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BRITCOM 4
  • 2 days ago

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TV
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00:00:29Oh, hello!
00:00:31Are you all right?
00:00:32What is it, dear?
00:00:34Are you lost?
00:01:07Oh, that was tedious.
00:01:09You went on the tube like that?
00:01:10Not on the couch would take me.
00:01:21Nothing.
00:01:23Military coup in Uganda.
00:01:25Hmm.
00:01:26Hmm.
00:01:26Another photo of you with the, uh...
00:01:28Oh.
00:01:32Oh, um...
00:01:33How about it reshuffled?
00:01:34Nothing of importance.
00:01:35Oh, God!
00:01:38John, I need some.
00:01:40Get me some.
00:01:41No.
00:01:42Get me some.
00:01:43No.
00:01:43Cold turkey, we agreed, no matter what.
00:01:45Anyway, you've paid everyone off, remember?
00:01:47No one within a two-mile radius will sell you any.
00:01:50Stupid idea.
00:01:51Whose idea was that?
00:01:52Uh-uh.
00:01:54Mrs. Hudson!
00:02:00Look, Sherlock, you're doing really well.
00:02:03Don't give up now.
00:02:05Tell me where they are.
00:02:06Please.
00:02:07Tell me.
00:02:10Please.
00:02:11Can't help.
00:02:12Sorry.
00:02:13I'll let you know next week's lottery numbers.
00:02:15It's worth a try.
00:02:22My secret supply.
00:02:23What have you done with my secret supply?
00:02:25Really?
00:02:25Cigarettes.
00:02:26What have you done with them?
00:02:26When are they?
00:02:27You know you never let me touch your things.
00:02:29Oh, chance will be a fine thing.
00:02:31I thought you weren't my housekeeper.
00:02:32I'm not.
00:02:35How about a nice cup of rum?
00:02:37Perhaps you could put away your harpoon.
00:02:38I need something stronger than tea.
00:02:40Perhaps 7% stronger.
00:02:43I'm hoping to see Mr. Chatterjee again.
00:02:45Pardon?
00:02:46Sandwich shop.
00:02:46That's a new dress.
00:02:47There's flour on the sleeve.
00:02:48You wouldn't dress like that for baking.
00:02:50Sherlock.
00:02:51Thumbnail.
00:02:51Tiny traces of foil.
00:02:53Being that the scratch cards again,
00:02:54we all know where that leads, don't we?
00:02:56Hmm.
00:02:57Casbah nights.
00:02:57Pretty racy for first thing on a Monday morning.
00:02:59Wouldn't you agree?
00:02:59I've written a little blog on the identification of perfumes.
00:03:01It's on the website.
00:03:02You should look it up.
00:03:02Please.
00:03:03I wouldn't put any hopes on that cruiser, Mr. Chatterjee.
00:03:05He's got a wife in Doncaster that nobody knows about.
00:03:07Sure.
00:03:07Why aren't nobody except me?
00:03:08I don't know what you're talking about.
00:03:10I really don't.
00:03:13The lovey hell was all that about?
00:03:15I don't understand.
00:03:17Go after her and apologize.
00:03:20Apologize?
00:03:21Hmm?
00:03:22Oh, John, I envy you so much.
00:03:26You envy me?
00:03:26Your mind.
00:03:27So placid, straightforward, barely used.
00:03:30Mind's like an engine racing out of control.
00:03:32A rocket tearing itself to pieces trapped on the launch pad.
00:03:34I need a case!
00:03:35You've just solved one by harpooning a dead pig.
00:03:38Apparently.
00:03:39That was this morning.
00:03:41When's the next one?
00:03:43Nothing on the website.
00:03:47Dear Mr. Sherlock Holmes, I can't find Bluebell anywhere.
00:03:51Please, please, please, can you help?
00:03:52Bluebell?
00:03:53A rabbit, John!
00:03:54Oh.
00:03:54Ah, but there's more.
00:03:56Before Bluebell disappeared, it turned luminous.
00:03:57Like a fairy, according to Little Kirstie.
00:03:59Then the next morning, Bluebell was gone.
00:04:01Hutch still locked.
00:04:02No sign of a forced entry.
00:04:04What am I saying?
00:04:05This is brilliant.
00:04:06Phone Lestrade.
00:04:07Tell him there's an escape rabbit.
00:04:08You serious?
00:04:09What's this?
00:04:10Or Cluedo.
00:04:11Ah, no.
00:04:12We are never playing that again.
00:04:14Why not?
00:04:15Because it's not actually possible for the victim to have done it, Sherlock.
00:04:17That's why.
00:04:17There's any possible solution.
00:04:18It's not in the rules.
00:04:19But then the rules are wrong!
00:04:23Single ring.
00:04:24Maximum pressure just under the half second.
00:04:26Client.
00:04:29Darkmoor.
00:04:30It's always been a place of myth and legend.
00:04:32But is there something else lurking out here?
00:04:35Something very real.
00:04:37Because Darkmoor is also home to one of the government's most secretive operations.
00:04:41The Chemical and Biological Weapons Research Center, which is said to be even more sensitive than Porton Down.
00:04:47Since the end of the Second World War, there have been persistent stories about the Baskerville experiments.
00:04:52Genetic mutations.
00:04:54Animals grown for the battlefield.
00:04:56There are many who believe that within this compound, in the heart of this ancient wilderness, there are horrors beyond
00:05:02imagining.
00:05:04But the real question is, are all of them still inside?
00:05:08I was just a kid.
00:05:11It was on the moor.
00:05:14It was dark, but I know what I saw.
00:05:18I know what killed my father.
00:05:22What did you see?
00:05:23Oh, I was just about to say.
00:05:25Yes, in a TV interview.
00:05:26I prefer to do my own editing.
00:05:28Yes.
00:05:30Sorry, yes, of course.
00:05:35In your own time.
00:05:36Quite quickly.
00:05:42Do you know Darkmoor, Mr. Holmes?
00:05:44No.
00:05:44It's an amazing place.
00:05:46It's like nowhere else.
00:05:47It's sort of bleak, but beautiful.
00:05:50Not interested.
00:05:51Moving on.
00:05:53We used to go for walks after my mum died, my dad and me.
00:05:57Every evening we'd go out onto the moor.
00:06:00Yes, good.
00:06:00Skipping to the night that your dad was violently killed.
00:06:03Where did that happen?
00:06:05There's a place.
00:06:07It's a sort of local landmark called Dewar's Hollow.
00:06:13That's an ancient name for the devil.
00:06:18So, did you see the devil that night?
00:06:23Yes.
00:06:24Yes.
00:06:26It was huge.
00:06:28Coal, black fur with red eyes.
00:06:39It got him.
00:06:41Tore at him, tore him apart.
00:06:45I can't remember anything else.
00:06:47They found me the next morning, just wandering on the moor.
00:06:51My dad's body was never found.
00:06:53Hmm.
00:06:56Red eyes, coal, black fur, enormous sort of dog, wolf.
00:07:01Or a genetic experiment.
00:07:05Are you laughing at me, Mr. Holmes?
00:07:06Why?
00:07:07Are you joking?
00:07:09My dad was always going on about the things they were doing at Baskerville.
00:07:13About the type of monsters they were breeding there.
00:07:16People used to laugh at him.
00:07:18At least the TV people took me seriously.
00:07:21I assume he did wonders for Devon tourism.
00:07:23Yeah.
00:07:25Henry, whatever did happen to your father, it was 20 years ago.
00:07:29Why come to us now?
00:07:31I'm not sure you can help me, Mr. Holmes, since you find it all so funny.
00:07:36Because of what happened last night.
00:07:37Why?
00:07:37What happened last night?
00:07:43How do you know?
00:07:43I didn't know.
00:07:44I noticed.
00:07:45Came up from Devon on the first available train this morning.
00:07:48You had a disappointing breakfast and a cup of black coffee.
00:07:50The girl in the seat across the aisle fancied you.
00:07:51Although you were initially keen, you've now changed your mind.
00:07:53You are ever extremely anxious to have your first cigarette of the day.
00:07:56Sit down, Mr. Lighten.
00:07:57Do please smoke.
00:07:58I'd be delighted.
00:08:10How on earth did you notice all that?
00:08:13It's not important to me.
00:08:14Punch it out to us for your ticket's been checked.
00:08:15Not now, Sherlock.
00:08:16Oh, please.
00:08:16I've been cooped up in here for ages.
00:08:17You're just showing off.
00:08:18Of course.
00:08:18I am a show-off.
00:08:19That's what we do.
00:08:20Train napkin.
00:08:21Used to mop up the spilled coffee.
00:08:22Strength of the stain shows that you didn't take milk.
