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Short filmTranscript
00:00:09You
00:00:43Somebody's driving my car
00:00:47Somebody's using my name
00:00:51Somebody's kissing my girl
00:00:55So why am I new around
00:00:57This ain't no pink champagne
00:01:02This is a morning chair
00:01:06This ain't no swank hotel
00:01:09This ain't my wild
00:01:13If love is a crime
00:01:15How come you've been off and I'm new in town
00:01:28Somebody bake me a cake
00:01:32You better stick in a fire
00:01:36You better buy me a church
00:01:39I've been set up
00:01:41And I'm blue and dry
00:01:43This ain't no paint champagne
00:01:48This is a morning chair
00:01:52This ain't no swank hotel
00:01:56This ain't my wild
00:02:00Honey, please don't leave me hanging here
00:02:05Can't you see the end is near
00:02:07It's a clown
00:02:09You can off and I'll do it in time
00:02:18Run, hop it, run
00:02:19Hold it
00:02:20Red light
00:02:21Green light
00:02:23Go
00:02:45Wait, let's go
00:02:48Red light
00:02:49Wait light
00:03:02Did you hear that
00:03:04It came from over there
00:03:12Locked
00:03:17Freeze
00:03:19Oh, hi, fellas
00:03:33Hi, Ernest
00:03:34How many times do I have to tell you about bank procedure?
00:03:38Do you realize you could have caused a serious accident here?
00:03:42Perhaps even a bloodbath?
00:03:44This man is a coiled cobra ready to strike at the slightest irregularity
00:03:49I'm sorry, fellas
00:03:51I just got working on this old polisher switch and I just forgot
00:03:56Okay
00:03:57Well, I'm gonna let you off this time
00:03:59Because you're one of us and you work at the bank
00:04:03Yeah
00:04:04But I won't always have this job
00:04:07Someday
00:04:08Someday I'll be able to wield the financial muscle of this institution
00:04:12I'll be able to move assets around like chessmen on a financial chessboard
00:04:18Someday corporate managers will shudder in their wingtips at my approach
00:04:23For I will be a bank clerk
00:04:38Pop, I'm sick of this police bail
00:04:44Let's listen to something with kick good
00:04:46I won't get off
00:04:49Help, help, help
00:04:51Molly
00:05:01You won't get off
00:05:02Ow, ow, ow
00:05:04Whoa
00:05:08Don't make me climb
00:05:14Stop, stop
00:05:19Stop, stop
00:05:21Stop, stop
00:05:25Go, go, go
00:05:26Go, go
00:05:27Go, go, go
00:05:36Oh, my God.
00:06:00Huh?
00:06:33What?
00:06:35What?
00:06:36What?
00:06:37What?
00:06:41Ah!
00:07:01It's anyway, lad. Monkeys have been up there.
00:07:04Fish! Put that down! Put that down!
00:07:13Huh?
00:07:18What?
00:07:19Ah!
00:07:22My hands are stuck, I'm doomed!
00:07:24Ah!
00:07:25Ah!
00:07:27Ah!
00:07:29Ah!
00:07:33Ah!
00:07:34Ah!
00:07:35Security check five.
00:07:37No problem.
00:07:43There is very breach in security.
00:07:47All prisoners, return to your cell phone.
00:07:49Help me over here!
00:07:54Hey!
00:07:56Hey!
00:07:57Get out of here!
00:07:59Get out of here!
00:08:00Ah!
00:08:10Mr. Nash!
00:08:11You gotta help me.
00:08:13I just killed a guy.
00:08:15What about it?
00:08:16You gotta help me!
00:08:21I help no one who can't help me.
00:08:24It's your mess, Reuben.
00:08:26You clean it up.
00:08:28Mr. Nash!
00:08:29You gotta do something!
00:08:31Take it!
00:08:31Help me, man!
00:08:32Help me!
00:08:40Good morning, Frank.
00:08:52Good morning, Chuck.
00:08:54Did you have a problem last night?
00:08:56Nothing we couldn't handle.
00:09:01Not again today.
00:09:03You might as well go ahead and show him some kind of ID, Miss Sparrow.
00:09:06Well, I have to, and I'm his brother.
00:09:21What in the Sam Newton think you're doing?
00:09:28Ernest?
00:09:30Ernest?
00:09:31No.
00:09:32What happened?
00:09:33I was just guarding the money.
00:09:36You know, being extra careful.
00:09:38Walking that extra mile.
00:09:40Ernest, this is the biggest mess you've ever made.
00:09:42If Mr. Pendlesmith sees this...
00:09:44It wasn't my fault.
00:09:45They followed me in here.
00:09:47It was awful.
00:09:47You can't imagine.
00:09:48Especially these two.
00:09:50Ernest, whatever happened, you gotta clean it up now.
00:09:52Come on, I'll help you.
00:09:54Did you read those books that I gave you?
