- 12 hours ago
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00:18Nothing for me, Mr. Carson.
00:20No, no, no.
00:22Once again, I'm afraid there's nothing for you.
00:43Come on.
00:58I've got enough on my plate without going into every detail.
01:01You're co-owner of this estate.
01:02You have to get into the detail.
01:05Not to challenge Robert, surely.
01:07You won't have any reason to, but you have to pull your weight.
01:09That's all I'm saying.
01:13How is Bates?
01:14I've not seen him for a while, sir.
01:17Oh? Why is that?
01:18I'm not quite sure, sir.
01:20They've stopped all his visitors.
01:22Has he given you a reason?
01:24Well, he's not written in quite some time now.
01:27And you don't know why?
01:29No, but I'm certain I will before too long.
01:38Mrs. Crawley, hand me your help.
01:40I'm sorry to push in on you again, but I didn't have time to come down before dinner, and now
01:46we're on our way home.
01:47Oh.
01:52Mrs. Hughes, you know I went to see Ethel Parks.
01:56I do, ma'am.
01:57Well, she wouldn't speak to me then, but she has since sought me out and asked me to deliver this
02:02letter into your hands.
02:06When we last spoke of her, you seemed to think she'd fallen into bad ways.
02:11I'm afraid that's the case.
02:12She's been working as a prostitute.
02:17My, my.
02:19That's not a word you hear in this house every day.
02:22No, but I think it also serves to show the measure of her misery.
02:27Ethel has been driven into this.
02:29Of that, I have no doubt.
02:30If only she would allow me to help her.
02:33But she won't.
02:34If this letter can give you any clue as to how I might be helpful, please let me know.
02:40I will, ma'am.
02:43Your sentiments do you credit.
02:46But I suspect she will be too ashamed to face how far she's fallen.
02:52Good night.
02:53Good night, Mrs. Crawley.
03:00So, am I to answer to you both?
03:03Of course not.
03:04What Lord Grantham means is that I have made an investment in the estate.
03:09That is all.
03:11Otherwise, nothing has changed.
03:12Very good.
03:13And can we bring the staff back up to snuff?
03:16I believe we can.
03:19Mrs. Hughes is short of a housemaid.
03:21Mrs. Patmore wants a kitchen maid.
03:22And I need a new footman.
03:25Do you really?
03:26I sometimes feel the world is rather different than it was before the war.
03:31I see.
03:32I would like to return to my duties as a butler, sir.
03:35But if you prefer that I continue to do the work of a second footman, in addition...
03:40Mr. Crawley does not mean that at all, do you?
03:43Certainly not.
03:44Well, that is good news.
03:45I suppose it's too late to get into shape before the dinner for the Archbishop of York.
03:49But it'll be the last time you'll have to fudge it.
03:51I will do my best for the Archbishop with an added spring in my step.
03:57Why don't you have breakfast in bed?
03:59Because I'm not married.
04:02Yes, but now that...
04:03Now that both of the others are, what difference would it make?
04:06You know what I mean.
04:07I prefer to be up and about.
04:09Tennessee is going to ratify the 19th Amendment.
04:12Meaning?
04:13All American women will have the vote.
04:15Which is more than they do here.
04:18I don't have the vote.
04:20I'm not over 30 and I'm not a householder.
04:23It's ridiculous.
04:24You should write to the Times.
04:25Maybe I will.
04:27Ask your mother if she needs any help with tonight's dinner.
04:30There's nothing so toffee-nosed as a prince of the church.
04:32So make sure you put him next to your grandmother.
04:34She'll know how to handle him.
04:37Come on, Bill.
04:39Come on, sir.
04:41Come on, sir.
04:42Come on, sir.
04:45Come on, sir.
04:53You'll be happy to hear that as soon as we take on the new housemaid,
04:56you'll be a lady's maid to Lady Mary at last.
04:59That's nice, Mr Carson.
05:02Thought you'd be more pleased?
05:04No, I am pleased, really.
05:05I'm...
05:07I've just got a lot on my mind.
05:09Sorry.
05:10I've also advertised for a new footman.
05:12He'll be second footman, won't he?
05:14As to that, I will make no pronouncements at this stage.
05:17Try to find a man with something about him, Mr Carson.