00:08:24The traces of ketchup on it and ran your lips and on your sleeve.
00:08:26Cooked breakfast from the nearest thing those trains can manage, probably a sandwich.
00:08:30How did you know it was disappointing?
00:08:33There's any other type of breakfast on a train.
00:08:36The girl, female handwriting, is quite distinctive.
00:08:38Wrote her phone number down on the napkin.
00:08:39I could tell from the angle she wrote at that she was sat across from you on the other side
00:08:42of the aisle.
00:08:43Later, after she got off, I imagine you used the napkin to mop up your spilled coffee,
00:08:46accidentally smudging the numbers.
00:08:47You've been over the last four digits yourself in another pen,
00:08:49so you wanted to keep the number just now, though you used the napkin to blow your nose.
00:08:52Maybe you're not that into her after all.
00:08:54Then there's the nicotine stains on your fingers.
00:08:55There's your shaking fingers.
00:08:57I know the signs.
00:08:58No chance to smoke run on the train.
00:08:59No time to roll one before you've got a cab here.
00:09:01It's just after 9.15.
00:09:03You're desperate.
00:09:04The first train from Exeter to London leaves at 5.46 a.m.
00:09:06You're the first one possible, so something important must have happened last night.
00:09:09Am I wrong?
00:09:13No.
00:09:14You're right.
00:09:16You're...
00:09:17Oh, completely...
00:09:18Exactly right.
00:09:19Bloody hell, I heard you were quick.
00:09:20It's my job.
00:09:22Now shut up and smoke.
00:09:28Henry, your parents both died, and you were, what, seven years old?
00:09:35I know.
00:09:40That must be quite a trauma.
00:09:43Have you ever thought that maybe you invented this story, this...
00:09:50To account for it?
00:09:53That's what Dr. Mortimer says.
00:09:55Who?
00:09:55These therapists.
00:09:55My therapists.
00:09:57Obviously.
00:09:58Louise Mortimer.
00:10:00She's the reason I came back to Dartmoor.
00:10:01She thinks I have to face my demons.
00:10:05What happened when you went back to Dewis Hollow last night, Henry?
00:10:08You went down to the advisory of a therapist, and now you're consulting a detective.
00:10:11What did you see that changed everything?
00:10:13It's a strange place, though, isn't it?
00:10:16Makes you feel so cold inside, so afraid.
00:10:20Yes, if I wanted poetry, I'd read John's emails to his girlfriend's much funnier.
00:10:23What did you see?
00:10:27Footprints.
00:10:29On the exact spot where I saw my father torn apart.
00:10:33Man's or a woman's?
00:10:34Neither.
00:10:35They were.
00:10:36Is that it?
00:10:36Nothing else.
00:10:37Footprints.
00:10:38Is that all?
00:10:38Yes, but they were...
00:10:40No, sorry, Dr. Mortimer Wiz.
00:10:41Childhood trauma, masked man, invented memory.
00:10:43Boring.
00:10:44Goodbye, Mr. Knight.
00:10:45Thank you for smoking.
00:10:45No, but what about the footprints?
00:10:47Oh, they're probably a poor prince.
00:10:48Could be anything, therefore nothing.
00:10:50Off to death with you.
00:10:51Have a green tea on me.
00:10:52Mr. Holmes.
00:10:53They were the footprints of a gigantic hound.
00:11:01Say that again.
00:11:03I found the footprints.
00:11:04They were...
00:11:04No, no, no.
00:11:05Your exact words.
00:11:06Repeat your exact words from a moment ago, exactly as you said them.
00:11:11Mr. Holmes.
00:11:13They were the footprints of a gigantic hound.
00:11:22I'll take the case.
00:11:24Sorry, what?
00:11:25Thank you for bringing this to my attention.
00:11:26It's very promising.
00:11:27No, no, no.
00:11:28Sorry.
00:11:29What?
00:11:29A minute ago footprints were boring, now they're very promising?
00:11:32It's nothing to do with footprints, as ever, John.
00:11:33You weren't listening.
00:11:34Baskerville, ever heard of it?
00:11:35Vaguely.
00:11:36It's very hush-hush.
00:11:37Sounds like a good place to start.
00:11:38Oh, you'll come down, then?
00:11:40No, I can't leave London at the moment.
00:11:41Far too busy.
00:11:42Don't worry.
00:11:43Putting my best man onto it.
00:11:44Always rely on John to send me all the relevant data, as he never understands a word of it himself.
00:11:47What are you talking about?
00:11:48You're busy.
00:11:49You don't have a case.
00:11:50A minute ago, you were complaining about-
00:11:51Bluebell, John.
00:11:52I've got bluebell.
00:11:53The case is the vanishing glow-in-the-dark rabbit.
00:11:54Nato's in our prom.
00:11:55Oh, sorry.
00:11:56No, you're not coming, then.
00:11:59Oh.
00:12:01Okay.
00:12:04Okay.
00:12:14I don't need those anymore.
00:12:15I'm going to Dartmoor.
00:12:16You go on ahead, Henry.
00:12:17We'll follow later.
00:12:18I'm sorry.
00:12:19So, you are coming?
00:12:2020-year-old disappearance.
00:12:22A monstrous hound.
00:12:23Wouldn't miss this for the world.
00:12:32Oh.
00:12:33Looks like Mrs. Hudson finally got to the wife in Doncaster.
00:12:36Hmm.
00:12:37Wait until she finds out about the one in his now-about.
00:12:42Perpetitive station, please.
00:13:03Oh.
00:13:15To be continued...
00:13:41To be continued...
00:14:05I think Baskerville's an army base, so I guess they've always been keen to keep people out.
00:14:09Clearly.
00:14:32To be continued...
00:14:39If you value your lives...
00:14:43Go on.
00:14:44To be continued...
00:15:02That part doesn't change.
00:15:05What does?
00:15:05Oh, there's something else.
00:15:09It's a word.
00:15:15Liberty.
00:15:18Liberty?
00:15:20There's another word.
00:15:21What is it?
00:15:23In.
00:15:24I-N.
00:15:27Liberty.
00:15:28In.
00:15:29Liberty.
00:15:29What do you think it means?
00:15:42Hey, sorry we couldn't do a double room for you boys.
00:15:45That's fine.
00:15:47We're not...
00:15:48There you go.
00:15:49Oh, tough.
00:15:50I'll just get you a change.
00:15:50Tough.
00:15:52Tough.
00:16:01I couldn't help noticing.
00:16:02On the map of the moor, a skull and crossbones?
00:16:05Oh, that.
00:16:09Pirates?
00:16:10Eh, no.
00:16:10The great Grimpen minefield, they call it.
00:16:13Oh, right.
00:16:13That's not what you think.
00:16:14It's the Baskerville testing site.
00:16:16It's been going for 80 odd years.
00:16:18I'm not sure anyone really knows what's there anymore.
00:16:22Explosives?
00:16:22Oh, not just explosives.
00:16:24Break into that place and if you're lucky, you just get blown up, so they say.
00:16:28In case you're planning a nice bistro.
00:16:30Ah, I'll remember.
00:16:31Aye, no.
00:16:31It buggers up tourism a bit.
00:16:33So, thank God for the demon hound.
00:16:35Do you see that show?
00:16:36The documentary?
00:16:37Quite recently, yeah.
00:16:38God bless Henry Knight and his monster from hell.
00:16:41Ever seen it?
00:16:41The hound?
00:16:42Me, no.
00:16:44Fletcher.
00:16:45He runs the walks.
00:16:46The monster walks for the tourists, you know.
00:16:47He's seen it.
00:16:48It's handy.
00:16:49For trade?
00:16:50I'm just saying we've been rushed off our feet, Billy.
00:16:53Yeah, lots of monster hunters.
00:16:55Don't take much these days.
00:16:56One mention on Twitter.
00:16:58We're out with WKD.
00:17:00All right.
00:17:00What with the monster and the ruddy prisoner.
00:17:02I don't know how we sleep nights.
00:17:04Do you, Gary?
00:17:06Like a baby.
00:17:07That's not true.
00:17:08He's a snorer.
00:17:09Hey.
00:17:10Is yours a snorer?
00:17:11Got any crisps?
00:17:13Yeah.
00:17:14No.
00:17:14All right.
00:17:15All right.
00:17:16Take care.
00:17:18Mind if I join you?
00:17:26It's not true, is it?
00:17:27You haven't actually seen this hound thing.
00:17:31Are you from the papers?
00:17:32No.
00:17:33Nothing like that.
00:17:33Just curious.
00:17:35Have you seen him?
00:17:36Maybe.
00:17:38Got me proof.
00:17:39Why would I tell you if I did?
00:17:42Excuse me.
