- hace 2 días
Reparto: Lucía Bosé, Alberto Closas, Bruna Corrà, Carlos Casaravilla, Otello Toso, Alicia Romay, Julia Delgado Caro, Matilde Muñoz Sampedro, Mercedes Albert, José Sepúlveda, José Prada, Fernando Sancho, Manuel Alexandre
Dirección: Juan Antonio Bardem
Sinopsis: Un profesor de universidad y su amante, una mujer casada de la alta burguesía, atropellan accidentalmente a un ciclista. Temerorosos de que se descubra el adulterio, deciden ocultar el trágico accidente.
Dirección: Juan Antonio Bardem
Sinopsis: Un profesor de universidad y su amante, una mujer casada de la alta burguesía, atropellan accidentalmente a un ciclista. Temerorosos de que se descubra el adulterio, deciden ocultar el trágico accidente.
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CortometrajesTranscripción
00:00:28Thank you!
00:00:58Thank you!
00:01:28Thank you!
00:01:31Thank you!
00:01:49He is still alive.
00:01:52Juan!
00:01:56Juan!
00:02:28Thank you!
00:02:57Thank you!
00:03:09Thank you!
00:03:18Thank you!
00:03:20Thank you!
00:03:34I'm afraid.
00:03:36Because?
00:03:38Nobody has seen us.
00:03:40You're sure?
00:03:45It's late.
00:03:48Yes, it's late.
00:03:58Will you call me?
00:04:00Clear.
00:04:21Yes, it's late.
00:04:24Yes, it's late.
00:04:54For love!
00:04:57Love!
00:04:58Love!
00:04:58Love!
00:05:00And when is dinner served here?
00:05:03Be patient.
00:05:04When do we eat?
00:05:05We don't mind waiting a little longer for Carmina and Jorge, do we?
00:05:08Jorge is too important for us to care.
00:05:11What's that?
00:05:12Do you like it? I just got bored with it.
00:05:14What's it called?
00:05:16Blackmail!
00:05:18I've seen you!
00:05:20Five thirty o'clock, location, French road, vehicles, Fiat, speed ninety per hour.
00:05:28Address?
00:05:29Unknown.
00:05:31Reason for the trip?
00:05:32Tourism.
00:05:33Anything to declare?
00:05:34Jewels, drugs, sins.
00:05:38Personal items only.
00:05:40Any lovers?
00:06:04The lady is waiting for you for dinner.
00:06:07That?
00:06:08Dinner.
00:06:10I'm coming.
00:06:12I'm coming.
00:06:23Forgive me.
00:06:26And Carmina and Jorge?
00:06:28They're always late.
00:06:29I never wait.
00:06:38Is something wrong?
00:06:40Hey?
00:06:42Are you worried about anything?
00:06:45No, Mom.
00:06:46Because?
00:06:47How were the classes?
00:06:49Good.
00:06:51Will they give you the lecture?
00:06:53I don't think so.
00:06:54I would have to work too much.
00:06:56Works?
00:06:57Can you go to the farm?
00:06:59Will you be calm?
00:07:01And boring.
00:07:03Clear.
00:07:04Everything is in order for me.
00:07:07Yeah.
00:07:08Carmina is happily married.
00:07:11I play my part as the bad boy.
00:07:14The good brothers are dead.
00:07:17And fame in the display cases.
00:07:19And here?
00:07:21Do you think that's wrong?
00:07:23No.
00:07:24That seems fine to me.
00:07:29Miss Carmina.
00:07:43Mother.
00:07:44Yes, I know.
00:07:45It's gotten very late.
00:07:47We stayed at the Castros' house.
00:07:49Jorge says please excuse us.
00:07:52What a pity.
00:07:53Did Juan go too?
00:07:55She's a mom.
00:07:57You forgive us, right?
00:07:59We'll go for lunch tomorrow.
00:08:00We wouldn't have been there for very long anyway.
00:08:02We come from long shots.
00:08:04No.
00:08:05At the American embassy.
00:08:07Well.
00:08:08Well.
00:08:09Many things about Maria Jose.
00:08:11And tell Juan to come on and get involved.
00:08:13They are waiting for you.
00:08:29Your sister.
00:08:33Many greetings from her and Jorge.
00:08:36And from Mrs. Castro.
00:08:38They are waiting for you.
00:08:40There's a party.
00:08:41Passed.
00:08:42Don't you find it funny?
00:08:43My sister?
00:08:44No.
00:08:45The party.
00:08:46Maria Jose and all those people.
00:08:48Not much.
00:08:49Neither Carmina nor her husband.
00:08:51Your son-in-law.
00:08:52My brother-in-law.
00:08:54Jorge.
00:08:55Because?
00:08:56He is a wonderful person.
00:08:58It's necessarily so high up.
00:09:00He's not good to everyone.
00:09:02And with you.
00:09:03Clear.
00:09:04If I have my little salary as an adjunct professor at the university, it's because of him.
00:09:08Can he be a professor?
00:09:10As power.
00:09:12I can be the magnificent rector.
00:09:15Thanks to Jorge.
00:09:17But.
00:09:18It's a disaster.
00:09:20My brother Juan is a disaster.
00:09:22Because?
00:09:23He doesn't want to do anything.
00:09:25What a shame, isn't it?
00:09:26What is true?
00:09:27Juan's.
00:09:29It's a shame that it spoils its future.
00:09:31Jorge could help you so much.
00:09:33Never before in the course of the centuries have such a confluence of wonderful circumstances coincided.
00:09:38Hey?
00:09:39He always seems to be giving a speech.
00:09:41I tell you no.
00:09:43I assure you that it is not.
00:09:45He is one of the few men capable of talking for a hundred hours straight without saying anything.
00:09:49And you will ask.
00:09:51Have similar opportunities not arisen at other times, in other circumstances?
00:09:57No, and a thousand times no.
00:10:00And with this I conclude my remarks.
00:10:03My voice falls silent.
00:10:04My voice serves to reaffirm once again our vigilant and incorruptible stance
00:10:11in every aspect of national life.
00:10:17His final words were met with a resounding round of applause.
00:10:21The party unfolded in a tone of maximum brilliance and friendliness,
00:10:24enhanced by the presence of important personalities.
00:10:27Next, distinguished ladies of our finest society,
00:10:30They held a collection to raise funds for the Christmas campaign,
00:10:33whose revenue has far exceeded all previous ones.
00:10:38Here, and nothing back, the whole ticket is yours, ma'am.
00:10:42Taxon, Arifona.
00:10:43A horrific fire has cost the Barden department store $800,000 in losses.
00:10:53The hydrogen bomb is much more powerful than the atomic bomb.
00:10:57The explosion is devastating.
00:10:59Its radiance is brighter than the sun itself.
00:11:05That?
00:11:05What if you wouldn't like to come?
00:11:07Where?
00:11:09What's wrong?
00:11:12Can't you hear?
00:11:14Excuse me, what were you saying?
00:11:15I was telling you about that trip.
00:11:17Take me.
00:11:18What? On a business trip?
00:11:20Everywhere in the world, business ends in the afternoon.
00:11:25What do you do at night?
00:11:30Missing you.
00:11:33You know I always miss you.
00:11:38Do you really want to come?
00:11:40No.
00:11:42Vento.
00:12:03We could leave right away.
00:12:06To escape.