05:19I don't like to feel the house isn't being properly represented.
05:23Is that aimed at me?
05:25If the cap fits, wear it.
05:28You're very quiet.
05:30You'll never guess what.
05:32I've had a letter from Ethel.
05:35She wants to meet me, but she won't come here.
05:38What for?
05:40And why not?
05:41I think she'd be uncomfortable.
05:43Why particularly?
05:45Whenever you mind.
05:48I think I'll ask Mrs Crawley if we can meet there.
05:51Heaven knows what Ethel wants of us this time.
05:55Cora said you were looking for me.
05:56Yes.
05:57I've stolen the nursery as a sitting room for us.
06:00And this is the paper.
06:02Unless you hate it.
06:04Oh.
06:07Is that all?
06:08Why?
06:09What did you think it was?
06:12Cora said you'd been to the doctor earlier.
06:15I wondered why.
06:17To find something for my hay fever.
06:21And what will be used for a day nursery?
06:24Should the need arise.
06:27I think we can worry about that a little further down the line.
06:34Oh.
06:35Thank you, my dear.
06:36That's very kind.
06:37How much away are you?
06:39A guinea.
06:41A guinea?
06:43For a bottle of scent?
06:44Did he have a mask and a gun?
06:48How are you?
06:50All right.
06:51I suppose.
06:52Yes, I worry about you.
06:54You know, that sort of thing is so horrid.
06:56Being jilted at the altar?
06:57Yes, it is horrid.
06:59Multiplied by about ten thousand million.
07:02Oh.
07:03You must keep busy.
07:05What with?
07:07There's nothing to do at the house.
07:09Except when we entertain.
07:10There must be something you can put your mind to.
07:13Like what?
07:15Gardening?
07:16Well, no, you can't be as desperate as that.
07:18Then what?
07:19It is, dear.
07:21You're a woman with a brain and reasonable ability.
07:26Stop whining and find something to do.
07:39I'm going out, Anna.
07:41I've told Mrs Patmore and I think everything's under control for tonight.
07:46What's the matter?
07:48Nothing.
07:55Except, well, I haven't had a letter from Mr Bates in weeks.
08:00Don't worry.
08:02Don't worry that he's being gallant and trying to set me free.
08:07He wants me to make a new life without him.
08:10I doubt it very much.
08:13Then why would he be silent like this and stop me visiting?
08:18Obviously, I don't know why, but I do know there'll be a good reason.
08:23Do you really think so?
08:25I'd swear to it.
08:29Yeah.
08:39I know you tricked him.
08:42Who knows what?
08:44Mr. Durrant's a dealer on the outside.
08:52What's that to do with me?
08:54He's working for your cellmate.
08:55All I know is that you punch Craig so they set you up.
08:59But you hid the stuff they planted and turned the turtles on them.
09:01Now, they're angry.
09:05And what can they do?
09:07Tell you what things start by doing.
09:19Dunn has reported you to the governor for violence.
09:21You're officially a dangerous prisoner.
09:23The governor won't fall for that.
09:25No?
09:25It's when the last time your wife came to visit it.
09:28How many letters have you received lately?
09:37Thank God.
09:38What a relief.
09:40I thought she'd given up on me.
09:43Don't thank God until you know what else they've got in store for you.
09:45Stop talking!
09:55Go on then.
09:57Teaspoon, egg spoon, melon spoon, grapefruit spoon, jam spoon.
10:07Shall I tell you?
10:11All right.
10:14A bouillon spoon.
10:16But I thought soup spoons were the same as tablespoons.
10:18Ah, so they are.
10:19But not for bouillon, which is drunk from a smaller dish.
10:23Off you go now.
10:24I must get on.
10:27I must get on.
10:28I must get on.
10:32You're taking on a lot of trouble with young Alfred, Mr Carson.
10:35I feel quite jealous.
10:36I don't know why.
10:38He asked for help.
10:39You never did.
10:48It's very hard to begin.
10:50Well, fight away Ethel.
10:51We all have lives to lead.
10:54Could you write to the Bryants to say I want them to have Charlie?
10:59We've already been down this path to no avail.
11:03I know.
11:04And I know I said her mother's love was worth more than all they had to give.
11:07But I said it for me.
