🏛 NUEVA ESPAÑA, 1650 — Son las cinco de la mañana en la Ciudad de México virreinal.
El frío del altiplano se cuela por los patios enlosados de tezontle.
Las canoas indígenas surcan las acequias en silencio.
Y en una mansión criolla a tres cuadras del Zócalo,
una familia de élite comienza su día exactamente como lo hacía hace 374 años.
Bienvenido a una reconstrucción inmersiva con inteligencia artificial
de la vida cotidiana en la Nueva España colonial del siglo XVII.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
🎬 EN ESTE VIDEO DESCUBRIRÁS:
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
🏠 Cómo era una mansión criolla por dentro: patios, oratorios, salas de estrado y cocinas
☕️ Por qué el chocolate casi provoca una excomunión masiva en México
🌎 Cómo los objetos de esta casa conectaban tres continentes: Asia, Europa y América
👗 La moda colonial: guardainfantes, telas de China y joyas de Zacatecas
🍽 Qué comían realmente los ricos del virreinato: mole negro, caldo de azafrán y vino de Castilla
🛁 Cómo se bañaban (el temazcal era para todos)
📚 La educación de los hijos: latín, esgrima y náhuatl clásico para los niños; arpa y bordado para las niñas
🎭 La vida nocturna colonial: vihuela, naipes y el escándalo de la Inquisición
🌙 El sereno, las campanas y el silencio de la noche virreinal
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
📚 FUENTES HISTÓRICAS:
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
Esta reconstrucción está basada en:
- Documentos notariales e inventarios de bienes del Archivo General de la Nación (AGN), México
- Crónicas coloniales del siglo XVII
- Relatos de viajeros: Thomas Gage (1648) y Gemelli Careri (1697)
- Investigaciones sobre vida cotidiana novohispana de la UNAM y el INAH
- Registros arquitectónicos coloniales de la Ciudad de México
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
🔔 SUSCRÍBETE AL CANAL:
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
Si te apasiona la historia y quieres seguir viajando en el tiempo con reconstrucciones de alta calidad generadas con inteligencia artificial, suscríbete y activa la campanita 🔔
Cada semana reconstruimos un mundo olvidado.
💬 CUÉNTANOS EN LOS COMENTARIOS:
¿Qué lugar histórico quieres que reconstruyamos la próxima vez?
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
#NuevaEspaña #HistoriaColonial #CiudadDeMexico #Virreinato #ReconstruccionIA
#HistoriaMexicana #VidaCotidiana #SigloXVII #InteligenciaArtificial
#HistoriaConIA #ArquitecturaColonial #MexicoColonial #CriollosNuevaEspaña
El frío del altiplano se cuela por los patios enlosados de tezontle.
Las canoas indígenas surcan las acequias en silencio.
Y en una mansión criolla a tres cuadras del Zócalo,
una familia de élite comienza su día exactamente como lo hacía hace 374 años.
Bienvenido a una reconstrucción inmersiva con inteligencia artificial
de la vida cotidiana en la Nueva España colonial del siglo XVII.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
🎬 EN ESTE VIDEO DESCUBRIRÁS:
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
🏠 Cómo era una mansión criolla por dentro: patios, oratorios, salas de estrado y cocinas
☕️ Por qué el chocolate casi provoca una excomunión masiva en México
🌎 Cómo los objetos de esta casa conectaban tres continentes: Asia, Europa y América
👗 La moda colonial: guardainfantes, telas de China y joyas de Zacatecas
🍽 Qué comían realmente los ricos del virreinato: mole negro, caldo de azafrán y vino de Castilla
🛁 Cómo se bañaban (el temazcal era para todos)
📚 La educación de los hijos: latín, esgrima y náhuatl clásico para los niños; arpa y bordado para las niñas
🎭 La vida nocturna colonial: vihuela, naipes y el escándalo de la Inquisición
🌙 El sereno, las campanas y el silencio de la noche virreinal
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
📚 FUENTES HISTÓRICAS:
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
Esta reconstrucción está basada en:
- Documentos notariales e inventarios de bienes del Archivo General de la Nación (AGN), México
- Crónicas coloniales del siglo XVII
- Relatos de viajeros: Thomas Gage (1648) y Gemelli Careri (1697)
- Investigaciones sobre vida cotidiana novohispana de la UNAM y el INAH
- Registros arquitectónicos coloniales de la Ciudad de México
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
🔔 SUSCRÍBETE AL CANAL:
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
Si te apasiona la historia y quieres seguir viajando en el tiempo con reconstrucciones de alta calidad generadas con inteligencia artificial, suscríbete y activa la campanita 🔔
Cada semana reconstruimos un mundo olvidado.