00:09:56I tried, but they were real tough.
00:09:59There weren't any pictures, and the print was real small.
00:10:03Ernest, you gotta work hard if you wanna get ahead.
00:10:05I know, but I get discouraged.
00:10:08And besides, Mr. Pendlesmith's not gonna give me a chance.
00:10:12Ernest, you gotta believe in yourself.
00:10:14You've gotta have faith in the system.
00:10:18You're right, Charlotte.
00:10:21After all, I am Ernest P. Worrell, an upwardly mobile American at his best.
00:10:27And I know that if I pay my taxes, bathe and floss regularly, I will ascend the ladder of success
00:10:34hand over foot.
00:10:36Ernest, do you think the floor needs a polish?
00:11:02Ernest P. Worrell.
00:11:03Today's your deadline, Eddie.
00:11:05I want that money you owe me.
00:11:07Sorry, Mr. Narich.
00:11:09Need a little more time.
00:11:11Not good enough, Eddie.
00:11:13Lon, see if you can help Eddie with his attitude.
00:11:21I'll get it for you, I swear.
00:11:22Oh, I know that, Eddie.
00:11:24The question is, when?
00:11:26Tomorrow.
00:11:27I'll get it for you tomorrow.
00:11:29Today's your deadline.
00:11:31I hate to encourage tardiness.
00:11:36Please.
00:11:38I'll get it for you tonight.
00:11:40I swear.
00:11:41See that you do, Eddie.
00:11:43See that you do.
00:11:53There, all cleaned up.
00:11:55That should pass Mr. Pendle-Smith's inspection.
00:11:58Right you are, Charlotte.
00:12:00And Mr. Poodle-Smurf is lucky to have me on his team.
00:12:03As a matter of fact, one of these days, I'm gonna walk into that office and I'm gonna say...
00:12:12Oscar, babe.
00:12:13Oscar, babe.
00:12:13What?
00:12:14Good morning, Mr. Poodle-Smuth.
00:12:16Smiddle-Pit.
00:12:17Smiddle-Poot.
00:12:17Piddle-Smith, you idiot.
00:12:20Yes, sir.
00:12:23Oh, can't you get anything right?
00:12:26Why are you such a screw-up?
00:12:35Ernest, you've gotta be more careful.
00:12:38I know.
00:12:39I'll never get to be a clerk.
00:12:41I'll be lucky if they let me stay on as a janitor, know what I mean?
00:12:45Hey, maybe I can help you with that promotion.
00:12:47All you need is a little more self-confidence.
00:12:50You're right, Charlotte.
00:12:52I need to think more positive.
00:12:54I need to think, I'll get that job.
00:12:58Why, that man is putty in my fingers.
00:13:02I'm just toying with him now, like a kitten with a June bug.
00:13:06I was just thinking that, since you're not working tomorrow,
00:13:09that maybe we could get together, talk about the job, maybe have dinner?
00:13:13Dinner?
00:13:16Did you say dinner?
00:13:17Like, just the two of us in the same town on the same day,
00:13:20in the same restaurant, possibly at the same table?
00:13:24Well, yes, but just as friends, right?
00:13:26I mean, just as friends.
00:13:27I mean, we'll get together, we'll talk about the job.
00:13:29I can give you some insights based upon my experience.
00:13:32Experience?
00:13:34Oh, yeah.
00:13:36Well, I suggest you bring your willpower, young woman.
00:13:39Be forewarned, the world charm is merciless.
00:13:50Oh, sure, Charlotte.
00:13:52You just want to show me the ropes.
00:13:54You just want to give me a leg up to the bottom rung of that little ladder called success.
00:14:01Oh, yeah.
00:14:03Come on, Remshaw.
00:14:04We have to choose just the right ensemble.
00:14:08Not too formal for dinner.
00:14:11Ah, the perfect choice.
00:14:14European styling with a decidedly American flair.
00:14:24Charlotte has more than a professional interest in yours, truly.
00:14:29And who can blame her?
00:14:31I've never understood why I had such a profound effect on women,
00:14:35but why argue with success.
00:14:50Yeah, I'm a man who has just found his parking space in the fast lane.
00:14:57Who knows what lies ahead for such a man?
00:15:05Aight!
00:15:12Who knows what lies ahead for such a man.
00:15:18Aight!
00:15:19What lies ahead.
00:15:21Who knows what lies ahead of this project?
00:15:29And who knows what lies ahead of the unwell.
00:15:29Who knows who lies ahead of this plan?
00:15:33There she is.
00:15:34There she is.
00:15:35Ah!
00:15:48Well, there's my problem right there.
00:15:51Looks like this little wire's got a little sh-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha
00:15:55-ha-ha-ha-ha-ha-ha-ha-ha-ha...
00:15:55...ord in it.
00:16:00Gosh, not again.
00:16:10Bonsoir. Dinner for two?
