- 5 hours ago
Zorro S01E30
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🎥
Short filmTranscript
00:04Out of the night, when the full moon is bright, comes a horse not known as Zorro.
00:13This cold renegade carves a Z with his blade, a Z that stands for Zorro.
00:23Zorro, Zorro, the fox so cunning and free, Zorro, who makes the sign of the Z.
00:35Zorro, Zorro, Zorro, Zorro, Zorro, Zorro, Zorro.
00:55Come in.
01:00This is the mail. Just came in from San Diego.
01:08Is there anything there for me, Sergeant?
01:10Who would write to you?
01:12I don't know.
01:14Why do you always ask?
01:15Well, if the letter did come, I could look at it and see who would write to me.
01:20Always you ask, is there any mail for me?
01:22Always I tell you that...
01:33Push a little harder, Sergeant. The words do not come all the way out.
01:37Oh, si.
01:38As soon as the Senora reaches San Diego, we will board a Boston ship and start the trip to Spain.
01:44You will continue as acting commandante until...
01:47What am I doing reading out loud? I was reading silently to myself.
01:52Barboso.
01:54You may go now, Corporal.
02:12Your pardon, Senora, but here is a letter for you from the commandante.
02:19Gracias, Sergeant.
02:20He says in my letter that you will be returning to Spain, and I am to remain on here as
02:24acting commandante.
02:25Returning to Spain?
02:26Si.
02:27He says it is impossible to get a ship directly to Spain, so you must go first to Boston, and...
02:33It is necessary to go first to Boston.
02:35I can read it for myself.
02:37Si.
02:42No.
02:44No, I will not leave here now. There is too much at stake.
02:47Arturo's future is here in California, not back in Spain.
02:51He will be a big man someday, Sergeant.
02:54He will have an important place in the history of California.
02:59I, um, think I will go out for a while, Sergeant.
03:03Si, Senora.
03:24Wait here, Bernardo.
03:25I want to speak to the Sergeant while she is gone.
03:28Somehow I must convince him that she is involved in a plot against his life.
03:32I'm sure he's in great danger.
03:44Come in.
03:46It's Don Diego to see you, Sergeant.
03:48Have him come in, Corporal.
03:49Si.
03:51Ah, Don Diego. Come in, come in.
03:56Sergeant, I was wondering if you had heard anything new about the missing gunpowder.
04:01I have questioned everybody in the quartel, Don Diego. I do not know what became of it.
04:06What do you intend doing?
04:07Well, next I thought that since I do not actually know where the gunpowder is, I...
04:13I just don't know, Don Diego. I don't know.
04:15Hey, Sergeant.
04:17Is that a deck of cards I see in your drawer?
04:20Oh, yes, Don Diego.
04:22As you know, we have not been paid for several months.
04:24The only way we can get along at all is by winning money from each other playing cards.
04:28Well, I have an idea.
04:31Why do you not let me tell you your fortune with these cards?
04:35Can you tell fortunes, Don Diego?
04:36It's something an old gypsy woman once taught me long ago.
04:39You do believe in fortunes, huh?
04:42I do not know. I mean, I'm not sure.
04:45Well, just for a sample, here.
04:47Place your right hand on your heart, and with your left hand, cut the cards.
05:02Well, the cards indicate that you are a man of great courage, with an appreciation for the finer things in
05:07life.
05:07There is something to this after all.
05:10Oh, oh, they also indicate that you are a man with great responsibilities.
05:15A faithful friend and a true gentleman.
05:17Oh, this is amazing, Don Diego. How could these little cards know all this, eh?
05:25Sergeant.
05:27Maybe we had better not go on with this. The cards don't always tell the truth anyway.
05:32Is something the matter, Don Diego? What is wrong?
05:34Oh, don't worry about it, Sergeant, but, well, things do not always work out the way the cards indicate.
05:40Tell me what the card says, Don Diego. Tell me now. I must know.
05:45Well, Sergeant.
05:48It is the cup. The symbol of death.
