- hace 2 días
Cast: John Gielgud, Peter Lorre, Madeleine Carroll, Robert Young, Percy Marmont, Florence Kahn, Lilli Palmer, Charles Carson, Michael Rennie
Director: Alfred Hitchcock
Synopsis: After three British agents are assigned to assassinate a mysterious German spy during World War I, two of them become ambivalent when their duty to the mission conflicts with their consciences.
Director: Alfred Hitchcock
Synopsis: After three British agents are assigned to assassinate a mysterious German spy during World War I, two of them become ambivalent when their duty to the mission conflicts with their consciences.
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00:00:00The End
00:00:35The End
00:01:08The End
00:01:57The End
00:02:12The End
00:02:15Thank you
00:02:16Good morning
00:02:17Good morning
00:02:18Good morning
00:02:22Good morning
00:02:22Goodbye, Mr Smith
00:02:23Goodbye, Cook
00:02:24So long, girls
00:02:25You'll be at work again in less than a time
00:02:27Red Cross, munitions, what not
00:02:42Why do you enjoy your life?
00:03:00Let's go.
00:03:47Come in.
00:03:56What's that? What's the meaning of all this? Who are you?
00:03:58Stevenson has told you the sad news.
00:04:00Look here, sir. I don't even know what your name is.
00:04:02You can call me R.
00:04:04R, exclamation.
00:04:05No, R for Road to Denver.
00:04:07Did you have a good crossing from France?
00:04:08Excellent, thank you.
00:04:09Only to find out as soon as I landed in England that I was dead.
00:04:11Very sad. Casualty has been very heavy at least.
00:04:13Yes, but look here, sir. Have you seen this?
00:04:15Mm-hmm.
00:04:15So what's the explanation of that?
00:04:18Well, the explanation of that is this.
00:04:22What does that mean?
00:04:22It means that we can't advance a yard in Palestine
00:04:24until we're quite sure of the Arabs behind us.
00:04:26We're not quite sure, is that it?
00:04:27When the sensor lets up to this extent,
00:04:29things are pretty critical.
00:04:30Yes, but look, Casualty, I don't see.
00:04:31No, and you won't see if you keep on talking.
00:04:34Now, Germany is making every effort at the moment
00:04:36to buy up the Arabs.
00:04:38Tell me,
00:04:38do you love your country?
00:04:40Well, I've just died for it.
00:04:41And you can't guess why?
00:04:42I suppose I'm waiting for you to tell me.
00:04:48Now, these areas always upset the gulfers.
00:04:50You never know what to do with them.
00:04:53Here are your passports.
00:04:55One British, one American.
00:04:57You have the reputation of being a shrewd observer of life, Ashenden.
00:05:01Ashenden? Me?
00:05:02Yes, you.
00:05:03The late lamented Brodie was much too well known for our present purpose.
00:05:06Okay, what are you driving at?
00:05:08Ashenden is going to Switzerland
00:05:09to locate a certain German agent
00:05:10who is leaving for Arabia very shortly via Constantinople.
00:05:13Description?
00:05:14None.
00:05:15Well, that's helpful.
00:05:17But your predecessor,
00:05:18rest his soul.
00:05:22In his last message,
00:05:23it said he thought he was staying at the Hotel Excelsior.
00:05:26I want you to go there.
00:05:28Now, in this envelope is the name of a man
00:05:30playing for both sides
00:05:31who may help you to find him.
00:05:33When I have found him?
00:05:35That sounded just like a pistol shot, didn't it?
00:05:38Report to me
00:05:39and you'll be given further instructions.
00:05:42I see.
00:05:46He's not to be allowed to reach Constantinople.
00:05:48Precisely.
00:05:49I like a man who makes quick decisions.
00:05:52Tonight, a car will take you to Jova.
00:05:54You'll change into civis on the destroyer
00:05:55which will take you across the channel.
00:05:57From there, you'll go to Switzerland
00:05:58by a roundabout route.
00:05:59Your assistant will be there before you.
00:06:02Why, I'm to have an assistant, am I?
00:06:03Yes, and in the circumstances,
00:06:04a very useful one.
00:06:05We call him the hairless Mexican.
00:06:07Oh, why?
00:06:08Cheekly because he's got a lot of curly hair
00:06:09and isn't a Mexican.
00:06:11You can call him the General.
00:06:12He isn't a General,
00:06:12but he'll appreciate the compliment.
00:06:14You'll see him for yourself.
00:06:15Where's the General?
00:06:16He took to the cellar, sir,
00:06:17when the raid began.
00:06:17Funny, he can't have lost his nerve.
00:06:19Mr. Ashenden will be leaving
00:06:20in a few minutes.
00:06:21Very good.
00:06:22Come on, let's get on.
00:06:23Right.
00:06:23Where's my cap?
00:06:32Now, bear in mind,
00:06:34if the Swiss police know what you're up to,
00:06:35they'll have you in the jug.
00:06:36That you are.
00:06:36Watch my step.
00:06:42Here, steady, steady, my girl.
00:06:43It's much safer down here
00:06:44than upstairs, you know.
00:06:45I'd rather be upstairs with a bomb
00:06:46than downstairs with some people.
00:06:49You can't let me go.
00:06:50Hello, General.
00:06:51I did you an injustice.
00:06:52I thought you came down here
00:06:53to dodge the bombs.
00:06:53But, Mr. R,
00:06:55you should know me better.
00:06:56This is Ashenden.
00:06:57General Pompilio Montezuma
00:06:58de la Bella del Condé de Longbo.
00:07:00Very pleased.
00:07:00Excuse me.
00:07:01I have some very important business.
00:07:03See you in Switzerland.
00:07:04Very good.
00:07:04Hello, dearie, sweetie.
00:07:06Just a moment.
00:07:07I love you.
00:07:08Lady Calais, not only ladies.
00:07:12Well, now that you've met,
00:07:13we won't delay your departure no longer.
00:07:14I'd better go and see what he's up to.
00:07:15So long.
00:07:23可以?
00:07:44Ooh.
00:07:44Hey.
00:07:45Hey.
00:08:07Let's go.
00:08:27I'm going to go.
00:08:27You've got to move to me, I believe.
00:08:28Oh, yes, sir.
00:08:29My name is Ashenden.
00:08:30I will see you.
00:08:32Ashenden?
00:08:33Oh, yes, monsieur.
00:08:35Room 234 and 5, second floor, bedroom and sitting room.
00:08:38Could you sign your name, and then?
00:08:39Sure.
00:08:41Private bartender, that's first.
00:08:43Certainly, monsieur.
00:08:43Madame Ashenden has insisted on a private bartender.
00:08:47Who?
00:08:48Madame.
00:08:49Your wife, monsieur.
00:08:50She arrived yesterday.
00:08:51You were not expecting her so soon.
00:08:54No, not quite so soon.
00:08:57Doesn't surprise for me, isn't it?
00:08:59Indeed, yes, monsieur.
00:09:01Is Mrs. Ashenden looking well?
00:09:03Madame looks Robinson, monsieur.
00:09:06Well, that is nice, isn't it?
00:09:08Well, I made a mess of this now.
00:09:10I'll do another one upstairs.
00:09:12Rooms 234 and 5, you said?
00:09:13Yes, monsieur.
00:09:14I suppose Mrs. Ashenden has the key.
00:09:16Yes, monsieur.
00:09:17Shall I come up with you, monsieur?
00:09:19No, no, no, no.
00:09:19I think I'll just surprise her on my own, if you don't mind.
00:09:22Have my luggage sent up, will you?
00:09:23Certainly.
00:09:25What were those numbers again?
00:09:27234 and 5.
00:09:28I'll write them down for you, sir.
00:09:29Thank you very much.
00:09:42I'm sorry.
00:09:43I'm afraid it wasn't entirely my fault.
00:09:44It's quite all right.
00:09:45It's no harm done.
00:09:45I haven't had him.
00:09:46No, it's a bit.
00:09:47Quite all right.
00:09:48Poor old boy.
00:09:50What's going on?
00:09:50What's going on?
00:09:51What's going on?
00:09:52What's going on?
00:09:52What's going on?
00:09:53No, no, no.
00:09:54Someone just trotted his foot, my dear.
00:09:56That's all.
00:09:56Nothing.
00:09:56Who is that?
00:09:58Englander, right?
00:09:59Yeah.
00:10:13Aren't you through that bath?
00:10:14I'm crying myself.
00:10:16Good news.
00:10:17What are we going to do tomorrow?
