- hace 15 horas
Cast: Sylvia Sidney, Oskar Homolka, Desmond Tester, John Loder, Joyce Barbour, Matthew Boulton, S.J. Warmington, William Dewhurst
Director: Alfred Hitchcock
Synopsis: In London, in the years leading up to the war, a mysterious woman begins to suspect that her husband, the owner of a small neighborhood movie theater, is cheating on her. When an act of sabotage leaves the city without power, she realizes that this isn’t just a matter of infidelity.
Director: Alfred Hitchcock
Synopsis: In London, in the years leading up to the war, a mysterious woman begins to suspect that her husband, the owner of a small neighborhood movie theater, is cheating on her. When an act of sabotage leaves the city without power, she realizes that this isn’t just a matter of infidelity.
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00:00:28The
00:00:36The End
00:01:06The End
00:01:46The End
00:02:08Sand
00:02:10Sabotage
00:02:11Wrecking
00:02:12Deliberate
00:02:14What's at the back of it?
00:02:15Who did it?
00:02:41Who did it?
00:02:55I know how the law stands.
00:02:56You broke a contract, therefore you broke the law.
00:03:01But it's everywhere. Look at the street.
00:03:02I paid my money to look at the pictures.
00:03:12If I want to sit in the dark, I can do it at home.
00:03:15Yes, free of charge.
00:03:16Yes.
00:03:17I think it's a blinking shame robbing the poor people like that.
00:03:21We've got to have our money back.
00:03:23It's an act of providence, like an earthquake or a thunderbolt.
00:03:26Or a baby.
00:03:28Will you kindly not interfere?
00:03:30We've got to have our money back.
00:03:31I'm so sorry I'm late, Mrs. Verlach.
00:03:33But I had a hell of a time trying to eat my egg on toast in the dark.
00:03:36Half of it's in my ear now.
00:03:40They want their money back.
00:03:41We can't afford it.
00:03:43I do wish Mr. Verlach would come.
00:03:44I do wish Mr. Verlach would come.
00:04:20I do wish Mr. Verlach would come.
00:04:21Ha, ha...
00:04:32I do wish Mr. Verlach...
00:04:33What the heck?
00:04:39Are you afraid of Mr. Verlach?
00:04:44I have no certain price.
00:04:45Let's go.
00:05:30I can't even see the pictures.
00:05:33They're getting nasty.
00:05:34Nasty?
00:05:35They're leading to me.
00:05:37Hey, you.
00:05:38What's all this about?
00:05:39Let me a flashlight, Jack.
00:05:42Is it our fault if the light fails?
00:05:44Supposing you were a policeman and got hit over the nut.
00:05:46Do you think the government had asked for their money back?
00:05:48I paid for my seat.
00:05:50Yes, and what about the one you put your feet on?
00:06:09Carl, when did you get home?
00:06:12I haven't been hot.
00:06:13You weren't in 20 minutes ago.
00:06:15I came and called up the stairs.
00:06:16I was asleep.
00:06:18Why are you shining the torch on me?
00:06:21Can't you switch on the light or something?
00:06:22We can't.
00:06:23It's failed.
00:06:24What?
00:06:25The fuse gone down?
00:06:26No, it's everywhere.
00:06:27In the streets and the trams.
00:06:28And the audience downstairs wants their money back.
00:06:31They're making a terrible row about it.
00:06:32Well, give it back.
00:06:35We can't possibly afford it.
00:06:37Oh, yes, we can.
00:06:39You must be crazy.
00:06:40It'll clear us right out.
00:06:42You're always saying we don't cover expenses.
00:06:44That's all right.
00:06:46It doesn't pay to antagonize the public.
00:06:48I've got some money coming in.
00:06:50Go on.
00:06:53Well, it's for you to say.
00:06:56If we're going to be generous, let's do it properly.
00:06:59Come on downstairs and make a speech about it.
00:07:00No, no.
00:07:01They're used to you.
00:07:03You do it.
00:07:04All right.
00:07:05I still think you're crazy.
00:07:07It's an act of God, I tell you.
00:07:08And what do you call an act of God?
00:07:10I call your face one, and you won't get your money back on that.
00:07:13Now, if a plane were to come along and drop a bomb on you,
00:07:16that would be an unfriendly act within the meaning of the act.
00:07:19But if the juice dries up of its own accord, that's an act of providence,
00:07:23as laid down in the act of William IV,
00:07:26where an act is defined as any activity actuated by actual action.
00:07:31No wonder the blinking lights went down.
00:07:33It's a moot point.
00:07:34I moot point them.
00:07:36Make them pay.
00:07:37That's right, ma'am.
00:07:38Yes.
00:07:38We want our money back.
00:07:39And how are you going to get it?
00:07:40Apply sanctions?
00:07:41Are you familiar with the details of the covenant?
00:07:44If you'd studied Article 257, Paragraph 24, Line 6, Sanction B,
00:07:49it says definitely no.
00:07:51Oh.
00:07:52Yes.
00:07:52You didn't know that, did you?
00:07:53You're all ignorant.
00:07:55Now, if you take my advice, you go off home,
00:07:57because there's nothing doing here.
00:07:58Now, go on.
00:07:58Get off.
00:07:59What do you think you're doing?
00:08:01Just lending a hand.
00:08:03I thought I told you not to interfere.
00:08:04I've been delivering a little counterattack.
00:08:06Look, they're on the run.
00:08:06Well, they can come right back.
00:08:09Listen, ladies and gentlemen, you're going to get your money back.
00:08:12Don't give in now.
00:08:13I'll stand by you.
00:08:14I'd prefer you to go and stand by your apple store.
00:08:19Ladies and gentlemen, I've been speaking to Mr. Verloc,
00:08:22and since you're all regular patrons and good friends,
00:08:25he's going to let you have your money back.
00:08:26There'll be no money back, I tell you.
00:08:28Go on.
00:08:28Get off.
00:08:29Please, don't pay any attention to him.
00:08:31I tell you, you're crazy.
00:08:32I had it all fixed.
00:08:33Will you mind your own business?
00:08:34Of all the obstinate people that I...
00:08:36You don't go away.
00:08:37I'll call the police.
00:08:43Rene, start refunding the patrons their money.
00:08:48Come over here, Pat.
00:08:50Come over here, Pat.
00:08:52Come over here, Pat.
00:09:09Hey, none of that.
00:09:10You haven't been here before, aren't you?
00:09:15Thank you for your trouble.
00:09:16I'm sure you meant well.
00:09:17Not at all.
00:09:18I like trouble.
00:09:36All right, Pat.
00:09:38That's what it is.
00:09:38Absolutely, Morten.
00:09:40It's fine.
00:09:44How many?
00:09:45Two six, please.
00:09:46Two, right.
00:09:48How many?
00:09:49Two shillings, please.
00:09:50Two shillings.
00:09:53Wait to change, please.
00:09:55How many?
00:09:56One six.
00:09:58How many?