00:16:11Right. I'll be your waiter this evening.
00:16:14You may call me Philippe.
00:16:15I'll just give you a moment to look over your mail.
00:16:18I had a long talk with Mr. Pendlesmith today.
00:16:21It took a lot of convincing, but he agreed to accept your application for the clerk's job.
00:16:25He did?
00:16:27But the thing is, you've got to be more careful.
00:16:31I just know I can win him over.
00:16:33We'll have that little talk around the old water cooler about team sports and transmission,
00:16:39jock itch, things that just guys talk about. Know what I mean?
00:16:43I'll have him eaten right out of the palm of my hand.
00:16:45I know that it's hard, Ernest, but Mr. Pendlesmith can't stand mistakes.
00:16:50And between you and I, I don't think he can stand people either.
00:16:53Well, that's okay. I'm not like other people. Know what I mean?
00:16:57Frankly, Ernest, I don't even know why you want the job.
00:16:59I mean, he's a horrible man to work for. At least where you are now, you only have to see
00:17:03him once a day.
00:17:05You want to hear something really funny?
00:17:06I thought I was going to get promoted to branch manager this time last year. What a laugh, huh?
00:17:13Yeah, but did you hear the one about the three-legged dog that walked into the saloon and said,
00:17:17I'm looking for the guy that shot my paw.
00:17:22Ernest, this is fun.
00:17:25I mean, you're pretty good company.
00:17:26I come from a long line of bon vivance.
00:17:29We're known for our charm, wit, and sparkling dinner conversation.
00:17:35Ernest? Ernest, are you all right?
00:17:42I recommend the lobster.
00:17:48I recommend the lobster.
00:17:56Open C-12.
00:18:01Well, well, well, if it isn't the infamous Mr. Nash.
00:18:05My sources tell me that you and your guard dog got in some trouble yesterday down in the weight room.
00:18:11Just minding my own business, warden.
00:18:13Something you might want to try sometime.
00:18:20Now, you can make things easy on yourself, or you can make them hard. It's up to you.
00:18:27You hear me, Nash?
00:18:30Yeah, I hear you, warden. Now, you hear me.
00:18:33When you step out of that cozy little office, you're on my turf.
00:18:37And if I were you, I would watch my step.
00:18:40Hmm.
00:18:41If that's a threat, it's a weak one.
00:18:45Your day's coming real soon, Nash.
00:18:48And we both know it.
00:18:55Posting well.
00:18:57I've got to get out of this place.
00:19:01You believe the new security system we have for the van.
00:19:05Maximum protection and minimum carnage.
00:19:08And three levels of power.
00:19:11Ernest, I...
00:19:11Thanks, Chuck. Thanks, Bobby.
00:19:13I'm not finished talking to you about this.
00:19:15This is really neat.
00:19:21Here, rimshot. Here, boy.
00:19:23Boy, how you been?
00:19:25This your daddy?
00:19:27Boy, let's see what we got in the mail.
00:19:30All right.
00:19:32There you go.
00:19:47There you go.
00:19:58Wow, this is great, I don't believe it, jury duty, look, ramshot, I've been chosen for
00:20:07jury duty, this is great, Chuck, Bobby,
00:20:21Chuck, Bobby, uh-oh, I hate this minefield, it's a miracle, I'm so happy, I'm ecstatic, it's a dream come
00:20:37true, Chuck, Bobby, guess what,
00:20:42Ernest, you're in the line of fire, move it, pick him up, put him down, I hate this part,
00:20:51I'm the luckiest guy in the whole world, they chose me, out of hundreds of thousands of other
00:20:56people, they chose me for United States jury duty, isn't that great? Yeah, great, Bobby, soup's on,
00:21:03I mean the opportunity to decide, right or wrong, good or evil, regular or unleaded, to hold a man's
00:21:13life in the palm of my hand and decide, should I crush it or allow it to go free like
00:21:19a bird
00:21:19on the winds of time?
00:21:26Bernie.
00:21:33Ladies and gentlemen of the jury, one of the most precious guarantees in our constitution is that
00:21:40of a fair trial, every defendant has the right to one, this defendant is no exception, it is you
00:21:50who must decide his case, not I, you must weigh the evidence carefully.
00:21:59Counselor, you may proceed.
00:22:01Thank you, Your Honor.
00:22:03Ladies and gentlemen, the state will prove that the defendant, Reuben Bartlett, who is a known
00:22:09henchman of the notorious crime czar and bank robber, Felix Nash, did in fact murder a fellow
00:22:17prisoner while in jail, and for this, the state asks that you extend his remaining time of five
00:22:24months into a sentence of life without parole.
00:22:32Ladies and gentlemen, the defense will show that the deceased was not killed by my client, in fact,
00:22:39he wasn't killed by anyone, he died as the result of a tragic accident, when in a
00:22:46poorly lit stairwell.