00:12:08About what?
00:12:09Of everything.
00:12:11Always the same faces, the same days.
00:12:14Nothing ever happens.
00:12:16You think?
00:12:18Miguel.
00:12:20Let's go soon.
00:12:22Let's go.
00:12:45It only remains to be demonstrated that the apparent outline of the bull
00:12:49is equal to the envelope of the circles that...
00:13:18If we assume that the center of the circle describes an ellipse with semi-axes,
00:13:23M and N, the parametric equations of this ellipse will be...
00:13:53And by eliminating alpha between these equations, we obtain equation 1 of the envelope of the circles...
00:13:58...of circles of constant radius, whose fingers describe the ellipse of the...
00:14:03...orthogonal projection onto the zeta plane equal to a zero of the base circle of the channel surface.
00:14:09That is, the toroid.
00:14:10Therefore, it remains to be shown that the section of the torus cuts it over the two circumferential...
00:14:16...therefore, the torus is the only surface...
00:14:17...if only.
00:15:13Michael, the emperor is about to arrive.
00:15:15I'll say. He did the thousand meters in 1:4.
00:15:20A round of applause for the emperor!
00:15:27He has died.
00:15:28Who?
00:15:31The cyclist.
00:15:34Does the newspaper say so?
00:15:35Yeah.
00:15:36Nothing else?
00:15:37That's all.
00:15:39Already.
00:15:40They shouldn't know anything about the car. I think so.
00:15:43What are we going to do?
00:15:44I don't know. Nothing comes to mind. Wait.
00:15:47And wait for what? For them to discover us?
00:15:49We need to stay calm now.
00:15:51Yes. And a plan. We have to plan something.
00:15:54See you later?
00:15:55Yeah.
00:15:55Hey, Maria Jose! Juan!
00:16:00What's up? Have you read the newspaper?
00:16:02Anything important?
00:16:03It depends. What did you call an important thing?
00:16:05What is it?
00:16:06You'll see, you'll see.
00:16:06Political editorial, no.
00:16:09The jokes are bad.
00:16:11Sport, nothing.
00:16:13Events.
00:16:14Here it is.
00:16:15Let's see.
00:16:16Don't you love the news page?
00:16:19Well.
00:16:20Collapse of a house under construction,
00:16:22gypsy brawl,
00:16:23crime of passion,
00:16:25death of a cyclist.
00:16:26Here it is.
00:16:28Heist.
00:16:29Look.
00:16:30Piluca Bravo's emerald necklace has been stolen.
00:16:32Isn't it fabulous?
00:16:34Ha ha ha!
00:16:34Hahaha!
00:16:58I'm sure, she knows something.
00:17:00He must know something.
00:17:02We're lost, Juan, we're lost.
00:17:04Listen, nobody knows.
00:17:06Nobody can know.
00:17:08Nobody has seen us.
00:17:09Yes, he has seen us.
00:17:11He told me last night at dinner.
00:17:12What did he say?
00:17:13What exactly?
00:17:14That I had seen you on the road,
00:17:16in your car,
00:17:17that I had seen you,
00:17:19to you only.
00:17:21It's different.
00:17:22And what does the newspaper thing mean?
00:17:24He's playing with us, he knows everything.
00:17:26But think, woman, think.
00:17:28It could be a coincidence.
00:17:30Something said without any intention,
00:17:32innocently.
00:17:34Tell me.
00:17:36It can't be like that.
00:17:38I don't know, I don't know.
00:17:40I'm so scared.
00:17:42I'm scared, Juan, I'm scared.
00:17:45What are we going to do?
00:17:47Clear.
00:17:48I don't think we can do anything.
00:17:49Okay, just wait.
00:17:51Wait for what?
00:17:52I believe it is necessary to know.
00:17:54Know?
00:17:54Yes, that's what they know.
00:17:57The others, the police.
00:17:59Rafa.
00:18:02To know what we have done.
00:18:04To kill a man, right?
00:18:08Alright.
00:18:09I'll take care of them.
00:18:11And I'm Rafa.
00:18:13Be careful.
00:18:14From Rafa?
00:18:15Of everything.
00:18:17Perhaps trying to cover something up,
00:18:18You reveal the other thing to him.
00:18:20What else is it?
00:18:21I love you.
00:18:25No, not here.
00:18:53I would like to speak with you.
00:18:59With me?
00:19:02What's wrong with him?
00:19:03My exam.
00:19:04I have been suspended.
00:19:08You are Matilde Luque, aren't you?
00:19:12And have they suspended it?
00:19:14It's a shame.
00:19:16It's an injustice.
00:19:18Perhaps professors make mistakes too.
00:19:23It wasn't the professor.
00:19:24It was you.
00:19:26I?
00:19:27Don't you want to remember?
00:19:28You were reading the newspaper.
00:19:29And I would say my song, and I would say it well.
00:19:31How do you know?
00:19:32How could I not know?
00:19:34And my colleagues too.
00:19:35Well, I was reading the newspaper.
00:19:37What else?
00:19:37Nothing.
00:19:39I threw you out.
00:19:41Then the grades came out.
00:19:43Suspense.
00:19:44He may be right.
00:19:46I can't fix anything.
00:19:48There is a solution.
00:19:50He resorts to the cloister.
00:19:51To the dean.
00:19:52So that?
00:19:53His brother-in-law is very powerful.
00:19:56Repeat that.
00:19:57I say that any dispute between the university and me would be pointless.
00:20:00I am alone.
00:20:01You are protected by the university and your brother-in-law.
00:20:09That?
00:20:09Is that what you say among yourselves?
00:20:11Yeah.
00:20:12Am I my brother-in-law's protégé?
00:20:14Yeah.
00:20:17You are brave.
00:20:20I like it.
00:20:24Forgive me.
00:20:24Because?
00:20:26She was honest, and it's true.
00:20:29You must forgive me.
00:20:34I have really been unfair to you.
00:20:37It's not that.
00:20:38Worst...
00:20:39The worst part was that there was no reason.
00:20:42Suddenly, out of the blue, you've fired me.
00:20:45Because?
00:20:47Because?
00:20:49I don't think I can explain it very well.
00:20:53I was thinking about my own things.
00:20:56I may have a serious problem.
00:21:01That's the only reason there is.
00:21:03That's enough.
00:21:05Please excuse me.
00:21:06Why not?
00:21:07There's an easy excuse.
00:21:09His selfishness.
00:21:30Number 21.
00:21:33Summer.
00:21:35Do you understand?
00:21:36He lacks sharpness.
00:21:38There is no security in the line or in the chromatic arrangement.
00:21:41It's very...
00:21:42Very hesitant.
00:21:44Don't you think so?
00:21:46Well.
00:21:47That's all.
00:21:48Now explain to me why.
00:21:50Because?
00:21:51Yeah.
00:21:51Why are you here?
00:21:53Why have we come?
00:21:54Why this interest in a third-rate exhibition?
00:21:57In the end.
00:21:59What do you want?
00:22:00Know.
00:22:01Know.
00:22:02Abstract art.
00:22:04Cold.
00:22:04The influence of Paul Klee on contemporary painting.
00:22:07Cold.
00:22:07What I earn as an art critic.
00:22:09Very cold.
00:22:10I like you.
00:22:11Tempered.
00:22:12What you suspect.
00:22:13Hot.
