- hace 2 días
Cast: Leslie Banks, Peter Lorre, Edna Best, Frank Vosper, Hugh Wakefield, Nova Pilbeam, Pierre Fresnay
Director: Alfred Hitchcock
Synopsis: Bob and Jill Lawrence are a married couple on vacation in Switzerland with their daughter Betty. There, they befriend Louis Bernard, a Frenchman who is shot in the heart while dancing with Jill. Just before he dies, Louis asks Bob to hand over to the authorities some documents he has hidden in his room. Bob discovers that Bernard was, in fact, a British spy who was tracking a mysterious organization planning to assassinate a foreign politician in London. Bob then receives a call from a stranger who demands that he drop the matter or his daughter will suffer the consequences.
Director: Alfred Hitchcock
Synopsis: Bob and Jill Lawrence are a married couple on vacation in Switzerland with their daughter Betty. There, they befriend Louis Bernard, a Frenchman who is shot in the heart while dancing with Jill. Just before he dies, Louis asks Bob to hand over to the authorities some documents he has hidden in his room. Bob discovers that Bernard was, in fact, a British spy who was tracking a mysterious organization planning to assassinate a foreign politician in London. Bob then receives a call from a stranger who demands that he drop the matter or his daughter will suffer the consequences.
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00:00:00The End
00:01:43Right on.
00:01:53Are you all right, sir?
00:01:56Better ask my nurse.
00:01:58My English is not good enough for me to know.
00:02:01That daughter of mine seems to be knocking them cold rather before her time, doesn't she?
00:02:04Knocking them cold?
00:02:06What does it mean?
00:02:06It's just an expression, you know.
00:02:07Luckily, if you didn't catch a death of cold.
00:02:10Hello, Louis.
00:02:12Good thing you didn't lose your head.
00:02:13Sorry I upset you.
00:02:15Don't mind.
00:02:16Don't mind.
00:02:16It was a very awkward moment.
00:02:20Come along now.
00:02:21You've been here quite long enough.
00:02:30Well, I think I must go back to the hotel now.
00:02:32No more jumping.
00:02:33No, that was my last chance.
00:02:36Oh, your fault, terrible woman.
00:02:39It wasn't.
00:02:39It was a silly little dog.
00:02:41I might have been killed, you know.
00:02:43Do you realize that my last day here might have been my last day on earth?
00:02:46Your last day here?
00:02:47You're not leaving tonight, are you, Louis?
00:02:49I'm afraid, yes.
00:02:50By the last train.
00:02:52Oh, Uncle Louis.
00:02:53What do you call me, Uncle?
00:02:55Well, you're just like an Uncle, aren't you?
00:02:57How dare you, Miss?
00:02:58We shall miss you, Louis.
00:03:00Mum, you'll cry her eyes out.
00:03:02Won't you, Daddy?
00:03:03Yes, dear.
00:03:03You think so?
00:03:04Oh, she adores you.
00:03:06Doesn't she, Daddy?
00:03:07Yes, dear.
00:03:08I'm desolate to go.
00:03:09As it is my last night, would you and your charming wife accept to have dinner with me tonight?
00:03:13Well, she'd love it, both of us.
00:03:14Good.
00:03:15Oh, Uncle Louis.
00:03:18I get awfully hungry in the evening.
00:03:19Yes, you get awfully sleepy too, darling.
00:03:22Long after your bedtime, my child.
00:03:24Oh, let me sit down.
00:03:25I'll sleep overtime tomorrow.
00:03:26Oh, I'll ask your mother.
00:03:27Oh, yes, let's.
00:03:28Where is Jill?
00:03:30She's working off the finals of the clay pigeon shooting.
00:03:32I see.
00:03:33I do hope she wins, don't you, Louis?
00:03:35Who's against her?
00:03:35That fellow, Raymond.
00:03:36Uh-huh.
00:03:38Well, then she's got to win.
00:03:39Don't you like him trouble?
00:03:40Do you?
00:03:41I don't know. He's all right.
00:03:42Bit of a bore.
00:03:44He means well, doesn't he?
00:03:45Why don't you like him?
00:03:47He's got many too many teeth and too much brilliantly.
00:03:55Sworn enemies, eh?
00:03:56You English have such a sense of humor.
00:03:58Well, I can't say that I hope you'll win.
00:04:00I'm sure that you will.
00:04:02You're so beautiful.
00:04:03So clever.
00:04:05Yes, well, let's get on with it, shall we?
00:04:08Well, are you ready?
00:04:08Ready?
00:04:09Well, let's get on.
00:04:27Mummy, will I stay out tonight?
00:04:29Oh, darling, ask me presently.
00:04:31Oh, see, yes now.
00:04:32Just for now.
00:04:33You little rat. Look.
00:04:36Here's that brooch you wanted.
00:04:38Now will you run away and be quiet?
00:04:42Oh, shh!
00:04:48Daddy, don't you like it? Mummy gave it to me.
