- hace 2 días
Cast: Robert Donat, Madeleine Carroll, Lucie Mannheim, Godfrey Tearle, Peggy Ashcroft, John Laurie, Helen Haye, Wylie Watson
Director: Alfred Hitchcock
Synopsis: A man falsely suspected of killing a spy races across Scotland handcuffed to the beautiful blonde who turned him in.
Director: Alfred Hitchcock
Synopsis: A man falsely suspected of killing a spy races across Scotland handcuffed to the beautiful blonde who turned him in.
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00:06:14Hey, for God's sake, play something now, stop this gunning.
00:06:32Well, here we are.
00:06:40May I come home, monsieur?
00:06:43What's the idea?
00:06:45Well, I like to.
00:06:47Well, it's your funeral.
00:06:50Come on, then, there's a bus.
00:07:16You don't stay here always.
00:07:17No, I've taken a furnished flat.
00:07:19I'm only over here from Canada for a few months.
00:07:22By the way, am I allowed to know your name?
00:07:27Smith?
00:07:28All right.
00:07:36Do you want to know more about me?
00:07:38What do you think I do for a living?
00:07:40Actress?
00:07:41Not in the way you mean.
00:07:43Chorus?
00:07:44No.
00:07:45I'm sorry.
00:07:46I'm a freelance.
00:07:48Out of adventure, eh?
00:07:49That's right.
00:07:49This way.
00:07:50I'm afraid you'll find my sitting room all upset.
00:07:52I've had the decorators in.
00:07:53Wait till I find the suite.
00:07:54Not yet.
00:08:08Now.
00:08:19Mr. Haney, would you be so very kind and turn that mirror with its face to the wall?
00:08:35You'd be happier if there were curtains over those windows.
00:08:38Yes.
00:08:39I'm sorry.
00:08:42Hello.
00:08:43There's the telephone.
00:08:44Just a minute.
00:08:47Mr. Haney, don't answer the telephone.
00:08:49Why not?
00:08:51Because I think it's for me.
00:08:52Oh.
00:08:52Please don't answer the telephone.
00:08:53Mr. Haney, don't answer the telephone.
00:08:56Yes, as you say, I think.
00:09:00Won't you sit down?
00:09:02Thanks.
00:09:02If you'd please kick that footstool over to me.
00:09:06Oh.
00:09:09Oh.
00:09:10Oh.
00:09:12Oh.
00:09:13Oh.
00:09:14Oh.
00:09:17Oh.
00:09:18Oh.
00:09:19Oh.
00:09:19Oh.
00:09:24You needed that.
00:09:26I did.
00:09:34I owe you an explanation.
00:09:36Oh, don't bother about me.
00:09:37I'm nobody.
00:09:40We cannot talk here.
00:09:44All right.
00:09:56Just a minute.
00:10:05Okay?
00:10:06Mm-hmm.
00:10:09Cigarette?
00:10:10No, thank you.
00:10:15Is there a friend again?
00:10:16Take no notice.
00:10:36Would you think it'd be very troublesome if I asked for something to eat?
00:10:40I've had nothing all day.
00:10:41Sure.
00:10:47You like etiquette?
00:10:48Yes, please.
00:10:50I suppose your name isn't really Smith.
00:10:53Depends on where I am.
00:10:55You may call me Annabella.
00:10:57Annabella Smith.
00:10:58Churchman's daughter, I suppose.
00:10:59You may call me Annabella.
00:11:00You may call me Annabella.
00:11:02You may call me Annabella.
00:11:03Nervy.
00:11:04Upset me with those shots tonight.
00:11:06I fired those shots.
00:11:09You what?
00:11:09Yes.
00:11:10To create a diversion.
00:11:12You see, I had to get away from that theatre quickly.
00:11:14There were two men there.
00:11:17There were two men there who wanted to kill me.
00:11:19You really used to be more careful in choosing your gentlemen friends.
00:11:22No, no, no.
00:11:22You don't understand.
00:11:24You don't make it very easy for me, do you?
00:11:25Beautiful, mysterious woman pursued by a gunman.
00:11:29Sounds like a spy story.
00:11:30It's exactly what it is.
00:11:33Only I prefer the word agent better.
00:11:36Agent?
00:11:36For what country?
00:11:37For any country that pays me.
00:11:39Now, what is your country?
00:11:40I have no country.
00:11:42Born in the balloon, eh?
00:11:43We'll let that go.
00:11:46Now, I suppose you've come over here to dig up some great big state secrets.
00:11:51No, I am here to save the secret from being dug up.
00:11:54A very important secret for this country.
00:11:57Not because I love England, but because it will pay me better.
00:12:00That way.
00:12:01To see the very brilliant agent of a certain foreign power
00:12:05is on the point of obtaining a secret vital to your air defence.
00:12:11I tracked two of his men to that musical.
00:12:14Unfortunately, they recognised me.
00:12:16That's why they're after me now.
00:12:17That was too bad.
00:12:19You ever heard of a thing called persecution mania?
00:12:22You don't believe me?
00:12:23Frankly, I don't.
00:12:25Go and look down into the street, then.
00:12:31You win.
00:12:32You win.
00:12:32You win.
00:12:32You win.
00:12:58Are they there?
00:12:58You win.
00:12:59Are they there?
00:13:00Yes.
00:13:02I hoped I'd shaken them off.
00:13:06Listen, I'm going to tell you something which is not very healthy to know.
00:13:10But now that they have followed me here, you are in it as much as I am.
00:13:15How do you mean?
00:13:17Have you ever heard of the 39 steps?
00:13:20No.
00:13:20What's that?
00:13:21A pub?
00:13:22Never mind.
00:13:24But what you were laughing at just now is true.
00:13:28These men will stick at nothing.
00:13:29I'm the only person who can stop them.
00:13:32If they are not stopped, it's only a matter of days, perhaps hours,
00:13:35before the secret is out of the country.
00:13:37Why don't you phone the police or something?
00:13:40Of course, they wouldn't believe me any more than you did.
00:13:42And if they did, how long do you think it would take to get them going?
00:13:46These men act quickly.
00:13:49You don't know how clever that sheep is.
00:13:52Clever and ruthless.
00:13:54Who is he? What's his name?
00:13:55He has a dozen names.
00:13:57And he can look like a hundred people.
00:13:59But one thing he cannot disguise.
00:14:04This part of his little finger is missing.
00:14:07So if ever you should meet a man with no top joint there,
00:14:10be very careful, my friend.
00:14:12Thanks. I'll make a note of it.
00:14:15Meanwhile, what are you going to do?
00:14:17First I'll eat my head up.
00:14:18And then, if you're not going to turn me out into the street,
00:14:23have a good night's rest.
00:14:24You're welcome to my bed.
00:14:26I'll get a shake down on the couch.
00:14:29Anything else I can get you?
00:14:31A map of Scotland.
00:14:33Why Scotland?
00:14:35There's a man in Scotland whom I must visit next if anything is to be done.
00:14:43Are there 39 steps in Scotland by any chance?
00:14:47Perhaps I'll tell you tomorrow.
00:15:05I'll tell you tomorrow.
00:15:06Clear out, Henny.
00:15:08We'll get you next.
00:15:11What?
00:15:13Come on.
00:15:15Come on.
00:15:16Come on.
00:15:17How long?
00:15:20How long?
00:15:41How long?
00:15:57What you were laughing at us now is true, these men will stop at nothing.
00:16:35What you were laughing at us now is true, these men will stop at nothing.
00:16:43There is a man in Scotland whom I must visit next if anything is to be done.
