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00:00:27¡Suscríbete al canal!
00:01:08¡Suscríbete al canal!
00:01:26¡Suscríbete al canal!
00:01:27No matter how far I go from the scene of it, I shall never forget how it started.
00:03:04You have to excuse me, Belle.
00:03:05I have a dreadful headache.
00:03:08I'm sorry, dear.
00:03:09Can I make you a cup of tea?
00:03:10No, thanks.
00:03:12Right up.
00:03:13I'll see you in the morning.
00:03:14Night.
00:03:14Good night.
00:03:16Night.
00:03:16Good night.
00:03:43¡Suscríbete al canal!
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00:04:24¡Suscríbete al canal!
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00:04:52¡Suscríbete al canal!
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00:07:01¡Suscríbete al canal!
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00:07:39¡Suscríbete al canal!
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00:08:13¡Suscríbete al canal!
00:08:15¡Suscríbete al canal!
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00:08:19¡Suscríbete al canal!
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00:08:32¡Suscríbete al canal!
00:08:43¿Qué pasa, Doc?
00:08:51¡Bell!
00:08:55¡Bell!
00:08:57¡Bell!
00:09:01No hay nada, ni nada.
00:09:03¡Vamos a la botana!
00:09:05¡Buyo!
00:09:14Keep your shirt on. I will see a minit.
00:09:18All right, all right. I'm.
00:09:20I'm sorry to keep you waiting.
00:09:22This is a game that 2 can play.
00:09:24Never mind, never mind.
00:09:45Hello Daisy, how about a cup of tea?
00:09:50I saw your top, I must say he's rather handsome.
00:09:55Oh come on now, no games, I saw his lordship in the...
00:10:08Daisy!
00:10:29What's wrong?
00:10:30It's Daisy, she's dead!
00:10:37According to the police, Daisy had been drugged...
00:10:40and then smothered or strangled.
00:10:43They questioned us for more than an hour...
00:10:46and took samples of the tea that was left in our half empty cup.
00:10:49Is this your Bible too?
00:10:53Never saw it before.
00:10:59I... I don't think it was Daisy's.
00:11:02How do you know?
00:11:03Well, she wasn't much for barbels or flowers.
00:11:06Poor thing, they both are a great blessing.
00:11:08I don't know what I should do without my garden.
00:11:11Seems to be a well-grown moss rose.
00:11:13A moss rose?
00:11:15Why, I haven't seen one since I was a child.
00:11:19They don't mature well unless they have a very acid soil.
00:11:22I hope you haven't lost the place it was in, sir.
00:11:24Oh good heavens, how careless of me.
00:11:27But then I don't suppose it matters much?
00:11:29It might be very important, sir.
00:11:30It was on page 132, sir.
00:11:33How do you know?
00:11:35Well, I... I looked.
00:11:37Just before you came in.
00:11:39My mother always used to mark her place like that.
00:11:42Only she used a sprig of pennywort.
00:11:45When did you say you left the West Country?
00:11:48Oh, I didn't say, sir.
00:11:51But how could you tell that's where I'm from?
00:11:54Pennywort prefers to grow in the West Country.
00:11:57The moss rose is more capricious, one is apt to find it almost anywhere in England.
00:12:00Well, at least we can concentrate our search on England, eh, Evans?
00:12:04England is a pretty big place, sir.
00:12:06If we have to search all the gardens and all shires looking for moss roses...
00:12:10You wouldn't discover any.
00:12:11The moss rose is out of season now.
00:12:13Then where did this one come from?
00:12:15That is precisely what we must find out.
00:12:26Why would anybody want to murder Daisy Arrow?
00:12:29So, I kept asking myself over and over.
00:12:34And what had a moss rose pressed in the pages of a Bible to do with it?
00:12:39And what of the man I'd seen leaving Daisy's room?
00:12:44Somehow, I had a feeling he was the same man I'd seen the night before...
00:12:48and the cab at the theatre.
00:13:04I had forgotten all about the cab and the white horse until then.
00:13:09Of course, in London, a white horse was no novelty.
00:13:12Yet there was always a chance it might be the one.
00:13:18Here you are. My kitten knows enough for you, Harry.
00:13:20Ah, almost thought I wasn't going to get here.
00:13:22When I popped a feather, brought me right to your door.
00:13:25Hello, young bell. There's been a basin full of bother up your way, I hear.
00:13:28And you'll be hearing more. Is that your cab outside?
00:13:31If you wait till I finish this nice dish of tripe, I'll be glad to go out and have a
00:13:35look.
00:13:35The one with the white horse, is that yours?
00:13:37Would you call him white, Bert?
00:13:39Well, being a friend of both parties, I would not give an opinion.
00:13:42I don't care what you call him. You took a gent from here about an hour ago, didn't you?
00:13:47Who says so?
00:13:48A dark, foreign-looking gent and a grey hat and a light raglan.
00:13:52I've carried dark, foreign-looking gents in grey hats.
00:13:55I've carried dark, foreign-looking gents in light raglans.
00:13:59But I don't remember as if I've carried one as wore both.
00:14:02Now, my dear, not if you gave me a stack of Bibles that I'd a kiss.
00:14:06One on top of the other and me a gourd-fearing man to boot.
00:14:11Where'd you take him?
00:14:13Who?
00:14:13That gent.
00:14:14What gent?
00:14:15The one you took away from here.
00:14:16I don't remember saying I took anybody.
00:14:19Hey, Bert, me lad, how about another half point?
00:14:21Help yourself. I'm busy.
00:14:23I know.
00:14:27Now, look here, mister.
00:14:29You tell me where you took that gent and I'll buy you the half-part a bit.
00:14:32I can buy me own, thanky.
00:14:34Now, look here.
00:14:35You take my advice and leave gents alone.
