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00:00Previously on Devious Mates
00:01Are you having fun watching your book get made into a movie?
00:04It's not what I expected.
00:06Let me introduce you to the gang.
00:08Hugh Metzger, I am obsessed with your films.
00:10The truth is, I didn't want to get your hopes up.
00:12About what?
00:13About your movie being back in production.
00:14I thought it was dead.
00:15No, it's not.
00:16Hugh Metzger wants to direct.
00:17We want you to write it.
00:18Oh, you're the reverend.
00:19Hello.
00:20You seem so happy serving others.
00:23Would you like to have dinner with me tomorrow night?
00:24Zoila, this is my mother.
00:26I like her too, but not for you.
00:28I have other plans for you, Kyle.
00:30I find you intriguing.
00:32You only asked me how to make Evelyn jealous.
00:34Seems we have a lot in common.
00:36I never should have broken up with you.
00:38Give me another chance and I will make it up to you.
00:40One thing.
00:41Let's not tell my mother.
00:42Deal.
00:43I brought you a latte on the house.
00:45That barista's got a serious crush on you.
00:47And every time I let him on, I get a free coffee.
00:50I know you're my mother now.
00:51Nothing's changed.
00:52You don't want to be my mother?
00:53I'm sorry, Danny.
00:54But I can't be that for you.
00:55Ready to go to the airport?
00:56Just tell me my mom I'm coming home.
00:58Who's that?
00:59Fabian.
01:00My hairdresser.
01:01You should read this.
01:02I tried to read it.
01:03I found it kind of boring.
01:04You know what?
01:05There's a reason you didn't understand it.
01:07The ideas in that book are new and you're old.
01:10There's this bad man named Ben.
01:12He's involved with something called the circle.
01:14Hold on.
01:14Fabian was always trying to get me to read this.
01:17It sounds like a cult.
01:19We weren't sure you could be trusted anymore.
01:20What, what, we?
01:21Mother knows about this?
01:23She's very unhappy with you.
01:25And you know how mother gets.
01:32These sheets are heaven.
01:35It's nice staying at your place.
01:38For a change.
01:41Well, don't get used to it.
01:42My mother comes home from her trip today.
01:50Why are we still keeping this from her?
01:54Because keeping a secret is sexy.
01:57Don't you think?
01:58I just hate lying to her.
02:00She's my friend.
02:02And I think she'd be really happy for us.
02:05Yeah, but I don't want to share you.
02:08Not yet.
02:12Kyle?
02:13I'm home.
02:14She's back early.
02:16Hide.
02:18Hide?
02:19We will tell her eventually, but not like this.
02:21Why don't you just lock the door?
02:22Because I never lock the door.
02:23She'll know something's up.
02:24You still asleep?
02:25Fine.
02:27Where's the closet?
02:28I don't have a closet.
02:29I have an armoire.
02:30Here.
02:31Here.
02:31Go out the window.
02:32Are you kidding?
02:33We're on the second floor.
02:35There's a ledge.
02:36Just go out there for a minute, and I'll get rid of her.
02:38Come on.
02:38Go.
02:39Kyle.
02:40Kyle.
02:41Wait, go.
02:41Go, go.
02:43This is crazy.
02:44Come on.
02:46Come on.
02:46Not that high.
02:47You're good.
02:47You're good.
02:50Mother.
02:51Hey.
02:52Welcome home.
02:54We need to talk about Ben.
02:56Tell me everything that happened.
02:57Yeah, absolutely.
02:59But first, tell me, how was your trip?
03:02How was that?
03:05Fine.
03:05Why?
03:07What's wrong?
03:09I got to put some clothes on.
03:11I'll be downstairs in a sec.
03:12Okay.
03:12Okay.
03:17Zoila, you okay?
03:19I'm fine.
03:21I'm so sorry.
03:23I'll call you later.
03:27Good morning.
03:30Good morning.
03:46Garmin, I've been thinking.
03:49I'm giving you the day off tomorrow.
03:51What? Why?
03:53Because it's your birthday.
03:54No!
03:56I mean, no. You're confused.
03:59My birthday is not tomorrow.
04:00Well, of course it is.
04:01I wrote it in my calendar last year after you struck me with a dust buster for not remembering.
04:06Well, I'm not celebrating this year.
04:08Why not? Is there something different about this birthday?
04:13Are you turning 40?
04:15Don't say the F word!
04:16Oh, come on. 40 is not so bad.
04:19I'm 37. I'm sticking. Now drop it.
04:22Is this because Danny's gone?
04:24Now that you're facing a milestone, taking stock in your life,
04:27are you realizing that you let your only real accomplishment walk out the door?
04:31No, that's not it.
04:34Danny leaving was a relief.