00:09:59No, thanks.
00:10:00Oh, the vegetables is all ready for dishing up.
00:10:02Please tell Mrs. Burlock, miss.
00:10:04Oh, there you are, ma'am.
00:10:06I've got to hurry home now.
00:10:07Of course, my husband's having trouble with his kidneys again.
00:10:10And I can't leave him for long.
00:10:12Your young brother's looking after him.
00:10:13What, the kidneys?
00:10:14No, the vegetables.
00:10:47Oh, Stevie, have you done all this by yourself?
00:10:49Oh, come on.
00:10:50Don't be so modest.
00:11:05Well, we didn't have to pay them back their money after all.
00:11:08Oh, sorry.
00:11:10Sorry.
00:11:10Sorry.
00:11:13Always that woman, Mrs. Jones, manages to make the cabbage brown.
00:11:17I'm always telling her you like things green.
00:11:20I'll make you a salad.
00:11:22Stevie, run next door and get a nice big head of lettuce.
00:11:24Long or old?
00:11:25I like long best.
00:11:26Whichever is precious.
00:11:28Tell him to charge it.
00:11:30We very nearly wouldn't have been able to afford lettuce if we paid them back.
00:11:36You didn't seem very interested when I told you.
00:11:40I mean, why were you so keen to pay them back at all?
00:11:43No, it's not that.
00:11:45Only anything for quiet.
00:11:47I don't like attention being drawn to us like that.
00:11:52Good evening, Mr. Furlock.
00:11:53Forgive me for butting in on your private affairs,
00:11:54but this bright specimen didn't appear to know whether you wanted long, round, square or oblong lettuce.
00:11:58So I brought a selection.
00:11:58I distinctly said long ones.
00:11:59You know I did.
00:12:00Did you?
00:12:00I thought you said long ones.
00:12:01I said long ones.
00:12:04Oh, good evening, Mr. Furlock.
00:12:05So you came home just in time to see the trouble, eh?
00:12:07Me?
00:12:08I've been in all the afternoon.
00:12:10But I could have sworn I saw you come in just about well.
00:12:12You were wrong.
00:12:13I didn't know anything about it until you woke me, did I?
00:12:16No.
00:12:17He was lying down upstairs.
00:12:18I had to call him.
00:12:19Sorry.
00:12:19Mama's sake, I suppose.
00:12:21Well, here we are.
00:12:29I thought someone was committing a murder.
00:12:31Someone probably is.
00:12:33On the screen there.
00:12:34Stevie, hop on a chair and fix that fan light.
00:12:36Look out, George Arliss doesn't bite you, Steve.
00:12:39Well, good night, all.
00:12:53Well, good night.
00:12:53Hello, Mr. Pound.
00:12:54Hello, Mr. Pound.
00:12:56Hello, Mr. Pound.
00:12:56All right, lady.
00:12:57I'll look around the market tomorrow.
00:13:00Do you mind if I can go for this night, young?
00:13:02OK, Ted.
00:13:14Good night, boys.
00:13:19That fellow seems to get open every line.
00:13:44All right, we'll put someone on to that.
00:13:53Well, Sergeant, you saw what happened tonight.
00:13:54Yes, sir.
00:13:55Anything on your end?
00:13:56I'm not certain, but I could have sworn I saw Verloc come back in the middle of it all.
00:14:00Later, when I challenged him, he said he'd never been out at all.
00:14:02His wife confirmed it.
00:14:03Naturally.
00:14:03She would if she's in it.
00:14:05You'd better find some way of talking to her.
00:14:08Now, listen, Spencer.
00:14:09The home office has been on, and they're scared something worse than tonight's job may happen.
00:14:13What's the idea, sir?
00:14:13What's the point of all this wrecking?
00:14:15Making trouble at home to take our minds off what's going on abroad.
00:14:18Same as in a crowd.
00:14:19One man treads on your toe, and while you're arguing with him, his pal picks your pocket.
00:14:22Who's behind it?
00:14:23Ah, they're the people that you and I'll never catch.
00:14:25It's the men they employ that we're after.
00:14:42Don't you know that's very dangerous?
00:14:43What?
00:14:44Leaving stuff like that lying about.
00:14:45Suppose new or me was to break our leg on that.
00:14:47You'd be very pleased with yourself, I suppose.
00:14:49That would depend whether it was your leg or mine.
00:14:51Can't tempt you, I suppose.
00:14:52Oranges.
00:14:53Very nice today.
00:14:53Good for the feet.
00:14:59Hello, gov.
00:15:00Are you going to pictures?
00:15:02As a matter of fact, I'm off to a trade show.
00:15:04Well, pick us a good one, then.
00:15:05You know, plenty of murders.
00:15:06This love stuff makes me sick.
00:15:08The women like it, though.
00:15:15He's just going.
00:15:16Well, then tell him not to come back too late, because we're going out.
00:15:21Tell him to come back too late, because we're both going out.
00:15:23I'll be back as soon as I can.
00:15:36And each pineapple, pineapple spinach.
00:15:39And each pineapple, pineapple spinach.
00:15:42And each pineapple, pineapple spinach.
00:15:53They're just good for you.
00:15:56Well, let's see.
00:15:57Whoa.
00:15:58I know.
00:15:58Oh, oh, oh, oh, oh.
00:16:06Oh, oh, oh, oh.
00:16:19Oh, oh.
00:16:20Oh, oh, oh, oh, oh, oh, oh, oh.
00:16:31What?
00:16:31What's them bubbles there? Has the fish got hiccups?
00:16:34You'd have hiccups if you had to live on ants, eh?
00:16:43They're funny-looking things.
00:16:45Yes, they're funny-looking things.
00:16:48It'll take three like that to make soup for the Lord Mayor's banquet next Saturday.
00:16:51Think of that. They say it's digestible, though.
00:17:00There's a thing with a moustache.
00:17:06I hope you're satisfied with last night's show.
00:17:09It wasn't as easy as it looked. I had to spend money, too.
00:17:13No doubt.
00:17:14A neat job, though. The sort of thing to make people sit up.
00:17:19I think you'll agree I've earned my money.
00:17:23I hope you didn't mind me asking for it in pound notes.
00:17:28You made London laugh.
00:17:31When one sets out to put the fear of death into people, it's not helpful to make them laugh.
00:17:35They're not comedians.
00:17:37It's not my fault if they are such fools.
00:17:40Londoners are not fools.
00:17:41They laugh because they realize what happened last night was laughable.
00:17:45They did right to laugh this time.
00:17:49What do you mean?
00:17:51Mr. Verloc, you will be paid your money when you've earned it.
00:17:57I don't follow you.
00:17:59My dear Verloc, I once read a sign in Piccadilly Circus calling it the center of the world.
00:18:07I think we'd better pay a visit there in a couple of days' time and leave a small parcel in
00:18:12the cloakroom of the underground station.
00:18:13What sort of a parcel?
00:18:16Oh, I don't know.
00:18:18Let's say a parcel of fireworks.