00:04:49Shut up, darling. That's awful big, sir.
00:04:51Sorry.
00:05:03I'm not a baby.
00:05:07Let that be a lesson to you.
00:05:09Never have any children.
00:05:11That is your fault, Fetty.
00:05:12It wasn't, Fetty.
00:05:15You know your child is going to cost me the match, don't you?
00:05:18Well, she's your child as well as mine, isn't she?
00:05:19Well, if I lose this game, I'll disown it forever.
00:05:21Why?
00:05:42I am sorry that you lost Madam Lawrence,
00:05:44but I am delighted that I won, if you understand.
00:05:46You're a marvellous shot, and I know what I'm talking about.
00:05:49You make me blush.
00:05:50We must have another battle one day, shall we?
00:05:52I shall live for that moment.
00:05:54Well, you would have this child.
00:05:57Oh, Madam Lawrence, you English are extraordinary.
00:06:00Ah, my love.
00:06:02Oh, my darling.
00:06:04My lunch.
00:06:06You can keep your breath.
00:06:09I'm just going off with another man.
00:06:11Oh.
00:06:14Darling.
00:06:15You go to bed early.
00:06:17With Betty.
00:06:18Oh.
00:06:18Poor daddy.
00:06:21Sir, you have beaten my wife and she has gone off with another man.
00:06:24You are a dirty dog.
00:06:25You are as comical as your charming wife.
00:06:28I know.
00:06:38Just aofty eyes.
00:06:38Even the laugher.
00:06:39and her son is통 in my sons.
00:06:53Oh!
00:06:57I'mless.
00:06:57You're going to be the laugher.
00:07:05Is that mummy's knitting?
00:07:08Yes, why?
00:07:10Don't you know what?
00:07:11Bang it over.
00:07:21Go on, Louis.
00:07:22Paul.
00:07:23What do you mean?
00:07:24Do your stuff.
00:07:26What do you think of the average Englishman?
00:07:29Much too cold.
00:07:32Except when he drinks too much, of course.
00:07:36Is that jumper for him?
00:07:39Of course it is.
00:07:41Did you think it was for you?
00:07:44It's a memento.
00:07:45To wear over my beating heart.
00:07:48Has it been fireproof?
00:07:48Yes, it don't.
00:07:56No, no, no...
00:08:08Is that right?
00:08:15No, no.
00:08:36Oh, look.
00:08:43I'm sorry.
00:08:55Quick, tell Bob my room a brush in my room.
00:09:01Take it to the British Council or to Gibson.
00:09:09Don't breathe.
00:09:10Don't breathe a word to anyone.
00:09:14Come on, darling.
00:09:25Pass off.
00:09:26It's all right.
00:09:31It's a bullet.
00:09:32It's fired from outside, is it?
00:09:37Any letters?
00:09:38Yes, sir.
00:09:38Two.
00:09:43Bob.
00:09:43What's the matter?
00:09:44He's dead.
00:09:44It's horrible.
00:09:45You've got it.
00:09:46Bob, listen.
00:09:47There's something behind all this.
00:09:49He said you'd go straight to his room.
00:09:51Something about a brush.
00:09:53Here's the key.
00:09:53He gave it to me.
00:09:55Oh, Bob, what can this all mean?
00:09:56Well, we'll soon find out.
00:10:09Benfield
00:10:10I'm sorry.
00:10:20I'll use it.
00:10:32It's an empty air that comes out.
00:10:32It's cold.
00:10:32It's cold.
00:10:34It looks like it's cold.
00:10:35It's cold.
00:10:36It's cold.
00:10:38In this space here.
00:10:45For the love of God, open the door, let me get out of this place, it's very important, open the
00:10:52door, open the door, open the door, open the door, open the door, wait a moment, look under the table,
00:11:02no, no, here, here, here, here, here, here, here, here, here, here.
00:11:12Open the door, open the door, let me get out of this door, it's very important, open the door, open
00:11:19the door, open the door, open the door, open the door, open the door.
00:11:23Good evening, is anything the matter? Nothing, nothing at all. If I were you and if I found it, come
00:11:28on, hand it over.
00:11:29Pardon, sir, but no doubt there is some explanation. Of what? Oh, why, why you were in that room, Monsieur
00:11:35Bernard's room, it is irregular, that's most the Herr Herr Clarence.
00:11:38Naturally. Oh, yes, that's easy to explain. Anything I can do to help? Can you get the British Consul for
00:11:45me on the phone, please?
00:11:45No doubt, but first... Yes, first. I got something very vital to tell him.
00:11:50The British Consul? Yes, please.
00:11:53Perhaps you will be better if you will kindly come to my private room for a moment. Of course I
00:11:57will, certainly.
00:11:57Thank you very much.
00:12:09It is the purest formality. Of course, sir.
00:12:12You will pardon me that in my position... Of course, it's quite all right.
00:12:15This way, sir, please. Of course.