00:16:52It is only a matter of days, perhaps hours, before the secret is out of the country.
00:17:02The police would not believe me any more than you did.
00:17:08I tell you these men act quickly, quickly, quickly.
00:17:16I tell you this.
00:17:31I tell you this.
00:18:05Good morning, sir.
00:18:06You were out bright and early this morning.
00:18:10Could you use a farm note, brother?
00:18:13What's the catch?
00:18:14I want to borrow your cap and float.
00:18:15Yeah, wait a minute.
00:18:16What's all this?
00:18:16What's the big idea?
00:18:17I want to make a getaway.
00:18:18Do a bunk?
00:18:19Yes.
00:18:20What have you been up to?
00:18:22I'll have to trust you.
00:18:23There's been a murder committed up on the first floor.
00:18:26By you?
00:18:27No, no.
00:18:28By those two men out there.
00:18:32I see.
00:18:33Now I suppose they're waiting there as good as gold for a copper to come and arrest them.
00:18:36It's quite true.
00:18:37Listen.
00:18:37They're spies, foreigners.
00:18:39They've murdered a woman in my flat and now they're waiting for me.
00:18:42Oh, come off it.
00:18:43Funny jokes at five o'clock in the morning.
00:18:45All right.
00:18:45All right.
00:18:46I'll tell you the truth.
00:18:49You married?
00:18:50Yes, but don't rub it in.
00:18:52What's the idea now?
00:18:53Well, I'm not, you see.
00:18:53I'm a bachelor.
00:18:54Oh, are you?
00:18:55A married woman lives on the first floor.
00:18:58Does she?
00:18:58Yes.
00:18:59And I've just been paying her a call.
00:19:04And now I want to go home.
00:19:05Well, what's preventing you?
00:19:06Well, one of those men's her brother, the other's her husband.
00:19:09How do you see?
00:19:10Well, why didn't you tell me before, old fellow?
00:19:12Only wanted to be told.
00:19:14Trying to kid me with a lot of tales about murders and foreigners.
00:19:17Here, put this on.
00:19:18Put on me little hat.
00:19:19There you are.
00:19:20Take the pardon.
00:19:20No, no, no, sir.
00:19:21You're welcome to it.
00:19:22You'll do the same for me one day.
00:19:25Lead the pony round the corner.
00:19:29So long, Oldsport.
00:19:30Goodbye.
00:19:36Oi!
00:19:37The empties!
00:19:49Neighbors!
00:19:50Tears!
00:19:50annoty!
00:19:52Chocolets ¡ CUCCERATES!
00:19:55qualities!
00:19:55Make a scene.
00:19:56Don't you let me see?
00:20:01What do you do?
00:20:09There he is.
00:20:30Well, for one thing, they're much prettier than they were twenty years ago.
00:20:33More free.
00:20:34Free and easy.
00:20:35You're right there.
00:20:36I can never understand how people used to put up with the old-fashioned sort.
00:20:39All bones and no bend.
00:20:41Well, I will say for the old-fashioned, they didn't last longer.
00:20:43Oh, I don't know.
00:20:44Mine last about a year.
00:20:46Here, I'll show you.
00:20:48Big demand for these now.
00:20:52The old-fashioned sort.
00:20:54My wife.
00:20:56Now take a look at these.
00:20:58Our new Streamrime Model Number One.
00:21:00What I've been talking to you about.
00:21:01Anything go with it?
00:21:02I should say so.
00:21:04This.
00:21:06Put a pretty girl inside those.
00:21:07She needn't be ashamed of herself anyway.
00:21:09All right.
00:21:10Bring it back for me when it's filled.
00:21:11I will.
00:21:13Now, what's this?
00:21:14Edinburgh.
00:21:15Waverley.
00:21:15We're getting on.
00:21:16I hope you'll pardon us for talking business, sir.
00:21:19Oh, certainly.
00:21:20Certainly.
00:21:23Good day, sir.
00:21:24Good day.
00:21:29Good day.
00:21:30Good day.
00:21:31Good day.
00:21:31Broad-minded, old geezer.
00:21:32I bet he's very good at surahards.
00:21:35I wonder what won the two o'clock at Windsor.
00:21:37I don't know.
00:21:37Just a bit of paper.
00:21:43Hey, son.
00:21:43Speaking of English.
00:21:45This batch.
00:21:53Hello.
00:21:54Well, what won it?
00:21:55There's been another woman murdered in a West End flat.
00:21:57What?
00:21:57Woman murdered in West End flat.
00:22:00These sex dramas don't appeal to me.
00:22:01What won?
00:22:02A bachelor but.
00:22:03Good.
00:22:04Seven to four o'clock.
00:22:04Oh, not so good.
00:22:06Portland Mansions.
00:22:07Portland Place.
00:22:07By the BBC.
00:22:08That's a nice fireplace to put someone to sleep.
00:22:10Good night, everybody.
00:22:11Good night.
00:22:13That's a good one.
00:22:14What was she like?
00:22:16One of the usual?
00:22:17A well-dressed woman of about 35, with a knife in her back.
00:22:21Lieutenant Richard Haney is missing.
00:22:22You surprise me.
00:22:25At seven o'clock this morning, the charwoman Elizabeth Briggs...
00:22:30Well, if that isn't the blasted lip.
00:22:31What's the matter now?
00:22:32Is there no honesty in this world at all?
00:22:35I ask you.
00:22:36The new body-line rubber panty corset.
00:22:39On sale today.
00:22:40McCutcheon Brothers.
00:22:41Princess Street.
00:22:42Price, seventeen and nine.
00:22:44Brassier to match, four and eleven.
00:22:46Do you get that?
00:22:47The body-line.
00:22:49One and three cheaper than our stream-line.
00:22:51No use going to Aberdeen now.
00:22:53Why'd I have a look at your paper?
00:22:54Certainly.
00:22:55Even the 편-line rubber panty corset.
00:23:10Thank you...
00:23:12Ring, people, ring, ring, evening, son, people, ring,
00:23:22evening, ring, ring, evening, Mr. Bart, people, ring.
00:23:34There's enough evidence there to hang any man.
00:23:39What can I do for you, sir?
00:23:42Oh, can you tell me what presentation there, train shop, I think?
00:23:45Do you think I have a railway porter?
00:23:47Go in and find out for yourself.
00:23:55I didn't have a better one than that presentation.
00:23:58Well, you couldn't. It was very funny.
00:24:00Have you heard the one about the young lady of Hong Kong?
00:24:02I don't know. I can't remember.
00:24:03Oh, you must hear that. There was a young lady of Hong Kong.
00:24:06Yes, we...
00:24:29Take him, Tisa.
00:24:29Yes, sir. Thank you.
00:24:59Darling, how lovely to see you.
00:25:08I don't mind having a free meal in there.
00:25:13I was desperate. I'm terribly sorry. I had to do it.
00:25:15Look here, my name's Henry. They're after me.
00:25:17I swear I'm innocent. You've got to help me.
00:25:19I've got to keep free for the next few days.
00:25:21Apparently, you'll see the man passing in the last few minutes.
00:25:26This is the man you want, I think.
00:25:30When we passed just now...
00:25:31He passed his way in here and told me his name was Hanny.
00:25:33Is your name Hanny?
00:25:34No.
00:25:35Are you coming in to Tisa?
00:25:36I'll be right along.
00:25:48Hold on, come on.
00:26:18I'll be right along.
00:26:27Get on with him.
00:26:28Get on with him.
00:26:34Here. Here.