04:36I never wanted to be a mom.
04:37Now I can focus on being me.
04:39Carmen. Luna.
04:42Carmen. The phone.
04:45Yeah, yeah.
04:49Power Residence.
04:51Hey, I was trying to reach Daniella Mercado.
04:53Oh, she's not in.
04:55Okay, you think I can leave a message?
04:56I tried to sell, but I just can't get her.
04:59Probably because she's out of town.
05:01Oh, okay.
05:02Well, I guess she'll just miss this audition.
05:05Wait, what?
05:05What audition?
05:06Um, it's tomorrow.
05:08We're trying out dancers for a new BT Chill video.
05:11BT Chill?
05:13The guy with the really high voice and the really low pants?
05:15He's huge.
05:17Yep.
05:17So I guess it's her loss.
05:19No, no, no, no, no.
05:20Don't hang up.
05:21Give me the details.
05:22Wait, I thought you just said she was out of town.
05:25I forgot she's coming back today.
05:26So tell me where it is and Daniella will be there.
05:33Girl.
05:34How nice to see you.
05:36Evelyn, I was just getting my eyebrows waxed.
05:40I have an eyebrow there, too.
05:44You know, I think the last time I saw you,
05:46you were getting dragged out of the country club,
05:48kicking and screaming.
05:49I really hope I didn't exacerbate the situation
05:52by calling you a monster.
05:53No, I understand.
05:54You can't help your behavior.
05:55You're like a feral cat who's also drunk.
06:01Wow.
06:01You seem to be in an unusually good mood.
06:04I am.
06:05I have a date.
06:06That's why I'm here getting gussied up.
06:08Who's the lucky guy?
06:09Reverend James Hamilton from the Hamilton House Charity.
06:13He is very handsome.
06:15I know.
06:15Figure if I'm going to get back on the horse,
06:17might as well be a big black stallion.
06:20Gail.
06:21Being around you makes me seem racially sensitive.
06:24Though I have to say,
06:25I can't really picture you with a preacher.
06:27I mean, do they even make money?
06:29Does it matter?
06:30It's just a date.
06:31I don't have to marry the man.
06:32So is, um, is Adrian seeing other people, too?
06:37I don't know.
06:38And I don't care.
06:39Adrian is free to do anything or anyone he pleases.
06:42Hmm.
06:43Okay.
06:44Well, have fun.
06:51I can't believe I am writing a film being directed by the Hugh Metzger.
06:56I'm going to learn so much from you.
06:58Yeah.
06:58Well, you know what?
06:59I'm impressed with you, too.
07:00It's amazing how quickly you wrote that outline.
07:03I lived it.
07:04And the other script got so much wrong,
07:06I was bursting at the seams to tell the story my way.
07:09Well, I loved what you did with it.
07:11So now we can talk about what we need to change.
07:15Oh, okay.
07:17Okay.
07:17I look forward to hearing your thoughts.
07:20Okay.
07:21Trey, give her my thoughts.
07:23First off, Hugh had the great idea to change the setting to Miami.
07:27Yeah.
07:27Beverly Hills is just a little too on the nose.
07:30But Beverly Hills is such a good backdrop for the themes of class disparity, don't you think?
07:37Yeah, let's put a pin in that, okay?
07:40Next, it'd be great if the maids could be sexier.
07:43Show some skin.
07:44Yeah, what if there's like a room where they all change before they go to work every day?
07:48Like a maid's locker room.
07:50Maid's locker room.
07:51Great idea, Hugh.
07:52Okay, that was my idea.
07:53And I wasn't being serious because it's not a thing.
07:56Ah.
07:57Well, let's put a pin in that, too.
08:01Beginning to think putting a pin in it means you're just going to change it later.
08:05Oh, you're right.
08:06You are learning a lot from me.
08:12Westmore.
08:13Oh, Kill Face.
08:16I heard you were back from the hospital.
08:17We missed you at a play rehearsal.
08:19That's still happening?
08:21Of course it is.
08:22It's Friday.
08:23If you need more time to prepare, we can run lines in the shower.
08:27No, I'm good.
08:29And don't worry, your family's going to love it.
08:32My family.
08:33Didn't you invite them?
08:35Friday's family day.
08:36We do a play every year for the kids.
08:39We just never had a star like you before.
08:42Oh, thanks.
08:45But do you really think prison is the best place for children?
08:49Listen to me.
08:50I've been in here a long time.
08:52You get a chance to hug your family, you take it.
08:55I hadn't thought of that.
08:57I mean, who knows?
08:58You may never see them again.
09:02Especially if you're not off book by Friday.
09:11Oh, well, hello there.
09:13You must be the haircut guy.
09:15Come on in.
09:16So who referred you to me?
09:19I really must thank them.
