- hace 4 días
Cast: Groucho Marx, Harpo Marx, Chico Marx, Douglass Dumbrille, Margaret Dumont, Virginia O'Brien, Anna Demetrio, Henry Armetta, William Tannen, Virginia Grey, Tony Martin, Paul Stanton, Russell Hicks, Marion Martin, Bradley Page
Director: Charles Reisner
Synopsis: Groucho Marx, with the invaluable help of Harpo and Chico, wreaks havoc on every floor of a department store. In his attempt to woo his eternal love, the charming widow Margaret Dumont, Groucho ends up tangling himself up in a terrible plot hatched by some top executives.
Director: Charles Reisner
Synopsis: Groucho Marx, with the invaluable help of Harpo and Chico, wreaks havoc on every floor of a department store. In his attempt to woo his eternal love, the charming widow Margaret Dumont, Groucho ends up tangling himself up in a terrible plot hatched by some top executives.
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00:00:07The End
00:00:38The End
00:01:06The End
00:01:34You see, that's the way to play it.
00:01:36Someday you're all going to be a big musicians, just like me.
00:01:39Well, you've got to practice.
00:01:40Not on this piano.
00:01:45Hey, you can't take this piano.
00:01:47She's belong to the professor. He's upstairs, sick.
00:01:49Go on. Play something soft. You're breaking my heart.
00:01:53Come on.
00:01:53Hey, wait. Please, please. My friend, the Tommy Rogers.
00:01:55He's going to be here right away. He's a fix everything.
00:01:59Who's Tommy Rogers?
00:02:01You don't know Tommy Rogers, the singer?
00:02:02Never heard of him.
00:02:03You never heard of him?
00:02:04Well, let me show you who's Tommy Rogers.
00:02:06Here. That's his apix. Look at what he say.
00:02:09The late the Hiram Phelps who wields a half-interest in his department store to his protegee, Tommy Rogers.
00:02:14You mean to tell me a guy like that will come down to a jury like this?
00:02:17What do you mean, Joey?
00:02:18Tommy, get a start right here.
00:02:20Hiya, Revelli.
00:02:21Hey, Tommy.
00:02:22What's the professor? I brought that money for him.
00:02:23Ah, you see?
00:02:25Hey, what's going on around here?
00:02:26Well, I had orders to take this piano, Mr. Rogers.
00:02:28We thought the place was closing up.
00:02:30Closing up?
00:02:31Well, I'm going to tear this place down and build a real conservatory.
00:02:34Hey, now, what did I tell you, eh?
00:02:36Conservatory.
00:02:37Excuse me, Mr. Rogers.
00:02:38Come on, Joe.
00:02:40Hey, you hear that, kids?
00:02:41A new conservatory.
00:02:47I'll build a conservatory we'll all be proud of.
00:02:49Stained glass windows, a real auditorium, and say we'll even have soundproof practice rooms.
00:02:53That's fine.
00:02:54When do we start?
00:02:55Well, just as soon as I can sell my share of the Phelps department store.
00:02:58You're going to sell the store?
00:02:59Sure.
00:03:00What do I know about department stores?
00:03:02I'm a musician.
00:03:02That's my business.
00:03:03That's right.
00:03:04And I want kids like these to have the same opportunity that I've had.
00:03:07Hey, let's go upstairs and tell their professor.
00:03:09Sure.
00:03:10Come on.
00:03:11See you later.
00:03:12Come on.
00:03:13Come on.
00:03:13Come on.
00:03:15Now, you kids, you practice or I come back.
00:03:18Better remember, no woogie boogie.
00:03:43Now, you'll have to get working on those books, Sutton, and we'll all be in trouble.
00:03:45Do you think Tommy Rogers will sell, Mr. Grover?
00:03:47He'll try to.
00:03:48And if any real businessman gets a look at our figures, we're sunk.
00:03:52Now, get going on those books.
00:03:53We have much time.
00:03:54Yes, sir.
00:03:54I'll do my best.
00:03:59Say, can you trust that guy?
00:04:00Huh?
00:04:01His sister works in the music department and runs around the Tommy Rogers.
00:04:03Well, she won't run around with him long.
00:04:05Why?
00:04:05If Tommy Rogers disappears, his share of the store reverts to Martha Phelps, the old man's sister.
00:04:11So what?
00:04:12Well, there'll be a society wedding.
00:04:14Martha will make a stunning bride, and I rather fancy myself as a bridegroom.
00:04:18And complete owner of the Phelps department store, eh?
00:04:20Naturally.
00:04:21Now, can you arrange the necessary disappearance?
00:04:24I didn't exactly bring Butch along for company.
00:04:26Yeah, I know what to do.
00:04:28And remember, make it look like one of those accidents.
00:04:30Sure, boss.
00:04:31You know me.
00:04:32Now, don't bungle it.
00:04:33Get going.
00:04:42If I tell you something, Ravali, will you keep it a secret?
00:04:44Sure, even from me.
00:04:45I think I found buyers for the store.
00:04:47I just talked to them.
00:04:47Who's going to buy in for how much?
00:04:49Well, the price hasn't been settled yet, but it's the Hastings brothers.
00:04:51You know, the big chain store owners.
00:04:52Well, the deal looks pretty well set.
00:04:54You can go back and tell the professors to start looking at plans.
00:04:56Yeah, I better not leave you.
00:04:57From now on, you and me is going to be insufferable.
00:05:01Hey, cut out of the line.
00:05:02Cut out of the line.
00:05:03Cut out of the line.
00:05:04Second floor.
00:05:06Second floor.
00:05:10It's Dennis.
00:05:12Tommy, what happened?
00:05:14I don't know.
00:05:15Something happened behind my face.
00:05:16I don't see nothing wrong.
00:05:17The lights went off.
00:05:18We were coming down.
00:05:18It went right on again.
00:05:20Tommy.
00:05:21Tommy.
00:05:24Are you all right, Tommy?
00:05:27I mean, Mr. Rogers.
00:05:32Pardon me.
00:05:32Excuse me just a minute, please.
00:05:34Why, Mr. Rogers, what's the trouble?
00:05:35Just a little bump.
00:05:36Somebody's elbow, I guess.
00:05:38Place the lights, go out, then Tommy go off.
00:05:39Let me help you.
00:05:40No, I'm all right.
00:05:41You'd better see your aunt right away.
00:05:44I want to see you a little later, Joan.
00:05:46Yes.
00:05:47Now come along with me.
00:05:51Going down.
00:06:07There's nobody going to tell me that was an accident.
00:06:09It appears to be the work of a disgruntled employee.
00:06:11I'm calling the police.
00:06:12Call the police department, please.
00:06:14No, wait a minute.
00:06:15Aren't you taking this a little too seriously?
00:06:16No.
00:06:17If anything should happen to you, I'd be the first one blamed.
00:06:20Aunt Martha, you're reading too many detective stories.
00:06:22Tommy's right, Martha.
00:06:23You're making too much of this.
00:06:27What's the matter, Revelle?
00:06:28Well, I see you're very suspicious of looking at a man,
00:06:30so I chase him.
00:06:31Tommy, who is this person?
00:06:32I'm a Revelle.
00:06:33I'm a Tommy's best friend.
00:06:35Your best friends are the police, and I'm going to call them.
00:06:37Don't you think that calling the police might result in a lot of,
00:06:40well, undesirable publicity?
00:06:42Remember the name of Phelps?
00:06:43You're so right again.
00:06:45You're always so right.
00:06:46Mr. Grover.
00:06:47I'll take you to my office.
00:06:50May I have the phone book?
00:06:52Yes.
00:07:06Exercise number four.
00:07:09Come on now.
00:07:10One, two, now stretch.
00:07:13One, two, now stretch.
00:07:16And now, friends, stand on your head with your back against the wall.
00:07:21This is...
00:07:37Blackie, take this paper out and sell it.
00:07:40Never mind.