00:14:38They're not for the likes of you.
00:14:40You'll only borrow trouble, as you probably have already.
00:14:43The likes of me? Who do you think you're talking to?
00:14:46I knows a real gent when I sees one.
00:14:49And I knows you lasses that go fooling about where you don't belong.
00:14:53You keep your place and make them keep theirs.
00:14:56You'll be better off, mark my words.
00:14:58How do you know I'm no lady?
00:15:01Well, first place, you don't dress like one.
00:15:05Second place, you don't talk like one.
00:15:08Third place, you don't act like one.
00:15:10He's looking at you.
00:15:12Eye catches your eye.
00:15:14Where did you learn to say that?
00:15:16What?
00:15:16Eye catches your eye.
00:15:18Oh, me father always said it.
00:15:20Your father? Where did he drive a cab?
00:15:24He had a stand in Piccadilly.
00:15:26In Piccadilly? Why didn't you say so?
00:15:29What was his name?
00:15:29Pat Linton.
00:15:30Pat Linton?
00:15:31I never knew him, but I knew fellas are dead.
00:15:33Good friends of mine.
00:15:34He's dead now, eh?
00:15:36Poor last, did that bloke in the cab do you wrong?
00:15:39That's my affair.
00:15:40Pat Linton's daughter.
00:15:42Well, I'll be blowed.
00:15:46Now, the gent in question gave me a nice tip.
00:15:48But if you're Pat Linton's daughter, he paid me off in Hyde Park.
00:15:52Hyde Park?
00:15:54But that's a big park.
00:15:55Hold on.
00:15:56I picked up a fare on the bounce.
00:15:58And on the way back here to eat this lovely dish of tripe,
00:16:01who should I see going into the Regency Hotel?
00:16:04In?
00:16:04Big as life.
00:16:06Grey at and all.
00:16:07Thanks.
00:16:08I'll do as much for you sometime.
00:16:12Eye catches your eye.
00:16:13To me.
00:16:37I'll do that again.
00:16:39Bye bye!
00:16:53This way, milady.
00:16:56Oh, there he is.
00:17:02Hello, Michael.
00:17:06Mother.
00:17:08What in the world?
00:17:14Hello, Audrey.
00:17:14Strange, I was just thinking of you.
00:17:16Were you, darling?
00:17:22How are you?
00:17:24I'm extremely well.
00:17:26Have you had lunch?
00:17:28You haven't even said you're surprised to see us.
00:17:30Surprised?
00:17:31As I told you to be thinking of someone who's far away,
00:17:35then suddenly look up and there she is.
00:17:37There's more to that than surprise.
00:17:40I thought you both were in the country.
00:17:42Did you just arrive?
00:17:42No, my dear.
00:17:43Last night.
00:17:44We inquired for you, but you were out.
00:17:46Why, I'm sorry I wasn't in.
00:17:49But then I didn't know.
00:17:51It doesn't matter.
00:17:52Nothing matters except seeing you again.
00:17:55Isn't there a waiter in the whole of London?
00:17:57Oh, I'm sorry, Mother.
00:18:07You'll leave with us tonight on the six o'clock train.
00:18:09I'm afraid I can't.
00:18:11Lady Margaret and I have got some shopping to do,
00:18:13but we could be ready, Bass.
00:18:13I'm sorry I can't go with you.
00:18:15Not tonight.
00:18:16But I want to leave as soon as I can.
00:18:20It'll be good to be back in the country again.
00:18:24We can take long walks on the moor,
00:18:27like we used to, darling.
00:18:30You and Mother leave tonight.
00:18:31I promise to join you well as soon as I can.
00:18:53At Daisy's funeral,
00:18:55there were only a few girls from the theater.
00:18:58All through the ceremony,
00:18:59I kept thinking about the man in the white coat.
00:19:02I had a feeling he was somewhere near watching us.
00:19:57We always seem to meet in all ways,
00:19:59don't we, Mr. Dreykov?
00:20:01We always seem to meet in all ways,
00:20:01but we always seem to meet in the dark.
00:20:03Come in.
00:20:05Come in.
00:20:18¿Qué?
00:20:19¡Está bien!
00:20:21Un amigo que vivía aquí.
00:20:23Pero él ha ido a Ingen.
00:20:25¿Pero conoces Jack Sinclair?
00:20:30¿Vale? ¿Vale a la señora?
00:20:34¿Vale?
00:20:35Mi nombre es Bella Dea.
00:20:37¿Qué quieres?
00:20:38Yo vivo en la misma tierra como Daisy Arrow.
00:20:42Yo vi en la casa de la mañana.
00:20:44¿No?
00:20:47No he conocido en mi vida.
00:20:49Oh, sí.
00:20:50I saw you when you called for Daisy at the stage door Saturday night.
00:20:54I was with her.
00:20:55You're mistaken.
00:20:56I've never heard of anybody by the name of Daisy Arrow.
00:21:00You're a cool one.
00:21:03You mustn't think nobody knows I've come here.
00:21:06Be kind enough to state your business and get out.
00:21:08I wasn't the only one that saw you at the stage door.
00:21:12I had a friend with me.
00:21:13He saw you plain as I did.
00:21:16You cheap little blackmailer.
00:21:18We're not discussing blackmail, Mr. Drago.
00:21:20We're discussing murder.
00:21:24Murder?
00:21:24You mean you haven't even been curious enough to read about it in the piper?
00:21:29You can't scare me.
00:21:31You killed Daisy Arrow.
00:21:33I saw you that night and I saw you coming out of a room Sunday morning.
00:21:36And what's more, the cabman that drove you to Eyed Park can identify you.
00:21:39In that case, why haven't you gone to the police?
00:21:41The inquiry is tomorrow.