11:09Not for him.
11:10My dear, you mustn't do anything until you're absolutely sure.
11:14Mrs Hughes said we all have lives to lead.
11:16But that isn't true.
11:19I've got no life.
11:22I exist, but barely.
11:24Ethel, we all know the route you've taken.
11:26It's good of you to have me here.
11:27All I mean is that I've worked with others like you to rebuild their lives.
11:31Can't we work together to find a way for you to keep your son?
11:34With his grandparents, Charlie can build a life that is whatever he wishes it to be.
11:38With all respect, Mum, you and I working together could never offer him that.
11:44You want me to write to them again.
11:47But leave it vague.
11:48Say that Ethel would like them to keep in contact with their grandson.
11:53I won't change my mind.
11:55Nevertheless, that's what I'll do.
11:56Then there'll be no disappointment, whatever comes.
11:59Now, if you'll forgive me, we've a big dinner tonight.
12:03Good day, Mum.
12:04Ethel.
12:08Ethel has had a very hard time with it since she left us, Mrs Bird.
12:12She's had great difficulty making ends meet.
12:14We know how she solved that problem.
12:18Give my regards to Mr Malsley till we meet again, my dear.
12:24I had a coat.
12:26It's there.
12:28You will help, Miss Parks.
12:29Please, Mrs Bird.
12:44Some manners wouldn't go amiss.
12:47I do not believe it is part of my duties to wait on the likes of her.
12:52I'm sorry, but that's what I feel.
13:02I don't want to sound anti-Catholic.
13:05Why not?
13:06I am.
13:07Not in any real way, I'm sure.
13:09I don't want thumbscrews or the rack, but there always seems to be something of Johnny
13:12Foreigner about the Catholics.
13:34I have no time to talk, but tell them I'm all right.
13:37I'm out of the flat.
13:39They haven't stopped me.
13:40Oh, I haven't stopped you.
13:42Sybil?
13:44Hello?
14:02What's the matter?
14:06I've just had the most peculiar conversation with Sybil.
14:09She kept on about being out of the flat, and nobody had stopped her, and...
14:14What do you mean no one had stopped her?
14:16Stopped her from doing what?
14:17That's just it.
14:18I don't know.
14:19She suddenly put down the telephone.
14:22Dinner is served, my lady.
14:27Tell me, Dr. Lang, do you find that the war has driven the people back into the churches,
14:32or further away than ever?
14:36Behold.
14:37I stand at the door and knock.
14:40Someone sounds very angry.
14:41Or very wet.
14:42Or both.
14:49Do you have any luggage, sir?
14:50I barely have the clothes I stand in.
14:56Where are they?
14:58They're in the...
14:59Tom!
15:00What's happened?
15:01Where's Sybil?
15:02I had to get away and leave her to follow, but I made all the arrangements in case.
15:06She'll be on her way by now.
15:08But why are you here?
15:09And why must she follow you alone?
15:12I can explain.
15:13There's a dinner going on, but I'll go and tell them that you're here.
15:16No.
15:16Don't.
15:20No one must know.
15:23I'll tell you it all when they're gone.
15:25What's the matter?
15:27Tom!
15:29Go upstairs and find some dry clothes of Matthew's.
15:32I'll come for you when the coast is clear.
15:36Would you please ask Mrs. Hughes to sort some food out for him?
15:39Yes, my lady.
15:42An idiotic man delivering a village pamphlet.
15:45Can you imagine?
15:46In this weather and at this time of night.
15:51It's Branson.
15:52He wouldn't come in.
15:55Why not?
15:57Is Sybil with him?
15:59What's going on?
16:00She's not here, but apparently she's coming soon.
16:03He'll explain what's happened when our kester's gone.
16:06Something to look forward to.
16:07Other men have normal families with sons-in-law who farm or preach or serve their country in the army.
16:12Maybe they do, but no family is ever what it seems from the outside.
16:16Do you think he's on the run from the police?
16:18Don't be so daft.
16:20Well, he hadn't got the money for a taxi cab from the station.
16:22Maybe he fancied the walk.
16:24Yes, that's it.
16:25I should think he loves a night walk in the pouring rain without a coat.
16:29What room is he in?
16:30I'll take that.
16:31Thanks, Lucy.
