- hace 2 días
Cast: Boris Karloff, Béla Lugosi, Stanley Ridges, Anne Nagel, Anne Gwynne, Virginia Brissac, Edmund MacDonald, Murray Alper, Jack Mulhall, John Kelly, Robert Morgan, Paul Fix, Joe King
Director: Arthur Lubin
Synopsis: When his friend Professor Kingsely is at deaths door, brain surgeon Dr. Sovac saves his life by means of an illegal operation that transplants part of injured gangster Red Cannon's brain. Unfortunately, the operation has a disasterous Jeckll and Hyde side effect and under certain conditions the persona of Cannon emerges. Sovac soon learns of the duel personality and of half a million dollars the gangster has hidden away. He attempts to find the money through the manipulation of his friend, an attempt that brings Kingsley closer to madness as he alternates between a meek professor of english and a brutal gangster out for murderous revenge on those who tried to kill him.
Director: Arthur Lubin
Synopsis: When his friend Professor Kingsely is at deaths door, brain surgeon Dr. Sovac saves his life by means of an illegal operation that transplants part of injured gangster Red Cannon's brain. Unfortunately, the operation has a disasterous Jeckll and Hyde side effect and under certain conditions the persona of Cannon emerges. Sovac soon learns of the duel personality and of half a million dollars the gangster has hidden away. He attempts to find the money through the manipulation of his friend, an attempt that brings Kingsley closer to madness as he alternates between a meek professor of english and a brutal gangster out for murderous revenge on those who tried to kill him.
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00:02:15I'd like you to have my notes and records. Of all the newspapers, yours was the only one which was
00:02:21fair to me. Thanks, Doctor.
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00:04:41Without you.
00:04:42Well, that's very nice of you, indeed, son.
00:04:44You know, Jean, I'm going to miss all this.
00:04:49But most of all, I'm going to miss your father.
00:04:51A brilliant man, Jean.
00:04:54It distresses me to think that such a great brain surgeon should be so utterly wasted in Newcastle.
00:04:59Newcastle is a very welcome port in a very bad storm.
00:05:03Why, if it hadn't been for you, Professor, I don't know what we would have done.
00:05:06Oh, Jean, my dear.
00:05:12Well, Margaret, you don't know how sorry I am to see you and George leave.
00:05:16You've befriended Jean and me in so many ways since we came to live here.
00:05:19We're going to miss you, too, Ernst.
00:05:21Thank you, Margaret.
00:05:22Oh, here they are.
00:05:22Hello, darling.
00:05:23Hello, Margaret.
00:05:23Ernst, if I could only drive, I'd never impose on you like this.
00:05:27It's a pleasure, George.
00:05:28It's rather a mixed one, you know.
00:05:29We hate to see you go.
00:05:31Hello, Dad.
00:05:33Oh, I knew I'd forgotten something.
00:05:35As usual.
00:05:36What an hour.
00:05:37Ernst, would you mind stopping at the students' cleaning shop?
00:05:39My one and only hat is there.
00:05:41And a professor must have dignity when he goes to the city buses.
00:05:49There we are, George.
00:05:51George, we're here.
00:05:52George!
00:05:53Oh, hurry, or we'll miss the train.
00:05:55All right, darling.
00:05:55Oh, Professor, don't let them sell you one of those fancy feathers.
00:05:58I won't, Jean, I won't.
00:06:00And George.
00:06:01George.
00:06:02George.
00:06:03Yes, dear.
00:06:04Now, watch the traffic, won't you?
00:06:05Yes, darling.
00:06:07Careful, darling.
00:06:07Please.
00:06:27Let's go.
00:06:47Mr. Red Cannon now belongs to the history of crime.
00:06:50Past tense.
00:06:51But what about our door? We ain't got it back yet.
00:06:53Yeah.
00:06:53Yeah, how about it?
00:06:54Mr. Debor, it would have been poor business to kill Red unless I knew how to locate the money.
00:07:00Turn back to the city.
00:07:09Ernst.
00:07:09He's going to be all right, my dear. Now, you go home with Gene and I'll call you later.
00:07:14We'll be waiting again.
00:07:16Come on.
00:07:33Ambulance, huh?
00:07:34Uh-huh.
00:07:35Some men were shooting at you. Who were they?
00:07:38Just a few of my pals.
00:07:41How bad am I hurt?
00:07:43A few minor cuts on the scalp, that's all.
00:07:48Any pain?
00:07:50No, not much.
00:07:52Who's the other customer?
00:07:54The man you ran down.
00:07:56He's dying.
00:07:59Softie.
00:08:01Did those guys get away?
00:08:03Yes.
00:08:04And pull the bell cord of this bus. This is where I get off. I'm going rat killing.
00:08:10Hey, I'm tied down. What is this? A pinch?
00:08:17Turn that thing off. I can't stand it. It's driving me crazy.
00:08:33No use, Sobeck.
00:08:34Kingsley has compound frontal and parietal fracture.
00:08:37And severe concussion of the cerebrum.
00:08:40Just a matter of hours.
00:08:42Or minutes.
00:08:53Pulse 65. He's in a coma.
00:09:11All right, nurse. You can go.
00:09:13I'll stay.
00:09:15What's the matter with me, doc?
00:09:33I can't feel nothing. My legs are there, but I can't feel them.
00:09:37Your spine is broken.
00:09:39You're paralyzed.
00:09:43Now pull me through, doc, will you?
00:09:45Pull me through and I'll pay you anything.
00:10:00And now you're I'll pay you for it.
00:10:03Come with me.