00:21:44If you weren't more of a fool than a blackmailer,
00:21:48I'd go to the police myself and have you put away.
00:21:52I think our discussion is over, miss.
00:21:55Whatever your name is.
00:22:01You'll be sorry.
00:22:02It wasn't much I was going to ask.
00:22:06I'm asking you to go.
00:22:08That's not much either.
00:22:11You're making a very big mistake, Mr. Drago.
00:23:02Mr. Michael Drago. Involved in murder, Daisy Arrow. Get him quick.
00:23:10As a rule, I don't bother with anonymous communications, Mr. Drago,
00:23:14but in murder cases, we're not permitted to use ordinary discretion.
00:23:19I understand, Inspector.
00:23:22And I appreciate the discretion you've shown in bringing me here.
00:23:25Not at all.
00:23:27And now, if you could give us a fairly accurate description
00:23:29of your movements during these intervals,
00:23:32Evans has it all worked out.
00:23:34Let me see.
00:23:36That night, I dined with Major Jameson at his club.
00:23:40We played billiards until midnight.
00:23:42Then I walked up Piccadilly.
00:23:44I returned to my hotel...
00:23:47Oh, about 12.45.
00:23:50Did the porter give you your key?
00:23:52Yes.
00:23:56Cigarette?
00:23:59Thank you.
00:24:04Then you retired for the night.
00:24:07Yes.
00:24:08And the next morning?
00:24:10Next morning.
00:24:14Thank you.
00:24:16That was Sunday.
00:24:17I got up around 10, and after having breakfast in the grill,
00:24:22I took a walk in Hyde Park until lunchtime.
00:24:24Where did you go for lunch?
00:24:27I came back to the Regency.
00:24:28The Regency.
00:24:29I don't blame you.
00:24:30Excellent cuisine at the Regency.
00:24:34And now, just one more question, Mr. Drago.
00:24:36Your father was not a British subject, was he?
00:24:39No.
00:24:40He was not.
00:24:41I hope you don't mind my asking.
00:24:43Purely routine, you know.
00:24:44And you yourself have lived a good part of your life away from England.
00:24:47That is, in Canada?
00:24:49Yes.
00:24:50But your mother is English, if I'm not mistaken.
00:24:54Yes.
00:24:55And the Drago estate is?
00:24:57Chornley Manor.
00:25:02And that's in Devonshire, isn't it?
00:25:05Yes.
00:25:06Mr. Drago.
00:25:07Would you be able to say if there's an arbor of moss roses at Chornley Manor?
00:25:14Moss roses?
00:25:16Yes.
00:25:17I...
00:25:18I'm not sure.
00:25:20It's quite possible, though.
00:25:23Our gardens have all the Devonshire flowers.
00:25:26Oh, I see you're interested in flowers, Mr. Drago.
00:25:29So am I.
00:25:30So am I.
00:25:31Floral geography is a hobby of mine.
00:25:33Look at these begonias.
00:25:35I raised them from seed.
00:25:45Evans?
00:25:47Yes, sir?
00:25:49Please ask Miss Adair to step into your room for a moment.
00:25:53Place her as close to the door as possible.
00:25:55So she can hear clearly and at the same time not be able to see anyone in this room.
00:26:00Yes, sir.
00:26:01And also ask Mr. Stevens and Mr. Thompson to come in here.
00:26:03Yes, sir.
00:26:05By the way, you don't know Miss Adair, do you?
00:26:07Miss Bella Adair?
00:26:09No, I don't think so.
00:26:11Why?
00:26:12Did she say she knows me?
00:26:13No, she didn't.
00:26:14I hate to trouble you with all this fault around Mr. Drago,
00:26:17but Miss Adair claims she saw the principal suspect in a cab
00:26:20when he called for the deceased at the Cambridge Theatre the night of the murder.
00:26:24She also heard him speak to the deceased.
00:26:27I never place much reliance in these voice tests,
00:26:29but this girl insists she can recognize the voice.
00:26:33So just for the sake of a clear record, I wonder if you'd mind submitting to a test.
00:26:37Why, you don't give me much choice.
00:26:40I have none myself, Mr. Drago.
00:26:42I don't doubt your word, but certain areas in your statement leave room for reasonable conjecture,
00:26:48which I hope this voice test will eliminate.
00:26:51Come in.
00:26:58Will you please read this aloud when I give you the word?
00:27:02And you do the same, Mr. Drago.
00:27:04Of course, it's all a lot of nonsense, but I'll try and get it over as quickly as possible.
00:27:09Evans, you stay with Miss Adair and take note of her reactions.
00:27:12Yes, sir.
00:27:20Come in, please, Miss Adair.
00:27:25Come in, sir.
00:27:25Sit down.
00:27:34Ready, sir?
00:27:38You're early.
00:27:39It just struck twelve on St. Paul's.
00:27:43You're early.
00:27:44It just struck twelve on St. Paul's.
00:27:46You're early.
00:27:47It just struck twelve on St. Paul's.
00:27:50They're terribly alike, aren't they?
00:27:53But it seemed that the second one...
00:28:02The second one, she said.
00:28:04Although she wasn't absolutely positive.
00:28:06Well, Mr. Drago, do you regard that as conclusive?
00:28:09I wouldn't say that, but it rather leaves us on the fence, so to speak.
00:28:12Actually, I'm duty-bound to include your name for further investigation.
00:28:17I'm sorry.
00:28:18I see.
00:28:19Inspector, how would it be if everyone said something different?
00:28:23Then perhaps they wouldn't sound so much alike, and we could secure a positive identification.
00:28:27Good man.
00:28:29You say something at random.
00:28:31You stick to the original sentence spoken by the suspect.
00:28:34And you, Mr. Drago, can say anything you like.
00:28:37Do you mind if I read a sentence from a letter I happen to have here?