05:52To see a cup standing by itself is an ill omen. A warning to beware.
05:57I see.
06:02Oh, Sergeant.
06:04Your life, your life is in great danger.
06:07There is a dark woman very close to you, whom you trust.
06:12She is plotting against you. Why, she may even send you to your death. Beware of her. She is dangerous.
06:17You can see for yourself, Don Diego, there is no dark woman close to me.
06:24There is also a king of cups. This man is a mortal danger to you. He is also involved in
06:30the plot against your life. Watch out for him, too.
06:32Who is a king of cups?
06:36Oh, I do not know. Someone who owns many cups or owns an institution that sells cups or serves cups.
06:45Señor Quintana. He owns the tavern. He could be the king of cups.
06:50Zorro warned me against him.
06:54Maybe Zorro was right.
06:56Well, Sergeant, I did not mean to frighten you. Had I known, I would have never brought the subject up.
07:01It is all right, Don Diego. I am glad you told me. Gracias.
07:05From now on, whenever I have to go out after dark alone, I will make sure that somebody goes with
07:12me.
07:15What these men want to know is when they can pick up the kegs of gunpowder.
07:19Tomorrow morning at sunrise. On Tuesday, the attacks will begin simultaneously at siesta time in Santa Barbara, Los Angeles, Capistrano,
07:30San Diego.
07:30This is the schedule set up by the Eagle? It is.
07:33By Tuesday night, we must control the Presidios, the Pueblos, and the roads which connect them.
07:39Si. Now, there is nothing more for you to learn at this time.
07:43However, I must warn you of one problem we have here in Los Angeles.
07:48Sergeant Garcia is becoming suspicious.
07:52Señor Quintana and Fuentes failed to take care of him.
07:55This could jeopardize everything we have done to date.
07:57The only reason we failed was that Zorro turned up at the wrong time.
08:00There is no need now to make excuses or offer apologies.
08:04We must get rid of the sergeant at once.
08:07Do you know where he is now?
08:08I assume he is at the Quartel. He was when I left.
08:12Do you know how we could get him out of there?
08:14I will take care of that.
08:17I will send him on an errand alone.
08:20Make sure that you follow him, but are not seen.
08:33No.
08:34Now, I cut the cards with my left hand, then I place my right hand over my heart.
08:40Or was it the other way around?
08:44What difference does it make?
08:46It makes a big difference, stupid.
08:49I know.
08:51I will place both hands over my heart.
08:54You cut the cards.
09:05Oh.
09:06It is that bad luck card again.
09:10What's so bad luck about it?
09:12It is the symbol of death.
09:17Whenever you see a single cup standing all alone by itself,
09:20it is a sign that something terrible is just looking for a chance to happen to you.
09:24A single cup all by itself?
09:27Well, if the cards know that something bad is liable to happen to me,
09:30why don't they tell me what it is?
09:35What is this, Sergeant? Playing cards in the comandante's office?
09:38Oh, no, Senora. I was just telling my fortune.
09:41You tell fortune, Sergeant?
09:44Si, Senora. It's something that was taught me by an old gypsy woman.
09:50Sergeant, can I trust you?
09:52Of course, Senora. With how much?
09:55I have just received a special message from my husband.
09:59You have?
10:00There are great dangers, Sergeant.
10:02Yes, I know.
10:04Arturo wants you to meet him on the road between here and Capistrano.
10:08He says that you are to come alone.
10:10How soon, Senora? Did he say that?
10:12Right away.
10:13You will scarcely be over the first hill before sundown.
10:16And he says you are to tell no one where you are going.
10:21Si, Senora.
10:38That's what he said.
10:40Yes.
10:42No.
10:55No, no.
10:56No.
11:07It is an ill omen, Sergeant, when you see a single cop standing alone, it is a sign to beware.
11:25Open the gate! Open the gate!
11:35For such a short trip, you could have walked.
11:37Stupid, I did not know it would be such a short trip. I saw this sign.
11:40What sign?
11:41The symbol of death, the single cop standing alone all by itself.
