta and Mariangela Lorena. And this is what
00:12:12it happened to him.
00:12:15It's March 24, 1998. The night between Monday and Tuesday. It snowed and the streets are very cold.
00:12:26of Barbellotta, a suburb of Novi Ligure, in the province of Alessandria. Barbellotta is
00:12:33a hub made up of houses, warehouses, shopping centers and motorway junctions. Once upon a time
00:12:39It was famous because the great cyclist Fausto Coppia had bought a villa here. But now
00:12:44It has been a busy work area for prostitutes and transvestites for years.
00:12:53Lorena walks here. She left her village in Venezuela years ago, when it was called
00:12:59John again, and he puts his 23 years up for sale around. A dark Mercedes approaches.
00:13:08I'll take you home to me, he tells her. I'll give you a million. It's a man from the window. He has a voice.
00:13:15very hoarse, deep, like a heavy smoker. Lorena doesn't think twice and accepts.
00:13:25They go a few hundred meters and arrive at a tree-lined avenue, at the end of which there is
00:13:30a villa with a gate. Villa Minerva, it's called.
00:13:37The man says it's his. The customer opens the gate with a command.
00:13:50It goes around in front of the villa's clearing, then stops next to a tree, on the side
00:13:57of the door where Lorena is sitting. Lorena realizes she can't leave the car.
00:14:04The door is blocked by the tree trunk.
00:14:08No, something's definitely not right. There's no point in looking around, because there's nothing here anyway.
00:14:16There's no one who can save you. Lorena realizes she's trapped, but suddenly one
00:14:22tires crunch on cobblestones and headlights cut through the night.
00:14:28A panda steps forward, then another follows.
00:14:33"Who goes there? This is private property," says the guard, getting out of the car.
00:14:38The man with the hoarse voice gets out of the car and approaches.
00:14:43He mutters a few words. The guard isn't convinced.
00:14:47From the Mercedes, Lorena screams.
00:14:49Watch out! He's crazy!
00:14:52He calls the station, he calls colleague.
00:14:56Then...
00:14:58Cam di Dorandò, 43, collapses to the ground.
00:15:06The man with the hoarse voice approaches the other car, where his colleague is still driving.
00:15:15Two more hits for Massimiliano Gualillo, 31, hired on probation for just ten days.
00:15:25The man approaches Lorena, who has gotten out of the car half-naked and is hiding behind a bush.
00:15:34He points the gun and fires. Two shots.
00:15:38One of the two hits her in the stomach.
00:15:42At that point, Lorena, like a wounded and desperate animal, pounces on her executioner.
00:15:47There's a scuffle. More shots are fired.
00:15:51Three, four, all in vain.
00:15:57The gun is unloaded.
00:16:01The monster gets back into the car.
00:16:04It hits a low wall leaving fragments of the bumper and disappears into the night.
00:16:09Lorena is bleeding.
00:16:12She's bleeding, but she's alive.
00:16:14A few hours later, he dictates the movements of that pencil, which finally restore the monster's features.
00:16:21This.
00:16:25If Lorena hadn't survived, she would have been the third prostitute to be massacred in the space of a few days.
00:16:34In fact, things didn't go so well two weeks earlier, on March 9th, for Stella Truja, a 22-year-old Albanian girl.
00:16:43years.
00:16:46On March 17, it was Ludmilla Tsubtshkova, 23, a streetwalker from Albenga, in the province of Savona.
00:16:55On March 29, another prostitute, a Nigerian woman in her twenties, wove a dodo.
00:17:03All killed with the same ritual.
00:17:07The killer forces them to kneel, then shoots them in the back of the head.
00:17:15Four days have passed since Elisabetta Zoppetti's death.
00:17:20and it will take another four before Mariangela Rubino is killed.
00:17:25When you balance, the scenery changes.
00:17:28It is April 16, 1998.
00:17:32He scrolls through the classifieds in a local newspaper and marks an ad with his pen.
00:17:37We're talking about massages, but it's quite clear that it's home prostitution.
00:17:46Libra, call and make an appointment for four.
00:17:54He loads his .38 caliber with the usual five rounds and starts.
00:18:01Luisa is waiting for him in a squalid little room in a house on the outskirts of Sanremo.
00:18:07He lives with the elderly Luisa.
00:18:09Times are difficult and the old woman knows her granddaughter's job perfectly.
00:18:14But today she is alone.
00:18:17When she opens the door, she finds herself faced with what appears to her to be a pleasant, elegant, kind person.
00:18:29Libra asks her the price.
00:18:31How much is it?
00:18:33300,000 lire, Luisa replies hastily and with a certain air of smugness.
00:18:39Libra has done its calculations.
00:18:42Yes, he really likes it.
00:18:44Undress, Luisa tells him, without too many pleasantries.
00:18:48And turns his back as he makes the bed.
00:18:51When she turns around, Libra is there, right in front of her.
00:18:56He's staring into her eyes.
00:18:58But Luisa only sees a gun pointing straight at her face.
00:19:04Don't scream or I'll kill you right away.
00:19:08Luisa now knows she's in trouble.
00:19:12He hints at a reaction.
00:19:13But Libra adds with his usual calm.
00:19:17Don't do it.
00:19:18I have some beautiful bullets that will blow your head off.
00:19:24At that moment Luisa looks around.
00:19:27As if looking for something or someone to wake her from her nightmare.
00:19:32And then the gaze falls on the bedside table.
00:19:35He had insisted so much on having it.
00:19:37And as absurd as it may seem, right up there, next to his workplace, is a portrait.
00:19:43It's a little smiley guy on a tricycle.
00:19:46A two-year-old child.
00:19:50Look, he says in Latin, don't kill me.
00:19:53This is my son.
00:19:56He's already fatherless.
00:19:58Don't let her be left without a mother either.
00:20:01Libra will say.
00:20:10This one was lucky enough to be able to talk to me for a second.
00:20:16She started crying for a moment.
00:20:19And I just...
00:20:24He killed me.
00:20:26She killed me.
00:20:28I didn't make it.
00:20:30This one is safe because she told me about the baby.
00:20:34But it's just mathematical.
00:20:35Because I left to kill her.
00:20:38In this story of the child, it struck me like a bolt of lightning.
00:20:41There is no other explanation.
00:20:44For the first time, something stops the killer's hand.
00:20:48A child.
00:20:50Luisa, in reality, had no children.
00:20:53And he had moved the portrait of his grandson to the comfort of the bedroom a few days earlier.
00:20:58By pure chance.
00:21:01At this point, however, we must try to understand who Donato Bilancia was.
00:21:06As difficult as it is to even imagine,
00:21:09Donato Bilancia was, like everyone else, a child.
00:21:16In April 1998, two women were found dead in the bathrooms of some trains.
00:21:23The person responsible for those deaths had been guilty of other murders in the previous months.