00:22:14What I want.
00:22:15You're burning up.
00:22:17See?
00:22:18It's easy.
00:22:19It's all very easy.
00:22:21The hard part is getting started.
00:22:23Finding the starting point.
00:22:25I am Rafael Sandoval.
00:22:28Rafa.
00:22:29Good for nothing.
00:22:30Accepted everywhere.
00:22:32In the most exclusive circles.
00:22:34At your charity meetings.
00:22:36At the parties of landowners and big merchants.
00:22:39I, an art critic, represent culture with a capital C.
00:22:46Like your caviar, I drink your whiskey, I smoke your cigars.
00:22:51In return, and I think I lose, I put up with you.
00:22:56And you're bored?
00:22:58No, not really.
00:23:00I am amused by looking at you.
00:23:02I see your sins, I classify them, I file them, and I wait.
00:23:07That?
00:23:08The opportune moment to act.
00:23:11All the ugly things you hide, I resurrect and put them before you.
00:23:16It is a form of purification.
00:23:19Or blackmail.
00:23:21An ugly word.
00:23:23It's not even Castilian.
00:23:24But it's understandable.
00:23:26Whatever you want.
00:23:28And what do you want?
00:23:30Not much.
00:23:31Oh, don't think I'm an idiot.
00:23:34At least not that much.
00:23:35Granted.
00:23:37B, don't even try to look at my cards.
00:23:39If you want to see my play, you'll have to pay.
00:23:43I suppose there's no other option.
00:23:45OK.
00:23:46Is there nothing more?
00:23:48In fairy tales, the wicked fairy always asks for three things.
00:23:52What is your third wish?
00:23:56You?
00:23:59I'll have to tell my husband.
00:24:02That's what I plan to do too.
00:24:05Wife's fidelity to her husband.
00:24:08Fidelity of body and soul.
00:24:10Loyalty in big and small things.
00:24:13In joy and in sorrow.
00:24:15The fidelity of the human couple that purifies love,
00:24:18It magnifies and elevates it.
00:24:20He ennobles him and elevates him to the kingdom of God.
00:24:24Thus giving it its true reason and its best meaning.
00:24:37What lovely things he's said, right, Miguel?
00:24:40The usual ones.
00:24:42Of course. What else would I say?
00:24:44I don't know.
00:24:45Another thing.
00:24:46He said the same thing in ours.
00:24:48Yeah?
00:24:49You won't believe I found out about something.
00:24:51I was very worried.
00:24:52For the future?
00:24:53Because of the veil. It was pulling at me a little.
00:25:01Bored?
00:25:02Yes, quite a lot.
00:25:05I've heard that you're leaving.
00:25:08When?
00:25:08It's silly for me to tell you the date I'm thinking of.
00:25:11She always decides.
00:25:12How are things going for you?
00:25:14Good. Now I have something good on my hands.
00:25:16As?
00:25:17Are you in business?
00:25:19It's not exactly a business.
00:25:21Rather, it's...
00:25:23A game.
00:25:26Forbidden.
00:25:28Dangerous.
00:25:31What's the matter?
00:25:32Can't you hear me?
00:25:32Yes, yes, of course.
00:25:34Well, this basketball championship I'm telling you about is going to be a lot of fun.
00:25:36It's for the benefit of I don't know what.
00:25:38Of poor children, of stupid children, of children who are something.
00:25:41But it's going to be great.
00:25:48those that allow you to say many thanks each week.
00:26:04Now it's all yours.
00:26:10Des nas, selling es!
00:26:35Hey! Hey! Are you looking for someone?
00:26:39To the goalkeeper.
00:26:41You must be walking down that corridor. Please go up.
00:26:44Thank you so much.
00:26:45Hey! Listen!
00:26:47Tell Mrs. Antonia that there is a gentleman looking for her.
00:26:51Mrs. Antonia!
00:26:53Mrs. Antonia!
00:26:56Mrs. Antonia!
00:26:57What's happening?
00:26:59There's a man looking for her.
00:27:01Listen.
00:27:02What do you want?
00:27:03Where does Aurelia Gómez Tejedor live?
00:27:04Upstairs corridor, door 11.
00:27:07Thank you.
00:27:09Oyo, yes, so you can get five and a rematch.
00:27:13Oyo, yes, so you can get five and a rematch.
00:27:16Oyo, yes, so you can get five and a rematch.
00:27:19Oyo, yes, so you can get five and a rematch.
00:27:23Oyo, yes.
00:27:48There is nobody here
00:27:51I am looking for Aurelia Gómez Tejedor
00:27:52It's not there
00:27:53Don't you live here?
00:27:55Yes, but it's not there
00:27:56He went to Madrid for the insurance matter.
00:27:57What did you want?
00:27:59Nothing, just talk to her
00:28:00Are you insured?
00:28:02No
00:28:04No no
00:28:07Am...
00:28:08I am a journalist
00:28:09Here goes
00:28:10Are you going to put it on paper?
00:28:12Yes, something like that.
00:28:14It's a news report, you know?
00:28:17The husband had an accident, right?
00:28:19Yes, that's why I thought you were from insurance.
00:28:21No, no, no
00:28:23It's a shame
00:28:25I won't be able to come back another day
00:28:27What did he want to know?
00:28:29No, I wanted to see
00:28:33Ask something
00:28:34How many are from the same family?
00:28:35How he lives
00:28:37What are you doing
00:28:38Those things
00:28:40I can tell you.
00:28:41I can tell you.
00:28:42Look, come in
00:28:42All in all, for what there is to see
00:28:45All the floors are the same.
00:28:51Well, she has a sewing machine
00:28:54She's a good woman
00:28:55That's not the case.
00:28:56My husband and his
00:28:58They worked together in the metalworking industry.
00:29:01The same thing could have happened to mine.
00:29:03These things happen
00:29:04And what happened?
00:29:05He doesn't know
00:29:06Well, yes
00:29:07The details, I mean
00:29:09And it crushed a car
00:29:10Already
00:29:10And the car?
00:29:12Well, nothing would happen to the car.
00:29:14I'm saying that if anything is known about the car
00:29:16No
00:29:17What do you mean he was going to stay there?
00:29:18And he doesn't look for her?
00:29:19That's what I told a policeman the other day who came to talk to Aurelia.
00:29:24A police officer?
00:29:24Yes, one of the secret ones
00:29:26And then he went and told me
00:29:27Looking for the car
00:29:28No way
00:29:29They don't even know what it's like
00:29:34Could you give me some water?
00:29:36Until I get my girl up
00:29:38It's in the queue
00:29:39Oh no, then leave it.
00:29:40That's all that matters.
00:29:43Merche!
00:29:44Merche!
00:29:46Do you have a family?
00:29:47Yes, Merche
00:29:48And another smaller one
00:29:49No, I mean, she
00:29:50Ah, yes, this one is from Aurelia.
00:29:52And another older one who's around here somewhere
00:29:54That?
00:29:55Tonio!
00:29:56Tonio!
00:29:58That!
00:29:59Tonio!
00:30:21What was I saying?
00:30:22The father?
00:30:23No, for a while
00:30:24I don't know, nonsense
00:30:25Because?
00:30:26I can't stand him
00:30:27It's a little rascal.
00:30:28No, woman
00:30:28He is happy
00:30:29A poet
00:30:30He's always criticizing
00:30:31Don't they pay him for that?