00:07:42What about my egg?
00:07:44Go.
00:07:48No.
00:08:01There.
00:08:03No.
00:08:06No.
00:08:07No.
00:08:07No.
00:08:08No.
00:08:24Quacky, quick.
00:08:25My customer.
00:08:46Quinter, get me the district attorney.
00:08:49Hello, D.A.?
00:08:50That's ridiculous.
00:08:51I've been in constant touch with Scotland Yard.
00:09:01Quinter, get me Trinidad.
00:09:04Hello, Dad.
00:09:05I won't be on for dinner.
00:09:08I came here to...
00:09:09Just a minute.
00:09:10Winthrop, get me gangbusters.
00:09:12Hello, gangbusters?
00:09:13Who caught the crook last night?
00:09:15Sheriff Hawkins?
00:09:17Winthrop, get me Sheriff Hawkins.
00:09:20Sheriff Hawkins?
00:09:21Congratulations.
00:09:23Well, madam, take this down.
00:09:26Go on, please.
00:09:27I saw your name in the...
00:09:42I need your protection.
00:09:44That's why I'm here.
00:09:46Hmm.
00:09:47This case is more baffling than I thought.
00:09:49Tell it to me again.
00:09:50I saw your name in the...
00:09:52I saw your name in the...
00:10:21Oh, dear! Oh! Oh, my! Oh! Oh, be careful!
00:10:28It's the new type flying machine. They're really not perfected yet.
00:10:31Yes, as you were saying.
00:10:34I suppose you've heard of Tommy Rogers, who recently inherited half the Phelps department store.
00:10:38Why, of course!
00:10:40You must take this case.
00:10:45Well, I'd like to help you, but I'm just dripping with offers.
00:10:52I don't even answer the phone.
00:11:01You'll pardon me?
00:11:02Of course.
00:11:07Ten thousand dollars. Ridiculous. One would think I was starving.
00:11:10Phew! It's warm in here.
00:11:12It's funny. I don't feel it.
00:11:13Well, I do.
00:11:15Winthrop.
00:11:16Have the janitor come up and break a window.
00:11:20Things are certainly getting hot.
00:11:21Oh, they certainly are.
00:11:24Miss Phelps, I'm turning down all offers to take your case.
00:11:27After all, you're a woman.
00:11:28You are a woman, aren't you?
00:11:30Tell me, what would you want to handle this case for me?
00:11:33Twenty thousand dollars.
00:11:34Don't you think that's too much?
00:11:35Of course it is. Only a cheap chiseler would ask that much.
00:11:38I was prepared to pay five hundred dollars.
00:11:41Hardly enough, I'm prepared to take it.
00:11:43Shall we bind the deal with a kiss?
00:11:45Or five dollars in cash?
00:11:47You'll lose either way.
00:11:48There you are.
00:11:49That's fine.
00:11:51Now, let's get to the bottom of this.
00:11:54Let's get to the bottom of this, eh?
00:11:56Now, tell me everything.
00:11:58As you were saying.
00:11:59No, my face.
00:12:02Camouflage.
00:12:03A precaution I must take for my life.
00:12:04Every gangster in town would like to do away with me.
00:12:07But we'll outwit them.
00:12:08We'll even recover my private smokescreen.
00:12:13There goes my breakfast.
00:12:14Oh, one more important thing, Mr. Flywheel.
00:12:17Nobody at the store, not even Tommy, must know that you're a detective.
00:12:20You're safe.
00:12:21I've kept it a secret for years.
00:12:23This is a gift from a grateful client.
00:12:26Indeed.
00:12:28They hung him last year.
00:12:34That's strange.
00:12:34I could have sworn I shaved this morning.
00:12:40My car will be here in a moment.
00:12:42Nonsense.
00:12:42We'll take my car.
00:12:43Speed is imperative.
00:12:49Quaint, isn't it?
00:12:50Demonstrator's model.
00:12:51I've been trying to make up my mind for years whether to buy this car or not.
00:13:00My man will be along shortly.
00:13:02Oh, my.
00:13:03Oh, dear.
00:13:04I had that seat especially built below window level.
00:13:07Makes me safe from bullets.
00:13:08How ingenious.
00:13:09You better take my seat.
00:13:10It's more comfortable.
00:13:18To the Phelps department store.
00:13:19Make it snappy.
00:13:45That settles it.
00:13:46I'm not buying this car.
00:13:47Fix the door and take it back.
00:13:49My thing.
00:13:49My veil.
00:13:51Oh, dear.
00:13:52Fire and cars are waiting.
00:13:53Oh, what?
00:14:14Hey, wait a minute.
00:14:16You'll have to fix that door someplace and get all this junk out of here.
00:14:23What's going on here?
00:14:31Yes, your work on these books is okay for a sucker like Tommy, but it wouldn't take the Hastings brothers
00:14:35long to find out they've been juggled.
00:14:38Now, we've got to work fast.
00:14:40Incidentally, your sister's getting pretty chummy with Tommy.
00:14:43Joan, she doesn't know a thing about this.
00:14:44And furthermore, she's not going to.
00:14:45Well, I hope you're right.
00:14:47If this falls through on account of you or her, well, I'd better not, that's all.
00:14:55Hey, you better not let the boss catch you around here.
00:14:57That's all right.
00:14:58The boss and I are just like that.
00:15:00Tommy, I'm awfully busy.
00:15:01Well, I'm here strictly on business.
00:15:03I just came over to check our recording sales.
00:15:05Well, if you mean your latest recording, we sold the last one yesterday.
00:15:08That's fine.
00:15:09How many does that make we've sold?
00:15:10Two.
00:15:11New high, huh?
00:15:13Oh, pardon me.
00:15:14Have you Tommy Rogers' latest record, If It's You?
00:15:18Sorry, madam, we're completely sold out, but we're expecting something in a minute now.
00:15:22We have the sheet music here.
00:15:27Why, you're Mr. Rogers.
00:15:30Yes, you see, every Friday is Celebrity Day.
00:15:34Oh, Mr. Rogers, I wanted one of your records.
00:15:38Madam, I'd be more than happy to make one for you personally.
00:15:41You just step around the counter, please.
00:15:56If it's you
00:16:00When a knock comes at my door
00:16:04If it's you
00:16:08Then I'll rush across the floor
00:16:11But if you're not there
00:16:14The sky falls on my schemes again
00:16:20I close the door
00:16:22And rush back to my dreams again
00:16:28When I'm blue
00:16:31And the phone rings in the gloom
00:16:35If it's you
00:16:37If it's you
00:16:40There's a rainbow in my room
00:16:43And when someone kneels with someone
00:16:47Making vows for two
00:16:51If it's me
00:16:55I'll be in heaven
00:16:58If it's you
00:17:08I'll be in heaven
00:17:09I'll be in heaven
00:17:14I'll be in heaven
00:17:17I'll be in heaven
00:17:18I'll be in heaven
00:17:19I'll be in heaven
00:17:20I'll be in heaven
00:17:21I'll be in heaven
00:17:22I'll be in heaven
00:17:23I'll be in heaven
00:17:23I'll be in heaven
00:17:25I'll be in heaven
00:17:34When I'm blue
00:17:38And the phone rings in the gloom
00:17:42If it's you
00:17:45There's a rainbow in my room
00:17:50And when someone kneels with someone
00:17:53Making vows for two
00:17:59If it's me, I'll be in heaven
00:18:06If it's you
00:18:23With our compliments
00:18:25Thank you
00:18:28Thank you
00:18:31Ah, that was swell
00:18:34Just think
00:18:34One of the toughest kids in our neighborhood
00:18:37Turning out to be the great Tommy Rogers
00:18:39Now what's great about a fellow
00:18:41That's written a couple of songs
00:18:42And leads a corny little band
00:18:43It's just a matter of breaks
00:18:45Dad always said you were going places
00:18:46Yeah, well
00:18:47Wherever I'm going doesn't mean a thing
00:18:49Unless you go with
00:18:51You won't be going anywhere Tommy
00:18:52If you keep ignoring the danger you're in
00:18:56Is Mr. Grover in his office?
