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00:12You have to be free of food, you understand? You have to be free of love as such.
00:19Why do you praise him? You can see that he is not his own.
00:22Mariana, my pleasure, my love, my destiny,
00:25you are my love.
00:27Don't go away, stop me. Come on, come on.
00:33I hear you very well.
00:38You are so mad.
00:42Oh, without images.
00:46Are you even your birthplace in your life?
00:51Who would you kill me? What would you ask?
00:53I mean, how do you treat me like this?
00:57Yes, it's counter-impact.
00:59The attack is the best defense.
01:01I want you to tell me about what you are doing.
01:05Who is against you?
01:07You have to ask me a question that is violent and aggressive.
01:11Okay, I will calm down.
01:13I will be able to ask you to be civilized.
01:15I will ask you to ask you.
01:17Do you have another one?
01:30I am not expecting you.
01:34I am sorry.
01:36I am sorry.
01:38I am sorry.
01:40I am sorry.
01:41I am sorry to arrive in your carcerem.
01:44What do you have?
01:45What are you doing?
01:46There are no other two days.
01:47I will turn on the phone.
01:49Okay, come on.
01:52I have to go because of the job.
01:55I didn't want anything to do.
01:58Then tell the truth.
02:00Do you want the truth?
02:03Okay.
02:08I didn't have any trouble.
02:11Stop! Stop!
02:15I want to explain to you. Stop!
02:18What did you do?
02:19What did you do?
02:21My happiness is still here.
02:27It came to the moment where I will tell you the truth of me.
02:31I am a songwriter.
02:34As a rapper?
02:36No, I'm not as a rapper. I am a songwriter with a rhyme and a soul.
02:40This thing you have done now is so unfair that I don't have a word.
02:47You've ruined it. You've ruined it.
02:50You've made it all.
02:53I am really doing it.
02:56And until now, I don't have a career that two young colleagues make these kinds of intrigues.
03:03You understand that they are the usual things that they can buy every time.
03:08Do you understand that I put my whole life into this job?
03:14If I put my head on the floor, put my head on the floor, and what do I get for
03:17it?
03:18I only get the benefits of drinking.
03:20Let me tell you.
03:21Stop it.
03:28Let's get into this room too.
03:30Let's go and
03:30come out of my home so you don't need to.
03:33I need you to go.
03:40I need you to go.
03:42Sorry.
03:44You've got a life.
03:47My mother says I am.
03:50Almost, I have a life.
03:51You have a life.
03:51You have a life.
03:51There is a life.
03:54Oh, here are my connections from the other side of the law.
03:59Where are you?
04:00Good morning.
04:01What are you doing?
04:03Well, I'm sure that I'm on the other side.
04:06I don't know what you're doing.
04:08What do you do?
04:11What do you do?
04:12I'm going to sit down and sit down.
04:14Let's go.
04:21Believe.
04:40You're right.
04:43мені
04:50Th leftover
04:51Я҂м срайты
04:51But often it's mine, and everything is unrighteous, except for my life.
05:04Like in love and in the war, there is no rules.
05:13You have one life, only one chance to become one of you.
05:20Because the star is all in love.
05:26And the love is like a circle of happiness.
05:32Someone wants, someone doesn't want to.
05:36Like in the sea, everything is changed, and we are like you.
05:44So you should be there.
05:52Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:06oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:07oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:07oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:07oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:08oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
06:25I don't know. I have no idea.
06:30Milana, I think so. Every day, every day, every day, every day, every day, every day, every day.
06:35I just think about what to do. I have a terrible problem.
06:38I think about how to get out of competition. Something needs to happen, you know?
06:44What do you think? What do you think about it? You're advertising a house, clean, clean, new, all the new,
06:50children are on the same way.
06:52What do you think about it? You who are at that time.
06:55These are now completely different times than those who were at ours.
06:59What? What happened? Robots need to listen to children.
07:03No. What happened? Everything happened.