00:28:40Splendid.
00:28:42An excellent suggestion, Evanson.
00:28:55You're early.
00:28:57It just struck twelve on St. Paul's.
00:29:00Seeking to untie one knot, we sometimes tangle the whole skein.
00:29:04On second thought, I have decided to reconsider your proposal.
00:29:08And will be glad to discuss the question of terms at your earliest convenience.
00:29:14Well, which one?
00:29:16I'm still not completely certain.
00:29:19You switched them around to me. That's about all I can say.
00:29:32Please follow me, Mr. Dare.
00:29:39Mr. Dare, have you ever seen this gentleman before?
00:29:49Well, Mr. Dare?
00:29:52His type isn't unfamiliar.
00:29:54What sort of an answer is that?
00:29:56Look here, Mr. Dare, either you recognize him or you don't recognize him.
00:30:01Is this the man you saw coming out of that room?
00:30:06I wouldn't want to hurt an innocent person.
00:30:09Is this the man you saw coming out of Daisy Arrow's room the morning of the murder?
00:30:13Well, answer me, Mr. Dare, is he the man?
00:30:18I was that startled that I don't remember.
00:30:21But...
00:30:23That will be all for now, Mr. Dare.
00:30:26When we need you again, we'll send for you.
00:30:34That will be all.
00:30:42Well, Inspector, any further need on me?
00:30:45Not at the moment, Mr. Dare.
00:30:47Not at the moment.
00:30:48Again, I regret you've been subjected to this inconvenience.
00:30:52After all, it's no small thing for a man of your prominence to be dragged into a mess of this
00:30:56sort,
00:30:56especially on the eve of your wedding.
00:30:59I'm sure you realize we're only doing our duty.
00:31:02I do, Inspector.
00:31:04And if there's anything else, I'm only too happy to be of service to you.
00:31:11We'll keep in touch with you.
00:31:22The next morning, there was a note under my door telling me if I came to the shop's brigandry at
00:31:28three,
00:31:28I would learn something to my advantage.
00:31:43Tell me.
00:31:43I'm going to get in touch with you, Miss.
00:31:44Yes, thank you. I'm just looking.
00:31:47Thank you.
00:32:43No, no, no, no, no, no, no.
00:33:01Then have Inspector Klinner see us together.
00:33:03How do you know they are known to you?
00:33:06Oh, I know they're not.
00:33:08Well, I am.
00:33:10I repeat, you'll be more than satisfied with what you have there.
00:33:14Thank you again, Mr. Dare.
00:33:30¿Estás leaving ahora, señor Drago?
00:33:32¿Puedo enviar mi billón a mí, por favor?
00:33:34Sí, sí.
00:33:35Por favor, un mensaje de la letra de ti, por mi messenger.
00:33:40Gracias.
00:33:46¡Gracias!
00:34:16We shan't be leaving tonight after all.
00:34:17Very good, sir.
00:34:18Take Mr. Drago's bags back to his room.
00:34:21I'm glad you're staying on with us, sir.
00:34:24You can, Mr. Drago.
00:34:58Good evening.
00:35:00What's the meaning of your note?
00:35:01A woman has a right to change her mind, hasn't she?
00:35:04Wasn't the money I gave you enough?
00:35:06Oh, it was plenty. I wouldn't have asked for near so much.
00:35:10I don't understand how a girl like you can turn down 500 pounds.
00:35:13A girl like me? How do you know what I'm like?
00:35:16Just what do you want, Miss Adair?
00:35:18You shouldn't call me Miss Adair anymore.
00:35:20My real name's Rose Linton.
00:35:22Oh, you've dropped your alias.
00:35:25Oh, it wasn't an alias.
00:35:26Bella Adair was my stage name, but I'm giving up the stage.
00:35:29I see. And what do you intend to do?
00:35:32Well, that depends on you.
00:35:34On me?
00:35:35Yes. Now look here.
00:35:54Why don't you call him?
00:35:57Conceiling evidence is a crime, you know.
00:35:59But I don't want...
00:35:59What is on your mind?
00:36:01Apparently you're convinced I'm guilty.
00:36:03Of course I am.
00:36:05Otherwise, why'd you try to buy me off?
00:36:07Because you could have made things even more difficult for me than they already are.
00:36:10You're still willing to bargain with me, aren't you?
00:36:12I made you an offer that was more than fair.
00:36:14You turned it down.
00:36:15Oh, it is money I want. It's something I want much more.
00:36:18Well?
00:36:21I found out from the porter at your hotel you're leaving London, going to Charnley Manor.
00:36:26Take me with you.
00:36:27What?
00:36:28Take me with you to Charnley Manor.
00:36:30Take you with me? Are you serious?
00:36:32I am.
00:36:33Of all the ridiculous...
00:36:35You don't understand.
00:36:36It's something I wanted all my life.
00:36:38When I was little, I lived with my dad in Shoreditch.
00:36:42You know what that's like?
00:36:45I don't think you do.
00:36:47My dad drove a cabin.
00:36:49He wasn't owe much.
00:36:51I was left alone a lot.
00:36:54I had to make up games for myself.
00:36:57And the game I loved most was pretending I was a lady at a great house.
00:37:02Ever since I was that I, I dreamed about staying at a great house in the country.
00:37:08With butlers and footmen and maids.
00:37:12Breakfast in bed every morning.
00:37:14And if I wanted something, just ring for it.
00:37:19It'll only be for two weeks.
00:37:20That's all I'm asking.
00:37:22Let me go to Charnley Manor.
00:37:24Just for two weeks.
00:37:26But that's preposterous.
00:37:28No, it isn't.
00:37:29If you don't think for one moment you could get away with it, well, you'd be miserable.
00:37:32Just give me the chance.