00:18:57Yes, just a moment
00:19:00Miss Phelps would like to see you
00:19:02He'll be right out
00:19:02Thank you
00:19:04Don't forget
00:19:07Oh, Mr. Grover
00:19:08This is Wolf J. Flywheel
00:19:10How do you do?
00:19:12That's rather a personal question
00:19:13Isn't it, old man?
00:19:14How I do and what I do is my concern
00:19:16And if you marry me
00:19:17Your concern will be my concern
00:19:19I've just hired Mr. Flywheel
00:19:20As a floor walker
00:19:21Oh, Martha
00:19:21We have enough floor walkers
00:19:23Oh, please
00:19:23Well, however, if you desire
00:19:25What experience have you had
00:19:26In a department store?
00:19:27I was a shoplifter for three years
00:19:28Oh, well
00:19:29And Mr. Flywheel likes his little joke
00:19:34Just tell Mr. Grover
00:19:35What experience you've had
00:19:37Do you object if I ask him a few questions?
00:19:38Oh, not at all
00:19:39Go right ahead
00:19:39Ask her anything you want
00:19:40Well, it's you that I'm asking the questions
00:19:42Well, I just heard you ask her
00:19:43If you could ask me a few questions
00:19:44Well, just a minute
00:19:44After all, I'm not blind
00:19:45We will assume that I am a customer
00:19:48I'm returning a baby carriage
00:19:50Are you married?
00:19:51Why, of course not
00:19:52Then what are you doing with a baby carriage?
00:19:54This man's a cad
00:19:55A yellow cad
00:19:57Why, the whole thing is utterly ridiculous
00:19:59Now, I'll ask you a simple question
00:20:01It's bargain day
00:20:02The store is crowded
00:20:03A woman faints
00:20:03What do you do?
00:20:04How old is she?
00:20:06What difference does it make?
00:20:08You hear that?
00:20:08A woman's life is in danger
00:20:10And he asks
00:20:11What difference does it make?
00:20:12And that charlatan is running your store?
00:20:14Martha, I'd fire him immediately
00:20:16If Miss Phelps were not my fiancée
00:20:18I would tender my resignation
00:20:19And walk out of this store for good
00:20:21Oh, no, no
00:20:21Fiancée?
00:20:22Yes
00:20:23Do you mean that a woman of your culture
00:20:24And money
00:20:25And beauty and money
00:20:25And wealth and money
00:20:26Would marry that imposter?
00:20:30Just a moment
00:20:31What's the idea of prowling around here?
00:20:34Why, that's Tommy Rogers
00:20:35Oh, how are you, Tommy?
00:20:37No, I'm Tommy Rogers
00:20:38Oh, well, how are you, Tommy?
00:20:39How do you do?
00:20:40I'm a Revelli
00:20:41I'm Tommy's bodyguard
00:20:42You're Tommy?
00:20:43I'm Tommy's bodyguard
00:20:44I've just been engaged
00:20:46You'll excuse me
00:20:49So you've been engaged, eh?
00:20:51Of course
00:20:51Here's my five dollar deposit
00:20:52To prove it
00:20:53Well, keep with the five dollars
00:20:54I'll guard Tommy for nothing
00:20:57Scab
00:20:57I heard that
00:21:00So you're not a floor walker
00:21:02You're a so-called bodyguard
00:21:03What does this mean, Martha?
00:21:04Well, I felt Tommy needed
00:21:06A real experienced detective
00:21:07To safeguard him
00:21:09So I, eh
00:21:09So naturally
00:21:10She hired me
00:21:11The greatest detective
00:21:12Since Sherlock Holmes
00:21:13I'm crazy about Sherlock Holmes
00:21:15It won't do you any good
00:21:16He's got a wife and three kids
00:21:17So this man is a detective?
00:21:19Yes
00:21:19Ha!
00:21:21Mr. Flyby
00:21:22Just call me Wolf
00:21:24Now that you've revealed yourself
00:21:25You've spoiled everything
00:21:26And after you promised not to tell
00:21:28How can I keep from telling the world
00:21:30Of you and your beauty
00:21:31And my feelings about you?
00:21:33She walks in beauty like the night
00:21:35Of cloudless climes
00:21:37And starry skies
00:21:38Why, that's Byron
00:21:41He was thinking of you
00:21:42When he wrote it
00:21:44Wolf, do you remember this?
00:21:46Thou friend
00:21:47Whose presence on my wintry heart
00:21:49Fell like bright spring
00:21:51Upon some herbless plain
00:21:54Shelley?
00:21:56Shelley
00:21:57They're not writing that kind of stuff anymore
00:22:01Here's a little something to you
00:22:02Your eyes so blue
00:22:04Your heart so true
00:22:06Your lips divine
00:22:08Say you'll be mine
00:22:09Wolf, where did you ever learn to write such beautiful poetry?
00:22:14I worked five years for Bermaschave
00:22:16What is this man?
00:22:18A detective, a floor walker, or a poet?
00:22:20All three
00:22:21And not bad at making love, eh, Martha?
00:22:23I can't stand this any longer
00:22:25And I won't stand it
00:22:26Just a moment, Mr. Grover
00:22:27If my aunt wants this man to be my bodyguard
00:22:30It's okay with me
00:22:31Mr. Flywheel
00:22:33My life is in your hands
00:22:35I, uh
00:22:36I wouldn't be happy here
00:22:38I
00:22:38I'm not appreciated
00:22:40Not appreciated?
00:22:41Why, I think you're great
00:22:43What do you, uh
00:22:44What do you really think of me?
00:22:46Well, I
00:22:47I think you're wonderful
00:22:48Do you
00:22:50Do you think I'm any good?
00:22:52Man, you're terrific
00:22:54How am I, uh
00:22:55All right?
00:22:56Want to know?
00:22:58You're sensational
00:22:59I could listen to this man forever
00:23:02And, uh
00:23:04Now, if you don't mind
00:23:05Martha and I would like to be alone
00:23:07Scram!
00:23:15Hey!
00:23:16Hey!
00:23:17Come on, get that thing away from that fire plug
00:23:19Before I start writing
00:23:22Nobody puts anything over on me
00:23:24Thanks, buddy
00:23:27Thanks, buddy
00:23:51Give me that purse
00:23:53You stole it
00:23:54Then, where'd you get it?
00:23:59Oh, so you found it, huh?
00:24:00Well, if you found it
00:24:01Take it to the lost
00:24:01And finally found it
00:24:06Two-seven-six
00:24:09There's a suspicious looking character
00:24:10Bringing a purse in there
00:24:11He claims he found it
00:24:17Give me that
00:24:17He's all right
00:24:18He's the detective here
00:24:19Where'd you find it?
00:24:25Miss Phelps
00:24:28Mr. Grover's office, please
00:24:30Oh!
00:24:32No!
00:24:34Hello?
00:24:35Pardon me
00:24:36Pardon me?
00:24:37Just a moment
00:24:38I just caught the crook
00:24:40That stole your purse
00:24:43Drag him up
00:24:45You may have it
00:24:48Come on, my boy
00:24:49There's a judge in this precinct
00:24:50Who just loves purse snatches
00:25:01Get up out of there
00:25:03Why'd you run away from me?
00:25:05Now I know you're a thief
00:25:06So, you didn't think
00:25:07I was a real detective, eh?
00:25:09If you're a detective
00:25:10I'm a monkey's uncle
00:25:10Keep your family out of this
00:25:12Oh, please
00:25:12This is between we two men
00:25:13And this little slip of a girl
00:25:19You are right
00:25:20Mr. Flywheel is a wizard
00:25:22He just caught the man
00:25:23Who stole my purse
00:25:24Well, Aunt Martha
00:25:24I told you that man
00:25:25Was sensational
00:25:26Oh, he's wonderful
00:25:29Hmm
00:25:29Same tailor
00:25:30How much do you own?