💬 CUÉNTANOS EN LOS COMENTARIOS:
¿Qué lugar histórico quieres que reconstruyamos la próxima vez?
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
#NuevaEspaña #HistoriaColonial #CiudadDeMexico #Virreinato #ReconstruccionIA
#HistoriaMexicana #VidaCotidiana #SigloXVII #InteligenciaArtificial
#HistoriaConIA #ArquitecturaColonial #MexicoColonial #CriollosNuevaEspaña
Categoría
🏖
ViajarTranscripción
00:00Imagine it is November 14, 1650.
00:03The sky over Mexico City is just beginning to emerge from the night,
00:07that dark indigo that the Mexica called Yowali
00:10and that the friars have learned to recognize as the hour of Matins.
00:14It's 5 in the morning and the damp cold of the high plateau is intense.
00:18at 2,240 meters above sea level,
00:21It seeps through the tiled courtyards, through the arched corridors,
00:25through the wrought iron barred windows that look out onto the street.
00:28It's autumn, but in this city surrounded by volcanoes,
00:32Autumn is dry and bright by day and freezing at night.
00:36The final years of the viceroy Luis Enrique de Guzmán's government are underway.
00:40Count of Alba of the ISSSTE,
00:42And New Spain is at this moment the most lucrative jewel in the Spanish crown,
00:47a colony that generates more wealth than the rest of the empire combined.
00:51Mexico City in this year 1650 has approximately 100,000 inhabitants.
00:57about 10,000 Spaniards from the Iberian Peninsula,
01:00approximately 40,000 Creoles of Spanish descent born in America,
01:04around 30,000 indigenous people living in outlying neighborhoods called parcialidades,
01:09and a mixture of mestizos, mulattos, free and enslaved blacks,
01:14and people of diverse castes who make up the rest of the population
01:17in a city that European travelers themselves describe as
01:21one of the most beautiful and expensive in the Christian world.
01:25This scene has been reconstructed using artificial intelligence from notarial documents.
01:31inventories of goods, colonial chronicles,
01:34descriptions from travelers such as Thomas Gage and Gemelli Careri,
01:37and the records of the General Archive of the Nation of Mexico.
01:40If you enjoy this type of content where history comes alive before your eyes,
01:45Take a moment to like this video and subscribe to the Everyday Past channel.
01:50Your support is what allows us to continue rebuilding these forgotten worlds.
01:55The city streets are, at this hour, a labyrinth of overlapping shadows and smells.
02:00The royal irrigation canal, which crosses the urban layout inherited from Tenochtitlán,
02:05It exhales that peculiar smell of mud, stagnant water, and organic waste
02:09which all European visitors note with horror in their diaries.
02:13Every morning, canoes loaded with vegetables and flowers arrive along these irrigation ditches.
02:18tropical fruits and coal from the lakeside villages,
02:21rowed by indigenous people who sing in Nahuatl while the city still sleeps.
02:26At the corners, oil lanterns of tuberose or talo flicker beneath the baroque arches,
02:32But its light is weak and the street also smells of mule dung and wet leather.
02:37fried dough that some early-bird stall is already heating up on a clay brazier.
02:41Along the cobbled sidewalks, flanked by doorways and shops closed with heavy shutters
02:46wooden planks, the first passers-by are black slaves and indigenous servants
02:51that the general stores, inns, and fabric shops in the merchants' portal are going to open.
02:57The house we are going to live in today is that of Don Rodrigo de Mendoza Altamirano,
03:01a 42-year-old Creole, born in this same city, son and grandson of miners who became rich in Zacatecas.
03:07He is not a titled nobleman, but his fortune is equivalent to that of many peninsular counts.