07:06That's why parents are not satisfied with the children on the same way and the same way.
07:11They want more to animate them, not stop. They always play, they have some action, reaction.
07:17That's it.
07:18What, a tree to be a gardener?
07:20It's something like that. Just let me just leave it. It's not important.
07:24When I just think about what I could do, I thought that it's not bad to be able to put
07:32a light bulb on.
07:34A bulb on all sides.
07:37Okay, that's a little magic, I like it.
07:40Just tell me that when you talk about magic, when you talk about magic, you'll be a little upset.
07:44No, I don't care, don't worry, I'm just out of the way.
07:47Okay, let me just out of the way.
07:49I believe that everything is better than magic, because I also thought about the other option.
07:54I have one option now, but I don't know if that option is so good.
07:57I thought that I would put a ripstool for venturing, you know?
08:01Or some lids, and they would catch up on the lids like Tarzani.
08:07What do you think? Maybe that's not bad.
08:10I don't know, I mean, that's not bad for me.
08:13I don't know.
08:16I don't know. I don't know, I have a problem.
08:18But believe me, I'm very happy that I'm not a caregiver now, when I'm actually six-seven.
08:26What? Six-seven?
08:27What? I don't know.
08:29It's like, these kids say six-seven, six-seven, six-seven, six-seven.
08:35What does that mean?
08:37I don't know. Nobody knows what it means.
08:39I mean, children know, but they don't want to say to adults.
08:41I mean, four.
08:42Hm.
08:43And then, I just do it.
08:45I don't know.
08:48I don't know.
08:49I'm just saying, I have a problem with them.
08:51I don't know what to do.
08:52I don't know.
08:55I'm giving myself to do everything, but it's not bad.
08:58It's not bad.
09:00Okay.
09:02You know what?
09:03The money is not growing on the trees.
09:05I know.
09:06You have to see that you can turn it back.
09:08I know. I know. I'm thinking about it.
09:10You know what I'm doing with whom I'm pressing because of all this.
09:13You know how much money is invested in everything?
09:14You don't have to be able to do it.
09:16I'm so pressing that when I look at it, I see something changed on my face.
09:21Here, trust me.
09:22Here, I'm falling.
09:24Here, I'm going to get it.
09:25Here, I'm going to get it.
09:26I see everything.
09:27It's all because of the stress.
09:29I don't know what to do.
09:30You understand?
09:31It's okay.
09:32It's okay.
09:33It's all right now.
09:35I have a bigger problem with Mile.
09:37I believe it's the biggest problem.
09:38He's doing it.
09:40He's doing it.
09:41It's not.
09:42You understand?
09:43When you've already mentioned that,
09:46when we were already at that point,
09:48you know what Mile did when I saw him last time?
10:03Let me tell you what you have.
10:05I don't have much time.
10:07It's about your friend with a footer on the head.
10:12Ah, Relja Topić?
10:14It's just that.
10:15Okay.
10:16I'll tell you what to do with him.
10:18What?
10:20He's singing in the dance floor,
10:21and now you're going to cry about him.
10:25No.
10:26It's not.
10:27It's not.
10:28It's not.
10:29We have to leave him.
10:32Aha.
10:35No, no.
10:36I don't think so.
10:37I don't think so.
10:38It's a call from the police officer.
10:40Amali has a lot more light than we thought.
10:42That's right.
10:43Well, that's right.
10:45That's right.
10:46That's right.
10:47That's right.
10:47That's right.
10:48That's right.
10:49That's right.
10:49Amali, Relja is a very important
10:51knife in this machine.
10:53If he doesn't have it,
10:55everything would be a lot more difficult.
10:58Just be quiet.
10:59We're working on a lot bigger thing.
11:01We won't be able to hang out here
11:03in the hospital.
11:06I know that you're a person.
11:08You're a person.
11:09You're a person.
11:09You're a person.
11:09You're a person.
11:10You're a person.
11:10You're a person.
11:14You're a person.
11:15You're a person.