16:37So there'll be no more gossip on that subject tonight.
16:41They turned everyone out of the castle.
16:44Lord and Lady Drumgoo, their sons and all their servants.
16:48And then they set fire to it.
16:51What a tragedy.
16:52Well, actually, yes and no.
16:54That house was hideous.
16:56But, of course, that is no excuse.
16:58No, it is not.
17:00But what was your involvement?
17:01Who says I was involved?
17:03Well, you seem to know a lot about it if you weren't.
17:05And why are you running away?
17:07And what was Sybil's part in all this?
17:08She's not involved, not at all.
17:10But they think I was part of it.
17:12They think I was one of the instigators.
17:14So the police are looking for you?
17:16That's why I couldn't go home.
17:18I knew if they took me, I wouldn't get a fair hearing.
17:20You mean you gave them Sybil while you saved yourself?
17:23I don't think they'll hold her.
17:24But if they do, then I'm prepared to go back and face the consequences.
17:27You damn well better be.
17:29You must see the Home Secretary.
17:31And tell him what?
17:32The police say he was there.
17:33He says he wasn't.
17:34I didn't say I wasn't there.
17:39Why were you?
17:41For the fun of seeing private property destroyed?
17:45Those places are different for me.
17:47I don't look at them and see charm and gracious living.
17:51I see something horrible.
17:52Do you want me to the jungle castle?
17:53I rather agree.
17:55Ramar, you are not helping.
17:56But when I saw them turned out, standing there with their children,
18:01all of them in tears watching their home burn,
18:04I was sorry.
18:06I admit it.
18:09I don't want their type to govern Ireland.
18:10I want a free state.
18:11But I was sorry.
18:14Never mind that.
18:16What's happened to Sybil?
18:18We agreed that I should leave at once
18:19and that she'd close the flat and follow.
18:22But I got the last boat, so she won't be here before tomorrow.
18:24Good God almighty!
18:26You abandon a pregnant woman in a land that's not her own.
18:29You leave her to shift for herself while you run for it.
18:31You have to go to London, Robert.
18:33For Sybil's sake, if not for his, you have to see Mr Short.
18:36I don't have to do anything.
18:37Never mind.
18:37Go to bed!
18:40I'll give you my answer in the morning.
18:43I'll give you my answer in the morning.
18:46Beep.
19:13Of course, she married Beneath her.
19:16And who were you then?
19:17A Habsburg archduke?
19:19What if he has to go to prison?
19:20What then?
19:21That's quite enough of that, thank you, Miss O'Brien.
19:24Bedtime, I think.
19:32I'm going up.
19:34Good night.
19:35I'll try to keep them quiet, but to be honest, I knew it would happen.
19:38I knew he would bring shame on this house.
19:41It sounds as if he's on the run from the police, and for all we know, Lady Sybil is languishing
19:46in a dungeon somewhere in Dublin.
19:49Let's wait and see what the morning brings.
19:54What in God's name is it?
19:56An electric toaster.
19:57I've given it to myself as a treat.
20:00If it's any good, I'm going to suggest getting one for the upstairs breakfasts.
20:05Is it not enough that we're sheltering a dangerous revolutionary, Mrs. Hughes?
20:10Could you not have spared me that?
20:30Can we help you?
20:32I'm here to see Mr. Carson.
20:37Who's this?
20:38Jimmy Kent.
20:39At your service.
20:40I'm Mr. Barrow.
20:41His Lordship's valet.
20:42And I'm hoping to be his Lordship's footman.
20:45Which is why I'm looking for Mr. Carson.
20:48What's the matter?
20:48Have you all been turned into pillars of salt?
20:52May I help?
20:54I've come for the interview.
20:55I see.
20:57Well, if you'll wait there.
21:06I want to make it quite clear that whatever I do, I am doing it for Sybil and not for
21:10you.
21:10I find your actions despicable, whatever your beliefs.
21:14You speak of Ireland's suffering, and I do not contradict you.
21:16But Ireland cannot prosper until this savagery is put away.
21:19That's all very well, Papa, but you must keep Tom out of prison.
21:24I'll go to London today.
21:25I'll telephone Murray and ask him to arrange an interview.
21:27I won't come home until I've seen Short.
21:30I know it's right.