00:10:19Why we?
00:10:20Why aren't you going out with me?
00:10:21Didn't you promise?
00:10:23What about a nice private picnic in the wood around here somewhere?
00:10:25What a nice public lunch with animals downstairs.
00:10:29Oh, lady.
00:10:30Didn't I make any better hit with you than that?
00:10:31No way.
00:10:32I'm a respectable married woman.
00:10:34I really know you 24 hours.
00:10:35Sure.
00:10:36That means in 48 you'll know me twice as well.
00:10:38By the end of the week?
00:10:41You looking for anybody around here?
00:10:43Yeah, only my wife.
00:10:44By the end of the week, what?
00:10:47A divorce, it looks like.
00:10:49Are you Mr. Ashenson?
00:10:50Guilty.
00:10:52Darling, you're here at last.
00:10:54Angel, how well you're looking.
00:10:58Delicious.
00:10:58I hope you haven't been lonely.
00:10:59Oh, no.
00:11:00This gentleman and I picked each other up in the lounge yesterday, didn't we?
00:11:03Yes.
00:11:03A good angel threw us together.
00:11:05He's been most kind and entertaining.
00:11:07Mr. Roger Martin, isn't it?
00:11:09It sounds well the way you say it, but it's really Robert Marvin.
00:11:11Oh, sorry.
00:11:12Pleased to meet you, Mr. Lockett.
00:11:14How do you do, Mr. Ashencamp?
00:11:15Thought so.
00:11:16Well, I suppose it's time now for the triangle to retire from the family circle.
00:11:20Exit, uh, baffled.
00:11:33I wasn't expecting you quite so soon.
00:11:35So I gathered.
00:11:36Jealous?
00:11:37My good girl, there's no need for you to play a part now.
00:11:39Kindly tell me who you are, what your name is, and why you're passing yourself off as my wife.
00:11:43My name is Elsa Carrington.
00:11:45I thought you could have answered the other questions for yourself.
00:11:47But you mean that old ruffian has gone and unloaded you on me?
00:11:49Yes, as you so elegantly put it.
00:11:51But you're on the same job.
00:11:52Yes, I'll send for me and tell me to come out here to join my husband, Mr. Richard Ashencamp.
00:11:56So here I am, Dickie dear.
00:11:58Now how do I know you're really the person you say you are?
00:12:04Here's my passport.
00:12:06That's better.
00:12:08Who is it?
00:12:08Oh, all right, stick them down there.
00:12:11Anything else?
00:12:12First of all, I'd like to see yours.
00:12:14Well, that's better still.
00:12:19All right.
00:12:21I acknowledge you as my true and lawful husband.
00:12:25Well, that's the most for you.
00:12:27It's in my bedroom.
00:12:28Our bedroom?
00:12:29Mine.
00:12:30You sleep there.
00:12:31Oh.
00:12:35Here it is.
00:12:36Go.
00:12:54Here it is.
00:12:55Well, what does it say?
00:12:57Do you mind if I come in?
00:12:58You don't want the hotel to do here, do you?
00:12:59You don't mind my getting on with the day's work?
00:13:01No, not the least.
00:13:08I had to work it out.
00:13:09It's in code.
00:13:09I know.
00:13:10You opened it?
00:13:10Of course I did.
00:13:11Don't be silly.
00:13:13The father concerns you says,
00:13:15I'm making you a married man just to round off your new character.
00:13:18What else does it say?
00:13:19Your wife.
00:13:19Her wife comes a fighting stock.
00:13:21A regular little fire-eater, in fact.
00:13:23A little bit.
00:13:23I look to you to direct her energies into the right channels.
00:13:26Be as connubial as possible yours are.
00:13:29What does connubial mean?
00:13:31Arxorious.
00:13:32What does that mean?
00:13:33Speak English?
00:13:34Affectionate, in a big way.
00:13:35That shouldn't be difficult.
00:13:37Well, what do you think of your new husband?
00:13:41I'm agreeably surprised.
00:13:43It's chilly this bath.
00:13:44Well, you see, I've been reading your books for years and years,
00:13:46and I sort of pictured you as a very old gentleman.
00:13:48I don't know so bad as I thought.
00:13:50That's very kind of you.
00:13:51It's too hot there.
00:13:52What do you think of me?
00:13:53I don't know.
00:13:53I'll tell you when you finish putting on your face.
00:13:56Look here, what did you really take this job on for?
00:13:58What else was there to do?
00:13:59Oh, all sorts of things.
00:13:59You might have been a nurse or something.
00:14:00Me? I know ministering angel.
00:14:03I come to Switzerland for a thrill.
00:14:05Do you think I'm going to give it to you?
00:14:06Goodness, no.
00:14:06You're only the means to an end.
00:14:07The end being?
00:14:09Excitement, big risks, danger.
00:14:11Perhaps even a little.
00:14:14All that sort of thing may not be quite so amusing as you think.
00:14:17Now, look here.
00:14:18Let's understand each other.
00:14:19I've burnt my boats.
00:14:20I've crawled with dozens of people to come out here to do something worthwhile.
00:14:23There's no good you're standing there looking middle-aged and bleeding about.
00:14:25All right, all right, all right.
00:14:30How do we start?
00:14:32I suppose I'll tell you what we're here for.
00:14:33A little.
00:14:34He said you tell me the rest.
00:14:35What on earth is that?
00:14:39Hello.
00:14:40Good heavens.
00:14:40How did you get here?
00:14:42My dear old friend.
00:14:44How do you do?
00:14:45Yeah, yeah, yeah.
00:14:45Steady on.
00:14:46Oh, Ashinton.
00:14:47How have you been all the time?
00:14:49I haven't seen you.
00:14:49Yes, yes, yes.
00:14:50All right, all right.
00:14:50Take it easy.
00:14:51Take it easy.
00:14:52How did you get in?
00:14:52Oh, I was staying on door all the time.
00:14:55But, and, and I was knocking and barking.
00:14:58But you did not hear.
00:15:00Too busy in company of beautiful woman, lady, girl.
00:15:05You know this man, do you, then?
00:15:06Oh, I think he's a conjurer or something.
00:15:08Follows me about the hotel and tries to show me some silly trick with pennies.
00:15:11Very nice trick.
00:15:13Your wife, huh?
00:15:14How do you know this lady is my wife?
00:15:15How do I?
00:15:16Very simple.
00:15:18Passport in table.
00:15:19Each one on side of each other one.
00:15:22No flies on you, are there?
00:15:24Do you know him?
00:15:25Of course I do.
00:15:25He's one of our colleagues, aren't you, General?
00:15:27General Pompilio Montezuma de la Villa del Conde de l'Ambou, as I said before.
00:15:31Yes, and I may as well tell you at once that this lady is not my wife.
00:15:34Then what?
00:15:35This lady's been issued to me officially by old man R.
00:15:38Issued?
00:15:39What, what do you mean, issued?
00:15:41Issued like, like a passport?
00:15:44Oh, you mean given to you?
00:15:46Oh, this is too much.
00:15:48And who has given her to you?
00:15:50Will you tell me who has given her?
00:15:52Oh, maybe perhaps this art?
00:15:54Oh, this art!
00:15:55Oh, it's terrible!
00:15:57Impartible man!
00:15:58This is awful!
00:15:59This is too much!
00:16:00Really too much!
00:16:02For you, beautiful woman!
00:16:03And what for me?
00:16:04What for me?
00:16:05Nothing!
00:16:06Nobody!
00:16:07Nothing!
00:16:07No, this!
00:16:08Caramba de la Villa!
00:16:10Caramba!
00:16:11For you, all this!
00:16:12And nothing!
00:16:15No, no, no!
00:16:18I...
00:16:18I...
00:16:19I resign.
00:16:21General Pompilio, listen if you're quite finished.
00:16:22Brodie was a bachelor, therefore Ashenden has to be a married man.
00:16:25It makes it much safer, that's all.
00:16:27This girl's been issued to me as part of my disguise.
00:16:29I resign.
00:16:31She's nothing to me, I tell you, and I'm nothing to her.
00:16:33Can't you understand?
00:16:34No, no.
00:16:35I...
00:16:37Oh, maybe perhaps this lie is true?
00:16:40Of course it's true.
00:16:41What do you mean?
00:16:41Oh, then in this case, maybe, maybe affections of beautiful lady are free for me?
00:16:51Completely free?
00:16:52Absolutely, as far as I'm concerned.
00:16:54Can't you do anything about this?