11:16You're a person.
11:17Yes.
11:19Okay.
11:20Now I'll tell you something.
11:23First, thank you.
11:24actually,
11:24you're a person.
11:25And then,
11:27I'm going to read something.
11:29I have to read it.
11:32Because if I'm not reading it,
11:35I'm not eating it.
11:37I'm not eating it.
11:38So...
11:39I'm not sure
11:41of that to admit.
11:44I'm not sure
11:45of anything that comes to you.
11:45You're gonna try something
11:47on my own.
11:47I'm sorry.
12:07Let's tell me what Mileta is trying to do.
12:09I saw Mileta how the number of the last money from the accountant
12:14to pay the amount of the accountant.
12:18What?
12:18How is that?
12:20Really?
12:21Wait, wait, wait.
12:22What is the accountant?
12:24What is the accountant?
12:26What is the accountant?
12:26It's important to get the last money from his accountant to pay him.
12:31You throw yourself with the money like the Queen of Cleopatra.
12:34No, please. It's not easy for me.
12:37Okay.
12:38It's easier for you than Mileta.
12:39Why is it easier for me?
12:40It's easier for me tomorrow.
12:41It's easier for me.
12:41It's easier for me.
12:42It's easier for me.
12:44It's easier for me.
12:44I have to think about myself.
12:46I don't understand.
12:47What do you want?
12:48Maybe you can ask him how he is.
12:50The husband is.
12:51I asked him.
12:52I asked him and he doesn't answer.
12:53I asked him again.
12:55I asked him again.
12:56I asked him again and he doesn't answer anything.
12:57I don't understand.
12:59Maybe you expect him to ask him a little more questions.
13:02You understand?
13:03You're a little more worried.
13:05I'm sorry.
13:05You're a little more worried about me.
13:08Maybe you have to ask him.
13:10Yes, yes.
13:10I see what you are doing.
13:11I would like to be very happy that you are all responsible for the whole situation.
13:15Only Kaja and others.
13:16All of this is my fault.
13:17Is that right?
13:18No, Kajo, it's not that way.
13:19Listen to me.
13:20What?
13:21What do I do to listen to you?
13:22What do I do to listen to you when I don't have a chance to talk with you?
13:25What are you all the same and only Kaja is the fault?
13:27What are you with the rest?
13:29What are you all right?
13:30What do you want from Mileta?
13:31I'm going to listen to you.
13:32You're good to think what you want.
13:33I don't want to repeat it anymore.
13:35Do you understand?
13:36Mileta has suffered from you.
13:39I'm going to tell you.
13:53How are you?
13:55Are you alive?
13:57I'm waiting for you.
13:58Come on.
13:59Come on.
13:59Come on.
14:00Come on.
14:00Come on.
14:00Come on.
14:03Come on.
14:03See, it's a lot better to be found here than in Fale, my mother.
14:08I understand.
14:09It's easy to think of the tambour.
14:10It might be a bit of a doubt about something like Mulam or something else.
14:13That's the problem?
14:14Yes.
14:15Don't walk.
14:15It's clean air and less eyes.
14:18You understand what's about the tambour?
14:20And a doubt.
14:21A doubt.
14:22A doubt.
14:23What a doubt?
14:25Well...
14:25I'll hold my tank on my leg.
14:27What a doubt.
14:28I'm doing it.
14:30I'll hold your tank on my leg.
14:33I'll hold the tank on my leg.
14:34Oh, I'll hold my tank on my leg.
14:35Oh, my arm.
14:37Oh, my arm.
14:38I'll hold my tank on my leg.
14:41Oh, that's all.
14:51Man, I'll hold it up.
14:56In life?
14:57Yes, yes.
14:58Wait, brother.
15:00That's not a good idea.
15:01Why not? Why not?
15:02It's not a good idea.
15:03Why not?
15:18What do you say?
15:20A stupid joke with Žik in the day.
15:23Oh, my God.
15:24Oh, my God.