21:31It's right for him.
21:32And for Sybil, and for this family.
21:34I suppose so.
21:36Let me know if Sybil gets in touch.
21:38She won't.
21:40She won't want to give them anything to trace her by.
21:43What a harsh world you live in.
21:45We all live in a harsh world.
21:47But at least I know I do.
21:56I see you've been working for the Dowager Lady Anstruther.
22:00Yes.
22:00But she's closed up the house and gone to live in France.
22:03She begged me to go with her, but I didn't fancy it.
22:05I didn't think I'd like the food.
22:07I see.
22:08She begged you.
22:09Did she?
22:11You know what women can be like.
22:14Not, I suspect, as well as you do.
22:25Hey, Charlie.
22:28Let's put your hat on.
22:29Wait, you look nice and smart.
22:31Be a good boy for money, yeah?
22:33Yeah.
22:36Come on.
22:40Thank you for letting us come.
22:42And why have we come?
22:44To hear more guff about a mother's love?
22:46Mr. Bryant, that's not fair.
22:48Isn't it?
22:49We know what you are now, Ethel.
22:51We know how far you've fallen.
22:53I didn't want to let Mrs. Bryant in the same room as you, but she insisted.
22:56What Mr. Bryant means is...
22:58How could you know about me?
22:59Do you think it's so difficult to find out about a woman like you?
23:03Ah.
23:04I could give you a list of your clients.
23:07You mean you've had me followed?
23:09What?
23:10Didn't you think we'd keep a check on our grandson?
23:12We're not judging you.
23:14I'm judging her.
23:16I judge her, and I find her wanting.
23:21Ethel.
23:23We've decided to offer you some money.
23:26To make things easier so that you won't have to.
23:29Unless you don't want to give it up.
23:32Well, that's very generous, isn't it, Ethel?
23:37It throws a different light on things.
23:42Oh.
23:43There's Mrs. Bird with the tea.
23:49Would you like to help me, Ethel?
24:03You should, uh, not take it in, then.
24:06I can do that.
24:07Sure, I don't need your help.
24:09Thank you, Mrs. Bird.
24:19Ethel.
24:21You don't have to do this.
24:23You have a choice.
24:24You mean I should take money from that man?
24:27It won't be much.
24:29Enough to keep us from starving, but not much more.
24:31But even if Charlie doesn't go to a famous school or university,
24:34you'll be there to give him love.
24:38Yeah, I suppose Mr. Crowley went to a famous school and university.
24:48I see.
24:51Thank you, Mrs. Crowley.
24:59When do you want it to happen?
25:01Tomorrow night.
25:03Not Mr. Durrant?
25:05No.
25:07Any other war but him.
25:08Tell Turner about it.
25:09He's strict.
25:10But don't tell until the afternoon.
25:16Why are you doing this?
25:19Why are you helping me?
25:21I can't stand Craig.
25:31Do that very neatly, my dear.
25:34I was trained to buy Mrs. Hughes.
25:37She was a good worker.
25:39Even though the things haven't gone so well lately.
25:48I hope that you can accept our offer, Ethel.
25:51And that we can be friends.
25:53Because we both wish you well.
25:54Don't we, dear?
25:56Don't wish you ill, I'll say that.
25:59I can't accept your offer.
26:03And we won't be friends.
26:05What?
26:07Not even for Charlie's sake.
26:10I think you love my son, Mr. Bryant.
26:13I don't think you're a nice man or a kind one.
26:16But I believe you love my boy.
26:18Me.
26:19Okay.
26:19So you'll be pleased by what I've come here to say.
26:30Any news while I was out?
26:33No.
26:34Perhaps the Home Secretary won't see him.
26:37Papa will pull some strings until he does.
26:41Aha.
26:41You've started on the Augean task.
26:44How are you getting on?
26:45Not badly.
26:46I'm beginning to get a sense of how it all works.
26:48In a way, it's probably best you tackle it by yourself.
26:52Ah, Carson.
26:53May we please have some tea?
26:54Of course, my lady.
26:56Anna said you were interviewing footmen today.
26:59That is correct.
27:00Have you chosen the lucky winner?
27:02Not yet.
27:03There were two candidates when it came down to it.
27:06One was steady, but not much else.