11:45Corporal, I think somebody is plotting to kill me.
11:48Who will want to kill you especially?
11:50The King of Cops and the Dark Lady who is very close to me and who is also very dangerous.
12:00Why did you come back in such a hurry, Sergeant? What is the matter?
12:03Please, Senora, I am your friend. Why do you plot against me? Why would you send me to my death?
12:08What are you talking about?
12:10He saw the cop.
12:12The cop?
12:14I know all about the Dark Lady and the King of Cups who are plotting against my life.
12:19The King of Cups?
12:20The man who serves. Senor Quintana who runs the tavern.
12:33I do not like this, Bernardo.
12:35That stranger who was here with Quintana.
12:37I'm sure he's part of the Eagle's Brood.
12:39And he did not come here just to take care of the Sergeant.
12:42I'd better be ready for whatever comes.
12:46Yes, you stay here. Keep an eye on the Quartel and make sure that they do not trick the Sergeant
12:50into making some move that may cost him his life.
13:07Yes, Corporal?
13:08It is Senor Quintana at the gates. He wishes to speak with you.
13:11Tell him to wait a moment. Then I will see him.
13:29Back to the Si nut told Mark.
13:31Yeah, you cannot wait for him.
13:37But he would be a little good boy.
13:37To the Hone is his secret!
13:41It may take care of his Пр mop or his prayers.
13:46Come in.
13:51You know better than to come here.
13:53We kept waiting for you to come out.
13:55We thought something had gone wrong.
13:56Nothing has gone wrong.
13:59Can you tell me why the fat sergeant turned around in the middle of the plaza
14:02and rode back into the cuartel?
14:04I think maybe he forgot something.
14:07Oh, no, no.
14:08He went like a scared rabbit.
14:09We thought maybe he'd got wires to something.
14:11Well, I don't re...
14:21What's this, senora?
14:22You're planning on leaving us?
14:24Well, it is just that I have received special orders from the Ego.
14:28Boy, that's not possible, senora.
14:31Justo Espinoza came straight from Monterey.
14:33There was no order about you leaving us at this time.
14:35All right.
14:37I'm joining my husband in San Diego and taking a ship for Spain.
14:42All this murder and killing.
14:44It is not what was promised at all.
14:46And you think that you can pack up on leave, huh?
14:49Just like that.
14:49Listen to me.
14:51We are not working for the good of California at all,
14:53but for the greed and ambition of the Ego.
14:56You speak of greed and ambition, senora?
14:59Who was it who wanted the husband to be governor?
15:01No, but I did not know then what I know now.
15:05I believed in the Ego.
15:08Don't you realize he would kill you?
15:10He'd kill me without a second thought if it furthered his plans.
15:13This is what comes of giving responsibility to a woman.
15:17There is one minor detail.
15:20The sergeant, the corporal, I don't know how many others
15:24know that you are involved in the plot.
15:29I don't believe you.
15:30It is of no slight interest to me whether you believe me or not.
15:39Senora, you and I are going to walk out of here together.
15:46And you'd better pray that we're not stopped or questioned.
15:52Otherwise, I'm going to pull the trigger.
15:54Now, let's go.
16:10Let's get to the winery.
16:11Very quick.
17:00The reason for the slight change in plans,
17:02the senora here had a sudden urge to join her husband.
17:06Perhaps in a few days, my dear,
17:07we can say to it that your husband to judge you.
17:10You understand that, do you?
17:12You need not spare Captain Toledano.
17:14Shoot him down.
17:15Do not be so naive.
17:17It was never planned to do otherwise.
17:19You mean,
17:20the Ego never did intend to keep his promises to me?
17:23Your husband is an officer in the King's Army.
17:26Do you think the Ego would be so stupid as to let him live?
17:30If it had not been for me,
17:31you would not have the gunpowder here tonight.
17:34And yet, you plan on taking part of it to San Diego
17:37to kill my own husband.
17:38There is nothing personal in this, senora.
17:41We plan the same fate for all officers of the King's Army
17:44throughout California.