15:25How do we have to listen to the idiot Žike
15:30who calls it poetry.
15:33I'm not listening to that.
15:35It's better not.
15:36It's better not.
15:37It's better not.
15:38I'll kill him.
15:39I'll kill him.
15:40I'll go to the door and live in peace.
15:42Miljana, I've heard that I haven't killed him.
15:44Maybe it will happen.
15:46I won't live with that imbecilom in the same house.
15:49Yes.
15:49But we'll end with Žik.
15:52We have you and I.
15:54The important thing is to talk about.
15:55The important things is to talk about.
15:58What do you mean?
16:00You've done a decision.
16:03Do you want to help me at home?
16:07Mom?
16:10It's hard for me to think about it.
16:12It's hard for me to make this decision.
16:15It's our home.
16:16You have to stop it.
16:19That person won't work for me
16:21until he doesn't know why he's doing it.
16:25Don't stop it.
16:26Don't stop it.
16:27Don't stop it.
16:27Don't stop it.
16:28Don't stop it.
16:29Don't stop it.
16:30Don't stop it.
16:33Don't stop it.
16:35Don't stop it.
16:41Don't stop it.
16:48Don't stop it.
16:49Don't stop it.
16:53Don't stop it.
17:01You know that you're the best.
17:03But we have to be a little...
17:07...oprezniji.
17:09We're never been so oprezniji.
17:13Yes, everything is okay.
17:15Home and everything.
17:16But...
17:17What's your house?
17:19What's your house?
17:21What's your house?
17:23Okay, maybe.
17:27You know that we haven't done the job until the end.
17:29You know?
17:30You're not.
17:31Listen, we're not even children.
17:34We have weapons.
17:35We know to protect ourselves.
17:38Okay.
17:40What's okay?
17:42That's...
17:43Spaghetti Western and the Partizan Eskadrila, right?
17:46If you have to...
17:48You know that the job that you do...
17:50You don't have a job.
17:52When you work, you do it.
17:54That's the business.
17:55Yes.
17:56So, black and the night.
17:58Or social help.
18:04You're right.
18:05I have to risk it.
18:07What do you say?
18:08Who doesn't risk it?
18:10No, he doesn't profit.
18:11Yes.
18:12First of all, you say good health.
18:13For the future, investors.
18:15Let's go.
18:16Cheers.
18:17to this as well.
18:19$7,58,000, $75,000, $15,000, $16,000, $1, twelve.
18:25Thank you so much today.
18:27Overall, I saw you doing these things from the list.
18:29So, what about me, we'll see you tomorrow.
18:32You guys?
18:33We'll see you tomorrow.
18:33Thanks!
18:34Bye!
18:45Hello!
18:46Hey, mother!
18:47Don't you...
18:48Me, mother...
18:55You and your daughter will come to my head.
18:57What are you doing now?
18:58We are good friends.
18:59I don't make a lot of problems.
19:01How do you make a lot of problems?
19:03Tambura didn't know that you were in relation to Rely.
19:06Why is that so important?
19:08He was listening to Ksenija.
19:11Because they are obviously having some unfinished job.
19:17I don't know what to do.
19:19I got out for two minutes.
19:20I don't know what to do with my job, Ksenija.
19:23Hey, please.
19:24Just to be criticized for something.
19:26I don't care.
19:27Muskarci don't bring successful women.
19:29Especially if they are younger and better.
19:31But it's not about that, girl.
19:33Look at me.
19:35He thinks I'm going to make a mistake here.
19:37Don't go, man.
19:38A man of paranoia is no longer.
19:40Put some dekoltes with him on a rake.
19:43You'll be there.
19:44It's not to be done.
19:46I'm not trying to make any risky decisions.
19:49I'm because of you and your dear,
19:50on a soft lead!
19:59Why is it soft on a soft lead?
20:02And who else?
20:04I'll wait for a minute.
20:17How much do you have for me?
20:20It's fantastic.