00:22:49He tripped over an inadequately placed railing and plunged, regrettably, to his death.
00:22:57If there is a guilty party in this case, it must surely be the system
00:23:03which allows such unsafe conditions to exist.
00:23:08Once you've heard the evidence, I'm sure you'll agree with me that the charges against my client,
00:23:13Mr. Bartlett, are completely spurious, and that you will find him not guilty.
00:23:33Excuse me, sir, are you all right?
00:23:35Just fine, thank you.
00:23:48Look, the guy's perfect.
00:23:50It's downright uncanny.
00:23:52We can't judge.
00:23:53It'll work.
00:23:54It will.
00:23:55Your Honor, to allow the jury to fully understand the case for the defense, we feel as though it's
00:24:02imperative that they see the environment within which this unfortunate accident occurred.
00:24:07Therefore, we move that these proceedings be continued to the site of the alleged crime.
00:24:13Well, I find this request highly irregular.
00:24:16However, if the prosecution has no objections?
00:24:19Uh, no objections, Your Honor.
00:24:21So be it.
00:24:23These proceedings will reconvene tomorrow at 10 a.m. at the Dracop Correctional Facility.
00:24:30Oh, boy, a field trip.
00:24:35I'm telling you, this guy is right on the numbers.
00:24:40It's so simple.
00:24:41Now, we make the switch, you get in on the jury and find me innocent.
00:24:45Then you walk away a free man.
00:24:48Then I make sure this guy, Ernest, gets what's coming to you in and out.
00:24:52Wham!
00:24:53Bam!
00:24:54And it's over.
00:24:57Yeah, I'm a real big fan of the early release program.
00:25:02Ha!
00:25:03Ha!
00:25:06Ha!
00:25:06Ha!
00:25:08Ha!
00:25:13Ha!
00:25:14Ha!
00:25:18Ha!
00:25:24Ha!
00:25:25Ha!
00:25:25Ha!
00:25:27Oh!
00:25:27Ha!
00:25:28Oh, yeah.
00:25:28OK, Len.
00:25:29We got one shot at this, so make it count.
00:25:32Just me.
00:25:34No.
00:25:35No.
00:25:36No.
00:25:36No.
00:25:39No.
00:25:42No.
00:25:44No.
00:25:44But is death murder? Is murder death? I think not.
00:25:51And yet, though we must feel some sympathy for the victim, we cannot unfound this threat by wrong reasons.
00:25:59And that may be what is exact for the victim.
00:26:02The state has made no case. It presented no compelling evidence.
00:26:06Come here, you.
00:26:08Why beat my staircase?
00:26:10There is no tangible truth that a crime...
00:26:13Come here.
00:26:14Yes, and it may stop.
00:26:16We don't excuse that.
00:26:17Of course, all of us have a reasonable human being.
00:26:21More than any more.
00:26:23Look around this.
00:26:26No!
00:26:29It's not my fault.
00:26:32Certainly.
00:26:33Hurry up, Lyle.
00:26:37Keeping this in mind, I would like to move these proceedings to the staircase.
00:26:44Right this way, please.
00:26:46Right this way, please.
00:26:51Okay.
00:26:51All right.
00:26:52Let's do it.
00:27:00Nash!
00:27:01Huh?
00:27:01Wake up!
00:27:03Huh?
00:27:03No napping during exercise period.
00:27:10Yes, sir, officer, whatever you say.
00:27:15Boy, this is great.
00:27:17A brief workout to gather our thoughts, then it's off to the jury room to decide.
00:27:23Very ingenious.
00:27:24And they even gave us these nifty workout clothes.
00:27:27Boy, I love jury duty, don't you?
00:27:29Whatever you say, Mr. Nash.
00:27:31Oh, you don't have to be so formal.
00:27:32You can just call me Ernest.
00:27:33Ernest P. Walsh.
00:27:34Hey!
00:27:34You know the rules.
00:27:35No talking.
00:27:36Yes, sir.
00:27:38Kind of strict, huh?
00:27:48Ah, lunch.
00:27:49How thoughtful.
00:27:51For the mind to work, the body must have fuel.
00:27:54A lot of jurors here today.
00:27:55Must be a lot of trials going on.
00:27:58A sad commentary on our disintegrating society.
00:28:01Know what I mean?
00:28:01Keep it going, yeah.
00:28:04Brace it up.
00:28:24Oh, I don't think our table has any steak sauce.
00:28:29I'm sorry.
00:28:29Where are my manners?
00:28:30I should have waited for the others.
00:28:33Eat greaseball.
00:28:36I didn't order greaseball.
00:28:40Wrap it up.
00:28:42Wrap it up.
00:28:42All right, stand in the back.
00:28:44Back to the wall.
00:28:46Open up the seat lock.
00:28:48All right, let's move it.
00:28:51Come on, come on, come on.
00:28:53Let's go.