00:16:55Do I look as if I enjoy conjuring tricks?
00:16:57Yeah, yeah, yeah.
00:16:58General, no love-making, no funny business.
00:17:00We can't afford to take risks.
00:17:01The Swiss police will be on us in no time.
00:17:03Besides, we've got to get a move on.
00:17:05What have you done since we've got here, anyway?
00:17:06Oh, me.
00:17:07Me, much too big gentleman to tell this in front of lady.
00:17:12I dare say.
00:17:14Let me remind you, we're here for a purpose, and we've got to start tomorrow.
00:17:17Our first job is to go to a village in the mountains called Langenthal.
00:17:20In Langenthal there's a church.
00:17:22In that church we'll find the organist, who ours says here has been working for the Germans, but is now
00:17:25on our side.
00:17:27We've got to get in touch with him, and he'll put us onto the track of the man right after.
00:17:30What do I do?
00:17:31Nothing.
00:17:31You stay here and wait in case that phone call comes through from Zurich.
00:17:34That'll be a good start.
00:17:35Would you mind removing your friend so I can get on with my dressing?
00:17:38Go on, General.
00:17:39Out you go.
00:17:52Well?
00:17:54Well?
00:17:55How does Mrs. Ashenden look now?
00:17:57This has all been done for your special benefit.
00:17:59Better kind of you, I'm sure.
00:18:01Bit fond of yourself, aren't you?
00:18:08Married life has begun.
00:18:09All right, chat about that as much as you like.
00:18:11But don't think you've got a job to do, and it's part of that job to keep it secret, whatever
00:18:14happens.
00:18:32Please.
00:19:56What do we do?
00:19:59Night three candles is a code signal.
00:20:01He'll see us in his mirror.
00:20:09Do you know any prayers?
00:20:11Do not insult me, please.
00:20:12I might answer you.
00:20:14Yes.
00:20:48Put those back here for home.
00:21:01This floor makes my beautiful leg very angry.
00:21:08Better keep a lookout.
00:21:09You might be working on the other side.
00:21:18Please.
00:21:45Strangle.
00:21:48Nice work.
00:21:49Neat.
00:21:50Very neat.
00:21:52Someone very much did not want we should speak to him.
00:21:55That's what it looks like, doesn't it?
00:21:58Oh, look.
00:21:59Now, what's that?
00:22:02Not so neat after all.
00:22:04Big struggle before he died.
00:22:06Me better.
00:22:07Much better.
00:22:08See, struggle.
00:22:10The man who owns this must be the man who killed him.
00:22:13Yes, sir.
00:22:14Listen here.
00:22:15Also, he's the man we are looking for to find.
00:22:18You're right.
00:22:18That's the motive.
00:22:20Hmm.
00:22:20One way of stopping a fellow's mouth.
00:22:23I say, look out.
00:22:23Someone's coming.
00:22:29Come on.
00:22:30Some other...
00:22:39Yeah.
00:22:40Yeah.
00:23:19I say we'll have to stay up here for hours, yes, yes, but your wife, she wonder what happened to
00:23:27her poor little general.
00:23:45I say, do let's stay here a little longer. I've always wanted to come to Switzerland, the people are so
00:23:49nice.
00:23:50Yes, especially Charlie there. Hey, Fred, do you mind moving down a bit so we can see the scenery?
00:23:55Oh, no, don't. He's nice.
00:23:57Are those your own teeth?
00:23:58Of course, they're never so silly. I'll put yours on.
00:24:01Oh, I never thought you'd look, wait a minute.
00:24:06Do you mind holding them for me?
00:24:07Don't be so disgusting.
00:24:10Look at that nose.
00:24:12Boy, I bet you could squeeze and get a quart of whiskey out of it.
00:24:15Hey, Sam, George, whatever you mean.
00:24:17Give me some smokes, will you?
00:24:20Smokes.
00:24:24Oh, there I dropped an H.
00:24:25No, voulez-vous, uh...
00:24:32I'm fond of you.
00:24:34I was afraid of that.
00:24:35No, you don't understand.
00:24:37Uh, uh...
00:24:39From Sigur...
00:24:41Siguruchin.
00:24:43No?
00:24:44Compris.
00:24:45Compris.
00:24:45What is this strange power you have over coachman?
00:24:48Hmm.
00:24:49No mystery, lady.
00:24:49Just the well-equipped young man at home in every language.
00:24:52Hmm, bad language.
00:24:53Why, you...
00:24:54Oh!
00:24:55Oh!
00:24:55Man paralyzed when about to strike woman.
00:24:58Ah!
00:24:59What's the matter, wind?
00:25:01No, love.
00:25:02What, again?
00:25:03Why not?
00:25:04Speaking of love, do you think that bow-legged husband of yours would mind if I kissed her?
00:25:07He's not bow-legged. I'll call the police.
00:25:08He is too bow-legged.
00:25:10Oh.
00:25:11Well, if you won't let me kiss her, do you mind if I bite your Adam's apple?
00:25:13Oh.
00:25:14Speaking of your husband, if you go on defending him like that, the idea might get around that you love
00:25:17him.
00:25:18I think I do.
00:25:23How long has this been going on?
00:25:24Since yesterday.
00:25:26Yesterday?
00:25:27That's a finding after the way you practically flung yourself at me.
00:25:31Oh, look at him.
00:25:31I'll call the police.
00:25:33Oh, hey.
00:25:36Vivante.
00:25:38Home, James.
00:25:39I mean the casino.
00:25:41Can you play a duet?
00:25:47Diablo, she's not in dining room.
00:25:49Where can she be?
00:25:50I don't know, I'm sure.
00:25:51What's the matter with you?
00:25:52Me still blind on this year.
00:25:54All right, all right.
00:25:54Calm down, general.
00:25:55Calm down.
00:25:55She's probably in the hotel somewhere.
00:25:57Have you seen Mrs. Ashenden this evening?
00:26:00Madam is gone with another gentleman to the casino.
00:26:03Delegate him for you.
00:26:27Next, let's go.
00:26:29Next, let's go.
00:26:32Next, let's go.
00:26:33Next, let's go.
00:26:33Next, let's go.
00:26:34Consult, general.
00:26:35Can't you keep your mind on the business, General? This is urgent.
00:26:37You are always jumping conclusion.
00:26:40Maybe nice Mrs. Asheron has found out something. Let's go.
00:26:44Steady on. We can't go in these clothes. They won't let us in. We should go and change.
00:27:16Let's go.
00:27:28Have you had a nice ship today? Yes, sir?
00:27:30This one.
00:27:35Is that all I get? Yes, sir.
00:27:37Here's your own money. I have a bank.
00:27:40All right.
00:27:44What?
00:27:47I can put all those on two.
00:27:52Sentiment. Two stands for twins.
00:27:54That's what you and I are going to raise when we settle down together.
00:27:57What do you say?
00:28:02Oh, don't be a piker. Let's do this in a big way.
00:28:10Oh, look. That's the dog I trot on in the hotel.
00:28:14He doesn't mean to bear any malice, does he?
00:28:17Don't you like him?
00:28:18You know exactly. I hate our dogs.
00:28:44You know exactly. I hate our dogs.
00:28:48So I came along here with Mr. Marvin.
00:28:50You don't mind, do you?
00:28:50Good heavens, now.
00:28:51Good evening.
00:28:52Good evening.
00:28:52Nine of them. What do you think of that?
00:28:54Thank heavens you've come along.
00:28:55Take your dull wife off my hands.
00:28:57I'm tired of talking in words of one silly.
00:28:59Oh, you don't know each other, do you?
00:29:01This is the gentleman I was talking to you about this morning.
00:29:04General Pompilio Montezuma, from the Abilia del Conde.
00:29:08Do you mind if I call you Charlie?
00:29:10I mind.
00:29:14Pardon me while I think of my winnings.
00:29:19Well, what?
00:29:20What happened? Are you getting a result?
00:29:23Some total of our day's work.
00:29:25What does that mean?
00:29:26I can't tell you yet.
00:29:26I can't tell you.
00:29:28Oh.
00:29:30This tape.
00:29:39That's a lot of buttons for somebody.
00:29:41You'll have to pay seven buttons, won't you?
00:29:42I can't tell you.
00:29:44It's quite one of yours, isn't it?
00:29:46What?
00:29:49I suppose it must be.
00:29:50Thanks.
00:30:03I must ask you, will you kindly take that dog out of me?
00:30:06How nonsense the dog was tied up.