03:12His house, located three blocks from the Zócalo, on the street that the neighbors call the silversmiths' street
03:17Known for the jewelry workshops that line it, it is a two-story building constructed in
03:22tesontle, that dark burgundy volcanic stone characteristic of the architecture
03:27New Hispanic, which absorbs the midday sun and gently returns the heat during the night.
03:32Let's cross the threshold. The doorway is made of gray quarry stone, carved in the Churrigueresque style. Two
03:38Solomonic columns flank a cedarwood door with bronze nails and above
03:43Above the lintel is a stone-carved shield bearing the family's coat of arms, and discreetly,
03:48An image of the Virgin of Guadalupe in a niche barely larger than a dove. The portal leads
03:53to a covered entrance hall, the transitional space between the street and the interior world, where a
03:59A watchman dozes on a straw mat. Further in, the main courtyard, or back patio, opens up like
04:04a square, porticoed lung on all four sides by semicircular arches supported in
04:09quarry stone columns, with a central fountain of four spouts whose water comes through pipes
04:14Made of baked clay from the Chapultepec aqueduct. The smell here changes radically. It smells of earth.
04:20wet from nighttime watering, poinsettia flowers climbing the pillars, and copal smoke
04:25that someone has burned before going to bed to cleanse the air, and vaguely to the
04:30Horses sleeping in the stables at the back. The courtyard is surrounded on one floor.
04:34Go down through the service and reception areas. To the right, the dais, the hall
04:40to receive from the lady of the house, Doña Inés de Quiroga, 40 years old, also a Creole,
04:45A woman of vast education by the standards of her time. This room is carpeted with
04:50fine palm mats on which hides have been spread out for the November cold
04:54deer hides tanned in Oaxaca. The walls are whitewashed and decorated with
04:59a series of six canvases of religious painting, an ivory Christ on ebony, an Immaculate Conception
05:05large-scale conception attributed to a disciple of Surbarán who arrived in Mexico
05:09Twenty years ago, and four family portraits framed in gilded wood. There are folding screens of
05:14Lacquer, those peculiar inlaid screens with mother-of-pearl inlays, which are a creation
05:19Exclusively New Hispanic art, a fusion of Japanese technique, Chinese design and iconography
05:25Catholic, leaning against the walls to block the draft. The furniture is sparse.
05:30but magnificent, a cedarwood writing desk with an embossed Cordoban leather cover,
05:35a rosewood chest with silver fittings, velvet upholstered stools
05:40crimson from Genoa and two wooden and leather armchairs with silver studs that are the most
05:45a visible status symbol in any new Hispanic home. To the left of the patio, the
05:50main hall or reception room, belonging to the gentleman, larger, with a beamed and planked ceiling
05:56Made of oyamel wood painted red and black in geometric patterns, here is a long wooden table
06:01walnut, folding chairs upholstered in Cordoba leather and at one end a small oratory
06:06private, a deep niche with a carved wooden door, inside which an oil lamp burns
06:12Olive branch before a Virgin of Guadalupe embroidered in silk on cotton fabric. The oratory
06:17It has its own scent, sweet and a little damp, like bee sidewalk, Soconusco incense and roses
06:23dry ones that Doña Inés renews every week. There is no fireplace in this house, just as there isn't in
06:28Almost no new Hispanic homes. The climate of the central plateau is cool but never freezing.
06:33and the cold is combated with portable Talavera ceramic braziers in which coals are burned
06:38of oak or mesquite. The quarry stone staircase, wide, ceremonial, decorated on the steps
06:44with Talavera de la Reina tiles brought from Puebla, which are made by local potters
06:49with such perfection that the Spanish themselves re-export them to Europe. Go up to the top floor
06:54where the family's private rooms are. The master bedroom is dark, even from
06:59day, with a small, barred window overlooking the inner courtyard. The bed is the most
07:04Expensive room in the house. Made of mahogany with a green damask canopy, yellow silk curtains
07:10From China, the famous Chinese silk that arrives in Acapulco on the Manila Galleon, and a mattress
07:15filled with fine wool. Under the bed, the pewter chamber pot, and in a corner, the ewer.