00:28:53We're sequestered.
00:28:55And on top of that, we can't even leave.
00:28:57Oh, this is great.
00:28:59This is God's great.
00:29:01I hope you've got a good story to tell my boss.
00:29:05After all, I do have a living to earn.
00:29:07Now, look, Nash.
00:29:09My name is Warrell, Ernest P. Warrell.
00:29:11Oh, Mr. Funny Man, huh?
00:29:13Yeah, Mr. Funny Man.
00:29:15You'll think funny when you're tapping to the tune of 220, son.
00:29:20That is the rudest baby I've ever seen in my life.
00:29:29Wait a minute.
00:29:33Come on, knock it off.
00:29:36You're that guy.
00:29:39Bailiff!
00:29:40Bailiff!
00:29:41You're in big trouble now, pal.
00:29:43Bailiff!
00:29:44What is it, Nash?
00:29:45You see that guy?
00:29:46Yeah, so?
00:29:47No, I mean, look.
00:29:49Look at him.
00:29:49Look at him.
00:29:50Look.
00:29:50You see that guy?
00:29:52He's not on the jury.
00:29:53This man is a prisoner.
00:29:56I ought to throw you in the hole for that, Nash.
00:29:59The hole?
00:29:59Yeah, the hole!
00:30:01The hole like...
00:30:02Like in solitary, the hole?
00:30:05Like in real prison?
00:30:08Like in real, really, really, really, really, really, real prison?
00:30:11The hoose cow, the slammer, the joint, Alcatraz, Sam Clinton, same thing.
00:30:15Oh, no, I...
00:30:17I'm in...
00:30:18I'm in jail!
00:30:25Jail!
00:30:30Your Honor, we have reached a decision.
00:30:34We find the defendant, Reuben Bartlett, not guilty.
00:30:38Oh, my God.
00:30:41Have you carefully weighed the evidence?
00:30:47Yes, we have, Your Honor.
00:30:49The defendant, found not guilty, will return to the state penitentiary,
00:30:55where he will complete his previous sentence.
00:31:02Night.
00:31:15Let's go.
00:31:16Ernest, we're late for work.
00:31:17Mr. P. does not appreciate tardiness.
00:31:21So, how's it go, Mr. Joe Ryan?
00:31:30Now, on to the real important question.
00:31:33How did your day go?
00:31:36Well, we had a nice time.
00:31:39Nice time.
00:31:40Hey, what's the deal with the hair?
00:31:41You bringing a wet look back?
00:31:44I'm just trying something new.
00:31:46Where's your, uh...
00:31:48Where's your sky piece?
00:31:49You know, your lid, your brown cap.
00:31:51I never see you without that brown cap.
00:31:53I must have lost it somewhere.
00:31:56Bobby?
00:32:01Something bad wrong here.
00:32:12This guy...
00:32:15This guy...
00:32:17Is in love, L-U-V.
00:32:19Ernest is in love.
00:32:21Ha, ha, ha, ha.
00:32:21Ernest and Charlotte, sitting in a tree.
00:32:24K-I-S-S-I-N-G.
00:32:26First comes love, and then comes marriage,
00:32:28then comes Ernest.
00:32:29Pushing a baby carriage.
00:32:31Ha, ha, ha, ha.
00:32:49Ernest, you're not going to believe this,
00:32:51but we have a new security system at the bank.
00:32:57A bank?
00:32:59I work at a bank.
00:33:01Ha, ha, ha, ha.
00:33:04There's the...
00:33:08Close seat lock.
00:33:10I tell you, I'm not this guy Nash.
00:33:12If you're not Mr. Nash, how come you look like him?
00:33:15Because he's obviously a very attractive criminal.
00:33:18Yeah, that's right, too.
00:33:20Lyle, tell him who I am.
00:33:22Hey, Mr. Nash.
00:33:24Did he fall for it?
00:33:27That's real funny, Mr. Nash.
00:33:31Open up seat 12.
00:33:34Did you miss me, Mr. Nash?
00:33:37Closing up.
00:33:38You.
00:33:39You know I'm not Nash.
00:33:42Of course you are.
00:33:44Ernest.
00:33:50You've got nothing to worry about.
00:33:52I'll make sure this thing plays just the way we laid it out.
00:33:55Just make sure everything stays in line on your end.
00:33:59I've got another deal working here and there'll be a cut in it for you.
00:34:03That idiot you switched me for has a job in a bank.
00:34:07I don't believe it.
00:34:09Sometimes the cards just fall your way.
00:34:12Yeah.
00:34:12You just make sure nobody figures out that idiot isn't me.
00:34:18Listen, little man.
00:34:20You've pushed me as far as you're going to.
00:34:22I've got some big things riding.
00:34:24And if you know what's good for you, you'll play ball.
00:34:28Oh, great.
00:34:28What position?
00:34:32You do like we say.