00:30:07Look, he broke his sleeve.
00:30:09Why did you look so starkly?
00:30:10What is that bad boy again?
00:30:11Will you?
00:30:12That's our man.
00:30:13Do you mean the man you may have to?
00:30:15How thrilling.
00:30:18I'm glad you didn't say that.
00:30:19But he's English.
00:30:21Let me have another look at him.
00:30:23Let me have another look at him.
00:30:24That he's quite forbidden that dogs should be brought to me.
00:30:25Well, I don't mind about the rules.
00:30:26Why do I have to get sick?
00:30:28I'm hungry.
00:30:30I'm hungry.
00:30:30I've brought him in his medical system.
00:30:31I'm hungry.
00:30:31He looks so hot.
00:30:32The Herr Director will explain to you that here.
00:30:34What is that here?
00:30:35What is that here?
00:30:35I've told him five or six times he has to take a dog out of me.
00:30:38So, then go to my house.
00:30:39I'm hungry.
00:30:40I'm hungry.
00:30:41Now, anybody here, the dogs aren't doing any harm.
00:30:43Couldn't bite anybody.
00:30:44They're making ridiculous fuss about the dogs being, as you can see.
00:30:47What's the trouble?
00:30:48It seems the sausage hound has busted the regulations.
00:30:50Good heavens, how many of them?
00:30:51All of them, I guess.
00:30:53But are these the regulations covered by the Geneva Convention of 1864?
00:30:56No, Monsieur.
00:30:57They are the regulations of the casino.
00:30:59Have you got a copy of the regulations?
00:31:00There's no need.
00:31:01They're well known.
00:31:03He hasn't got a copy of the rule.
00:31:06Did you understand?
00:31:07You understand, sir, that under no circumstances whatever
00:31:08have we allowed to have this dog molested?
00:31:10Unless you show us a copy of the regulations governing the transportation of livestock in this casino.
00:31:14Right.
00:31:14I will do the whole thing over again.
00:31:15Yes, sir.
00:31:16You understand, sir?
00:31:17Now, I go immediately to my office.
00:31:19And then we shall see.
00:31:21Becker, come here.
00:31:23What are you saying?
00:31:24Livestock.
00:31:25That's not here, Herr Direktor.
00:31:26Excuse me, Herr Direktor.
00:31:29Excuse me, Herr Direktor.
00:31:29May I introduce you?
00:31:30Well, the dog's already done that in the hotel.
00:31:31My name's Kepa.
00:31:32Yes, mine's Ashenden.
00:31:33Do you know my wife, do you?
00:31:34I know, I do.
00:31:35Oh, very well, sir.
00:31:37Do you know Mr. Kepa?
00:31:38Do you know Mr. Kepa?
00:31:41Yes, sir.
00:31:41Are you also a friend of Ashenden's?
00:31:43Yes, me, friend of every man with a beautiful wife.
00:31:45Oh, that reminds me, I'm going to see my wife.
00:31:47She's watching the dancing.
00:31:48I think this calls for a celebration.
00:31:49Anybody here on the wagon?
00:31:50Well, I'm hard to go for parties.
00:31:52Be kind of you, Mr. Marvin.
00:31:53I've been timing all day, up by Langenthal.
00:31:55In that case, you're entitled to the first drink.
00:31:57Come along.
00:31:59Did you hear?
00:32:00He was in the same village today, Viver.
00:32:02Yes, I heard.
00:32:03Go on, go and talk to him a bit.
00:32:05This college boy, no simpatico.
00:32:07Get along with me, don't talk to him.
00:32:07Go on.
00:32:16Go on, sir.
00:32:17I'm speaking.
00:32:18Get in the motor.
00:32:19What are you?
00:32:20I thought you were starting on your long trip today.
00:32:21No, no, no.
00:32:22The day after tomorrow.
00:32:23Oh, good.
00:32:25There you are.
00:32:26General Pompilio, you want the summa de la vida del condi de l'ovo.
00:32:29I want you to meet Mr. and Mrs. Ashenden.
00:32:31And my wife.
00:32:33I think you've already met Mr. Marvin, haven't you?
00:32:35General, look at your tie.
00:32:36It's terrible.
00:32:37Come here, let me fix it for you.
00:32:38Did you hear her?
00:32:39He's leaving the day after tomorrow.
00:32:41Comprendo.
00:32:42Thank you, sir.
00:32:42Thank you, sir.
00:32:42Yeah, this is what I want you to do.
00:32:44Have you been away from England long?
00:32:46I have never been to England.
00:32:48And I have never before been away from Germany.
00:32:56What do you have?
00:32:57I'll have a double gin tonic.
00:32:58I refuse to discuss the matter any further, General.
00:33:00That's quite enough.
00:33:01It is not enough.
00:33:02Me just beginning.
00:33:03Boys.
00:33:05How about a nice, friendly little drink?
00:33:06Pull yourself together, General.
00:33:07Don't make a scene.
00:33:08Shut up, you hear?
00:33:08Me not shut up.
00:33:10Hey, what's the trouble?
00:33:11Me not shut up?
00:33:11It doesn't matter.
00:33:12It's nothing at all.
00:33:13It's perfectly all right.
00:33:14I'd like a corrective.
00:33:14It is not all right.
00:33:16He insulted me in a very big way.
00:33:18He said this thing is nothing.
00:33:20I said this thing is very big something.
00:33:23You bet your sweet reply.
00:33:25Now, General, really?
00:33:26No, no, no, no, no.
00:33:27I make the propuesta that we should climb the mountain all together.
00:33:32He said me not fit for mountain climbing because I only think on beautiful women.
00:33:37Now, that is too much.
00:33:38General, all I said was that you couldn't go climbing mountains and taking your beautiful women with you.
00:33:41Sure, that's all, General.
00:33:42He was only joking.
00:33:43Forget it.
00:33:44Don't be so touchy, General.
00:33:45Me touchy as much as I want.
00:33:48I bet you five English pounds that I can climb mountains much higher than you can.
00:33:54Don't be so silly.
00:33:55Go on, Ash.
00:33:56No, no, no.
00:33:57But it's ridiculous to say a joke like it's serious.
00:33:59You see?
00:33:59You see?
00:34:00He's making the climb out.
00:34:02You mean the back down.
00:34:03That's what I said.
00:34:05Well, it's a bit, is it?
00:34:06All right.
00:34:07I'm on.
00:34:08Fine.
00:34:08Ladies and gentlemen, the fight's on.
00:34:10All we need now is a little mountain.
00:34:11Anyone got a mountain?
00:34:12No.
00:34:14Well, there's the, uh, the hanging out.
00:34:16But you better take some old hand with you.
00:34:18There's rather a tricky bit about, uh, about a thousand feet above any hill.
00:34:23Oh, well, I wonder if there's anywhere in the town where we can get a guide.
00:34:26Of course, you know somebody.
00:34:27It must be, uh, the whole port is a man to ask.
00:34:31As a matter of fact, if I weren't going away the day after tomorrow, I'd try to keep taking
00:34:35you up myself.
00:34:38That would have been an awful advice.
00:34:40What pity.
00:34:43Well, of course, there can't be help.
00:34:46I suppose you couldn't make it tomorrow, would you?
00:34:50Well, as a matter of fact, I could, of course.
00:34:52But, uh, how about you, General?
00:34:53It would mean breaking a date, wouldn't it?
00:34:54Why, what for?
00:34:56There's one climbed mountain in the middle of night?
00:34:58Well, the guide is engaged.
00:35:00While the boys are mobilizing, what about a dance for you and me?
00:35:03Sorry, I'm just one of those old-fashioned wives.
00:35:05How about it?
00:35:06Come on, let's clear up.
00:35:07Excuse us, don't you?
00:35:18You're wonderful!
00:35:20What are you going to do?
00:35:22Wasn't it marvelous the way you fell for it?
00:35:24I'm glad you enjoyed it anyway.
00:35:25Do you think he suspects anything?
00:35:27No, he wouldn't be coming with us if he did.
00:35:30Look here, you want to stay behind and look after Mrs. Keper.
00:35:31Oh, why?
00:35:32Well, somebody's got to keep it occupied.
00:35:34You better practice German conversation with her.
00:35:36But why can't I come with you?
00:35:37Oh, don't be absurd.
00:35:39Oh, I see.
00:35:39I've got to stay at home with a stuffy old house crowd.
00:35:42While you go out hunting and get all the fun.
00:35:43I call it rough.