00:21:28His victims are almost always prostitutes.
00:21:31Law enforcement doesn't know who he is or how to track him down.
00:21:35This is Donato Bilancia.
00:21:37A mysterious man known to everyone in Genoa as Walter.
00:21:41And this story doesn't end here.
00:21:49Libra was born in 1951 in Potenza.
00:21:53Donato's family is like that of many Italians in the 1950s.
00:21:58The father, Rocco, grey gaze, transparent like his,
00:22:02and the mother, Anna Mazzaturo.
00:22:05He is an employee at the INAM, she is a housewife.
00:22:08As protocol dictated ever since.
00:22:12In 1954, father Rocco asks to be transferred to the north,
00:22:17first Asti, then Genoa,
00:22:23which becomes the city of Libra.
00:22:27Donato is indeed a lively, vivacious, intelligent child,
00:22:31but he has an emotionality that no one at home really understands.
00:22:34And at night, in bed, he wets the mattress, every night, until he was 10 or 11 years old.
00:22:45My parents thought the voice was the opposite.
00:22:50Mom used to put the wet mattress on the balcony,
00:22:55so all the neighbors could see it and laugh at me.
00:23:02You think, sometimes I woke up at night,
00:23:06I realized I had peed
00:23:08and I tried to dry it with my body heat,
00:23:12so that in the morning mom
00:23:15he couldn't notice it
00:23:17and did not proceed
00:23:18at the mattress display.
00:23:22So, mom Anna and dad Rocco
00:23:24they've never done anything good,
00:23:28Whether it's true or not doesn't matter.
00:23:30It is very important that their child believes it.
00:23:34They've never done anything good,
00:23:38starting from the name they gave him,
00:23:41Donated.
00:23:43Donated, donated to whom?
00:23:45That name sounds terribly ridiculous to him.
00:23:48And so, Donato,
00:23:51one day in 1965,
00:23:53he takes that name off his back,
00:23:55like a dress.
00:23:58Walter, he will be called from now on.
00:24:01Walter, definitely better.
00:24:04Donato, or rather Walter,
00:24:06he is 14 years old.
00:24:08Relationships with his
00:24:10they don't change much over the years.
00:24:12Mom and Dad,
00:24:14two brains that are contained.
00:24:17in a coriander.
00:24:20What did you do?
00:24:22What did you eat?
00:24:23You ate?
00:24:25Cover up, it's cold.
00:24:26It's been like this all my life.
00:24:29They only worried
00:24:31to put the soup on the table.
00:24:32and Walter decides that what is not given to him,
00:24:36he takes it.
00:24:39Become a thief.
00:24:42Thefts,
00:24:43thefts and robberies,
00:24:44thefts and burglaries.
00:24:46And he's in and out of prison, Walter.
00:24:50It feels a bit like that
00:24:52by Arsène Lupin,
00:24:53a harmless thief
00:24:55who only steals
00:24:56to those who already have.
00:24:57Nothing can resist him.
00:24:59Safes,
00:25:01the most sophisticated locks,
00:25:03electronic alarms,
00:25:04armored doors,
00:25:05gates.
00:25:06Not even a generous one, Walter.
00:25:08One who seems cheerful,
00:25:10but in fact it leads
00:25:11to a solitary life
00:25:12and romantic relationships
00:25:14not even a shadow.
00:25:17He hates physical confrontation.
00:25:19When it happens,
00:25:20he retreats.
00:25:21And then kill,
00:25:23it's the last thing on his mind.
00:25:29In the last period,
00:25:31spends half of his time
00:25:32in front of the television,
00:25:33on the sofa in the modest apartment
00:25:35who lives on the ground floor
00:25:37in via Leonardo Montaldo,
00:25:39in Marassi.
00:25:40An apartment
00:25:41where now
00:25:42he doesn't bring anyone anymore.
00:25:45And the apartment
00:25:46where Donato
00:25:47he lives his life
00:25:48boring
00:25:49and it's useless.
00:25:55At lunch
00:25:56you are alone.
00:25:57In the evening in bed
00:25:59you are alone.
00:26:00Of atrocious.
00:26:01Really.
00:26:03He was a person
00:26:04that to get noticed
00:26:06should have
00:26:07give oneself an egg.
00:26:08I treated people like shit.
00:26:10because maybe
00:26:12it was my revenge
00:26:13as far as he was concerned
00:26:14to feel bad
00:26:14and be alone
00:26:15like a wrinkled dog.
00:26:19Outside the apartment
00:26:21Instead
00:26:21there's Walter.
00:26:22On board
00:26:23of his Mercedes
00:26:24with the elegant suit,
00:26:27the right tie
00:26:28and the sauveffaire
00:26:29of the man of the world.
00:26:31Walter's Friends
00:26:32they are street friends,
00:26:34of gambling dens,
00:26:35bar
00:26:35and nightclubs.
00:26:37Donato
00:26:37he's bored.
00:26:38So what?
00:26:39Walter
00:26:40must provide.
00:26:42Prostitutes,
00:26:44women picked up
00:26:44in some squalid
00:26:46local
00:26:46of Genoa at night.
00:26:48When I lived
00:26:49my moments
00:26:50of frustration
00:26:50I had
00:26:52only one way
00:26:53to solve them.
00:26:55I rewarded myself.
00:26:57I went to prostitutes
00:26:58or to the casino.
00:27:00I was playing.
00:27:02I was playing
00:27:03and I played.
00:27:04And like everyone else
00:27:05the players
00:27:06I was a loser.
00:27:10I had
00:27:10an apartment
00:27:11stupendous.
00:27:13Terrace
00:27:13sea view.
00:27:15On one hand
00:27:16Portofino
00:27:17on the other
00:27:18La Spezia.
00:27:20I am
00:27:21played
00:27:22in one evening.
00:27:25If they had me
00:27:26asked
00:27:27if I were happy
00:27:28of my life
00:27:30I would have answered
00:27:31No.
00:27:32I hated myself.
00:27:34but it's not
00:27:35Nothing
00:27:36of all this
00:27:37which makes the scales
00:27:38a murderer.
00:27:40To understand
00:27:41Really
00:27:41what happened
00:27:43in his head
00:27:43we have to wait
00:27:45the moment
00:27:46of his capture.
00:27:48April 27th
00:27:491998
00:27:51Pine
00:27:52Rascal
00:27:52he can't take it anymore.
00:27:53He sold
00:27:54his Mercedes
00:27:55Blue
00:27:55to a guy
00:27:56and for months
00:27:57he received
00:27:58fines
00:27:59given that
00:28:00it wasn't
00:28:01formalized
00:28:02the passage
00:28:02owned.
00:28:03Of the fines
00:28:04who have it
00:28:05put on alert.
00:28:06All
00:28:07in proximity
00:28:08of places
00:28:09Where
00:28:09in recent months
00:28:10they were
00:28:11clerks
00:28:11assassins.