00:30:33I mean, she carries and spreads gossip.
00:30:35But we all do the same thing, don't we?
00:30:36We all talk about the things we see.
00:30:38The things we imagine
00:30:39What is suspected
00:30:40You talk about everyone
00:30:41And everyone's talking about you
00:30:42About me?
00:30:43Yeah
00:30:43What do they have to say?
00:30:44Woman, she is an example
00:30:46You know that people talk about us
00:30:48Whether you're this way or that way
00:30:51Whether I do or say
00:30:52Society conversations
00:30:53They are not important
00:30:54But can they have it?
00:30:55Never
00:30:56I think it never matters.
00:30:58What is said
00:30:59But what is done
00:31:02I'd like to be far away from all this
00:31:06I can't take it anymore.
00:31:07When are we leaving, Miguel?
00:31:08Little Maria Jose is bored
00:31:10He's eager to fly, isn't he?
00:31:11It's curious.
00:31:12Weddings make us sentimental.
00:31:14To veteran married couples
00:31:15The eternal return
00:31:16One remembers the good old days
00:31:19The words old, old woman, old age
00:31:21I don't like them at all
00:31:22Come, Michael
00:31:23I have some amazing gossip to tell you.
00:31:24And we can't hear it?
00:31:26Gossip should only be told to one person.
00:31:28Giving lectures is incredibly boring
00:31:30Now comes the scene
00:31:32Between the wicked count and the virtuous lady
00:31:35Do you know it?
00:31:36It's so easy
00:31:37Okay, let's begin.
00:31:38How strange.
00:31:41He has not come
00:31:43Who?
00:31:44Juan
00:31:45Juan Fernández Soler
00:31:47Did I have to come?
00:31:48Of course, he's the only one missing.
00:31:50He's also a half-relative of the bride
00:31:52And you?
00:31:53Do you miss him?
00:31:54I?
00:31:55Not me, specifically.
00:31:58Your husband told me he plans to leave Madrid soon.
00:32:01That's my idea, because
00:32:04Curiosity
00:32:04I wouldn't want you to leave suddenly
00:32:07I had thought...
00:32:09That?
00:32:10...to surprise you
00:32:11You're going to die
00:32:13Mrs. Castro
00:32:14Yeah?
00:32:15He is kind enough to go to the phone
00:32:16Thank you
00:32:16Allow
00:32:22Give him lots of love.
00:32:24Whom?
00:32:25Women
00:32:26To whomever
00:32:33It's you
00:32:34I can hear you very badly
00:32:36There are a lot of people
00:32:38So you can rest easy
00:32:41Can you hear me?
00:32:42Yes, yes, tell me
00:32:44Nobody knows anything
00:32:45Yeah
00:32:47Nobody knows anything
00:32:48Can you hear me?
00:32:50Nobody knows anything
00:32:51He did
00:32:52He did
00:32:53It's terrible, Juan
00:32:54That man knows
00:32:56The fact that?
00:32:57Don't know
00:32:57But you know something
00:32:58No
00:32:59I haven't been able to get anything clear.
00:33:01He knows something and wants to use it against me.
00:33:03I see him talking to Miguel and I tremble
00:33:08Help me, Juan
00:33:09We stand to lose so much
00:33:10Yes, yes
00:33:11I will be calm
00:33:12We need to see each other
00:33:14No
00:33:14I'll call you
00:33:16Thank you, Juan
00:33:17I only have you
00:33:18I love you
00:33:29I will be calm
00:33:29I will be calm
00:33:30I will be calm
00:33:31I will be calm
00:33:31I will be calm
00:33:32I will be calm
00:33:33I will be calm
00:33:33I will be calm
00:33:34I will be calm
00:33:34I will be calm
00:33:35I will be calm
00:33:37I will be calm
00:33:38I will be calm
00:33:40I will be calm
00:33:41I will be calm
00:33:41I will be calm
00:34:12Thank you!
00:34:16Well, he had broken his head.
00:34:17How awful, poor thing!
00:34:19Absolutely, the worst part isn't that he was run over
00:34:21Instead, they left him lying there like a dog.
00:34:22What beasts!
00:34:23Maybe if they catch him in time he'll be saved
00:34:26Anyone knows
00:34:26And who could it have been?
00:34:29Imagine, with that traffic, a truck
00:34:31Or one of those messes Encarna's hiding, huh, gorgeous?
00:34:34It was definitely a truck
00:34:35This guy has a thing against trucks.
00:34:37Whoever did it can rest easy.
00:34:38It doesn't surprise me that these tragedies happen.
00:34:40They're going like crazy
00:34:41Okay, see you later, let's get to work
00:34:43Esca Encarna, those are calling
00:34:45It's a mess
00:35:15Want?
00:35:16No, give me a match
00:35:40What's wrong, Juan?
00:35:42Only me
00:35:45What do you think?
00:35:47Tell me what you think
00:35:49In our own way
00:35:50Yes, in our field.
00:35:52What is it?
00:35:54Love, passion, hobby
00:35:57Do you love me, Juan?
00:36:01Yeah
00:36:02I think so
00:36:04I had never wondered about that before.
00:36:07It has been so many things to me
00:36:09For so many years
00:36:11Your girlfriend
00:36:12Your lover
00:36:13Never my wife
00:36:14I almost was, wasn't I?
00:36:18The war
00:36:19Yes, the war
00:36:22War is very comfortable
00:36:24He can be blamed for everything
00:36:25Of the dead
00:36:26From the ruins
00:36:27Of guys like me
00:36:29They become empty inside
00:36:31And they no longer believe in anything.
00:36:34Not even in the good girlfriend
00:36:36That does not expect
00:36:37And she marries a rich man
00:36:39Well
00:36:41It's silly to say these things.
00:36:42It reads like a romance novel
00:36:45That was a mistake.
00:36:46And a need
00:36:47Above all, a necessity
00:36:49Yours?
00:36:50Don't be cruel
00:36:53You know I love you
00:36:55Like what?
00:36:56Mrs. de Castro
00:36:58The cocktails yawn
00:36:59Basketball championships are boring
00:37:01Gala concerts are falling asleep
00:37:05The old love from when I was 18
00:37:07It can now be a romantic adventure
00:37:10Something pleasant and exciting
00:37:13As long as there are no complications
00:37:15Now there are
00:37:16And everything falls apart
00:37:18What do you mean?
00:37:20We can't kiss today
00:37:21You can't resist my caress
00:37:24You can't tolerate it
00:37:26I don't dare touch you
00:37:30I certainly don't want that.
00:37:32There is something more important than you and me.
00:37:35Fear
00:37:36About what?
00:37:38Of everything
00:37:39Of the people who watch
00:37:41From a ringing phone
00:37:43From Rafa
00:37:45I can't take it anymore.
00:37:47What could happen, Juan?
00:37:48If they discover us
00:37:51If they find out we've killed a man
00:37:53We will lose everything
00:37:56What is everything?
00:37:57For you
00:37:58I don't know
00:37:59Your world
00:38:00Your house, your husband
00:38:02Your position in society
00:38:04Your wonderful life
00:38:06Your well-being
00:38:07And you?
00:38:08Thank you
00:38:10I'm included in the group too.