20:23Gabriela, I'm a woman of a year.
20:26I can only give me your and Victor's health.
20:31If you help me with this girl,
20:35you'll be able to do everything you need.
20:39I'll give you one more day.
20:44You're hard.
20:58I'll give you one more day.
21:01That's the truth.
21:05I'll give you one more day.
21:07I'll give you one more day.
21:12I'll give you one more day.
21:17It sounds like you need help.
21:20I don't need anything about you.
21:24You're all the same.
21:26You have a story here.
21:27I'm fine, beloved.
21:30I would never do anything.
21:32And then when a man is a little bitter,
21:34he becomes a little...
21:35What?
21:37What does moral mean?
21:40You're so nice.
21:42Listen, Momok, I think you have a basic problem.
21:44And you think that every girl would have been with you?
21:47I don't want to be angry with my friends.
21:51No, no, no.
21:53I'm sure you're the same.
21:55When I would have given you the opportunity...
21:59I think you're the best.
22:02I'm happy that I'm a little bit lost.
22:04And I'm happy that I'm going to be the shame of you.
22:08That's good.
22:09What it's all about there,
22:11it's all because of you.
22:13It's all because of me.
22:26It's all because of me.
22:27I'm not a hard one.
22:28It's all because of me.
22:32Why did you think so badly remember?
22:34How did you think so badly?
22:36You said you would be able to tell me another one.
22:37I'm going to ask you.
22:38Okay.
22:41I think so.
22:42I got good.
22:42I'm trying to tell him with you.
22:43I was 18 years old, but now I didn't do it.
22:46And when will it be?
22:47I'm thinking...
22:48I haven't wanted to know that.
22:50Mother.
22:50I'm going to go.
22:52Well, I'm going to give you back a few words.
22:54What do you think of everything?
22:55Are you thinking of me?
22:57What is the question now?
22:59It's a normal question.
23:01Okay, tell me directly what you want.
23:04It would be the most difficult to get Victor's brother.
23:07Okay, he has a lulet, but that's something else.
23:12I understand.
23:13And when do you want to work on that?
23:17Well, for that kind of thing, you would have to write the house on me.
23:25How do you deal with each other with each other?
23:28Let's go.
23:37I did it.
23:39It's enough for you, Relja Topic.
23:41Wait a minute.
23:43Why are you talking about that?
23:44What's the connection between you?
23:46That's right, because I know you.
23:48And because Xenia has lost the chance to come here.
23:52Because I know you.
23:54Because she is the former girl.
23:56When she heard it, she literally threw her off the floor.
24:01What did she do?
24:03Nothing happened to you.
24:06I don't know what she will do with my job because I'm Xenia's brother.
24:13Let's go.
24:14Come on, I'll go.
24:15I'll go to the place.
24:18So, where are you now?
24:20Where are the big chiefs?
24:21As you can see, she's not here.
24:23She's thank you.
24:24And now let's go to the floor.
24:30I'll go.
24:32I'll go.
24:52It's a problem, mom.
24:55Without house there's no peace, without peace there's no child.
24:58But that house, Gabriela, is our only security.
25:03I know.
25:05But we don't need more. We have a house in which we live.
25:10It's hard to sell. It's our family house.
25:14We don't need more. We need money, mom.
25:20We have where we live, understand?
25:23I don't know. I'm sure I'm sorry.
25:25I'm sorry, I'm sorry, I'm sorry.
25:26Let's do that.
25:28I need a final decision.
25:31And what if I say no?
25:36Why did you say so much?
25:38I've already explained it thousands of times.
25:40Okay, I haven't given the definitive decision yet.
25:44I don't know.
25:46I'll do whatever you want.
25:47Okay?
25:48I'll do whatever you want.
25:51I'll do whatever you want.
25:52I don't know why I'm with Victor.
25:53I'll leave it with Tom for the time to spend time.
25:56I'd have to do it there.
25:59I'll do it until tomorrow.
26:01Why would I do it?