00:26:36What for did you pull the communication cord?
00:26:38To stop the train, you old fool.
00:26:39It's against all the regulations to stop the train on the bridge.
00:26:42But a man jumped off.
00:26:42He's a marshal. We've got to change him.
00:26:44Which way did he go?
00:26:45He must have jumped off here.
00:26:46I cannot see him.
00:26:47Are you sure he jumped?
00:26:47Anyway, I cannot wait here any longer.
00:26:50There he is, getting on the train.
00:26:51No, that's a bastard.
00:26:53It's here, I tell you.
00:26:54Come on with you then.
00:26:57Come on.
00:26:58Come on.
00:27:30Height, about five foot ten. Small moustache.
00:27:34Last seen wearing a dark suit, but he may have obtained a change of clothing.
00:27:41Here.
00:28:08There he is.
00:28:16good day and to you
00:28:20what will your business be i'm a motor mechanic i'm looking for a job you'll find no work about
00:28:23here oh are there no big houses around here only sir andrewson he won't be wanting you
00:28:27he's had the same chauffeur for 40 years i didn't know there'd been cars that long
00:28:31he was coachman besides when he was a boy oh i see oh what's that that's the manse but the
00:28:38minister has not got a motor car are there no newcomers aye there's an englishman a kind of
00:28:44professor professor he lives at arden ashelloch where arden ashelloch on the other side of the
00:28:49loch would there be anywhere near that village it would thanks thanks i'll try there you won't try
00:28:56tonight it's 14 miles you could get a lift in that van no down the other way
00:29:11i guess you're right uh could you put me up for the night somehow free no i'll pay all right
00:29:18can you eat the herring i could eat half a dozen right now can you sleep in a box bed
00:29:22i can try
00:29:23two and six take it now thank you go in with the gentleman he'll stay with us till tomorrow
00:29:31morning your daughter
00:29:36my wife
00:29:43will you now come in thank you
00:29:54here's your bed oh i'll lift these things
00:30:00could you sleep there do you think you try and stop me you'll be tired
00:30:07i'll say i have i'm on the tramp looking for a job
00:30:11well won't you sit down please while i go on with our supper oh thank you
00:30:35have you been in these parts long no i'm from glasgow
00:30:41did you ever see it no oh you should see saucy hall street with all its fine shops
00:30:47and our guy's street on a saturday night with the trams and the lights
00:30:52and the cinema palaces in the crowd
00:30:56it's saturday night tonight you certainly don't get those things out here
00:31:00no
00:31:05you miss them
00:31:10sometimes well i've never been to glasgow but i've been to edinburgh and montreal and
00:31:13london i'll tell you all about london and supper john wouldn't approve of that i doubt
00:31:19why not
00:31:20he says it's best not to think of such places and all the wickedness that goes on there
00:31:25well why not listen now before he comes back what do you want to know
00:31:31well is it true that all the ladies paint their toenails
00:31:34some of them
00:31:36do london ladies look beautiful
00:31:38they do but they wouldn't if you were beside them
00:31:41you ought not to say that
00:31:43what ought he not to say
00:31:46i just seemed to your wife that i prefer living in town than the country
00:31:51god made the country
00:31:58is the supper ready woman
00:32:00do you mind if i have a look at your paper
00:32:02no i don't mind
00:32:03thank you
00:32:22you didn't tell me your name
00:32:24no hannand
00:32:26well mr hannand if you'll pet doon that paper
00:32:28i'll see your blessing
00:32:29yes
00:32:36sanctify these bounteous mercies to us miserable sinners
00:32:40oh lord make us truly thankful for them and for all thy manifold blessings
00:32:48and continually turn our hearts from wickedness
00:32:53and from worldly things
00:32:57and to thee
00:33:02amen
00:33:03no mind i forgot to lock the bomb
00:33:21no mind i forgot to lock the bomb
00:33:25no mind
00:33:54no mind
00:33:55if you VICOTía
00:34:33There are cars coming.
00:34:34That'll be the police.
00:34:35You best be going.
00:34:36I was having such a grand sleep.
00:34:37Hurry up.
00:34:37Don't let them catch you.
00:34:38I'm ready.
00:34:39I'll never forget you for doing this for me.
00:34:41Which way do I go?
00:34:42I'll show you.
00:34:43Aye.
00:34:45I might have known.
00:34:47I'm making love behind my back.
00:34:53Get out in just a minute.
00:34:54I and you two.
00:34:55Get out of my house before I...
00:34:56Aye.
00:34:57Go.
00:34:57I'll leave you like this.
00:34:58No fear.
00:34:59It's your chance of liberty.
00:35:00You don't understand.
00:35:04Look here.
00:35:04You're all wrong about this.
00:35:05You're only trying to help me.
00:35:06Aye.
00:35:06To bring shame and disgrace upon my house.
00:35:08You're helping me to escape from the police.
00:35:11The police?
00:35:12It's the police.
00:35:12They're after me for murder.
00:35:13What?
00:35:13They're here.
00:35:14You're only trying to warn me.
00:35:16I had to tell her about it last night.
00:35:18Don't let them in.
00:35:19Say I'm not here.
00:35:19I'll make it with you well.
00:35:21How much?
00:35:22Five pounds.
00:35:23Have you got that much?
00:35:24Yes.
00:35:24Give it to me.
00:35:25What have they got?
00:35:27Get back into the lane.
00:35:28Shut them in.
00:35:29Hide them.
00:35:32Not there.
00:35:33I didn't trust them.
00:35:34But he took the money.
00:35:35He couldn't have resisted.
00:35:36Here.
00:35:41Have you seen a stranger about here?
00:35:46I was right.
00:35:48He's asking if there's a reward if you get catched.
00:35:52He'll argue baggy for a moment longer before he lets them in.
00:35:54Now's your time.
00:35:56Oh, your jacket's terrible, light-colored, and I feared they'll see you.
00:36:00You best take this one.
00:36:02Is this your husband's coat?
00:36:03Aye, his son, the best one.
00:36:04But never mind.
00:36:05They mustn't see you.
00:36:06What'll happen to you?
00:36:07Oh, I see.
00:36:08I couldn't have stopped you.
00:36:09He'll not.
00:36:09He'll treat you.
00:36:10No.
00:36:10He'll pray at me, but no more.
00:36:11What's your name?
00:36:12Margaret.
00:36:13Goodbye, Margaret.
00:36:13I'll never forget you for this.
00:36:43There he goes.
00:36:52Spread out to the land.
00:37:03The End
00:37:03The End
00:37:11THE END
00:37:44THE END
00:38:08THE END
00:38:09THE END
00:38:09THE END
00:38:09THE END
00:38:09THE END
00:38:25What name shall I say, sir?
00:38:27Well, he wouldn't know my name.
00:38:27Ask him if he knows Miss Annabella Smith.
00:38:29Would you wait here, sir, while I...
00:38:30Yes, all right.
00:38:32Yes, all right.
00:38:33Yes, all right.
00:38:35Yes, sir.
00:38:37Yes, sir.
00:38:38Yes, sir.
00:38:38Yes, sir.
00:38:39Yes, sir.
00:38:39Yes, sir.
00:38:40We'd better make inquiries here.
00:38:41Aye.
00:38:44There's been a couple of motorcars here.
00:38:46Aye.
00:38:47Marriages didn't pay calls in motorcars.
00:38:50Good day to you.
00:38:51The same to you.
00:38:52Have you seen any strangers about this morning?
00:38:54There's a few callers upstairs now, but they're no strangers.