00:28:20And then
00:28:21there's that identikit
00:28:22that resemblance.
00:28:26And so
00:28:27finally
00:28:28go
00:28:28from the police
00:28:29and tells
00:28:30his suspicions.
00:28:32The man
00:28:32is called
00:28:33Donato
00:28:34Balance.
00:28:37It begins
00:28:38the hunt
00:28:38to man.
00:28:40Ambushes
00:28:42wiretaps
00:28:44and little by little
00:28:45little by little
00:28:45it comes into focus
00:28:46life
00:28:47of this
00:28:47curious
00:28:48solitary
00:28:49character.
00:28:52Any one
00:28:53insignificant
00:28:55man
00:28:55middle aged.
00:28:58May 6th
00:28:59everything is ready.
00:29:01Donato
00:29:01Balance
00:29:02you can't hear it
00:29:03so good
00:29:03and it is not the conscience
00:29:05that hurts him.
00:29:06He's gone
00:29:07to the hospital
00:29:07Saint Martin
00:29:08from Genoa
00:29:09to do
00:29:09a slab
00:29:10to the lungs.
00:29:11Smoking
00:29:12made it worse for him
00:29:13asthma.
00:29:15It just came out
00:29:16is about to mount
00:29:17on his Vespa
00:29:18When
00:29:21two carabinieri
00:29:22they jump on him
00:29:23on me.
00:29:24What was it?
00:29:25A train
00:29:25has the spirit
00:29:26to say
00:29:27as they throw it down.
00:29:29May 14th
00:29:31it's in front
00:29:32to his accuser
00:29:33the substitute
00:29:34attorney
00:29:35Henry
00:29:35Pumpkin.
00:29:38And Libra
00:29:39it's a river
00:29:40in full.
00:29:41It's like not
00:29:42he waited
00:29:43other.
00:29:46I am
00:29:46the jacket
00:29:47head up
00:29:47and I shot him.
00:29:49The accusation
00:29:50formal
00:29:51of the arrest
00:29:51endorsed
00:29:52by the magistrates
00:29:53it's for the murder
00:29:54of the prostitute
00:29:55Nigerian
00:29:56Tessi Adodo.
00:30:00DNA
00:30:01found
00:30:01on delay
00:30:02Indeed
00:30:02coincide
00:30:03with that
00:30:04of the cigarette butt
00:30:05of cigarette
00:30:05thrown
00:30:06from Libra
00:30:07and collected
00:30:08during the shadowings
00:30:09of the last
00:30:10ten days.
00:30:11There is a possibility
00:30:12out of six billion
00:30:13that that code
00:30:14genetic
00:30:15belongs
00:30:16to someone else
00:30:16and no one
00:30:18he believes
00:30:18to such a one
00:30:19oddity
00:30:19of the case.
00:30:21The testimonies
00:30:23of Lorraine
00:30:23and Luisa
00:30:24they do the rest.
00:30:25Balance
00:30:26he's stuck.
00:30:29The magistrate
00:30:30Pumpkin
00:30:31he is convinced
00:30:31what a balance
00:30:32be the creator
00:30:33of as many as eight
00:30:34murders
00:30:35to the detriment
00:30:36of prostitutes
00:30:37and of the two
00:30:37unfortunate women
00:30:38of trains.
00:30:39The truth though
00:30:40it's much more atrocious
00:30:42and it's incredible.
00:30:43Balance
00:30:44is about to become
00:30:45a unique case
00:30:46in history
00:30:47of Italian crime.
00:30:48Pumpkin
00:30:49he's just arrived
00:30:51starting
00:30:51to understand it.
00:30:54The prostitute?
00:30:57Well
00:30:58we should
00:30:59start
00:31:00from the beginning.
00:31:01I am responsible
00:31:03of everything.
00:31:04It's useless
00:31:05let's start
00:31:06from here
00:31:06when the
00:31:07consecution
00:31:08temporum
00:31:09provides
00:31:10one thing
00:31:11what happened
00:31:12Before.
00:31:14If he wants
00:31:14take note
00:31:15I tell her
00:31:16the names
00:31:16of everyone.
00:31:18No
00:31:19Henry
00:31:20Pumpkin
00:31:20he can't imagine
00:31:21not even
00:31:22what
00:31:22stands for
00:31:22listen.
00:31:25I was expecting
00:31:27the confession
00:31:28for eight
00:31:28crimes
00:31:29by Rappoi.
00:31:30Nobody
00:31:31he imagined
00:31:31and even less me
00:31:32the very long one
00:31:34trail of blood
00:31:35that in six months
00:31:36Balance
00:31:36he had left himself
00:31:37behind.
00:31:41Between the winter
00:31:43and spring
00:31:43of 1998
00:31:44a series
00:31:45of murders
00:31:46stain
00:31:47Northern Italy.
00:31:48Many of the victims
00:31:49they are prostitutes
00:31:50but there are also
00:31:52mother of a family
00:31:52and ordinary people.
00:31:54The killer
00:31:55is called
00:31:55Donato
00:31:56Balance
00:31:57a thief
00:31:58gambler
00:31:59that in the environment
00:32:00he calls himself
00:32:01Walter.
00:32:02May 6th
00:32:031998
00:32:04Balance
00:32:05he is arrested
00:32:05and for the first time
00:32:07is found
00:32:07in front of
00:32:08to the magistrates
00:32:09and this story
00:32:10it doesn't end here.
00:32:14As strange as it may seem
00:32:15may appear
00:32:16up to the age
00:32:1746 years old
00:32:18Donato Bilancia
00:32:19it doesn't hurt
00:32:20practically
00:32:21to a fly.
00:32:26Just a few years ago
00:32:28everything seemed
00:32:29to function
00:32:29to perfection.
00:32:31BMW 320
00:32:32new
00:32:33Lance
00:32:35Y10
00:32:36new
00:32:37Moped
00:32:39new
00:32:46I lived
00:32:48in a residence
00:32:48where I received
00:32:50cover women
00:32:51I was stealing
00:32:53I was playing
00:32:54I was sleeping
00:32:55In short
00:32:57everything was fine
00:32:58until the day
00:33:00of betrayal
00:33:02of my friend
00:33:03fraternal
00:33:03Maurizio
00:33:04the umpteenth
00:33:06and the most
00:33:07unexpected.
00:33:10But who is Maurizio?
00:33:12Walter
00:33:13he knows him
00:33:14for a long time
00:33:15and for him
00:33:16for that
00:33:16which can mean
00:33:17Friend
00:33:18on the streets
00:33:19nocturnal
00:33:19from Genoa
00:33:20Maurizio
00:33:21he's a friend.
00:33:24Walter
00:33:25it even brings
00:33:26dad and mom
00:33:27at Maurizio's house
00:33:28will remember
00:33:29with bitterness.
