Il caso Bellentani è un caso di omicidio commesso il 16 settembre 1948 a Villa d'Este a Cernobbio da Pia Bellentani a danno del suo ex amante Carlo Sacchi. È conosciuto anche come delitto dell'ermellino, per via della cappa di ermellino indossata dalla Bellentani la sera dell'omicidio.
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#Delitti #Bellentani #Ermellino #DelittiTv #DelittiLaSerie #TutteLePuntate #Tutte #Puntate #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Serie #Documentari #Documentario #Criminologia #Crimini #Criminali #Omicidio #Femminicidio #Murderer #Docu #Doc #DivinumCrime
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TVTrascrizione
00:05Thank you all
00:37There was music, luxury and social life
00:44There she was, the most romantic of all
00:50There he was, with his solid wood
00:57Suddenly there was nothing left
01:28Suddenly there was nothing left
01:58Suddenly there was never
02:11Countess Pia Bellentani wanted that after her death
02:14They buried her in a white dress
02:18On the evening of September 15, 1948
02:21The Countess goes to her wardrobe
02:23And she wears a white dress
02:25And a splendid helmet of diamonds
02:31Count Lamberto Bellentani
02:33He sees her as beautiful
02:34The perfect makeup
02:36The low-cut dress that enhances the silhouette
02:38Of the young countess
02:40That evening, before leaving the house
02:43To go to Villa d'Este in Cernobbio
02:45Pia Bellentani stops by to say goodnight
02:47To his little girls
02:50The Bellentani arrive at Villa d'Este
02:52Where there is a Biki parade
02:54The famous stylist
02:55Pia's entrance looks like
02:57At the appearance of a queen
02:59The guests can't take their eyes off her
03:01When she advances
03:02Swaying among the sprouts
03:04He slowly approaches his seat
03:06But the one who is looking is not there
03:10The man Pia is looking for
03:12Carlo Sanchi
03:13He's at the bar
03:14Standing
03:15And he turns his back on her
03:16Pia goes to meet him
03:18Anxious, confused
03:19Like a little girl towards her love
03:22She whispers to him that she has decided
03:24That for him she will leave everything
03:27He doesn't answer
03:29In a contemptuous tone
03:31He tells her she's deluded.
03:32Then one last grin
03:34It's the final blow
03:39This is a simple story
03:41And complicated at the same time
03:42To understand it
03:44And maybe appreciate it
03:45We need to start from the beginning
03:53Countess Pia Bellentani
03:55She hadn't always been a countess
03:57And it hadn't always been either.
03:59In love with Carlo Sacchi
04:00Pia Bellentani was born on January 29, 1916
04:04In Abruzzo
04:05In Sulmona
04:06Ovid's country
04:08The poet of loves
04:09The land of confetti
04:11The father was initially a hardware store owner
04:13But then he makes a career
04:16Let's say it becomes an important industrialist
04:18In the brick industry
04:19So he is a rich man
04:22They are a family like many others
04:24Carousels
04:24Neo-bourgeois and with the desire to improve themselves
04:26Maybe through a good marriage of Pia
04:29Pia Bellentani
04:30She is a young lady
04:33For good
04:34Of a good family
04:37And she
04:38He lives in this family
04:40In the shadow of a mother
04:43That
04:43So first
04:44It's only concern
04:45That the daughter
04:46Have a good marriage
04:47But Pia
04:49It seems difficult
04:50From casare
04:51Fake little girl
04:52Shows a complicated character
04:54He attempts suicide
04:55Twice
04:56Pia is hypersensitive
04:59Very fragile
05:00She's a little girl
05:01What's coming?
05:02Educated by nuns
05:04In a college of nuns
05:05She's a dreamer
05:06It's a bit like Madame Bovary
05:07She's a girl
05:08That feeds
05:09Of sentimental stories
05:11Who dreams
05:12Or to get married
05:13Prince Charming
05:14So the great love
05:15Or even
05:16Of becoming nuns
05:17Entering the convent
05:18Pia grows
05:20And it grows well
05:2120 years
05:23First of all she was a beautiful woman
05:2432 years old
05:26Tall, slim
05:27Blue eyes
05:28Raven Peppers
05:29Still very young
05:31Leave the nuns
05:32He drops out of school
05:33But he doesn't stop dreaming
05:35And the dream is always the same
05:37A dream from a sentimental novel
05:39Prince Charming
05:41The wedding
05:42The confetti
05:44He had all the moral qualities
05:48In quotation marks
05:49For what it was
05:50The culture of the time
05:52To be able to aspire
05:53To a good wedding
05:55Even the parents
05:57They dream of marriage for Pia
05:59But not with first love
06:01Of the girl
06:01In fact she will fall in love
06:03By a lawyer from Sulmona
06:05It will be his first great love
06:07And since it's not well
06:08The parents
06:09Who ask her to leave him
06:11To close this relationship
06:12She will accept
06:13So also subjugated
06:14Of the parents
06:15So absolutely accept
06:16Their advice
06:18And their judgment
06:19Pia obeys
06:21But the disappointment is great
06:22To distract her
06:23Her mother takes her on holiday to Cortina
06:25And here something happens
06:27At the Cristallino Hotel
06:29Pia meets Count Lamberto Bellentani
06:31He is a cured meat manufacturer
06:33From Reggio Emilia
06:34He is the son of a countess
06:35It's a career officer
06:37It has a certain charm
06:39And hundreds of hectares
06:40Traccar of Reggio Emilia
06:42He is impressed
06:44From this young girl
06:45Very charming
06:46Even though she is very shy
06:48She's one who always keeps her eyes down
06:50She has no intention of seducing
06:54She doesn't want to have suitors
06:55He was not a tomboy de femme
06:58He was a normal conqueror
07:01With a fixed idea
07:03He wanted to wait for the right woman
07:06Having the mother as an ideal
07:08When he found the resemblance of this Pia with her mother
07:12And coincidentally the name too
07:14Pia was the mother
07:15Pia directed his wife
07:17He fell in love
07:18And then he followed her too
07:20His whims
07:22Pia lets herself be challenged
07:24July 15, 1938
07:26In the church of San Pietro
07:27In the hall of Milan
07:28Pia becomes Countess Bellentani
07:31A long honeymoon in Europe
07:33Then the transfer
07:35In the Bellentani villa
07:36In Reggio Emilia
07:37Initially in Reggio Emilia
07:39Pia does exactly the life
07:42What the Count would have wanted
07:43That she did
07:44That of a good wife
07:45Of a good mother
07:46He has two daughters
07:48Flavia and Stefania
07:49So a simple life
07:50Countess Bellentani
07:52It almost never comes out
07:53He falls asleep at nine
07:55Show light makeup
07:56And different clothes
07:57The relationship with the future husband
08:00And the more the relationship
08:01With a kind gentleman
08:03Who takes care of you
08:04That is not the relationship with a husband
08:07On the other hand
08:08What were the margins?