00:38:57You haven't seen any suspicious-looking bodies outside the windows or calling at the hoose?
00:39:02No, sir.
00:39:03There hasn't been anybody near here for the last half hour.
00:39:08You're from Annabella Smith?
00:39:10Yes.
00:39:12We're just having a few drinks to celebrate my daughter Hillary's birthday.
00:39:15Give me five minutes to get rid of these people, then we can talk.
00:39:18Of course.
00:39:18Come along in and meet my wife.
00:39:19Louisa, my dear, I have another guest for you.
00:39:21This is Mr...
00:39:23I forgot to ask your name.
00:39:24Ellen.
00:39:25Mr. Hammond.
00:39:26He's come to see me on business.
00:39:27All the way from London.
00:39:28There's a police inspector at the door, sir.
00:39:30He wants to speak to you.
00:39:31At the door.
00:39:32Yes.
00:39:35All right.
00:39:36All right.
00:39:36I'll deal with it.
00:39:37Take him in, my dear, will you please?
00:39:39Come and meet my daughters.
00:39:40This is Patricia.
00:39:41Thank you, sir.
00:39:43Mrs. Bailey, Mrs. Huntley.
00:39:45Oh, Hillary, my dear, this is Mr...
00:39:47Hammond.
00:39:47Mr. Hammond.
00:39:48He's just arrived from London.
00:39:50How do you do, Mr. Hammond?
00:39:51Forgive the orgy, but we've all been to church and the sermon lasted three quarters of an hour.
00:39:54This is Captain and Mrs. Ogilvy.
00:39:57Have a drink, Mr. Hammond.
00:39:59This is Derek.
00:39:59Derek Stewart.
00:40:02And this is Sheriff Watson.
00:40:04You've got to be polite to him.
00:40:05He's our Sheriff substitute.
00:40:06Scotch for local people.
00:40:08Give you six months hard as soon as look at you.
00:40:13It's all right.
00:40:14Don't worry.
00:40:14I've sent them away.
00:40:16Come and look at the view from this window, Mr. Hammond.
00:40:19Yes, sir.
00:40:22We're rather proud of it.
00:40:24Yes, sir.
00:40:29By the way, Sheriff.
00:40:30When you've got to get out of the window, Mr. Hammond.
00:40:30You've got to catch that murderer.
00:40:31Murderer?
00:40:32What a murderer.
00:40:32Oh dear, haven't you heard?
00:40:33Why, the man that stuck a carving knife into that woman important place last week.
00:40:37He's here in the district.
00:40:37Darling, how exciting.
00:40:39Where?
00:40:39Oh, somewhere about.
00:40:40He's been on the moors.
00:40:41Bridge of Orkey or somewhere.
00:40:43Sheriff Ainge, why don't you catch him?
00:40:45You wouldn't like me to be stuck in the back with a carving knife, would you?
00:40:47Oh, it's no business of mine to catch him.
00:40:49You catch him, but I'll convict him.
00:40:51Is there a war?
00:40:52It's nearly one o'clock.
00:40:53Jim, we must get out of here.
00:40:55The professor wants his lunch.
00:40:56There's no hurry, my dear.
00:40:57Still, if you must go.
00:40:58Pat!
00:41:00Ring for Captain Ogilvy's car, will you?
00:41:01Yes, sir.
00:41:07Well, whenever you do catch him, you'll find Mr. Sheriff's court at 10 every morning,
00:41:15so bring him along.
00:41:16Goodbye, Sheriff.
00:41:20Louisa, my dear.
00:41:22If you'll excuse us, Mr. Hammond and I want to have a chat before lunch.
00:41:33Now, Mr. Haney.
00:41:35I suppose it's safe to call you by your real name now?
00:41:40What about our mutual friend, Annabella?
00:41:42She's been murdered.
00:41:44Murdered?
00:41:45Oh, the Portland Mansions affair.
00:41:48What our friends outside are looking for you for.
00:41:50I didn't, Eric.
00:41:50Of course you didn't.
00:41:53But why come all this way to Scotland to tell me about it?
00:41:56I believe she was coming to see you about some Air Ministry secret.
00:41:59She was killed by a foreign agent who was interested too.
00:42:04Did she tell you what the foreign agent looked like?
00:42:05There wasn't time.
00:42:06No, there was one thing.
00:42:07Part of his little finger was missing.
00:42:09Which one?
00:42:10This one, I think.
00:42:11Sure it wasn't this one?
00:42:35Lunch is ready, dear.
00:42:36I'm coming right away.
00:42:40Well, Mr. Haney.
00:42:42I'm afraid I've been guilty of leading you down the garden path.
00:42:46Or should it be up?
00:42:47I never can remember.
00:42:49It seems to be the wrong garden, all right.
00:42:55Well, what are we going to do about it?
00:42:56That's just the point.
00:42:58What are we going to do about it?
00:43:01You see, I live here as a respectable citizen.
00:43:04And you must realize that my whole existence would be jeopardized
00:43:08if it became known that I'm not, what shall we say, not what I seem.
00:43:13Oh, Mr. Haney, why have you come here?
00:43:16Why have you forced me into this difficult position?
00:43:20I can't lock you up in a room or anything like that.
00:43:23You see, there's my wife and daughters to think of.
00:43:26I don't know what to think.
00:43:28Really, I don't.
00:43:30What makes it doubly important that I shouldn't let you go is
00:43:34that I'm just about to convey some very vital information out of the country.
00:43:40Oh, yes, I've got it.
00:43:42I'm afraid poor Annabella would have been too late in any case.
00:43:50Well, that's fair.
00:43:52Yes. And what about it?
00:43:53What about what?
00:43:54About yourself.
00:43:55Seems to me there's only one way out of...
00:43:57What's that?
00:44:03Supposing I left you alone with this revolver,
00:44:07tomorrow's newspapers would be able to announce
00:44:09that the Portland Place murderer had taken his own life.
00:44:12I thought you were coming to lunch directly, dear.
00:44:14We've all been waiting.
00:44:16Mr. Hammond be staying?
00:44:17I don't think so, dear.
00:44:22Well, what do you think, Mr. Haney?
00:44:32Well, I'm afraid you leave me no alternative.
00:44:42I can't find my handbook.
00:44:45Where did you leave it?
00:44:47In the breast pocket and overcoat.
00:44:48It was hung in here.
00:44:53John, I'm afraid I gave it to that gentleman who was staying here that night.
00:45:04Cigarette cases, yes, but I've never seen it happen to a hymn book before except on the movies.
00:45:08And this bullet stuck among the hymns, eh?
00:45:10Well, I'm not surprised, Mr. Haney.
00:45:12Some of those hymns are terrible hard to get through.
00:45:14I've stuck at them myself before now, eh?
00:45:17I'm not complaining, Sheriff.
00:45:18Hymns that have helped me, eh?
00:45:20Yes, that's a good one, Mr. Haney.
00:45:22That's fine.
00:45:23And to think that I was drinking a champagne only half an hour before.
00:45:27Well, it's a lesson to us all, Mr. Haney.
00:45:29Not to mix with doubtful company on the Sabbath.
00:45:32And how did you escape?
00:45:33Well, if you look through the window, sir, you'll see.
00:45:35They put the, well, the body in the dressing room.
00:45:39When I came to, I borrowed this suit in case one of his men recognized me and pinched his car.
00:45:44Sheriff, I don't want to hurry you or anything, but Orton would have been taking steps.
00:45:48This is serious, you know.
00:45:49If it weren't, you don't suppose I'd put myself in your hands with a murder charge hanging over me?