00:10:17The only possible way to save George Kingsley's life is by a brain transplantation, an operation
00:10:24I performed successfully on animals.
00:10:26This is a dangerous and illegal operation, but a chance to make a great scientific discovery
00:10:31and perhaps save my friend's life.
00:10:59Ernst, how long will his head be bandaged?
00:11:02Oh, not long now.
00:11:03Dr. Sobeck.
00:11:05Yes?
00:11:07Two gentlemen want to see you.
00:11:10Who are they?
00:11:11They are detectives, I believe.
00:11:14I'll see them.
00:11:16Excuse me, please.
00:11:18I'll be right back, George.
00:11:20A miraculous recovery, Mrs. Kingsley.
00:11:24Amazing.
00:11:27It's cannon, all right.
00:11:32Well, doctor, the head injuries caused death?
00:11:36And many complications.
00:11:38His spine was broken.
00:11:40We did all we could for it.
00:11:42Don't feel badly about it, doctor.
00:11:43He wasn't worth it.
00:11:44He had nothing but the electric chair to live for.
00:11:46Did he say anything before he died?
00:11:48About money, for instance?
00:11:51Not that I know of.
00:11:53Thanks, doctor.
00:12:37Five hundred thousand dollars.
00:12:39With that money, I could build my own laboratory and continue with my experiments.
00:12:45Kingsley is convalescing and seems to show some of Red Cannon's traits.
00:12:50Does the cannon brain in Kingsley's head retain the knowledge of the hidden money?
00:12:59I've been waiting to see you, Ernst.
00:13:01I'm worried about George.
00:13:03He just doesn't seem himself.
00:13:05Why, he's getting stronger every day, isn't he?
00:13:07Physically, yes.
00:13:08But his mental condition doesn't seem right.
00:13:10He's irritable, flies into a rage for no reason at all.
00:13:14That isn't like George.
00:13:15No, it isn't.
00:13:17He has been acting strangely lately.
00:13:20I don't think I'd be too alarmed about it, though, if I were you.
00:13:23Well, I hope you're right.
00:13:25I think so.
00:13:27You're late today, Ernst.
00:13:29Come and sit down and talk to me.
00:13:31I'm feeling very low.
00:13:32Will you have some tea?
00:13:33Perfect.
00:13:34The trouble with you is you're feeling too well.
00:13:37Too well?
00:13:37Well, I used to think that a long period of convalescence would be like an ocean voyage.
00:13:42That I'd have a chance to read all the books I want to that I haven't time to ordinarily.
00:13:47But nothing seems to interest me.
00:13:50A boring period, convalescent.
00:13:52Yes, indeed it is.
00:13:56I'm afraid I've got to go to New York for a few days, George.
00:13:58You've got to?
00:13:59Yes, a little business for the hospital.
00:14:01Well, that's nice.
00:14:02I must say, what am I going to do for companionship?
00:14:05Well, why not come with me?
00:14:07I'll come with you?
00:14:09Oh, no, I couldn't do that.
00:14:11New York's too big, too noisy.
00:14:13I never have wanted to go there.
00:14:15And yet...
00:14:16It's the very thing you need, George.
00:14:19You've had your fill of peace and quiet.
00:14:21You'll find New York exciting, stimulating.
00:14:25Just the thing to lift you out of the doldrums.
00:14:28As my doctor, do you prescribe it?
00:14:30As your doctor, I insist on it.
00:14:33Very well.
00:14:35I'll tell Margaret to pack.
00:14:37Oh, no, George. Let's go alone.
00:14:40Alone?
00:14:41In New York, without Margaret?
00:14:43What you need is a radical change.
00:14:47Well, perhaps you're right, Ernst.
00:14:49I've been like a bear lately.
00:14:51I'm quite sure she'd be glad to be rid of me for a time.
00:14:55New York.
00:14:57New York, I wonder.
00:15:06I'm taking Kingsley to Red's old environment.
00:15:09In fact, to the Midtown Hotel which Cannon used as his hideout.
00:15:25Good afternoon, gentlemen.
00:15:27We'd like adjoining rooms.
00:15:29Uh, yes.
00:15:30Yes, sir.
00:15:31505 and 506, if they're available, are they?
00:15:35Well, yes, they're available.
00:15:37Uh, you've been with us before, sir?
00:15:41No, of course not.
00:15:43But I like a corner room with three windows and a fire escape.
00:15:57This way, gentlemen.
00:16:13Well, well.
00:16:28Uh, I'm in the next room, Ernst.
00:16:31Uh, will you bring the black bag in here, please?
00:16:56You sure picked a room with a history, Mr. Kingsley.
00:16:59Oh, really?
00:16:59But you see, history is not my subject.
00:17:02I don't mean that.
00:17:03I'm talking about Red Cannon.
00:17:06He hid out in these rooms for nearly six months from cops, G-men and his own gang.
00:17:11Nobody in the hotel suspected him, but his gang got wise and Red tried to run out.
00:17:15They caught up to him in some small town in the sticks.
00:17:18Imagine when we found out who he was and him with nearly a million bucks hidden away.
00:17:23Say, the manager locked himself in here and took these rooms apart.
00:17:26Yes, yes, yes.
00:17:27But he's still the manager, so I guess he didn't find it.
00:17:30Anyway, I made plenty out of Cannon.
00:17:32I was the only one he allowed up here.
00:17:34I had a special way of knocking.
00:17:42Yes, sir.
00:17:43That's it.
00:17:46Thanks.
00:18:06A talkative youngster.
00:18:08Babbles on like Tennyson's brook.