00:17:43I called Henry.
00:17:44Bet's off, John.
00:17:44Sorry.
00:17:45What?
00:17:45Bet?
00:17:46My plan needs darkness.
00:17:47We've got another half an hour.
00:17:48Wait, wait.
00:17:49What bet?
00:17:50I bet John here 50 quid that you couldn't prove you'd seen the hound.
00:17:54Yeah, the guys in the pub said you could.
00:17:58Well, you're going to lose your money, mate.
00:17:59Yeah?
00:18:00Yeah.
00:18:01I seen it.
00:18:02Only about a month ago.
00:18:04Up at the hollow.
00:18:05It was foggy mines.
00:18:05Couldn't make much out.
00:18:06I see.
00:18:07No witnesses, I suppose.
00:18:08No, but...
00:18:08Never are.
00:18:09Wait.
00:18:11There.
00:18:13That is.
00:18:14It's not exactly proof, is it?
00:18:16Sorry, John.
00:18:17I win.
00:18:17Wait, wait.
00:18:17That's not all.
00:18:19People don't like going up there, you know.
00:18:22To the hollow.
00:18:24Gives them a...
00:18:25Bad sort of feeling.
00:18:26Oh, is it haunted?
00:18:28Is that supposed to convince me?
00:18:29Nah, don't be stupid.
00:18:30Nothing like that.
00:18:31I reckon there is something out there.
00:18:34Something from Baskerville.
00:18:36Escaped.
00:18:37A clone?
00:18:38A super dog?
00:18:39Maybe.
00:18:40God knows what they've been spraying on us all these years.
00:18:42Or putting in the water.
00:18:43I wouldn't trust them as far as I could spit.
00:18:44Is that the best you've got?
00:18:50I had a mate once who worked for the M.O.D.
00:18:52One weekend we were meant to go fishing, but he never showed up.
00:18:54Well, not till late.
00:18:56What he did, he was white as a sheep.
00:19:00I can see him now.
00:19:02I've seen things today, Fletch, he said.
00:19:05But I never want to see again.
00:19:08Terrible things.
00:19:11He'd been sent to some secret army place.
00:19:14Porton down.
00:19:15Maybe.
00:19:15Maybe Baskerville.
00:19:16Or somewhere else.
00:19:18In the labs there.
00:19:19The really secret labs.
00:19:21He said he'd seen.
00:19:24Terrible things.
00:19:27Rats as big as dogs, he said.
00:19:30And dogs.
00:19:32Dogs the size of horses.
00:19:39Oh, we did say 50.
00:19:47Ooh.
00:19:48What's up?
00:19:52God.
00:19:53Sleevee.
00:19:59One of the most.
00:20:01The most.
00:20:02Inferno.
00:20:08The most.
00:20:09The most.
00:20:11Huh.
00:20:22Pass, please.
00:20:27You've got an ID for basketball.
00:20:30How?
00:20:31It's specific to this place.
00:20:33It's my brother's.
00:20:34Access all areas.
00:20:35I acquired it ages ago, just in case.
00:20:41Brilliant.
00:20:42What's the matter?
00:20:42We'll get caught.
00:20:43No, we won't.
00:20:44Well, not just yet.
00:20:44Caught in five minutes.
00:20:45Oh, hi, we've just thought we'd come and have a wander around your top-secret weapons base.
00:20:49Really?
00:20:49Great.
00:20:49Come in.
00:20:50Kettle's just boiled.
00:20:51That's if we don't get a shot.
00:20:52Yeah.
00:20:53Thank you very much.
00:20:56Straight through, sir.
00:20:57Mycroft's name literally opens doors.
00:21:00I've told you, it practically is the British government.
00:21:03I reckon we've got about 20 minutes before they realise something's wrong.
00:21:12Keep the movement.
00:21:32What is it?
00:21:33Are we in trouble?
00:21:33Are we in trouble, sir?
00:21:35Yes, sir.
00:21:35Sorry, sir.
00:21:36You were expecting us?
00:21:37Your ID showed up straight away, Mr. Holmes.
00:21:38Corporal Lyons.
00:21:39Security.
00:21:40Is there something wrong, sir?
00:21:41Well, I hope not, Corporal.
00:21:42I hope not.
00:21:43It's just we don't get inspected here, you see, sir.
00:21:44It just doesn't happen.
00:21:45Ever heard of a spot check?
00:21:47Captain John Watson.
00:21:49Fifth Northumberland Fusiliate.
00:21:50Sir.
00:21:51Major Barrymore won't be pleased, sir.
00:21:53He'll want to see you both.
00:21:54I'm afraid we won't have time for that.
00:21:55We'll need the full tour right away.
00:21:57Carry on.
00:21:58That's an order, Corporal.
00:21:59Yes, sir.
00:22:24Nice touch.
00:22:25Haven't pulled rank in ages.
00:22:27Enjoy it?
00:22:27Oh, yeah.
00:22:30Yeah.
00:22:54How many animals do you keep down here?
00:22:56Lots, sir.
00:22:59Any ever escape?
00:23:00They'd have to know how to use that lift, sir.
00:23:02We're not prettier than that clever.
00:23:03Unless they have help.
00:23:04Oh, and you are?
00:23:06It's all right, Dr. Franklin.
00:23:07I'm just showing these gentlemen around.
00:23:08Ah, new faces.
00:23:09How nice.
00:23:10Careful you don't get stuck here, though.
00:23:12I only came to fix the time.
00:23:16How far down does that lift go?
00:23:18Quite a way, sir.
00:23:20And what's down there?
00:23:21Well, we have to keep the bin somewhere, sir.
00:23:22This way, please, gentlemen.
00:23:29So what exactly is it that you do here?
00:23:31I thought you'd know, sir.
00:23:33This being an inspection.
00:23:35Well, I'm not an expert, am I?
00:23:38Everything from stem cell research to trying to cure the common cold, sir.
00:23:41But mostly weaponry?
00:23:42Of one sort or another, yes.
00:23:44Biological, chemical.
00:23:45One war ends, another begins, sir.
00:23:47New enemies to fight.
00:23:48We have to be prepared.
00:23:57Okay, Michael, let's try Harlow's Three next time.
00:24:00Dr. Stapleton?
00:24:01Dr. Stapleton.
00:24:02Yes.
00:24:04Who's this?
00:24:05Priority Ultra, ma'am.
00:24:06Orders from on high.
00:24:07An inspection.
00:24:08Really?
00:24:10Would you be accorded every courtesy, Dr. Stapleton?
00:24:12What's your role at Baskerville?
00:24:15According to every courtesy, isn't that the idea?
00:24:18I'm not free to say official secrets.
00:24:21You most certainly are free, and I suggest you remain that way.
00:24:25I have a lot of fingers in a lot of pies.
00:24:28I like to mix things up.
00:24:30Jeans, mostly.
00:24:31Now and again, actual fingers.
00:24:33Stapleton.
00:24:34I knew I knew your name.
00:24:35Doubt it.
00:24:36People say there's no such thing as coincidence.
00:24:39Dull lives they must lead.
00:24:45Have you been talking to my daughter?
00:24:46Why did Bluebell have to die, Dr. Stapleton?
00:24:49The rabbit disappeared from inside a locked hut, which was always suggestive.
00:24:52The rabbit.
00:24:52Playing an inside job.
00:24:53Oh, you reckon?
00:24:54Why?
00:24:55Because it glowed in the dark.
00:24:57I have absolutely no idea what you're talking about.
00:24:59Who are you?
00:25:03Well, I think we've seen enough of now.
00:25:04Corporal, thank you so much.
00:25:05That's it.
00:25:06That's it.
00:25:06It's this way, isn't it?
00:25:07Just a minute!
00:25:09Did we just break into a military base to investigate a rabbit?
00:25:3923 minutes.
00:25:40This microbe's getting slow.
00:25:50Hello.
00:25:51Again.
00:25:57Major, this is bloody outrageous.
00:25:59Why wasn't I told?
00:26:01Major Barrymore, is it?
00:26:02Yes.
00:26:03Well, good.
00:26:04Very good.
00:26:04We're very impressed.
00:26:06Aren't we, Mr. Holmes?
00:26:06Deeply, hugely.
00:26:07The whole point of Baskerville was to eliminate this kind of bureaucratic nonsense.
00:26:10I'm so sorry, Major.
00:26:11Inspections!
00:26:12You policy.
00:26:12Can't remain on a monitor forever.
00:26:13Goodness knows what you get up to.
00:26:14Keep walking.
00:26:15Sir!
00:26:17Idea North Roy, sir.
00:26:19What?
00:26:19I've just had a call.
00:26:20Is that right?
00:26:21Who are you?