26:02Why would you do it?
26:03Why wouldn't you do it?
26:05Why not?
26:06Gabriela, you don't have to do it for me now.
26:09You don't have to do it.
26:15You don't have to do it.
26:17Okay.
26:18If you think that the house is a good decision,
26:23then leave it.
26:25Hold on.
26:27Hold on.
26:28Hold on.
26:29Believe me.
26:29You won't have to do it.
26:32We'll see you later.
26:33You won't have a wife.
26:42I can't wait.
26:50See you later?
26:54Shouldn't I have a chance?
26:57You like my hand recollection?
26:59Come on.
27:01How do you want to be?
27:01Dh supporting my mess.
27:02I don't appreciate it.
27:03I want to wait.
27:03NARANI PILIĆE
27:07USTAJ MALA ZORA SVIĆE
27:10NARANI PILIĆE
27:14How are you, man?
27:17I have to tell you something.
27:19Now I'll look at you like this.
27:21Okay.
27:21I'll look at you and tell me to look at an investor.
27:27How do you look at an investor?
27:29You look like an investor.
27:34Comarac engineering.
27:37The best in the city.
27:39That's how it's called a company.
27:42Mosquito engineering.
27:44It's a special job.
27:47It's a foreign job.
27:49It's a great job.
27:51How are you?
27:53Maxim investment.
27:57Maxim engineering.
27:59Oh my god.
28:00You know what?
28:03For the best in the city, you can call Maxima Uradnju.
28:09That's right.
28:10Let's go and see.
28:13For future investment.
28:14For future investment.
28:17Listen, what do I have to do?
28:19I have to do it.
28:20I have to do it.
28:22We have to do it.
28:28For future Simple campaign.
28:32For future investment.
28:35For future investment.
28:35For future investment.
28:37I'll go and see him again.
28:39We go and see him again.
28:40What can you do?
28:40I'm a little bit older.
28:58Just relax.
29:00Just relax.
29:00Just relax.
29:01Just relax.
29:02You know how I'm going to kill me.
29:06I know how you are.
29:08I know how I'm going to kill you.
29:10I'm going to tell you that I'm going to kill you.
29:13I'm going to kill you.
29:14Now you don't have a tactic.
29:17You don't have a tactic.
29:19You don't have a tactic.
29:20You don't have a tactic.
29:21You don't have a tactic.
29:22The tactic is...
29:27...that one huge problem,
29:30...azvali Senka,
29:33...we're going to be on a few problems.
29:37Hmm?
29:40I like it.
29:41I like it.
29:41I'm going to get everything that I understand...
29:45...the restlessness of things.
29:48Let's go.
29:49Okay.
29:53Let's go.
29:54Let's go.
29:55Let's go.
29:55Let's go.
29:56Let's go.
29:57What is the first thing that you are going to do?
30:01Let's go.
30:03Let's go.
30:04Let's go.
30:05Let's go.
30:07Let's go.
30:29Let's go.
30:32Let's go.
30:34Let's go.
30:34Let's go.
30:36Let's go.
30:38Let's go.
30:40Let's go.
30:41Let's go.
30:41Let's go.
30:41Let's go.
30:42Let's go.
30:45Let's go.
30:46Let's go.
30:50Let's go.
30:52Let's go.
30:53Let's go.
30:54Let's go.
30:55Let's go.
30:56Let's go.
30:57Let's go.
30:57Let's go.
30:58Let's go.
30:59Let's go.
31:00Let's go.
31:01Let's go.
31:02And this whole story can't be a normal person, but just a fool.
31:08And when I say a fool, I don't think like a fool, but the most fool on the scale of
31:15fooling.
31:16What a fool of a fool!
31:19I mean, she knows she'll know when she's at the time.
31:27Mm-hmm.
31:31Okay, let's go now.
31:32I'm asking her to give her another one another one.
31:36What?
31:37Yes, yes.
31:39Another one another one.
31:42That's for me, Muka.