07:20silver basin with its washbasin, the tool for morning hygiene. There is in the room a
07:26cedarwood chest with iron lock where clothes and documents are kept
07:30family members and in a secret compartment the silver pesos minted in the royal house
07:35of the city's currency. Don Rodrigo wakes up shortly before six. He doesn't wear a watch. The
07:40Pocket watches exist, but they are extraordinarily expensive objects, reserved for
07:45the highest nobility. Tell the time by the light that filters through the woodwork.
07:49window and by the bells of the metropolitan cathedral whose six chimes resound over the rooftops
07:55of tesontle. He gets up, calls his personal servant, a young Tlaxcalan indigenous man named
08:00Tomás, who sleeps on a mat right in front of the bedroom door, begins his
08:05Morning ritual. He washes his face with cold water from the washbasin. He shaves with a razor and mirror.
08:10Small mercury vest brought from Spain. He dresses with the help of Tomás, wearing a Dutch linen shirt.
08:16Flemish lace collar, black Castilian cloth hose, taffeta doublet
08:20dark and a short layer of Quito wool. Ecuadorian wool, which is the most common fabric
08:25The most popular and cheapest in the neighborhood, although in Don Rodrigo's version it's lined.
08:30In silk. Leather shoes from Córdoba with a silver buckle. Black in the clothing
08:35The color of Creole masculinity is the color of dignity and distinction. An excess of color is
08:40reserved for women and the castes. Doña Inés, for her part, takes considerably long
08:45Moreover, her Flemish lace headdress, her entire gown of garnet velvet fabric,
08:50your infant guard, that bell-shaped structure that artificially enlarges the
08:55hips, which preachers denounce as an invention of the devil, but which all the ladies
09:00Mexicans wear without remorse, and their yoyas, emerald earrings of muso, a pectoral of
09:06Gold filigree with turquoise and up to six rings on her hands, a custom that horrifies
09:11European travelers who describe the New Hispanic ladies as the most beautiful women
09:16of the known world. Doña Inés is, by the standards of her class, a woman of
09:21She has a deep religious life. She prays the entire rosary every morning and visits the cathedral on feast days.
09:26solemn, regularly contributes alms to the convent of San Jerónimo, where he resides
09:31Sor Juana Inés de la Cruz, whom Doña Inés deeply admires and has visited twice
09:36in the convent's parlor. At seven in the morning, the family gathers in the oratory
09:41to say the morning prayer. Don Rodrigo, Doña Inés, the three children, the eldest of fourteen
09:46years studying at the San Ildécimo school, the other two eighteen-year-old girls, under the
09:52under the tutelage of a teacher who teaches them to read, sew, and embroider the double-row harp
09:57ropes
09:57which is in the corner of the room, and to play in the free hours with rag dolls and
10:02earthen
10:02sewn, painted to resemble nativity figures, and with a set of knucklebones,
10:07kid goat astragalus, which is the most popular game for children of all social classes
10:12in the viceroyalty. Don Rodrigo's affairs are devoted to business. He receives in
10:17the main room to his estate administrator, a literate mestizo named Basilio, who carries
10:22the accounts of the two rural properties that the family owns in the Bajío region, and to an agent
10:27of trade that brings samples of fabrics arrived on the Veracruz fleet. Don Rodrigo has a part
10:32in a shipment of woolen cloth from Castile, which he will sell to the merchants at the portal,
10:37and a batch of books printed in Madrid. Merchandise subject to the approval of the Tribunal of the Holy.
10:42A profession, but always lucrative among the literate public of the city.
10:46There is also a petition from an indigenous person from Coyoacán, demanding payment of wages.
10:51Delayed payments at the Tlalmanalco hacienda. Don Rodrigo dictates a response to the scribe
10:57In legal Latin, that postpones the matter for six months.
11:00This is the normal functioning of the colorean justice system. Doña Inés, for her part,
11:07She manages the interior of the house with absolute authority. She oversees the daily grocery shopping.
11:13What does the cook do at the Volador Market, adjacent to the Viceroy's Palace, where they coexist
11:19In perfect anarchy, the indigenous stalls selling tamales, lake vegetables, and flowers...