00:26:22Look, there's obviously been some kind of mistake.
00:26:27Clearly not, Mycroft Holmes.
00:26:28Computer error, Major.
00:26:30We'll have to go in the report.
00:26:31What the hell's going on?
00:26:31It's all right, Major.
00:26:32I know exactly who these gentlemen are.
00:26:34You do?
00:26:35Yeah, I'm getting a little slow on faces, but Mr. Holmes here isn't someone I expected to
00:26:39show up in this class.
00:26:41Well...
00:26:41Good to see you again, Mycroft.
00:26:44I had the honor of meeting Mr. Holmes at the WHO conference in...
00:26:49Brussels, was it?
00:26:52Vienna.
00:26:53Vienna, that's it.
00:26:54This is Mr. Mycroft Holmes, Major.
00:26:56There's obviously been a mistake.
00:27:01On your head be it, Dr. Franklin.
00:27:05I'll show them out, Corporal.
00:27:07Very well, sir.
00:27:17This is about Henry Knight, isn't it?
00:27:19I thought so.
00:27:21I knew he wanted help, but I didn't realize he was going to contact Sherlock Holmes.
00:27:26Don't worry, I know who you really are.
00:27:28I'm never off your website.
00:27:29Thought you'd be wearing the hat, though.
00:27:31That wasn't my hat.
00:27:32I hardly recognize him without the hat.
00:27:33That wasn't my hat.
00:27:34I love the blog, too, Dr. Watson.
00:27:36Oh, she is.
00:27:37The pink thing.
00:27:38That one about the aluminium crust?
00:27:40Yes.
00:27:40You know Henry Knight?
00:27:41Well, I knew his dad better.
00:27:43He had all sorts of mad theories about this place.
00:27:47Silly, he was a good friend.
00:27:50Listen, I can't really talk now.
00:27:53Here's my cell number.
00:27:55If I could help with Henry, he'd be a call.
00:27:58I never did ask Dr. Franklin what exactly is it that you do here.
00:28:01Mr. Holmes, I would love to tell you.
00:28:03But then, of course, I'd have to kill you.
00:28:06That would be tremendously ambitious of you.
00:28:09Tell me about Dr. Stapleton.
00:28:11I'll never speak ill of a colleague.
00:28:13Would you speak well with one which you'll clearly omit him to do?
00:28:15I do seem to be, don't I?
00:28:18I'll be in touch.
00:28:19Anytime.
00:28:22So?
00:28:23So?
00:28:24What was all that about the rabbit?
00:28:26Oh, please, can we not do this this time?
00:28:29Do what?
00:28:30You being all mysterious with your cheekbones and turning your coat collar up so you look cool.
00:28:37I don't do that.
00:28:38Yeah, you do.
00:28:52So, the email from Kirstie, the missing luminous rabbit.
00:28:57Kirstie Stapleton, whose mother specializes in genetic manipulation.
00:29:01She made her daughter's rabbit glow in the dark?
00:29:04Probably a fluorescent gene.
00:29:06Removed and spliced into the specimen simple enough these days.
00:29:10So?
00:29:12So we know that Dr. Stapleton performs secret genetic experiments on animals.
00:29:17The question is, has she been working on something deadlier than a rabbit?
00:29:23To be fair, that is quite a wide field.
00:29:42Hi.
00:29:42Hi.
00:29:43Come in.
00:29:43Come in.
00:29:52This is, uh, are you, um, uh, rich?
00:29:57Yeah.
00:29:58Right.
00:30:07There's a couple of words.
00:30:09It's what I keep seeing.
00:30:12Liberty.
00:30:13Liberty.
00:30:15Liberty.
00:30:17And.
00:30:19In.
00:30:21It's just that.
00:30:23Are you finished?
00:30:24Hmm.
00:30:27Mean anything to you?
00:30:28Liberty and death.
00:30:30Isn't that the expression?
00:30:30The only true freedom.
00:30:38What now, then?
00:30:40Sherlock's got a plan?
00:30:41Yes.
00:30:42Right.
00:30:43We take you back out onto the moor.
00:30:45Okay.
00:30:46See if anything attacks you.
00:30:47What?
00:30:48That should bring things to a head.
00:30:49At night?
00:30:50You want me to go out there at night?
00:30:52Hmm.
00:30:52That's your plan?
00:30:54Brilliant.
00:30:54Any better ideas?
00:30:55That's not a plan.
00:30:56Listen, if there is a monster out there, John, there's only one thing to do.
00:30:58Find out where it lives.
00:31:06Come on!
00:31:08No!
00:31:18Come on!
00:31:22Stop!
00:31:23No!
00:31:24No!
00:31:25No!
00:31:25No!
00:31:26No!
00:31:26No!
00:31:28No!
00:31:28No!
00:31:29No!
00:31:29No!
00:31:29No!
00:31:42Oh, my God.
00:32:00Oh, my God.
00:32:16U-M-Q-R-A.
00:32:25U-M-Q-R-A.
00:32:27U-M-Q-R-A.
00:32:34Sherlock.
00:32:43Sherlock.
00:32:46Sherlock.
00:32:49That a friend of yours?
00:32:51What?
00:32:52Dr. Franklin.
00:32:54Oh, right.
00:32:55Bob, yeah.
00:32:57Seems pretty concerned about you.
00:32:59He's a warrior, sir.
00:33:00He's been very kind to me since I came back.
00:33:04You knew your father?
00:33:06Yeah.
00:33:07But he works at Baskerville.
00:33:08Didn't your dad have a problem with that?
00:33:11Well, mates are mates, aren't they?
00:33:13I mean, look at you and John.
00:33:14What about us?
00:33:16Well, I mean, he's a pretty straightforward bloke, and you...
00:33:21They agreed never to talk about work, Uncle Bob and my dad.
00:33:27The U.S. Hollow.
00:33:35Sherlock.
00:33:36...
00:33:41...
00:33:50...
00:33:52...
00:33:52...
00:33:53...
00:34:21So, let's go.
00:34:51So, let's go.
00:35:02Oh my God, oh my God, oh my God, oh my God, oh my God, did you see it?
00:35:07Oh my God.
00:35:21Did you hear that?
00:35:22We saw it.
00:35:23We saw it.
00:35:24No.
00:35:25I didn't see anything.
00:35:27What?
00:35:28What are you talking about?
00:35:30I didn't see anything.
00:35:37Look, he must have seen it.
00:35:39I saw it.
00:35:40He must have.
00:35:41He must have.
00:35:42I...
00:35:43Why?
00:35:44Why?
00:35:45Why would he say that?
00:35:46It...
00:35:47It...
00:35:47It...
00:35:47It...
00:35:48It...
00:35:48It...
00:35:48It...
00:35:48It...
00:35:48It was there.
00:35:48It was...
00:35:49Henry, Henry, I need you to sit down.
00:35:52Try and relax, please.
00:35:53Listen, I'm going to give you something to help you sleep, all right?
00:35:56This is good news, John.
00:35:58It's, it's, it's good.
00:36:01I'm not crazy.
00:36:04There is a hound.
00:36:06There, there is.
00:36:08And Sherlock, he saw it too.
00:36:10No matter what he said, he saw it.
00:36:23Well, he is in a pretty bad way.
00:36:26He's a manic.
00:36:27Totally convinced there's some mutant super dog roaming the moors.
00:36:32There isn't there, is there?
00:36:33Because if people knew how to make a mutant super dog, we'd know.
00:36:36They'd be for sale. I mean, that's how it works.
00:36:39Listen, on the moor, I saw someone signalling.
00:36:42Morse. I guess it's Morse.
00:36:44Doesn't seem to make much sense.
00:36:47U-M-Q-R-A.
00:36:49Does that mean anything?
00:36:53So, okay.
00:36:54What have we got?
00:36:56We know this footprint, because Henry found them.
00:36:58So did the tour guide.
00:37:00But we all heard something.
00:37:08Maybe we should just look for whoever's got a big dog.
00:37:10Henry's right.
00:37:11What?
00:37:13I saw it too.
00:37:16What?
00:37:17I saw it too, John.
00:37:19Just...
00:37:19Just a minute.
00:37:21You saw what?
00:37:21A hound.
00:37:22Right there in the hollow.
00:37:26A gigantic hound.
00:37:32Um...
00:37:33Look, Sherlock.
00:37:34We have to be rational about this.
00:37:37Okay.
00:37:38And you, of all people,
00:37:41can't just...
00:37:42let's just stick to what we know, yes?
00:37:44Stick to the facts.
00:37:46Once you've ruled out the impossible,
00:37:48whatever remains, however improbable, must be true.
00:37:51What does that mean?
00:37:58Look at me, I'm afraid, John.