00:18:25I couldn't do it.
00:18:29I'm not going to be connected with anything that means loss of life.
00:18:33You'll have to look at somebody else.
00:18:35I won't touch it.
00:18:37Very well then, Mr. Verloc.
00:18:38If you think you're so well off that...
00:18:40You know I'm not.
00:18:42You know my position.
00:18:43All right, then.
00:18:45You'll be paid your money when...
00:18:48In any case that you're so fussy about doing it yourself,
00:18:52surely you have some kind friends who would help you?
00:18:55No, don't be so silly.
00:19:00Go and see this man.
00:19:05He's a very nice old gentleman and he makes lovely fireworks.
00:19:13I'll try and see him.
00:19:16And don't forget the date.
00:19:19Saturday next, Lord Mayor's show day.
00:19:22Lots of people.
00:19:25You want me to come and report?
00:19:28Thanks, no.
00:19:30If your report itself is loud enough, it won't be necessary.
00:19:36Which is the way out, please?
00:19:39Morning.
00:19:44Morning.
00:19:45This bivalve's weight of fertility is extremely high.
00:19:48After laying a million eggs, the female oyster changes her sex.
00:19:51Hm. I don't blame her.
00:19:54Morning.
00:20:20Hello, sir.
00:20:32the mummy chain track is delicious.
00:20:33Uh...
00:20:39Ma, how much are you?
00:20:40Can I help you out?
00:20:41Then please find Liroyo.
00:20:41Oh, thank you.
00:20:44Oh, it's feet are cold.
00:20:59Isn't it fat?
00:21:00You'd be fat, too, if you were fed corn and bits of bread all day long.
00:21:03Why, if it isn't Stevie and Mrs. Verloc?
00:21:05Oh, it's Ted. Look, Ted.
00:21:07Yes, it always is.
00:21:08Fat, isn't it? All to eat more fruit, eh?
00:21:10You and your fruit. That's our lunch today.
00:21:13Why, is that all? How about a nice juicy steak with me? What about it?
00:21:15I'm all for it, Stevie.
00:21:16Good. Where shall we go?
00:21:17I'd like to go to the Simpsons.
00:21:19Boy, I know his uncle took him there once.
00:21:21Don't be silly, Stevie. We're going to the corner house for a tea shop.
00:21:24Oh, don't be too hard, Mrs. B. Let's make it Simpsons.
00:21:30Come on.
00:21:40Have you ever been here before?
00:21:41No, never.
00:21:54Stevie, look what you're doing. You're pulling the table.
00:21:59I saw a picture once where a chap snatched the tablecloth off the table and left everything
00:22:03standing on it.
00:22:04You ought to try that at home one day.
00:22:05He did.
00:22:07All this is very expensive, isn't it?
00:22:10Yes, it looks like it, doesn't it?
00:22:15I've got a pound note if you want it.
00:22:18It's all right.
00:22:20Now, Steve, setting aside the steak for a moment, we have here before us
00:22:23oysters, caviar, smoked salmon, fried, grilled, or boiled sole.
00:22:28I'll have a...
00:22:28roast saddle of mutton, Kentish chicken pudding, boiled silverside, roast sirloin,
00:22:33chopped steaks, grilled kidneys, or roast duck.
00:22:35I think Stevie would like a nice poached egg on toast.
00:22:37Now I'll have a mixed salad.
00:22:41Here, drink this.
00:22:42Poached egg here at Simpsons.
00:22:44Why, that's enough to make the roast beef turn in its gravy.
00:22:46Three bullocks roasted whole and a cup of coffee.
00:22:50Sirloin number eight.
00:22:52When did you come over from America?
00:22:54About a year ago.
00:22:55Business wasn't too good over there.
00:22:57That's funny.
00:22:58People used to go to the States because business wasn't too good over here.
00:23:01How are things working out now?
00:23:02Not too good, no?
00:23:03Not terribly.
00:23:04I thought I hadn't noticed you turning people away.
00:23:07It's hard to make a one-man business pay these days, unless you're on a sideline.
00:23:12Has Mr. Burlock a sideline?
00:23:14No, but we're quite satisfied with things as they are.
00:23:17Just one happy little family.
00:23:29Mr. Burlock's very kind to Stevie.
00:23:31Well, that means a lot to Stevie's sister.
00:23:34It means everything.
00:23:35Now, here we are.
00:23:37Good morning, sir.
00:23:39No fat for you, as usual.
00:23:41You see, I don't forget.
00:23:42Haven't seen you for a long time.
00:23:45Do I look as though I don't like fat?
00:23:47What's the big idea?
00:23:48What idea?
00:23:49First, pretending never to have been here before.
00:23:51Second, affording to come here on your salary.
00:23:53That's what everyone would like to know.
00:23:55There's a mystery about me.
00:23:56Come to think of it, there's a mystery about most people.
00:23:59Haven't you got some terrible secret?
00:24:00Never mind about that.
00:24:02What goes on after hours in that cinema of yours?
00:24:04Deeds of darkness.
00:24:05Does your husband go on mysterious journeys?
00:24:08He does, wearing false whiskers.
00:24:09Aha, that means there's another woman in his life.
00:24:12What's the joke?
00:24:13If you only knew him.
00:24:15He's the quietest, most harmless, home-loving person.
00:24:52Well, what luck with Mrs. Verlach?
00:24:55She knows nothing, sir.
00:24:56Nothing at all.
00:24:57What makes you think, sir?
00:24:57She has a straight answer to everything, besides her manner.
00:25:00Pretty woman.
00:25:03What's that got to do with it, sir?
00:25:04I know.
00:25:04I'm too tender-hearted myself, especially where women are concerned.
00:25:08What about Verlach?
00:25:09I'm not certain, but if he is mixed up in this, he's not giving himself away.
00:25:12I'm not so sure about that.
00:25:13Your assistant, what's there?
00:25:15Hollingshead.
00:25:15Hollingshead was signaled by you this morning to follow this man.
00:25:18Yes, sir.
00:25:19Well, just reach me that paper, will you?
00:25:22This is his report.
00:25:23Telephone from the call box ten minutes ago.
00:25:25Verlach went to the zoo aquarium, evidently by appointment,
00:25:28and met a certain foreign individual who handed him a paper.
00:25:32He then proceeded to...
00:25:34465 Liverpool Road, Isley, which is a bird shop.
00:25:36I'm waiting for him to come out, and we'll report again later on.
00:25:39Islington?
00:25:40Exactly.
00:25:41Doesn't mean much to me, either.
00:26:03But I can't understand, madam, one of my best songbirds.
00:26:06It sang all day before you purchased it.
00:26:09Perhaps in a few days it will settle down.
00:26:11Nothing won't make it settle down.
00:26:12I've tried always.
00:26:13Whistling to it, clapping me hands, frying bacon, no use.
00:26:16It just sits there and makes me look silly.
00:26:19Not the bird's fault, I assure you, madam.