00:33:31Be a representative
00:33:33of video games
00:33:34at a roundabout
00:33:35with the black toto
00:33:36but the revenue
00:33:37bigger ones
00:33:37they come to him now
00:33:38from a gambling den
00:33:41a gambling den
00:33:42clandestine
00:33:43who manages
00:33:44with a partner
00:33:45occult
00:33:45by name
00:33:46George
00:33:47Centanaro
00:33:47a former entrepreneur
00:33:4958 years old.
00:33:52Maurizio however
00:33:53he knows
00:33:54the weaknesses
00:33:55by Walter
00:33:56hear them
00:33:57he says one evening
00:33:58I know
00:33:59a nice little place
00:34:00in Bogliasco
00:34:02he manages it
00:34:04my friend
00:34:04George
00:34:05I'll take you there
00:34:07I'm sure
00:34:08that you will have fun
00:34:13the place
00:34:14from Bogliasco
00:34:14it really is
00:34:15a nice place
00:34:16elegant atmosphere
00:34:17lamp
00:34:18crystal
00:34:19and on the tables
00:34:20from the game
00:34:21the one that is thrown
00:34:22I am above all
00:34:23the dice
00:34:23favorite game
00:34:25from scales
00:34:27Walter
00:34:28decide
00:34:29that yes
00:34:29it's a nice place
00:34:30and it begins
00:34:31to frequent him
00:34:32it's played
00:34:33strong
00:34:34and Walter
00:34:35wins
00:34:36and wins well
00:34:38at least
00:34:39at the start
00:34:40only that Walter
00:34:42he is a player
00:34:43compulsive
00:34:44he doesn't know
00:34:45when to stop
00:34:48at that time
00:34:50I owned
00:34:51about a billion
00:34:52of lire
00:34:52in cash
00:34:53divided like this
00:34:55300-400 million
00:34:57deposited
00:34:58in a bank
00:34:58Swiss
00:34:59and 400
00:35:00about twenty
00:35:02of accounts
00:35:03in Genoa
00:35:04and at least
00:35:05300 watches
00:35:06brilliant
00:35:06car
00:35:10this
00:35:11it was the situation
00:35:12in the summer
00:35:13of 1997
00:35:15but in
00:35:16four sessions
00:35:16in Bogliasco
00:35:17balance
00:35:18loses half
00:35:19of everything
00:35:19what he owns
00:35:20but it doesn't stop
00:35:24one day
00:35:25while soaking
00:35:27Walter goes to the bathroom
00:35:28from behind the door
00:35:30of the cabin
00:35:31he feels it coming in
00:35:32two people
00:35:33he feels
00:35:34Maurizio
00:35:35talk to
00:35:36Giorgio Centanaro
00:35:37the owner
00:35:38of the local
00:35:38and Maurizio
00:35:40he's saying
00:35:40did you see the chicken?
00:35:42how did I do it?
00:35:43to hook it up
00:35:44and to bring it
00:35:45here
00:35:45from us
00:35:46for scales
00:35:47it's a shock
00:35:50I can't describe it
00:35:51in words
00:35:52what I felt
00:35:52at that precise moment
00:35:55if I had had
00:35:56a weapon
00:35:58Surely
00:35:59I would have killed them
00:36:00at that moment
00:36:01and instead
00:36:03I took the blow
00:36:04and I went away
00:36:06without even playing anymore
00:36:07he goes home
00:36:08Walter
00:36:09and lies down
00:36:10on the bed
00:36:11he cries
00:36:12all night long
00:36:13now you can hear it
00:36:15the stupidest man
00:36:16of the world
00:36:17in the following days
00:36:19try to do
00:36:20as if nothing had happened
00:36:21but in his head
00:36:24something
00:36:25yes it is
00:36:25irremediably
00:36:27cracked
00:36:31a thought
00:36:32he was hammering me
00:36:33continuously
00:36:35I saw them
00:36:37and I saw them again
00:36:39laugh peacefully
00:36:41their treatment of me
00:36:43as a good friend
00:36:44he did nothing else
00:36:45that increase
00:36:46my hate
00:36:46above all
00:36:48centaur
00:36:48that's what Donato
00:36:49hate
00:36:50how he looked at him
00:36:52when he had to pay
00:36:53a debt
00:36:53when it mattered
00:36:54the money
00:36:55with care
00:36:55not sparing himself
00:36:57not even a few smiles
00:36:58this is it
00:37:00the moment therefore
00:37:01in which
00:37:02in the head of the scales
00:37:03it happens
00:37:04something
00:37:06that drop
00:37:07that makes it overflow
00:37:08the vase
00:37:09of his violence
00:37:11too long
00:37:12repressed
00:37:15but for the action
00:37:17it's still needed
00:37:18something
00:37:19and it will always be the case
00:37:21to put ourselves in
00:37:22the paw
00:37:24June
00:37:261997
00:37:28Casino
00:37:28from Sanremo
00:37:31no matter how desperate you are
00:37:33there's always someone
00:37:35more desperate than you
00:37:36sitting next to Walter
00:37:38there is a man
00:37:39that unknown
00:37:41playmate
00:37:42of an evening
00:37:42he lost everything
00:37:44but he wants
00:37:45continue
00:37:46to play
00:37:47there is something
00:37:48which could
00:37:49allow him
00:37:50another round
00:37:51another shot
00:37:52another one
00:37:53absurd discharge
00:37:55of adrenaline
00:37:57it remained in your pocket
00:37:59a gun
00:38:00a Smith & Wesson
00:38:03a jewel
00:38:04of its kind
00:38:05it's a special
00:38:0738 caliber
00:38:08with a drum
00:38:09that runs smoothly
00:38:10own
00:38:11like the wheel
00:38:12of roulette
00:38:15do you want it?