00:38:12Don't talk like that, Juan
00:38:13Please
00:38:14Sorry
00:38:16Don't pay too much attention to me.
00:38:17Everything will be alright
00:38:20Although sometimes I would prefer that everything be revealed
00:38:23So that people would know that we had killed a man
00:38:26That we deceived another
00:38:27That we only think about ourselves
00:38:29It would be a break
00:38:31So what can we do?
00:38:33Nothing
00:38:33We have to wait
00:38:34A reasonable amount of time
00:38:35The time to mourn a distant relative
00:38:38I won't be able to resist
00:38:40We have to endure
00:38:41Everything will be alright, you'll see.
00:38:43Nobody will lose anything.
00:38:46Everything will remain the same as before.
00:38:49We'll be back here
00:38:50And we will kiss
00:38:51We will kiss without fear getting in our way.
00:38:53Without anyone separating us
00:38:57That's it
00:38:59Thank you
00:39:03Better and better
00:39:04What do you do when I'm not around?
00:39:06I put on a scarf
00:39:08Do you think you'll be ready in less than a couple of hours?
00:39:12Dinner is for today.
00:39:13Don't be a pain, Miguel
00:39:14You know I'm not interested in being late
00:39:16Whose dinner was it?
00:39:18Of those Americans I told you about
00:39:20Will Jorge help you?
00:39:22Sure
00:39:22Jorge will put pressure on them and they'll give me the contract.
00:39:26Lucrative business
00:39:27For Jorge too, right?
00:39:28Sure, Jorge is a great guy
00:39:30Very understanding
00:39:31His wife is the one who's a pain.
00:39:33Carmina?
00:39:34Yes, she takes after her mother.
00:39:35They are a family of heroes
00:39:38Juan too?
00:39:39Juan?
00:39:40No, he's unhappy.
00:39:42You two were kind of dating, weren't you?
00:39:45Nothing important
00:39:46We've known each other since we were kids
00:39:47When the war ended
00:39:49He was a provisional lieutenant or something like that.
00:39:52We went out a few times
00:39:53To celebrate the victory, I say.
00:39:55You're talking nonsense.
00:39:57Is he still in love with you?
00:39:59Juan?
00:40:00What idea?
00:40:01Why not?
00:40:02You get more beautiful every day.
00:40:05Very kind
00:40:06I'm in love with you too.
00:40:09And proud
00:40:12There are many people who envy you.
00:40:14Me?
00:40:14Because?
00:40:15Because she's pretty
00:40:16Because they have very famous surnames
00:40:18And because she's your wife, right?
00:40:20Because she was the wife of an important man
00:40:22And what do they envy the most?
00:40:24Surnames or money?
00:40:25What do you think?
00:40:28A surname can be more or less ruined
00:40:31Doing something ugly
00:40:33Something ugly?
00:40:34For example?
00:40:35I don't know
00:40:36A murder
00:40:37Okay?
00:40:39Is that just something ugly?
00:40:40Woman, it's a hypothesis
00:40:43Well?
00:40:45So, doing something ugly
00:40:47A surname is ruined
00:40:48But it remains, it is never lost
00:40:50Money, on the other hand, is more fragile.
00:40:53It evaporates
00:40:53I don't understand you
00:40:55Yes, listen
00:40:56The other day someone told me
00:40:58A very interesting story
00:41:00The story of a marriage
00:41:01From a good position that fell apart
00:41:03Because?
00:41:05The woman cheated on her husband
00:41:07Wow, very original.
00:41:09Let me continue
00:41:10The woman cheated on her husband
00:41:13They were very good people
00:41:14Especially her
00:41:15He had a lot of money
00:41:17What did the husband do?
00:41:19Did he kill the woman?
00:41:20No, much better
00:41:21He left her penniless
00:41:23Suddenly she found herself without her life.
00:41:25Without everyday life
00:41:28Nobody wanted to lend her a hand
00:41:31Do you like it?
00:41:32The story?
00:41:33Not bad
00:41:34Who told you that?
00:41:38Rafa
00:41:44Oh, wonderful
00:41:46Do you know this tune?
00:41:51Yes, I believe it.
00:41:53Will you play it first, please?
00:41:54Sure
00:41:55You're in charge
00:41:56And that's no exaggeration.
00:41:58Oh, great
00:42:12Juan
00:42:15Know?
00:42:17I'm very worried.
00:42:18And he's the smartest one in the family!
00:42:20And the one that is least successful
00:42:21I'm not worth a damn.
00:42:23Don't be a fool
00:42:24I'm sure he's a genius
00:42:26One day he'll do something heroic
00:42:28Great
00:42:28I think he's writing a novel now.
00:42:30Is that true?
00:42:31Go on, just ignore him.
00:42:33Carmina is upset
00:42:34Because I'm not an important person.
00:42:36He wants it at all costs
00:42:37Make it unique
00:42:38Why aren't you working?
00:42:40How defeatist!
00:42:42Will you forgive me?
00:42:45Rafa has spoken with Miguel
00:42:48Are you sure?
00:42:49Altogether
00:42:49Miguel, as if jokingly
00:42:51He's been talking about you and me
00:42:52Asking myself questions
00:42:53What questions?
00:42:54Whether we had been boyfriend and girlfriend
00:42:56But I didn't know it
00:42:57Of course, that's what's strange.
00:42:59What's he doing here now?
00:43:01I'm very scared
00:43:04He has spoken of murder
00:43:06He told a story very similar to ours.
00:43:09The cyclist?
00:43:10No, that's not it.
00:43:11I don't know
00:43:12It seems like everyone knows it
00:43:13Everyone's looking at us
00:43:15Well
00:43:15Calm down
00:43:17Calm down and smile
00:43:19Smile
00:43:20Talk about anything
00:43:21But
00:43:22Smile
00:43:23But John
00:43:24Let's go with Rafa
00:43:26We have to confront him
00:43:29Discover what he/she knows
00:43:32Hello Juan
00:43:33You're rarely seen.
00:43:35Hello Maria Jose
00:43:36Is the blackmail still going on?
00:43:37Is this why you're saying that?
00:43:39No
00:43:39This is in honor of the USA
00:43:43And what is planned to be done for them next?
00:43:46Something typical
00:43:47I imagine the Spanish are very typical.
00:43:49You already know
00:43:49Ole ole toreador
00:43:51Have you spoken to Miguel yet?
00:43:53About what?
00:43:54From what you told me at the exhibition
00:43:56Well...
00:43:57Not much
00:43:58There's still time
00:43:59Can I find out?
00:44:00Hey?
00:44:01Will you let me?
00:44:02Yeah
00:44:02Hello Juan
00:44:03Hello
00:44:04Is there still time for what?
00:44:05One thing we are...
00:44:06I will speak
00:44:07Know?
00:44:08We have a business
00:44:09Maria Jose and you
00:44:11Juan too
00:44:12A business?
00:44:14That interests me.
00:44:15What kind?
00:44:17Trading
00:44:19And is it a secret?
00:44:21Is it a secret?
00:44:22No
00:44:22Say it
00:44:23OK?
00:44:25OK
00:44:26Maybe Miguel won't like it
00:44:28Uh-huh
00:44:28But do I have a role in this?
00:44:31I believe it.
00:44:31Worst
00:44:35And what is it?
00:44:36Pay
00:44:41Yes, it's bad.
00:44:42And yours?