31:44Okay, okay.
31:45Now, when we know that Goran will know, it's just a question.
31:49It's just a question when she's at the time.
31:52It's certainly happening.
31:55Okay?
31:55Okay.
31:56That's right.
31:57It's the only thing I can remember.
31:58Here.
31:59Now, when we've solved one problem, let's go on the other side.
32:07Let's go on the other side.
32:08Let's go.
32:10There's something else that hurts me.
32:15Mm-hmm.
32:17Okay.
32:33Let's go.
32:34Let's go.
32:36Let's go.
32:37Let's go.
32:47Let's go.
32:48Let's go.
33:09Let's go.
33:32Let's go.
33:35Let's go.
33:45Let's go.
33:47Let's go.
34:18Let's go.
34:18Let's go.
34:18Well, you know, and to make it.
34:20Well, it's like that.
34:23He doesn't forget how he's got a house.
34:27You know what I mean?
34:29You know what I mean?
34:31When a child teaches you to ride a bike, you don't forget it.
34:35Well, as you say, then I'll trust you.
34:40We're going to look for a plan.
34:41Here we go.
34:43What is this?
34:43I'll give you a plan.
34:49Please, I'll give you a plan.
34:52Wait, wait, I'll pay.
34:54My plan.
34:57What is this?
34:58What is this?
35:00It's a plan.
35:01What is this?
35:02What is this?
35:05Who is this?
35:06What is this?
35:07Normal.
35:08Now listen, I'll hear you.
35:10You have your plan?
35:12You have your plan?
35:13What is this?
35:14Don't be afraid of you.
35:17God will say give me the rules.
35:20God will condemn you if you're on the radio.
35:21If you're a good God will pay you.
35:24God will pay you so much.
35:26Come on.
35:29Don't talk to me.
35:30Come on.
35:32Come on.
35:42Do you want to tell you?
35:45Come on.
35:46energy, a lot of some gelana, so I don't have to worry about it.
35:50Well, that's fine, that's fine.
35:53What does that mean? Is it okay?
35:58No, I didn't think anything wrong. I don't know, I didn't even know myself.
36:02That's all.
36:03Okay, I said again that you have something to tell me, then you decide not to tell me,
36:07and then you'll regret it.
36:18Slow, slow, slow, wait, wait, wait.
36:21Maybe you can start to get a good parcel in the grave.
36:25Yes, please, they don't have to start.
36:28No, no, no, no.
36:30That's an important topic, I think.
36:33If you ask, maybe you'll get some help.
36:47Okay, I want you to believe that it will be so good.
36:51Yes, but hope!
36:54What?
36:56He doesn't show it, but...
37:00He is the same.
37:02A new emotive.
37:04That's it.
37:18That's it.
37:20That's what happens to you.
37:21Oh, my.
37:23When he tries to nuclear x1, go AWAY.
37:25of the problem of his scissors, he won't tell us.
37:27He and Nancy will do it better.
37:30He is the same, as he goes fff.
37:31He starts the game mid-sorry.
37:32He thinks that this guy doesn't have to run.
37:33And we are really close with each other.
37:44I would like to talk to you later.
37:47Why?
37:50We were talking to you once again that we will be honest with you.
37:55I will be honest with you.
37:58The guy who was lying there is no new guy.
38:02I am one by one.
38:03I know.
38:17Manja, I would like to tell you and me to explain some things.
38:22I would like to tell you what happened to you once again.
38:24And I would like to tell you what happened to you once again.
38:42It is really funny, isn't it?
38:44Well, it is.
38:46I mean, there are all kinds of things.
38:48We are not lying.
38:49I know the best.
38:50But you see, all that is on the side.
38:52I have to tell you something now.
38:54And I would like to ask you once again.
39:07You are not talking to me.
39:14You are not saying anything.
39:15You are not saying anything.
39:39You have to deal with it.
39:41No, no.
39:43You got to deal with it.
39:45So that you are here.
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