00:38:01Afraid.
00:38:03Sherlock.
00:38:04Always be able to keep myself distant.
00:38:09Divorce myself from feelings.
00:38:12But look, you see?
00:38:13Body's betraying me.
00:38:15Interesting, yes?
00:38:16Emotions.
00:38:17Grit on the lens,
00:38:18the fly and the ointment.
00:38:19Yeah, all right.
00:38:21It's off.
00:38:23Just...
00:38:23Take it easy.
00:38:25You've been pretty wired lately.
00:38:27You know you have.
00:38:28I think you've just gone out there
00:38:30and got yourself a bit worked up.
00:38:31Worked up.
00:38:32It was dark and scary.
00:38:34Me.
00:38:35There's nothing wrong with me.
00:38:51There's nothing wrong with me.
00:38:53Do you understand?
00:38:58You want me to prove it, yes?
00:39:01Looking for a dog, yes?
00:39:02Great dog.
00:39:03That's your brilliant theory.
00:39:04Good, excellent.
00:39:05Yes, where should we start?
00:39:06How about them?
00:39:08The sentimental widow and her son,
00:39:09the unemployed fisherman.
00:39:10The answer's yes.
00:39:11Yes?
00:39:11She's got a West Sanitaria called Whiskey.
00:39:13Not exactly what we're looking for.
00:39:14Sherlock, for God's sake.
00:39:15Look at the jumper he's weighing.
00:39:16Hardly worn.
00:39:17Clearly he's uncomfortable in it.
00:39:18Maybe it's because of the material.
00:39:19More likely, the hideous pattern suggests
00:39:20it's a present, probably Christmas.
00:39:21So he wants into his mother's good books.
00:39:22Why?
00:39:22Almost certainly money.
00:39:23He's treating her to a meal,
00:39:24but his own portion is small.
00:39:26That means he wants to impress her.
00:39:27But he's trying to economise her on his own food.
00:39:28Well, maybe he's just not hungry.
00:39:30No.
00:39:30Small plate starter.
00:39:31He's practically licked it clean.
00:39:32She's nearly finished her pavlova.
00:39:34If she treated him,
00:39:35he'd have as much as he wanted.
00:39:36He's hungry all right,
00:39:37and I'm well off,
00:39:37you can tell that by the state
00:39:38of his cuffs and shoes.
00:39:39How do you know she's his mother?
00:39:40Who else would give him
00:39:40a Christmas present like that?
00:39:41Well, it could be an aunt
00:39:42with all the sister,
00:39:42but mother's more likely
00:39:43now he was a fisherman.
00:39:44Scarring pattern on his hands,
00:39:45very distinctive fish hooks.
00:39:47They're all quite old now.
00:39:47I would suggest he's been
00:39:48unemployed for some time.
00:39:49Not much industry in this part of the world,
00:39:50so he's turned to his widowed mother
00:39:51for help.
00:39:52Widowed?
00:39:52Yes, obviously.
00:39:53She's got a man's wedding name
00:39:54on a chain around her neck.
00:39:55Clearly her late husband's
00:39:56and too big for her finger.
00:39:57She's well dressed,
00:39:58but her jewelry's cheap.
00:39:58She could afford better,
00:39:59but she's kept it.
00:40:00Sentimental.
00:40:01Now, the dog tallying her hair
00:40:02all over the leg
00:40:03from where it gets a little bit
00:40:03too friendly.
00:40:04Her hair's above the knees,
00:40:05suggesting it's a small dog,
00:40:06probably a terrier.
00:40:07In fact, it is a West Highman
00:40:07terrier called Whiskey.
00:40:08How the hell do you know that, Sherlock?
00:40:09Because she was on the same train
00:40:10as us, and I heard her calling its name,
00:40:11and that's not cheating.
00:40:12That's listening.
00:40:13I use my senses, John,
00:40:14unlike some people.
00:40:14So you see, I am fine
00:40:15if I didn't know it'd be better.
00:40:16So just leave me alone.
00:40:25Why would you listen to me?
00:40:27I'm just your friend.
00:40:28I don't have friends.
00:40:30No.
00:40:32I wonder why.
00:41:08I don't have friends.
00:41:31I don't have friends.
00:41:48I don't have friends.
00:41:49Oh, God.
00:42:05So?
00:42:22Oh, you're a bad man.
00:42:52Oh, you're a bad man.
00:42:55Oh, you're a bad man.
00:43:49Oh, you're a bad man.
00:44:19Oh, you're a bad man.
00:44:24Oh, you're a bad man.
00:44:45Oh, you're a bad man.
00:44:45Oh, you're a bad man.
00:44:45Oh, you're a bad man.
00:44:46Oh, you're a bad man.
00:44:47Oh, you're a bad man.
00:44:49Oh, you're a bad man.
00:44:54Dr. Watson!
00:44:56Hi. Hello. How's the investigation going?
00:44:59Hello. What? Investigation?
00:45:01Didn't you know? Don't you read the blog?
00:45:03Sherlock Holmes. Sherlock who?
00:45:06Private detective. This is his PA.
00:45:08PA. Well, live in PA.
00:45:11Perfect. Live in.
00:45:11This is Dr. Mortimer, Henry's therapist.
00:45:14Oh, hello. Bob Franklin.
00:45:17Listen. Tell Sherlock I've been keeping an eye on Stapleton.
00:45:21Any time he wants a little chat.
00:45:23All right.
00:45:29Why don't you buy him a drink?
00:45:31I think he likes you.
00:45:46I think he likes you.
00:45:53Morric!
00:45:53Oh, how are you feeling?
00:45:55I'm...
00:45:56I didn't sleep very well.
00:45:58Oh, that's a shame.
00:45:59Shall I make us some coffee?
00:46:00Oh, look, you've got that.
00:46:00Come on.
00:46:20Listen.
00:46:22Last night.
00:46:26Why did you say you haven't seen anything?
00:46:28I mean, I only saw the hound for a minute.
00:46:30Hound.
00:46:31What?
00:46:32Why do you call it a hound?
00:46:33Why a hound?
00:46:35Why?
00:46:36What do you mean?
00:46:36It's odd, isn't it?
00:46:37Strange choice of words. Archaic.
00:46:38That's why I took the case, Mr. Holmes,
00:46:40with the footprints of a gigantic hound.
00:46:43Why say hound?
00:46:45I don't know.
00:46:45I've not...
00:46:45Actually, I'd better skip the coffee.
00:47:15You, uh, been anywhere with that morse code?
00:47:18No.
00:47:19U-M-Q-R-A, wasn't it?
00:47:21Oom-Q-R-A.
00:47:23Nothing.
00:47:23Oom-Q-R-A.
00:47:24Look, forget it.
00:47:25I thought I was onto something.
00:47:26I wasn't.
00:47:27John?
00:47:28Yeah.
00:47:29How about Louise Mortimer?
00:47:30Did you get anywhere with her?
00:47:31No.
00:47:31Too bad.
00:47:32Did you get any information?
00:47:34You're being funny now.
00:47:36Well, I might break the ice a bit.
00:47:38Funny doesn't suit you.
00:47:39Let's stick to ice.
00:47:42John.
00:47:42It's fine.
00:47:44Wait.
00:47:44What happened last night?
00:47:45Something happened to me.
00:47:46Something I've not really experienced before.
00:47:47Yes, you said.
00:47:48Fear.
00:47:48Sherlock Holmes got scared, you said.
00:47:50No, no, no.
00:47:50It was more than that, John.
00:47:51It was doubt.
00:47:52I felt doubt.
00:47:54Always been able to trust my senses.
00:47:55The evidence of my own eyes until last night.
00:47:57You can't actually believe that you saw some kind of monster.
00:48:00No, I can't believe that.
00:48:02I did see it.
00:48:03So the question is, how?
00:48:05How?
00:48:07Yes.
00:48:08Yeah, right. Good.
00:48:10So you got something to...
00:48:11Go on, then.
00:48:12Good luck with that.
00:48:15Listen, what I said before, John, I meant it.
00:48:18I don't have friends.
00:48:21Just got one.
00:48:27Right.
00:48:31John.
00:48:32John!
00:48:34You are amazing.
00:48:35You are fantastic.
00:48:36Yes, all right.
00:48:37Don't have to overdo it.
00:48:37You've never been the most luminous of people,
00:48:39but as a conductor of light, you are unbeatable.
00:48:41Cheers.
00:48:42What?
00:48:42Some people who are geniuses have an amazing ability to stimulate it,
00:48:45and others...
00:48:45Hang on, you were saying sorry a minute ago.
00:48:47Don't spoil it.
00:48:48Go on.
00:48:48What have I done that's so bloody stimulating?