09:22Oh, I don't need a haircut.
09:25You don't, but I got a text asking for an at-home appointment.
09:28That was for me.
09:30Wait.
09:31Aren't you Jean-Vievre de la Tour's maid?
09:33Did she put you up to this?
09:35Is that why you tricked me into coming here?
09:37I'll get back to work.
09:39Hold on, stay.
09:40I want a witness for this.
09:41Please, Fabian.
09:42Mrs. Jean-Vievre doesn't even know I called you.
09:45Well, she really hurt me.
09:47Do you know she thought I was gay?
09:49Can you believe that?
09:51Shocking.
09:52Excuse me.
09:54I picked up the book you gave Mrs. Jean-Vievre about The Circle, and I thought it was really
10:00interesting.
10:01Mm-hmm.
10:02Fabian, I am talking to you.
10:04What?
10:04Oh, yes.
10:06The book.
10:07I want to know more about The Circle.
10:09Can I join?
10:10You?
10:12No.
10:13No, no, no, no, no, no.
10:15Why not?
10:17Sweetheart, our members are very she-she.
10:21Politicians, celebs.
10:22I mean, for God's sake, Perry Westmore was in The Circle.
10:27She was?
10:29The point is, you don't choose us, we choose you.
10:33And let's be honest, no one is ever going to choose you.
10:38See ya.
10:42Did you hear that?
10:43Perry was in The Circle.
10:44Maybe she wanted out, and that's why they killed her.
10:48I just wish I could get inside, but they only want rich people.
10:52So what are you going to do now?
10:54I don't have a choice.
10:56I got to get Miss John Villiers to join the cult.
11:03Ouch.
11:04You must really like this guy to climb out of a window for him.
11:07I won't even drive to the valley for a guy, no matter how hot he is.
11:10I think it's weird that Kyle won't tell his mother he's seeing you.
11:14I know, but we're still in the case so hot, I don't want to question it phase of a relationship.
11:20You know the mom, why don't you just talk to her yourself?
11:22Honestly, I think she'd be fine with it, but Kyle asked me not to tell her.
11:26Maybe she can find out by accident.
11:28You know, that's not the worst idea.
11:30Aw, I always like it when I don't have the worst idea.
11:35Here's a decaf triple shot, skinny latte for Carmen, and whatever these are for you guys.
11:44They always get my order wrong.
11:46What is so hard about black?
11:47Why do we even come to this place?
11:49Because that barista thinks I'm hot, and I never have to pay for my drinks.
11:52But we do.
11:53So, manita, what do you want to do for your big birthday tomorrow?
11:57Shh.
11:58It's not my birthday.
11:59Aw.
12:00Someone upset about turning 40.
12:03Ow!
12:04I'm not turning the F word.
12:06Sweetie, you've turned 37 for the last three years in a row.
12:09You're 40.
12:10We should celebrate.
12:11I can't.
12:12I have an audition for a BT Chill music video.
12:15How'd you snag that?
12:17Well, technically, Dani got the audition, but she's not around, so I'm gonna go in as her.
12:23You're stealing your own daughter's audition?
12:24That is not right.
12:26It's what Daniela would have wanted.
12:28She's in Puerto Rico, not heaven.
12:29Besides, they're expecting a 20-year-old.
12:32What do you think they'll say when they see you looking old?
12:35Not 20.
12:36People think of me my 20s all the time, honey.
12:38Trust me.
12:39I still got it.
12:41Here you go, ladies.
12:43Separate checks.
12:48Wait, I always get mine free.
12:50Sorry, Carmen.
12:51Not today.
12:53Ooh.
12:54Maybe you don't still got it?
12:59Adrian has hidden all the money.
13:01He retained every divorce attorney in this town.
13:04He won't even let me into my own home.
13:06Oh, you poor thing.
13:07You don't want to listen to me complain about my soon-to-be ex-husband.
13:10Oh, no, I don't mind.
13:11I'm actually planning a sermon on the devil.
13:13This is really good material.
13:16I didn't realize ministers were allowed to have a sense of humor.
13:19Well, we're not, so please don't tell the other ministers.
13:22James.
13:23I must say, this date is going better than I hoped.
13:28Oh, you thought I'd be a real dud, huh?
13:30I was afraid you might be a bit of a goody-goody.
13:35Oh, trust me, Evelyn.
13:38I'm no saint.
13:40Reverend.
13:42Oh, hello, LeBron.
13:44I just wanted to thank you again for everything you did for my family.
13:47The money you raised for Timmy's surgery was a godsend.
13:50I surely thank Dr. Levin.
13:52I'm so glad he and I stayed in search after we volunteered in Africa.
13:55Hey, Timmy, how you doing, buddy?