17:45Go on, take her over there.
18:08This is it, boy.
18:10The whole future of California is at stake right here.
18:12Go get help.
18:13Go to Bernardo.
18:19You will know what this means.
18:22No.
18:38Well, is all the gunpowder there?
18:40Si, it is there.
18:41Now I will take care of her.
18:44And as soon as I do,
18:45you will start dividing the gunpowder.
18:47Go on, over there.
18:58It is too bad, senora.
19:00You would have been such an attractive widow.
19:04I will take...
19:06You're brave men, senores.
19:07It takes only four of you to handle one woman.
19:14Quick, gather at us.
19:23It's loaded.
19:25Up the stairs.
19:36There he is.
19:39There he is.
19:48No!
19:50No!
19:50No!
19:51No!
19:52No!
19:53No!
20:18It's all right, senora.
20:19This is perhaps the greatest service she could have done us.
20:21She has put Zorro in her room without any way of escape.
20:24No windows.
20:25This is the only door.
20:27Excellent.
20:29Get loaded rifles.
20:32Is this the missing gunpowder?
20:33Si.
20:34A moment ago, senora, out there, you risked your life saving mine.
20:38For that, gracias.
20:39They planned to kill me anyhow, but you, why didn't you escape when I gave you the chance?
20:45I've made such a mess of my life. I've ruined so many things.
20:49I don't deserve to live.
20:51Maybe the senora is right, but I hate to see a Spanish lady.
20:59They'll be coming through that door in a minute.
21:23All right, I will give you one minute to get outside the building, senores, or I'll blow it up.
21:30Well, how could you? It would blow you up, too.
21:33What's the difference? You'll kill us as soon as you chop down the door.
21:37And as long as we have to go, you will go with us.
21:43He wouldn't do it.
21:46You think not, senores?
21:48Well, just look through the crack in the door.
21:58He's done it.
22:02It's about to blow up.
22:04He's bluffing.
22:06He just wants us out of the building.
22:08Yes, but you can't be sure.
22:29You have ten seconds to live, senores.
22:33Eight seconds.
22:35Seven seconds.
22:36Six seconds.
22:38Five seconds.
22:40Four seconds.
22:42Four seconds.
22:46Four seconds.
22:47They're gone.
22:52Suppose they have not run.
22:53Would you still have let it blow up?
22:55But, senora, I knew they would run.
23:00Don't shoot!
23:01Don't shoot!
23:01Don't shoot!
23:02Don't shoot!
23:03Don't shoot!
23:03Don't shoot!
23:04Don't shoot!
23:05We caught you red-handed, eh?
23:07Red-handed?
23:08Doing what?
23:08I do not know, but it always sounds so good to say it.
23:12Look!
23:14In here, sergeant.
23:15You will find a missing gunpowder.
23:17Gunpowder?
23:18But what is the senora doing here?
23:20She was brought here at gunpoint.
23:22All she wants to do now is to rejoin her husband
23:24and catch the first ship back from Spain.
23:28Adios, senora.
23:41Are you sure you know what to do?
23:43Si.
23:43Did you ever see anybody pin a medal on before?
23:46When I was in France.
23:59And hut!
24:05Sergeant Demetrio Lopez Garcia, step forward.
24:11For distinguished service, as a member of His Majesty's Royal Lancers,
24:16you are hereby awarded the medal of the Royal Yeoman
24:19with the silver cross.
24:33He just likes me.
24:35Baboso.
24:53The End
24:53Next week, a reckless stranger, a master with whip and sword,
24:58provokes an innocent youth to a duel.
25:00Senor, he is an arm.
25:04That is my answer, senor.
25:06You've just dug your own grave.
25:10For an astonishing climax of action and thrills,
25:13be with us next week when the Walt Disney Studio presents
25:16Zorro!
25:19The End
25:19The End
25:20The End
25:26The End
25:27The End
25:27The End
25:27The End
25:27The End
25:32The End
25:35The End
25:37The End
25:37The End
25:37You
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