00:26:21Isn't it?
00:26:22I'll have my two and nine, please.
00:26:24And there's your bird back.
00:26:25I want a canary for company.
00:26:27Perhaps I can make him sing.
00:26:33There, now.
00:26:35You sure it was him?
00:26:37Listen again.
00:26:41Did you see, Colton?
00:26:42Of course you did.
00:26:43There's a good boy.
00:26:44Now, don't forget, plenty of watercress and you must whistle to him.
00:26:47Me whistle?
00:26:48Perhaps you'd like me to sit in the cage and him do the housework.
00:26:53Yes, of course.
00:26:54You want something from my other department, don't you?
00:26:57No, this way.
00:27:10My daughter.
00:27:18Much better than having strangers doing for you.
00:27:21Strangers too inquisitive, you know.
00:27:24Now, where are my keys?
00:27:28I'm very careless.
00:27:30She oughtn't to let the child play up here.
00:27:32Very dangerous.
00:27:34There you are.
00:27:35No father, no discipline.
00:27:37What can you expect?
00:27:38Is the little girl's father dead?
00:27:40I don't know.
00:27:42He might be.
00:27:44I don't know.
00:27:45Nobody knows.
00:27:47My daughter would like to know too.
00:27:49But there you are.
00:27:51It's her cross and she must bear it.
00:27:54We all have our cross to bear.
00:27:59Everything there looks pretty harmless.
00:28:02You are right, my friend.
00:28:03But if I were to mix, say, a little tomato sauce with some strawberry jam, then...
00:28:14I gather from our mutual friend that Saturday is the day and the hour, 1.45.
00:28:21But how do I start the mechanism?
00:28:23Oh, you leave that to me.
00:28:25By the time you receive it, everything will have been set in motion.
00:28:30You seem a little nervous?
00:28:32Don't be afraid.
00:28:34Say to yourself, there is one man who envies you.
00:28:38Envies me?
00:28:40I've been a fighter always until now.
00:28:42But alas, I'm no longer wanted in the front line.
00:28:46I must keep the fighter supplied.
00:28:48But I would rather be in your shoes.
00:28:58My dear, just look here.
00:29:02Yes, yes.
00:29:04Perhaps you're right.
00:29:05I must have put it there myself.
00:29:12There, there.
00:29:14No harm done.
00:29:18Well, I think everything is quite clear.
00:29:23I think it's quite clear.
00:29:24Slap me hard.
00:29:24Granddad's been very naughty.
00:29:31Look there.
00:29:32What's he doing?
00:29:33He might be watching me.
00:29:35Why not?
00:29:36They probably know too much already.
00:29:38They'll raid you one day.
00:29:40I shall give them a nice warm welcome if they do.
00:29:45If you didn't see me.
00:29:48On Saturday without fail, sir, two canaries in a nice cage with a very deep tray.
00:29:53Don't forget, Saturday at 1.45.
00:29:56Good day, sir.
00:29:56Good day.
00:29:58Good day.
00:30:01That child again.
00:30:04And now, sir.
00:30:06I want a nice singing canary.
00:30:11A canary, you say, and my dear little birds at once answered themselves.
00:30:20Of course I realize he wasn't really a greengrocer's assistant at all.
00:30:23I mean, a greengrocer's assistant can hardly afford to lunch at Simpson's, can he?
00:30:27He's really quite well off, and he's there to learn the business.
00:30:30It's one of a big chain, that shop.
00:30:32If you ask me, I believe he's the son of the man who owns them.
00:30:36How would you like a job selling fruit, Stevie?
00:30:38I wouldn't mind with Ted.
00:30:40He makes it all sound fun.
00:30:42Wouldn't it be grand to have steak whenever you like?
00:30:45Crumbs, I'd have it three times a day.
00:30:46You'd soon get sick of it.
00:30:48Bet I wouldn't.
00:30:48I don't see how you could get sick of things to eat.
00:30:51Except poached eggs.
00:30:52What's the matter of poached eggs?
00:30:53I think they're the worst things in the world.
00:30:55I bet Ted doesn't eat them.
00:30:57I'm sure he does.
00:30:58I bet he doesn't, though, beneath his dignity.
00:31:00I don't think Ted's so terribly dignified.
00:31:02Well, he's too dignified to eat eggs.
00:31:04Here, I see a bunch of eggs.
00:31:05Oh, now, it's all right, Stevie.
00:31:07Do you think Ted will come with us and sail it?
00:31:09He might if you ask him.
00:31:11He's more likely to if you ask him.
00:31:14Sailing boats is fun.
00:31:15I like it.
00:31:16But Ted knows about all sorts of things.
00:31:19Gangsters and burglars and everything.
00:31:20How does he know?
00:31:21He reads about them.
00:31:23He says gangsters are not nearly so frightening as you'd think.
00:31:25Some of them are quite ordinary-looking,
00:31:27like you and me and Mr. Verloc.
00:31:30Perhaps he's right.
00:31:31After all, if gangsters looked like gangsters,
00:31:33the police would soon get after them, wouldn't they, I mean?
00:31:43Thanks for me, please.
00:31:48Is Mr. Verloc in?
00:31:50Was he expecting you?
00:31:51Yes.
00:31:52Do you know your way through?
00:31:53Yes, I think so.
00:31:55Pass one, Jack.
00:32:05I have an appointment with Mr. Verloc.
00:32:07Do you know your way through?
00:32:08No.
00:32:09You go right through the theater.
00:32:10Pass one, Jack.
00:32:17Lady there, Ted.
00:32:19A pound of those apples, please.
00:32:22I'll have to slip away in a minute.
00:32:24Maybe I won't be bothering you anymore again after tonight.
00:32:47Come on, Jim, will you?
00:32:52One balcony, please.
00:32:54Pass one, Jack.
00:33:00I'm glad you found this.
00:33:02It's the most important of the lot.
00:33:03I'll burn it, too.
00:33:04Oh, allow me.
00:33:06Oh, thank you.
00:33:10Well, all our troubles are over now.
00:33:15Oh!
00:33:37Look out.
00:33:40Oh!
00:33:41Oh, shut down!
00:33:43Come on, Wendy.
00:33:45Hello, Ted. Where are you going?
00:33:47Just going to have a word with Mr. Verloc.
00:33:48Oh, he doesn't talk through loudspeakers.
00:33:50Is that what's in there?
00:33:50There's only the screen. Not much to look at.
00:33:53Come here, duck!
00:33:54Close and open!
00:33:55Close and open!
00:33:59Where does that lead to?
00:34:02To our front door.
00:34:03You'll remember when it fell open.
00:34:05I'll give old Mr. V a surprise.
00:34:07Yes, sir.
00:34:09Come out of that.
00:34:11I'm your nephew.
00:34:12How are you?
00:34:14How are you?
00:34:17Oh, don't fiddle about. That's no good.
00:34:19Leave it to me. I'll get it out of him.
00:34:26Don't you do that to me!