00:35:46Can I tell you something?
00:35:47What?
00:35:48We aren't hunting a fox.
00:35:49We're hunting a man.
00:35:51It's an oldish man with a wife.
00:35:53Oh, I know it's war and it's our job to do it.
00:35:55It doesn't prevent it being murder.
00:35:57It's simple murder.
00:35:59And all you can see in it is fun.
00:36:25Oh, my God.
00:36:28Come here.
00:36:29There we go.
00:36:30Come on.
00:36:31Come to me, will you?
00:36:32Oh, there.
00:36:34Don't be taking a notice of that sunny dog there.
00:36:49I suppose your husband's a very good man, Javier.
00:36:51Yes.
00:36:52Then he is there.
00:36:54All is safe.
00:36:56Is this your home?
00:36:58It was our home.
00:37:01Where you lived before the war.
00:37:03If you please, we do not talk about the war.
00:37:06Will you sit down and we will have a little German conversation, yes?
00:37:11I'd love to.
00:37:12How much German do you know?
00:37:14I'm afraid very little.
00:37:16Suppose you say to me the days of the week in German.
00:37:20Um.
00:37:23Um.
00:37:23Sonntag.
00:37:25Montag.
00:37:26Dienstag.
00:37:28Mittwoch.
00:37:29That is good.
00:37:30But pronounce the words border so.
00:37:33Sonntag.
00:37:34Montag.
00:37:35Dienstag.
00:37:36Are you tired?
00:37:41Please, ma'am.
00:37:42My mommy says, have you room for a new boy in your class?
00:37:44No.
00:37:44Go away.
00:37:45Pardon me.
00:37:45I was speaking to the teacher.
00:37:47Do you understand German, Mr. Marvin?
00:37:50Not a word.
00:37:51But I speak it fluently.
00:37:53I'll sit down here by this little girl.
00:37:56I promise to be good.
00:37:57But I won't pull your hair or anything.
00:37:59Much.
00:38:00Here.
00:38:01Little girl shouldn't smoke cigarettes in class.
00:38:04Would you like to try it, please?
00:38:06The days of the week in German?
00:38:09Sure.
00:38:12Sonntag.
00:38:14Montag.
00:38:15Me.
00:38:16The, um.
00:38:18The, well, uh.
00:38:20Oh.
00:38:21Your pronunciation is terrible.
00:38:25I thought so.
00:38:27Look what it's done to the dog.
00:38:35Oh, you ought to be back in a comfortable time for dinner.
00:38:37What appetites we'll have, General, eh?
00:38:39Sure, sure.
00:38:40We'll have big fun when the thing is over.
00:38:43Huh?
00:38:48Now, perhaps you are going to an hotel and you wish to engage a room.
00:38:53In what way would you say it?
00:38:55I would say I want a double bedroom and bath for myself and my beautiful wife.
00:38:59This is my beautiful wife.
00:39:00No, no.
00:39:01I'll speak to Mrs. Ashenden.
00:39:03What would you say?
00:39:04I would say I want a single room, please.
00:39:09Look at this.
00:39:10Ich möchte eine kleine Zimmer.
00:39:21Well, the going's not too bad so far, is it?
00:39:24No, pretty good, really.
00:39:26I suppose this sort of works at Chilesbury, do you, eh, General?
00:39:28Oh, for me, just second nature.
00:39:32Look, we've got a grand day for it.
00:39:34Oh, yes.
00:39:35As Englishmen say, the more better the day, the more better the day.
00:39:39Correct?
00:39:40Yes, approximately.
00:39:44Christy, come.
00:39:46Come here.
00:39:47Come.
00:39:48He is always troubled when his master is away.
00:39:51He thinks of him all the time.
00:40:09He's not going through with us, do you hear?
00:40:11So, we are not.
00:40:13You forget instructions of Mr. Arb.
00:40:15You prepared me finish.
00:40:18Besides, what about my money for this job?
00:40:20What are you waiting for?
00:40:25You two fellows still at it?
00:40:26He makes again the back down, I mean the climb up.
00:40:30He's tired, he says.
00:40:31If you're tired, let's cut it out.
00:40:33Good.
00:40:33No, no, no.
00:40:34This is the only trick for me losing my bed.
00:40:37Oh, you've won your bed, all right, if you like.
00:40:38I'll pay you the money down.
00:40:39No, but there is my honor to make the climb.
00:40:42All right, then go and climb by yourself.
00:40:43Stay back here with me, will you, Kepa?
00:40:45No, please, please, come with me.
00:40:47No, you stay here.
00:40:48Let him carry on alone.
00:40:49No, no, no, I think I'd better go with him.
00:40:50It's a bit tricky up there.
00:40:51Okay, you can see us reach the top from the observatory over there.
00:40:54Come on, General, I'll raise you.
00:41:04No, he's being a very bad dog.
00:41:13Richard, when your master comes home, I tell him how you behave.
00:41:17And then what will happen, huh?
00:41:20Now you lie there like a good little dog.
00:41:23Now, Mrs. Ashenden, we go back to our lesson.
00:41:27You think 20 marks is too much for your room.
00:41:30So what do you say?
00:41:33That is too...
00:41:36Oh, I know.
00:41:36What does it matter?
00:41:40Now you will see them easily.
00:41:41Thanks very much.
00:41:43Thanks very much.
00:41:54I don't understand.
00:41:56It's never like this before.
00:41:59I wonder if...
00:42:05The God Keeper, for God's sake!
00:42:11The God Keeper, for God's sake!
00:42:13The God Keeper, for God's sake!
00:42:29The God Keeper, for God's sake!
00:42:36The God Keeper, for God's sake!
00:43:05you're very quiet tonight what's the matter bring you on a nice little steamer
00:43:12this is how you behave sorry i apologize you're seeing a little american friend
00:43:20hello hello general how are you here we are good evening how have you been good evening how are you
00:43:42how did the police inquire go oh perfectamente perfectamente beautiful accident very very sad
00:43:50but could not be helped poor poor gentleman didn't they find out any more about him oh nothing
00:43:55important only photography of his wife when she was young and photography of little english village
00:44:01where he lived once
00:44:25oh i forgot i have telegram for you waiting in hotel but me gentlemen
00:44:31and i have not opened it
00:44:39so long i'd have to decode it
00:44:50chocolate
00:45:04oh
00:45:05oh
00:45:06oh
00:45:06oh
00:45:07oh
00:45:07oh
00:45:43The button.
00:45:53The wrong man.
00:46:04Seems very much like those buttons are more common here than we thought.
00:46:08The wrong man.
00:46:17Illiger Maria
00:46:19Illiger Ridleo
00:46:22Illiger Ridleo
00:46:26Illiger Ridleo
00:46:30Illiger Ridleo
00:46:33Illiger Ridleo
00:46:37Lovely labeling Eve
00:46:40Did運ell
00:46:41Lovely place for you, isn't it?
00:46:43Snortling
00:46:43They're gay and such charming people.
00:46:45chúng
00:46:46There's not so many really charming people in one place.
00:46:48I love them all, especially generals.
00:46:51I think generals are so funny, don't you?
00:46:54Elsa, please.
00:46:54There's nothing more I've got to say.
00:46:56I hope you won't be very schoolgirlish,
00:46:58but I would like to tell you how wonderful it's been meeting you, Mr. Ashenden.
00:47:02I'd often wonder what you were like, of course, but now I know. I really know. Think about it.
00:47:06Shut up. For God's sake.
00:47:07Oh, I believe you're trying to snub me.
00:47:09Please don't.
00:47:10I'm being terribly sincere about all this.
00:47:12In fact, I'm going to be quite shameless.
00:47:15I'm going to tell you a secret.
00:47:17I fell in love with you at first sight.
00:47:20Not just to crush him at a crash.
00:47:22Does that amuse you?
00:47:23I thought it would.
00:47:26I've been so faithful to my love for you.
00:47:28I can't tell you how unkind I've been to poor Marvin.
00:47:31I can tell you it's over now.
00:47:33I see. It's over.
00:47:35Isn't it funny?
00:47:37I always thought it never could end, but it has.
00:47:40Aren't you glad?
00:47:41It's so boring being idolized.
00:47:43Oh, yes, of course I'm glad.
00:47:45I suppose after this you'll be able to treat the whole thing just as an ordinary job,
00:47:48something you're paid for.
00:47:50You are paid a salary, I suppose.
00:47:51Oh, yes, that's what I'm doing it for, money.
00:47:53Didn't you know?