00:12:29I say, you won't forget that I won't speak to the British Consul on the phone, will you?
00:12:32Presently, mein Herr, certainly, at once, sir.
00:12:34Mario, poste le letter.
00:12:39I must go in there and talk to my wife.
00:12:41I am very sorry that the Commissary wishes to see each one separately. It is formal.
00:12:45But you know him well. He was your friend.
00:12:47Yes, he was our friend, but we knew very little of him. Hardly anything.
00:12:50Excuse me. Can you tell me if the British Consul is in town today?
00:12:55I don't understand.
00:13:00Can you... The British... The British Consul... You know, the man who comes with passports. Is he here? Here?
00:13:08Yes, he is.
00:13:09No, I don't mean, is he here a man. I mean, is he here?
00:13:12Here? No.
00:13:16Listen. Is he here in Samoritz?
00:13:20Phew. Look.
00:13:22The British Consul.
00:13:25Is he... Is he... Is he... Is he... Oh, damn.
00:13:32I...
00:13:33I can't remember how far he was standing through the window. Everything was so soft.
00:13:36In, madame.
00:13:37You must let me go in there and talk to my wife.
00:13:39But you cannot, sir. The Commissary is giving orders. In charge here. What can I do? Please excuse.
00:13:45But I... You're...
00:13:51Sie dürfen hier nicht rein.
00:13:52Ja, listen. If you don't mind, I must... Was?
00:13:55Herr Laurence.
00:13:56Please.
00:13:57Oh, thanks so much.
00:13:59It was left at the desk of the whole porter. It was marked very urgent.
00:14:04Thank you. It's all right.
00:14:08Oh, per l'amore del chimp.
00:14:09Oh, my God.
00:14:20He said you have to go.
00:14:22Oh, I'm sorry. Excuse me. I've got a message for my wife.
00:14:25The, er... The Mitchisons can't come to lunch tomorrow.
00:14:29I have to wait where the other people are, too.
00:14:30What's all the size?
00:14:31Ich habe ihn nicht verpasst.
00:14:32What's all the size?
00:14:33Nehmen Sie den fort weg.
00:15:03What is that note? Give it to me.
00:15:05What is that note? Give it to me.
00:15:56I have nothing to add to what I've already said, Inspector.
00:15:59Nothing whatever.
00:16:00There's no use talking like that, Mr. Lawrence.
00:16:02It just won't do.
00:16:03Now, on March the 10th, you and Mrs. Lawrence went to Switzerland.
00:16:09Yes.
00:16:11To St. Moritz.
00:16:13Yes.
00:16:14With your little daughter.
00:16:16Yes.
00:16:17Whiskey and soda.
00:16:18Oh, thank you.
00:16:20On March the 19th, you returned to London.
00:16:25Yes.
00:16:28You returned to London without your little daughter.
00:16:33Yes.
00:16:34One for you.
00:16:36Where is she?
00:16:38Staying with her aunt.
00:16:39Oh, what's his aunt's name?
00:16:42Mary.
00:16:44And where is she staying with his aunt?
00:16:46In Paris.
00:16:48Street and number?
00:16:50It's a rather complicated French name.
00:16:51Rather difficult for an English person to remember, I'm afraid.
00:16:53One for you.
00:16:55By the way, why were you so upset the night you left Switzerland?
00:17:01I'm not aware that I was upset.
00:17:04Was it because your child had been...
00:17:09kidnapped?
00:17:23And another thing.
00:17:25My point is this.
00:17:27He's not the sort of chap to give things away and lose his head and spill the beans and all
00:17:32that sort of business.
00:17:33Yes.
00:17:34See what I mean?
00:17:35When I was in the Navy...
00:17:37Is that train electric?
00:17:39Yes.
00:17:40Twenty volts.
00:17:42Best present I ever gave the kid.
00:17:45Doesn't play with it much now, does she?
00:17:46She never did.
00:17:48She never did.
00:17:48You never gave her a chance.
00:17:50Oh.
00:17:50No.
00:18:06No, I was.
00:18:07Come.
00:18:07No.
00:18:09No.
00:18:11No.
00:18:20There's no luck.
00:18:21I say, you mustn't get jumpy, you know. Really, you mustn't.
00:18:25What I mean to say is, once you begin that sort of thing,
00:18:28lose grip and...
00:18:35I know.
00:18:39I'm all right.
00:18:41Oh, Clive.
00:18:43You've got Pullmans and coal trucks on the same train.
00:18:46Good Lord, I have.
00:18:52Then is that your last word, sir?
00:18:54Absolutely.
00:18:55Well, I'm sorry to have to say it, sir, but I don't believe you, and that's flat.
00:18:58It's your duty as a citizen, Mr. Lawrence.
00:19:00Oh, thanks for calling.
00:19:01You may be sorry.
00:19:04Don't drop in again.
00:19:30Hello, you still here?
00:19:33You lost your whistle or something?