00:25:32Snatching purses around here
00:25:33We don't stand for that
00:25:35Here's the purse
00:25:39There must be some mistake
00:25:40I'll take it to the Supreme Court
00:25:42Why, that man's your driver
00:25:44He's no driver
00:25:45That's for my brother
00:25:47Wacky
00:25:49Hey, you still like it, eh?
00:25:51Good detective, eh?
00:25:56Hey, Tommy
00:25:57You remember my brother, Wacky?
00:25:59Why, of course
00:25:59Hiya, Wacky
00:26:00Haven't seen you in years
00:26:02That man's no thief
00:26:03Just look at his face
00:26:06Frightening, isn't it?
00:26:07Why, this place is becoming a madhouse
00:26:10He's right
00:26:10This was a clever trick on my part
00:26:12To show you the kind of man
00:26:13You employ as manager
00:26:14Your aunt left her purse in my car
00:26:16This lovable little wife
00:26:17Unselfishly returns it
00:26:19And is accused of being a thief
00:26:25You better let Flywheel handle this case
00:26:27He's a smart man
00:26:28I think so, too
00:26:29We won't need any store detectives
00:26:31With him around
00:26:32Very well, Mr. Flywheel
00:26:33You have carte blanche
00:26:35Okay, I'll take it
00:26:38You make me think of my youth
00:26:39Really?
00:26:40He must be a big boy by now
00:26:44Come on, men
00:26:47Grover
00:26:47Pay off this flatfoot as of today
00:26:49Give him what's coming to him
00:26:51Ouch!
00:26:52Oh!
00:26:53Don't you think there's something charming about Mr. Flywheel?
00:26:57Yes, there certainly is
00:26:58You take care of the first floor
00:26:59You take care of the second floor
00:27:01And I'll take care of Martha
00:27:02You take care of nothing
00:27:03I'm fed up with the three of you
00:27:05How do you expect me to run a store with you maniacs
00:27:07Destroying priceless antiques
00:27:09Insulting customers
00:27:10Disturbing the general routine
00:27:12No wonder business is bad
00:27:13Mr. Grover
00:27:14You are just a quack to me
00:27:16Though I may insult you
00:27:18Don't talk back to me
00:27:20We should have more harmony
00:27:22Where discord now prevails
00:27:24Luckily I'm in command
00:27:25Just watch me boost our sales
00:27:27Bring on the girls
00:27:28Swag up the band
00:27:31Flywheel in command
00:27:34Mr. Flywheel
00:27:36You say you're the man
00:27:38Who will improve things
00:27:40Won't you tell us
00:27:42Mr. Wolf J
00:27:44How then can we move things
00:27:46Tell us pretty flywheel
00:27:49Tell us now
00:27:50Tell us how
00:27:52Tell us now
00:27:53You gotta sing
00:27:55While you sound
00:27:58Sing
00:27:59While you sell
00:28:01Get that money in the till
00:28:04Give the customers a thrill
00:28:06There's a way
00:28:07If you own the will
00:28:08To sing
00:28:09While you sell
00:28:10They'll buy no pan
00:28:12Without your pan
00:28:16Sell this weenie
00:28:18With Rossini
00:28:22And as Verdi
00:28:23Goes with Verdi
00:28:25Yes you'll make a lot
00:28:27Of friends
00:28:27If you'll sing
00:28:28A sweet card
00:28:29And you'll sing
00:28:30While you sell
00:28:31La-da-da-da-da-da-da-da-da-da-da-da-da
00:28:33While you sell
00:28:35Da-da-da-dee
00:28:36Sails will mount up to the skies
00:28:39You'll dispose of merchandise
00:28:40If you like to vocalize
00:28:42And sing
00:28:43While you sell
00:28:48Up and down
00:28:49The old plantation
00:28:51All the cotton
00:28:53Was rotten away
00:28:54Then I come
00:28:56To the south salvation
00:28:58By putting on
00:28:59A hot sale
00:28:59And cotton
00:29:00Today
00:29:05Way down upon
00:29:06The Swanee River
00:29:08That's where
00:29:09This cotton grows
00:29:11First they pick it
00:29:12Yes they pick it
00:29:13In the cotton
00:29:14Then they stick it
00:29:15Then they weave it
00:29:16Into clothes
00:29:16And fancy holes
00:29:26His jacket svelte
00:29:27Is made of felt
00:29:28But it feels more
00:29:29Like a mat
00:29:31If the felt
00:29:31Should itch
00:29:32You could make a switch
00:29:33And wear it
00:29:34For a hat
00:29:35This is an American
00:29:36Navy girl
00:29:36Every night
00:29:37Two sailors wait
00:29:37To convoy her home
00:29:40This steppin' gay
00:29:41Is rechache
00:29:42And fits both
00:29:44Slim and stout
00:29:45Two smart affairs
00:29:46My lady wears
00:29:47This steppin'
00:29:49To step out
00:29:50This is known
00:29:50As a California dress
00:29:51On a clear night
00:29:52You can see Catalina
00:29:55This daring gown
00:29:56Has stormed the town
00:29:57Its lame
00:29:58Will not crack
00:29:59As a special offer
00:30:01Phelps will proffer
00:30:02A free belt
00:30:03In the back
00:30:04This is a bright red dress
00:30:05But technicolor
00:30:06Is so expensive
00:30:09This etan coat
00:30:11Right off the boat
00:30:12Of quality
00:30:13Unbeaten
00:30:14Is the only claw
00:30:15The cultured
00:30:16More
00:30:17Has never
00:30:18Ever eaten
00:30:25I'd like to buy
00:30:27A bassinet
00:30:28The one
00:30:29And I heavy scratched
00:30:30You love our special
00:30:33Bassinet
00:30:34With a lullaby attached
00:30:40Rock above baby
00:30:43On the treetop
00:30:47When the wind blows
00:30:50The cradle will rock
00:30:54Rock, rock, rock, rock it baby
00:30:59Rock-a-bye baby
00:31:01On the treetop
00:31:04When the wind blows
00:31:07Woooo
00:31:08Your little cradle
00:31:09Will rock, whoa, rock it
00:31:11When the bow breaks
00:31:13The cradle will fall
00:31:16Down
00:31:18Oh come my baby
00:31:19My baby
00:31:20My little baby
00:31:22Down
00:31:23Oh come my baby
00:31:25Baby
00:31:26And the cradle
00:31:27And all
00:31:27Go to sleep
00:31:30Go to sleep
00:31:33Go to sleep
00:31:37Close your eyes
00:31:38And go to sleep
00:31:38While mammy tries
00:31:39To sing a lullaby
00:31:42Lullaby
00:31:44Lullaby
00:31:45Lullaby
00:31:46Lullaby
00:31:48Lullaby
00:31:49Mammie's gonna rock you
00:31:50To sleep
00:31:51Lullaby
00:31:52Bye
00:31:53Bye
00:31:53Baby
00:31:54Rock, rock, rock
00:31:57Cradle
00:31:57Sleep, sleep, sleep
00:31:59Jackson
00:32:00Shoot the talcum
00:32:02To me Malcolm
00:32:10We've cut the price
00:32:11Of rugs in half
00:32:12We've cut our rugs today
00:32:13There's a rug sale on
00:32:15In a rug salon
00:32:16Where we're cutting rugs
00:32:17In a solid way
00:32:35Something inside
00:32:38Plenty of death
00:32:41Kindred
00:32:43Just one
00:32:47I want my baby
00:32:48To meizar
00:33:08You gotta swing while you sell
00:33:13Swing while you sell
00:33:17Get that rhythm in the groove
00:33:19Jive your product, make it move
00:33:22Mr. Flywheel will
00:33:23Prove a swing while you sell
00:33:26If you've got legs, make them hot legs
00:33:32Oh, chichorny, ain't I corny
00:33:38Come on, wacky, nack a sacky
00:33:42Sales will show up, big improvement
00:33:44See what's getting in the groove
00:33:46Let's play while you sell
00:33:50Swing while you sell
00:33:52Quack, quack, quack
00:33:54Let them nearest jump a mile
00:33:57Suzy Q, the lady's style
00:33:58Boogie, boogie, up the island
00:34:01Swing, swing
00:34:05Swing while you sell
00:34:19Peggy, the Hastings brothers are taking the store over tomorrow
00:34:22Oh, that means I've got to work fast
00:34:24I've got to meet this fellow Tommy
00:34:25Get him out of the store and up to the roadhouse by tonight
00:34:27Well, just get him there
00:34:28The boys will see that he won't come back
00:34:30Your worries are over
00:34:31Lead me to him
00:34:33He's at the music counter and expecting you
00:34:34I told him you're an important music critic
00:34:38Peggy
00:34:39Six months from now, we'll own this store together
00:34:42And be rolling in money
00:34:43What about Martha?