00:44:42Mine is the best
00:44:44Collection
00:44:46Forward
00:44:47What is it?
00:44:47He's extremely intrigued
00:44:49I'm sorry
00:44:50I can't tell you yet.
00:44:51Well
00:44:52Lack
00:44:53A small detail
00:44:55TRUE?
00:44:56The solution
00:44:57The next issue
00:44:59Applause!
00:45:10Applause!
00:45:16That he loves me and adores me
00:45:19That he loves me and adores me
00:45:21And when he turns his face
00:45:24You are something that makes me fall in love.
00:45:27Because when he accompanies me
00:45:29You want me to leave
00:45:30I fall in love with you
00:45:33My little foot is big
00:45:35My little foot is big
00:45:38What I can tell you is where he keeps it
00:45:40I walk in a lost
00:45:43I wanted to name it and keep it
00:45:46Lost on a little path
00:45:48I wanted to name it and keep it
00:46:00Lost on a little path
00:46:03I'm going to...
00:46:04No, no, no, no!
00:46:06No, no, no!
00:46:07No, no, no!
00:46:27What are you looking at?
00:46:31Am I sending you, Maria Jose?
00:46:33Are you unwell?
00:46:34I'm fine.
00:46:34Come on, let's go, I'll take you home.
00:46:36The Good Samaritan.
00:46:39Do you know what's wrong with you?
00:46:40You're afraid of me.
00:46:42You're all afraid of me, all of you.
00:46:44But why?
00:46:45I know things.
00:46:47Ugly things about you.
00:46:49You want to cover them up, huh?
00:46:51Shh, don't let anyone see them.
00:46:53Let's go see!
00:46:54Do not touch me!
00:46:56I'm fed up with always being your guest.
00:46:59The guest is ready.
00:47:01The funny guest.
00:47:03Good old Rafa.
00:47:04The friendly Rafa.
00:47:06I am the strongest.
00:47:07You are trash.
00:47:09Disgusting garbage.
00:47:10A bunch of selfish pigs.
00:47:12And I know, I know your dirty things.
00:47:15The things you hide.
00:47:18You'll have to pay me to keep quiet.
00:47:21Be quiet.
00:47:22So that you may continue to be the virtuous lady, the brilliant professor, the great industrialist.
00:47:27What did you say?
00:47:28To cover up the filth that you all are.
00:47:31All of them.
00:47:32And you, and Maria Jose.
00:47:44Bad move.
00:47:49Now's when we're going to have some fun.
00:47:52Come.
00:47:55Come on.
00:48:22Come on!
00:48:52I sing to myself, I know you join in by denying it
00:48:57You drive me crazy
00:49:01I know you're looking forward to it
00:49:05I'll give you a kiss on the mouth
00:49:08From your mom, little girl
00:49:14Ole, Araceli!
00:49:18That's it, good!
00:49:20Cowboy, I wish I were a flag bearer
00:49:24The plains and the mountains
00:49:29And of the leading bulls
00:49:33That bullfighting deals with
00:49:36That's right!
00:49:37Ole, Araceli!
00:49:41Hooray, Esperanza, my brother!
00:49:44That's it, good!
00:49:46Ole, Araceli!
00:49:46Ole, Araceli!
00:49:50Ole, Araceli!
00:49:52Ole, Araceli!
00:49:54Ole, Araceli!
00:49:54Ole, Araceli!
00:49:59But you are not Don Juan Fernández Soler.
00:50:01Yeah
00:50:02Well, they're looking for him.
00:50:03But who?
00:50:03Those down there
00:50:07Who is it?
00:50:08The police
00:50:09The police
00:50:27What's up, Juan?
00:50:28What's happening?
00:50:29The police
00:50:30They're looking for me.
00:50:32Bad news?
00:50:36Stay still! Stay still!
00:50:39Come on, come on, it's okay.
00:50:41Rafa is a little drunk
00:50:42TRUE?
00:50:44I wanted to name it the same
00:50:46Let that go
00:50:50Come on, come with me
00:50:51A bit of fresh air
00:50:52I praise you
00:50:56Come here
00:50:56Take
00:50:57Just a little bit.
00:50:58I went to cha
00:50:59And don't lay off the guard
00:51:02And I'm going back
00:51:05And don't lay off the guard
00:51:08And I'm going back
00:51:14Does it pass?
00:51:16Yeah
00:51:17You've said a lot of nonsense to me before.
00:51:18But you were drunk, weren't you?
00:51:20A bit
00:51:21What did he tell you, Miguel?
00:51:23You shut up
00:51:24Think carefully about what you're going to say now, Rafa
00:51:26No, let me do it.
00:51:27Then
00:51:29Take all the time you need
00:51:30Calm down and think
00:51:31You don't believe me
00:51:32Good old Rafa
00:51:34He has too much imagination.
00:51:36But you don't believe me
00:51:37Isn't it in your best interest for me to believe you?
00:51:39This is my wife
00:51:40It's impossible that you've seen her anywhere.
00:51:43But Miguel, what did he tell you?
00:51:44Nothing
00:51:45A racial joke
00:51:48What did you say to him?
00:51:49What did you say to him?
00:51:50You know that perfectly well.
00:51:52I...
00:51:53I've seen you
00:51:54In your car
00:51:55With that man
00:51:56By road
00:51:58With Juan
00:51:58What else?
00:51:59What else?
00:52:01What else?
00:52:02Yes! What else?
00:52:03What else?
00:52:04What else?
00:52:10See?
00:52:10It's hard for me to believe you.
00:52:12She didn't deceive me
00:52:13He is with me
00:52:14He will always be with me.
00:52:16She's my wife, understand?
00:52:20Come on, Maria Jose
00:52:26We'll talk when you're calmer.
00:52:28Come over to my place and we'll chat
00:52:30But think carefully about what you're going to tell me.
00:52:32Think about it
00:52:49Out!
00:52:51Out!
00:52:55Out!
00:53:01See? All of this could have been avoided by acting in time.
00:53:05But they had to look for him at his house, at his sister's house, and finally...
00:53:08I'm sorry.
00:53:09Yes, I'm sorry too, but I can't tolerate this.
00:53:11I don't know, nor do I care, whether they are right or wrong.
00:53:14My mission is to maintain order. You'll see what we do.
00:53:17Above all, don't lose your head.
00:53:19Those boys believe an injustice has been committed.
00:53:22A huge injustice against one of the students... What's her name?
00:53:27Matilde Luque Carvajal, dean.
00:53:29That's right, Matilde Luque.
00:53:31According to them, the perpetrator of the injustice is Mr. Juan Fernández Soler,
00:53:35adjunct professor of analytic geometry.
00:53:38They demand...
00:53:38They demand violently.
00:53:40Well, a lot of noise.
00:53:42They demand the dismissal of this man.
00:53:44I think it's easy.
00:53:47We will discuss it, let's put it that way,
00:53:48and we promise a thorough review of your request
00:53:52provided it is done through the proper channels.
00:53:54OK?
00:53:55OK.
00:53:56You are the one who has to provide the solution.
00:53:58So let's go, I don't think there will be any difficulties.
00:54:01It's best if he stays here.
00:54:02Ah, I think it wouldn't be a bad idea for you to talk to your brother-in-law, don't you?
00:54:40I can come in!
00:54:43Come in! Please!