00:34:34Or Lyle here will break your back.
00:34:36Like that.
00:34:38Well, then he'll just have to break my back like that thing you guys did.
00:34:44Real men are not intimidated by physical threats against their personal selves.
00:34:49And ironically, neither am I.
00:34:52What about violence against other people?
00:34:55What do you mean?
00:34:56I mean, while you're being Mr. Nash in here, Mr. Nash is being you out there.
00:35:03Yeah.
00:35:04He's living your life.
00:35:05Working at your job, at the bank, hanging out with your friends.
00:35:10And if you don't behave, he may have to get very strict with someone you really care about.
00:35:18Charlotte?
00:35:19No.
00:35:21That your girl?
00:35:23Well, sort of.
00:35:24Well, she's going to sort of be dead if you don't play along.
00:35:30You lay one finger on her and I'll...
00:35:32Hey, relax.
00:35:33She'll be all right.
00:35:34As long as you behave.
00:35:40Okay.
00:35:40What do I have to do?
00:35:43You got to be Nash.
00:35:49Okay, Lion.
00:35:50This guy Nash, he's a tough guy, right?
00:35:52He's a gangster.
00:35:53Okay, how about this?
00:35:55You dirty rat.
00:35:56You're the guy that shot my brother and I'm the guy that's going to shoot you.
00:36:03You dirty rat.
00:36:04You're the guy that shot my brother and I'm the guy that's going to shoot you.
00:36:09Every god daring one of you.
00:36:12Too old, huh?
00:36:14Hey, you, Murdoch.
00:36:16You're the guy that shot my brother, right?
00:36:19And I'm the guy that's going to shoot you, eh?
00:36:22All right.
00:36:23Of all the gin joints and all the cities and all the world, you've got to waltz into my place
00:36:28and shoot my brother.
00:36:30Play it, Sam.
00:36:32The piano will cover up the shot.
00:36:34Well, you dirty rat.
00:36:36You're the guy that shot my brother and I'm the guy that's going to shoot you.
00:36:42Well, you're the dirty, scum-sucking pig dog that shot my brother.
00:36:46And I'm the man who's going to destroy you.
00:36:50But I'm just that kind of guy.
00:36:52I'll buy you.
00:37:04Hey, what are you doing here?
00:37:06Oh, I was just, uh...
00:37:08Well, at least you're not in the vault.
00:37:10What would I be doing in the vault?
00:37:12Who knows?
00:37:13Why are you there every morning?
00:37:15Yeah, right.
00:37:17Well, how do I get in there, you suppose?
00:37:19I don't know.
00:37:21Hey, what's the matter with your voice?
00:37:22You sound different.
00:37:24Oh, I've got a little laryngitis.
00:37:26Oh, I'm sorry.
00:37:27Hey, I wouldn't let Mr. Pendle Smythe catch me in his chair if I were you.
00:37:30And I'd get my feet off his desk because you know how he feels about his famous golf trophy.
00:37:34Yeah.
00:37:38Now, by the way, I had a real nice time the other night.
00:37:40I think it was really good for me to just get away from work and just have some fun.
00:37:47Yeah, I had a nice time too, baby.
00:37:51Baby?
00:37:52Ernest, sometimes you can be so weird.
00:37:57Good morning, Miss Farrell.
00:37:59Good morning.
00:38:00And what are we doing behind the bank president's desk?
00:38:05I was just going to leave you a note.
00:38:07About what?
00:38:09About, um...
00:38:11Ernest wants to formally apply for that clerk's job.
00:38:15Yeah.
00:38:16Yeah, that's it.
00:38:17Oh, I see.
00:38:19Ernest the clerk.
00:38:20Hmm.
00:38:21What a great idea.
00:38:23Well, now you don't have to leave your note, do you?
00:38:25So get out from there!
00:38:27What's the matter with you here?
00:38:28Is that some sort of punk thing, huh?
00:38:31I was just trying something new.
00:38:33Just look at you.
00:38:34You are a poor excuse for a member of the human race.
00:38:38You and that big nose and ugly face have cause so much trouble around here.
00:38:41I should be given a medal for tolerating you.
00:38:45I would choose my words differently if I were you.
00:38:48Oh?
00:38:49Should I use smaller ones?
00:38:51How about this?
00:38:52No!
00:38:53Now get out of my office.
00:38:55Both of you!
00:39:06Oh, I'm sorry, Ernest.
00:39:08He promised he wasn't gonna do that.
00:39:11Well, who cares what he thinks anyway?
00:39:13I'm really proud of you for trying.
00:39:15I mean, you're starting to take stock of yourself.
00:39:18I mean, when you were in there talking to Mr. Pendle-Smythe,
00:39:20it was as if you were a whole different person.
00:39:23What do you mean?
00:39:24Well, I mean that I'm proud of you.