00:37:33I'm sorry, but the whole thing is just too ridiculous.
00:37:35You won't do it?
00:37:38No.
00:37:42In that case, I suppose I'll have to go and call on Georgie.
00:37:46Georgie?
00:37:47George Gilby.
00:37:48He's the bookie chap that was with me the night Daisy got into your cab.
00:37:51Remember?
00:37:52So he's in this with you.
00:37:54Not yet, and he needn't be.
00:37:56Think it over, Mr. Drago.
00:37:58Think it over carefully.
00:38:00You know where to get in touch with me.
00:38:04Ta-ta!
00:38:28Maward, it's beautiful.
00:38:30You certainly had plenty of room to run round in when you were a little nipper.
00:38:35Look here.
00:38:36Do you have to look so unhappy?
00:38:37Aye.
00:38:39Happy as luck.
00:38:40If you're worried about I'm going to behave while I'm here, put it out of your mind.
00:38:44You'll have no cause to be ashamed of me.
00:38:46Not with all these gorgeous new clothes you bought me.
00:38:49And as for me table manners, if I don't know which fork to use, I'll just keep me eye on
00:38:53you.
00:39:00My word, it's a regular palace.
00:39:03You should stop exclaiming my word at everything you see.
00:39:06I can't help it.
00:39:08Everything's so grand and green.
00:39:11The air smells so nice.
00:39:14And my word, how the sun shines.
00:39:18People in town don't know what they're missing.
00:39:21Everywhere you look, it's so lovely.
00:39:23You'd expect to see a calendar pasted under it.
00:39:26How are you, Craxton?
00:39:27Mr. Michael?
00:39:28It's good to have you home again, sir.
00:39:30Craxton, this is Miss Linton.
00:39:31She's stopping with us a few days.
00:39:33Your room is ready for me, Miss.
00:39:35Thank you.
00:39:36I hope I shan't be too much bothered.
00:39:38Have I?
00:39:42Nice little place you've got here, Michael.
00:39:46His mother home, Craxton.
00:39:48Her ladyship went for a drive with Miss Ashton, sir.
00:39:50We'll have tea in the library.
00:39:51Premier Brandon and Silver, please.
00:39:53Yes, sir.
00:39:57How was I?
00:39:59What did you expect?
00:40:00An applause?
00:40:01I did it just like the Honorable Audrey would.
00:40:14Bein' a lady in a place like this ought to be no blooming trouble at all.
00:40:19No.
00:40:31Thank you, Miss.
00:40:37But to bring her here, it's absolutely inexcusable.
00:40:41Aren't you taking it too seriously?
00:40:43Lady Margaret, how would you feel in my place?
00:40:45Oh, I don't think there's any cause for alarm.
00:40:47He wrote he'd got in some difficulty and she'd helped him out of it.
00:40:51Some difficulty?
00:40:52There was nothing in the letter to show that he had any real interest in the girl.
00:40:56But to bring her crashing in here just when we're about to get married.
00:40:58Oh, my dear, you know Michael.
00:40:59Well, you should by now.
00:41:03Michael's just as he is.
00:41:04You have to take him or leave him.
00:41:05And I think you've made up your mind to take him.
00:41:08He inherited two things from his father.
00:41:10Good looks and the talent for making women unhappy.
00:41:15What can I do?
00:41:16I love him.
00:41:18Don't be old.
00:41:20Get along, Ginger.
00:41:25Hello, Michael. I didn't know you were here.
00:41:27Hello, Mother.
00:41:29You know, I've been driving out that new cub of yours, Michael.
00:41:32He's not as bad as he looks.
00:41:34I've never known anything to really satisfy you, Mother.
00:41:39Mother, this is...
00:41:41I know who this is.
00:41:46How are you, Miss Linton?
00:41:48I've been looking forward to meeting you.
00:41:50I'm glad to be here, Lady Margaret.
00:41:52It's good to see you again, darling.
00:41:55Dearest.
00:41:56Audrey, this is my friend, Rose Lynn.
00:41:59How do you do?
00:42:00I understand you did Michael a great favor.
00:42:03Oh, I didn't do anything really.
00:42:06According to Michael's letter, you did.
00:42:08And we're very glad to have you here.
00:42:10Now run out to your room and wash your face.
00:42:12My face?
00:42:14Is it dirty?
00:42:16That's not your own color, is it?
00:42:18It certainly is.
00:42:20It's too good to be true.
00:42:22Turn round.
00:42:23Good head.
00:42:24Good bones.
00:42:25Nice conformation.
00:42:27She has style, Michael.
00:42:28Real style.
00:42:29I'm not a horse.
00:42:31Now look here, young woman.
00:42:33We have to put up with you, you have to put up with us.
00:42:35If I have anything to say about a person, I say it to their face.
00:42:38There's no beating about the bush in this house.
00:42:40And the sooner you learn that, the happier you'll be.
00:42:43Now come over here and pour me a cup of tea.
00:42:45Then we can have a nice chat.
00:42:48There's a bold way of looking at people that I like.
00:42:58Now let's have the truth about you and Rose.
00:43:01Is your feeling for her purely one of gratitude?
00:43:04Oh, come down, Mother.
00:43:06Rose is a beautiful creature and I happen to know that's a formula
00:43:09that you simply can't resist.
00:43:11Audrey or no Audrey.
00:43:13Please, Lady Margaret.
00:43:15And you?
00:43:16What do you think of my son?
00:43:20Well, I hate to hurt a mother's feelings,
00:43:23but Michael's too wicked for me.
00:43:25He's too handsome.
00:43:27Too much the lady killer to suit my taste.
00:43:29I wouldn't dare turn my back on him.
00:43:31And that's the quick of it.
00:43:33That's quick enough.
00:43:34And fair enough.