08:09Of Bellentani
08:10To say no
08:13Boredom
08:14Fog
08:15And ham
08:16Not exactly
08:17The ideal ingredients
08:19To keep standing
08:20A wedding
08:20So the Bellentani
08:22They are moving
08:23In the liveliest Bologna
08:24Then in the even more lively Milan
08:26The theater
08:28Of the Countess
08:31It expanded
08:32It lit up more
08:33Especially for hiking
08:35Milan
08:36This metropolis
08:37I certainly respect
08:38In Solmona
08:38Who will have a more social life
08:42Who will have a more social life
08:42He will enter the company right away
08:43Theaters, dances
08:45Dinners
08:45Cinema
08:46And then he will start to do
08:49A more worldly life
08:51Even if now
08:53After 1940
08:54Italians don't think
08:56To worldliness
08:57The Second World War broke out
08:59Mussolini declared war on France
09:01England
09:02Yugoslavia
09:03He is about to declare it to the USA
09:05Over 200,000 of our soldiers
09:06They leave for Russia
09:08From where they will return massacred
09:09Or they won't come back at all
09:12Economically the country is on the ropes
09:14Nothing is imported from abroad
09:16Italians have to make do
09:18With the little they have
09:19It's called autarchy
09:21There is an air of insecurity
09:23Of fear
09:24The threat of bombing
09:26It becomes more concrete every day
09:28Even the people of Bellenta need to worry
09:30Reggio Emilia
09:32Bologna
09:32Milan
09:33They are not safe places
09:36The war forced
09:38The spouses
09:39To unpack
09:41In a more sheltered area
09:43They chose Lake Como
09:49On Lake Como
09:50The landscape is enchanting
09:52The war seems far away
09:54And there are some beautiful people
09:55What goes through a cocktail
09:57At a party
09:58In the splendid Grand Hotel
09:59Villa d'Este in Cernobbio
10:01The Countess
10:02I knew her
10:03Why was he coming?
10:04It can be said every day
10:05Playing canasta
10:07With other ladies
10:09From Milan
10:10That were evacuated
10:11Here in the area
10:13They are not aristocrats
10:15From the cover
10:15But industrialists
10:17Landowners
10:18Minor aristocrats
10:19People who made their fortune
10:21It's certainly strange to think
10:24At just three years old
10:25From the opening
10:26Of the concentration camps
10:27People who lived on champagne
10:30Or he had the concern
10:31To settle the accounts
10:32With the friend
10:33The ex
10:33The friend
10:34The lover
10:36Little things in front
10:37To a tragedy
10:38That was so
10:39So pressing
10:41Behind
10:42They are parasites
10:44That not
10:45That they don't see
10:47The changes in the world
10:49If not in measure
10:50Such as to condition
10:53Their business
10:54They don't take long
10:55The people of Bellentano
10:56To enter the circle
10:57Their new friends
10:59They are called
10:59Adasaghi and Carlo Mantero
11:01Silk industrialists
11:02Oremoca de Martori
11:04King of cheeses
11:05And with them
11:06They share
11:06A wild social life
11:08Which is consumed
11:09Every hour of the day
11:10And of the night
11:12Certainly
11:12All night
11:13It happened often
11:15To stay
11:15Even until 4am
11:16Or at 5
11:18The shy one
11:19Countess Bellentani
11:20Now it has changed
11:22Pia begins
11:23To get dressed
11:23In the best tailors
11:25To put on makeup
11:26With care
11:26To comb one's hair
11:27Fashionable
11:29The Countess
11:29Bellentani
11:30He doesn't fall asleep
11:31More at 9
11:31In the evening
11:32But it's coming
11:33Straight in the morning
11:34On the other hand
11:35It's easy
11:36Stay awake
11:37To the noisy ones
11:38Parts of Villa d'Este
11:39Where the regulars
11:41I lose the night
11:42In dances
11:43Laughter
11:43And sniff
11:44Of cocaine
11:45Above all
11:46In these evenings
11:47Worldly
11:48In these great dances
11:49Where the dawn was breaking
11:50Cocaine
11:51It was used
11:52He was alone
11:52An extra fuel
11:54To remove complexes
11:55To lengthen the evening
11:57And that he was returning
11:59In that smuggling
12:00Of cigarettes
12:00About drugs
12:01Of other things
12:02Which represented
12:04A privilege
12:05A monetary privilege
12:06But also muscular
12:07Of that small company
12:09Those were just
12:10The years
12:11Of the rich drug
12:13So the rich drug
12:14It was cocaine
12:16This is absolutely not true.