00:18:12Ernst, I'm going to freshen up a bit.
00:18:22And then let's go out.
00:18:24Let's do the town.
00:18:27You know what I mean.
00:18:29A good dinner and perhaps a bottle of wine.
00:18:35Splendid, George.
00:18:37I'll get changed and then we'll go.
00:18:40I chatter, chatter as I flow
00:18:44To join the brimming river
00:18:47For men may come and men may go
00:18:51But I go on forever.
00:19:09The cannon brain remembers this hotel.
00:19:12Will it also remember Red's friends?
00:19:16Miller, Kane, DeVore and Marley.
00:19:20I'm taking Kingsley to the Club Royale
00:19:22Where he'll see Sonny Rogers,
00:19:24Cannon's former sweetheart.
00:19:26My kisses captured your lips
00:19:31But never reached your heart
00:19:37Last night
00:19:40I thought you loved me
00:19:44Dearly
00:19:48And I was
00:19:51Old fashioned.
00:19:52George,
00:19:54I'm ready for anything.
00:19:55I can do.
00:19:56Yes, sir.
00:19:59But now
00:20:01You're as far
00:20:04As far as the tidiest star
00:20:12I find the singer rather interesting, don't you, George?
00:20:15Yeah.
00:20:16Who is she, Ernst?
00:20:17I seem to know her.
00:20:21Could she be one of my former students?
00:20:29I really am surprised, George,
00:20:31That you're pretending to know the singer.
00:20:33Oh, come, come, come now, Ernst.
00:20:34I'm a college professor, not a college boy.
00:20:37All these people here are on pleasure-bent.
00:20:40And pleasure brings as surely in her train
00:20:42Remorse and sorrow
00:20:43And vindictive pain
00:20:45As William Cowper says.
00:20:52Oh, pardon me.
00:20:55Sure.
00:21:10Why, what's wrong, George?
00:21:13My head hurts.
00:21:15That pain again.
00:21:18I can't stand it.
00:21:19We'll leave instantly.
00:21:30Yes.
00:21:31Yes, the next train leaves at noon.
00:21:33Do you wish me to make a reservation?
00:21:35Yes, please.
00:21:37And send up a boy to help me pack, will you?
00:21:45Well, good morning, George.
00:21:46You slept late.
00:21:48But my sleep doesn't seem to refresh me.
00:21:55Ernst.
00:21:57We're old enough friends
00:21:58That we don't have to deceive each other.
00:22:00Why do you say that?
00:22:01Then tell me.
00:22:03What is the matter with me?
00:22:05My sleep only seems to tire me.
00:22:08And I'm haunted by the most horrible dreams.
00:22:12A perfectly normal reaction to the shock of your accident, George.
00:22:17Come in.
00:22:23What do you mean by that ridiculous tap, tap, tap, tap, tapping?
00:22:28Why don't you knock the door like anybody else?
00:22:31Anything you say, sir.
00:22:33You wanted me to pack?
00:22:34Yes.
00:22:34Yes.
00:22:36I don't know what I'm doing here anyway.
00:22:39Ernst.
00:22:41I'm going home.
00:22:43I need Margaret.
00:22:46I don't think I tried to leave today, George.
00:22:50Now, you can stop the packing.
00:22:52Yes, sir.
00:22:58I don't think you're well enough to travel.
00:23:01Now, let's wait and see how you feel tomorrow.
00:23:21Red.
00:23:22Red Cannon.
00:23:25You were the leader of a gang.
00:23:27They tried to kill you.
00:23:28You came back to get revenge.
00:23:41Red.
00:23:44Do you remember the name Marnie?
00:23:49Marnie.
00:23:52He's the one who took your place.
00:23:55Marnie, Miller, Kane, Duvall.
00:24:00Miller.
00:24:01Why did they try to kill you, Red?
00:24:04To get your money?
00:24:08But they didn't find it, did they?
00:24:13It's safe, just where you hid it.
00:24:16Where is it, Red?
00:24:19Where is it, Red?
00:24:19Miller.
00:24:24Cain.
00:24:26Duvall.
00:24:28Miller.
00:24:39Cain.
00:24:42Duvall.
00:24:44Miller.
00:24:51You've been ill, Red.
00:24:56I remember that, that hick town.
00:24:59You're the doc, ain't you?
00:25:00Yes.
00:25:03Say.
00:25:05My back's better.
00:25:07You cured me?
00:25:09Yes.
00:25:11You're perfectly well now.
00:25:12Thanks, Doc.
00:25:13I won't forget it either.
00:25:19Midtown Hotel, huh?
00:25:26How'd I get here?
00:25:27You asked me to bring you.
00:25:28I must have been out of my head.
00:25:30Every copper in town will be looking for me.
00:25:33I've got something to tell you, Red.
00:25:38Where?
00:25:39What?
00:25:41You were smashed up in an accident, you remember?
00:25:44I had to operate to give you another body.
00:25:47You had to do what?
00:25:49What are you talking about?
00:26:13Why did you do this to me?
00:26:14It was the only way to keep you alive.
00:26:17Oh.
00:26:24Doc, you're a genius.
00:26:26But you could have given me a better chassis.
00:26:29I never saw plastic surgery like that before.
00:26:31I used the body of the other man who was dead.
00:26:33Yeah.
00:26:34It was the only way to save you.
00:26:37Say.
00:26:38Wait a minute.
00:26:40Nobody will know me like this.
00:26:43Why, I can do anything.
00:26:47Who was the other guy?
00:26:48He was a professor of English literature.