00:34:27Don't you talk like that to me!
00:34:29Remember, I'm your uncle. Hold that.
00:34:31Not at all.
00:34:33I'm only too glad to pay what the job's worth.
00:34:36Well, I don't see anything against it.
00:34:39I'll call in tomorrow about 11 o'clock.
00:34:43And afterwards...
00:34:45I'll settle with you when you've done the job.
00:34:51Of course, if the Arsenal lose to Birmingham on Saturday, I shan't be so pleased.
00:34:57Arsenal? I don't follow.
00:35:00No, no, I know. You don't follow Arsenal.
00:35:03But they're a good bet, believe me.
00:35:04Don't forget, I filled in about 10 coupons.
00:35:09Stands me in at about 15 bob.
00:35:12So I better...
00:35:17Why? I know him.
00:35:19What were you doing up there? Who is he?
00:35:20Well, he's from the filter next door. I know him all right, but...
00:35:23What happened?
00:35:24I was showing Ted the back of the screen with the loudspeakers.
00:35:27Wasn't that all right?
00:35:30I hope I didn't hurt you. You never know, you know.
00:35:33Well, Mr. Bullock, no harm done, I hope.
00:35:36I must be getting back the shade of the old apple tree.
00:35:39Sorry.
00:35:43Good night, all.
00:35:45Good night.
00:35:47That is Detective Sergeant Spencer of Scotland Yard.
00:35:52But who is he after?
00:35:54They're having us on.
00:35:55But what are we going to do about it?
00:35:56But he's connected with the fruit store next door, I tell you.
00:35:58Spencer got me my last stretch, the one I'm unlicensed from now.
00:36:01What are we going to do about it?
00:36:02One thing.
00:36:03This job is off, out, finished.
00:36:05We go quick from here and scatter.
00:36:06And keep scattered.
00:36:07And if he comes here again, tell him you don't know where we live.
00:36:10Say we've gone abroad.
00:36:11Anything you like.
00:36:47Yesterday, at Simpsons, when you had lunch with that fellow.
00:36:51With Ted, you mean?
00:36:53I remember what he said to you.
00:36:55Did he ask you any questions about yourself?
00:36:58About me?
00:37:00None that I can think of.
00:37:01Why?
00:37:02Because he's a detective from Scotland Yard.
00:37:04That's why.
00:37:06Spying on us.
00:37:07On me.
00:37:08Through you.
00:37:09But why should he?
00:37:10What is there to find out?
00:37:12I'm all right.
00:37:14It must be one of those fellows who came here tonight.
00:37:17But you said he was spying on you.
00:37:20No, not on me.
00:37:22This place, I meant.
00:37:24But if he has anything against anybody, why didn't he come straight to you?
00:37:27You'd help him.
00:37:29I'll talk to Mr. Detective Ted.
00:37:31No, no.
00:37:32I'll speak to him myself.
00:37:33I'll speak to him.
00:37:42I've been clean all day.
00:37:44I've done that.
00:37:51Where's Ted?
00:37:52He's gone.
00:37:55Has he gone to Scotland Yard?
00:37:56I'm sorry, Mr. Verloc.
00:37:58Of course, I didn't like the idea, but I couldn't refuse.
00:38:01You see, it was official.
00:38:03But why?
00:38:04What's wrong?
00:38:05Did they say what it was about?
00:38:06Not so far as I know.
00:38:09You must have been showing some funny sort of films, I dare say.
00:38:11You know, perhaps a bit to what.
00:38:20You know, perhaps a bit to what.
00:38:29Was he there?
00:38:35No...
00:38:36No...
00:38:58Close.
00:39:06I was trying to get hold of him since first thing this morning.
00:39:10Wasn't there anybody there to answer?
00:39:12No.
00:39:13But it's too late to stop him now.
00:39:15He's gone out with an order.
00:39:17All right.
00:39:19All right.
00:39:23An old man just left this.
00:39:25I thought he must have made a mistake.
00:39:26No, no, that's all right.
00:39:29It's only a pair of birds for Stevie.
00:39:31I was just phoning about it.
00:39:33They're terribly good to us.
00:39:36Not to you.
00:39:38If you're good to him, you're good to me.
00:39:40You know that.
00:39:41Yes, I know.
00:39:42What made you think of it?
00:39:45Oh, someone made the suggestion.
00:39:48Go and call him, will you?
00:40:09Don't.
00:40:11Oh, I don't.
00:40:31What are you doing up there?
00:40:37There's a surprise for you inside.
00:40:39What is it?
00:40:39Go and see.
00:40:47There was no one on the door.
00:40:49Forgive me for busting in like this.
00:40:51We're getting used to it.
00:40:53I'm afraid we've nothing showing at this early hour.
00:40:55I'm sorry, Mrs. Verloc, but I'm here on business.
00:40:59Same business as last night.
00:41:02Mrs. Verloc, there's nothing personal in all this.
00:41:04Is it there?
00:41:06You had us fooled all right.
00:41:08Trying to make Stevie and me think you were a friend.
00:41:10Do you think I enjoyed it?
00:41:12Then why did you...
00:41:12Listen, I asked to be taken off this job this morning.
00:41:15You can guess why.
00:41:18But it's not as easy as that.
00:41:19Well, my job you have to do is you're told.
00:41:21Well, what have you been told?
00:41:23It was about the men who came here last night.
00:41:25My husband had nothing to do with it.
00:41:26You better realize that.
00:41:29They came here on business about the cinema.
00:41:31That's just it.
00:41:32You have no idea what that business was.
00:41:34Whatever it was, I'm sure my husband hasn't done anything wrong.
00:41:37I hope you're right.
00:41:40Why do you say it like that?
00:41:42Because we believe there's something going on here connected with sabotage.
00:41:46Sabotage?
00:41:46That blackout the other night, you remember?
00:41:49Well, my husband hasn't anything to do with sabotage.
00:41:52He told me that night he'd been in all the evening.
00:41:56That wasn't true.
00:41:58I saw him come back with my own eyes.
00:42:00I don't believe it.
00:42:03You're making things very difficult for me.
00:42:06I'm afraid I've got to ask you a lot of questions.
00:42:08How about those men?
00:42:10I've told you before, he's the most harmless person in the whole world.
00:42:13He wouldn't do anything to...
00:42:21Did these men arrive together or one by one?
00:42:26Did you recognize any of them?
00:42:27Yes.
00:42:29Are you quite certain that you didn't know one of them by sight?
00:42:32I think I've certainly heard of them.
00:42:34Does he know the way?
00:43:01I think I know the way to stay?
00:43:09No.
00:43:21OK.
00:43:29Stevie!
00:43:39They're beauties.
00:43:41Which one's the hen?
00:43:42You'll have to wait till one of them lays an egg.
00:43:45Wouldn't it fool everybody if one laid a gent laid an egg?
00:43:48Because you'd not be funny.
00:43:49You're right.
00:43:51By the way, has that two-reelers gone over to the counter-barrier?