00:54:48The dean has asked me to come up and speak with you.
00:54:51So that?
00:54:52I don't know exactly.
00:54:54If you could see how much I regret everything that happens.
00:54:57He's sorry. He really is.
00:55:00But he doesn't realize how wonderful it is.
00:55:02The fact that?
00:55:03Well, this lack of selfishness in all of you.
00:55:06That unity. That solidarity.
00:55:09You are too...
00:55:10Too naive.
00:55:13I don't believe it.
00:55:15Look.
00:55:17Many of them shout out of sympathy.
00:55:20They can actually scream...
00:55:22Whether alive or not.
00:55:24Or down.
00:55:25It doesn't matter.
00:55:27The important thing is to shout.
00:55:28But the others are truly attached to you.
00:55:31Your problem.
00:55:33That injustice of mine...
00:55:34It is now the problem for all of them.
00:55:38What makes you laugh?
00:55:42I don't understand.
00:55:44If only Matilda knew.
00:55:46I can call her Matilda, right?
00:55:48I got a fright this morning.
00:55:51The police were looking for me.
00:55:53That's always scary, even with a clear conscience.
00:55:57You had announced this...
00:56:00Let's say, this uprising for today.
00:56:02And the dean wanted to take certain measures.
00:56:05Until I heard the shouts of his colleagues, I only thought about my problem.
00:56:10But then...
00:56:11That?
00:56:13Look.
00:56:15Take a look.
00:56:17They have made me feel young, good, and selfless.
00:56:20Like when I used to break windows and run from the guards.
00:56:24They made me feel like them.
00:56:26I'm shouting too, out, out, out.
00:56:29You are good.
00:56:32As?
00:56:35Say...
00:56:37...that you are good.
00:56:39I wouldn't want him to lose anything because of me.
00:56:43Do you lose?
00:56:44For a while now I've been doing nothing but winning things.
00:56:47So many things I had already lost.
00:56:50I don't want you to worry, Matilde.
00:56:53Look.
00:56:54Everything is sorted.
00:56:55She must go back to him.
00:56:56And what will happen to you?
00:56:59Nothing.
00:57:01Nothing.
00:57:02Don't worry.
00:57:04Everything will be alright.
00:57:06Well, well, well, well.
00:57:11I would like to ask you a favor.
00:57:13I would like to talk to you one day.
00:57:15Or better yet...
00:57:17...to hear her talk about everything.
00:57:19What he thinks about all things.
00:57:22I don't understand.
00:57:24Yeah.
00:57:25Perhaps the couple is strange.
00:57:27But if I could see...
00:57:28I've been away from something for a long time...
00:57:31...as I would say...
00:57:33...of something real.
00:57:35Something I could believe in.
00:57:39She'll leave me, won't she?
00:57:40Clear.
00:57:41Thank you.
00:57:45Thank you so much.
00:57:49And good luck.
00:57:53Thank you.
00:57:54Thank you.
00:58:01Thank you.
00:58:07Thank you.
00:58:10Thank you.
00:58:37Subscribe to the channel!
01:00:07Subscribe to the channel!
01:00:10No, man, no. Not about us. He's a scoundrel. But I'm not afraid of him anymore. He can't do anything to us. It's over.
01:00:18all.
01:00:19And the other one?
01:00:20What else? Oh, the accident! Nobody saw it. Juan, I'm so happy. It's good not to be afraid, to feel safe.
01:00:32It's all been so awful.
01:00:35And what happened to the students? Nothing.
01:00:42Listen. We should worry about that poor man now that we're safe and sound.
01:00:48Yes, I'd like to send... Well, I'd like us to send money to the widow. A donation. That's it.
01:00:54An anonymous donation. You take care of it. Want to?
01:00:59Are you leaving?
01:01:01Yes. Let's wait a few days. We need to be cautious.
01:01:06But I need to talk to you. It's absurd to be here.
01:01:09Yes, Juan, yes. We'll talk and see each other like before. Remember?
01:01:14But wait. Wait a few days. I'll call you, okay? I'll call you.
01:01:36That?
01:01:49Amen.
01:02:07Amen.
01:02:18I wanted something.
01:02:21No. It's late.
01:02:37Amen.
01:02:40Amen.
01:02:44Amen.
01:03:08No, it's not bad. He's passed 100 in 12-3.
01:03:13You would have been satisfied in our times.
01:03:17Don't be so pessimistic. We weren't doing that badly.
01:03:20Considering that we have almost always run with a rifle on our backs.
01:03:23Someone said it was the perfect complement.
01:03:26Yes. But he didn't say why, did he?
01:03:30What has become of all that?
01:03:33The fact that?
01:03:34Don't pretend with me. The student mess.
01:03:39Whose fault is it?
01:03:43Mine.
01:03:46What are you up to?
01:03:48Fix it.
01:03:50Now then...
01:03:53Everything will be alright.
01:04:02Hey!
01:04:06Forgive me. I have to go.
01:04:09Be more visible, Juan. You know you're loved.
01:04:11I know.
01:04:11I'll give lots of kisses to Magda and the girls.
01:04:14Sure!
01:04:17Hello!
01:04:18Hi! I haven't taken long, have I?
01:04:20I just received your message.
01:04:23What's happening?
01:04:24Nothing important.
01:04:27I have to give you a task if you don't mind.
01:04:30I want you to be the one to take this to the faculty.
01:04:42What is it?
01:04:44My resignation.
01:04:46I think that's what I should do.
01:04:48It didn't take much for them to give me the position.
01:04:50You know, I have an influential family.
01:04:54It's not hard for me to quit either.
01:04:56He's thought it through.
01:04:59For the past few days, since that day in fact, I've been thinking everything through very carefully.
01:05:09Besides, I wouldn't be able to take care of my job right now either.
01:05:12Leave.
01:05:13Is she leaving? On a trip?
01:05:16Approximately, it's a trip.
01:05:19Journey back to myself.
01:05:22Although I think that's literature.
01:05:26Was he going to be gone for a long time?
01:05:29I'm afraid so.
01:05:31Enough so that you are no longer a student.
01:05:34Perhaps I will find her as the mother of a large family.
01:05:40And what should I do with the letter?
01:05:42Nothing. Hand it in at the office.
01:05:45The fact that you wear it may be a rather silly symbol for me.
01:05:50I don't know.
01:05:51I belong to a time in which there have been too many symbols.
01:05:56Will you do me that favor, Matilde?
01:05:59Yeah.
01:06:00And one more.
01:06:02Always keep it as it is now.
01:06:05Will he do it too?
01:06:06Yeah.
01:06:08Well, all that's left for me to do is thank you.
01:06:14Because?
01:06:15Throughout.
01:06:16Because of who he is.
01:06:18Because I knew her.
01:06:21Goodbye, Matilde.
01:06:24But where is it going?
01:06:27Where is he going?
01:06:28The place doesn't matter much.
01:06:31And why all this? Why is he leaving?
01:06:36Because of something bad I did once.
01:06:58Bring me down the big bag.
01:06:59Leave that suitcase.
01:07:01Yes, ma'am.
01:07:08Yeah?
01:07:09But I didn't tell you I would call. That's reckless.
01:07:12And you haven't called.
01:07:14I need to see you.
01:07:16Yes, it's very important.
01:07:18For you too.
01:07:20No, don't be afraid.