00:45:53Never heed the murder, Mr. Haney.
00:45:55I don't doubt you'll be able to convince Scotland Yard of your innocence as easily as you've convinced me.
00:46:00All I'll need will be a short statement that I can forward to the proper authority.
00:46:04Okay.
00:46:05I have someone coming over from the police station next door to take it down.
00:46:07Thank you, sir.
00:46:10Are you wishing to see me, Sheriff?
00:46:12Indeed I am.
00:46:13Do you think I enjoy playing for time with a murderer?
00:46:18Murderer?
00:46:18Certainly.
00:46:19Haney, you're under arrest on the charge of willful murder of a woman unknown in Portland Mansions, London, on Tuesday
00:46:25last.
00:46:26Take him over to the county jail.
00:46:27Sheriff, you've heard my story. You must believe it. It's true. I tell you every word of it.
00:46:30Haney, we're not so daft in Scotland as some smart Londoners may think.
00:46:33Do you think I believed your cock and bull story about the professor?
00:46:37Why, he's my best friend in the district. Give me Professor Jordan.
00:46:39If the professor didn't shoot me, where did that bullet come from?
00:46:41That's easy. From one of your pursuers on the moor. Isn't that so, Inspector?
00:46:45That is so, sir. I had a shortage of myself.
00:46:47I demand that you allow me to telephone to the High Commissioner for Canada in London.
00:46:49You'd better do that from London. You'll be there soon enough.
00:46:51It'll save you the cost of a drunk call.
00:47:02That's the professor's car all right.
00:47:04Haney must be inside spilling the beans.
00:47:10My God!
00:47:25You've never been denied.
00:47:42You've never heard of it.
00:47:43There are literally hundreds of women who lived in Canada in Canada in Canada in Québec.
00:48:02Oh, how'd you do? How'd you do? They're all waiting for you. Pamela's got to meet you at the station.
00:48:08This way. This way.
00:48:09From our respected leader and standard-bearer himself, I welcome this opportunity of discussing with you another question vital to
00:48:21the import of our country at this critical and momentous hour. But first of all, as a preliminary to this,
00:48:29I shall occupy...
00:48:30You've occupied all much already.
00:48:41Ladies and gentlemen, I'm now going to call upon the speaker of the evening.
00:48:45Speaker!
00:48:46There's no need for me to tell you who he is, nor to speak of his brilliant record as a
00:48:51soldier in the Statesman.
00:48:52The son of Scotland who has crossed border and conquered England, and is now one of the foremost figures of
00:48:58the diplomatic and political world in the great city of London.
00:49:01I'm therefore going to ask him to tell you something...
00:49:04That's about time to...
00:49:05...meanly how important it is to this constituency that at this crucial by-election our candidates should be returned by
00:49:12an adequate majority.
00:49:14I now ask for Captain Trasor.
00:49:35Ladies and gentlemen, I apologize for my hesitation in writing just now, but to tell you the simple truth, I'd
00:49:41entirely failed while listening to the chairman's flattering description of the next speaker, to realize that...
00:49:46...he was talking about me.
00:49:50As for you, may I say, from the bottom of my heart and with the utmost sincerity, how delighted and
00:49:57relieved I am to find myself in your presence at this moment.
00:50:07I'm delighted because of your friendly reception, relieved because so long as I stand on this platform, I'm delivered from
00:50:16the moment, from the cares and anxieties which must always be the lot of a man in my position.
00:50:22When I journeyed up to Scotland a few days ago, travelling on the Highland Express over that magnificent structure of
00:50:28the Forth Bridge, that monument to Scottish engineering and Scottish muscle...
00:50:33...that is to say, on that journey, I had no idea that in a few days' time I should find
00:50:37myself addressing an important political meeting. No idea.
00:50:40I'd planned a very different programme for myself. A very different programme.
00:50:46You'd be for the moors to shoot something.
00:50:48Yes, or somebody. I'm a rotten shart.
00:50:51Anyhow, I little thought I should be speaking tonight in support of that brilliant young statesman, that rising gentleman on
00:51:00my right.
00:51:01Already known among you as one destined to make no uncertain mark in politics.
00:51:06In other words, your future Member of Parliament, your candidate, Mr...
00:51:13...McCrocodile.
00:51:14He doesn't know the candidate's name.
00:51:16I know your candidate will forgive my referring to him by the friendly nickname by which he's already known in
00:51:23anticipation...
00:51:24...in anticipation, mark you, at Westminster.
00:51:30Now, ladies and gentlemen, we're going to discuss some topic. What shall it be?
00:51:33The herring fisheries.
00:51:35Unemployment.
00:51:35What about the idle wretch?
00:51:37The idle wretch?
00:51:38That's a bit of an old-fashioned topic these days.
00:51:39Especially for me, because I'm not rich and I've never been idle.
00:51:43I've been pretty busy all my life and I expect to be much busier quite soon.
00:51:46Have you ever worked with your high?
00:51:47Indeed I have.
00:51:48And I've known what it is to feel lonely and helpless and to have the whole world against me.
00:51:52And those are things that no man or woman ought to feel.
00:51:54And I ask your candidate and all those who love their fellow men to set themselves resolutely to make this
00:52:00world a happier place to live in.
00:52:02A world where no nation plots against nation.
00:52:05Where no neighbour plots against neighbour.
00:52:07Where there is no persecution or hunting down.
00:52:09Where everybody gets a square deal and a sporting chance.
00:52:12And where people try to help and not to hinder.
00:52:14A world from which suspicion and cruelty and fear have been forever banished.
00:52:19That is the sort of world I want, is that the sort of world you want.
00:52:26That's all I have to say. Good night.
00:52:43I kept on going as long as I could for you.
00:52:45Well, you're certainly a difficult man to follow.
00:52:53Well, I suppose you think you've been damn clever.
00:52:55Officer, will you tell your prisoner not to insult me, please?
00:52:57You try and stop me.
00:52:58You come along with me.
00:52:59Couldn't you realise I was speaking the truth in that railway carriage?
00:53:02You must have seen I was telling you.
00:53:04Well, whether you believe me or not, will you put a telephone call through to the High Commissioner for Canada
00:53:07in London
00:53:08and tell him an enormously important secret...
00:53:10That'll do now.
00:53:10An enormously important secret is being taken out of this country by a foreign agent.
00:53:14I can't do anything myself because of this fool of a detective.
00:53:17Has that penetrated?
00:53:18Right to the funny bone. Now tell me another one.
00:53:20Haven't you any sense at all?
00:53:22Put that call through, I beg of you, and refer them to me.
00:53:26Will you do this?
00:53:27No.
00:53:28Good night.
00:53:29I beg pardon, Miss, but we should like you to come too.
00:53:32Whatever for?
00:53:32To identify the prisoner formally.
00:53:34Will you come to the police station?
00:53:35What?
00:53:36It's only for a few minutes.
00:53:37All right, if it's absolutely necessary, let's get it over.
00:53:40That must be the outcome of wise planning.
00:53:55Now you.
00:53:57Must I sit next to this man?
00:53:58It's only for a short time, Miss.
00:53:59Well, be as quick as you can.
00:54:04All right.
00:54:15Isn't that the police station?
00:54:16We're running past it.
00:54:18Tell the man.
00:54:18I'm afraid you must have misunderstood me, Miss.
00:54:20We're not exactly going to this police station.
00:54:22Well, where are we going?
00:54:24To Inverary, Miss.
00:54:26Inverary?
00:54:26Yes, Miss.