00:43:55Well, there's plenty of time.
00:43:56I was just wondering.
00:43:58Maybe you could take it along now.
00:44:00Of course, there's another little job I want doing at the same time.
00:44:04You know, kill two birds with one stone.
00:44:06Not my birds.
00:44:07No, no, they'll be here when you come back.
00:44:09No, it's that projective gadget one seeing two.
00:44:14Harry's aunt at Watford says he'll do it cheaper than they will in town.
00:44:17But he can't come right over here and fetch it.
00:44:20So what they do is this.
00:44:22You leave it in the cloakroom at Piccadilly Circus.
00:44:24And Harry's picks it up at half past one.
00:44:27But can he get it without the ticket?
00:44:29Oh, that's all right.
00:44:31You leave the ticket with the man.
00:44:33Harry's knows him.
00:44:33We've done this before.
00:44:37Oh, you'll better get along now.
00:44:39Well, there's no hurry.
00:44:40You'll have to walk all the way.
00:44:43Walk?
00:44:43What for?
00:44:44You know, you can't take film tins in public vehicles.
00:44:48Oh, yes, I forgot.
00:44:50You needn't tell your sister that you're going as far as Piccadilly.
00:44:53You know what she is.
00:44:55Always thinking you're going to get run over.
00:44:57Oh, she needn't worry.
00:44:58Hey, heads I wash, tails I don't.
00:45:03Tails it is.
00:45:23For God's sake, why don't you go?
00:45:29I mean, hurry up.
00:45:31You might be late.
00:45:33Don't forget, it's got to be there by 1.30 at the latest.
00:45:53Hello, Steve.
00:45:54What do you got there?
00:45:54I'm taking a two-reeler over to the Canterbury.
00:45:58Hmm, Bartholomew the Strangler.
00:45:59That sounds a juicy one.
00:46:01Have you seen it?
00:46:01Fourteen times.
00:46:03Must be quite a wrench parting from it.
00:46:04Well, so long, Bartholomew.
00:46:06So long.
00:46:06Careful of the crossings.
00:46:07I can look after myself, can't I?
00:46:09Oh, Steve.
00:46:10Is Mr. Verlock in?
00:46:11Yes, I just left him.
00:46:21I'm afraid I've had to impose on you, Mr. Verlock, but I couldn't afford to let you in on this.
00:46:25Now I can put my cards on the table.
00:46:30I've come here to ask for your help.
00:46:32Nothing more.
00:46:34I see.
00:46:36About those men who were here the other night, when I dropped in myself.
00:46:41I've been instructed to get a little information about them.
00:46:43We'd be very grateful if you'd help us.
00:46:46Well, any help I can give him, of course.
00:46:49About yourself, Mr. Verlock, when did you first come to this country?
00:46:52Can I get you a drink or something?
00:46:55Not now, thanks.
00:46:57Well, I've got to think now.
00:46:58Let's see.
00:46:59Perhaps it would be better if you put it down on paper.
00:47:01Just a formality.
00:47:03Could you find a pen and ink?
00:47:05We can start right away.
00:47:05You know, I, Carl Anton Verlock.
00:47:18Ladies and gentlemen, I want to ask you a question.
00:47:21What does it cause its teeth to fall out?
00:47:23Why, it comes from the jaw.
00:47:26The process of decay, inevitable in all human organisms.
00:47:30But decay can be arrested, instantaneously arrested.
00:47:33And by what?
00:47:34A copper.
00:47:35Yes, exactly.
00:47:36But if I may say so, by rather more than one copper, by a few coppers.
00:47:41I have here in my hand a tube of that remarkable preparation, salvo donk.
00:47:46Derived from two Greek words, salvo no more and donk toufag.
00:47:51Sixpence for small tube and a shilling for the large tube containing four times as much.
00:47:57Now, let me give you just a little demonstration.
00:47:59Now, if somebody...
00:48:00Ah, I see you're the young gentleman who I'm sure will be happy to assist me.
00:48:05No, I wouldn't.
00:48:05Yes, you wouldn't.
00:48:06Come on, bug him up.
00:48:08Oh, I love it, Carl.
00:48:08In the chair, sir, if you don't mind.
00:48:10But I...
00:48:10Allow me to relieve you of the toffee, eh?
00:48:13It isn't toffee and I thought...
00:48:14All right, all right, all right.
00:48:15Stay where you are.
00:48:15Don't get excited.
00:48:16Now, let's...
00:48:17Here we are.
00:48:17The first thing to do is to take the tube in the left hand and remove the cap.
00:48:22Like so.
00:48:23Then we pick up the toothbrush and we squeeze some of the salvedon along the bristles.
00:48:28Like so.
00:48:30Then, I want you to observe, ladies and gentlemen, that the young gentleman's teeth are very dirty.
00:48:35No, no, not.
00:48:35Yes, they are.
00:48:36Now, come on.
00:48:37Open your mouth.
00:48:37That's a good boy.
00:48:38Now, we now proceed to use the brush.
00:48:40Now, with the ordinary commercial dentifrices, what happens?
00:48:42It is either too gritty and takes all the enamel off, or it ain't and it don't take nothing off.
00:48:49But with salvedon, that's the apimedium.
00:48:52Neither too strong nor too weak.
00:48:55It performs the functions that nature forgot.
00:48:57It cleanses the teeth, refreshes the mouth, and removes all traces of halitosis.
00:49:02Hally what?
00:49:03Bad breath to you, sir.
00:49:04Same to you.
00:49:06I don't need it.
00:49:07Come on.
00:49:07Here I know.
00:49:08Relax, honey.
00:49:09Don't be afraid.
00:49:10There you are.
00:49:10Better now?
00:49:11Now, ladies and gentlemen,
00:49:12you will observe that I have, unfortunately, disarranged the young gentleman's hair.
00:49:16But that is easily attended to.
00:49:18Now, I have here a bottle of Losswell, a shillin for that size, but I have a large size, four
00:49:25times the size, which is only 18 feet.
00:49:27I will now give you a demonstration of how it's used.
00:49:29You put it on the air like that, you see?
00:49:32It's a remarkable stuff.
00:49:33It is guaranteed to give the appearance of patent leather to the human fetch.
00:49:38You are now groomed to stardom, as they say.
00:49:42Go on, buzz off your little basket.
00:49:44Go on.
00:50:11What do you want?
00:50:12Go in office.
00:50:13But...
00:50:30Hey, where are you going?
00:50:32Go on, back it, please.
00:50:33Go on.
00:50:34Go on, son.
00:50:38Get right back.
00:50:50Here I come.
00:51:09Here I come.
00:51:39Here I come.
00:52:12Here I come.
00:52:22Here I come.
00:52:46Here I come.
00:52:54Here I come.
00:53:22Here I come.
00:53:22Here I come.
00:53:25Here I come.
00:53:27Here I come.
00:53:29Here I come.
00:53:35Here I come.
00:53:36Here I come.
00:53:39Here I come.