00:47:55It isn't.
00:47:57You know it isn't.
00:47:58Yes, it is, I tell you.
00:48:00Yes, it is, I tell you.
00:48:01Yes, it is.
00:48:02Yes, it is.
00:48:02Yes, it is.
00:48:03Yes, it is.
00:48:04I don't like murder of close quarters as much as I expected.
00:48:08Or murderers, for that matter.
00:48:15I don't like them much either, as a matter of fact.
00:48:17No, don't make me laugh.
00:48:32It hasn't been much fun for me either lately.
00:48:36I don't wonder.
00:48:38I didn't kill him, you know.
00:48:42You were there when it was done?
00:48:44Oh, yes, I was there all right.
00:48:48Half a mile away at the other end of a telescope.
00:48:51Yes, it's quite true.
00:48:54Just one of those long-range assassins.
00:48:59That doesn't make it any better, does it?
00:49:04I think you are beginning to find that out too.
00:49:07Aren't you?
00:49:10Oh, I say, don't cry.
00:49:11Have a cigarette.
00:49:19Why can't we give it all up?
00:49:23Why, would that make any difference?
00:49:25To us?
00:49:29Yes, but I thought you said it was all over.
00:49:42You know, you weren't the only one that crashed.
00:49:50Come on, it's getting cold. That's good.
00:50:05There are times, Mrs. Ashenden, when it is almost a pleasure to be alive.
00:50:10Is this one, Mr. Ashenden?
00:50:11I don't quite know yet. Just hold this cup and I'll tell you.
00:50:17Ah, yes, it is.
00:50:18Idiot.
00:50:19Here, here, this is my copy.
00:50:20No, no, no, no. Business first.
00:50:22Have you finished up my resignation?
00:50:23Yes, Mrs. on the table.
00:50:25I shouldn't think I'll be very pleased when he gets it.
00:50:27Especially the postscript.
00:50:34Here, will you give me another cup of coffee, please?
00:50:37What's going to happen when we get back to England?
00:50:39Oh, nothing much.
00:50:40I'll just send somebody else out to take my place, that's all.
00:50:43Why, it doesn't matter much to you, does it?
00:50:46Here, answer to the telephone.
00:50:47Find it yourself, Lazy.
00:50:48That's a rose.
00:50:54There, you've gotten the sugar.
00:50:56Mm-hmm.
00:50:58Yes?
00:50:58Hello.
00:51:00Is that the ugliest woman in the world?
00:51:02Who is it?
00:51:03Your hated rival.
00:51:04They're all my hated rivals.
00:51:05We've got to see this time.
00:51:06Marvin.
00:51:07Oh.
00:51:08Yes.
00:51:09Yes, thanks.
00:51:10Much better.
00:51:12Yes, all alone.
00:51:14The neglected wife, as usual.
00:51:17Yes, you have my permission to still it.
00:51:20That's very sudden and...
00:51:22Chattering.
00:51:23Chattering for a girl.
00:51:25Yes.
00:51:28Oh, I'm afraid I can't, because I promised my husband I'd...
00:51:32Oh, you'd better not let him hear that.
00:51:36You can cut out that Darby and Joan stuff.
00:51:39You see, I know your husband.
00:51:44And look what you're passing up.
00:51:45Me!
00:51:46A caveman with a college education.
00:51:49What more do you want, for heaven's sake?
00:51:51You're breaking my back.
00:51:54Well, this is my last word.
00:51:56Listen.
00:52:04Listen.
00:52:04Pardon me while the brain reels.
00:52:07Our first kiss.
00:52:08Or am I just goofy?
00:52:10Was that really you?
00:52:11Yes, my love.
00:52:12Not Art, it wasn't.
00:52:13Hey, what's the idea?
00:52:15Whom have I been kissing?
00:52:17Hold on, here's your little alpha.
00:52:19Oh!
00:52:20Hello.
00:52:21Is that you at last?
00:52:23Let me get this straight.
00:52:24Whom have I been kissing?
00:52:25You were the old man.
00:52:28Very well, I'm satisfied.
00:52:31Now get me.
00:52:33This, madam, is the end.
00:52:35So long, and goodbye.
00:52:38And may you have quintuplets.
00:52:39You know, I'm quite sorry for that chap.
00:52:41I believe he's really fond of you.
00:52:42Isn't anyone else?
00:52:43Yes.
00:52:44Me.
00:52:45Oh, hello, General.
00:52:46Morning.
00:52:47Come to join the celebrations?
00:52:48Yes.
00:52:48Making the morning husband and wife exercises?
00:52:52No, not this time.
00:52:53A genuine article today.
00:52:55One doesn't pay me.
00:52:58I intrude, yes?
00:52:59No, not in the least, General.
00:53:01We've just come to a decision and we're celebrating it.
00:53:03That's all.
00:53:03Hooray.
00:53:04We're going away from here tomorrow.
00:53:06I've resigned.
00:53:11Resigned.
00:53:12Resigned.
00:53:12What does this word mean?
00:53:14In middle of war?
00:53:15Impossible.
00:53:16Imagine, could I resign?
00:53:17In middle of war?
00:53:18Or imagine whole army and front line would do this resign business.
00:53:22I wouldn't do it if I were in the army.
00:53:24Fighting in the front lines of dance, I'd clean their jobs and this.
00:53:27And then, if the most respectful, Mr. R, does not accept your assignments, and he certainly will not.
00:53:35Oh, I can't help that anyway.
00:53:37Then what?
00:53:38Listen, look here, I'm fed up with this whole business.
00:53:41It isn't as if we've done any good since we've been out here so far.
00:53:43We aren't trained bloodhounds either of us.
00:53:45What do you mean?
00:53:46What do you mean?
00:53:46They can quite easily find somebody much better than we are to take our place.
00:53:49Maybe for you, maybe for you they can find.
00:53:51Not for me, me certainly very well trained bloodhound.
00:53:55Me, me first class bloodhound.
00:53:57No worries, I know all about that, thank you.
00:53:58Yes?
00:53:59Then it's good.
00:54:00Come here, I'll tell you.
00:54:02What is it?
00:54:02What is it now?
00:54:03This is the reason why I'm here in this minute.
00:54:05Very big, important news.
00:54:07Very best up to now.
00:54:08I dare say, I dare say.
00:54:10Indeed, directamente to men.
00:54:12To the right men.
00:54:13No making mistakes this time, please.
00:54:14No good, nothing doing.
00:54:16I'm sure I tell you, I'm finished.
00:54:17Me, me, promise me, do everything.
00:54:19You only give advice.
00:54:21Word of honor, I mean, promise.
00:54:23Well, look, your advice is all you get.
00:54:24Hurry up.
00:54:25Tell me what it's all about.
00:54:25Yes, fine.
00:54:27Don't go.
00:54:29It's all right.
00:54:29I'll show you all in a few minutes.
00:54:33Ashton.
00:54:36It's all right.
00:54:38I'll do that.
00:54:47It's all right.
00:55:05You've gone past your room anyway.
00:55:06Yes, but here is my little baby's room.
00:55:08No, we go here.
00:55:11Rita, caridissima, how have you been all the time?
00:55:14I brought you a very fine gentleman friend of mine to see you.
00:55:18Oh, why have you come into my bedroom in hell?
00:55:20I'm a nice girl.
00:55:21So I gather, how do you do?
00:55:23Isn't she sweet?
00:55:24Please, sit down.
00:55:27You're Secretary General, I suppose?
00:55:28No, yes, my private secretario.
00:55:31Isn't she sweet?
00:55:32Oh, come on, come on, General.
00:55:33What's it all about?
00:55:34There is very much all about.
00:55:35You wait and see.
00:55:36You see, last night we met in a gasthouse.
00:55:39I play my little penny game with her.
00:55:41So we get acquainted very quickly.
00:55:44Of course, you would.
00:55:45We also talked afterwards.
00:55:47Oh, I wonder what about.
00:55:48Little conversation.
00:55:49She tells me about her fiancé.
00:55:51What does he here do?
00:55:53Oh, no, no, no, no.
00:55:54He works in chocolate factory on the top floor.
00:55:57But he's in big money.
00:55:59He makes about four times as big money as any other clerk.
00:56:02And here I come to the point.
00:56:04I can't believe it.
00:56:06You go and play find and seek with me.
00:56:10Yes?
00:56:10Here, baby.
00:56:12Help!
00:56:13Train!
00:56:14Help!
00:56:15Look!