13:58My doctor says soon I'll be running and playing just like the other boys.
14:02He must be a very special woman to be with the Reverend.
14:05Best man in the entire world.
14:07Yes, I am starting to see that.
14:11So you haven't said anything about your meeting with Hugh and Trey.
14:15It doesn't feel right to use our relationship to talk about them.
14:19They said you were very difficult and not collaborative.
14:24They're morons.
14:25That's better.
14:26And their ideas stink.
14:28I don't even know who Trey is.
14:29Some guy who gets paid to sit there and agree.
14:32In Hollywood, they call that a producing partner.
14:35They were so critical.
14:36I felt like I was under attack.
14:37But that's the process.
14:38Just try not to take it so personally.
14:40I've poured my heart and soul into that book.
14:43Maybe you're too close to it.
14:45Those guys are critiquing the material.
14:47They're not critiquing you.
14:48All right, okay.
14:50Look, they just want to feel like they're being heard.
14:53Don't say no to their notes.
14:54Just try something like, oh, that's interesting.
14:56Let me think about it.
14:58Then can I ignore them and do whatever I want?
15:02How about if you get a note that's particularly terrible, you bring it to me.
15:07I'll back you up.
15:09Dating the head of the studio has perks.
15:12Speaking of which, I've got that shareholder meeting in New York this week.
15:16Why don't we make the most of the time I have left?
15:19I love that idea.
15:21You see, I am collaborative as hell.
15:27Listen, Rosie, I want you and the boys to come to Family Day on Friday.
15:31Oh, Miguel has school.
15:34But I can bring Tucker.
15:35Oh, that would be great.
15:36I would love to see him.
15:37Spence, did you know Perry was in a cult?
15:40You're kidding.
15:41Mm-mm.
15:42It turns out the circle is a cult and Perry was in it.
15:46Rosie, I thought you were going to stop looking into Perry's murder.
15:49These people are dangerous.
15:51I love you, Spence.
15:52No matter how risky it is, I can't just give up on you.
15:55But I wish you would.
15:57Just promise me you won't do anything crazy like try to join this cult.
16:03I have to go, but I promise I will not join the cult.
16:08Rosie, I'm off to the club.
16:10Oh, really?
16:12You're going out with your hair looking like that?
16:15What's wrong with my hair?
16:16Hmm, nothing.
16:18But, but, what?
16:20It just hasn't looked as good since you stopped seeing Fabian.
16:24What are you talking about?
16:28My hair looks perfect.
16:30I just think Fabian made it look extra special.
16:33He did give an amazing blowout.
16:36But he insulted me.
16:38Besides, he's involved with that awful cult.
16:41It doesn't seem that bad.
16:43And cults are a great place to meet new people.
16:46Maybe a new man.
16:47Huh?
16:49Rosie, what's going on?
16:51Is this about Perry's murder again?
16:54I think the cult has something to do with it.
16:56But the circle doesn't want me because I'm not rich.
17:00Like you are.
17:01You mean you want me to join the cult?
17:04I know it might seem dangerous and it's a lot to ask.
17:07Well, why didn't you just say so?
17:09I'll join.
17:10You will?
17:11Well, don't look so shocked.
17:13I've belonged to a cult before.
17:16In my defense, it was the 80s.
17:18And I thought it was an exercise class.
17:22I must say, I was surprised when you invited me over.
17:25Why?
17:25We've been getting to know each other lately.
17:27We're buds.
17:29Buds?
17:31I like the sound of that.
17:33Truthfully, I don't have many female friends.
17:35Or male friends.
17:37Please.
17:38Aren't you friends with all those rich people at the club?
17:41They're mostly acquaintances.
17:42Sometimes they act like friends when they need a favor.
17:48You need a favor?
17:49No.
17:51Okay, yes.
17:53I need you to invite Francis to lunch and then cancel at the last minute.
17:57Then why would I do that?
17:58Because I need her to come home unexpectedly and find me in bed with her son.
18:03Oh, how deliciously kinky.
18:05This is why you don't have friends.
18:07Look, I'm tired of keeping my relationship a secret, but I can't tell Francis directly, so...
18:12You want her to catch you?
18:14En flagrante delicto.
18:17I'm in.
18:17I wouldn't go through all the trouble, but Kyle is weird about his mother.
18:22Almost like he's scared of her.
18:24Why in the world would anyone be scared of Francis?
18:28Kyle is my actual son, but everyone in the circle is my child.
18:33And when I ask one of my children to handle a situation, I expect it to be handled.
18:40I'm sorry, mother.
18:42Someone's going around asking about Perry's murder.
18:46Rosie.
18:46And if she figures out the truth, we're all in danger.
18:50Our entire family.
18:54I'll take care of it.
18:55Good.