00:39:32Ernest, do you have any idea
00:39:34how long you've made me and Bobby wait in that van?
00:39:387.5 minutes.
00:39:40I don't want to tell you something about time.
00:39:42My time is worth money,
00:39:43and I don't think you make that kind of money
00:39:47to pay me for my time.
00:39:50Now, let's put the hammer down.
00:39:56Okay.
00:39:57Today will be your first test as Mr. Nash.
00:40:01Don't worry, fellas.
00:40:02You are talking to a consummate actor,
00:40:05a brilliant interpreter of character and nuance,
00:40:08a professional practitioner
00:40:10in the style and method
00:40:11of the great Stradivarius.
00:40:16Bring the sheets back over in the corner.
00:40:18Just pile them up.
00:40:19Yes, just throw them anywhere.
00:40:21Hey, Susan, don't open up that machine again.
00:40:23More massage over here.
00:40:26All right.
00:40:27Come on.
00:40:29You got something on your shirt?
00:40:36Today's the day, Nash.
00:40:38My boy's ready.
00:40:39Not now, Vinny.
00:40:41Mr. Nash doesn't have anything to prove.
00:40:43Everybody's waiting.
00:40:45You're not gonna chicken out now, are you?
00:40:47I don't know the meaning of the word chicken.
00:40:51If you lose this one, Nash, we're gonna run safe.
00:40:56I know you've never lost us yet,
00:41:00but my man Spider, he is gonna change all that.
00:41:04I'm not Spider-Man.
00:41:05Okay?
00:41:07Go!
00:41:09Wait a minute.
00:41:10I wasn't even ready.
00:41:12That's not fair.
00:41:14Listen, where I come from, mister,
00:41:16you're supposed to say,
00:41:17ready, set, go.
00:41:19That's the official way,
00:41:20and I want a rematch.
00:41:23Nash, you're a glutton for the punishment.
00:41:25You're way over your head, man.
00:41:27They're gonna figure you out.
00:41:29It's just lucky I can take this guy.
00:41:36Okay.
00:41:37Here we go.
00:41:38Ready, set, go.
00:41:44Come on, Nathan, fight it!
00:41:45Come on, baby!
00:41:46Come on, baby!
00:41:47Come on, baby!
00:41:49Come on, baby!
00:41:50Come on, Nathan!
00:41:50Bring down, bring down, watch out!
00:41:53Come on, baby!
00:41:54Come on!
00:41:55You know where it is.
00:41:56Come on, baby!
00:41:56You know where it is.
00:41:57You know where it is.
00:41:57You know where it is.
00:41:58You know where it is.
00:41:58You know where it is.
00:41:58Come on, baby!
00:41:59Come on, baby!
00:41:59Come on, baby!
00:42:00Oh, baby!
00:42:01That's all right, man.
00:42:02That is close.
00:42:04Next case.
00:42:09Man, why don't you shut your mouth?
00:42:11The real Mr. Nash don't say much.
00:42:13Well, maybe he ought to, right?
00:42:15I mean, after all, I'm just reaching for the character.
00:42:17What do you know about the pain an actor must go through?
00:42:20You straighten up, or I'll show you pain.
00:42:22And don't you forget,
00:42:23your loved ones on the outside?
00:42:35Ernest!
00:42:35Ernest, we're sorry.
00:42:37Bobby didn't know the mace can was loaded.
00:42:40Bobby, how many times do I have to tell you?
00:42:44Get out of here, you mutt!
00:43:04This is pathetic.
00:43:06This guy's better off in jail.
00:43:27I will affect my escape using a bar of soap, a common, ordinary household spoon, and a tin of shoe
00:43:35polish.
00:43:35Thank goodness I paid attention in art class.
00:43:40Don't worry, Charlotte.
00:43:41I'll save you.
00:43:42Your hero is on his way.
00:43:53Hey, Scrooge!
00:43:55Yeah, you!
00:43:56Come in!
00:43:57What now, Nash?
00:43:59Open your door, or I'll waste you.
00:44:05Assault rifle on a rope, the perfect gift for the mercenary who has everything.
00:44:11Shut up!
00:44:14Mr. P, Mr. P, could I have just one moment of your time, sir, please?
00:44:21I want to introduce you to our latest arsenal in the war against crime.
00:44:26Hey, Mr. P, it's very, very special.
00:44:30Well, all right, but I'm late for dinner.
00:44:33Great.
00:44:33You leave.
00:44:34Just follow me, please, sir.
00:44:40Okay, can I have you here, please?
00:44:41You won't be needing this.
00:44:42Let's go.
00:44:43Let's open up.
00:44:44Open up.
00:44:46Bobby?
00:44:48Please.
00:44:55Mr. P, you have that funny little acidy taste in the back of your throat?
00:44:58Uh-huh.
00:44:59Like that?
00:45:00Uh-huh.
00:45:01You can taste it?