00:56:16You see, this chocolate factory is not only factory, but it is also.
00:56:21And now you will see that me very first class bloodhound, that me big patriot.
00:56:25You know what it is?
00:56:26You know?
00:56:27No, no, no, I don't know.
00:56:28It's the big German spy post office.
00:56:32You mean the clearinghouse for information?
00:56:33Yes, exactly.
00:56:35But secret, very secret.
00:56:36No one knows.
00:56:37Even manager does not know.
00:56:39Only one or two workmen know.
00:56:41Including her boyfriend, I suppose.
00:56:42Exactly.
00:56:44Yesterday message came through, which is a very big sensation.
00:56:48Message for someone.
00:56:50You mean for the man we're after?
00:56:52Exactly.
00:56:53Are you quite sure of that?
00:56:54Positive.
00:56:55Well, I'm doing this time, really.
00:56:56That's what I said.
00:56:58Yes, but did the boyfriend mention any name?
00:57:00No, he did not.
00:57:01Well, then what's the good of that?
00:57:02But he knows.
00:57:03And I'm quite sure he will tell for a small money amount.
00:57:065,000 francs.
00:57:08What?
00:57:09Are you crazy?
00:57:11Are you completely crazy?
00:57:12Didn't I give you already big money amount for you?
00:57:15100 francs?
00:57:17Huh?
00:57:17Oh, that was for me?
00:57:18Yes.
00:57:18The other's for Carl.
00:57:19Oh.
00:57:20Because you want to get married.
00:57:21Room 2, 3, 4, please.
00:57:31Hello?
00:57:32Listen, Elsa.
00:57:33Something's happened.
00:57:33I've got to go out for a couple of hours.
00:57:35Will you send one of the boys down to the hall with my hat and coat?
00:57:37Well, we can easily still catch the night train.
00:57:43Did you get that?
00:57:45Yes.
00:57:48I'm sorry, my dear, but I can't help it.
00:57:50Yeah, I must.
00:57:52No, I haven't time to explain the details, but I'll let you know as soon as I get back.
00:57:55I shan't be long, really.
00:58:00You do understand, don't you?
00:58:01Yes.
00:58:08I can't help it.
00:58:09I'm sorry.
00:58:24I don't know.
00:58:25I've got to go.
00:58:27I'm sorry.
00:58:28I don't know.
00:58:29I'm sorry.
00:58:38I'll go and find them and send them to you.
00:58:42Come along, here's our guy.
00:59:07Come along.
00:59:38Come along.
01:00:05Come along.
01:00:41Come along.
01:00:42Polizei, bitte.
01:00:46Polizeihauptwache.
01:00:47Ich spreche von den Moschard-Werken.
01:00:49Wer ist da?
01:00:51Was?
01:00:52Sie haben zwei englische Spione?
01:00:54Was ist denn das los?
01:00:57Zentrale!
01:01:01Ah, der Direktor von der Schokoladenfabrik.
01:01:05Zwei englische Spione?
01:01:11Sie sind heute hier zwei Engländer?
01:01:14Engländer?
01:01:16Sie meinen, die zwei Herren sich mit am Schulz gesehen haben.
01:01:18Ach so?
01:01:19Ja, ja.
01:01:20Es sind zwei englische in der Fabrik.
01:01:22Ja.
01:01:22Ja, ja, ja.
01:01:23Ja, schön.
01:01:24Ja.
01:01:25Machen Sie den großen Bereitschaftswagen fertig nach Portal 2.
01:01:27Ja, ja.
01:01:27Ja, ja.
01:01:28Ja.
01:01:30Ja.
01:01:31Ja.
01:05:01What does it mean?
01:05:27May I have a trunk?
01:05:28Has it come down yet?
01:05:30Yes, madam.
01:05:31But there is no label on it.
01:05:33Where shall I send it to?
01:05:36Oh, I don't know.
01:05:38Could you send it to the station and in my name to be called for?
01:05:42Yes, madam.
01:05:43And there's my letters.
01:05:45700, 800, 900, 1,000.
01:05:48Thank you, sir.
01:05:53Hello, Elsa.
01:05:54You're leaving?
01:05:55Yes.
01:05:56Madam, this is the end.
01:05:58Didn't you hear me?
01:05:59Yes, I didn't think you meant it seriously.
01:06:01I have to leave all right.
01:06:02I just had a hurry up call back home.
01:06:04So if I don't check out now, it's goodbye to seeing the rest of little old Europe this trip anyway.
01:06:08Where are you going?
01:06:10To Greece first, I think.
01:06:12I was leaving this for you.
01:06:14Something to remember me by.
01:06:29Where are you going?
01:06:31I haven't the faintest idea.
01:06:38I say, do I look as though I've been crying?
01:06:41No, I don't think so.
01:06:43Why?
01:06:43Anything wrong?
01:06:46I'm leaving too.
01:06:48What about your husband?
01:06:52I haven't one anymore.
01:06:56But look, only this morning you told me...
01:06:57Please don't ask me to explain.
01:06:59Sir, Riccardo's waiting.
01:07:03I could come with you, couldn't I?
01:07:06Oh, I couldn't.
01:07:07I mean...
01:07:08I promise I wouldn't get in your way or interfere with anything you wanted to do.
01:07:11But couldn't...
01:07:12I mean, shouldn't you go back to England?
01:07:14Oh, no.
01:07:15I couldn't do that.
01:07:17There, least of all.
01:07:18I'd be terrified.
01:07:20Please let me come, won't you?
01:07:21We have only a few minutes left, sir.
01:07:23Please.
01:07:26All right, come on.
01:07:34Yes, sir. Yes.
01:07:36No, sir.
01:07:38Mrs. Essendon has just left, sir.
01:07:41Yes, sir.
01:07:42Left the hotel.
01:07:45Mr. Marvin, sir.
01:07:46He's gone too.
01:07:48Yes.
01:07:49To the railway station with Madame.
01:07:53What do you think?
01:07:57Is this funny?
01:07:58Elsa's gone with him.
01:08:00No.
01:08:00She must have been under him after all.
01:08:02She's the first-classest bloodhound of all of us.
01:08:05Come on.
01:08:06What an actress.
01:08:07Three jumps ahead of us all the time.
01:08:11No.
01:08:21No.
01:08:21Colonel Anderson.
01:08:27Here you are.
01:08:27Here's your man, sir.
01:08:29Upside down.
01:08:30Oh, sorry.
01:08:30Sit down.
01:08:34What's the matter?
01:08:34Feeling wet?
01:08:35Oh, no, sir.
01:08:37Yes.
01:08:37Clever of that girl, getting ahead of them like that.
01:08:40With any luck, Essendon ought to get him on the Greek frontier.
01:08:43Here, before he shoots out of neutral territory into Turkey.
01:08:45Well, sir, supposing Essendon makes a mess of it?
01:08:49We'll see about that.
01:08:50Get me Army headquarters in the line when I get back.
01:08:52You don't think there's any danger of this man getting through?
01:08:56I don't.
01:08:56Get me that line.
01:08:57Yes, sir.
01:09:22Get out of the bank.
01:09:24It's not a home.
01:09:26It's no use.
01:09:26No one's allowed on the platform until the train starts.
01:09:30The idea.
01:09:31Maybe if I give money to this son of a ranking file.
01:09:35You know Baksis?
01:09:36No.
01:09:36I hate these people.
01:09:37They only do everything only for money.
01:09:40Well, go on.
01:09:40Try and see what happens.
01:09:41Hello.
01:09:42Money.
01:09:43Baksis.
01:09:43Come here.
01:09:45One.
01:09:45Two.
01:09:48More, more.
01:09:51Come here.
01:09:52More Baksis.
01:09:53Come.
01:09:54One.
01:09:54Two.
01:09:55Okay.
01:09:56What are you doing with this man?
01:09:58Me General, you know.
01:09:59Me go to Station Master.
01:10:01You will see.
01:10:02Hello, Station Master?
01:10:03Listen, I'm going to get some cigarettes.
01:10:04You better go into the compartment.
01:10:05Have I time to get a magazine?
01:10:07Yes.
01:10:14Elsa!
01:10:16Elsa, darling!
01:10:17Oi!
01:10:20You of all people!
01:10:22I can't get out of here.
01:10:23Let me through.
01:10:24How are you, darling?
01:10:25Oh, I'm so glad to see you.
01:10:26How on earth did you get here?
01:10:27Why did you take such risk?
01:10:28I have to.
01:10:29Well, I wish you'd let me know what you were up to.