00:34:45Well, after she and I are married, who knows
00:34:47Maybe there'll be an accident
00:34:50Stop worrying
00:34:52And when someone kneels with someone
00:34:55Making bows for two
00:34:59I'm in heaven when I'm having lunch with you
00:35:04After lunch, we'll take a trip to the conservatory
00:35:06I'm anxious to show the professor the plans
00:35:08But I can't go until Kitty gets back from her lunch
00:35:11I'll get someone to take your place
00:35:12Yeah, you go ahead
00:35:13I watch the counter
00:35:14You go ahead
00:35:15I'll watch Ravelli
00:35:16Who's going to watch you?
00:35:19All right, boys
00:35:20You take over till Kitty gets back
00:35:21What about your interview with that female music critic?
00:35:24I don't want any publicity about the conservatory
00:35:25The only interview I want is with you
00:35:30Looks like a counter-attack
00:35:38Hey, look
00:35:40It's only a woman
00:35:46You pay $2.40 to place
00:35:47Wolf J. Flywheel at your service
00:35:49I represent the magazine Musical Life
00:35:51Oh, working your way through college
00:35:53I'm sorry
00:35:54But I've already subscribed to click, pick, hick, tick, gaff, staff, laugh and chaff
00:35:58Pardon me
00:36:02Young lady, do you expect Mr. Rogers soon?
00:36:04I'm here to interview him
00:36:05And I don't care to be annoyed by these silly creatures
00:36:08Flattery will get you nowhere
00:36:09Mr. Rogers is probably in his office
00:36:11No, he went to lunch with Joan
00:36:13The girl who works behind this counter
00:36:14Anyhow, Tommy says he didn't want to meet you
00:36:16Oh, not really
00:36:18You mean he took one of the help to lunch?
00:36:20Sure, why not?
00:36:22I didn't know it was being done anywhere
00:36:26I'll be at the millinery counter
00:36:27Call me when Mr. Rogers returns
00:36:29On my way, stupid
00:36:40Oh, good afternoon
00:36:41Just a moment, please
00:36:46Here it is, madam
00:36:49Now, I want you to get me a piece of cloth to cover this hat
00:36:51And match this dress
00:36:52But that will take at least a week, madam
00:36:54I want it now
00:36:56I'm sorry, madam
00:36:57But you must realize
00:36:58The material in that dress is very unusual
00:37:00We'll have to send out for it
00:37:01Get it at once
00:37:02Or I shall speak to Mr. Grover about it
00:37:04Oh, well, I'll call the buyer
00:37:07And hurry it up
00:37:08I can't wait here all day
00:37:12Mr. Williams, please
00:37:14I'm sure we have nothing like it in stock
00:37:16Hurry it up, please
00:37:17Yes, yes, I will
00:37:18Hello
00:37:22So, you did have it
00:37:24Saving it for another customer
00:37:33I've changed my mind
00:37:34I didn't want the thing at all
00:37:35It's awful
00:37:40Joan
00:37:41Oh, Fred
00:37:43Something's happened to Tommy
00:37:44I phoned his hotel three times
00:37:45And there was no answer
00:37:46No wonder we were here until five o'clock this morning
00:37:48Going over the books
00:37:49Then he and his bodyguards
00:37:50Are down in the bed department
00:37:50To get some sleep
00:37:51Oh, I hope he won't be late
00:37:52He has an important meeting at 10
00:37:54No, no, he won't be
00:37:55He's in his office now
00:37:55Thanks, Fred
00:37:57You've got to get those three bodyguards
00:37:59Out of the bed department
00:38:00And out of the store at once
00:38:02I've got to get those bodyguards
00:38:03Out of the bed department right away
00:38:04That's no problem
00:38:05What do you mean it's no problem?
00:38:06If I don't get them out
00:38:07Grover will throw me out
00:38:08And if I do get them out
00:38:09Rogers will fire me
00:38:11I don't know what to do
00:38:12I'd follow Grover's instructions
00:38:14But how will I get them out of the store?
00:38:17Why not start a sale
00:38:18In the bed department
00:38:19And drive them out?
00:38:20That's a great idea
00:38:22They're selling the store in an hour
00:38:23And starting a sale
00:38:24Well, I don't get it
00:38:26Oh, just wait till you see this bed, Henry
00:38:28I saw it yesterday
00:38:29And I'm just crazy about it
00:38:30I fell in love with it
00:38:31Turn around
00:38:32Now, wait a minute
00:38:45Mr. Mr.
00:38:47Can you tell me the price of this bed?
00:38:49$8,000
00:38:50Why, that's preposterous
00:38:51I can get the same bed anywhere in town
00:38:53For $25
00:38:54Yes, but not with me in it
00:38:57Sir, how dare you talk that way to my wife?
00:38:59How dare I talk that way to your wife?
00:39:02Have you ever met me before?
00:39:03No
00:39:04Then why do you allow your wife
00:39:05To go around waking up strange men?
00:39:07Oh, come, Henry
00:39:08Before you lose your temper
00:39:10I'll bet he does the cooking
00:39:28What other hobbies have you got?
00:39:31We like to see something very different in a bed
00:39:35You would?
00:39:36Just press that button over by the Davenport
00:39:38Where is the Davenport?
00:39:40It's in Iowa
00:39:41Too bad you missed
00:39:42That was a $9 question
00:39:43Stupid
00:39:44Don't you understand?
00:39:45It's so far
00:39:45It's so far
00:39:47It's so far
00:40:07It's so far
00:40:08Well, what do you want?
00:40:10Well, me and my family
00:40:12We live in every room
00:40:13In the apartment
00:40:14And all I can see
00:40:15Is beds, beds, beds
00:40:16And believe me
00:40:18I ain't got no room
00:40:19For nothing else
00:40:20That's why
00:40:21I'm looking for something
00:40:22That don't look like a bed
00:40:24Well, you're gonna worry no more
00:40:26I got just the thing you want
00:40:29Well, get a fresh
00:40:30And a microphone
00:40:31How I talk
00:40:31I no microphone
00:40:33I'm the same
00:40:34National like you
00:40:35Is he was born in Naples?
00:40:37Oh, sure
00:40:38Is he you was?
00:40:39Oh, sure
00:40:39Yes, I was too
00:40:41Yeah
00:40:41Hey, I remember you
00:40:44Giuseppe
00:40:45The best grape press in all Italy
00:40:48Hey, what?
00:40:50Look who's here
00:40:52Giuseppe
00:40:52Excuse me, please
00:40:54Do I know you?
00:40:55You don't remember me?