18:56And Ben, don't disappoint your mother again.
19:08Okay, name.
19:10Daniela Mercado.
19:11This says your name is Carmen Luna.
19:13That's just my stage name.
19:15Okay, whatever your name is, I don't think you're exactly what we are looking for.
19:21You're not looking for hot, sexy dancers?
19:23We are looking for girls who are a little more born in the last two decades.
19:29Let me tell you something.
19:31Today's not the day to tell me that I'm too old.
19:33I came here to dance and I'm going to dance.
19:37Okay, okay.
19:39You can warm up over there.
19:47Oh, I didn't know they were casting a mom in this video.
19:53I'm so happy we put all that ugliness behind us.
19:57Me too.
19:57I hate fighting with you.
19:59I just wish I'd read that book you gave me sooner.
20:02It's really changed my whole perspective.
20:05Well, hallelujah, she's seen the light.
20:08So, you'll introduce me to your friends in the circle?
20:12Not so fast.
20:13There's a process.
20:14If you're truly committed.
20:17Of course I am.
20:19Whatever it takes.
20:24What's all this?
20:25Well, before anybody joins the circle, we have to analyze their commitment.
20:31Hold these.
20:33Is this going to hurt?
20:35No, no.
20:36I'm just going to ask some questions about your life,
20:38and the machine tells me whether you answer honestly.
20:41You don't have to worry about that.
20:42I'm an open book.
20:43Good.
20:44Let's start with your age.
20:46Hmm?
20:47Your age?
20:49Oh.
20:5135.
20:5545.
20:57Jean-Vievre, I thought you were serious about this.
21:0155?
21:04Wait.
21:04Okay.
21:08It starts with a six.
21:11I'll take that.
21:12Now, let's move on to something easier.
21:15Oh, could we?
21:16That would be wonderful.
21:17How much do you weigh?
21:21I'm so sorry, Francis.
21:22I have to cancel our lunch last minute.
21:26You should go on home.
21:28We'll do it another time.
21:30Bye now.
21:33Adrian, how do you feel about the placement of these sofas?
21:37Oh, Gail, I trust your judgment.
21:38You have a wonderful eye.
21:39I have other wonderful things, too.
21:43Don't you think?
21:45Beg your pardon?
21:46Well, you said I have a wonderful eye.
21:49I've also heard I have a wonderful butt.
21:54I'm sorry.
21:55I just came in for a bourbon.
21:57Adrian, would you like to have dinner with me tonight?
22:00You're friends with Evelyn.
22:01Doesn't this seem inappropriate?
22:04Evelyn's not in the picture anymore.
22:05There's no reason to deny the deep sexual tension that's always been between us.
22:12Is it possible you're unclear on the meaning of sexual tension?
22:16Don't act like you haven't thought about it.
22:19I've caught you staring at my breasts before.
22:22You took them out at a dinner party.
22:24I was caught by surprise.
22:26Come on, Adrian.
22:27You're a sexual deviant, and I am game for anything.
22:32And I do mean anything.
22:35Gail, I'm flattered, but I'm married.
22:38Now, the situation with Evelyn is only temporary.
22:41I know she'll come back to me.
22:43Hmm.
22:44I wouldn't be so sure.
22:46Haven't you heard?
22:47Evelyn is seeing someone.
22:49She's been dating James Hamilton.
22:52Reverend Hamilton?
22:54Mm-hmm.
22:55They met at the gala, and things have been hot and heavy ever since.
22:59Well, you give it some thought.
23:01And remember, my door is always open.
23:06If you know what I mean.
23:08It's impossible not to.
23:14Before we start, I want to apologize for yesterday.
23:17I got defensive, but I know none of this is personal.
23:20Great.
23:20Because we need to talk about the big note.
23:23I'm ready.
23:24Fire away.
23:25Okay.
23:26The character of Maria, the one pretending to be a maid, she's really, um...
23:32Unlikable.
23:32Yeah.
23:34Um, it's a bit awkward, but the character of Maria is based on me.
23:38Oh, no, of course.
23:39But the way she's written, I mean, she's just no fun.
23:42I do want to hang out with that gal.
23:43Yeah, you know the one I really like?
23:45Her friend, the hot one, who's trying to be a singer?
23:47Carmelita.
23:48Yeah, yeah.
23:48Yeah, I want to do tequila shots with her.
23:50But it's not right for Maria.
23:52She's trying to save her son.
23:54Yeah.
23:55About that, I don't buy it.
23:57But it happened.
23:59Going undercover, putting herself at risk, lying to her friends?
24:02She seems crazy.
24:04Yeah, no, a woman doesn't do that.
24:05Now, look, I got three ex-wives and a daughter.
24:07I know women.