12:18I rule it out a priori
12:20I don't
12:22Not even read
12:23In the newspapers
12:23This thing here
12:24Because it is precisely
12:25It was one thing
12:26I feel it now
12:26For the first time
12:29But the merry band
12:30Of Lake Como
12:31He doesn't know that there too
12:33In a short time
12:34The abyss is about to open
12:36After the summer of 1943
12:38Italians are in disarray
12:40Split in two
12:41Caught between the Anglo-Americans
12:43Suddenly became friends
12:45And the former friends
12:46Ready to invade the beautiful country
12:48The German assault
12:49In Northern Italy
12:50It's now a matter of time
12:52While the neighbor
12:53Quiet Salò
12:54He doesn't even imagine
12:56That history will pass
12:57As the headquarters
12:58Of the Fascist Social Republic
13:01But the Villa d'Este club
13:02He has many other problems
13:04What to think about
13:12Among the regular guests
13:13Of Villa d'Este
13:14There is Adasacchi's brother
13:15Pia's friend
13:16His name is Carlo Sacchi
13:18He is also a silk industrialist
13:21And he's married
13:22With a former Viennese dancer
13:23Lillian Billinger
13:25Not beautiful or refined
13:28Sacchi has however
13:29An irresistible effect on women
13:31Carlo Sacchi
13:34It's not really the end
13:35He was tall
13:37Thin
13:38He wore glasses
13:39I didn't see it
13:40A handsome man
13:41It's a gross
13:43Who knows how to conquer women
13:46One who also wrote pornographic verses
13:48Yet with women
13:50It has proven to be a great success
13:53Many have fallen at his feet
13:57Even the most shy and reticent
13:59Pia Bellentani could be a new name
14:02To be added to the catalog
14:04So Sacchi begins to string it
14:07But Pia doesn't give up
14:09Well, Pia Bellentani's first impression
14:12When he meets Carlo Sacchi
14:13It's not positive at all
14:15She considers him a vulgar man
14:17Why Carlo Sacchi
14:19He had a bit of the look of a vulgar man
14:22The exhibitionist man
14:24Always over the top
14:26Certainly less attractive than her husband
14:29For example
14:29Less attractive than the Bellentani bridge
14:31But certainly also much brighter
14:33Despite the external changes
14:36The shock of new life
14:38In the depths of the heart
14:39Miss Caroselli remained
14:41Pia still dreams of Prince Charming
14:44Who is not her husband Lamberto
14:46She's realized it now
14:47But not even the cynical Carlo Sacchi
14:51Surely the romantic Pia
14:54Educated in the nuns' college
14:56It doesn't make a very good impression
14:59By Carlo Sacchi at the beginning
15:00But then fate knocks on the door
15:03In 1943
15:05One of Charles' daughters
15:07Silvia
15:07He dies suddenly
15:09And for Sacchi it is a great pain
15:13This daughter dies
15:14Silvia and he fall into depression
15:17So this is the time when
15:18There is contact between the two souls
15:21Why he stops playing Don Giovanni
15:25At this juncture
15:26And so she finds the way
15:28To get closer to him
15:30To console him
15:31So let's say they are found
15:33On the sensitivity level
15:35She who wants to help him
15:36She wants to console him
15:37And he who lets himself be helped
15:38He lets himself be consoled
15:39She who says a little
15:41I'm not talking about the mother
15:42But certainly
15:43He saw him more
15:44He saw like a wounded animal
15:48Like in a novel for young ladies
15:50The Romantic Countess
15:52He will save the evil Don Giovanni
15:54Turning him into the good hero
15:56Finally the dream is realized
15:58And maybe something more too
16:00A passion for breaking
16:02That sets the Anna ablaze
16:04But also the body
16:05The Countess needs a relationship
16:08Very strong
16:08And carnavulente
16:09He needs sex size
16:12But life is not a novel
16:14And you know who doesn't want to finish
16:16In the pink imagination
16:17By Countess Belentani
16:18The war ended
16:20Pia's dream fades away
16:22Nightmares loom on the horizon
16:24Under love
16:25The drama is already brewing
16:33Lake Como 1948
16:35A party at the Grand Hotel Villa d'Este
16:37Countess Belentani
16:39And her lover Carlo Sacchi
16:40They were arguing
16:41Suddenly a gunshot
16:43What happened?
16:44And why were those two so nervous?
16:47Maybe a wound had opened
16:48In their golden world?
16:52The war is now over
16:54In Italy, people don't die anymore
16:56Under the bombs
16:57But for the pangs of hunger
16:58The soldiers have gone away
17:00In their place there are armies
17:02Of bricklayers who seek
17:03To rebuild a country
17:04Covered by rubble
17:10The Villa d'Este group
17:12Who does not know hunger
17:13And the sacrifice
17:14He finds himself once again
17:15Without worries
17:17Intent only on consuming
17:19His worldly rites
17:20There was no smell of sweat there
17:22There was no lime
17:24There was no effort from Italy
17:27To roll up one's sleeves
17:28And there was a world there
17:30Open to Europe
17:32In the sense of traveling
17:34Certainly not about integration
17:36All in all an ignorant world
17:38That he was fine
17:39Similar with Similar
17:40From Como we go to Cannes
17:43Maybe for the Film Festival
17:45Born in these very years
17:46Or fly to Paris
17:48Strolling along the boulevards
17:50Or to waste the days
17:51Among the ateliers
17:52On the hunt for the latest fashion model
17:54Then there is the very classic Capri
17:56Where is he going on vacation?
17:58Even Princess Margaret
18:00But where you can also have other interesting encounters
18:03Going from a yacht to a motoryacht
18:06With the end of the war
18:08The Sacchis but also the Bellentanis
18:10They start living again
18:12So the social evenings begin again
18:14The journeys begin again
18:15Capri, Cortina
18:17In the places of that time
18:19Then Carlo Sacchi resumes
18:20With his sentimental adventures
18:23Despite having a relationship with Pia Bellentani
18:32Carlo Sacchi's brief infatuation
18:34For the Countess
18:35It melted like snow in the sun
18:36Like all the others
18:38Now we turn the page
18:39There are new conquests to be made
18:41Also because Carlo
18:43He will never separate from his wife Lilian
18:45Despite it all
18:46In his own way
18:47He is attached to his family
18:48Lilian Willinger
18:50Carlo Sacchi's wife
18:51He knew very well
18:52Of the bond between the husband
18:55And Pia Bellentani
18:56But how had he endured?