00:40:57I used to press the grapes with you
00:41:00Ah, Romero
00:41:01Giuseppe
00:41:03Hey
00:41:05Press the grapes
00:41:06Press and oppressor my wife
00:41:07Oh, don't get mad
00:41:09You remember my brother
00:41:10Wacky
00:41:10Ah, goodbye
00:41:13Excuse me, mister
00:41:15I want to see some bed
00:41:16Come on
00:41:18See, that's a wonderful bed
00:41:22Now, that's a bed
00:41:23Sure, I'll show you
00:41:25What's the matter?
00:41:26I don't know
00:41:28Look, Giuseppe
00:41:30It's a bookcase by day
00:41:32It's a bed by night
00:41:34I don't like this bed
00:41:36All right, all right
00:41:36You don't like this bed
00:41:37I'll show you another one
00:41:38Come on
00:41:39Come on
00:41:39Where you take me?
00:41:40I don't know
00:41:41I don't know myself
00:41:42All right, all right
00:41:45All right
00:41:55Oh, you see?
00:41:57Oh, you see?
00:41:58Oh, you see?
00:42:02That's a safe place to keep the kids
00:42:04Mi piace
00:42:11Look, I don't get excited like my wife
00:42:30But I come in here with 12 kids
00:42:32And now there's only six
00:42:34What happened to my six kids?
00:42:36What are their draft numbers?
00:42:38Look, there's only 60 kids
00:42:40And I know I got 12 kids
00:42:4212 kids, eh?
00:42:44How much do you make a week?
00:42:45Uh, $25
00:42:46You can't afford to have 12 kids
00:42:48No, tell me what I can afford
00:42:50The only thing I know is
00:42:51I got 12 kids
00:42:52And now there's only six
00:42:54My good man
00:42:55Statistics prove it costs $5 a week
00:42:57To provide for a child
00:42:5812 times 5 is $60
00:42:59You only make $25 a week
00:43:02It's economically impossible
00:43:03For you to have 12 children
00:43:07That's right
00:43:08That's right
00:43:09That's right
00:43:10Five dollars per one
00:43:11I can't afford to have 12 kids
00:43:13And I can't afford to have 12 kids
00:43:21We've got 12 kids
00:43:22And if your father can do that
00:43:24Stop, stop
00:43:26Quiet, please
00:43:27Quiet
00:43:30Look, mister
00:43:30I come in here with six kids
00:43:33No six, 12 kids
00:43:3412 and six
00:43:35That's 18 kids
00:43:36How many of you got?
00:43:37Where is my 18 kids?
00:43:38Listen, mister
00:43:39If you don't get my kids
00:43:40I'll call the police
00:43:41Hey, please
00:43:42Don't let your wife
00:43:42Call the police
00:43:43Remember the grapes
00:43:44Remember the grapes
00:43:45Remember the grapes
00:43:46Remember the name too
00:43:47Why do you remember?
00:43:48Help him, you look like
00:43:49Wait a minute, quiet
00:43:51Now let's get this straight
00:43:52You say you came in here
00:43:53With 12 grapes
00:43:54And now you've only got six grapes
00:43:55No grapes
00:43:56Six kids
00:43:57Well, you just said
00:43:57You had 12 kids
00:43:58She says you've got 18
00:43:59How many kids have you got?
00:44:00How many grapes
00:44:01Have your kids got?
00:44:02I don't want no grapes
00:44:03You got no grapes?
00:44:04I'll get you some grapes
00:44:05Get down and get them
00:44:06A bunch of grapes
00:44:06My kids
00:44:07You should have gone
00:44:07To the fruit department
00:44:08This is the furniture department
00:44:10Stop
00:44:13Stop
00:44:20Where have you been?
00:44:21Your father's been looking
00:44:22All over for you
00:44:22There you are
00:44:23You came in here
00:44:24With 12 kids
00:44:25You're going out
00:44:25With 12 kids
00:44:27Hey, what kind of monkey
00:44:29There, you get down
00:44:30There, you go
00:44:31Come on
00:44:35You gotta give me 12 kids
00:44:36How did I get mixed up
00:44:37In your family life?
00:44:41Where you been?
00:44:42Your father's been
00:44:43Looking all over for you
00:44:44Come on
00:44:46Hey, Giuseppe
00:44:47Here's to your kids
00:44:48Yes, now go on home
00:44:49I want to go back to sleep
00:44:50These are not my kids
00:44:52Giuseppe
00:44:53Oh, my God
00:44:56I can't believe it
00:44:57Water
00:44:58Water
00:44:58Water
00:45:00Water
00:45:00Water
00:45:03Water
00:45:05Water
00:45:06Water
00:45:06Water
00:45:06Water
00:45:08Water
00:45:08Water
00:45:09Water
00:45:15Water
00:45:15Water
00:45:15Water
00:45:20Water
00:45:21Water
00:45:21Water
00:45:22Water
00:45:28Water
00:45:28Water
00:45:28Water
00:45:28Water
00:45:28Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:29Water
00:45:30Water
00:45:30Water
00:45:30Water
00:45:30Water
00:45:30Water
00:45:30Water
00:45:30Water
00:45:30Water
00:45:33Water
00:45:33Come on, baby.
00:45:34Hey, you're in.
00:45:42Come here.
00:45:44Come here.
00:45:44Come on, there.
00:45:45Push in the bus.
00:45:47Come here.
00:45:49Come here.
00:45:50Get down.
00:45:53Joan.
00:45:56Did you find Tommy all right?
00:45:57Yes, I just spoke to him.
00:45:59Oh, you were rather worried about him this morning.
00:46:00Oh, why shouldn't I be?
00:46:02Tommy asked me to marry him.
00:46:03And?
00:46:04And I said yes.
00:46:06Oh.
00:46:07Oh, that's it, huh?
00:46:09Well, what's the matter?
00:46:10Don't you like him?
00:46:11Oh, sure, sure.
00:46:12I think he's a grand guy,
00:46:13and I'm very happy for you, sis.
00:46:21Well, I feel much better now.
00:46:22That's good.
00:46:22Another hour, it'll be all over.
00:46:28Morning, Mr. Grover.
00:46:29Oh, good morning, boys.
00:46:30Never mind, here they are.
00:46:32Gentlemen.
00:46:35Just a minute, going down.
00:46:39You'll find him in the music department.
00:46:40Come on, let's get it over with.
00:46:41Wait a minute.
00:46:44Now, remember,
00:46:46he's got to be rubbed out in the next hour.
00:46:48It's as good as done.
00:46:49In the bag.
00:46:57There's a music counter over there.
00:46:59I wish I knew what that Rodgers looked like.
00:47:00What's the difference?
00:47:01We'll find him.
00:47:07Why, will you wake up?
00:47:08Go away.
00:47:09Find your own kids.
00:47:11Come on, Tommy's in danger.
00:47:12A couple of thugs want to kill him.
00:47:13They can't kill him.
00:47:14I haven't been paid yet.
00:47:15Oh, come on.
00:47:16Get up and find Tommy while I get the police.
00:47:18Get up.
00:47:19The killers are in the store.
00:47:20Well, why doesn't somebody wait on them?
00:47:22They're about your height and wearing gray topcoats.
00:47:24Gray topcoats, yeah.
00:47:25Yeah, gray topcoats.
00:47:27Yeah.
00:47:28Yeah.
00:47:28And be very careful.
00:47:29They're dangerous.
00:47:32Revelli.
00:47:33Revelli, wake up.
00:47:34Go away.
00:47:35I got insomnia.
00:47:36Wake up.
00:47:36There's no time to lose.
00:47:37Two killers in gray topcoats are after Tommy.
00:47:45Hey, Wacky.
00:47:46Wake up.
00:47:47We've got to find the killers.
00:47:49Come on.
00:47:50Shh.
00:47:51Clean out the lights.
00:47:59Hey, Wacky.
00:48:00I don't see you no gray coats.
00:48:02Wait.
00:48:03I got an idea.
00:48:04I play the piano.
00:48:05Maybe we get the people around and we catch them.
00:48:07Come on.
00:48:11Remember I used to give you lessons too?
00:48:14Go on.