27:08But the ladies downstairs want the other one.
27:12Why is that?
27:13I don't know precisely.
27:15Unless it's because he's more handsome.
27:18Of course it's because he's more handsome.
27:20Oh, do pick him, Carson, and cheer us all up a bit.
27:22Alfred's nice, but he does look like a puppy who's been rescued from a puddle.
27:26Well, this new one seems very sure of himself.
27:29You can manage that, can't you?
27:31I suppose I could, sir.
27:33Well, it's settled, then.
27:35Tell the maids they can buy their valentines.
27:37So be it, my lady.
27:41But Alfred is very good, you know.
27:43He's very willing.
27:44Even if he is Miss O'Brien's nephew.
27:52Clearly nothing worse could be said of any man.
27:58You'll want to say goodbye?
28:06I'll give you my blessings for your whole life long, my darling boy.
28:10Yes.
28:12You won't remember that on me.
28:14But we'll stay with you all the same.
28:27Let's not make a meal of it.
28:31Come on.
28:37I'll write to you.
28:40I'll never see my son again.
28:42Never is a long time, Ethel.
28:44But you were right.
28:46He does love Charlie.
28:48And not just for his father's sake.
28:51Now I must be going.
28:53Say goodbye.
28:54Bye.
28:55Say goodbye.
28:57Bye.
29:09Bye.
29:11Bye.
29:16Bye.
29:19Bye.
29:21Bye.
29:24Bye.
29:24Bye.
29:34You've done a hard thing to me, Ethel.
29:37The hardest thing of all.
29:41You don't agree, do you?
29:45I don't want to make you doubt now that it's happened.
29:49You've done the right thing for the boy, Ethel.
29:52So, whatever Mrs Crawley may say, begging your pardon, ma'am.
29:55Perhaps you're right.
29:57I am, until we live in a very different world from this one.
30:02Well then, I should be away.
30:16What chance is there for a woman like her?
30:19She's taken the road to ruin.
30:20And there's no way back.
30:35Stand up!
30:36Against the wall, the pair of you.
30:43What are you looking for?
30:45Just keep quiet.
30:55Mr. Tunner.
30:57Well, well.
30:58A very mysterious package, I don't think.
31:02Craig.
31:05What do you call this?
31:08I don't know.
31:09I've done nothing.
31:17You better call me off, Craig.
31:21You won't be sorry.
31:47Oh, thank God.
32:02I'm so sorry.
32:06Sorry.
32:09They didn't try to stop me, but it doesn't mean they won't come after us, unless we probably
32:14can persuade them otherwise.
32:15Tom, how could you have left her all alone to fend for herself?
32:19It wasn't like that.
32:21We thought this might happen, and we decided what to do.
32:24The question is, what now?
32:26You mustn't travel anymore.
32:27Not before the baby's born.
32:30But Tom wants it to be born in Dublin.
32:32He won't hold you to that now.
32:35Won't this be the first place that they look?
32:38How could you be part of it?
32:40The drum ghouls are like us.
32:41She came out with me.
32:42She was Laura Dunsany then.
32:44How could you dance around her burning house, Tom?
32:46It's horrible.
32:47He didn't dance.
32:48And he isn't dancing now.
32:50Come in.
32:53Telegram for you, my lady.
33:00Your father's coming home.
33:02He's seen Mr. Short.
33:03And what happened?
33:04He doesn't say.
33:06Only that neither of you is to leave Downton.
33:14You're back?
33:16I am.
33:18Anything happen here?
33:20There's a new footman.
33:21Came today.
33:22How was London?
33:23Quite fun.
33:23As a matter of fact.
33:25Has the firebrand been saved?
33:28That's not for me to say, is it, Mr. Moseley?
33:31I'd better take these upstairs.
33:40You got the job, then?
33:42I'm on my way, Mr. Barrow.
33:44They say you were a footman once.
33:46That's right.
33:47So can I come to you if there's anything I need to know?
33:50Certainly.
33:50Why not?
34:00I can never go back to Ireland.
34:01That's impossible.
34:02If you do, you'll be put in prison.
34:04It's the best I could manage.
34:05Surely they need proof to ban a man from his own country.
34:08They have more proof than Tom will concede.
34:10Is that fair?