18:58All previous links
18:59With other women
19:00He also supported that of Pia Bellentani
19:03Welcome a lover
19:04If this makes the husband happy
19:07And it keeps the emotional voltage high
19:09Maybe even sexual
19:11Count Lamberto Bellentani too
19:13He knows what his wife is up to.
19:15Her husband, Count Bellentani
19:17He knew about this relationship
19:19Between Pia and this Sacchi
19:21But he didn't say anything
19:23Poor him
19:24He was about twenty years older
19:27And what does he want?
19:30Twenty years older
19:30She was thirty-three
19:31He already had almost double that.
19:34It's a normal thing
19:36That at a certain point
19:38A woman, a beautiful woman
19:39Let someone else find themselves
19:43In this game of cross-betrayals
19:45The only one who can't stand infidelity
19:48It's Pia Bellentani herself
19:49She doesn't tolerate
19:51That Sacchi weaves new relationships
19:53Pia is jealous of Carlo
19:55Pia is in love with Carlo
19:57Madly in love
19:59He falls in love like he falls in love with a drug
20:02Who knows that it kills you
20:03But what do you like?
20:05And this is the dramatic problem
20:09By Pia Bellentani
20:11Does it seem absurd to you that Carlo
20:13Now he has already forgotten
20:14The tendernesses they exchanged
20:16The passion that overwhelmed them
20:18In a letter
20:19Bellentani writes to Sacchi
20:21You have aroused in me sensations never known before.
20:24You have awakened new impressions in me
20:25You have shocked my heart together
20:27And my senses
20:28You really made me know
20:30What is called love
20:32Through this love
20:33I feel like I have become today
20:35A complete woman
20:36And since I owe it to you
20:37Thank you very much
20:40Now Sacchi is treated coldly
20:43Actually it does worse
20:44In a cruel game
20:46Alternate moments of detachment
20:47To other loved ones near and dear to you
20:49Thus Countess Bellentani
20:51He continues to delude himself
20:52Coming to bear
20:53In exchange for a few kisses
20:55Sacchi's many and humble conquests
20:59Not the last one though
21:00In fact, for some time now
21:02They say that Charles has a lover
21:04Fixed
21:05Her name is Sandra Cozzi
21:07And they call her Mimi
21:08Like the good
21:09Carlo in that 1947
21:11Take Mimì everywhere
21:13In Capri
21:14In Cortina
21:15At receptions
21:16Fashion shows
21:17At the theater
21:17For Liglia Al Sacchi
21:19And life as usual
21:20For Pia Bellentani
21:21Life is over
21:22The pain of this defeat
21:24It's immense
21:25He can't do it
21:26He can't stand it
21:27There is only one solution left
21:29Extreme
21:30Pia had already attempted suicide
21:33When he was young
21:33But now
21:34He really has to succeed.
21:36And it is precisely by using his Carlo
21:38She throws herself with her scooter
21:42In front of the sports car
21:43By Carlo Sacchi
21:45He gets out of the car
21:46Instead of helping the lover
21:48To get back up
21:49To console her
21:50To hug her
21:50He simply cares
21:51Of the stain
21:52Who suffered his car
21:54And this should make you think
21:56In my opinion
21:56Pia didn't want to commit suicide
21:58But it's the classic gesture
22:01The woman's striking
22:02What is heard?
22:04On the verge of being abandoned
22:06And that he wants to re-attract
22:07The lover's attention
22:08From now on
22:09It's an escalation of torture
22:11That throw Pia
22:12In complete prostration
22:13The more Carlo teases her
22:15It offends her
22:16He mocks her
22:17Even in public
22:18The more Pia withdraws into herself
22:20In silence
22:21At home
22:21He always has a fever
22:23Which alternates continuous nightmares
22:25She is a destroyed woman
22:32Also on September 15, 1948
22:35The stranger it is
22:36A terrible migraine
22:38She is uncertain whether to participate or not
22:41At the social gathering
22:43Of Villa Veste
22:44A wonderful parade was held
22:46Or the first fashion show
22:47Which was made in the post-war period
22:49They hadn't been made before
22:50Of that date there
22:52It was the Bicchi of Milan
22:54The famous seamstress
22:55He organized a fashion show
22:57Which will be followed by a dance
22:59With fashion journalists
23:01With the principles
23:02With the accounts
23:03With the big industrialists
23:04The women were getting ready
23:06Long time in advance
23:08The dress
23:09What they should have worn
23:11Furs were displayed
23:14Jewels
23:14So we went a little bit
23:15To be seen
23:17Fashion journalists are invited
23:20Powerful men
23:20Nobles
23:21And obviously many regulars
23:22Of Villa Veste
23:23Among these also
23:24Pia Bellentani and Carlo Sacchi
23:26With their respective spouses
23:27On the contrary
23:28If Pia is at that party
23:30It's because he convinced her
23:31Carlo's wife herself
23:32Lilian
23:33Why Lilian
23:34Despite it all
23:35She can't be jealous of Pia
23:37I believe that rather
23:38Lilian Dilling
23:39And he felt sorry
23:40In my opinion
23:41For Pia Bellentani
23:42And that afternoon
23:43He calls her to convince her
23:45To participate in the evening
23:47At the Grand Hotel Villa d'Este
23:48And it is Pia Bellentani herself
23:50Who tells her she's not sure
23:52And he will decide at the last moment
23:53Why does he have this strong migraine?
23:55That doesn't leave her
23:56He doesn't leave her alone
23:57And so he doesn't know if
23:59Will he participate or not?