00:19:35I'm not a policeman.
00:19:37My name's Gibson.
00:19:38I'm secretary to Sir Norman Wood at the Foreign Office.
00:19:41Oh, really?
00:19:42Never heard of him.
00:19:43However, how'd you do?
00:19:45Your friend Louis was one of our people.
00:19:48Special service.
00:19:51You didn't know that, did you?
00:19:52I'm afraid not, no.
00:19:55You didn't happen to find anything in this brush, did you?
00:20:05Nothing much?
00:20:07I'm terribly busy.
00:20:07Yeah, but enough to justify somebody kidnapping your child to keep your mouth shut.
00:20:10I never said so.
00:20:12Nonsense.
00:20:13When Louis Bernard was killed, there was a paper in this brush.
00:20:16How terribly thrilling.
00:20:20Darling, you haven't told them anything, have you?
00:20:24Not yet, Mrs. Lawrence, but I think he's just about to.
00:20:26Jill, dear.
00:20:27This is Mr. Gibson of the Foreign Office.
00:20:28Come to see us.
00:20:29How do you do?
00:20:31Oh, of course, I quite understand.
00:20:33But I think if you listen to me, you'll appreciate why I have to bother you.
00:20:37Has either of you heard of anyone a foreign statesman of the name of Roper?
00:20:41Roper, I don't think, sir.
00:20:42R-O-P-A, Roper.
00:20:43No.
00:20:43Oh, well, if you haven't heard of him, I suppose it doesn't worry you much if he's likely to be
00:20:46assassinated.
00:20:47What's that got to do with us?
00:20:48Tell patience, Mrs. Lawrence, and I think you'll see.
00:20:52Louis Bernard was killed because he knew of a plot to assassinate Roper.
00:20:55A few hours later, your child was kidnapped.
00:20:58Why?
00:20:59Because by that time, you were in possession of that vital information.
00:21:03It was written on the piece of paper you found in Bernard's shaving brush.
00:21:07Mr. Lawrence, Roper is in London, and an attempt may be made on his life.
00:21:10My department must protect him.
00:21:12Now, will you tell me what was on that piece of paper?
00:21:13I'm sorry. I'm afraid I can't.
00:21:15But I can tell you what was written on another piece of paper.
00:21:18That our child had been kidnapped.
00:21:20And if we spoke, we'd never see her again.
00:21:22It's her life against this fellow Roper's.
00:21:24Why should we care if some foreign statesman we'd never even heard of were assassinated?
00:21:28Tell me, in June 1914, had you ever heard of a place called Sarajevo?
00:21:32Of course you hadn't.
00:21:33I doubt if you'd even heard of the Archduke Ferdinand.
00:21:36But in a month's time, because a man you'd never heard of killed another man you'd never heard of,
00:21:40in a place you'd never heard of, this country was at war.
00:21:43But I...
00:21:43Don't tell him, Bob.
00:21:45I'm sorry, Mr. Gibson, but we're not interested.
00:21:48What you've told us may be true, but our child's in danger.
00:21:50That comes first. It must come first.
00:21:52You see that, don't you?
00:21:54Mrs. Lawrence, do you realize the type of man we're dealing with?
00:21:57Do you think they draw the line at murder?
00:21:59Besides, how do you know the child's alive?
00:22:01How do you know he haven't...
00:22:03All right. Hold on a minute.
00:22:06Someone on the phone in the hall. It's about... about Betty.
00:22:09Switch it through here, will you?
00:22:10All right, I will.
00:22:14Hello?
00:22:15Good afternoon, Mr. Lawrence.
00:22:18Please listen very carefully.
00:22:20We don't want to interrupt your chat with a gentleman from the Foreign Office,
00:22:25but we think we ought to remind you that if you tell him anything of what you know,
00:22:28you'll never see your child again.
00:22:31Just a final warning.
00:22:33Yes, but I want to...
00:22:34Bob, what is it?
00:22:35I don't know. Somebody playing the fool or something.
00:22:36Hello?
00:22:37If you think somebody's fooling you,
00:22:40perhaps you'd like to speak to the child yourself.
00:22:44Hello, darling.
00:22:45Betty!
00:22:49Hello, my darling.
00:22:51Hello, my darling.
00:22:52Is that you?
00:22:53Are you all right?
00:22:55Yes, Bobby.
00:22:56Plenty to eat?
00:22:57Ask her where she is.
00:22:59Ask her where she is.
00:23:00Yes, Mommy.
00:23:02How are you getting on without me, Mommy?
00:23:03I'm missing you terribly, darling.
00:23:06Uncle Clive and I have been... been playing with your train.
00:23:10Ask her where she is.
00:23:12Oh, Mommy, I want to come home. Oh, I do want to come home.
00:23:15So you shall, darling. Very soon.
00:23:17Ask her where she is.
00:23:19I'll come and fetch you.
00:23:22Darling.
00:23:25Where are you?
00:23:27Bobby.