00:38:16he says to Libra
00:38:17give me a post
00:38:19and it's yours
00:38:21once again
00:38:22the case
00:38:23agree
00:38:25Libra answers
00:38:25they play
00:38:29wins
00:38:29together with 38
00:38:31Walter
00:38:32receives a box
00:38:33with 50 bullets
00:38:35the Aqua Patria
00:38:36Finnish brand
00:38:38they are bullets
00:38:40details
00:38:42bullets
00:38:43lead
00:38:44Sweet
00:38:45it's said in slang
00:38:46and that sweetness
00:38:48stuck
00:38:50to instruments of death
00:38:51it still rings
00:38:52more left-wing
00:38:55maybe
00:38:56had never
00:38:58had the opportunity
00:38:59to have in hand
00:38:59that Smith & Wesson
00:39:01that evening
00:39:01maybe Donato
00:39:02maybe Walter
00:39:04he would not have had
00:39:05no one in front
00:39:07to press
00:39:07that trigger
00:39:11Now
00:39:12that gun
00:39:13and Walter with her
00:39:14they are just waiting
00:39:16the moment
00:39:16to explode
00:39:17Walter
00:39:19discovers
00:39:20where he lives
00:39:20Centanaro
00:39:21and starts following him
00:39:23he watches him in silence
00:39:25behind his
00:39:26windscreen
00:39:27of the Blue Mercedes
00:39:28for several days
00:39:29Then
00:39:30at 3 am
00:39:32of October 14th
00:39:331997
00:39:35take action
00:39:37the modalities
00:39:38they are horrible
00:39:39an execution
00:39:41chilling
00:39:42cold
00:39:43determined
00:39:44he approaches him
00:39:46on the street
00:39:46and points at him
00:39:47a gun
00:39:48You come
00:39:49Now
00:39:50let's play a little
00:39:50you and me
00:39:51head to head
00:39:52who says
00:39:53once climbed up
00:39:55in the apartment
00:39:55makes it sparkle
00:39:57leaving it in
00:39:58tanktop
00:39:58and underwear
00:39:59balance now
00:40:01walk forward
00:40:02and back
00:40:03taking the gun
00:40:04pits
00:40:06he shouts his reasons
00:40:07of a wounded man
00:40:08and betrayed
00:40:09George
00:40:11he's scared
00:40:11that man
00:40:12that was showing itself
00:40:13gentle and affable
00:40:14he is revealing to him
00:40:15his true face
00:40:16here are the words
00:40:17of the murderer
00:40:18I tied it up
00:40:19like a salami
00:40:20from the head
00:40:21at the feet
00:40:21while it was
00:40:22stretched out
00:40:23there on the ground
00:40:24Then
00:40:25with the ribbon
00:40:26I covered
00:40:27even the mouth
00:40:27and the nose
00:40:29and in the meantime
00:40:30I explained to him
00:40:30because I was doing it
00:40:31doing
00:40:32I did it
00:40:33suffer a lot
00:40:35I finished
00:40:36the suffocation
00:40:37and I heard
00:40:38his life
00:40:39run away
00:40:39with one last one
00:40:40body tension
00:40:42then I don't know
00:40:43if by chance
00:40:43it came to him
00:40:44a heart attack
00:40:44for fear
00:40:45given that
00:40:46yes it is also
00:40:46pissed on myself
00:40:47in the end
00:40:48I made sure
00:40:49that he was dead
00:40:50giving him a blow
00:40:52there
00:40:52in the testicles
00:40:52no reaction
00:40:54then I got
00:40:56closed the door
00:40:56behind
00:40:57and I went away
00:40:58Donato
00:40:59free the corpse
00:41:01from the duct tape
00:41:02and the doctors
00:41:03they will think
00:41:04to a natural
00:41:05collapse
00:41:06cardiovascular
00:41:07and they will archive
00:41:08that death
00:41:09like a fatality
00:41:10not even
00:41:11a short article
00:41:12in the newspapers
00:41:13and if it wasn't
00:41:14for confession
00:41:15of scales
00:41:16so they would believe
00:41:17still all
00:41:18mission
00:41:19accomplished
00:41:23but balance
00:41:24it's just
00:41:25the beginning
00:41:25of his
00:41:26staff
00:41:27descent
00:41:27to hell
00:41:28with himself
00:41:29will still bring
00:41:3016 more lives
00:41:31next goal
00:41:33his friend
00:41:34fraternal
00:41:35the last one
00:41:36traitor
00:41:37Maurizio
00:41:38Family members
00:41:41there is a small one
00:41:42building
00:41:43in the heart
00:41:44from Genoa
00:41:44it's a construction
00:41:46medieval
00:41:47or rather
00:41:48what's left of it
00:41:49the house
00:41:51of the Executioner
00:41:51the Genoese call it
00:41:52here
00:41:54without mercy
00:41:55the depitori
00:41:56insolvent
00:41:57they found death
00:41:58by his hand
00:41:59in the ancient
00:42:00Maritime Republic
00:42:04late at night
00:42:05almost dawn
00:42:06of October 15th
00:42:071997
00:42:08when he parked
00:42:10the BMW
00:42:10to go home
00:42:11Maurizio
00:42:12as always
00:42:13on Tuesdays and Thursdays
00:42:14passes in front of us
00:42:16Maurizio
00:42:17he has under his arm
00:42:18the morning paper
00:42:19fresh off the press
00:42:21the smell of ink
00:42:23it mixes
00:42:23to the smell of hot pizza
00:42:25what he has in the bag
00:42:26paper
00:42:27he got married
00:42:28recently
00:42:28Maurizio
00:42:29with Carla
00:42:30a cheerful one
00:42:31beautiful girl
00:42:32who works as a sales assistant
00:42:33and they just came back
00:42:35from the honeymoon
00:42:39while he is obsessed
00:42:41from the idea of killing him
00:42:43Balance
00:42:44he made them
00:42:45the wedding gift
00:42:47Now
00:42:47a horn sound
00:42:49in the darkness
00:42:50Maurizio
00:42:52recognizes
00:42:52the Blue Mercedes
00:42:54by Walter
00:42:56oh hi Walter
00:42:58why at this hour
00:42:59I don't know, nothing
00:43:00I have some things
00:43:01to show you
00:43:02of the clocks
00:43:03if they may interest you
00:43:04says Walter
00:43:05with his voice
00:43:06hoarse and deep
00:43:08he has in his hand
00:43:09a cellophane bag
00:43:10but inside
00:43:12there are no clocks
00:43:13of which Maurizio
00:43:14he collects
00:43:15there is a roll
00:43:17of adhesive tape
00:43:18and gloves
00:43:19to leave no footprints
00:43:20in the back pockets
00:43:22some jeans
00:43:23they come out
00:43:24of the handcuffs
00:43:24that shine
00:43:26to the lights
00:43:26of a few scattered street lamps
00:43:28but Maurizio
00:43:29he doesn't suspect anything
00:43:31okay come on
00:43:32You come
00:43:33but what he shows him