00:54:27This man's to be questioned by the sheriff's principal.
00:54:29We have orders to take in there direct.
00:54:31But you've no orders to take me.
00:54:33No, Miss.
00:54:33But I'm afraid you must go.
00:54:35I'll see you're sent back at the earliest possible moment.
00:54:37Well, how far is it to Inverary?
00:54:39Forty miles.
00:54:39Will you keep quiet?
00:54:40Sorry.
00:54:41We'll be there in less than two hours, Miss.
00:54:43Two hours?
00:54:43Do you think I'm going to spend half the night with you all?
00:54:45Looks like it.
00:55:25Isn't the man going the wrong way?
00:55:26That's the way down to the south.
00:55:27Surely that's the way to Inverary.
00:55:28There's a bridge falling down on that road, Miss.
00:55:31We shall have to go around.
00:55:32The man knows the way.
00:55:36Might I see your warrant?
00:55:38You shut your mouth.
00:55:38You'll see it soon enough when we get to the station.
00:55:46Would you like to have a small bed with me, Pamela?
00:55:51All right.
00:55:51I'll have it with you, Sherlock.
00:55:53I'll lay you a hundred to one that your sheriff principal is the top joint of his little finger, Missy.
00:55:59What about it?
00:56:03I win.
00:56:06Hello. What are we stopping for?
00:56:08Oh, it's a whole flock of detectives.
00:56:16Seep all over the road, damn silly jeans.
00:56:17Get out both of you and clear them away.
00:56:19What about him?
00:56:20I'll soon fix that.
00:56:22There, Miss.
00:56:23Now you're a special constable.
00:56:24What's the idea?
00:56:24What are you doing this for?
00:56:25As long as you stay, he stays.
00:56:29Yes.
00:56:30Yes, and as long as I go, you go.
00:56:31Come on.
00:56:33Stop them.
00:56:34They've got away.
00:56:38Come on, Missy.
00:56:39I won't.
00:56:40No.
00:56:59You're hungry.
00:57:01Don't let go.
00:57:15Where the devil can I have gone?
00:57:36Help! Help!
00:57:38Help!
00:57:39Give me help!
00:57:40Give me help!
00:58:17One year for you and I'll shoot you first myself after. I mean that.
00:58:40There's nobody down here, I tell you.
00:58:42Come up here, blast you, and don't waste any more time. Spread out and find them.
00:59:04Must be a mile away by now.
00:59:07Don't do that!
00:59:11Oh, do stop whistling.
00:59:15What are you doing all this for? You can't possibly escape. What chance have you got tied to me?
00:59:19Keep that question for your husband. Meanwhile, I'll admit you're the white man's burden.
00:59:22I know, and I can't tell you what comfort that thought gives me.
00:59:26I say, what is the use of all this? Those policemen will get you as soon as it's daylight.
00:59:29They may get me, but they're not policemen.
00:59:31And when did you find that?
00:59:32You found that out yourself. I should never have known that was the wrong road to Inverere.
00:59:36They were taking us to their boss, and God help either you or me if they ever catch us again.
00:59:39I see. You're still sticking to your peri-novelette spy story.
00:59:45There are 20 million women in this island, and I've got to be chained to you.
00:59:49Now look here, listen, once more. I'm telling you the truth.
00:59:51I told it to you once in the train last week. I tried to tell you after the election meeting
00:59:55this evening.
00:59:55I'm telling it to you now for the third time.
00:59:57There's a dangerous conspiracy against this island, and we're the only people who can stop it.
01:00:01Think what you've seen happen right under your very nose.
01:00:04The gallant knife to the rescue.
01:00:06All right.
01:00:07Well, I'm just a plain common murderer who stabbed an innocent, defenseless woman in the back not four days ago.
01:00:15How do you come out over that?
01:00:17I don't know how innocent you may be, but you're a woman and you're defenseless,
01:00:19and you're alone on a desolate moor in the dark.
01:00:22Manacled to a murderer who'd stop at nothing to get you off his hands.
01:00:25If that's the situation you prefer, have it, my lovely, and welcome.
01:00:28I'm not afraid of...
01:00:32All you know, I may murder a woman a week.
01:00:37So listen to a bit of advice.
01:00:40From now on, do every single thing I tell you to do and do it quick.
01:00:44You big bully.
01:00:46I like your plug.
01:00:48Come on.
01:00:58We're going in there.
01:00:59What for?
01:00:59That's my business.
01:01:00Now, remember what I said, the civil tongue, or else we're going in there,
01:01:03and you're going to back me up in every single thing I say or do.
01:01:06Has that penetrated the ivory dome?
01:01:08Only just.
01:01:09All right.
01:01:09Pull yourself together.
01:01:10Now, put your hand in my pocket and look as though you're in a hurry.
01:01:12Come along.
01:01:20Come away in, ma'am.
01:01:21Come away in, sir.
01:01:22Oh, the young lady's terrible wet.
01:01:24Oh, yes.
01:01:24We had an accident in our car a few miles, Mac.
01:01:26Oh, yes.
01:01:26You'll be staying in the night?
01:01:27Yes.
01:01:28We've just the one room left with the one bed in it.
01:01:31But you'll not be minding that.
01:01:33Oh, no, no, no, no, no.
01:01:34Quite the reverse.
01:01:35Your man and wife, I suppose.
01:01:37Oh, yes.
01:01:38Yes.
01:01:40Have you any luggage?
01:01:41No, we left that behind in the car.
01:01:43Oh, maybe I could lend a young lady a nightgown.
01:01:45Will you?
01:01:46Will you please to register?
01:01:47James, the book.
01:01:49Aye, aye.
01:01:49I'll weigh up and light the fire for you.
01:01:51Will you be needing your supples?
01:01:53Oh, no, thank you.
01:01:53Just set up a large whisking soda and a few sandwiches.
01:01:56Oh, and a glass of milk.
01:01:57For very will, sir.
01:01:59I can't write with my left hand, my dear, but I can shoot with it.
01:02:02You can get what's in this pocket.
01:02:03Come on.
01:02:04You shall sign, darling.
01:02:06The sooner you get used to writing your new name, the better.
01:02:08There.
01:02:09Now, off we go.
01:02:11Mr. and Mrs. Henry Hopkinson, the Hollyhocks, Hammersmith.
01:02:17Have you got any more to this?
01:02:20I'll be back in a minute, champs.
01:02:22I'll be back here.
01:02:25Oh, dear.
01:02:26That's the disgust for leaving you with me, Steve.
01:02:28Yeah.
01:02:35Oh, dear, there's no air keeping up the stairs.
01:03:18Now, dearie, off with that wet skirt of yours, and I'll have it dried in the kitchen.
01:03:22Oh, don't bother. It'll dry in front of the fire just as well, thanks all the same.
01:03:26No doubt the gentleman will take care of you.
01:03:29Good night, sir. Good night, ma'am.
01:03:31Good night.
01:03:35Good night.
01:03:38Has he married two of you, do you think?
01:03:40I didn't care and I didn't care. They're so terribly in love with each other.
01:03:44I can't stand it any longer. I'm going to tell them the whole story.
01:03:47You want to hang me for a murder I never committed?
01:03:48As long as they hang you, I don't care whether you committed it or not.
01:03:51Let me go. Do you think I'm going to spend the whole night with you in this room?
01:03:53Of course you are. What else can you do? Come on.
01:03:55Come on, come in, sir.
01:04:01Come in.
01:04:06Oh, we were just getting warm before the fire.
01:04:09I can see that.
01:04:10I thought maybe you'd like this in your bed, sir.