00:43:37Look at Michael.
00:43:38He's simply furious.
00:43:40Can't say much for your tea.
00:43:42It tastes like rainwater.
00:43:44I dare say these two young things must want to be left alone.
00:43:47Come along upstairs.
00:43:49I'll show you your room.
00:43:51It's on the next floor.
00:43:52It has a very nice view.
00:43:59This is such a wonderful house.
00:44:01I went to the public library and looked up pictures of it.
00:44:04Hmm.
00:44:05I'm really very fond of you.
00:44:07I don't wonder.
00:44:08You see, our family's lived here for generations.
00:44:12We were all born here.
00:44:14Michael was born here.
00:44:20Here's your room, Rose.
00:44:21I hope you'll be comfortable.
00:44:24Oh, it's so nice.
00:44:25If there's anything you want, ring.
00:44:27Dinner's at eight.
00:44:28Thank you, Lady Margaret.
00:44:35I like you, Rose.
00:45:19If there's anything you want, just ring.
00:45:37I enjoy the house.
00:45:39Thank you,ame.
00:45:42Any other Crossing, do you want the distance?
00:45:43Do you want to meet you?
00:45:47Serve her, May.
00:45:57We
00:46:08Gracias.
00:46:55What are you doing here?
00:47:01How dare you come into this room?
00:47:04I'm sorry.
00:47:05The door was unlocked.
00:47:07Did I do something wrong?
00:47:10You're the first person who's been into this room, except myself, for a great many years.
00:47:20Is it the room of someone who's dead?
00:47:26It's Michael's room, when he was small.
00:47:43That's Michael's father.
00:47:46Looks just like him.
00:47:47He took Michael away from me.
00:47:50Took him to Canada.
00:47:52He was only a little boy then.
00:47:54Next time I saw him, he was a grown man.
00:47:57This room is just as it was when he left.
00:48:01I've kept it.
00:48:02His toys, everything.
00:48:04Just as it was.
00:48:05Don't touch anything.
00:48:06I'm sorry.
00:48:08That's why I never let anyone in here, even the servants.
00:48:13I knew when that little boy went away that day, he'd never come back.
00:48:20You come here every day?
00:48:23Every day?
00:48:24You think that's foolish, don't you?
00:48:27No.
00:48:28It's beautiful.
00:48:30All the same, I'd rather you didn't mention it to anyone.
00:48:34Anyone, even to Michael.
00:48:36He doesn't know?
00:48:37Nobody knows, but you now.
00:48:42I tell people I use this room as a store.
00:48:47Servants think I have a great treasure hidden here.
00:48:49I come to count it every day like a miser.
00:48:53They're not far off the mark, as usual.
00:48:56Let's go.
00:48:58I've made you uncomfortable, haven't I?
00:49:00No, Lady Margaret, you haven't.
00:49:01Nonsense.
00:49:03Whenever I get sentimental, I'm a bore.
00:49:07Come along.
00:49:11I'm not sorry you saw the room.
00:49:14There's nothing like a small secret to bring two people closer together.
00:49:20I'll see you at dinner.
00:49:34Good.
00:49:41Please.
00:49:41I'll see you.
00:49:41Come on.
00:49:41Good.
00:50:00And I'll see you later.
00:50:00Very soon.
00:50:01Oh, come on.
00:50:01I'll see you later.
00:50:15No, no, no.
00:50:35Who is it?
00:50:39Did I waken you?
00:50:41You frightened the wits out of me.
00:50:44I didn't want to knock in case you were asleep.
00:50:48I... I heard a shot.
00:50:51A farmer's child is lost on the moor.
00:50:53They're searching for her.
00:50:55She might have wandered into Charnley Mar.
00:50:58Charnley Mar?
00:50:59That would be the end of her.
00:51:01They'd never even find her body.
00:51:03Poor little thing.
00:51:05There's something I'd like to say to you.
00:51:08I suppose it is rather rude of me to come in at this hour.
00:51:12But I've got to know.
00:51:14Does Michael know you came to talk to me?
00:51:18So you call him Michael.
00:51:21Well, I...
00:51:21Doesn't everybody?
00:51:25Michael and I are to be married very soon.
00:51:28Nothing is to stand in the way of that.
00:51:32Do I make myself clear?
00:51:34Oh, quite clear.
00:51:36You have my best wishes for a long and happy life.
00:51:40You have a queer way of saying it.
00:51:42Queer?
00:51:43I mean, every word of it.
00:51:46How long were you in the chorus at the Cambridge?
00:51:49While I was there, it was like forever.
00:51:55I suppose you knew Daisy Arrow.
00:51:59We worked side by side.
00:52:01We were good friends.
00:52:03Must have been dreadful for you.
00:52:06It was worse for Daisy.
00:52:08She loved living.
00:52:09I read about it in the papers.
00:52:12Why should anyone have wanted to murder her?
00:52:14No, I asked myself the same question a thousand times.
00:52:21Is that what you wanted to talk to me about?
00:52:25No.
00:52:28Michael and I, we...
00:52:31I know.
00:52:32You're very much in love.
00:52:35Anybody can tell that.
00:52:37Yes.
00:52:41What I mean is...
00:52:44You and I can be friends.
00:52:48Or not.
00:52:50I...
00:52:51I want to be friends.
00:52:54You do?
00:52:56Truly?
00:52:57Of course.
00:53:01Good.
00:53:03That's what I had to know.
00:53:06I'm sorry if I disturbed you.
00:53:09I'll see you in the morning.
00:53:12Good night.
00:53:12Good night.
00:53:15Good night.
00:53:17Good night.
00:54:12But the greatest change of all was in Michael.
00:54:16The moment Audrey left for London,
00:54:17it was as if some strange veil had been lifted.
00:54:21And he was completely another man.