00:26:51English literature?
00:26:55Well.
00:26:57Well, how are you, Prof?
00:26:58You're now Professor George Kingsley, and you teach in the university at Newcastle.
00:27:03What a disguise.
00:27:06What a break for, uh...
00:27:08Red Cannon.
00:27:15Come in.
00:27:20Telegram, sir.
00:27:23Hey, what is...
00:27:24Next time, you do as you're told.
00:27:27When you come to my room, knock like this.
00:27:32Now, scram.
00:27:32Yes, sir.
00:27:35Next time.
00:27:36Next time.
00:27:57Red, I think.
00:28:06Martha Alexander.
00:28:32Hey, I think it'salım.
00:28:36It's good.
00:28:44THE END
00:29:11THE END
00:29:40THE END
00:29:40Good morning, sir. I'll take them.
00:29:43And, uh, here's the morning paper, sir.
00:29:45Compliments of the house. Thank you.
00:29:47Say, you sure get around, mister.
00:29:48From the looks of those clothes last night, it would seem like you fell into a cement mixer.
00:29:51That'll be all.
00:29:52Yes, sir.
00:30:44Good morning.
00:30:46Yes.
00:30:50How do you feel?
00:30:53Not very well. I'm afraid coming to New York was too exciting. I feel as if the life were drained
00:31:03out of me.
00:31:04She will be all right as soon as you've had a little rest.
00:31:07Well, perhaps so.
00:31:12Here's a curious thing, George.
00:31:15It seems that Louis DeVore, one of the Red Cannon gang, was found early this morning in a deserted building,
00:31:23dying from the effects of a brutal beating.
00:31:25His back had been broken.
00:31:28Good heavens, Ernst.
00:31:30Why on earth bother me with that gruesome stuff?
00:31:34I'm sorry, George.
00:31:39Things have taken a dangerous turn.
00:31:42Kingsley has killed DeVore.
00:31:44While in this environment, I never know when the murderous brain of Red Cannon may take possession of Kingsley.
00:31:49But I will not stop my experiments.
00:31:51I must find out where the cannon money is hidden.
00:32:20I must find out where the cannon money is hidden.
00:32:40All ready, George.
00:33:05Oh, Miss.
00:33:06Yes, sir?
00:33:07I wonder if you'd be kind enough to open my friend's door for me.
00:33:10I'm a little worried about him. He hasn't been very well.
00:33:13Yes, sir. I ain't been feeling so well myself lately.
00:33:45Evidently, my friend has gone out.
00:34:05You can wait for me.
00:34:10No, thank you.
00:34:12I was here the other night with a friend.
00:34:14The rather middle-aged gentleman.
00:34:15That's right. Has he been here tonight?
00:34:18I don't think so, sir.
00:34:19Oh, wait a minute. There was a gentleman that looked like him at the bar.
00:34:22At the bar?
00:34:23Oh, no, no, no. On second thought, he couldn't have been your friend.
00:34:26And besides, that man left a little while ago, sir.
00:34:29Oh.
00:34:36I don't think Sonny was pleased to see us.
00:34:39Why are we wasting time fooling around here?
00:34:41Didn't you see that newspaper picture of the boy's battered body?
00:34:44Say, maybe they'd kill us after us, too.
00:34:46A good deduction.
00:34:48But who would want us dead except some friend of Red's?
00:34:51And who would know about Red Cannon's friends better than Sonny?
00:34:56That's right.
00:34:57Tell your nerves to stop doing nip-ups.
00:34:59Marnay'll handle this.
00:35:00You will handle this, Cain.
00:35:03I've seen you trying to take Red's pace here.
00:35:06Go on.
00:35:38I didn't have any part of DeBoer's killing.
00:35:40Nobody said you did.
00:35:42And everything's just lovely.
00:35:45I'd like to see you at your apartment after you get through.
00:35:48Maybe if we put together what you know about Red and what I know,
00:35:51it'll add up to some money.
00:35:53Say, if I knew anything about a half a million bucks,
00:35:56do you think I'd be working in this joint?
00:35:58We'll go over all that later.
00:36:04Like it?
00:36:06Sure.
00:36:07It's yours.
00:36:11Tonight.
00:36:27Hey, what is this?
00:36:31Get out of my car.
00:36:37What do you want?
00:36:39You ought not to have to think very hard after what happened to DeBoer.
00:36:43Who are you?
00:37:07Hello, Bill.
00:37:10Who is it?
00:37:11Who is it sent you that money to get out of that trouble in Chicago?
00:37:15Red.
00:37:24You're alive?
00:37:31Yes.
00:37:31Yes.
00:37:31I'll be right up.
00:37:49Red.
00:37:56Well, of all the...
00:37:57Don't speak.
00:37:58Don't even move.
00:38:00Just let me look at you.
00:38:04It's great to be back, Sonny.
00:38:07Why did you move the piano?
00:38:09You know I always liked it in that corner.
00:38:10How do you know about that?
00:38:12Surely you didn't think I'd forget in two short months.
00:38:15Are there any cigarettes in the door?
00:38:17Yes.
00:38:22You look good, darling.
00:38:24Come on.
00:38:25Let's have a drink.
00:38:42Nothing touched, eh?
00:38:44Good girl.
00:38:45Come on.
00:39:09Well, here we are.
00:39:12How?
00:39:14How do you like the trimmings?
00:39:26Let me put it on.
00:39:37How did you get it?
00:39:38I just...
00:39:39Just picked it up.
00:39:42Well, you don't seem very glad to see me.
00:39:47You're afraid.