00:23:28Come and check me.
00:23:30Darling!
00:23:32Betty!
00:23:36Oh, steady, old girl. Steady.
00:23:52Did either of you recognize the first voice that spoke?
00:23:55Oh, for God's sake!
00:23:57I'm sorry, but can't you leave us alone?
00:23:58I see. Wouldn't it be possible to trace that call?
00:24:00No, it's no good. The telephone people never tell.
00:24:05Hello? Give me special, please, quickly.
00:24:09Hello? This is Gee speaking.
00:24:11Were you listening?
00:24:12Where did the last call to this number come from?
00:24:16Wapping?
00:24:17Public call box.
00:24:19Notify Scotland Yard.
00:24:20Have a plainclothes man posted on every corner of the district.
00:24:25Well, get them from other districts.
00:24:27Wapping, does that convey anything to you?
00:24:31Nothing whatever.
00:24:36Well, if there is any trouble, I hope you'll remember you're to blame.
00:24:39Not a very nice thing to have on your conscience.
00:24:42All right, Bob. I'll see you, ma'am.
00:24:49Ask Lawrence to talk if ever again when I'm gone.
00:24:52You know where to ring me if you want me?
00:24:53Yes, thanks.
00:24:54Goodbye.
00:24:58Clive.
00:24:58Here a minute.
00:24:59Yes?
00:25:00Are you coming?
00:25:01Where to?
00:25:01Wapping.
00:25:02Of course.
00:25:03Look here.
00:25:04I'll get our hats and coats and things.
00:25:05Why?
00:25:06You know those plainclothes men that Gibson ordered?
00:25:08If these blokes have got better to see them, they'll think we've given them away.
00:25:11Our only chance is to act ourselves.
00:25:13Double quickly.
00:25:13Oh, I'm coming to...
00:25:13No, no, no, darling.
00:25:14You stay here.
00:25:15Keep in the end of that telephone.
00:25:17If there's any news, we'll get through to you.
00:25:18Oh, darling.
00:25:19I can't risk losing both of you.
00:25:21Oh, well, you know.
00:25:24Won't lose either of us.
00:25:26What about your food?
00:25:27Oh, leave me a bone on the mat.
00:25:28Here, do you want this?
00:25:53Well, you know, there can't be many George Barbers in Wapping.
00:25:56Couldn't think of another one in that pub, anyway.
00:25:58Come on, let's go.
00:25:59Look.
00:25:59What?
00:26:00Are they plainclothes men over there?
00:26:13All right, come along.
00:26:19Miguel?
00:26:20Yes, just a minute.
00:26:20Come on.
00:26:22You think these things are all right, eh?
00:26:23I think so.
00:26:24You look terrible.
00:26:25I say, Clive.
00:26:27Any questions asked, we're just off a boat.
00:26:29Good idea.
00:26:30When I was in the Navy...
00:26:30Pie your teeth.
00:26:32Hmm?
00:26:34It seems a pity.
00:26:35Come on.
00:26:37Let's have a dash for you.
00:26:38I know.
00:26:53A bit grim, isn't it?
00:26:54Yes.
00:26:58Leaning.
00:27:01My pal here has got a rather bad toothache.
00:27:04Ah.
00:27:05I'll look at it.
00:27:06Come along.
00:27:07I'll look at it.
00:27:10...
00:27:17...
00:27:28...
00:27:30...
00:27:32...
00:27:34...
00:27:34...
00:27:34No!
00:27:44Oh, poor old boy.
00:27:46Five shillings.
00:27:47Five shillings.
00:27:48Just a minute.
00:27:55Better have a look at mine or I worry about it.
00:27:57What's wrong?
00:27:58Have a look at them, will you?
00:28:00Yeah.
00:28:02You stay outside and keep your mouth shut.
00:28:10Please.
00:28:51Yes, you're right?
00:28:53Not yet.
00:29:01Just off the ship?
00:29:02Here.
00:29:04Which one?
00:29:06Saxon.
00:29:08Hmm.
00:29:10She's not due until tomorrow.
00:29:11Oh, no, I...
00:29:14I got off at...
00:29:15I got off at Tilbury.
00:29:17Came on by train.
00:29:19Tough skipper, old Turner.
00:29:22Tough half.
00:29:24Left her last voyage.
00:29:27Of course, that's right.
00:29:28I...
00:29:29What I meant was...
00:29:30I was wrong.
00:29:32The voyage before last.
00:29:35Yes, of course.
00:29:37It slipped my memory.
00:29:39Nothing much wrong with your teeth.
00:29:41I think you're right.
00:29:43It's not hurting as much as it was.
00:29:45I'll be off.
00:29:45Wait.
00:29:47Why?
00:29:47What's the trouble?
00:29:50There's one there better come out.
00:29:52I think I'll chop it.
00:29:52Sit down.
00:30:04Yeah, doesn't a doctor have to do that?
00:30:33I think I'd put him down, but it's funny.