00:48:52Yeah.
00:48:52What if it's not a word?
00:48:53What if it is individual letters?
00:48:56Think it's an acronym?
00:48:58Absolutely no idea, but...
00:49:01What the hell are you doing here?
00:49:03Oh, nice to see you too.
00:49:04I'm on holiday, would you believe?
00:49:06No, I wouldn't.
00:49:07Hello, John.
00:49:08Greg.
00:49:09I heard you were in the area.
00:49:10What are you up to?
00:49:11You're up to this hound of hell like on the telly?
00:49:14I'm waiting for an explanation, Inspector.
00:49:16Why are you here?
00:49:17I've told you.
00:49:17I'm on holiday.
00:49:18You're browners are nuts.
00:49:18You're clearly just back from your holidays.
00:49:21Here we go.
00:49:21First of another one.
00:49:22Oh, this is my craft, isn't it?
00:49:23Now look.
00:49:24Of course it is.
00:49:25One mention of Baskerville and he sends down my handler to spy on me incognito.
00:49:29Is that why you're calling yourself Greg?
00:49:32That's his name, is it?
00:49:33Yes.
00:49:34If you'd ever bother to find out.
00:49:35Look, I'm not your handler.
00:49:37And don't just do what your brother tells me.
00:49:39Actually, you could be just the man we want.
00:49:41Why?
00:49:42Well, I've not been idle, Sherlock.
00:49:44I think I might have found something.
00:49:46Here.
00:49:47I didn't know if it was relevant.
00:49:48I'm starting to look like it might be.
00:49:50That is an awful lot of meat for a vegetarian restaurant.
00:49:53Excellent.
00:49:53Nice scary inspector from Scotland Yard who's been putting in a few calls.
00:49:56Might come in very handy.
00:49:59Chopped.
00:50:15What's this?
00:50:15Coffee.
00:50:16You make coffee?
00:50:17You never make coffee.
00:50:18You just did and you wanted to.
00:50:18You don't have to keep apologising.
00:50:22Thanks.
00:50:28Mmm.
00:50:29I don't take sure.
00:50:34Did your records go around only two months?
00:50:37That's nice.
00:50:38That's good.
00:50:39Is it when you had the idea after the TV show went out?
00:50:42It's me.
00:50:43It was me.
00:50:44I'm sorry, Gary.
00:50:46I couldn't help it.
00:50:47I had a bacon sandwich at Cal's wedding and one thing just led to another.
00:50:50Nice try.
00:50:51Look.
00:50:52We were just trying to give things a bit of a boost, you know?
00:50:55A great big dog run wild up in the moor.
00:50:58It was heaven sent.
00:50:59It was like us having our own Loch Ness monster.
00:51:02And where do you keep it?
00:51:03Well, that's an old mineshaft.
00:51:05It's not too far.
00:51:06He was alright there.
00:51:07What?
00:51:08He couldn't control the bloody thing.
00:51:10He was vicious.
00:51:13And then, a month ago, Billy took him to the vet and, er, you know.
00:51:19He's dead.
00:51:21Put down.
00:51:23Yeah.
00:51:24No choice.
00:51:26So it's over.
00:51:27It was just a joke, you know.
00:51:28Yeah.
00:51:29Hilarious.
00:51:31Nearly driven a man out of his mind.
00:51:50You know he's actually pleased you're here.
00:51:52Secretly pleased.
00:51:53Is he?
00:51:54That's nice.
00:51:56I suppose he likes having all the same faces back together.
00:51:59It feels to his...
00:52:01His...
00:52:03Asperger's.
00:52:04So, do you believe him about having the dog destroyed?
00:52:06No reason not to.
00:52:07Well, hopefully there's no harm done.
00:52:08I'm not quite sure what I'd charge him with, anyway.
00:52:11I'll have a word with the local force.
00:52:13Right, that's it, then.
00:52:14Catch you later.
00:52:15I'm enjoying this.
00:52:17It's nice to get London out of your lungs.
00:52:20So that was their dog that people saw out on the moor?
00:52:22Looks like it.
00:52:23That wasn't what you saw.
00:52:24That wasn't just an ordinary dog.
00:52:26It was immense.
00:52:27It had burning red eyes and it was glowing, John.
00:52:29It's whole body was glowing.
00:52:35I've got a theory, but I need to get back into Baskerville to test it.
00:52:38Wow.
00:52:39Can't pull off the ID trick again.
00:52:41Might not have to.
00:52:44Hello, brother dear.
00:52:46How are you?
00:53:10Good afternoon, sir.
00:53:11Can you turn the engine off?
00:53:13I need to see Major Paramore as soon as we get inside.
00:53:16Right.
00:53:16Which means you'll have to start the search for the Hound.
00:53:18Okay.
00:53:20In the labs.
00:53:21Stay with us first.
00:53:22It could be dangerous.
00:53:37Oh, you know, I'd love to.
00:53:39I'd love to give you unlimited access to this place.
00:53:41Why not?
00:53:42It's a simple enough request, Major.
00:53:43I've never heard of anything so bizarre.
00:53:45You ought to give me 24 hours.
00:53:46It's what I've negotiated.
00:53:47Not a second more.
00:53:49I may have to comply with this order, but I don't have to like it.
00:53:52I don't know what the hell you expect to find here anyway.
00:53:54Perhaps the truth.
00:53:56About what?
00:53:57Oh, I see.
00:53:58The big coat should have told me.
00:54:00You're one of the conspiracy lot, aren't you?
00:54:03Well then, go ahead.
00:54:04Seek them out.
00:54:05The monsters, the death rays, the aliens.
00:54:08Have you got any of those?
00:54:10Oh, just wondering.
00:54:12A couple.
00:54:13Crash landed here in the 60s.
00:54:15We call them Abbott and Costello.
00:54:18Good luck, Mr. Holmes.
00:54:30Oh well, they're all at home.
00:54:30Oh no, they're all at home.
00:54:36All right.
00:54:46Oh my god.
00:54:48Ah, I'm pretty.
00:54:50Oh.
00:54:51Oh god.
00:54:52Oh.
00:54:52Oh maroon.
00:54:55I'm pretty.
00:55:05I don't know.
00:55:45I don't know.
00:55:57I don't know.
00:55:59I don't know.
00:56:00I don't know.
00:56:02I don't know.
00:56:03I don't know.
00:56:14I don't know.
00:56:40I don't know.
00:56:43I don't know.
00:56:45Come on.
00:56:54Hello?
00:56:56I don't know.
00:56:58I don't know.
00:57:00I don't know.
00:57:01I don't know.
00:57:02I don't know.
00:57:02I don't know.
00:57:05I don't know.
00:57:07I don't know.
00:57:08I don't know.
00:57:10I don't know.
00:57:11I don't know.
00:57:12I don't know.
00:57:14I don't know.
00:57:15I don't know.
00:57:16I don't know.
00:57:18I don't know.
00:57:19I don't know.
00:57:23I don't know.
00:57:24I don't know.
00:57:25I don't know.
00:57:26I don't know.
00:57:27I don't know.
00:57:52I don't know.
00:57:54I don't know.
00:57:56I don't know.
00:57:57I don't know.
00:58:16I don't know.
00:58:26I don't know.
00:58:28I don't know.
00:58:29I don't know.
00:58:30Let me have it again.
00:58:30It's bigger.
00:58:31Damn it.
00:58:33Right.
00:58:43Okay.
00:59:02Let's go.
00:59:33It's here. It's in here with me.
00:59:38Where are you?
00:59:40Get me out, Sherlock. You've got to get me out.
00:59:42The big lamp, the first lamp that we saw.
00:59:48Oh.
00:59:49John.
00:59:50John.
00:59:51Oh, no, Sherlock.
00:59:52Please.
00:59:54All right, I'll find you. Keep talking.
00:59:56I can't. It'll hear me.
00:59:58Keep talking. What are you seeing?
01:00:04John?
01:00:05Yes, I'm here.
01:00:06What can you see?
01:00:13I don't know.
01:00:15I don't know, but I can hear it.
01:00:19Did you hear something?
01:00:20Stay calm. Stay calm. Can you see it?
01:00:24Can you see it?
01:00:25No, Sherlock.
01:00:32I can't see it.
01:00:36I can't see it.
01:00:39It's here.
01:00:42Are you all right?
01:00:43John.
01:00:43Jesus Christ, it was down.
01:00:46Sherlock, it was here.
01:00:48I swear it, Sherlock.
01:00:49It must...
01:00:50It must...
01:00:51But did you see it?
01:00:53It must have...
01:00:54It's all right.
01:00:55It's okay now.
01:00:57No, it's not!
01:00:58It's not okay!