00:43:35Walter
00:43:36it is actually
00:43:37the barrel
00:43:37of a gun
00:43:38no jokes
00:43:40he intimates him
00:43:41above
00:43:42there are some friends
00:43:43that could do harm
00:43:44to your wife
00:43:48curses fate
00:43:49Maurizio
00:43:50why Carla
00:43:51that night
00:43:52he shouldn't have
00:43:53be there with him
00:43:54but from the mother
00:43:55as always
00:43:56when he comes back
00:43:57so late at night
00:43:59then Maurizio
00:44:00becomes
00:44:01docile
00:44:02like a little lamb
00:44:03he gets himself handcuffed
00:44:05and they go up
00:44:06in his beautiful apartment
00:44:10the hours
00:44:11they pass by
00:44:12the morning after
00:44:14the woman
00:44:15of cleaning
00:44:16he started the work
00:44:17whistle
00:44:18passing by
00:44:19from a room
00:44:19to the other
00:44:20it's not yet
00:44:21arrived
00:44:22in the room
00:44:23from bed
00:44:23of the two
00:44:24it's screaming
00:44:25it's inevitable
00:44:26the echo
00:44:27of that horror
00:44:28he arrives
00:44:29up to the house
00:44:30of the executioner
00:44:35they are both
00:44:36on the bed
00:44:39Maurizio
00:44:40he has the head
00:44:41resting
00:44:41on the lap
00:44:42by Carla
00:44:42it's still
00:44:44handcuffed
00:44:44both
00:44:46gagged
00:44:47a shot
00:44:49to the head
00:44:49of him
00:44:50two shots
00:44:51to the chest
00:44:52her
00:44:54after the funeral
00:44:55by Maurizio
00:44:56and Carla
00:44:56balance
00:44:57call the judge
00:44:58which is following
00:44:59the case
00:44:59and simulates
00:45:01in a dialect
00:45:02Sicilian
00:45:04you need to know
00:45:05that death
00:45:06of Centanaro
00:45:07they did it
00:45:07pass
00:45:08for a heart attack
00:45:12but in reality
00:45:13he was killed
00:45:14him too
00:45:15he says on the phone
00:45:17to smear
00:45:18after having it
00:45:18suffocated
00:45:19the memory
00:45:20by Giorgio
00:45:21Centanaro
00:45:21the last one
00:45:23vendetta
00:45:23balance
00:45:25might stop
00:45:26it won't be like that
00:45:27will kill
00:45:29Still
00:45:29and again
00:45:30until arriving
00:45:32to 17 people
00:45:35at the start
00:45:37it seems pushed
00:45:38from hunger
00:45:38of money
00:45:39that is
00:45:39biting
00:45:40it seems
00:45:42Why
00:45:42Walter
00:45:43decide
00:45:44to do
00:45:44again
00:45:45the thief
00:45:45this time
00:45:46with the gun
00:45:47in hand
00:45:48as soon as
00:45:49three days
00:45:49After
00:45:50the assassination
00:45:50by Maurizio
00:45:51and Carla
00:45:51massacre
00:45:53at their home
00:45:53for robbery
00:45:54two old men
00:45:55what they do
00:45:55the goldsmiths
00:45:56Bruno Solari
00:45:58and Maria Luigia
00:45:59Pict
00:45:59Then
00:46:00he goes down the stairs
00:46:01of the condominium
00:46:02calmly
00:46:03whistling
00:46:07and maybe
00:46:09While
00:46:09whistle
00:46:10going down the stairs
00:46:11that balances
00:46:12realizes
00:46:12Really
00:46:13how easy it is
00:46:14kill
00:46:15and pass it on
00:46:16smooth
00:46:16and it will be easy
00:46:18kill
00:46:19currency exchange
00:46:20Luciano Marro
00:46:21November 13th
00:46:22in Ventimiglia
00:46:23still for robbery
00:46:25from this point
00:46:26onwards
00:46:27kill
00:46:28becomes for balance
00:46:29a necessity
00:46:30here it is again
00:46:32his terrible words
00:46:33I was lying down
00:46:34on the sofa
00:46:35that I was watching
00:46:36television
00:46:37at a certain point
00:46:38I'm going to the bathroom
00:46:39to pee
00:46:40and I decide
00:46:41to kill
00:46:42a guardian
00:46:42I put myself
00:46:44the helmet
00:46:44I took
00:46:45the wasp
00:46:45and I went
00:46:46around
00:46:47to look for it
00:46:48Therefore
00:46:49locates his target
00:46:51and the night watchman
00:46:52Gian Giorgio
00:46:53dog
00:46:54he massacres him
00:46:56with one blow
00:46:56the head
00:46:57in an elevator
00:46:59Here you are
00:47:00from this moment
00:47:01onwards
00:47:02kill
00:47:03for scales
00:47:04it's not alone
00:47:05need
00:47:06it's also a pleasure
00:47:09and favorite goals
00:47:10we saw
00:47:11women become
00:47:12on the sidewalks
00:47:13or at random
00:47:14on trains
00:47:17the last crime
00:47:18it happens
00:47:19April 20th
00:47:201998
00:47:21balance
00:47:23he's going to lunch
00:47:24in Sanremo
00:47:24in a restaurant
00:47:26managed
00:47:26from a nice one
00:47:27Lady
00:47:28he has no money
00:47:30balance
00:47:30asks for credit
00:47:31and the lady
00:47:33he grants it to him
00:47:34Walter
00:47:35loves to seem
00:47:36reliable
00:47:36and in his own way
00:47:38it is
00:47:39return
00:47:40he says
00:47:41Then
00:47:42he goes to get gas
00:47:43on the highway
00:47:47Joseph Mileto
00:47:4850 years
00:47:49fills him up
00:47:50to him too
00:47:52balance
00:47:52asks for credit
00:47:53I don't have cash
00:47:55he tells him
00:47:55but Joseph
00:47:57he doesn't want to know
00:47:58he made me
00:47:59to get angry
00:48:00like a velva
00:48:01this is it
00:48:02which has unleashed
00:48:03the impulse
00:48:03Walter
00:48:04take it out
00:48:05the gun
00:48:06and has it delivered
00:48:07the collection
00:48:07Then
00:48:09with anger
00:48:10download
00:48:11the entire magazine
00:48:12on the gas station attendant
00:48:16I am
00:48:17a change of clothes
00:48:18with clothes
00:48:19that I had in my suitcase
00:48:20and I'm back
00:48:21from the lady
00:48:22to settle the bill
00:48:23at 11pm
00:48:24enter the
00:48:26Sanremo Casino
00:48:26dress
00:48:28at full strength
00:48:28to play
00:48:29dice
00:48:32Exactly
00:48:32how did he do it
00:48:33for six months
00:48:34with life
00:48:35of the others
00:48:39between March
00:48:40of 1997
00:48:41and May
00:48:43of 1998
00:48:44a series of murders
00:48:45stain
00:48:46Northern Italy
00:48:47after months of research
00:48:48Donato Bilancia
00:48:50the killer
00:48:51he is captured
00:48:52from the police
00:48:52and it begins
00:48:53a long confession
00:48:55Balance
00:48:56he killed
00:48:5617 people
00:48:57but its long