24:00In the end
24:01Pia decides to go to Villa d'Este
24:03And it's right from here
24:05From September 15, 1948
24:08From the sumptuous entrance
24:09Of the Countess in the hotel
24:11Let our story
24:12It had begun
24:15Pia Bellentani
24:16And Lilian Sacchi
24:17They are sitting at the same table
24:18But one
24:20Looking like you're not having any fun at all
24:22Pia Bellentani
24:23She's nervous
24:24He smokes a lot
24:25At some point
24:26He can't take it anymore
24:27So he decides to leave
24:29Announce to her husband
24:30Which will go to the wardrobe
24:31To take his soprano
24:38It just passed by
24:39Two in the morning
24:40But there is still
24:41In the movement at Villa d'Este
24:43They move slowly
24:44The last guests
24:45Of the parade
24:46A little sleepy
24:47The time is in sight
24:49They move confusedly
24:51The gossip
24:54Only near the counter
24:56Something about the bar
24:56On the contrary
24:57Someone
24:58It doesn't move
25:06There was the countess
25:09That whole table
25:11What I showed you before
25:12With Mr. Sacchi
25:15They are two people
25:17A beautiful woman
25:18In a white dress
25:19Staring into space
25:20And a tall, thin man
25:22Elegant
25:23From the twisted mouth
25:24In a vineyard
25:24I was going back and forth
25:26Why I came here
25:28To get some drinks
25:29And to bring them
25:30Where the orchestra was
25:32Ok I'll pass right in front
25:34At some point
25:35I feel
25:35POM
25:37Crossing the din of the hall
25:39Two gunshots
25:40They crossed
25:41Their lives
25:42The first shot
25:43It hit the mark tragically
25:45The second
25:46It remained in the gun
25:48The whole hall
25:49He stopped suddenly
25:51To go and see
25:52That figure lying down
25:53On the floor
25:54Dead
25:54And that other property
25:56Viva
25:56Because everyone knows well
25:58Who do they belong to?
25:59Those two silhouettes
25:59One is by Carlo Sacchi
26:01The other is by Pia Bellentani
26:03Everyone knows what happened
26:05Between those two
26:08To have fired the two shots
26:10It was her
26:10Pia Bellentani
26:11He still has the gun in his hand
26:13He even tried
26:14To turn it against himself
26:15But to no avail
26:17The gun jammed
26:18She said
26:19He doesn't shoot anymore
26:20He doesn't shoot anymore
26:20At that moment
26:21The servant
26:22He got the hang of it
26:24And he brought us
26:25I
26:25To the star
26:25All guests
26:27They crowd together
26:27To see the man on the ground
26:29Died
26:29Then he runs there
26:30The wife
26:31A friend who had before
26:33Another friend
26:34What did he have before?
26:35And one of these two women
26:37He throws himself on top
26:38And he says
26:38Oh Carlo Carlo
26:39And here comes the other one
26:40And he tells her
26:41Go away
26:41What if this happened?
26:42It's also your fault
26:44At some point
26:45These too are going away
26:46Only the wife remains
26:48Count Bellentani
26:50Which comes to crime
26:51Already done
26:52He tries to defend his wife
26:53And I feel that
26:54He tells her
26:56To her
26:56But Pia
26:57Why did you do it?
26:59Pia why did you do it?
27:01Twice
27:01The police are also arriving
27:04It seems like a scene from a novel
27:06In the end Pia made us live it
27:08Those who saw her
27:10At the crucial moment
27:11They noticed this redness
27:13These fiery eyes
27:14Certainly in his mind
27:16Not very firm
27:19Something happened
27:20A strong short circuit occurred
27:22He distracted the gun
27:24And this beautiful woman
27:25He fired
27:28Yes
27:28Pia hit
27:30That poor guy at heart
27:31With only one
27:32Extremely precise shot
27:34He had left himself to his own devices
27:36And he said
27:37Oh
27:38So with a gantolo
27:41As
27:42And Carlo
27:43He died laughing
27:44With a mocking grin
27:45Printed on the face
27:47And with a 9mm bullet
27:49Stuck in the sixth space
27:50Left intercostal
27:53At this point
27:54The splendid hotel
27:55On Lake Como
27:56Become a place
27:57Police investigation
27:58And the beautiful one
28:00Countess Bellentani
28:01It's the first person
28:02To be questioned
28:03At first
28:05She doesn't
28:05He must admit
28:07That he had it
28:07Shot to shoot
28:09Then he admitted
28:10Instead he shot
28:12Why
28:13He would have told her
28:15These are the words
28:17Of the Countess
28:17That I heard
28:19What did he tell her?
28:19The Commissioner
28:20I shot her
28:21Because I told her
28:22If you leave me
28:24I'll shoot you
28:25And he
28:26With a sarcastic smile
28:29Own
28:30Mocking her
28:31He told her
28:32The usual boasting
28:34Of you southerners
28:35And then there
28:37It was the last straw
28:38What did he do?
28:38The cup overflows
28:39She shot
28:41He offered his wrists
28:42At the head of the mobile unit
28:43But in those times
28:45It was not standard practice
28:47Put on the irons
28:49To the nobles
28:50So
28:50There was a double justice
28:53In anticipation of the trial
28:54Countess Belentani
28:56She is thus locked up
28:57In the prison of San Donnino
28:58In Como
28:59Then to the criminal asylum
29:01From Aversa
29:06The trial will open
29:08Only four years later
29:091952
29:11At the Assize Court of Como
29:13A process that will be followed
29:15From all over Italy
29:15Thanks to a lot of media coverage
29:17Unprecedented
29:28At Villa d'Este
29:29On the night of September 16, 48
29:31A gunshot
29:32He cut off the dances
29:33Carlo Sacchi was the murdered one
29:35Pia Bellentani
29:36He had drawn his gun
29:37From the Ermine Cloak
29:38At the Como Assembly
29:39The process
29:40An agitated audience
29:42From opposing sympathies
29:43There was a rush to get in
29:44The criminal trial
29:45It has always been a construction phenomenon
29:48Even in ancient times
29:49Because there is always
29:51A series of doubts
29:55Of thesis
29:56And of antithesis
29:58And even of parties
30:00Innocentists
30:01Guilty
30:03Everyone has their own opinion
30:05Each one lives again
30:07Dissenting emotions
30:09Or consenting
30:10Of those who have fueled
30:12The tragedy
30:13And the same mechanism
30:17Not at that elementary level
30:20But what's in the Neapolitan skit?