01:04:12Oh, thank you very much. You'd like a hot water bottle, wouldn't you, my sweet...
01:04:15Say, yes, darling.
01:04:17Yes, darling.
01:04:18Very well.
01:04:19I say, please don't go.
01:04:21Why not?
01:04:22Is anything wrong?
01:04:25Of course there's nothing wrong.
01:04:26She wants to tell you something, that's all.
01:04:28We're a runaway couple.
01:04:29I kent it all the time.
01:04:31And they're after you?
01:04:33You won't give us away, will you?
01:04:34Please.
01:04:35Of course we will not give you up.
01:04:38A good night to you both.
01:04:40You'll no be disturbed.
01:04:52Thank God for a bite to eat. Come along.
01:04:55There you are.
01:05:01Now, what's the next item on the program?
01:05:03Get these things off.
01:05:04Right. How are we going to set about it?
01:05:07Anything in that bag of yours would help.
01:05:09A pair of scissors or...
01:05:11a pair of scissors or something?
01:05:12There's a nail file here. Do you think that'd help?
01:05:14Easily. It'll take about ten years, but we can try.
01:05:16Now, let's make ourselves as comfortable as possible.
01:05:18What about that skirt of yours?
01:05:19It's still pretty damp, you know.
01:05:21Don't want to be tied to a pneumonia case on top of everything else.
01:05:24Take it off, I don't mind.
01:05:25I shall keep it on, thank you.
01:05:27And that is that.
01:05:29My shoes and stockings are sold, either.
01:05:31I think I'll take them off.
01:05:31That's the first sensible thing I've heard you say.
01:05:34Can I be of any assistance?
01:05:36No, thank you.
01:05:37Sorry.
01:05:46Here, home is.
01:05:47Oh, yes.
01:05:59Half a minute.
01:06:09Um, thank you.
01:06:11You mentioned it.
01:06:12Do you like your milk now?
01:06:13Oh, no, thank you.
01:06:14I'll wait a little.
01:06:15All right.
01:06:17Cheerio.
01:06:20That's better.
01:06:22Now, are your feet quite warm again?
01:06:23Yes, thanks.
01:06:24Oh, come on.
01:06:28Now, will you kindly place yourself on the operating table?
01:06:31All right, all right.
01:06:32Nobody's going to hurt you.
01:06:33This is our mistress' day.
01:06:35Let's get some rest while we can.
01:06:36I'm not going to lie on this bed.
01:06:37So long as you're chained to me, you'll lie wherever I lie, where the Siamese twins.
01:06:41Oh, don't gloat.
01:06:42Gloat?
01:06:42Do you think I'm looking forward to waking up in the morning and seeing your face beside me,
01:06:46unwashed and shiny?
01:06:47What a sight you'll be.
01:06:50Give me that nail, fellas, if I go at this.
01:06:56There I go again.
01:06:57I wish I could get that damn tune out of my head.
01:06:59I wonder where I heard it.
01:07:03You sound very sleepy.
01:07:04Sleepy, I'll say so.
01:07:06Do you know when I last slept in her bed?
01:07:08Saturday night, whenever that was.
01:07:10Then I only got a couple of hours.
01:07:12What made you wake so soon?
01:07:13Dreams?
01:07:14What do you mean, dreams?
01:07:15I've always been told murderers have terrible dreams.
01:07:19Oh, but only at first.
01:07:20It got over that long time ago.
01:07:22When I first took the crime, I was quite squeamish about it.
01:07:25I was the most sensitive child.
01:07:26You surprise me.
01:07:27I used to wake up in the middle of the night screaming, thinking the police were after me,
01:07:30but one gets hardened.
01:07:32How did you start?
01:07:34Oh, quite a small way, like most of us.
01:07:35Pilfering pennies from other children's lockers at school.
01:07:38Then a little pocket picking.
01:07:40Then a spot of car pinching.
01:07:41Then smash and grab and so on.
01:07:43A plane burglary.
01:07:44I killed my first man when I was 19.
01:07:49And in years to come, you'll be able to take your grandchildren to Madame Tussauds and point
01:07:53me out.
01:07:54Which section?
01:07:55Oh, it's early to say.
01:07:56I'm still young.
01:07:58But I'll be there all right in one department or another.
01:08:01Yes, you'll point me out and say,
01:08:03Chicks, if I were to tell you how matey I once was with that gentleman, it would be
01:08:07since the matter.
01:08:09You're pinching my wrist with his hand.
01:08:10Oh, sorry.
01:08:12Talking of Madame Tussauds, that's how it all began.
01:08:14What began?
01:08:15My career of crime, old hereditary, great-uncle Pen Ruddock.
01:08:20Who was he?
01:08:21My good girl, where were you, brother?
01:08:23I've never heard of my great-uncle Pen Ruddock, the Cornish Bluebeard.
01:08:26Got it all from him.
01:08:27I thought your family came from Canada.
01:08:30No, that's where they went, after the Pen Ruddock incident.
01:08:33He murdered three wives and got away with it, but his third mother-in-law got the goods
01:08:37on him and tried to have him arrested.
01:08:39Did she succeed?
01:08:41No.
01:08:42He was too quick for her.
01:08:43Took her for a walk to Land's End and shoved her over into the Atlantic Ocean.
01:08:48He's in Madame Tussauds all right, and there's no doubt about his department.
01:08:52You must go down and see him sometime.
01:08:54Can't mistake him.
01:08:55Third on the left as you go in, red whiskers and a hair lip.
01:09:00And that lady is the sad story of my life.
01:09:04Poor orphan boy who never had a chance.
01:09:08Are you still set on giving me up to the police?
01:09:31You're sure everything's going to be quite all right?
01:09:33Bound to be.
01:09:34He can't have much time.
01:09:36As soon as I've picked up, you know what, I'll clear out of the country.
01:09:40Be careful.
01:09:42Quiet me.
01:09:49Goodbye, Maria.
01:09:50Goodbye.
01:09:52Goodbye.
01:13:20Is, uh, is this a hotel as well?
01:13:23Aye.
01:13:23I mean, do you have people staying here?
01:13:25Aye.
01:13:26I suppose you get a few odd people at this time of the year.
01:13:29Oh, aye.
01:13:30Hmm.
01:13:31You didn't happen to have anyone in tonight, did you?
01:13:33Aye.
01:13:34They, uh, they weren't by any chance a young couple, were they?
01:13:38James!
01:13:39Merci.
01:13:41What kind of a silly creature am I married to?
01:13:44Do you want to get us all jailed?
01:13:45How much did you pack for these?
01:13:47Half a crown.
01:13:52Oot!
01:13:53The pair of you!
01:13:54And didn't let on to anybody that you got to drink here after hours.
01:14:09You old fool, yeah?
01:14:10You wouldn't have given away a young couple, would you?
01:14:30Well, I don't even know, I don't care.
01:14:34You weren't afraid, but I looked away after hours.
01:14:34I felt like that.
01:14:34I was worried about the people's life...
01:14:34I just wanted to go back.
01:14:35In the midst of the night, I didn't ever go back.
01:14:35I don't know.
01:14:35I was allowed to go back.
01:14:35I was like, oh, yeah.
01:14:36I was like, oh.
01:14:37I was like, oh, yeah.
01:14:37And I'm so happy.
01:14:39I was like, oh, yeah.
01:14:45Even if you're not back.
01:16:02Good morning.
01:16:07It's the idea.
01:16:08How did we get out of these?
01:16:09We didn't, at least you didn't.