24:09So you should see that Maria is strong and determined.
24:15If she were a man, you would find that admirable.
24:18You're absolutely right.
24:19Maria should be a man.
24:21Genius.
24:21What?
24:22No, not genius.
24:23Oh, now it makes sense.
24:25I totally buy that coming from a man.
24:28You're saying that a man goes undercover as a maid.
24:32He pretends to be a woman.
24:34Like Mrs. Doubtfire.
24:35Yes.
24:36Oh, Will Ferrell be perfect.
24:39Will Ferrell as Maria?
24:41What do you think?
24:45I'm hungry.
24:46Let's go grab a bite somewhere.
24:48No.
24:49Let's stay in bed and go.
24:51Mmm.
24:53Did you hear that?
24:55Kyle, you upstairs?
24:57Oh, God.
24:58Not again.
24:59Oh, shoot.
25:00She's back.
25:02I guess she's going to find out about us.
25:04Okay, you got to go out the window.
25:06No.
25:06I'm not going anywhere.
25:08Oh, yes, you are.
25:09No, you're good.
25:10You are so strong.
25:11Look at her.
25:14Everything okay up here?
25:17Hello, Frances.
25:21What's going on?
25:23I guess the cat's out of the bag.
25:26Kyle and I are dating again.
25:30I'm so sorry, Mother.
25:31Stop.
25:32There's no need to apologize.
25:34We're all adults here.
25:36Right, Frances?
25:38Get out of my house.
25:41Excuse me?
25:42I said get out.
25:44You are no longer welcome in this house.
25:55Carmen Luna, Lucy Nestor.
26:02I'm not sitting against her.
26:04Trying to keep up.
26:37I'm not sitting against her.
26:46Thank you, Lucy.
26:48You can go.
26:50Carmen, stay.
26:52We'd like to see more.
26:54Yes!
26:55Yes!
26:55You take that, you little hater.
26:57You can kiss my eye.
27:00Okay, next two dancers.
27:02Carmen, clear the stage.
27:07Wait a minute.
27:08Did you just throw your back out?
27:09No, no.
27:10I'm fine.
27:11I'm just resting.
27:13On second thought, Carmen, I think we've seen enough.
27:19There.
27:21Oh, Rosie.
27:22It was torture.
27:24I'm so sorry.
27:25What did Fabian do to you?
27:27He asked me deeply personal questions, and he wouldn't quit until he broke me.
27:33I am broken.
27:35What were the questions?
27:37My age?
27:39My weight?
27:40Which parts of me are real and which are fake?
27:44So he wanted to know your secrets.
27:47He even made me tell him every sordid detail of my sexual history.
27:52Of course, that part I rather enjoyed.
27:55Does everyone have to answer these questions before they get into the circle?
28:00That's what he said.
28:02It's part of the initiation.
28:04So Perry must have done it, too.
28:06If she did, there'll be a recording.
28:09He filmed the whole thing.
28:11I've got to find that video.
28:14If Perry had a secret, maybe it got her killed.
28:19Are you actually defending your mother?
28:22We caught her off guard.
28:23She doesn't like surprises.
28:24She's crazy.
28:26One minute I'm her best friend, the next minute she's kicking me out.
28:29She's not mad at you.
28:30She's mad at me.
28:31She thinks if I'm dating someone, I'll be distracted.
28:33From what?
28:36You're upset.
28:38Let me pour you a drink.
28:39You know what?
28:40I think your mother's jealous.
28:42She's afraid I'm going to take away her little boy.
28:45She's just overly protective.
28:47So tell her to back off.
28:49We just need to give her some more time.
28:52Okay?
28:54She'll come around.
28:55I'm not going to wait for her to come around.
28:58Zoila, please.
28:59Kyle, you are a grown man.
29:01If you can't stand up to your mother, then this is over.
29:13Oh, Evelyn.
29:14Can you give me a hand?
29:16I'm sorry.
29:17I'm very busy learning how to be a better, more considerate person.
29:20Well, so far, so good.
29:22Are you reading the Bible?
29:24I'm studying up for my next date with James.
29:26I'd like to strike the right balance of sexy but pious.
29:30Oh, you really like this guy.
29:33I'm just as surprised as you are.
29:35Here I was thinking I was too good for him.
29:37It turns out it's just the opposite.
29:39What happened?
29:41He's just...
29:42Kind.
29:43He wants to make the world better.
29:45Sounds like a breath of fresh air after Adrian.
29:48Exactly.
29:49Now, if you'll excuse me, I need to revamp my entire personality.
30:00All right.
30:01Take this to the truck and ask Raphael to help with the rest.
30:05Are you James Hamilton?
30:08I am.
30:09Are you here to volunteer?
30:11No, not likely.