30:22It must be considered that in 48
30:25Italy was coming from a period of abstinence
30:28Because there had been years
30:30In which there is crime news
30:31We practically never spoke
30:33So these are the first cases
30:35Which the newspapers appropriate
30:37The front pages of the newspapers
30:39Crimes were banned
30:41By the will of the Duce
30:42By Mussolini
30:43From the pages of newspapers
30:45To the utmost
30:46A news item in brief
30:47A column
30:48On the inside pages
30:49Well hidden
30:50And not by chance
30:51The great crimes
30:52From the immediate post-war period
30:53In the Italian press
30:55They had a huge echo
30:57But not only eco
30:59For sold pairs
31:01From the newspapers
31:01But also for participation
31:03Crazy
31:04Crazy
31:05Authentic crowds
31:06At the trials
31:07On the news pages
31:09The Bellentani crime
31:10Become a leaflet
31:11Take note
31:12To be devoured
31:12With the same view
31:13With which they are read
31:14Romance novels
31:15In 49
31:16An English lady
31:18Because I was
31:19I went to England
31:20To learn English
31:21And he came to ask me
31:23All the details
31:24Of this fact
31:25What had happened
31:26Because even newspapers
31:28English
31:28They had talked about it
31:30Very much
31:32And the newspapers
31:33In the absence of TV
31:34They certainly don't go there
31:35For the subtle
31:36Everything is exaggerated
31:38Protagonists
31:39Environments
31:39Toni
31:40As Dino Buzzati writes
31:42That at the time
31:43The case was following
31:43For the Corriere della Sera
31:45The pleasant countess
31:47It was transformed
31:48In a most fatal siren
31:50While the tour of Villa Veste
31:51In a new one
31:52Sodom and Gomorrah
31:55The story of Pia Bellentani
31:57It also opens
31:58New horizons
31:59To the people still injured
32:00From the bombs
32:01And with a thousand problems
32:02To be solved
32:03It's obvious
32:05That for the general public
32:06What does it mean
32:08Most
32:08Of poor people
32:09Very poor
32:11Oh poor thing
32:13What was happening
32:14In an environment
32:15Restricted
32:16Rarefied
32:17That could be allowed
32:19Cars
32:21Like the Isotta Fraschinis
32:22Or the most expensive cars
32:24Very few specimens
32:26It's obvious
32:27Which aroused
32:28An attraction
32:29It's amazing
32:30The memory
32:31Of having participated
32:34To the interest
32:35And to the general emotion
32:38Of the country
32:39And to public opinion
32:41Of any level
32:42Regarding this event
32:44Mournful
32:45To this murderer
32:48In an environment
32:49Of wealth
32:50Luxury
32:52Who is lucky
32:54Of living in Como
32:54It crowds
32:55Like in the theater
32:56To see up close
32:58Pia Bellentani
32:59The Murderous Countess
33:00Emilian Sacchi
33:01The consoled widow
33:03The process
33:04Everyone was curious
33:07Como people
33:08In the old
33:09In the old
33:10Court of Como
33:11There were curious ones
33:13Why
33:14He still writes
33:15Buzzati
33:15The man on the street
33:17Try a thin one
33:18Satisfaction
33:19When misfortune
33:20Also enter
33:21In the house
33:21Of the rich
33:22And of the powerful
33:22And he is pleased
33:24Even more
33:24If there is anything involved
33:25The tragedy
33:26It's a theatrical fact
33:29A dramatic event
33:31A human story
33:33Where the elementary feelings
33:35Of love
33:36Of revenge
33:37On private justice
33:40Made in the name
33:41Of the betrayed feeling
33:42They excite everyone
33:43The countess however
33:45This curiosity disappoints
33:47It's like it was
33:48Returned back
33:49In one's life
33:50That is, he introduced himself
33:52To the agents
33:53As a countess
33:54Then in front
33:55To the judges
33:57He returned to being
33:58A girl
33:58Provincial
33:59Unique etc.