00:48:14Let me hear you play something.
00:48:23One and two and three and four and one and two and three and four and one and two and
00:48:27three and four and one and two and three and four and one and two and three and four and
00:48:27one and two and three and four and three and four.
00:48:28One and two and three and four and three and four and three and four and four and three and
00:48:31four and three and four and four and three and four and four and three and four and four and
00:48:31four and four and four and four and four and four and four and four and four and four and
00:48:35four and four and four and four and four and four and four and four and four and four and
00:48:39four and four and four and four and four and four and four and four and four and four and
00:48:40four and four and four and four and four and four and four and four and four and four and
00:48:43four and four and four and four and four and four and four and four and four and four and
00:48:46four and four and four and four and four and four and four and four and four and four and
00:48:48four and four and four and four and four and four and four and four and four and four and
00:48:49four and four and four and four and four and four and four and four and four and four and
00:48:49four and four and four and four and four and four and four and four and four and four and
00:48:56four
00:51:08Rocky, there's no gray coats here. Come on.
00:51:14The killers must still be on the second floor. We'll go up the back way so they don't see us
00:51:17together. I'll go ahead and point them out to you.
00:51:33Where did he go?
00:52:04Just think, Arthur.
00:52:04Here's a little trick. Put out your hands. Handcuffs.
00:52:36Demonstrating something?
00:52:36Right down, Wolf. My hero.
00:52:39Where is he? On the first floor.
00:52:41You better come along.
00:52:43Take these off at once and cut out this infernal nonsense.
00:52:46There you are. I give you the killers.
00:52:49Why, it's the Hastings brothers, the men who are going to buy the store.
00:52:52Gentlemen, I'm terribly sorry, but it's really not my fault. You certainly do look like crooks.
00:52:58Well, we'll forget about it.
00:52:59Well, we'll forget about it this time. Mistakes can happen.
00:53:01Give me those keys so I can unlock these handcuffs. Hurry up.
00:53:06What's the matter with you?
00:53:08What's the matter with you?
00:53:09I'm sorry, gentlemen.
00:53:15Up.
00:53:17The Greycoats. Keep locked. Start walking.
00:53:29Well, look who's here.
00:53:30Austin, Benny and the Snapper.
00:53:32We've been looking for these guys for a long time.
00:53:33Now, be careful, gentlemen. We don't want to be sued for false arrest.
00:53:36Sued?
00:53:37Well, you're entitled to a reward.
00:53:38Come on, you guys.
00:53:39Come on, you guys. Get moving.
00:53:41Get along.
00:53:43Well, we're ready to close the deal, Mr. Rogers.
00:53:45I have a certified check in my pocket.
00:53:47If you take us to your office, we'll sign.
00:53:49Gentlemen, I have an idea.
00:53:51This being Saturday, the store closes at one o'clock.
00:53:53Why not postpone the signing until then?
00:53:56The employees can meet the new owners. We can make it a regular ceremony.
00:53:59That's a splendid idea.
00:54:01We can invite the press and get a lot of free publicity.
00:54:04Sounds good to me.
00:54:05Of course, we can have a party just like they do in Hollywood.
00:54:07That's a fine.
00:54:08Let there be wine.
00:54:09And women.
00:54:10And a song.
00:54:10And women.
00:54:11And a caviar.
00:54:12And women.
00:54:12And a more women.
00:54:16Hey, Wacky.
00:54:17I got a good idea.
00:54:19Why don't you and me go play for the party?
00:54:22Eh, look how you're dressed. You look terrible.
00:54:25There's a whole bunch of high class of people there.
00:54:27You're dressed like a scarecrow.
00:54:29Well, it's too bad. They wouldn't let you in dress that way.
00:54:32Goodbye, Wacky.
00:54:42Bye-bye, Wacky.
00:54:45Bye.
00:54:48Almost there.
00:54:56Bye-bye.
00:54:58Bye.
00:54:59Bye-bye.
00:55:03I'm good fun.
00:55:06Bye.
00:55:06Bye-bye.
00:55:07Bye.
00:55:10Bye-bye.
00:55:12I don't know.
00:55:50I don't know.
00:56:17I don't know.
00:56:42I don't know.
00:57:15I don't know.
00:57:49I don't know.
00:58:18I don't know.
00:58:42I don't know.
00:59:12I don't know.
00:59:21I don't know.
00:59:33I don't know.
00:59:36Everything's fixed.
00:59:37You're going to play at the party.
00:59:38Come on.
00:59:47Watch.
00:59:55Well, gentlemen, are you well taken care of?
00:59:57Yes, thank you.
00:59:58Mr. Grover, if we can shoot the signing of the papers now, we can make the first editions.
01:00:00Well, I'll have Mr. Rogers and the Hastings brothers ready for you in a minute.
01:00:03Never mind the Hastings brothers.
01:00:04All we want is a picture of the picture.
01:00:05All we want is a picture of Roger signing.
01:00:06That'll be news.
01:00:07Yes, I'm sure it will be.
01:00:09I'll be patient.
01:00:10It'll only be a few minutes.
01:00:18I'll be a few minutes.
01:00:20I'll be a few minutes.
01:00:24I'll be a few minutes.
01:00:37Now, there's one thing more.
01:00:38Did you get Sutton out of the store yet?
01:00:40I'm waiting till it gets dark.
01:00:41Well, when Rogers is robbed out, there'll be cops all over the place.
01:00:43Get him out of here fast.
01:00:44I'll take care of him right now.
01:00:48Oh, uh, hop in here.
01:00:49There's a few things I'd like to discuss with you.
01:00:54What I'm about to say is intended for your ears alone.
01:00:56Oh, the rules.
01:00:59Martha, dear,
01:01:00there are many bonds that will hold us together through eternity.
01:01:03Really, Wolf? What are they?
01:01:05Your government bonds, your savings bonds, your liberty bonds.
01:01:08And maybe in a year or two after we're married?
01:01:10Yes.
01:01:11Who knows?
01:01:12There may be a little baby bond.
01:01:15Oh, it all seems so wonderful.
01:01:18Tell me, Wolfie, dear,
01:01:20will we have a beautiful home?
01:01:22Of course. You're not planning on moving, are you?
01:01:24No.
01:01:26But I'm afraid after we're married a while,
01:01:28a beautiful young girl will come along
01:01:30and
01:01:32you'll forget all about me.
01:01:34Don't be silly.
01:01:35I'll write you twice a week.
01:01:37Oh.
01:01:46Are we all ready?
01:01:48Yes.
01:01:52Fellow employees,
01:01:54all of you know that Tommy Rogers' musical education
01:01:57was made possible by the sympathetic understanding
01:01:59of the late Hiram Phelps.
01:02:00If it weren't for that,
01:02:02he might never have composed the music
01:02:04you're about to hear now.
01:02:05Friends,
01:02:06I hope you'll enjoy
01:02:07Tommy Rogers' Tenement Symphony.
01:02:33Schubert wrote a symphony,
01:02:36too bad he didn't finish it.
01:02:37Gershwin took the chord in G
01:02:40and proceeded to diminish it.
01:02:43I sought a variation
01:02:45on a theme that I thought pretty
01:02:48and I found my inspiration
01:02:53on the east side of the city.
01:03:05The Combs and the Kelly's,
01:03:10the Campbell's and Burmidge alleys
01:03:14all form a part of my Tenement Symphony.
01:03:22The Combs and the Kelly's and their Victrola
01:03:31all warm the heart of my Tenement Symphony.
01:03:36The Combs and the Kelly's and their Victrola
01:03:41The Campbell's come tumbling down the stairs.
01:03:44Doo-ly-ha, doo-ly-ha, doo-ly-ha, doo-ly-ha.