01:00:59I saw it!
01:01:01I was wrong!
01:01:02Let's not jump to conclusions.
01:01:04What?
01:01:04What did you see?
01:01:05I told you, I saw the hand.
01:01:06Huge, red eyes.
01:01:07Yes.
01:01:07Glowing?
01:01:08No.
01:01:08No.
01:01:09What?
01:01:09You saw what you expected to see because I told you.
01:01:14You have been drugged.
01:01:15We have all been drugged.
01:01:16Drugged?
01:01:16Can you walk?
01:01:17Of course I can walk.
01:01:18Come on, then.
01:01:19It's time to lay this ghost.
01:01:27Oh, back again.
01:01:30What's on your mind this time?
01:01:31Murder, Dr. Stapleton.
01:01:33Refined, cold-blooded murder.
01:01:39Will you tell us, Kirsty, what happened to Bluebell, or shall I?
01:01:44Okay.
01:01:45What do you want?
01:01:46Can I borrow your microscope?
01:02:03Are you sure you're okay?
01:02:05You look very peaky.
01:02:06I'm all right.
01:02:10It was the GFP gene from a jellyfish, in case you're interested.
01:02:13What?
01:02:13In the rabbits.
01:02:15Oh, yes.
01:02:16Iquaria Victoria, if you really want to know.
01:02:19Why?
01:02:20Why not?
01:02:21We don't ask questions like that here.
01:02:23It isn't done.
01:02:24It was a mix-up, anyway.
01:02:25My daughter ended up with one of the lab specimens, so poor Bluebell had to go.
01:02:31Your compassion's overwhelming.
01:02:32I know.
01:02:33I hate myself sometimes.
01:02:37So, come on, then.
01:02:38Trust me, I'm a doctor.
01:02:39What else have you got hidden away up here?
01:02:43Listen, if you can imagine it, someone is probably doing it somewhere.
01:02:47Of course they are.
01:02:49Cloning?
01:02:49Yes, of course.
01:02:51Dolly the sheep, remember?
01:02:52Human cloning?
01:02:53Why not?
01:02:56What about animals?
01:02:58Not sheep.
01:03:02Big animals.
01:03:03Size isn't a problem.
01:03:04Not at all.
01:03:06The only limits are ethics and the law, and both those things can be very flexible.
01:03:10Not here.
01:03:11Not at basketball.
01:03:12There!
01:03:13Jesus!
01:03:14Nothing there!
01:03:14Doesn't make any sense.
01:03:16What were you expecting to find?
01:03:17Drunk, of course.
01:03:18It has to be a drug.
01:03:19A hallucinogenic or a deliriant of some kind.
01:03:22There's no trace of anything in the sugar.
01:03:24Sugar?
01:03:24Sugar, yes.
01:03:25It's a simple process of elimination.
01:03:26I saw the hound, saw it as my imagination expected me to see it.
01:03:29A genetically engineered monster.
01:03:32But I knew I couldn't believe the evidence of my own eyes, so there were seven possible reasons
01:03:35for it.
01:03:35The most possible being narcotics.
01:03:37Henry Knight, he saw it too, but you didn't, John.
01:03:40You didn't see it.
01:03:42And we have eaten and drunk exactly the same thing since we got to Grimple, apart from
01:03:45one thing.
01:03:46You don't take sugar in your coffee.
01:03:48I see.
01:03:48I took it from Henry's kitchen.
01:03:50His sugar.
01:03:52It's perfectly all right.
01:03:53But maybe it's not a drug.
01:03:54No, it has to be a drug.
01:03:57How did it get into our systems?
01:03:59How?
01:04:02There must be something, something...
01:04:05Something.
01:04:08Something buried deep.
01:04:11Get out.
01:04:12What?
01:04:13Get out.
01:04:13I need to go to my mind palace.
01:04:15Your what?
01:04:17He's not going to be doing much talking for a while.
01:04:19We may as well go.
01:04:21His what?
01:04:21Oh, his mind palace.
01:04:24It's a memory technique, a sort of mental map.
01:04:27You plot a map with a location.
01:04:30It doesn't have to be a real place.
01:04:31And then you deposit memories there.
01:04:33Theoretically, you can never forget anything.
01:04:35All you have to do is find your way back to it.
01:04:36So this emergency location could be anything, a house or a street?
01:04:39Yeah.
01:04:39It's a palace.
01:04:40He said it was a palace.
01:04:42Yeah, but it would, wouldn't it?
01:04:45No.
01:04:46No.
01:04:46No.
01:04:50No.
01:04:51No.
01:04:52No.
01:04:53No.
01:04:53No.
01:04:54No.
01:04:54No.
01:04:55No.
01:04:56No.
01:04:56No.
01:04:57No.
01:04:57No.
01:04:57No.
01:04:57No.
01:04:57No.
01:04:58No.
01:05:00No.
01:05:01No.
01:05:02No.
01:05:03No.
01:05:06No.
01:05:08No.
01:05:11No.
01:05:38I don't know.
01:06:04Oh, my God.
01:06:06Oh, my God. Oh, my God.
01:06:08I am so... I am so sorry.
01:06:10I am so sorry.
01:06:29John.
01:06:30Yeah, well, wait.
01:06:31Project Hound.
01:06:33I must have read about it and sorted the way.
01:06:35Experiment in a CIA facility in Liberty, Indiana.
01:06:44H-O-U-N-D.
01:06:50That's as far as my access goes, I'm afraid.
01:06:52There must be an override. A password.
01:06:54I imagine so, but that would be Major Barrymore's.
01:06:59Password. Password. Password. Password.
01:07:02He sat here when he thought it up.
01:07:06Describe him to me.
01:07:07You've seen him?
01:07:08Describe him.
01:07:08Uh, he's a buddy, Martinet.
01:07:10A throwback.
01:07:11The sort that he sent into sewers.
01:07:13Good, excellent, old-fashioned, traditionalist.
01:07:16Not the sort of man that uses children's name as a password.
01:07:18He loves his job. Proud of it.
01:07:19And this is work-related.
01:07:19So what's an eye level?
01:07:22Books.
01:07:23Jane's Defense Weekly bound copies.
01:07:24Hannibal.
01:07:26Wellington.
01:07:26Rommel.
01:07:27Churchill's History of the English-Speaking People's All Four Volumes.
01:07:31Churchill.
01:07:31Well, he's fond of Churchill.
01:07:33Copy of the Downing Street Years, one, two, three, four, five.
01:07:35Separate biographies of Thatcher.
01:07:38Mid-1980s.
01:07:38It'll guess.
01:07:39Father and son.
01:07:40Barrymore Senior.
01:07:40Medals.
01:07:41Distinguished service order.
01:07:42That date, I'd say Falkland's veteran.
01:07:44Right, so Thatcher's looking more likely better than Churchill.
01:07:46So that's the password?
01:07:47No, with a man like Major Barrymore, only first-name terms would do.
01:08:22Hound.
01:08:24Hound.
01:08:39Jesus.
01:08:41Project Hound.
01:08:43A new delirium drug which rendered its users incredibly suggestible.
01:08:47They wanted to use it as an anti-personnel weapon to totally disorientate the enemy using
01:08:51fear and stimulus, but they shut it down and hid it away in 1986.
01:08:55Because of what it did to the subjects they tested?
01:08:57And what they did to others.
01:08:59Prolonged exposure drove them insane.
01:09:01Made them always uncontrollably aggressive.
01:09:03So someone's been doing it again?
01:09:05Carrying on the experiment?
01:09:07Tending to refine it, perhaps, for the last 20 years.
01:09:10Who?
01:09:11Those names mean anything to you?
01:09:13No, not a thing.
01:09:15Five principal scientists, 20 years ago.
01:09:21Maybe my friends, somewhere in the back of the picture.
01:09:25Someone who was old enough to be there at the time of the experiments in 1986.
01:09:30Maybe somebody who says cell phone because of time spent in America.
01:09:33You remember, John?
01:09:34Mm-hmm.
01:09:34Here's my cell number.
01:09:36Gave us his number in case we needed him.
01:09:38Oh, my God.
01:09:39Bob Franklin.
01:09:40What?
01:09:41Bob doesn't even work well.
01:09:42I mean, he's a virologist.
01:09:43This was chemical warfare.
01:09:44That's where he started, then.
01:09:46And he's never lost the certainty, the obsession, that that drug really could work.
01:09:51Nice of him to give us his number.
01:09:53So, let's arrange a little meeting.
01:10:05Hello?
01:10:09Is this?
01:10:10You've got to find Henry.
01:10:12It's Louise Mortimer.
01:10:14Louise, what's wrong?
01:10:15Henry was...