34:00Bellentani Street
34:02In short
34:02It goes back to how it was
34:03As a girl
34:04When he was studying
34:05From the nuns
34:05The fragile one
34:06Miss Caroselli
34:08But the prison
34:09In itself
34:10The asylum
34:10In itself
34:11They produce you
34:11Inevitably
34:12A mechanism
34:13Of regression
34:14A mechanism
34:15Of regression
34:16Why do you have to
34:17Adapt to yourself
34:18To some spaces
34:19That are no longer yours
34:20At some time
34:20That are no longer yours
34:21To some relationships
34:22That are no longer yours
34:23What I want to say
34:24It's just that probably
34:25The personality
34:25Of the Countess
34:26Bellentani
34:27It had inside
34:30About himself
34:30A situation
34:32A structure
34:33Somehow
34:34Neurotics
34:34There was an attitude
34:36Facing outwards
34:37Austere
34:38Haughty
34:38Level
34:40Respect
34:41A deeper self
34:42Which probably
34:42It was more fragile
34:43And he remained more fragile
34:44At the moment when
34:45She got lost
34:46The Countess's Idea
34:47She came out
34:48How to say
34:48The little girl
34:49If you want
34:49There is the being
34:51Helpless
35:01What needs
35:22To preserve
35:22A shape
35:23How to say
35:24Of aristocratic
35:26Distance
35:27Which would probably have
35:28Made unpleasant
35:29The person
35:30Speaks
35:31Ostorero
35:32For the civil party
35:33A ring
35:33Without reticence
35:34The President
35:35Obrecar
35:36And the judges
35:36I'm in front
35:37At a debate
35:38In which the theses
35:38Contractors
35:39They took over
35:39Sometimes
35:40Violent tones
35:42The Count
35:43Belentani
35:43He didn't pay attention
35:44Expenses
35:44For lawyers
35:45Pia
35:46And defense
35:46From the best
35:47Lawyers in Como
35:48The defenders
35:49Of the Countess
35:49As a first move
35:50They chose
35:51To submit
35:52Your client
35:52To an expert opinion
35:53Psychiatric
35:55For the undersigned
35:56The Belentani
35:57It was just
35:58A very beautiful woman
35:59In love
36:00Of a man
36:01She wasn't crazy
36:02Not at all
36:03There was horror
36:04In those years
36:05First then
36:06On women's emancipation
36:07Of the murder
36:08Of the woman
36:09So they were looking for each other
36:10All the justifications
36:12Possible
36:12All this
36:13Which could contribute
36:14To make you think
36:16That the murderer
36:17Could
36:18Have
36:19A semi-infirmity
36:21Mental
36:21To examine
36:23Pia
36:24He is a great criminologist
36:25The professor
36:26Philip Saporito
36:27Director of the
36:27Criminal asylum
36:28From Aversa
36:29Where Pia
36:30It is hosted
36:30Saporito's exam
36:32It lasts two years
36:33The vision
36:35Of a figure
36:35So elegant
36:36It produced naturally
36:38In the expert
36:40Professor Saporito
36:41Precisely
36:42Let's say
36:42A benevolent look
36:44In comparisons
36:45Of the Countess
36:46Bellentani
36:48The result
36:49Of the curate
36:50Expertise
36:50It's remarkable
36:51Inability
36:52To understand
36:52Of wanting
36:53At the moment
36:53Of the crime
36:54In short
36:55The Countess
36:56He didn't know
36:56What was he doing?
36:58It seems
36:59They tell
36:59That the director
37:01Of the time
37:02What did he do to him?
37:02The expertise
37:03He had a transport
37:04Loving
37:05Platonic
37:06Absolutely
37:06He was already
37:07Far ahead
37:08Over the years
37:08The Countess
37:09Instead
37:09It was also
37:10Very
37:10Young
37:11So much so that it can
37:12Justify
37:13Then through
37:13A mental illness
37:14A series
37:15Of behaviors
37:16Which probably
37:17Of psychopathological
37:18They had nothing
37:19In legal terms
37:20The Countess
37:21It is not imputable
37:22But really
37:23You can think
37:24That Pia Bellentani
37:25Be alone
37:25A poor crazy woman
37:26Really
37:27He killed
37:28Her lover
37:28Without understanding
37:29What was he doing?
37:30It will be enough
37:31The expertise
37:31Psychiatric
37:32To save her
37:32From prison
37:38At the Grand Hotel
37:39Villa d'Este
37:40An evening
37:40Gala
37:41He had
37:41An epilogue
37:42Tragic
37:43Countess Pia Bellentani
37:44He shot
37:45To her lover
37:45Carlo Sacchi
37:46Now
37:47The Bellentani
37:48She's locked up
37:48To the asylum
37:49Criminal
37:49From Aversa
37:50He risks a lot
37:51Years in prison
37:51But his lawyers
37:53They are good
37:53And his expert
37:54Psychiatric
37:55Particularly good
37:58Inside each one
37:59About us
37:59Probably
38:00There is hidden
38:01More or less
38:02A mental illness
38:05Surely
38:06It took
38:07Two years
38:07It took
38:07A little more time
38:08To do it
38:09Come out
38:09Or to locate it
38:10But anyway
38:11A disturbance
38:12Behavioral
38:13Or a disorder
38:15How to say
38:15Paranoid
38:16They can be
38:17Identified in all
38:19In case
38:20Bellentani
38:21The question
38:22From the
38:23Lack
38:24From
38:26Capacity
38:27To understand
38:27Of wanting
38:28It has a reading
38:30Of the news
38:31Of the news
38:31How it developed
38:32Of how
38:33This murder
38:36A long moment
38:38Of lack
38:41To understand
38:42Of wanting
38:58Count
38:59It was a moment
39:00It was a very long time
39:02And we can talk
39:03Of premeditation
39:04Meaning what
39:05Of a will
39:07But the lawyers
39:08Of the Countess
39:09Bellentani
39:09They don't play
39:10Only the paper
39:11Of the total
39:11Mental infirmity
39:12A counter-expertise
39:14Certifies the semi
39:15Infirmity of mind
39:16Of Bellentani
39:17We need to get it out
39:18Another card
39:19An ace
39:20Real and proper
39:21The Countess
39:22Bellentani
39:22He shot
39:23Why Sacchi
39:23He had offended her
39:24He had given her
39:25Of the southerner
39:27And a countess
39:28He couldn't let it go
39:29An insult like that
39:30I do not believe
39:31That he had offended her
39:32Only through
39:33The term terrone
39:35Which had been given
39:36I think he had offended her.