01:03:47Oh, Marie, oh, Marie
01:03:52You'll be late for your date with Izzy
01:04:00And from this confusion
01:04:05I dreamed up a grand illusion
01:04:12It's my Tenement Symphony
01:04:27A kid on the first floor
01:04:30practicing the minuet
01:04:36The kid on the second floor
01:04:39yelling for the dinner
01:04:40that he didn't get
01:04:46The guy on the third floor
01:04:49awakened from his slumber
01:04:51by the guy on the fourth floor
01:04:54practicing like Raja
01:04:56Oh, my God.
01:05:31Oh, my God.
01:06:11Oh, my God.
01:06:18The songs of the ghetto inspired the allegretto.
01:06:29You'll find them in my tenement symphony.
01:06:39The cry of a bender met a lullaby sweet and tender.
01:06:49My combined men in my tenement symphony.
01:07:01The yelling of children will greet your ears.
01:07:15And from this confusion, I dreamed of a grand illusion.
01:07:27It's my tenement symphony in a poor land.
01:07:56I'm sorry to have kept you waiting, boys.
01:07:57Don't shoot till you see the whites of my eyes.
01:08:00This will call for a change in the headlines.
01:08:02They'll have to shove the war news back to the second page.
01:08:04Tonight, the front page is mine.
01:08:08I see, snubs.
01:08:09Don't worry.
01:08:10I take your pics.
01:08:11Drop that before I drop you.
01:08:13I drop it.
01:08:14Why, you...
01:08:15What paper do you represent?
01:08:16I'm from the news.
01:08:17Take out a subscription to the news and cancel it at once.
01:08:19And sign the cancellation, disgusted reader.
01:08:25Would you mind if I borrowed your camera?
01:08:27Thank you, sir.
01:08:28You made a powerful friend.
01:08:30We'll get a picture.
01:08:31We'll ignore the dailies and send it to the American Museum of Art.
01:08:37What does it do?
01:08:38Sutton got away.
01:08:39Got away?
01:08:39Yeah, when I spotted him, he was talking to his sister, Joan.
01:08:41Well, why didn't you get him?
01:08:42I couldn't.
01:08:43He ducked into a crowd and disappeared.
01:08:45Well, we've got to get Joan.
01:08:46She'll talk.
01:08:46I take the picture.
01:08:48Hey, look at me and laugh.
01:08:50I've been doing that for 20 years.
01:08:54I must speak to you at once.
01:08:55What a lucky girl.
01:08:56Just in time to get in a picture with me.
01:09:00Pose pretty now.
01:09:01Get ready.
01:09:02Look nice now.
01:09:03Hang on the lights.
01:09:04Hey, what's the hell?
01:09:05Hey, I can't...
01:09:07Don't worry, Joan.
01:09:07I'll protect you.
01:09:09I can't understand why Tommy wants to marry you.
01:09:13Where'd that scream come from?
01:09:14Where's Joan?
01:09:15Stand back, everybody.
01:09:16Touch nothing.
01:09:16Luckily, Wolf J Flywheel was at the scene of the crime.
01:09:19Where's Joan?
01:09:19Hey, Tommy, I got a picture.
01:09:21Oh, gentlemen, the case is solved.
01:09:23He'll develop this picture and bring the light what took place in the dark.
01:09:26Will you hurry up?
01:09:26I'll go look for Joan while you develop the picture.
01:09:28Fine.
01:09:28You know how to develop it?
01:09:29He can do it two ways.
01:09:30He can use potassium or the silver nitrate.
01:09:32Use the nitrate.
01:09:33It's cheaper.
01:09:38Are you all right, Tommy?
01:09:39Yeah.
01:09:47This thing looks like Grover, is built like Grover, and is dressed like Grover.
01:09:50What do you think it is?
01:09:51Grover Cleveland.
01:09:53Why don't you assist Basil Rathbone and let me alone?
01:09:56Hurry up with that picture.
01:09:57I'm going to the police.
01:09:58This means 99 years for Grover.
01:09:59Maybe even life.
01:10:02Give me that nugget.
01:10:14I'll give you that picture.
01:10:15Can't we talk this over sociably?
01:10:17Give me that picture.
01:10:17They're a dollar a dozen.
01:10:19Give me that picture.
01:10:19I guess we'd better give them the pigs.
01:10:36Come on.
01:10:45Hey, come on.
01:10:53Hey, I think he's unconscious.
01:10:55What's it happen?
01:10:56She's still got the picture.
01:10:57All right, up with her hand.
01:11:02I got him.
01:11:03I got ready.
01:11:05No, we wouldn't get you, eh?
01:11:07Now give me that picture.
01:11:27Adios, senor.
01:11:28Out of the ditch.
01:11:46Robert, there's a couple of crazy killers loose in the store.
01:11:48What?
01:11:49Yes, Roger's bodyguard.
01:11:50Turn on all the lights.
01:11:51Lock the doors and shoot on sight.
01:11:52Yes, sir.
01:12:16We can't go this way, the cops.
01:12:18Let's go this way.
01:12:18It's quick.
01:12:27Hey, we've got to skate faster than they can shoot.
01:12:29There's an exit at the end of the aisle.
01:12:30Skate like mad.
01:12:31Let's go.
01:12:33Come on.
01:12:34Come on.
01:12:40You go down that way.
01:12:41I'll go down this.
01:13:06I'll go down this way.
01:13:09I'll go down this way.
01:13:16Oh, my God.
01:13:52Look, Wacky.
01:14:22Oh, my God.
01:14:51You've got to get this picture to Tommy immediately.
01:14:54There he is.
01:15:51Hey, Wacky.
01:15:54Hey, Wacky, flywheel.
01:15:58Hey, Wacky, flywheel.
01:16:23Come on, Wacky.
01:16:32My wheel, in here.
01:16:35Hurry, Wacky.
01:16:36Come on, come on.
01:16:40Get that stuff over there.
01:16:42Hey, Wacky.
01:16:44Hey, Wacky.
01:17:08Well, that takes care of him.
01:17:10Let's get out of here.
01:17:11Get the police, quick.
01:17:13Here I am.
01:17:15That's what I call quick.
01:17:16Certainly give you a service in this door.
01:17:18Get him up.
01:17:20Hey, Tommy.
01:17:21We got Grover in there.
01:17:23Good.
01:17:23I've got some unfinished business to take care of.
01:17:26Come on out, Grover.
01:17:29You've got nothing on me.
01:17:31You've got nothing on me.
01:17:31Wasn't there anything on that negative you developed?
01:17:33Yes, but it wasn't a very good picture of me.
01:17:35No, nor of me.
01:17:38I'll go upstairs and peddle your store.
01:17:40Not before we get a shot of you first.
01:17:42No, no, no, please.
01:17:43No, please don't.
01:17:44Don't take a picture of me yet.
01:17:45Go on, take a pic.
01:17:47No, no.
01:17:47There's a gun concealed in one of those cameras.
01:17:49Oh, so that's why you wanted them to take my picture alone.
01:17:51Why, you...
01:18:00I told you in the first reel he was a crook.
01:18:02Come along upstairs before the Hastings brothers change their minds.
01:18:05Perhaps they'll buy me out too.
01:18:06And Tommy, whatever you want to do is all right with me.
01:18:10Thank you, Emma.
01:18:10Oh, I love you.
01:18:22Hey, Flywheel.
01:18:25I've been looking all over for you.
01:18:27I'm from the finance company.
01:18:28You haven't made a payment in that car for 12 years.
01:18:30You can't fool me this time.
01:18:32I know who you are.
01:18:33You're one of Mr. Flywheel's assistants.
01:18:35Oh, don't you just love working for a man like Mr. Flywheel?
01:18:40Look, lady, cut out the double talk.
01:18:42He hasn't made a payment in that car for 12 years.
01:18:44I'll see that you get a check in the morning, old man.
01:18:47Miss Phelps residence.
01:18:47Allen's...
01:18:48one, two, three...
01:18:55One, two, three...
01:18:58One, three, two, three...
01:19:03One...
01:19:05One, two, three...
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