11:25season with the shops of Spanish spice and cloth merchants. Check the
11:31work of the two embroiderers who are completing an altar frontal commissioned by the convent
11:36of Regina Coeli, and dedicates an hour to reading aloud to her eldest daughter the soliloquies
11:43by Saint Augustine, in the Spanish edition she keeps in the cedar chest. The feminine reading
11:48In New Spain, from 1650, although limited to approved texts, it is significantly more
11:55common as in metropolitan Spain of the same period. Lunch is served at midday.
12:01The main meal was served at two in the afternoon in the reception hall. The table was set.
12:07with a linen tablecloth, and the cutlery is made of solid silver minted in the mines of Zacatecas,
12:12Forks, spoons, and knives with chased silver handles. The plates are made of earthenware.
12:19Talavera pottery from Puebla, that exquisite ceramic that is exported to Spain. They are served in the
12:25The order of a formal meal in colonial Mexico consisted of four courses. The first course was chicken broth.
12:31The first is a Castilian mole with noodles and chickpeas, flavored with saffron. The second is the black mole from Oaxaca.
12:39with guajolote, the domestic turkey of American origin, whose preparation has begun Doña
12:45Luisa three days earlier. Fourteen different types of chili peppers, toasted and ground on a metate. Tomato
12:52roasted, green tomato, garlic, onion, fried plantain, Valencia almond, sesame seeds
12:59from Guerrero, Ceylon cinnamon, cloves, pepper and the dark chocolate that gives it color and depth.
13:07The third course: black beans with epazote and serrano chile. The fourth course: chilacayote candy.
13:14in piloncillo syrup with cinnamon. To drink, hibiscus water in blown glass jugs.
13:20Brought from Spain. And for Don Rodrigo, a glass of Castilian wine. California wine.
13:26or from Chile it doesn't yet exist as an established business, and importing it has cost a fortune. In the afternoon,
13:33After a brief siesta, a universal custom in the colony, Don Rodrigo dedicates it.
13:38to visit his business partner's shop on Plateros Street. He walks, he doesn't travel.
13:44By carriage. The carriage is reserved for Doña Inés's formal outings. Escorted
13:49by Tomás and by a free mulatto named Pedro, who has been with the for 15 years
13:54family and acts as a mix of confidant, informal secretary, and protector
14:00Personnel in the streets. The downtown streets are noisy and smelly. Water carriers with
14:06Their donkeys laden with jugs of water from the aqueduct. The indigenous street vendors
14:11They offer atole, tepache, and colorful tortillas in Nahuatl. Horse-drawn carriages.
14:17of the judges and the viceroy who force everyone to stand against the wall. The black slaves of the
14:23Convents carrying firewood. The devout women covered with their shawls going from church to church. The
14:29The noise is constant. Bells from the city's 40 churches and convents toll every hour.
14:35And before every liturgical event. The Gregorian chant that filters through the cloisters. The vendors.
14:42The barking of stray dogs that roam in packs through the outlying neighborhoods. The children
14:47The children in the house come from very different worlds. The eldest, Rodrigo el Mozo, is 14 years old,
14:54He leaves before dawn for the San Ildefo school, where the Jesuits teach him Latin,
15:00Rhetoric, scholastic philosophy, mathematics, and some classical Nahuatl. Also learn fencing.
15:07and horsemanship. And his fellow students are the sons of judges, merchants, and some local chieftains.
15:14noble indigenous person of pre-Hispanic lineage, because New Spain has its own complexities
15:19social classes. Her sisters, on the other hand, practically never leave the house. Their education takes place in
15:26the courtroom, with the teacher who teaches them to read Spanish, to embroider in cross stitch
15:32and in
15:32silk stitch, to play the double-row harp that is in the corner of the room
15:37and to recite
15:38They memorize the prayers and the Gospels. In their free time, they play with dolls.
15:44rags and clay figures sewn and painted to resemble nativity scenes. And with a set of
15:50knucklebones, kid goat astragalus, which is the most popular game for children of all social classes
15:56in the viceroyalty. The animals of the house complete the sound and olfactory picture of the space
16:02Domestic. In the main courtyard live two guard dogs, mixed breeds of Spanish and indigenous origin.