39:37Above all
39:39Disdaining her
39:39And so
39:40Not
39:41Giving her more
39:42Attention
39:43That a person
39:44Of the kind
39:44He felt he deserved it
39:46Which probably
39:47He had aside
39:47From a whole other series
39:48Of people
39:49The murder
39:50Of love
39:52It remains a murder
39:53But it is
39:55In many cases
39:56Above all
39:56When it is represented
39:57In these terms
39:58A murder
39:59Considered almost
40:01Heroic
40:01And this
40:03It was the case
40:03Of Bellentani
40:09The cards
40:10They are played well
40:11March 12th
40:12From 1952
40:13The court
40:14Pia Bellentani sentenced
40:16Ten years in prison
40:17Of which three were pardoned
40:18And three more
40:19In the nursing home
40:20The Bellentani
40:21He managed to get
40:22A series of advantages
40:23Through this type
40:24Of judgment
40:24Precisely
40:25Benevolent
40:26Why
40:28Excluded
40:28Excluding precisely
40:30His ability
40:30To understand
40:31Of wanting
40:32At the moment
40:32A period of punishment
40:34What would have been
40:35Significantly longer
40:36From 30 years old
40:38To life imprisonment
40:39This was
40:40The period
40:41Which was at risk
40:42In a concrete way
40:43Pia
40:44Pia
40:45Pia
40:45Pia takes the sentence
40:45In the Aversa mental hospital
40:47He welcomes her in silence
40:48Then after a few minutes
40:50Discover in a broken cry
40:52And in a nervous breakdown
40:54On appeal, however
40:55The sentence is reduced
40:56At 7 years and 10 months
40:57During which
40:59Pia wraps gifts
41:00For his little girls
41:01Or play Litz and Chopin
41:02At the piano
41:04This wooden piano
41:06Very nice too
41:07From an aesthetic point of view
41:09It has its own history
41:11Which arises from the fact
41:13That Countess Bellentani
41:15He was a rich person
41:17I think one
41:17Of the very few rich people
41:19That has entered
41:20In the hundred and more years
41:21In this type of structures
41:22And this condition
41:24It allowed her to have
41:25A series of advantages
41:26One of the advantages
41:28It was precisely
41:28That of carrying
41:29His grand piano
41:37But that piano
41:38It's not the only privilege
41:39Of Bellentani
41:40A countess expects more
41:42And that extra comes
41:43In 1955
41:45The then president
41:46Of the Republic
41:47John Gronchi
41:48He orders to examine
41:50The situation of many prisoners
41:51In order to grant
41:53Pardons
41:54Among these
41:55There is the act of clemency
41:56Against Pia Bellentani
41:58I loved so much
41:59I worked
42:03With a sense of responsibility
42:06Understanding
42:07That
42:08Bellentani
42:09It's not Bellentani
42:10Known case
42:11Case
42:13Unknown
42:14What will the graces also say?
42:16For me it was
42:18A participation
42:19Posthumous
42:21To the drama
42:22Who had lived
42:24The judge
42:25Of the judgment
42:26God Bellentani
42:26She was pardoned
42:28Why
42:28He always remained
42:30The doubt
42:31Of this infirmity
42:32Total
42:33And then why?
42:35Even at the same trial
42:36Appeared
42:38In the clothes
42:39Of a humble woman
42:40And there
42:42It belongs
42:43At the novelistic rate
42:49December 23rd
42:51From 1955
42:52The Countess
42:54It comes out like this
42:54From the asylum
42:55Judicial
42:56From Pozzuoli
42:56Where in the meantime
42:58She had been transferred
43:00Certainly
43:01Grace
43:02It was criticized
43:03From those
43:04What they saw
43:05Continuously
43:06In Italy
43:06But not only that
43:07In Italy
43:07In two crises
43:08By measure
43:09Second
43:09Of crimes
43:10Of the upper class
43:11And from the class
43:13Medium-low
43:13And certainly
43:15She was a privileged one
43:16Waiting for Pia
43:18Out of prison
43:19There is no husband
43:20Count Lamberto
43:21Bellentani
43:22He moved
43:23In Monte Carlo
43:23But with his wife
43:24It will still keep
43:25Good relations
43:26I saw it again
43:27I pretended
43:28Of not knowing him
43:29Because almost
43:31He was embarrassed
43:36Pia is leaving
43:37In company
43:38Of his brother Giulio
43:39That the door
43:40About the world
43:40From the family
43:41Of origin
43:42To spend
43:43Christmas
43:43The rest of life
43:45Instead
43:45The Countess
43:46Bellentani
43:46He spends it
43:47In the capital
43:48Let's say he's coming back
43:49To be
43:50The woman
43:50Simple
43:51With its cutting boards
43:52His dark glasses
43:53What was it?
43:54In the first period
43:56Of marriage
43:57With Count Bellentani
43:58He found himself in Rome
44:00To start over again
44:02He had a new love
44:04Who was a journalist
44:04Who wrote detective stories
44:06He found his two daughters
44:08And he tried
44:09An honorable
44:11Anonymity
44:12His fortune
44:13It had to be
44:14That of staying
44:15Stop in the country
44:16To embroidery
44:19At the stroll
44:20Along the course
44:21Of the country
44:21To friendships
44:23Maybe boring
44:24But more peaceful
44:25The city jump
44:27By social class
44:28He made them
44:29Going ball
44:30To the brain
44:31In short
44:32She was hysterical
44:32The hysterical
44:34And one who said
44:35Freud is convinced
44:35To be the best
44:36Father's lover
44:37So
44:38The hysterical
44:38He must find a father
44:40That must be loved
44:42From the father
44:43At the moment when
44:44This love
44:45It is not verified
44:46It is also available
44:47To destroy the father
44:48Then you see how
44:50Probably
44:51The Bellentani
44:52I have received
44:53A series of fathers
44:54From those who have it
44:55Made to grow
44:56Women's
44:57Let's put it this way
44:58Country
44:58Or anyway
44:59Of more humble origins
45:01To build more and more
45:02A character
45:03And she got very attached
45:04Then to these figures
45:06A father
45:06It could have been
45:07The victim too
45:09And from the moment
45:09Who had rejected her
45:11He was a father
45:11Which was supposed to be hit
45:13This story
45:14Of the bags
45:14It had been a parenthesis
45:15In his life
45:16A parenthesis
45:19How can we say
45:21That had uninhibited her
45:22Which is why it had become
45:24What could have been
45:26Without his
45:27Neurotic constraints
45:29The act
45:31It certainly had been
45:36Disproportionate
45:37The act of killing
45:38But certainly
45:40Not entirely wanted
45:43And not even rationalized
46:15The act of killing
46:15The act of killing
46:43The act of killing
46:45The act of killing
46:45The act of killing
46:45The act of killing
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