30:13I heard about the work you do, and I wanted to see it for myself.
30:16I'm always proud to tell people about a Hamilton house.
30:19Well, over the years, we've helped thousands of children who...
30:22You don't have to sell me, Rev.
30:23I've already written you a check.
30:25Well, that was easy.
30:29Wow.
30:30That's, um...
30:31Impressive.
30:32Of course, there are strings attached.
30:34Strings?
30:35Yes.
30:36Perhaps I should introduce myself.
30:38I'm Adrian Powell.
30:41I'm giving you this donation on one condition.
30:43You stay away from my wife.
30:46Mr. Powell...
30:47Think of all the good you could do with it.
30:49You can't possibly choose Evelyn over the needs of the poor, sweet children.
30:53Can you?
30:56Go on, take it.
30:58Really, it's the Christian thing to do.
31:04I am so sorry to get you involved like this.
31:07I told you I have your back.
31:09Yeah, but you shouldn't have to fight your girlfriend's battles.
31:12I'm not here because you're my girlfriend.
31:14I'm here because you're a writer that I believe in.
31:18Okay.
31:19Ah, if you get called into the big boss's office, there better be scatch and hookers.
31:23I'm just kidding.
31:24I hate scatch.
31:26Well, I thought we should all get on the same page about the script.
31:30Couldn't agree more.
31:31Me too.
31:32First off, Maria won't be a man.
31:36It changes the tone of the whole piece.
31:38And you think people will buy it if it's a woman?
31:40That Marisol is nuts.
31:43I'm Marisol.
31:45The character is Maria.
31:47I think Maria and Marisol are both layered and interesting.
31:53Fine.
31:54Just make sure you cast someone thin.
31:57Yeah.
31:57I'm not one of those fatresses that are all the rage right now.
32:00Oh my God.
32:01That is fine.
32:04You know, as long as we're being candid and everything, I've got to tell you that I'm not
32:10feeling great about your choice of writer.
32:15We tried this movie with a different writer and it didn't work.
32:18We brought Marisol in to get it right.
32:21Well, be that as it may, I made up my mind.
32:25So, it's either her or me.
32:28Oh, well, fine.
32:30We'll get another director.
32:32Maybe even a woman.
32:35Come on.
32:36Hughes made millions for the studio.
32:38He has two Oscars.
32:39I don't think he's the one who's off the project.
32:43Peter.
32:49Marisol.
32:51Look, I'm sorry.
32:53Oh.
32:55No.
32:59I get it.
33:01Excuse me.
33:14Geneviève de la Tour?
33:15All her deepest and darkest.
33:17I thought she couldn't be recruited.
33:20Well done.
33:23I need to speak to you, mother.
33:25Alone.
33:27Ooh.
33:28Glasses is in a mood.
33:32Kyle, I don't want to fight.
33:34My whole life, I have never said no to you.
33:37But Zoila makes me happy.
33:39Why can't I be with her?
33:40Zoila is a discontent.
33:42You've already changed under her influence.
33:44You're afraid of her.
33:46You think that she'll lure me away from you and the circle.
33:49That relationship is over, and so is this conversation.
33:53Understood?
33:55Go to hell, mother.
34:02Oh, my God.
34:03Carmen, are you okay?
34:05I'll be fine.
34:06Ow.
34:07What can I get you?
34:09A decaf latte would be nice.
34:11Of course.
34:12That's $5.95.
34:15Oh, God.
34:17Why are you crying?
34:20My life is a total mess.
34:22No.
34:23No, it's not.
34:23I don't have a career.
34:25Or a husband.
34:26And I was supposed to be a star.
34:28You know what I mean?
34:28That's why I gave up Danny, you know?
34:30Danny?
34:31Yeah, I've wasted my whole life.
34:34And I can get free coffee because I'm 40.
34:36And even you don't think I'm hot anymore.
34:39Ow.
34:40Carmen?
34:41Carmen, look at me.
34:42Look.
34:43You see that?
34:43The boss installed it last week to make sure we don't give stuff away.
34:49Really?
34:50If it were up to me, you'd always get free coffee.
34:53And free scones.
34:55And muffins.
34:56So you still think I'm hot?
34:59Carmen, I think you're the most beautiful woman in the whole world.
35:12I can't believe that just happened.
35:15Me neither.
35:20Hey, kid.
35:23Would you guys like to play?
35:25Oh, yes.
35:25This is a very talented prison.
35:28I know.
35:28It's amazing.
35:29And can you believe Kill Face built all those sets himself?
35:31Daddy, when are you coming home?
35:34I don't know.
35:35But it's going to be a while.
35:37But hopefully soon.
35:41Hey.
35:43I saw some cupcakes on the snack table.
35:46We'll give us one.