00:54:24He taught me to ride.
00:54:27And Lady Margaret insisted that I wear one of Audrey's riding habits.
00:54:31Whenever I made little mistakes,
00:54:33or my manners were not what they should have been,
00:54:36Michael corrected me,
00:54:38but always gently and patiently.
00:54:40And never once did he mention London
00:54:42or the circumstances which had brought us together.
00:54:55You're not disappointed?
00:54:57Disappointed?
00:54:58Those dreams you told me about the night on Waterloo Bridge.
00:55:01Is all this as wonderful as you thought it would be?
00:55:04More wonderful.
00:55:05Every minute's like something magic in a Christmas panto.
00:55:08Lady Margaret's been so kind.
00:55:11And you?
00:55:11You've been so decent.
00:55:13But I'm afraid I'll never understand you.
00:55:16You're not like you were in London.
00:55:18You're a different person altogether.
00:55:21I suppose there are things about this world of yours that I'd never understand.
00:55:24Even if I stayed here for years.
00:55:27For example?
00:55:28Well, Audrey, she's in love with you.
00:55:31Anybody can see that.
00:55:32And almost anybody can see that you don't love her.
00:55:36Why are you marrying her?
00:55:37How can you marry someone you don't love?
00:55:41Sometimes marriages are arranged.
00:55:45Sometimes it's essential that they be.
00:55:50My mother's marriage was arranged.
00:55:52But your mother wasn't happy.
00:55:56I'm sorry.
00:55:57I didn't mean to say that.
00:56:00I'm always putting my foot in it.
00:56:04It doesn't matter.
00:56:10You're not afraid of me, are you?
00:56:17Should I be?
00:56:19After all, our relationship is somewhat unusual.
00:56:24I'm in trouble, you know that.
00:56:32We'd best be going.
00:56:33Or we shan't be in time to meet Audrey.
00:56:36She'll be on the four o'clock train.
00:56:53Here it is.
00:56:57I don't see it in the window.
00:56:59They say it's all the rage in London.
00:57:00We'd better be getting back.
00:57:02Lady Margaret said not to be light.
00:57:04Oh, I won't be a million.
00:57:07Good afternoon.
00:57:08Miss Ashton.
00:57:09Have you that new novel of Mrs Humphrey Ward's?
00:57:11Two copies came in yesterday, but they were sold immediately.
00:57:13It must be a saucy book.
00:57:15I'm expecting some more in a few days.
00:57:17Will you keep one for me?
00:57:18I will indeed, Miss Ashton.
00:57:19Thank you.
00:57:26I'll have this.
00:57:27Certainly.
00:57:28Strange, I had the occasion to mention your name today, Miss Ashton.
00:57:31Did you?
00:57:32You recall those three Bibles you bought?
00:57:35Yes.
00:57:36I just mentioned the fact to a couple of gentlemen from London
00:57:38who were making a survey on the sale of religious books.
00:57:41You told them I'd bought three Bibles?
00:57:43I did, yes.
00:57:44I told them it was a healthy sign in a world of sin
00:57:47when one person buys three Bibles at one time.
00:57:50Will you send that for me?
00:57:52I will, Miss Ashton.
00:57:53Come, Rose.
00:57:56You won't forget about the other book.
00:57:57I'll put this aside for you, Miss Ashton.
00:58:01Good day.
00:58:05I beg your pardon, sir.
00:58:13There's an Inspector Klinner from Scotland Yard to see you, sir.
00:58:17Klinner?
00:58:18Yes, sir.
00:58:19And there's another man with him.
00:58:22Show them in, Craxton.
00:58:25Yes, m'lady.
00:58:31Will you step this way, gentlemen?
00:58:36I think it'll be amusing to have tea with a couple of detectives.
00:58:40Good afternoon, Mr. Drago.
00:58:42Inspector.
00:58:44Sergeant.
00:58:44Mr. Drago.
00:58:48Mother, this is Inspector Klinner and Sergeant Evans.
00:58:51You're just in time for tea, gentlemen.
00:58:53Would you like something stronger?
00:58:54Neither, ma'am, thank you.
00:58:56I'm sorry to bother you like this, Mr. Drago, but it couldn't be avoided.
00:58:59We came to see you about your fiancée, Miss Ashton.
00:59:03Miss Ashton?
00:59:04What else could you want with her?
00:59:06Well, it's nothing of any consequence, I'm sure.
00:59:08We were just checking up on some loose ends in the Daisy Arrow case,
00:59:12and I thought you'd prefer us to discuss it with you instead of bothering the young lady.
00:59:17I don't know whether you recall, Mr. Drago, but a Bible was rather an important item in the Daisy Arrow
00:59:23case.
00:59:24Yes, but what has that to do with Miss Ashton?
00:59:26Well, I'll be brief as possible.
00:59:29This Bible, it seems, was published in rather a large edition.
00:59:33But in looking over the sales list, I found that your local bookseller here in the village had purchased a
00:59:39dozen copies.
00:59:39In so much as you had been questioned in the case, we were naturally curious as to the disposition of
00:59:45those particular Bibles.
00:59:46I still don't see the connection with Miss Ashton.
00:59:49Miss Ashton bought three copies.
00:59:52Oh, I remember now.
00:59:54It was about the time Audrey came to stay with us.
00:59:57You see, she distributes a great many flowers at the hospitals, and occasionally some poor invalid asks for a Bible.
01:00:03Oh, yes, of course.
01:00:04Yes, that's precisely what I imagined.
01:00:07Speaking of flowers, I wonder if your lady should...
01:00:09Do you know if Miss Ashton gave away all three copies of those Bibles?
01:00:12I can't be sure.
01:00:13I'm sorry we're so late.
01:00:20Darling, this is Mr. Clinton, Mr. Evans, some friends of mine from London who were just passing by.