01:10:30I couldn't bear it any longer, darling.
01:10:31When I found out that you've gone, I...
01:10:33You're the last straw.
01:10:34I had to leave.
01:10:34I wish you wouldn't kill things I get without telling me.
01:10:36I'm most frighteningly anxious about you.
01:10:37Anyway, thank heaven you're here.
01:10:39Now we can forget all about it and go back.
01:10:41No more killing.
01:10:42No more Mexicans.
01:10:43We have permission!
01:10:45I have permission!
01:10:46Here!
01:10:47Here!
01:10:47We have permission!
01:10:49Here!
01:10:51Oh!
01:10:52Everybody has permission!
01:10:54Oh!
01:10:55Our beautiful detective!
01:10:56How did you find out that mother is in that way after?
01:11:00You didn't know?
01:11:01You're crazy!
01:11:03He's called her too, apparently now.
01:11:06He's got to get some cigarettes.
01:11:07Unfortunately, he hasn't gone under the train that's going to Constantinople.
01:11:09Constantinople.
01:11:11Jerky!
01:11:11Anything, territory!
01:11:13I'm not going to marry you, Steve.
01:11:15How do I finish them?
01:11:16I'm not going to let them out, leave them!
01:11:28I see this.
01:11:29I'm just getting on!
01:11:31But it's ridiculous!
01:11:32It's impossible, it's impossible!
01:11:33It's been so kind and friendly!
01:11:35It's friendly, much too friendly!
01:11:36See my instinct, me taking small time!
01:11:39Now we do our last joc?
01:11:40Then Vic performs in duty.
01:11:42He must be fooling. That's what he means. He's fooling. It's just a joke.
01:11:48Wait here till I come back. The red's got to be in the back.
01:11:53I'm coming with you.
01:11:57Take your back to the passport.
01:11:59Yes.
01:12:06Come on, let's go before we're out of mutual country.
01:12:09Listen, Elsa, when the man comes for the tickets...
01:12:10I'm not going to kill him.
01:12:13Are you mad? Come away from that door.
01:12:16I'm not going to let you do this. It's cold-blooded murder.
01:12:19There's no use trying to stop us now. It's got to be done, that's all.
01:12:21We'll be in the enemy country in a few minutes. You must be at the frontier now.
01:12:23Oh, here.
01:12:26I've got to do it. It's my job. You know that perfectly well.
01:12:29I can't do anything in the world through your moment's pain,
01:12:31but I'd sooner see you dead than let you go through with this.
01:12:33Don't you care at all what I feel?
01:12:35Of course I do. You know that quite well.
01:12:36Then don't do me.
01:12:37I've got to.
01:12:39All right.
01:12:40What do you mean to do?
01:12:42I'm going to tell the first enemy soldier who you are.
01:12:44You're so ridiculous.
01:12:49Hi.
01:12:52You're well.
01:12:57I'm going to tell consciences the humans every Thursday night.
01:13:04See you ready for a night trip, in fact?
01:13:05I'm
01:13:06I'm not going to tell the movies every Sunday night.
01:13:10Just Heather does things back already?
01:13:11It's a whole couple days.
01:13:12She'll be at hamped when there's a terrible moment,
01:13:12I love to know why you're constantly having good things.
01:13:12I know why, for a little bit of business around,
01:13:13you know?
01:13:14Again?
01:13:14What are you bland?
01:13:19Oh, that's a pretty sight.
01:13:28You see them?
01:13:30Spy.
01:13:30Free today.
01:13:32Only.
01:13:33You English?
01:13:34No, American.
01:13:35Good.
01:13:36I have lived Chicago town for three years.
01:13:40Where you live?
01:13:41Uh, Hollywood.
01:13:43Is that in America?
01:13:44Oh, sure.
01:13:45Time.
01:13:47Baby.
01:13:53Now you can tell.
01:13:55Please.
01:14:18Why are you on the train?
01:14:20Because I'm going to Constantin Airport.
01:14:22Are you alone?
01:14:26Yes.
01:14:28Allow me.
01:14:32Allow me.
01:14:34Hold on.
01:14:35I don't know.
01:14:42Hold on.制裁
01:14:43I'll
01:14:43see you next
01:14:44time. Come to the Flight.
01:14:49Welcome to the Flight.
01:14:50Join the Flight. Listen
01:14:51to me. Midori.
01:14:53Let's go.
01:14:54Give a six.
01:14:57Go. Go.
01:14:58Let's go.
01:14:59Go.
01:15:10I'd better keep this handy.
01:15:14You see, I don't trust you.
01:15:18Now, what are you doing on this train?
01:15:19I told you.
01:15:21You're here on business.
01:15:22Old men are on business.
01:15:24You're in the spy racket, too, aren't you?
01:15:25I didn't know what you were talking about.
01:15:27All right.
01:15:29I can place you now.
01:15:30The lovely, neglected wife.
01:15:33And I felt her.
01:15:49Yes, I was sorry for you.
01:15:53I'm sorriger now.
01:15:56Do you realize where you are?
01:15:59You're in my country.
01:16:01Enemy territory.
01:16:08Where are your two friends?
01:16:10On the train somewhere?
01:16:11How never would they get on this train?
01:16:14It's their headache, not mine.
01:16:18But if they have,
01:16:22they're dead men.
01:16:28Why don't you have the train searched?
01:16:29That's exactly what I'm going to do.
01:16:32When you do, perhaps you'll believe me.
01:16:46I hope you're not bluffing me.
01:16:48Why should I?
01:16:49Surely a clever man like you can guess.
01:16:51Guess what?
01:16:53Why, I've trailed halfway across Europe with you.
01:16:59Really?
01:17:02How long has this been going on?
01:17:04I think from the first day we met.
01:17:08Before the villain was unmasked?
01:17:10From the very beginning.
01:17:12How did you find out about me?
01:17:13Ashton told me.
01:17:14When?
01:17:15For a long time ago.
01:17:17It made no difference.
01:17:19None.
01:17:22You're either the biggest double-crossing liar I've ever met,
01:17:24or...
01:17:25for a long time ago.
01:17:46Congratulations!
01:17:47On the punctuality of your Air Force.
01:17:50I'm afraid they made a mistake.
01:17:52They should have taken you off the train before they started this.
01:17:54I tell you, I've got nothing to do with it. You know I'm here.
01:18:01It's like a little bad arm, making sure.
01:18:04If the friends fail, the enemy must step in.
01:18:08You don't want to say this later.
01:18:15Chivalrous German spy protects a British lady from British bombs.
01:18:19That's very funny, isn't it?
01:18:23Too bad I didn't love you.
01:18:25I never did.
01:18:26You know that, don't you?
01:18:36Mean, very mean.
01:18:41Mrs. Ashland, you use too much lipstick.
01:18:44Well, gentlemen, what's on your mind, General?
01:18:51My dear friend, you have given us big, big trouble for a long time.
01:18:55Couldn't you tell us in Switzerland?
01:18:57Sorry, but I had other business to attend to first.
01:18:59That organist in the church, for instance.
01:19:01Unfortunately.
01:19:03Yes.
01:19:04And now is your turn.
01:19:06Yes, it looks like it.
01:19:08You've made certain, sure.
01:19:10I congratulate you all.
01:19:13Especially, madame.
01:19:22I think we can forego the thanksgiving service.
01:19:28Well?
01:19:30When does the shooting begin?
01:19:32Elsa, please go outside.
01:19:33No gun.
01:19:35This is my job, you know.
01:19:37It's sad.
01:19:38You know it is.
01:19:44You go with madame.
01:19:46Our conference will be very short.
01:19:48Call you back soon.
01:19:49Wait a minute.
01:19:50What are you doing?
01:19:51You heard what I said just now.
01:19:52I meant it.
01:19:52I feel like you're dead.
01:19:53You meant you do this.
01:19:54You realize it might be the end of our bodies in the East?
01:19:55What difference does that make to me?
01:19:57His life against the life of thousands.
01:19:58What do I care about them?
01:19:59What do I care about him?
01:20:00It's us.
01:20:01We're not going to have this on our conscience.
01:20:02Yes, sir.
01:20:19We're not going to have this on our conscience.
01:21:00We're not going to have this on our conscience.
01:21:05For sure.
01:21:07For sure.
01:21:09For sure.
01:21:20For sure.
01:21:23We're not going to have this on our conscience.
01:21:37We're not going to have this on our conscience.
01:22:24We're not going to have this on our conscience.
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