00:48:58trail of blood
00:48:59it started
00:49:00with a vengeance
00:49:01staff
00:49:02to the investigators
00:49:02it's missing now
00:49:03a single element
00:49:04understand what
00:49:05pushed
00:49:06such a man
00:49:07to become
00:49:08the killer
00:49:08most brutal
00:49:09of history
00:49:10of Italy
00:49:10and this story
00:49:11it doesn't end here
00:49:16this case
00:49:17unique
00:49:17in history
00:49:18of Italian crime
00:49:19it was the object
00:49:21of as many as 13
00:49:22psychiatric assessments
00:49:23who have tried
00:49:24to give a name
00:49:25to the movements
00:49:26of his mind
00:49:29a name
00:49:30a disease
00:49:31that reassured
00:49:32everyone
00:49:33that would push away
00:49:34even just
00:49:35the idea
00:49:35that someone
00:49:36of normal
00:49:37can act
00:49:38like an absurdity
00:49:39and ruthless
00:49:39predator
00:49:40of human beings
00:49:41and one of the things
00:49:42that the judges
00:49:43they will have to establish
00:49:44that's exactly it
00:49:45Balance
00:49:47it is or it isn't
00:49:48a man
00:49:48capable of understanding
00:49:50and want
00:49:50when he kills
00:49:53April 12th
00:49:55of 2000
00:49:55the sentence arrives
00:49:57shortly after noon
00:49:59the court
00:50:00he goes out
00:50:00from the room
00:50:01of advice
00:50:01the president
00:50:03Loris Pirozzi
00:50:04read the device
00:50:05of the sentence
00:50:09Balance
00:50:09there is no
00:50:10as there is none
00:50:12never been
00:50:12throughout the entire process
00:50:15Balance
00:50:16he is condemned
00:50:17to 13 life sentences
00:50:19for the murder
00:50:20of 17 people
00:50:21more comprehensive
00:50:2228 years old
00:50:23for attempted
00:50:23homocide
00:50:24robbery
00:50:24armed hand
00:50:25illegal door
00:50:26the judges
00:50:27they added
00:50:286 years
00:50:29for contempt
00:50:30of a corpse
00:50:30the vile gesture
00:50:32of Libra
00:50:32on the body
00:50:33of the poor
00:50:34Mariangela
00:50:35Ruby
00:50:35for the court
00:50:37he is guilty
00:50:38in the sentence
00:50:40it is read
00:50:40as far as
00:50:41the idea
00:50:42may appear
00:50:42scary
00:50:43you need to take
00:50:45act
00:50:46that we can attribute to him
00:50:47mental infirmity
00:50:49would be
00:50:50just a shape
00:50:51of removal
00:50:52of the baseness
00:50:53of the human soul
00:50:54and reassurance
00:50:57he is an intelligent man
00:51:00Balance
00:51:01the expert reports say so
00:51:02that describe it
00:51:05like a criminal
00:51:06shiny
00:51:06and ruthless
00:51:07not crazy at all
00:51:09how he would love
00:51:10to get through
00:51:11Like this
00:51:12he's busy
00:51:14Balance
00:51:14and from the prison of Opera
00:51:16contact one
00:51:17of the most important
00:51:18and old
00:51:19Italian psychiatrists
00:51:20Victorino
00:51:21Andreoli
00:51:22and September 20th
00:51:24of 2000
00:51:25he writes
00:51:26Balance
00:51:27to Andreoli
00:51:29only after
00:51:30that I have
00:51:31proposed
00:51:32hope
00:51:33to know
00:51:34What
00:51:34she thinks
00:51:35about me
00:51:35if I'm sick
00:51:37or not
00:51:38I decided
00:51:39to resort to
00:51:40on appeal
00:51:43and Andreoli
00:51:44go find him
00:51:45in prison
00:51:46of Padua
00:51:47where in the meantime
00:51:48Balance
00:51:49he was transferred
00:51:51a
00:51:52in front of
00:51:52to the other
00:51:53There are
00:51:54the largest
00:51:54Italian psychiatrist
00:51:55living
00:51:56and the most ferocious
00:51:58murderer
00:51:59Italian
00:51:59living
00:52:00the scene
00:52:01that the old man
00:52:02psychiatrist
00:52:02it is located in front
00:52:03it will remain imprinted
00:52:05as one of the most
00:52:06disturbing
00:52:07of his life
00:52:09Balance
00:52:09pull down
00:52:10the suit
00:52:11and it shows itself
00:52:12in its smallness
00:52:14a sort
00:52:15of atrophy
00:52:16of the acts
00:52:16inferior
00:52:17that in perception
00:52:18of Libra
00:52:19he didn't spare
00:52:20not even
00:52:21its parts
00:52:22intimate
00:52:24syndrome
00:52:25of Tom Thumb
00:52:26they call her
00:52:26psychiatrists
00:52:27in search
00:52:29of the roots
00:52:29of this syndrome
00:52:30here is Walter
00:52:32the lifer
00:52:33the killer
00:52:34that tells
00:52:36of a visit
00:52:36to relatives
00:52:37happened
00:52:38many
00:52:39many years
00:52:40Before
00:52:42every year
00:52:44in summer
00:52:44when he has
00:52:45among the seven
00:52:46and ten years
00:52:46the family
00:52:48starts from Genoa
00:52:49with a
00:52:50Fiat 600
00:52:50to go
00:52:51in Potenza
00:52:52on a visit
00:52:54to relatives
00:52:55he was staying
00:52:56from aunt
00:52:57who had
00:52:57three daughters
00:52:58an uglier one
00:52:59of the other
00:53:03in the evening
00:53:04the father
00:53:05he abandoned himself
00:53:06to a ritual
00:53:07which still today
00:53:08Balance
00:53:09remember
00:53:10with embarrassment
00:53:10and shame
00:53:11he put it on
00:53:12standing
00:53:12on the bed
00:53:13in the presence
00:53:14of the three girls
00:53:15that he calls
00:53:16the three mummies
00:53:17and pulled them down
00:53:18the panties
00:53:20at that moment
00:53:22I was twisting myself
00:53:23on myself
00:53:24falling to his knees
00:53:25on the bed
00:53:26died of shame
00:53:28that
00:53:29professor
00:53:29it was the event
00:53:31who crucified me
00:53:32for the rest
00:53:33of my life
00:53:34even today
00:53:35I'm dying of shame
00:53:36just talking about it
00:53:37and that gesture
00:53:39maybe
00:53:39that he has me
00:53:40even provoked
00:53:41damage
00:53:41to development
00:53:42of the penis
00:53:43we won't know
00:53:44maybe never
00:53:45if Libra
00:53:46it opens like this
00:53:47platially
00:53:48his ancient wounds
00:53:49in front of Andreoli
00:53:50to get away with it
00:53:51or to search
00:53:53to explain
00:53:53all the way
00:53:54hell
00:53:55that lives inside it
00:53:56and on the other hand
00:53:58one thing
00:53:59does not exclude the other