01:00:26My fiancée, Miss Ashton.
01:00:28How do you do?
01:00:29Miss Ashton, how do you do?
01:00:32And this is Miss Linton, my companion.
01:00:37You'd better run along now. The dressmaker's been waiting for you for hours.
01:00:41Oh, dear, I forgot about the poor thing.
01:00:44Come, Rose.
01:00:49Well, it's late and we must be getting on.
01:00:53Oh, by the way, there's something I wanted to ask your ladyship.
01:00:56Yes.
01:00:57That's curious. I seem to have completely forgotten it.
01:00:59Well, it couldn't have been very important.
01:01:01Hmm.
01:01:02Oh, yes, I know what it was.
01:01:05Flowers are a hobby with me.
01:01:08Your son mentioned that you had an arbor of moss roses here at Charnley Manor.
01:01:13May I see them?
01:01:14Even as an amateur horticulturist, you should know that moss roses are out of season.
01:01:20I know that, milady.
01:01:22You think I'm a magician?
01:01:24I'm not.
01:01:26But my gardener is.
01:01:28I'll be glad to show them to you.
01:01:29That's most kind of you.
01:01:31Come along.
01:01:34Goodbye, Mr. Drago.
01:01:35I'm sorry to be such a constant nuisance.
01:01:38That's all right, Inspector.
01:01:40Come along, gentlemen.
01:01:41We'll be leaving for London on the afternoon train tomorrow.
01:01:44Meanwhile, we're at the inn in the village.
01:02:04I dare say your ladyship knows the story of the origin of the moss rose.
01:02:08Do I? I'm not sure.
01:02:10Once upon a time, there was a princess who had great virtue and a kind heart.
01:02:15But the king, her father, was very miserly, so that all of her charities had to be done in secret.
01:02:21Well, as she was leaving the castle one day, carrying bread for the poor,
01:02:26the king accosted her and demanded to know what she had hidden in her apron.
01:02:31Roses, she replied.
01:02:32And when he snatched open her apron to see, the bread had indeed turned all to rose upon rose.
01:02:39Just like these, moss roses.
01:02:42How lovely. You deserve a flower for that story.
01:02:45You must cut yourself one while I watch out for the gardener.
01:02:48He's furious if anyone touches them.
01:02:55Aren't you ashamed?
01:02:57What would you do if that rose under your coat should turn into a loaf of bread?
01:03:13Who is it?
01:03:17They told me you ordered a carriage from the stables.
01:03:20Why are you leaving?
01:03:22I want to know why.
01:03:26Because...
01:03:27Because I'm afraid.
01:03:29Afraid of what?
01:03:31I can't stay here another minute.
01:03:34There's a train for London at 5.30.
01:03:36But what's the reason for all this?
01:03:39Please, I can't tell you.
01:03:41You must tell me.
01:03:44You're going to tell me to tell you.
01:03:53Cluner.
01:03:54Cluner.
01:04:02You see?
01:04:03You recognize me from the start.
01:04:08When did you get this?
01:04:10About 20 minutes ago.
01:04:13y no se va a ir a la reunión
01:04:17no se va a ir a la reunión
01:04:19¿por qué no?
01:04:22se va a preguntar
01:04:23me preguntas
01:04:25preguntas que no se va a preguntar
01:04:26porque de mí
01:04:28¿es que por qué no se va a ir a la reunión?
01:04:30look at me
01:04:33este es el respuesta
01:04:36tú y yo
01:04:37son las mismas, ¿sabes?
01:04:38sí
01:04:40y lo que ha hecho
01:04:41no importa lo que ha hecho
01:04:43nada importa ahora
01:04:46tú no puedes ir a la reunión
01:04:48ni más que lo que puedo
01:04:57tengo que decir
01:04:59¿sabes a quién?
01:05:00audrey
01:05:01audrey?
01:05:02que debe ser que se cuidara
01:05:03pero no se puede decir
01:05:04no se puede decir
01:05:06ella no se va a dar
01:05:07no se va a dar
01:05:08no se va a dar
01:05:08no se va a dar
01:05:11no se va a dar
01:05:12no se va a dar
01:05:14no se va a dar
01:05:16no se va a dar
01:05:29no se va a dar
01:05:56no se va a dar
01:05:57no se va a dar
01:05:59no se va a dar
01:06:00no se va a dar
01:06:45no se va a dar
01:06:53no se va a dar
01:07:50no se va a dar
01:08:08no se va a dar
01:08:31audrey
01:09:00no se va a dar
01:09:28no se va a dar
01:09:32no se va a dar
01:09:36no se va a dar
01:09:56no se va a dar
01:10:17no se va a dar
01:10:18no se va a dar
01:10:28no se va a dar
01:10:53no se va a dar
01:11:03no se va a dar
01:11:51no se va a dar
01:11:56no se va a dar
01:12:02no se va a dar
01:12:12no se va a dar
01:12:17no se va a dar
01:12:19no se va a dar
01:12:25no se va a dar
01:12:41no se va a dar
01:13:08no se va a dar
01:14:01no se va a dar
01:14:31no se va a dar
01:15:18no se va a dar
01:15:45no se va a dar
01:16:23no se va a dar
01:16:29no se va a dar
01:17:00no se va a dar
01:17:30no se va a dar
01:17:48no se va a dar
01:17:53no se va a dar
01:18:09no se va a dar
01:18:12no se va a dar
01:18:14no se va a dar
01:18:14no se va a dar
01:18:44no se va a dar
01:19:14no se va a dar
01:19:21no se va a dar
01:19:51no se va a dar
01:19:52no se va a dar
01:20:32no se va a dar
01:20:36no se va a dar
01:21:08no se va a dar
01:21:37no se va a dar
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