00:31:03I'm getting rid of the minimally, but it's still compared to theorton of the robot.
00:31:37Has he come?
00:31:43So, there you are. At a good crossing.
00:31:47No. Seek all the wealth.
00:31:49It is the last time I let myself be smuggled into this country, for you or anybody else.
00:31:54You will be smuggled, my friend, when, how, and where I'm pleased for you to be smuggled.
00:32:00Yes?
00:32:00Yes. It's your fault for having such a wonderful aim as you can.
00:32:07You must pay the price of your genius.
00:32:11Everything ready for tonight?
00:32:13I've arranged a box for you.
00:32:15Most conveniently placed.
00:32:18Any trouble with the charming Miss Lawrence?
00:32:24It's quiet little mouse.
00:32:27And where is the little mouse now?
00:32:28Oh, in a little, a little hole in the ground somewhere.
00:32:32You shall see.
00:32:37You're not job tonight?
00:32:38No, first.
00:32:58Come on, Ty. Which way they go?
00:33:00Where's Betty?
00:33:01Found out anything?
00:33:02Yes.
00:33:03Shall I give you the ring?
00:33:04No, no, come along.
00:33:05Hurry.
00:33:05All right.
00:33:05Come on.
00:33:29You sure they went in there?
00:33:30Must have, I'm almost certain.
00:33:31Come on.
00:33:34I say, Clive, look.
00:33:47What are they, Bob?
00:33:48Sun-worshippers.
00:33:51Probably we've got nothing on.
00:33:53Come on, let's go.
00:33:57Let's go.
00:34:01Let's go.
00:34:04Let's go.
00:34:14Let's go.
00:34:29Let's go.
00:34:31Let's go.
00:34:32Let's go.
00:34:35Let's go.
00:34:39Let's go.
00:34:53Let's go.
00:34:58Let's go.
00:35:00Let's go.
00:35:08Let's go.
00:35:10Let's go.
00:35:14Let's go.
00:35:37Let's go.
00:35:46Let's go.
00:35:49Let's go.
00:35:49Let's go.
00:35:58Let's go.
00:36:07Let's go.
00:36:09into the mysteries of the first circle of the seventh old ray may be wondering what is going
00:36:15to happen now. I will tell them before proceeding to the mysteries which are only for the initiate
00:36:23it is of course necessary for the minds and souls of us all to become purged and to be made
00:36:28clean.
00:36:30I'm therefore going to ask anyone here who is not in tune with us to submit to a very simple
00:36:36process of control. Merely place him or herself under the guidance of the fourth circle.
00:36:43Is there anyone here tonight who would care? Perhaps you.
00:37:12Thank you so much.
00:37:36Relax.
00:37:37Keep your eyes fixed on this light. Keep them fixed.
00:37:44Before receiving the first degree of the seven-fold ray, your mind must be white and blank.
00:37:52You are already feeling sleepy. Do you hear me?
00:37:57Yes.
00:37:59Your mind is becoming quite blank. You feel that, don't you?
00:38:05Yes.
00:38:08Quite.
00:38:09Yes.
00:38:13Quite.
00:38:15Black.
00:38:17Yes.
00:38:29Quite.
00:38:31Black.
00:38:35Well done.
00:38:35Finally, E Arizona, E Arizona started passing through a crashing list.
00:38:51I think that will do for the moment.
00:38:53Will all those who are not of the fourth circle please leave as quietly as possible.
00:39:19You are not going to leave your friend, sir, are you?
00:39:50You are not going to leave your friend.
00:39:53Hello. Good evening.
00:40:09I hope you weren't very rough with him. You see, he is subject to apoplexy.
00:40:14Who? Who? Who were old George Barber down at Woffing?
00:40:20Is it all right in here? Thank you.
00:40:23Well, I ought to have mentioned it to you, perhaps. You should learn to control your fatherly feelings and not
00:40:33drop things on the floor, please.
00:40:39Hmm. Collected our brother's little offering, yes? Have you?
00:40:45Oh, sir, I forgot.
00:40:49Pardon me.
00:40:53Dangerous.
00:41:01Perhaps you would care to join our little circle now, Mr. Lawrence. Yes?
00:41:06Thank you very much. Excuse me.
00:41:21Why, if he didn't offer him the sharpshooter.
00:41:25Nice to see you again, Mr. Lawrence.
00:41:27Thank you. Nice to see you.
00:41:36Well, is my young daughter all ready to go home yet?
00:41:38Oh, no, sir. She's asleep.
00:41:49No shooting.
00:41:51You don't want the police here, do you?
00:41:57Stop playing that organ or they'll hear this noise outside.
00:42:21No shooting away, you don't want...
00:42:41Fly!
00:42:43Through the window.
00:42:44Phone Jill.
00:42:45Tell her to go to the Albert Hall.
00:42:51All the beasts!
00:43:16Hi, Professor.
00:43:25I am sorry of that.