34:12He's admitted to being there.
34:13He's told you so himself.
34:15But he did not tell me that he attended Dublin meetings where the attacks on the Anglo-Irish were planned.
34:25I was always against any personal violence.
34:28I swear.
34:29Oh, so at least we can sleep in our beds.
34:31Maybe.
34:32But you were not against the violent destruction of property.
34:35I've told you.
34:35Decide if it was worse than I expected.
34:37So what was the deal you managed to extract from the Home Secretary?
34:40They don't want to make a martyr of him.
34:42And with Sybil, they think they could have another maud gone on their hands.
34:45Or Lady Gregory.
34:46Or worse, if they're not careful.
34:48Lady Gregory.
34:50Countess Markievicz.
34:51Why are the Irish rebels so well born?
34:54Whatever the reason, I don't want Lady Sybil Branson to join their ranks.
34:58Mercifully, nor do the Irish authorities.
35:00If Tom can stay away, they'll leave him alone.
35:04I can't be kept away from Ireland.
35:06You'll be arrested the moment you touch dry land.
35:10Now then, do what Mr Carson tells you.
35:13I know what I'm about.
35:14Are you all right, Alfred?
35:16Yes, but you should now be carrying the pork and Jimmy the veg.
35:18I am first footman.
35:19Never mind that.
35:20Up you go.
35:21I think Alfred's right.
35:22Isn't he first footman, like he says?
35:23That's for Mr Carson to decide.
35:26My heck, it's nice to think we're running at full strength again.
35:29Really?
35:30I'm running at full strength and always have been with no one to help me now.
35:33All in good time, Daisy.
35:35All in good time.
35:38What do you mean, you wrote to a newspaper?
35:41No lady writes to a newspaper.
35:43What about Lady Sarah Wilson?
35:46She's the daughter of a Duke and she worked as a war gem.
35:48She's a Churchill.
35:49The Churchills are different.
35:51Have we no Churchill blood?
35:52I think Granny's right.
35:54Can somebody write that down?
35:56It's good to have strong views, but notoriety is never helpful.
35:59Well, I've sent it now.
36:01It won't be published.
36:02Thank you for the vote of confidence, Papa.
36:05This is our new footman, Mama.
36:07What shall we call you?
36:08Jimmy.
36:09James, your ladyship.
36:10This is James.
36:12Welcome to Downton, James.
36:14Thank you, my lord.
36:18Well done, Carson.
36:20That must have cheered up the maids.
36:21He looks like a footman in a musical review.
36:24Poor Alfred.
36:25We mustn't allow him to be completely overshadowed.
36:27Quite right, my lady.
36:29Hard work and diligence weigh more than beauty in the real world.
36:34If only that were true.
36:37I've never been James in my life.
36:39I was Jimmy to Lady Anstruther.
36:40I don't care if you were Father Christmas to Lady Anstruther.
36:44You're James now and you'll stay James while you're at Downton.
36:52He thinks he's the big cheese and no mistake.
36:54That's because he is the big cheese.
36:56He's nice, that new bloke, isn't he?
36:59Why'd you say that?
37:01Oh, we need an impression, that's all.
37:11If you'll excuse me, I'm going to bed.
37:13Can you tell the others?
37:15Tomorrow we'll make some plans.
37:17I don't know how.
37:19You've lived out of Ireland before, surely you can again.
37:22But Ireland's coming of age now and I need to be part of that.
37:25But I know what you've done for me.
37:28I know you kept me free.
37:30And I am grateful.
37:33Truly.
37:41Poor chap, I'm sure he is grateful.
37:43No, he's not.
37:44He says it to keep the peace with Sybil.
37:46But then I only rescued him for Sybil's sake, so I suppose we're even.
37:52Did you get a chance to look through the books they brought in?
37:55As a matter of fact, I did.
37:57Could you make head or tail of them?
37:58I think so, yes.
37:59I was waiting for a good moment to discuss them.
38:02Oh?
38:03Yes, there were some aspects of the way things have been done that I wasn't quite sure about.
38:10You sound like Murray.
38:12Do I?
38:13He's always banging on about how we should overhaul this or overhaul that.
38:16Nothing's ever right for him.
38:18Well, as they'd say...