00:39:49What are you afraid of?
00:39:51I...
00:39:52I'm not afraid.
00:40:04Red Cannon must be jumping with joy in his grave the way his boys are getting knocked off.
00:40:08All right, boys.
00:40:12About the DeVore and Cain murders.
00:40:14You know, they were both Cannon's men.
00:40:16We've always believed that his own gang was responsible for Red's death.
00:40:19Can some friend of his be systematically killing off as murderers?
00:40:22A dead gangster has no friends.
00:40:24I want you to go out and find Marnay and Miller.
00:40:27Yes, sir.
00:40:28Okay.
00:40:28Take a couple of men with you and check the Ritz Manor apartments.
00:40:41Don't you, thank you.
00:40:48I'm glad I was afraid.
00:40:51I've seen L.D., and I'm glad I saw you, my brother.
00:40:53You're like a fool, man.
00:40:54I'll take it all.
00:40:54All right, boys.
00:40:58You're welcome.
00:40:58You're welcome.
00:41:08I'll take a couple of men.
00:41:15You're sure this is Marnie's apartment?
00:41:23Oh, good afternoon.
00:41:26I'm sorry, but Mr. Marnie is not at home.
00:41:29Do you mind if we wait for him?
00:41:31Not at all.
00:41:33Are you a friend of Mr. Marnie?
00:41:35In a way, I'm just waiting till he comes back.
00:41:37Who are you?
00:41:39We're from police headquarters.
00:41:41Oh, I see.
00:41:44My name is Kingsley.
00:41:46I'm a professor of English at the University of Newcastle.
00:41:49From Newcastle?
00:41:50You the professor was hit the time Red Cannon was killed?
00:41:53That's right.
00:41:55What business could you have with Marnie?
00:41:57You'd better come along with us and explain that to the D.A.
00:42:00Do you want me?
00:42:01Go, go.
00:42:11Come on.
00:42:12Come on.
00:42:15Come on.
00:42:21Come on.
00:42:45Good morning, Sonny.
00:42:47Good morning.
00:42:48What's the matter?
00:42:49Aren't we welcome?
00:42:56So Cain was here last night.
00:42:58Well, I had a date with him, but he didn't show up.
00:43:02The police found his body this morning strangled.
00:43:04Yeah, and his back was broken, just like the voice.
00:43:07Well, I don't know anything about it.
00:43:08No, if Cain wasn't here, where did you get that watch?
00:43:11Well, I expected him, but somebody else came and gave me the watch.
00:43:14Who?
00:43:14He said he was Red Cannon.
00:43:18What did you drive up in? A hearse?
00:43:21Try again.
00:43:23And be a little more believable.
00:43:25I'm trying.
00:43:26Hey, Red was here.
00:43:27Look.
00:43:28Red always killed his cigarettes this way.
00:43:29You've got to be alive to do that.
00:43:32Red's been dead since two months.
00:43:33That's what I thought.
00:43:34But last night this man came here and he didn't look like Red, but...
00:43:40This is the first thing he did when he came in.
00:43:43He knew everything that only Red knew.
00:43:49He even acted and talked like Red.
00:43:51Probably somebody Red coached carefully.
00:43:55Somebody from that hick town who got close to him before he died.
00:43:58If he knows so much, he may know where Red hid the money.
00:44:01That would be his payoff.
00:44:03He gets Red's money for killing all of us.
00:44:05Where does he live?
00:44:06I suppose you're going to say room 505 at the mid-bound.
00:44:10Who left his matches here?
00:44:13Asked of all.
00:44:14And Cain.
00:44:26Any word of Professor Kingsley?
00:44:27Nothing, Doctor.
00:44:35Dad.
00:44:38Margaret was so worried.
00:44:39We talked it over and decided to come on to New York.
00:44:42Ernest, I just had to see George.
00:44:43Where is he?
00:44:44Well, he's out.
00:44:44I don't quite know where.
00:44:46But I...
00:44:48I thought you were always with him.
00:44:50I'm afraid you're not going to like this, Margaret.
00:44:52But I'm going to be quite blunt with you.
00:44:54When George was convalescing at home, you were a marvelous nurse.
00:44:57I did what I could.
00:44:58Exactly.
00:44:59When he turned his head, you were there to adjust the pillow.
00:45:01If he reached for a glass of water, you were porting it for him.
00:45:04I'm sorry I couldn't have done more.
00:45:06But that was just the trouble.
00:45:07If you'd kept it up, he'd have been a permanent invalid.
00:45:10Why didn't you tell me?
00:45:12Well, naturally, I didn't want to hurt your feelings.
00:45:14Unfortunately, George himself rebelled in time.
00:45:17And that's why you brought him to New York alone with you?
00:45:19Of course, my dear.
00:45:20He had to have a change.
00:45:22Has it helped?
00:45:23Is he better?
00:45:24Yes, he is.
00:45:25But we must still be careful.
00:45:27Now, I suggest that you allow him to remain here till he's perfectly ready to go home of his own
00:45:32accord.
00:45:32And don't try to see him.
00:45:34Oh, but I...
00:45:34Now, you and Jean go up to your rooms and get some rest.
00:45:37And take the first train out for Newcastle in the morning, huh?
00:45:40Well, if it's best for him.
00:45:42All right.
00:45:43Believe me, it is.
00:45:44But there's George.
00:45:46Margaret, you said you wouldn't try to see him.
00:45:48Now, please, will you take her to my room?
00:45:49Oh, please, but Dad!
00:45:50Jean!
00:45:51I can't understand.