00:54:01Victorino Andreoli
00:54:02will lay down
00:54:03a third
00:54:04for Libra
00:54:04which constituted
00:54:06the base
00:54:06of his request
00:54:07of appeal
00:54:08Andreoli writes
00:54:10of its kind
00:54:11Balance
00:54:11he destroyed
00:54:12every theory
00:54:13criminological
00:54:14Nobody
00:54:16before him
00:54:16had killed
00:54:18so frantically
00:54:19without a reason
00:54:20apparent
00:54:20nor an advantage
00:54:21economic
00:54:22he didn't do it
00:54:23out of hatred
00:54:24or in retaliation
00:54:25nor why it was
00:54:26obsessed
00:54:27or erotomaniac
00:54:29Donato Bilancia
00:54:30he's a murderer
00:54:32anonymous
00:54:32that kills
00:54:33anonymous
00:54:33shooting in the crowd
00:54:35when you feel
00:54:36completely alone
00:54:37decides to cancel itself
00:54:39Balance
00:54:41kills
00:54:41because he is already dead
00:54:45in the expertise
00:54:46the psychiatrist
00:54:48will overshadow
00:54:48the hypothesis
00:54:49of mental infirmity
00:54:50the court of appeal
00:54:52from Genoa
00:54:52February 14th
00:54:54of 2001
00:54:55but
00:54:55will refuse
00:54:56once again
00:54:57this thesis
00:54:58and will confirm
00:54:59the sentence
00:55:00in the first degree
00:55:01but there is
00:55:01a story
00:55:02that strikes
00:55:03of those stories
00:55:04that are really there
00:55:05at the crossroads
00:55:06of our lives
00:55:07when it comes to
00:55:08to find oneself
00:55:09or to get lost
00:55:10forever
00:55:11a story
00:55:13that in life
00:55:14of Libra
00:55:14has the name
00:55:15by Ornella
00:55:17Ornella
00:55:18that's what it's called
00:55:19the only woman
00:55:20that maybe
00:55:21have ever really
00:55:22beloved Libra
00:55:26I remember it
00:55:27one evening
00:55:29I had been
00:55:30from her
00:55:31and I told her
00:55:32that our
00:55:33relationship
00:55:34it ended there
00:55:36we had had
00:55:37a discussion
00:55:38rather heated
00:55:38and she
00:55:39it was happening to me
00:55:40accompanying
00:55:40the machine
00:55:42poor thing
00:55:43he was following me
00:55:45like a little dog
00:55:45and at a certain point
00:55:47he tells me
00:55:50I can't live
00:55:51without you
00:55:54it was the first time
00:55:55and no other woman
00:55:57he never told me again
00:55:58a similar sentence
00:56:00thinking about Ornella
00:56:01Today
00:56:02it's the only thing
00:56:03that makes me feel
00:56:04dirty
00:56:06when I think back
00:56:07to her
00:56:07to his affection
00:56:09to his love
00:56:11I feel
00:56:12a piece of shit
00:56:14I can't live
00:56:15without you
00:56:18a sentence
00:56:19lost in one evening
00:56:20in summer
00:56:21thirty years ago
00:56:22a sentence
00:56:23that suggest it
00:56:24in the end
00:56:25of a story
00:56:26like many others
00:56:27a woman
00:56:28madly in love
00:56:29what does he say?
00:56:32I can't live
00:56:33without you
00:56:34to the man
00:56:35who believed
00:56:36Instead
00:56:36to be able to live
00:56:37killing
00:56:3817 times
00:56:39at random
00:56:44it was necessary
00:56:45that the concatenation
00:56:47of events
00:56:48in life
00:56:49of scales
00:56:49would bring
00:56:51to death
00:56:51of 17 people
00:56:53in the chain
00:56:54of the causes
00:56:55and the effects
00:56:56shot after shot
00:56:58the dice
00:56:59of life
00:57:00by Walter
00:57:00they had to
00:57:01necessarily
00:57:02cross
00:57:03to crush
00:57:03the lives
00:57:04of so many
00:57:04men
00:57:05and women
00:57:05if that were the case
00:57:07freedom
00:57:08it wouldn't make sense anymore
00:57:10as well as
00:57:11the courts
00:57:12of men
00:57:13and judge
00:57:14life
00:57:15of a man
00:57:15like that one
00:57:16of this murderer
00:57:17would have the same
00:57:18nonsense
00:57:19what to judge
00:57:20and condemn
00:57:21an apple
00:57:22that there is a fall
00:57:23in the head
00:57:24it's like this
00:57:26in 1970
00:57:27Jacques Monod
00:57:29Nobel
00:57:301965
00:57:31for medicine
00:57:32he published
00:57:34the case
00:57:34and the need
00:57:35Yes
00:57:37we were saying
00:57:38No
00:57:38the man
00:57:39it's just
00:57:40in the immensity
00:57:41indifferent
00:57:42of the universe
00:57:43from which it emerged
00:57:45by chance
00:57:46in the end
00:57:47of an infinite
00:57:48dice roll
00:57:49we have to accept it
00:57:50but that
00:57:52does not take away
00:57:52to the man
00:57:53freedom
00:57:53and responsibility
00:57:56his duty
00:57:57like his destiny
00:57:59it is not written
00:58:00nowhere
00:58:01to him
00:58:02the choice
00:58:03between the kingdom
00:58:04and the darkness
00:58:14This
00:58:15the terrible list
00:58:17of the victims
00:58:18by Donato Bilancia
00:58:19October 16, 1997
00:58:22Giorgio Centanaro
00:58:24October 24, 1997
00:58:27Maurizio Parenti
00:58:29and his wife
00:58:30Carla Scotto
00:58:31October 27, 1997
00:58:34Bruno Solari
00:58:36and Maria Luigia Pitto
00:58:37November 13, 1997
00:58:40Luciano Marro
00:58:41January 25, 1998
00:58:45Gian Giorgio Cano
00:58:48March 9, 1998
00:58:50Stela Truia
00:58:52March 18, 1998
00:58:55Ludmila Zubchkova
00:58:58March 20, 1998
00:59:00Enzo Gorni
00:59:02March 24, 1998
00:59:05Massimiliano Gualillo
00:59:07and Candido Randò
00:59:08March 29, 1998
00:59:10March 29, 1998
00:59:11Weaves
00:59:12in Dodo
00:59:13April 12, 1998
00:59:16Elizabeth Zoppetti
00:59:18April 14, 1998
00:59:21Cristina Valla
00:59:23April 18, 1998
00:59:25Maria Angela Rubino
00:59:27April 21, 1998
00:59:30Joseph Mileto
00:59:34With black stars
00:59:35the Pistorius case
00:59:37A boy
00:59:37without legs
00:59:39who managed to participate
00:59:41at the Olympics
00:59:434 detonations
00:59:45they shake
00:59:46the quiet of the night
00:59:47inside the bathroom
00:59:48a pool of blood widens
00:59:50and it arrives
00:59:52Stenkamp
00:59:53the beautiful model
00:59:55South African
00:59:55the girlfriend
00:59:57by Oscar Pistorius
00:59:59it was me
00:59:59I killed
01:00:01the love of my life
01:00:02The love of my life
Commenti