00:43:34I am sorry.
00:43:35I'm sorry. Please forgive me.
00:43:41Get down to Mrs. Lawrence.
00:43:43Tell her if she goes to the Albert Hall tonight, your child is...
00:43:55Come on.
00:43:59Mr. Lawrence, please.
00:44:15Hello? Hello. Clive!
00:44:17Listen, Jill. You know that chap we were looking for?
00:44:21Yes. A hall. It isn't a chap at all.
00:44:24No, it's the real hall. Albert Hall.
00:44:26The Albert Hall.
00:44:28Betty, we're on to her all right.
00:44:30Listen, Bob says you ought to go to the Albert Hall.
00:44:32Now? Yes, now.
00:44:34You ought to do what you can. That's what's happening.
00:44:36You know. You ought to stop it.
00:44:37Oh, but... but where...?
00:44:38No, no, no. No time now.
00:44:40Must get off with the police.
00:44:54Hello. Is that Mrs. Lawrence?
00:44:57Mrs. Lawrence. I'm afraid she's just this minute gone out.
00:45:07Will that be all for tonight, sir?
00:45:10No.
00:45:11I shall want you to stay. Yes?
00:45:14I'd rather go now, sir.
00:45:16My husband wants his supper.
00:45:18Besides, I don't want to be mixed up in any nasty business.
00:45:22Rawlings.
00:45:23Hello.
00:45:27See that Mrs. Sprocket stays, huh? See to it.
00:45:39Are these poisoned?
00:45:43Have a drink.
00:45:44Thanks so much. I have a gin and French.
00:45:47Is this where you write your sermons?
00:45:50Sometimes.
00:46:10Come, come, don't rush for it.
00:46:14Have you never been to the seaside?
00:46:30You caught her?
00:46:31No. She's gone.
00:46:39Well, I've...
00:46:40No doubt we can arrange to deal with it in some other way.
00:46:46It's my pal with the cops.
00:46:58If he worries you gentlemen, shoot and give him a bad leg.
00:47:03No one will hear.
00:47:05So long.
00:47:33Oh, here he is again.
00:47:36Officer, this gentleman has been a great travel tonight.
00:47:39Nothing of the kind, officer.
00:47:41My pal has a little girl.
00:47:42At least he hasn't noticed the whole point.
00:47:44He came down here to look for her.
00:47:45And these chaps.
00:47:46I mean this fellow here.
00:47:47That there crooks, officer.
00:47:48He's a little intoxicated, officer.
00:47:50I...
00:47:51His friend was bad enough, but he's worse.
00:47:53Isn't he, sister?
00:47:54He's constantly creating scenes in his church.
00:47:57Look here, the pair of you.
00:47:59Disordinary behaviour and a sacred edifice.
00:48:01Is that what you want to charge him with?
00:48:04Alas, yes.
00:48:05We don't wish to press it, officer.
00:48:07But we've been very patient, haven't we, sister?
00:48:10Oh, but Dami, I...
00:48:12Al, what have you got to say for yourself?
00:48:13Look here.
00:48:15Tonight, my friend and I...
00:48:17...
00:48:33I'm sorry.
00:48:34Beep, beep.
00:48:51where are they oh well the whistle the whistle that was blowing just now oh yes the arm of
00:48:58the english law needed help in taking our friend to the station very very reluctantly
00:49:04i've given him in charge for disorderly behavior in a sacred edifice
00:49:12i forgot the little one shall she join us you mean betty one of the sweetest children i ever met
00:49:43bring her please
00:49:44you know to a man with a heart is softest man's head nothing sweeter than a touching scene such as
00:49:50such as a father saying goodbye to his child yeah goodbye for the last time what could be more
00:49:57touching than that i'm afraid if you expect a scene from me you're going to be disappointed
00:50:02we shall see why do you look at me like that
00:50:14bexy daddy daddy you all right darling
00:50:35i say darling
00:50:37it's an awful smart dressing gown where'd you get it
00:50:47bexy daddy daddy i want to tell you something here listen your school reports come awfully good
00:51:04let's go
00:51:13where's mommy come on tell her at the albert hall my dear oh that reminds me your scene was so
00:51:23charming i was almost forgetting
00:51:25what is it record of the delightful piece which they are playing at the albert hall tonight charming yes
00:51:32what of it oh yes i forgot music is less in your line and marksmanship if you listen my dear
00:51:41raymond i'll show you the exact moment at which you can shoot now listen carefully
00:51:56there
00:51:58to see at such a moment your shot will not be heard
00:52:02i think the composer would have appreciated that
00:52:06no one will know except for one
00:52:11if you are clever my friend
00:52:14come you must start soon it's impolite to be late for a concert
00:52:22and tell mrs lawrence
00:52:25a little betty and her husband are very well
00:52:29anything else tell her they may soon be leaving us
00:52:33leaving us for a long long journey
00:52:37how is it that shakespeare says
00:52:40that shakespeare says
00:52:41from which no traveler returns great poet
00:52:48oh daddy daddy let me go daddy daddy let me go daddy
00:53:04oh
00:53:04oh
00:53:04oh
00:53:16right there
00:53:17please
00:56:57Is that it?