01:07:23Nobody knows anything except us.
01:07:25Juan, my love, we can't see each other.
01:07:27He demanded that I accompany him.
01:07:30Yes, a trip.
01:07:31Abroad.
01:07:33Today.
01:07:34I don't know for how long.
01:07:36I don't know, Juan.
01:07:37I don't know.
01:07:38But you can't leave now.
01:07:39Not now.
01:07:40Juan, Juan, listen.
01:07:43Yes, he's home.
01:07:45We could lose everything.
01:07:47All.
01:07:48From now on, we can only win.
01:07:53Maria Jose, I want you to come with me.
01:07:58To the police.
01:08:02We're going to surrender.
01:08:05Yes, yes, I understand.
01:08:08Okay, Juan.
01:08:10I'll go.
01:08:12As usual.
01:08:15In one hour.
01:08:18I'll go.
01:08:33No.
01:08:45To the kitchen.
01:08:48Okay, Juan.
01:08:52Teiko.
01:09:21Thank you!
01:09:33I've never understood you, Juan. Never.
01:09:39Too complicated for a woman like me.
01:09:44Everything has been given to me classified and measured.
01:09:48You have always run away and I have never known where your true place was.
01:09:56Forgive me. I haven't been able to help you. I haven't been able to.
01:10:04I must have always been a huge disappointment to you.
01:10:07No, Mom. I was looking for a way out just as much as those flies.
01:10:13Zoom, zoom, zoom. And they always bump into the glass.
01:10:22You know, the other day at the university, someone broke the glass.
01:10:30Today is a big day, Mom. I've found the way out, the solution.
01:10:36About what?
01:10:37Everything. You'll see. I'm not going to get any awards, but I'll be a kind of hero.
01:10:51Are you going out?
01:10:52Yes. We'll come by to say hello later.
01:10:54Who is the other person?
01:10:55The usual one, Mom.
01:11:01Rafa?
01:11:03What does it matter?
01:11:04What matters is what you can say now.
01:11:08Miguel.
01:11:09Whatever you are capable of doing.
01:11:12I wish I could believe in you.
01:11:14Miguel, you are above all else.
01:11:16No.
01:11:18No, not me.
01:11:21Your selfishness.
01:11:22My selfishness?
01:11:23Yes. It's the only thing of yours I can use to my advantage.
01:11:28Your selfishness, your greed for things, your thirst for life, your infinite desire for everything.
01:11:34I love you, Miguel. I love you.
01:11:36No, you don't love me.
01:11:37You want what I represent.
01:11:39All of this.
01:11:42Everything I can give you.
01:11:45Everything I can take from you.
01:11:51I know, I know. It's disgusting.
01:11:54But your selfishness is my only strength.
01:11:57I will go. I will go with you. I will always be with you.
01:12:00You're capable of doing anything to avoid losing me, aren't you?
01:12:05Anything.
01:12:06To destroy everything in order to preserve your life.
01:12:09Yeah.
01:12:14Alright.
01:12:18Our plane leaves at nine fifteen.
01:12:21We'll go far away and won't be back for a long time.
01:12:25You must choose.
01:12:27I'll wait for you.
01:12:52You know, for the first time in a long time, I have something to believe in.
01:12:57In you?
01:12:59Within us.
01:13:01In our own dignity.
01:13:05Now I'm happy, and you have to be too.
01:13:08We will be the masters of our own destiny.
01:13:12We will say no to so many dirty things.
01:13:14This is ours too.
01:13:15We will never see each other again.
01:13:17We'll start cleanly, each of us on our own.
01:13:19Juan.
01:13:22Juan.
01:13:23That?
01:13:25What if it was all a lie?
01:13:27The fact that?
01:13:31All.
01:13:33If I didn't love you.
01:13:35If I didn't want to accompany you either.
01:13:37If I weren't going to the police with you now.
01:13:40I would go.
01:13:41Without me.
01:13:43Anyway, I would go.
01:13:45But I could save myself then.
01:13:47No.
01:13:48I wouldn't save you.
01:13:49You wouldn't save me.
01:13:51No.
01:13:52I can't do anything.
01:13:53They would know.
01:13:54And I would lose everything, wouldn't I?
01:13:57What do you think you still have?
01:13:59I have you.
01:14:01No.
01:14:03If he didn't love me.
01:14:05Could I keep it then?
01:14:06Your world?
01:14:07Yeah.
01:14:09If you were to leave me alone now, I would unintentionally drag you along with me.
01:14:19I am so alone.
01:14:20This is the end of something that should never have started.
01:14:23Now is the time to say goodbye forever.
01:14:26We'll never see him again.
01:14:28Anymore.
01:14:30You tremble.
01:14:31I vaguely sense a horrible ending.
01:14:34Awful.
01:14:43His resignation.
01:14:45How strange.
01:14:47I didn't know anything.
01:14:49And why?
01:14:50He spoke of a trip.
01:14:52On a trip?
01:14:53I don't want to alarm you, but...
01:14:56I don't know.
01:14:57Are you afraid for him?
01:14:58Yeah.
01:14:58He said something that impressed me.
01:15:00About what?
01:15:01About the reason for the trip and all that.
01:15:05I remember perfectly.
01:15:07Because of something bad I did once.
01:15:17Something bad.
01:15:21It's curious.
01:15:24I can't imagine Juan doing anything wrong.
01:15:28It's so good.
01:15:29Yeah.
01:15:30I've always believed it.
01:15:33I may have made mistakes too.
01:15:36But...
01:15:37Do you need to know him too?
01:15:39Do you need to know him too?
01:15:39I love him very much and that doesn't help.
01:15:43Perhaps I should meet him.
01:15:46But how?
01:15:47I look at this photo album very often.
01:15:51I look at them with a strange feeling.
01:15:53I watch my children grow up.
01:15:56First Communion.
01:15:58The institute.
01:16:00Military service.
01:16:03Politics.
01:16:05The war.
01:16:08Death.
01:16:14The trenches were right there.
01:16:17I was thinking about you.
01:16:19In all the time we had spent together.
01:16:22During the last summer vacation.
01:16:24Back then I had faith in many things.
01:16:27I loved you.
01:16:29He made big plans for the future.
01:16:33It's curious.
01:16:34This place is the most important in the world for us.
01:16:39Do you realize?
01:16:40There has always been something of ours here.
01:16:43The memory of the war.
01:16:45And then...
01:16:50It was right here, wasn't it?
01:16:54Yeah.
01:16:58We killed a man right here.
01:17:01We let him die because he was in our way.
01:17:06Are you cold?
01:17:08Yeah.
01:17:14I like this one.
01:17:17Twilight.
01:17:19There is a moment when everything goes silent.
01:17:32I have such a strong desire to live.
01:17:35As never before.
01:17:37It's hard to start over.
01:17:41But it's good.
01:17:44See?
01:17:46The land is in order.
01:17:49It is silence.
01:17:52Peace.
01:17:56The land is in order.
01:17:57The land is in order.
01:18:32Thank you!
01:18:56Thank you!
01:19:23Thank you!
01:20:03Thank you!
01:20:28Thank you!
01:20:53Thank you!
01:21:33Thank you!
01:22:04Thank you!
01:22:25Thank you!
01:23:03Thank you!
01:23:25Thank you!
01:24:03Thank you!
01:24:05Thank you!
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