38:20Come on, we should let them get in here.
38:21We can talk about it another time if you really want to.
38:37Please come to your beds.
38:41When?
38:43When did they come?
38:44They came when you're out of favor.
38:46Now you're in favor again.
38:52Why?
38:53What have I done?
38:57Just watch out for Mr. Durham.
38:59You're not our favorite with him.
39:25Oh, come on.
39:33Are you going to take that over me?
39:37I was just making myself some toast.
39:40You have to set the number on the dial and I had it up too high.
39:43But I've got the hang of it now.
39:45Would you like a piece?
39:46I was worried that Mr. Branson might take it into his head to burn the house down.
39:51But I didn't think that you would.
39:53No?
39:54You should never take anything for granted, Mr. Carson.
39:58No, no, no.
39:59Not now.
40:03You never told me you went to those meetings.
40:06I never told you I didn't.
40:07And what else haven't you told me?
40:09All I know is I can't stay here.
40:12Not for long.
40:13You must.
40:15And so must I.
40:17And you must let the baby be born here.
40:21You're very free with your musts.
40:25I will not be free with our child's chances.
40:30We need peace and safety.
40:36Downton can offer us both.
40:47God in heaven.
40:48Earl's daughter speaks out for women's rights.
40:52What?
40:53In a letter to this newspaper today,
40:55Lady Edith Crawley, daughter of the Earl of Grantham,
40:58condemns the limitations of the Women's Suffrage Bill
41:01and denounces the government's aims to return women to their pre-war existence.
41:06You said they wouldn't print it.
41:08Well done.
41:09That's most impressive.
41:10Don't say you support her.
41:11Of course I support her.
41:13So do you, really.
41:14When you've had a chance to think about it.
41:16So I should hope, anyway.
41:17Yeah.
41:18What do you think, Carson?
41:20I would rather not say, my lord.
41:28Anna?
41:29Yes?
41:31There's quite a packet of letters arrived for you earlier.
41:38Are they all from Mr. Bates?
41:42It looks like it.
41:44Why so many at once?
41:46Oh, I neither know nor care.
41:48Just so long as I've got them.
42:01Thanks for sticking up for me last night.
42:04It won't make any difference.
42:06Oh, no.
42:07But it's good to know you're on my side.
42:11I am on your side, Alfred.
42:14In fact,
42:17there's something I've been wanting to say.
42:19You've got my attention.
42:21Well...
42:21Ah!
42:22Here we are, Daisy.
42:24I'd like to introduce Miss Ivy Stewart,
42:27the new kitchen maid.
42:28And this is Daisy,
42:30my assistant cook.
42:33My, but aren't you a cyphersorized, Miss Stewart?
42:35That's enough of that.
42:37Alfred's a footman,
42:38so you'll know enough not to listen to a word he says, shoe.
42:42Tell me if you need any help.
42:46Sorry, Daisy.
42:47What were you saying?
42:48Nothing.
42:49Don't matter now.
42:53I hope we're going to get on.
42:55We don't have to get on.
42:56We have to work together.
43:05A situation has arisen,
43:08and I'm not quite sure which way to turn.
43:11Well, obviously, if you've turned to me...
43:13Robert won't discuss the matter.
43:15And Mary is affronted by the very mention of it.
43:19But given that I've sunk my own fortune,
43:22alongside everyone else's,
43:24into...
43:24Into Downton?
43:26I feel a duty,
43:27apart from anything else,
43:29to do what I can.
43:32About?
43:34Downton is being mismanaged,
43:36cousin Violet,
43:36and something must be done.
43:38The thing is,
43:39how do I do it
43:40without putting people's noses out of joint?
43:43Oh, my dear.
43:45Oh, I doubt there is a way to achieve that.
43:48I mean, you must do what needs to be done,
43:50of course,
43:50but...
43:52Oh, I think I can safely say
43:53a great many noses will be out of joint.
43:59Oh, I don't know.
44:26Oh, I don't know.
44:28Oh, I don't know.
44:30Oh, I don't know.
44:33Oh, I don't know.
44:34Oh, I don't know.
44:34Oh, I don't know.
44:34Oh, I don't know.
44:35Oh, I don't know.
44:36Oh, I don't know.
44:37Oh, I don't know.