00:45:51I assure you what I'm doing is for his own good.
00:45:53Now, please believe me.
00:46:00Who were the women?
00:46:01Never mind that.
00:46:02Why, what's happened to your shoulder?
00:46:03I got nicked.
00:46:04Who were those women?
00:46:06My daughter and your wife.
00:46:08My... my wife?
00:46:09Oh, Kingsley, sir.
00:46:11Well, get him out of here.
00:46:12I don't want any dames around here.
00:46:13Let me see.
00:46:14You've been shot.
00:46:15Yeah.
00:46:15Fix it up, will you?
00:46:16How'd you get it?
00:46:16The coppers shot me.
00:46:18It's only a scratch.
00:46:19How'd you get it?
00:46:19Well, don't ride me.
00:46:21It's your fault anyway.
00:46:22Yeah.
00:46:22You told me to use this Kingsley gag.
00:46:24Well, I pulled it and it didn't work.
00:46:25Where were you?
00:46:26In Marnie's apartment.
00:46:27They tried to question Professor Kingsley
00:46:29and I wouldn't stand for it.
00:46:30You killed them?
00:46:31Well, what do you think?
00:46:32Come on, get to work.
00:46:33You fool!
00:46:33They'll catch you before we get the money and you...
00:46:38What money?
00:46:41What do you know about the money?
00:46:43Why, I...
00:46:43You know too much, Doc.
00:46:47Just a minute, Wren.
00:46:49You kill me, what becomes of you?
00:46:52You think you're Red Cannon, don't you?
00:46:54But whose body are you wearing?
00:46:56Well, you told me.
00:46:56Exactly.
00:46:57George Kingsley's.
00:46:59Professor of English Literature at Newcastle.
00:47:01How'd you like to be George Kingsley for good?
00:47:04What do you mean?
00:47:04You're walking around in Kingsley's body, all right.
00:47:08But part of your brain is his and you can't control it.
00:47:11That's not true.
00:47:11You killed the war.
00:47:13Last night, you murdered Cain in his car outside the club.
00:47:17I saw it.
00:47:18Remember?
00:47:20But do you remember how you woke up?
00:47:22In this very room, you woke as Kingsley.
00:47:25Complaining of nightmares, not knowing why you were here.
00:47:28I can't think.
00:47:29What's happened to my brain, I can't remember.
00:47:31Of course you can't.
00:47:32And if I hadn't forced you back into Red Cannon, you'd have gone to Newcastle as Kingsley for the rest
00:47:37of your life.
00:47:37Stop it.
00:47:38I can make you forget you ever wear it.
00:47:40Stop it, I tell you.
00:47:47I'll cut you in on the dough.
00:47:49You get your share.
00:47:51From now on, you do exactly as I say.
00:47:57Okay, Doc.
00:48:03Now I'll fix that shoulder.
00:48:09It's no use, Jean.
00:48:10I'm not going home in the morning.
00:48:11Not unless George goes with me.
00:48:12But you told Dad...
00:48:13I don't care what I said.
00:48:15When George came in, your father practically ran me out of the room.
00:48:18He's trying to conceal something.
00:48:20No, Margaret.
00:48:20I'm going to see George now.
00:48:22And if Ernst tries to stop me, I'll call a New York doctor.
00:48:25Margaret, I'm sure you're worrying over nothing.
00:48:27But I'll go talk to Dad.
00:48:31There you are.
00:48:33Okay.
00:48:34Nice job, Doc.
00:48:35It's not safe to stay here too long.
00:48:37You get that money tonight.
00:48:38Maybe you're right.
00:48:39I'll get going right away.
00:48:42You...
00:48:44Professor King...
00:48:45Dad!
00:48:49Jean.
00:48:50Dad?
00:48:51He didn't even know who I was.
00:48:53Oh, nonsense, Jean.
00:48:54And the way he looked.
00:48:57He was like Professor Kingsley, and yet...
00:49:00Dad, what is back of all this?
00:49:02Haven't you guessed?
00:49:04The operation I performed was a brain transplantation.
00:49:10Then his brain...
00:49:11Is partly the brain of Red Cannon.
00:49:16Dad.
00:49:17Your best friend.
00:49:19Oh, you couldn't.
00:49:20I saved his life, didn't I?
00:49:22Well, what's the good of that if you've turned him into a criminal?
00:49:24My only thought was to keep him alive.
00:49:26I swear it.
00:49:27But when I saw signs of the gradual awakening of the Cannon brain,
00:49:32I knew I'd made a great discovery for science.
00:49:34Cannon's a gangster.
00:49:36Murderer.
00:49:36All right.
00:49:37But in the meantime, I've proved what I always knew to be true.
00:49:42Transplanted human brain cells will live and function.
00:49:45What a triumph.
00:49:47Think of it.
00:49:48I'm not a scientist, Father.
00:49:50I can only see you destroying your best friend.
00:49:52Oh, it's too late to think of that.
00:49:54But you must.
00:49:55Think what you're doing to him and Margaret.
00:49:56Oh, he'll be all right.
00:49:58As soon as I get him back to Newcastle, he'll forget all about this.
00:50:01But I can't do that until...
00:50:04Until what?
00:50:06Until the experiment is completed.
00:50:09You've got to take him home tomorrow.
00:50:12Why?
00:50:14Because it's the only human thing to do.
00:50:18Margaret is suspicious.
00:50:19She threatens to call in a New York doctor.
00:50:21Then the truth is bound to come out.
00:50:23Don't forget that.
00:50:24You had no legal right to operate.
00:50:26It means prison.