00:59:01There he is.
00:59:03Quick, there he goes!
00:59:11Follow that car, and you come with me.
00:59:41Well, it's all right.
00:59:45What was it, Scream?
00:59:47We have to apologize to listeners for the delay which has occurred in the broadcast of the concert from the
00:59:52Albert Hall.
00:59:53It's all right.
00:59:53An attempt has been made to assassinate the distinguished European diplomat, Monsieur Roper, who is attending the concert.
01:00:01Attempt?
01:00:02We are happy to say, however, that the shot fired merely caused a slight flesh wound in Monsieur Roper's shoulder,
01:00:08and he has been able to return home.
01:00:12We are now taking listeners back to the Albert Hall for the rest of the concert which has already started.
01:00:17It must have been that damn woman screaming.
01:00:23Yes, sir.
01:00:33Were you followed here?
01:00:34No one saw me leave the building. I couldn't have been followed.
01:00:37I hope you are right for your own sake.
01:00:41For dear little Betty's.
01:01:02Call the others.
01:01:08Albert on the shoe. Come on.
01:01:26Take a look.
01:01:52Take a look.
01:02:02Take a look.
01:02:03Hangry please.
01:02:03Hangry please.
01:02:04Hangry please.
01:02:06Hangry please.
01:02:11Looks like an all night job to me.
01:02:13Baker!
01:02:16Listen, Baker.
01:02:16I want you to go across to their front door and knock.
01:02:20Once that door's open, see that it stays open till we get across.
01:02:23Do you understand?
01:02:25Yes, sir.
01:02:50Quick, come on, boys.
01:03:13Do you know anything about that house?
01:03:16What about the child? Any idea if she's inside?
01:03:18I know no more than you, Duke. I hope not.
01:03:21All I know is they went to Wapping because my husband said...
01:03:30What's up?
01:03:31We've got orders to clear these streets.
01:03:33I've got orders to clear my box.
01:03:45I've got orders to clear my house.
01:03:58What about the child?
01:04:02Anything further, Vincent?
01:04:03No, sir.
01:04:06We, uh...
01:04:07we can't do anything against it with the revolvers so i've sent to try and
01:04:09raise some rifles where from there's a gunsmith's a few streets away sir i've sent the lorry
01:04:32it's the rifle sir good put the men in the house options at the same level
01:04:36get in by the back door very good sir you take charge of the firing party i'll send the men
01:04:41in to you and clear the people out of the houses you occupy very good sir where's your back yard
01:04:46through the kitchen this way
01:04:51so
01:05:04sergeant only a couple of men next door on the ground floor
01:05:07i'll take the rest in here come on who's right what's this
01:05:18what's the trouble afraid you'll have to shift your family out of here
01:05:21i ain't married all the better for you now you wait out here it'll be safer we've got business inside
01:05:40i want to come in to see if everything was all right
01:06:02i want to go and come away from that window you'll get killed
01:06:08you've got to get out of this room the police want to come in
01:06:16thank you to you nix off don't touch that blind killer in position
01:06:20when you hear my whistle open fire
01:06:22yes sir i'd better take that mattress across give you a bit of cover
01:06:28i've come straight off point duty i could do with a bit of sleep on that myself
01:06:33still warm too yeah sure tell your mission's adventure
01:06:40are you ready wait a minute
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01:11:25We ought to have taken a chance. We ought to have shot our way out.
01:11:30I never wanted the first policeman to be shot.
01:11:34Now we'll have to try and use the child.
01:11:45Go and fetch her.
01:12:00Go and fetch her, yes?
01:12:08I'll keep her close. Then if they get me, they get her, too.
01:12:12Let's go.
01:12:16Let's go.
01:12:32Let's go.
01:12:50Let's go.
01:12:53Let's go.
01:12:54Let's go.
01:12:57Let's go.
01:13:04Let's go.
01:13:05Let's go.
01:13:05Stop them firing.
01:13:09Quick.
01:13:10Get that man.
01:13:14Come on!
01:13:14I'll do it.
01:13:14I'll do it, sir.
01:13:15Mighty the kiddie.
01:13:44I'll see you next week.
01:13:51Two men on the roof after the girl.
01:13:54Sergeant, look after him.
01:13:56The rest of you come with me.
01:14:22The rest of you come with me.
01:14:47The rest of you come with me.
01:14:47Hello, darling.
01:14:49Come on.
01:14:49You're all right.
01:14:55Here's mummy.
01:14:55Look.
01:14:56It's all right.
01:15:03It's all right.
01:15:15Here's mummy.
01:15:16Here's mummy.
01:15:17There's mummy.
01:15:17Here's mummy.
01:15:18Here's mummy.
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