01:16:11I slipped out of mine last night and came and camped out here.
01:16:14Why didn't you run away?
01:16:15I did, but just as I was going, I discovered that you'd been speaking the truth.
01:16:21So I decided to stay.
01:16:23May I ask what earthquake caused your brain to work at last?
01:16:26Those two men were in here last night.
01:16:28I overheard them telephoning.
01:16:29What did they say?
01:16:30Oh, a lot of stuff about the 39 steps.
01:16:34You wrote me?
01:16:35No, go on.
01:16:36Go on.
01:16:37Someone's going to warn them.
01:16:38How can you warn steps?
01:16:39Never mind.
01:16:40Go on.
01:16:40Yes, yes.
01:16:41And there was another thing.
01:16:42Someone's got scared and is clearing out.
01:16:46And, oh, yes, yes, I know.
01:16:47And is picking up someone at the London Palladium.
01:16:49London Palladium.
01:16:52Is that the professor, our friend with the little finger missing?
01:16:56What does he want to go there for?
01:17:02I feel such a fool, not having believed you.
01:17:05Oh, that's all right.
01:17:09And, well, we ought to get a move on.
01:17:13What room are those two men in?
01:17:15No room.
01:17:16They went as soon as they telephoned.
01:17:19They what?
01:17:22Didn't I tell you?
01:17:23You let them go after hearing what they said.
01:17:26You button-headed little idiot.
01:17:27Don't talk to me like that.
01:17:28Four or five precious hours wasted.
01:17:30Why didn't you wake me up at once?
01:17:31Even you might have realized that what they said was important.
01:17:34Now they call these men off.
01:17:35Why not let well alone?
01:17:36Let well alone?
01:17:37My good girl, I'm accused of murder.
01:17:38Can't you realize the only way I can clear myself is to expose these spies?
01:17:42You still can.
01:17:43The man's going to the London Palladium.
01:17:44Really?
01:17:44First house or second house?
01:17:46I'll get there five hours late.
01:17:47Fine.
01:17:48The show will just about suit you.
01:17:49What's that?
01:17:50Crazy month.
01:18:11You're quite right, madam.
01:18:14It's true the Air Ministry has got a new thing quite a lot of people are interested in.
01:18:19But they are positive that no papers are missing about it that would be of any use to a spy.
01:18:24But I tell you, I'm quite certain about it.
01:18:26There's a man leaving the country tonight with something.
01:18:28Since you phoned to us from Scotland this morning, we've made the minutest inquiries.
01:18:40It's obvious that I'm wasting my time here.
01:18:42Now, just a moment, Miss, please.
01:18:44There's one thing you haven't told us.
01:18:47Where's Richard Hannay?
01:18:51I haven't the faintest idea.
01:18:54Now, look here, Miss, you can't...
01:18:56You're in the telephone book, aren't you?
01:18:58Yes.
01:18:59Well, if anything cropped up, we'll give you a ring.
01:19:01That'll be all now.
01:19:09Tell Arthur and Seagrave to get another taxi and follow that girl.
01:19:13She'll lead us to Hannay, all right.
01:19:41Love is a song.
01:19:57Cover every exit, and on no account let anyone leave the building.
01:20:01Now, you two men go in the orchestra pit.
01:20:03Ladies and gentlemen, we shall now sing.
01:20:26Come on, move along there, please.
01:20:29Come on, sir.
01:20:32Sorry, sir, but no one's allowed to leave the theatre.
01:20:34What's a great idea?
01:20:35Can't a man go out and have a drink?
01:20:37I've got a secret store for just to leave, sir.
01:20:39Can I go through, please?
01:20:40No, thank you.
01:20:41No, thank you.
01:21:09She's seen him.
01:21:09She's on her way down to the store.
01:21:11Now, sir.
01:21:41What are your applause?
01:21:49Excuse me, I'll take your place, Peter.
01:21:52What are you doing here?
01:21:54Listen, I've found him as an inbox.
01:21:55You can't do anything about it.
01:21:56I've been to Scotland Yard.
01:21:57Nothing whatever's been stolen from the Amnesty.
01:21:59They're absolutely certain about it.
01:22:00But you heard those men say he had got in there, yes.
01:22:05Shall we take him, sir?
01:22:06I'll wait till the end of the morning.
01:22:10What are you going to do?
01:22:10There's nothing missing.
01:22:11There's an end to it.
01:22:25Hear that tune?
01:22:26It's that damn thing I couldn't get out of my head.
01:22:29Now I know what I heard it before, of course.
01:22:32That musical.
01:22:34Annabella's...
01:22:36Ladies and gentlemen, with your kind attention and permission,
01:22:42I have now the honor to present to you one of the most remarkable men in the world.
01:22:48It's the same little man.
01:22:49Every day, he commits a memory.
01:22:52Fifty new facts.
01:22:53Angry members, every one of them.
01:22:56Facts from history, from geography, from newspapers, from scientific textbooks.
01:23:03Millions and millions of them down to the smallest detail.
01:23:08Test him, ladies and gentlemen.
01:23:10Ask him any questions.
01:23:11I've got it, I've got it.
01:23:12Of course there are no papers missing.
01:23:14All the information's inside Memory's head.
01:23:16Mr. Memory.
01:23:18But I still don't know you're staring.
01:23:20Don't you see?
01:23:20The details of that air minister's ticket were borrowed,
01:23:23memorized by this little man,
01:23:25and then replaced before anyone could find out.
01:23:27That's why he is here tonight.
01:23:28To take Memory out of the country after the show.
01:23:30But surely some gentlemen here would like to speak to you.
01:23:34Question, please.
01:23:36Question, please.
01:23:37You're in the boat race.
01:23:38When the Charles Lightingale died.
01:23:40What is the height of the M.I.P.
01:23:42You, Richard Haney?
01:23:43Listen, there's something you ought to know.
01:23:44Keep Haney, come along quiet.
01:23:45Yes, but look here, that man on the star...
01:23:46Hey, look here, old man.
01:23:47You don't want to cause any trouble and spoil people's entertainment.
01:23:51What are the 39 steps?
01:23:55Come on, answer up!
01:23:56What are the 39 steps?
01:23:57The 39 steps is an organization of spies,
01:24:02collecting information on behalf of the Foreign Office of...
01:24:05Who?
01:24:29Neil, keep your seats.
01:24:32Keep your seats, please.
01:24:33There is no need for alarm, no cause for alarm.
01:24:40Take it easy, take it easy, take it easy.
01:24:46I'm all right.
01:24:47Get the girls on straight away!
01:24:51The girls in the doctor right away.
01:24:53Mr. Memory,
01:24:54what was the secret formula you were taking out of the country?
01:24:59Will it be all right me telling you, sir?
01:25:02It was a big job to learn it.
01:25:04The biggest job I ever tackled.
01:25:06And I don't want to throw it all away.
01:25:08It'll be quite all right.
01:25:09The first feature of the new engine is its greatly increased ratio of compression,
01:25:13represented by R minus one over R to the power of gamma,
01:25:17where R represents the ratio of compression and gamma.
01:25:20The other thing is, sir,
01:25:21seen in N elevation.
01:25:23The axis of the two lines of cylinder,
01:25:26angle of 65 degrees.
01:25:29The dimensions of cylinders as follows.
01:25:33This device renders the engine completely silent.
01:25:38Am I right, sir?
01:25:40Quite right, old chair.
01:25:42Thank you, sir.
01:25:45I'm glad it's off my mind.
01:25:48At last.
01:25:49I'm glad it's off my mind.
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