01:10:17I was remembering, then...
01:10:19I tried...
01:10:21He's got a gun.
01:10:22He went to the gun and tried it.
01:10:23What?
01:10:26He's gone.
01:10:27You've got to stop him.
01:10:28I don't know what he might do.
01:10:30Where are you?
01:10:31His house.
01:10:32I'm okay.
01:10:32I'm okay.
01:10:33Right, stay there.
01:10:34We'll get someone to you, okay?
01:10:36Henry?
01:10:37He's attacked her.
01:10:38Gone?
01:10:38There's only one place you'll go to, back to where it all started.
01:10:41The Stride, get to the Hollow.
01:10:43Dewar's Hollow, now.
01:10:44And bring a gun.
01:10:46Ah!
01:10:47Ah!
01:10:48Ah!
01:10:50Ah!
01:10:52Ah!
01:10:54Ah!
01:10:56Ah!
01:10:57Ah!
01:10:57Ah!
01:10:58Ah!
01:10:58Ah!
01:10:59Ah!
01:11:00Ah!
01:11:01Ah!
01:11:01Ah!
01:11:05Ah!
01:11:07Ah!
01:11:12Ah!
01:11:14Ah!
01:11:15Ah!
01:11:16Ah!
01:11:16Ah!
01:11:24I'm sorry.
01:11:29I'm so sorry, Dad.
01:11:35Oh, Henry, no! No!
01:11:37Get back! Get away from me!
01:11:39Easy, Henry. Easy. Just relax.
01:11:41I know what I am. I know what I try to do!
01:11:43Just put the gun down. It's okay.
01:11:45No, no! I know what I am!
01:11:46Yes, I'm sure you do, Henry.
01:11:49It's all been explained to you, hasn't it?
01:11:51Explained very carefully.
01:11:53What?
01:11:54Someone needed to keep you quiet.
01:11:57Needed to keep you as a child to reassert the dream that you both clung on to
01:12:00because you had started to remember.
01:12:02Remember now, Henry. You've got to remember what happened here when you were a little boy.
01:12:07I thought it had got my dad, the hound.
01:12:11I thought, oh, oh, Jesus, I don't, I don't know anymore!
01:12:16I don't!
01:12:17No, Henry! Henry, for God's sake!
01:12:19Henry, remember, liberty in two words.
01:12:21Two words a frightened little boy saw here 20 years ago.
01:12:24You started to piece things together.
01:12:25Remember what really happened here that night.
01:12:27It wasn't an animal, was it, Henry?
01:12:30Not a monster.
01:12:32A man.
01:12:33A man.
01:12:37A man.
01:12:45A man.
01:12:48A man.
01:13:13You couldn't cope.
01:13:15You were just a child.
01:13:17So you rationalized it into something very different.
01:13:20Then you started to remember, so you had to be stopped.
01:13:23Driven out of your mind so that no one would believe a word that you said.
01:13:27Shut up!
01:13:28Okay.
01:13:29It's okay, mate.
01:13:31But we saw it.
01:13:33The hound, last night.
01:13:35We did.
01:13:36There was a dog, Henry.
01:13:38Leaving footprints, scaring witnesses.
01:13:40But it was nothing more than an ordinary dog.
01:13:42We both saw it, saw it as our drugged minds wanted us to see it.
01:13:45Fear and stimulus, that's how it works.
01:13:50But there never was any monster.
01:13:55Sherlock?
01:13:57No.
01:13:58No, no, no, no, no, no.
01:14:00Sherlock?
01:14:01No, no, no, no, no, no, no.
01:14:07Henry?
01:14:08Are you saying this?
01:14:10He is not a drug.
01:14:11Sherlock?
01:14:11So what's that?
01:14:13What is it?
01:14:14All right, it's still here.
01:14:16But it's just a dog, Henry.
01:14:18It's nothing more than an ordinary dog.
01:14:20Oh, my God!
01:14:23Oh, my God!
01:14:39No!
01:14:41No!
01:14:45It's not here.
01:14:48It's not here.
01:14:50It's not here!
01:14:56It's not here!
01:15:03It's not here!
01:15:03The fog.
01:15:06For God's sake, kill it!
01:15:08Kill it!
01:15:21Look at it, Henry.
01:15:23No, no, no. Come on, look at it!
01:15:30It's just you bastard.
01:15:33Fuck!
01:15:3520 years!
01:15:3620 years!
01:15:37Why did you just kill me?
01:15:41Because dead men get listened to.
01:15:42He needed to do more than kill you.
01:15:44He had to discredit every word you ever said about your father.
01:15:47And he had the means right at his feet.
01:15:50A chemical minefield, pressure pads in the ground dosing you up
01:15:53every time that you came back here.
01:15:55Murder weapons, scene of the crime all at once.
01:15:58Oh, this case, Henry. Thank you.
01:16:01It's been brilliant.
01:16:03Sherlock.
01:16:03What?
01:16:05Timing.
01:16:08Not good?
01:16:09No, no. It's okay.
01:16:11It's fine.
01:16:12Because this means...
01:16:14This means that my dad was right.
01:16:18He'd found something out of me.
01:16:21And that's why you'd killed him.
01:16:23Because he was right.
01:16:24And he had found you.
01:16:27Right in the middle of an experiment.
01:16:37Franklin!
01:16:41Franklin!
01:16:42Keep on him!
01:16:46Come on, keep up!
01:16:48It's no use Franklin!
01:16:59He's on the floor.
01:17:01He's got a gun!
01:17:11He's on the floor.
01:17:12He's going to leave me.
01:17:12He's going to leave me.
01:17:13Okay, come on.
01:17:17The first day he is on the floor.
01:17:18He's on the floor!
01:17:19I've got his whole room.
01:17:19He's on the floor!
01:17:19I know he's on the floor!
01:17:20He's on the floor!
01:17:20It's full of a gigantic sum of the floor!
01:17:27No, you can't save the floor!
01:17:52So they didn't have it put down then, the dog?
01:17:54Obviously.
01:17:55Because they just couldn't bring themselves to do it.
01:17:58I see.
01:18:00No, you don't.
01:18:02No, I don't.
01:18:04Sentiment?
01:18:04Sentiment, yeah.
01:18:07Listen, what happened to me in the lab?
01:18:11Got some sauce with that.
01:18:12I mean, I haven't been to the hollow, so...
01:18:14How come I heard those things in there?
01:18:15Fear and stimulus, you said.
01:18:17You must have been dosed with it elsewhere.
01:18:18You went to the lab, maybe.
01:18:19You saw those pipes pretty anciently persisted.
01:18:22They were carrying the gas, so...
01:18:23Um, ketchup was a little brown.
01:18:25Hang on.
01:18:26You thought it was in the sugar.
01:18:27You were convinced it was in the sugar.
01:18:29Better get going, actually.
01:18:30There's a train that leaves in half an hour, so if you want...
01:18:33Oh, God.
01:18:34It was you.
01:18:36You locked me in that bloody lab.
01:18:38I had to.
01:18:39It was an experiment.
01:18:40An experiment?
01:18:40Shh.
01:18:41I was terrified, Sherlock.
01:18:42I was scared to death.
01:18:43I thought the drug was in the sugar, so I put the sugar in your coffee.
01:18:45Then I arranged everything with Major Barrymore.
01:18:48It's all totally scientific.
01:18:49Laboratory conditions.
01:18:50What?
01:18:50Literally.
01:18:55It's in here with me.
01:18:56It's in here with me.
01:18:56All right.
01:18:56Keep talking.
01:18:57I'll find you.
01:19:00Keep talking.
01:19:01I don't know how to hear me.
01:19:02Tell me what you're seeing.
01:19:06I don't know how to hear it.
01:19:09I knew what affected it had on a superior mine, so I needed to try it on an average
01:19:12one.
01:19:13You know what I mean.
01:19:17But it wasn't in the sugar.
01:19:18No, well, I wasn't to know you'd already been exposed to the gas.
01:19:21So you got it wrong.
01:19:22No.
01:19:23You were wrong.
01:19:24It wasn't in the sugar.
01:19:25You got it wrong.
01:19:27A bit.
01:19:29Won't happen again.
01:19:34Any long-term effects?
01:19:36Not at all.
01:19:37You'll be fine once you've excreted it.
01:19:38We all will.
01:19:40I think I might have taken care of that already.
01:19:48Where are you going?
01:19:49Maybe a minute.
01:19:51Got to see a man about a dog.
01:20:09All right.
01:20:10Let him go.
01:20:29I will go.
01:20:30Listen to me,cks.
01:20:32I just
01:20:33walked up... Yeah,
01:20:35sorry. Before I
01:20:35get in. Um...
01:20:39I guess?