00:50:28And every chance you might have had for a career in this country is lost.
00:50:36Very well.
00:50:39Tell Margaret we'll go back to Newcastle in the morning.
00:50:45I'll tell her.
00:50:52Gang killer slays two detectives.
00:50:55You think the police would catch that killer by now?
00:50:57A guy like that must be a lunatic.
00:50:59If I got one look at him, I could tell his type.
00:51:05Same, sir.
00:51:18Oh, hello, darling.
00:51:20I sent you a message.
00:51:21I was coming back to your dressing room.
00:51:22Home and pack.
00:51:23Pack?
00:51:24Where are we going?
00:51:26South America, for a starter.
00:51:30Have we money enough?
00:51:32All the money in the world.
00:51:35Understand?
00:51:36All the money in the world.
00:51:41Let me have the keys to your car.
00:51:43I don't want any taxi drivers hanging around.
00:51:45Yeah, sure.
00:51:48Hear from me in an hour and I'll have everything we need.
00:51:51Are you ready?
00:51:52What do you think?
00:52:07I want to try.
00:52:08He wants me to run away with him.
00:52:09He is going to pick up the money now.
00:52:11Good.
00:52:12I knew he would.
00:52:13Sooner or later.
00:52:15We'll get it and split it three ways.
00:52:17Well, that's all right with me. I'll point him out to you.
00:52:26There he is at the bar. Just getting up.
00:52:31He's taking my car.
00:52:34It should be easy to follow.
00:52:52How do you think of this guy?
00:52:54The way Red got hit, he couldn't have told everything he knew before he died.
00:52:57I only know that Red is planted in a graveyard, and I'm not afraid of anyone else.
00:53:02Me neither.
00:53:03Knowing this guy knows everything Red knew, and he gives me the creeps.
00:53:08He's leading us to half a million dollars.
00:53:21**Badieu music**
00:53:27**Badieu NYU**
00:53:45**Par characteristic of Orange County**
00:54:39We'll take that box.
00:54:44Go ahead and shoot, if you want to dive 200 feet for it.
00:54:48The money is what we want.
00:54:50Hand it over, and we'll give you a break.
00:54:53Okay.
00:54:55Come and get it.
00:54:57Keep him covered.
00:55:12Come and get it.
00:55:50You never saw the day I couldn't break you apart, Miller.
00:56:22Come and get it.
00:56:33What's happened?
00:56:36Where's Miller?
00:56:37Get me something to open this.
00:56:39Hurry.
00:56:50Go get me a drink.
00:56:51And then, we're on our way.
00:56:53Sonny, the split on this now is two ways.
00:57:17Sonny!
00:57:26Get in there.
00:57:36You're late.
00:57:40Where's Marnie?
00:57:41I don't know.
00:57:43I haven't seen him.
00:57:47Why is the bar open?
00:57:49I was getting a drink.
00:57:50I was almost packed and just waiting for you.
00:57:55Why are you staring at me?
00:57:57What's happened to you?
00:57:58Marnie and Miller followed me from the nightclub.
00:58:02Now I know why you didn't want me to come back to your dressing room.
00:58:05They were there.
00:58:13I don't know why you didn't want me to come back to your dressing room.
00:58:14Red, what are you looking for?
00:58:15Don't you believe me?
00:58:16I haven't seen Marnie for six months.
00:58:24Red, look at me.
00:58:26There's never been anybody but you.
00:58:28Believe me.
00:58:44What were you saying?
00:58:46What were you saying?
00:59:15Let me out!
00:59:16I tell you where the money is.
00:59:17I hear it.
00:59:18I hear it.
00:59:18It's in the oven, Red.
00:59:19It's in the oven.
00:59:21Let me out!
00:59:22Let me out!
00:59:23I tell you where the money is.
00:59:25It's in the oven!
00:59:27Let me out!
00:59:29Let me out!
00:59:30I hear it, Mr. Earl!
00:59:37Oh!
00:59:42Oh!
00:59:42Please, don't move.
00:59:51Taxi.
00:59:52Yes.
00:59:57Where to?
00:59:58That's in the airport.
00:59:59Yes, sir.
01:00:01Pardon the order.
01:00:04A hot driver that works all night shouldn't have kids.
01:00:07All night you work your heart out for the little woman and the little darling.
01:00:10All day long while you're trying to snatch 40 winks, the old lady slams the doors.
01:00:15The kids chase each other in out of the room.
01:00:17One kid jumps up on the bed, hops on your stomach.
01:00:20Daddy, tell me a story.
01:00:22Tell me a funny story.
01:00:24I knock him out of the bed.
01:00:25He screams.
01:00:26The old lady calls me a tramp.
01:00:28Home sweet home.
01:00:29I'll kill him.
01:00:30Shut up.
01:00:31I don't like gappy taxi drivers.
01:00:43I can't find any other ladies person.
01:00:44Don't take him out.
01:00:44I don't like the boy.
01:00:44Don't do me.
01:00:47I don't like him.
01:00:53Don't be lucky to come out.
01:00:54Here's the boy.
01:00:54Come on.
01:01:07Wesley Airport.
01:01:15Wesley Airport.
01:01:20What?
01:01:21Wesley Airport.
01:01:26What?
01:01:27Drive me to the Midtown Hotel.
01:01:30Midtown Hotel.
01:01:31It's a crazy business, but it's a living.
01:01:42Midtown Hotel.
01:01:45480.
01:01:49Keep the chain.
01:01:54Hey, you forgot your box.
01:02:05A thousand bucks.
01:02:17George.