00:53:41Here I come.
00:53:51Here I come.
00:53:53Here I come.
00:53:54Here I come.
00:54:09Here I come.
00:54:11Here I come.
00:54:18Here I come.
00:54:23Here I come.
00:54:25Here I come.
00:54:27Here I come.
00:55:20Well, now everything seems to be all right.
00:55:22Will you have your drink after all?
00:55:25No, thanks.
00:55:32Come in.
00:55:34Oh, excuse me.
00:55:35Will you ring up Whitehall, 1212?
00:55:38May I use your phone?
00:55:49Put me through to Superintendent Palbert, please.
00:55:55Spencer here, sir.
00:56:08A whole busload of people have been blown up in the West End.
00:56:11How awful.
00:56:12What time?
00:56:14Why do you ask?
00:56:16Well, after all, I can't be in two places at the same time, can I?
00:56:21I suppose not.
00:56:27I may be back later on.
00:56:51I may be back later on.
00:56:58I may be back later on.
00:57:06Cut on to anything?
00:57:08I'm not sure.
00:57:09Well, make up your mind.
00:57:10What is it, anyway?
00:57:14Barthol... Bartholomew is something.
00:57:16That's a film tin, isn't it?
00:57:19I thought you said Valak hadn't been out since this morning.
00:57:21He hadn't.
00:57:22Well, you'd best go back there and see if that's one of their films.
00:57:24You want me, sir?
00:57:25Yes, yes.
00:57:25You'd better join Hollingshead at the bird shop.
00:57:27Yes, sir.
00:57:27Don't go inside.
00:57:28Just keep your eyes open.
00:57:29All right, sir.
00:57:30All right, Spencer.
00:57:31Cut off.
00:57:31Yes.
00:57:35Is that anything to do with it, Mr. Spencer?
00:57:39Bartholomew, the string.
00:57:41That's a film tin, isn't it?
00:57:45No.
00:57:46Sardines.
00:58:04He's all right.
00:58:05He can take care of himself.
00:58:07You've got nothing to worry about.
00:58:11Give me a pen.
00:58:12Alex, you need big bomb sensation.
00:58:14Alex, you need, Alex, you need big bomb sensation.
00:58:17Alex, you need, Alex, you need big bomb sensation.
00:58:21Big bomb sensation, Alex, you need, Alex.
00:58:39Come on.
00:58:40Keep back the other way.
00:58:53I want Mr. Verloch.
00:58:56I want to see Mr. Verloch.
00:59:01I didn't mean any harm to come to the boy.
00:59:06Come on.
00:59:08You've got to think of tomorrow.
00:59:10You'll need all your wits about you, if they get on to me.
00:59:16You might answer, Othello.
00:59:22Do be reasonable.
00:59:24What would it have been, if you had lost me?
00:59:35That's wine in the aquarium.
00:59:39You silly, jeering, dangerous brute with no more sense than...
00:59:44You didn't know. Quite right, too.
00:59:48I'm not the chap to worry a woman that's fond of me.
00:59:55You have no business to know.
01:00:08You'll have to pull yourself together, my girl.
01:00:12What's done can't be undone.
01:00:20You're good to bed now.
01:00:23What you want is a good cry.
01:00:27I know how you feel.
01:00:30Do you think it doesn't touch me?
01:00:33Do you think I fixed it so that he'd be killed?
01:00:36No.
01:00:38But I tell you who did.
01:00:39Your Scotland Yard friend from next door.
01:00:41Ted. Blame him.
01:00:44I'd have carried the thing myself, but he was hanging around watching, spying.
01:00:47I couldn't get away.
01:00:59Listen.
01:01:01It's done now.
01:01:03And there's the future.
01:01:06Perhaps...
01:01:07I don't know.
01:01:08Perhaps if we...
01:01:11...had a kid of our own.
01:01:22I don't know.
01:01:51I'll have my friends.
01:01:53I'll have my friends.
01:01:54Oh, fascinated me.
01:01:57Wa-Ba-boo, wa-ba-bee, wa-ba-bee-bee-bee, wa-la-da-do.
01:02:04Wa-la-bee, wa-la-do.
01:02:09Oh, oh, oh, oh.
01:02:13Oh, oh, oh.
01:02:13Oh, oh.
01:02:14Oh, oh, oh, oh.
01:02:19Oh, oh, oh, oh, oh.
01:02:20Oh, oh, oh.
01:02:22Oh, oh, oh, oh.
01:02:26Oh, oh, oh, oh, oh.
01:02:28Oh, oh, oh, oh.
01:02:29Everything's to stop.
01:02:30Young Stevie ain't in, but I've laid for him.
01:02:33Well, I'll get him along now.
01:02:36Who? Who? Who? Who? Who? Who?
01:02:40He took Robins.
01:02:42Who killed Robins?
01:02:45Who killed Robins?
01:02:47Who killed Robins?
01:02:48Who got him once the shot and put him on hisihi?
01:02:50Who killed Robins?
01:03:00Pull yourself together a bit.
01:03:03That's better.
01:03:14Never green.
01:03:16Why can't that woman cook green stuff any better?
01:03:19Surely she's been long enough here to know how fond I'm of that sort of thing.
01:03:48I don't think I want any cabbage.
01:03:51Couldn't we send next door for some?
01:04:33I don't think I want any cabbage.
01:05:05I don't think I want any cabbage.
01:05:23I don't think I want any cabbage.
01:05:47Stephen.
01:05:49Stephen.
01:06:40You've heard?
01:06:42Yes.
01:06:43I'm terribly sorry.
01:06:46I don't know what to say.
01:06:50You know why I'm here?
01:06:52Yes.
01:06:54I'll have to arrest him.
01:06:57Yes.
01:06:58I'll help him if I can, of course.
01:07:00For your sake, if not for his.
01:07:03I'd do anything for you.
01:07:05You know that, don't you?
01:07:06He's very good of you, Ted.
01:07:08There isn't anything you can do for either of us.
01:07:11Things aren't as bad as that.
01:07:13The evidence is against him, I admit.
01:07:15But nothing's going to happen to you.
01:07:21I know this isn't a very good time to tell you.
01:07:24I shouldn't tell you at all, I suppose.
01:07:27But before I take him along, I want you to know that what happens to you means a lot to
01:07:32me.
01:07:33I didn't want to tell you how I felt about you, but there it is.
01:07:49I don't want to tell you how I felt about you, but I don't want to tell you how I
01:07:52felt about you, but I don't want to tell you how I felt about you, but I don't want to
01:07:52tell you how I felt about you, but I don't want to tell you how I felt about you, but
01:07:53I don't want to tell you how I felt about you, but I don't want to tell you how I
01:07:54felt about you, but I don't want to tell you how I felt about you, but I don't want to
01:07:55tell you how I felt about you, but I don't want to tell you how I felt about you, but
01:07:56I don't want to tell you how I felt about you, but I don't want to tell you how I
01:07:57felt about you, but I don't want to tell you how I felt about you, but I don't want to
01:07:58tell you how I felt about you, but I don't want to tell you how I felt about you, but
01:07:59I don't want to tell you how I felt about
01:08:08I guess I'd better get my coat if we're going.