16:09that bark at any stranger. In the courtroom, in a finely lacquered wooden cage in
16:15red, two Yucatecan parrots that Doña Inés has trained to say Ave Maria Purísima and the
16:21Names of the children. In the stables, four pack mules and two saddle horses, whose maintenance
16:28It costs Don Rodrigo more than the combined wages of three servants. And throughout the entire house,
16:34Freely, a colony of cats combats the inevitable presence of rats and thugs,
16:39the same animals that decimated the indigenous population, brought on Spanish ships and now
16:45They are an inseparable part of the New Spanish domestic landscape. The world arrives at this house of multiple
16:51shapes and from astonishing distances. In the kitchen cupboards, the chili from Oaxaca coexists with the
16:57Sri Lankan cinnamon and La Mancha saffron. In Don Rodrigo's cedar chest there is a
17:03map
17:03Printed in Antwerp, it indicates the routes of the Manila galleon and the mines of Potosí.
17:09The lacquered screens that decorate the dais are the work of indigenous artisans from the workshop of
17:15Pátzcuaro, who have learned the technique of Japanese folding screens that arrived in Mexico in the years of
17:20the embassy of Hasekura Tenenaga, the samurai who traveled to Europe in 1614 passing through the new
17:27Spain. The silver in the cutlery comes from Zacatecas and will eventually be melted down into coins that
17:33They circulate from Manila to Seville, from Amsterdam to Shanghai. This house is not a corner of the world. It is,
17:40In 1650, one of its nerve centers. Night falls on the city before six. In the courtyard,
17:48The servants light the spikenard oil lanterns that hang from the arches, and the house comes to rest.
17:53in a golden, swaying light that makes the religious canvases on the walls appear to move.
17:59Dinner is at seven, lighter than lunch: noodle soup, corn tamales,
18:06Beans in a pot and beef broth. Afterward, the family gathers in the main room, where a
18:13A mulatto musician who plays for hire in the houses of the neighborhood arrives with his hand guitar to play the
18:18Zones and the Christmas carols that are in fashion. Amazing mixes of African rhythms and traditional songs
18:24Castilian and indigenous cadences that are, without anyone knowing it yet, the origin of what centuries
18:30Later it will be called Mexican music. The girls accompany on the harp. Don Rodrigo and his friend the
18:37The accountant Fuentes plays cards, Spanish-made playing cards, a deck of suits, while
18:43They drink sugarcane liquor. The chinguirito that the crown forbids to make, but that everyone
18:49They drink. The conversation on these nights revolves around the latest scandal of
18:54Inquisition tribunal, which has prosecuted a Portuguese merchant from the street of
18:59irrigation ditch by Judaizer, from the price of corn which has risen in recent months due to the
19:04frosts in the Bajío region, and rumors about a new play that will be performed in
19:09the Royal Hospital for Natives next week. At nine o'clock, Chaplain Vargas prays with the
19:15The family prays the rosary at night. Tallow candles and beeswax candles are too expensive for the
19:21With daily use, they gradually go out one by one. The servants return to their mats in the courtyard.
19:27service, on the kitchen floor, in the ground floor corridor. Tomás lies down again facing
19:33at the door of the master bedroom, and over the city the darkness closes in completely, broken only
19:39by the distant tolling of the cathedral bells marking the hours and the cry of the night watchman, the
19:45night watchman, another New Spanish invention that roams the streets in the dark announcing
19:51The weather and the state of the sky. Nine o'clock has struck, serene and uneventful. This Creole house of
19:581650 is neither Spanish nor indigenous; it is both and neither. It is the place where
20:05The old world and the new world have collided, negotiated, suffered, created, and given rise to something
20:12completely new, to a baroque and syncretic civilization that has saffron chocolate in the
20:18same table, Virgin of Guadalupe next to the ivory crucifix, Japanese screens in the rooms of
20:24Castile, African music played on Spanish vihuelas. Here, in this tesontle courtyard and
20:30The quarry, with its four-spout fountain, is quietly inventing something that still...
20:36Four centuries later, we still haven't deciphered it. If you want to continue traveling through forgotten worlds,
20:42Let me know in the comments what place or time period you'd like to visit next. Share this!
20:48Watch a video with someone who's passionate about history and subscribe to the Everyday Past channel so you don't miss out.
20:54Don't miss any of these time travel experiences. The past is still alive, waiting for someone to listen.
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