01:02:20Ernst.
01:02:21Something's happened to my mind.
01:02:28I found myself in a taxi.
01:02:31And I don't know how I got there.
01:02:45Ernst.
01:02:45Just a minute, George.
01:02:50You know Margaret and Jean are here.
01:02:53Margaret here?
01:02:56Yes.
01:02:58Now drink this.
01:03:04I want you to get some rest before you see them.
01:03:12I want you to get some rest before you see them.
01:03:47I hope you enjoyed your visit, Mr. Kingsley.
01:03:49Yes, very much indeed.
01:03:50May I have the bill?
01:03:51Oh, no, George.
01:03:52Allow me.
01:03:53If it was understood, you would be my guest, you know.
01:03:55Mr. Kingsley?
01:03:57Yes, that's my name.
01:03:58The Chief of Police would like to see you.
01:04:00Oh, really?
01:04:01But I don't even know him.
01:04:02We'll introduce you.
01:04:03What can the Chief of Police possibly want?
01:04:05Well, there can't be any charge against Professor Kingsley, surely.
01:04:08The Chief will explain all that.
01:04:09Who are you?
01:04:10I'm his doctor.
01:04:12He's just recovering from an extremely serious illness.
01:04:15Come along.
01:04:15I'd like to go, too, if you don't mind.
01:04:17All right.
01:04:18Come on.
01:04:20Well, you go ahead to the station, dear.
01:04:21Yes, but George...
01:04:22No, no, no.
01:04:22It's all right.
01:04:23We'll meet you there.
01:04:24Goodbye.
01:04:31This is Mr. Kingsley, Chief, and his doctor.
01:04:34Sit down, gentlemen.
01:04:36Oh, thank you very much.
01:04:38The cab driver tried to change this at the bank.
01:04:40Circumstances are so unusual, we're holding him for investigation.
01:04:44A thousand...
01:04:45Look, Ernst.
01:04:46A thousand dollar bill.
01:04:47They really exist.
01:04:48The cab driver said you gave him that for a tip.
01:04:51The cab drivers?
01:04:53That's a kingly gesture, I'm sure.
01:04:55You honor me.
01:04:56But a thousand dollars?
01:04:57Why, that's almost six months' salary.
01:04:59Bring the driver in.
01:05:01What's your occupation, Mr. Kingsley?
01:05:03I'm...
01:05:04I'm a professor of English literature.
01:05:07And I might add, a very underpaid professor.
01:05:10Come on.
01:05:10I've got to get out of here.
01:05:11I tell you, I've got to get out of here.
01:05:13In there.
01:05:13My wife.
01:05:14You will like having me stay in the jail.
01:05:16Is this the man that gave you that thousand dollar bill?
01:05:22How do you do?
01:05:26Him?
01:05:27Does he look like a grand note to you?
01:05:30The guy I was talking about was a gangster.
01:05:33Who pushed me in the face.
01:05:36Can you imagine him pushing me in the face?
01:05:39Oh, no.
01:05:41That's all, Mr. Kingsley.
01:05:43Sorry to have inconvenienced you.
01:05:45Thanks for coming in.
01:05:47You have barely time to catch the train, George.
01:05:49Yes, sir.
01:05:53Back in Newcastle, the red cannon brain has become completely dormant.
01:05:58Kingsley has returned to his classroom.
01:06:00And now I can actually bring to a realization my plans for a great laboratory
01:06:05and give the world the benefit of my scientific knowledge.
01:06:09Thus, you see, the Elizabethan novel was a minor passing form
01:06:13and fed the drama of the period,
01:06:16which, I might add, devoured it avidly.
01:06:19I'm going to let you go a little early this afternoon.
01:06:22Early, but not immediately.
01:06:25And I'm quite sure you'll all be glad to hear that tomorrow
01:06:28we're going to have a quiz on the past two weeks' work.
01:06:32That's it.
01:06:35I must apologize for not giving you your full hour this afternoon.
01:06:38But my closest friend, Dr. Sovak, is leaving Newcastle.
01:06:48What was that?
01:06:50What is it? What's that noise?
01:06:54What is it? Why don't you answer me?
01:06:56It's a siren.
01:06:57Probably an ambulance or a police car.
01:07:05What is it?
01:07:07I don't know.
01:07:08What are you guys?
01:07:10Come on, maybe we can help you. What can we do?
01:07:13Come on, maybe we can help you. What can we do?
01:07:35Gosh, Dad, I hate to leave this place.
01:07:38Seems so much like home to me.
01:07:40I know, Jean, but at least I'm going to a better position.
01:07:42Of course, then.
01:07:43I'll pack the rest of the books.
01:07:46Oh, Dad, I've packed all your instruments.
01:07:49Good girl, Jean.
01:07:59Where is he?
01:08:01Where's the duck?
01:08:02Look, I want my dough. Where is it?
01:08:04You know where it is, you're sneaking away with it.
01:08:06What do you mean?
01:08:07Yes, you know.
01:08:07Tell me where it is!
01:08:08Dad!
01:08:09Stop it!
01:08:13Red!
01:08:36Ernst!
01:08:38Why?
01:08:40Why did you do it?
01:08:42Why, Ernst?
01:08:45I think you know the answer now, George.
01:09:07I pronounce this man... dead.
01:09:11Red!
01:09:14There's a third name in God!
01:09:16Oh!
01:09:32Or is it just one odd...
01:09:35Where, Kay?
01:09:37Where, Kay?
01:09:38How long are you?
01:09:41How long are you?
01:09:41What have you done?
01:09:41THE END
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