35:49He really shouldn't get his hopes up like that.
35:52I'm not.
35:52I'm still going to get you out of here.
35:55In fact, I think Perry had a big secret.
35:58And that's why...
35:59Rosie, can we please not talk about Perry?
36:02I just want to enjoy my time here with you and Tucker.
36:04Okay?
36:06Okay.
36:07I'm sorry.
36:08You're right.
36:09I've missed you so much.
36:18Where's that cupcake?
36:19They're all out.
36:21Ah.
36:24I wish Daddy could come home with us.
36:27I'm working on it, chiquito.
36:32It's okay.
36:33Close your eyes.
36:36We'll be home soon, huh?
36:49Shouldn't you be on your way to New York?
36:51I was headed to the airport, and I made the driver stop.
36:54Look, I feel awful about what happened.
36:58You humiliated me in front of those horrible men.
37:01I'm so sorry.
37:02But how could I tell the shareholders that I chose a novice screenwriter over Hugh Metzger?
37:08I get that.
37:09I do.
37:10But you said that you had my back.
37:13What can I do to make things better?
37:15I don't want to leave with this unresolved.
37:17Then stay.
37:19We're not going to resolve this in the two minutes while your car waits outside.
37:23Can't you go tomorrow?
37:26It's work.
37:27And work takes priority.
37:28I'm starting to get that.
37:29Don't be that way.
37:31You know what?
37:31It's good that you're going.
37:33I need some time.
37:36What does that mean?
37:38For us?
37:39I don't know.
37:43Your driver's waiting.
37:56Thank you, my child.
37:57Have a blessed evening.
38:02Something wrong, James?
38:04I've been thinking.
38:06Me too.
38:06I believe I'm going to have the soup tonight.
38:08It reminds me of the soup kitchen where I volunteer when I'm not donating blood or reading to the blind.
38:14We need to talk.
38:15Oh, God.
38:17Gosh, I mean, sorry.
38:19Evelyn.
38:19It's all right.
38:22I know what we need to talk means.
38:24You do.
38:25You don't need to pretend.
38:27You're a better person than I am.
38:28We both know it.
38:29If I were you, I wouldn't want to be with me either.
38:31Look, hold on.
38:32It's just...
38:34Your husband came by.
38:37He gave me this.
38:41So I stopped seeing you.
38:46Oh.
38:47Now, that's a lot of zeros.
38:49I could do some real good with it.
38:54Of course you could.
38:55I can't accept it.
38:58What?
38:59It wasn't his money to give.
39:00He took it from you.
39:01Now I'm giving him back.
39:04I don't know what to say.
39:06Just use that money to hire the best divorce attorney you can find
39:09and get the hell away from that man for good.
39:12So you're not breaking up with me?
39:17My heart can't be bought.
39:20But lying to my husband, isn't that a tad bit immoral?
39:24Like I said before, I'm no saint.
39:32I did it.
39:33I broke up with my mother.
39:35What?
39:36Okay, I know how that sounds, but I stood up to her just like you said.
39:39Good for you.
39:41So can I stay here?
39:42With me?
39:44I don't have anywhere else to go.
39:53Rosie, thank God.
39:55Are you okay?
39:57Where's Tucker?
39:58We're both fine.
40:00Tucker's next door.
40:01They want to keep us overnight for observation.
40:05I called Shannon.
40:06She's on her way.
40:07Do you want me to tell them they're selling the girls?
40:09No, I don't want to worry them.
40:11I just called the house so you and Shannon would know.
40:14I can't believe this happened.
40:16Who hit you?
40:17I didn't see.
40:19It was a hit and run.
40:20But Jesse, I don't think it was an accident.
40:24Oh, my God.
40:25Did someone hit you on purpose?
40:27It was a warning from the circle.
40:30They want me to stop looking into Perry's murder.
40:36I must be getting close.
40:43Is everything all right, Mother?
40:45Kyle and I had an argument.
40:49Well, maybe this will make you happy.
40:52I don't think Rosie's going to be asking any more questions.
40:55I heard you ran her off the road.
40:59Ben, are you aware that Tucker Westmore was in the car?
41:04Is that a problem?
41:07It's a big problem.
41:09How could you be so reckless?
41:12I'm sorry.
41:16What's in this?
41:18Tucker Westmore is the key to everything.
41:26I told you not to disappoint me.
41:28For the moment, em,CA setup, foodury, or other people are dressed like that.
41:35Are you sure?
41:35Let me see.
41:37For the moment, it's a step.
41:39As we get into it.
41:40It feels like it's so clear.
41:46It feels like it's not quite heavy.
41:48So we can see.
41:48I hope it's right.
41:50I hope you can see through the straight season.
41:57You're on purpose to learn.
41:59You
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