01:08:10I can't stop shivering.
01:08:12For God's sake, what happened?
01:08:14I killed Stevie.
01:08:17I feel warmer now. Let's go.
01:08:19Go where?
01:08:20To the police, of course.
01:08:21No, hold on. Wait a minute.
01:08:38My friend, take a look at this book.
01:08:41Do you realize what this means to you?
01:08:44You better get this.
01:09:14Listen to me. You can't get through with this.
01:09:16You can't let me go.
01:09:17You're not guilty. I know it was an accident.
01:09:19Anyway, you only did the hanging story for him.
01:09:21Please let me go.
01:09:23I know the facts, but no one else does.
01:09:24What chance would you stand with the judge and jury?
01:09:26I don't care anymore.
01:09:28You're telling me you've nothing more to live for, isn't it?
01:09:31Look at me.
01:09:35I don't care if I'm going to get out of all this.
01:09:37Clear out.
01:09:38You know it's no good.
01:09:40You'll just ruin yourself.
01:09:41What to hell with that?
01:09:43It's Saturday night.
01:09:44We don't need passports for the continent if we ask for weekend tickets.
01:09:47The train leaves at nine.
01:09:49Will someone try and get in that room?
01:09:51Mrs. Jones, anyone?
01:09:52Mrs. Jones comes in at eight o'clock in the morning.
01:09:55Eight o'clock?
01:09:56And you say we've got no chance.
01:09:58Why, we've 12 hours stopped before anyone can find him.
01:10:00You shut up.
01:10:01I don't want to hear another word from you.
01:10:03Now go straight to that cinema and bring that birdcage right back before the police get there and find it.
01:10:07How could you have been so mad to do such a thing?
01:10:09A birdcage with a bomb in it.
01:10:11My dear, I couldn't help.
01:10:12Well, you can help now.
01:10:13Here's your hat and your coat.
01:10:14My dear, but what of the risk?
01:10:16Risk?
01:10:16Who to?
01:10:17You?
01:10:17What about me and the child?
01:10:19I mean, our lives have been one long risk for months.
01:10:21Now go on, get into that taxi.
01:10:23And get that birdcage.
01:10:26Visual cinema pen for pearl.
01:10:40Follow that taxi.
01:10:46Put this through the yard.
01:10:48Please, Van, what's our number?
01:10:51UDC 4768.
01:10:53Reporting.
01:10:54Man under observation, who's just left bird shop, is making for the Bijou cinema in a taxi which we are
01:11:01following.
01:11:02Any instructions?
01:11:08Reply is, arrest man and Verloc on arrival at cinema.
01:11:12Chief inspector coming from yard.
01:11:15I'm all right now.
01:11:17I just...
01:11:18You mustn't look as though you've been crying.
01:11:20I'm all right.
01:11:21Come on.
01:11:22Dead.
01:11:26Whatever happened...
01:11:41You mustn't look at me, my friend.
01:11:43You want to see it?
01:11:45You heard about it?
01:11:46It is, Mr. Verlocke.
01:11:56What is it?
01:12:01Lisa.
01:12:02Come on.
01:12:03Up that way.
01:12:16Are you in charge?
01:12:17Sorry, no time now, madam.
01:12:18But I'm Mrs. Verlocke.
01:12:19Oh, where have you been, Spencer?
01:12:21He was just taking me along to the police station.
01:12:23Oh, boy, I see.
01:12:24Does Mrs. Verlocke know we want to question her?
01:12:26Yes, he's explained all that.
01:12:27I told him I wanted to make a statement.
01:12:29Statement, eh?
01:12:29What kind of statement?
01:12:30Mrs. Verlocke, you can make your statement later at the station.
01:12:32All right, Spencer.
01:12:33I'm in charge of it.
01:12:34A statement to do with your husband?
01:12:35The old man's gone through to the back, sir.
01:12:37Right.
01:12:37I'm coming over.
01:12:38You wait here.
01:12:39Your husband will be along in a minute.
01:12:40It's no...
01:12:40Mrs. Verlocke.
01:12:41Yes, no time now, I'm afraid.
01:12:42Later.
01:12:43You stay here for the car, Spencer.
01:12:44How many men have gone around the back?
01:13:02Mr. Verlocke.
01:13:24Mr. Verlocke.
01:13:26Mr. Verlocke.
01:13:32Perhaps he's got a bomb.
01:13:33Huffer, Dick.
01:13:34Better clear the cinema.
01:13:35I'll look after the old man.
01:13:36Thanks, I'm staying here.
01:13:38You've got a wife.
01:13:39All the more reason why I should stop.
01:13:41Go on, get the audience out.
01:13:50He's gone to the back.
01:13:51He's got a bomb.
01:13:51He says he's going to use it.
01:13:52Oh, is Verlocke inside too?
01:13:54I don't know.
01:13:54Perhaps something happened to him.
01:14:01Thank you, gentlemen.
01:14:02I'm a fastball.
01:14:03There's nothing to get alarmed about.
01:14:23Mrs. Verlocke, is your husband inside there?
01:14:25He knows nothing, sir.
01:14:26Why do you keep interfering, Spencer?
01:14:28Yes, he's inside.
01:14:29The old man's got a bomb.
01:14:31What's your husband's nerve like?
01:14:32Can he control him?
01:14:34No.
01:14:34He can't.
01:14:37He's dead.
01:14:39Come on, come on.
01:14:53Come on.
01:14:53Come on.
01:14:54Come on.
01:14:55Come on.
01:14:55Come on.
01:14:56Come on.
01:14:57Come on.
01:14:58Come on.
01:14:58Come on.
01:14:59Come on.
01:14:59Come on.
01:15:01Come on.
01:15:02Come on.
01:15:02Come on.
01:15:03Come on.
01:15:04Come on.
01:15:05Come on.
01:15:06No, not anybody. All the audience was there, thank goodness.
01:15:09You're perfect, the old boy.
01:15:11I saw some things in the war, but...
01:15:14Is there enough left to identify?
01:15:16I wouldn't say so, sir.
01:15:17You'd better get a first-aid man to attend to that head of town.
01:15:22Yes, Spencer.
01:15:26You'd better look after him, Mrs. Berlach.
01:15:28Her husband's dead, blown to glory.
01:15:33You can break it.
01:15:35There'll be a few inquiries later, but...
01:15:37There's nothing against her, as far as I can gather.
01:15:40Yes, sir.
01:15:55That's queer.
01:15:57Is that girl psychic?
01:15:59She said the Berlach was...
01:16:01Dead, sir?
01:16:01You don't need second sight in a case like this.
01:16:03But she said it before.
01:16:07Or was it after?
01:16:10I can't remember.
01:16:11They Vikings.
01:16:12...
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