00:45:02You know what that is?
00:45:03Uh-uh.
00:45:04Fear.
00:45:05That's what your common class ex-criminal would be feeling at this moment if he were in your
00:45:10situation.
00:45:11Uh-huh.
00:45:12Bobby?
00:45:13It's only a simulation.
00:45:17I don't think I'd touch those bars, Mr. P, unless you want 200,000 volts of electricity
00:45:22jolting through your body.
00:45:24Think about that.
00:45:27Bobby?
00:45:33Mr. P, uh, have a nice dinner and a good night's sleep.
00:45:39Sir.
00:45:42He's had a real hard day.
00:45:49Don't worry, Charlotte.
00:45:51I'll soon be flying into your arms with my superior knowledge of mathematics and geometry.
00:45:57The square root and angle of your lower hypotenuse times the angle of your pie, that sort of thing.
00:46:03Let the countdown begin.
00:46:05Three, two, one and a half, one, three quarters, zero, fire.
00:46:13No, no, no, no!
00:46:16AHHHHH!
00:46:17Aye.
00:46:35AHHHHH!!
00:46:36How was a drastический minute?
00:46:39Can you hear me?
00:46:40Sir, Doctor.
00:46:45Let's go.
00:47:26You see, casting is all in the wrist.
00:47:31It's a sport of kings, game of itches.
00:47:38And as soon as your game fish takes the bait,
00:47:42it is important to give the line a sharp tug
00:47:45in order to set the hook
00:47:47and then quickly reel it in.
00:48:00I was going to throw it back, honest.
00:48:03Oh!
00:48:05That ought to hold you.
00:48:06Don't you have anything in a pastel blue?
00:48:11Accessories are so important.
00:48:15Accessories.
00:48:28The way they run this institution is an outrage
00:48:31for a poor, tired, old, lonely woman like me.
00:48:35Her only son, a felon,
00:48:37though not a terribly successful one.
00:48:40Young man.
00:48:42Young man.
00:48:44Young man.
00:48:45Could you please open that gate?
00:48:47I left my car running outside.
00:48:50Ma'am, can you tell me how you got to this gate?
00:48:52The visitor's area is on the other side of the prison.
00:48:54I brought him up as best I could,
00:48:56but sometimes a bad seed falls
00:48:58from even the most fragile flower.
00:49:00Ma'am, you're not going through this gate.
00:49:02Is this the way you treat your mother?
00:49:04Is this the kind of abuse
00:49:06that poor woman must endure?
00:49:09Well, I guess my mother is a little bit mad.
00:49:11Mm-hmm.
00:49:12You ought to be in the slammer
00:49:13with the rest of these misfits.
00:49:15If you had any remorse at all
00:49:17for the horror you put your own mother through,
00:49:20you would open that gate.
00:49:21I have a car overheating as we speak.
00:49:28Okay, okay.
00:49:30All right, let's open the east gate.
00:49:32There.
00:49:33Now, are you satisfied?
00:49:34I'll tell your mother how her son has improved
00:49:37despite his shaded and somewhat checkered past.
00:49:46The doctor told me I'd only have to wear these
00:49:48until after the surgery.
00:49:51Oh, well.
00:49:56Ernest, since you're part of the Knight family
00:49:59here at the bank,
00:50:00I'm going to show you something new.
00:50:05You see that?
00:50:07That is only to be used
00:50:09during an officer in distress situation.
00:50:12You understand?
00:50:14Which, my man, we hope will be few and far between.
00:50:19What could happen in a quiet little bank like this?
00:50:25Would you take the edge off, Bobby?
00:50:27I mean, hey, Bobby, if I was going by the book,
00:50:30I wouldn't have said anything,
00:50:31but it's only Ernest.
00:50:34Bobby!
00:50:36Well, Mr. Nash,
00:50:38how's our special prisoner?
00:50:40Oh, just fine, thanks.
00:50:41Of course, the place could be a little homier.
00:50:43Maybe some curtains and walls.
00:50:46I don't need nothing from nobody.
00:50:48I especially don't need nothing from no lousy screws.
00:50:51Tough guy.
00:50:53Right to the end, huh, Nash?
00:50:54Just about, uh, 24 hours to go.
00:50:58Well, yeah, what's it to you, warden?
00:51:00Besides, I'll be getting out of here soon.
00:51:03Yeah, you be getting out all right.
00:51:06Horizontally.
00:51:11Hello, cell block C.
00:51:13You hear that?
00:51:14I'll be getting out in 24 hours.
00:51:17You just have to know how to talk to these people.
00:51:20Don't worry, Ruben.
00:51:21I'll put in a good word for you, too.
00:51:26Mr. P.
00:51:27Mr. P.
00:51:28Can I talk...
00:51:29Wait, wait a minute.
00:51:29Hey, can I talk to you for just one second?
00:51:32What is it now?
00:51:34Go this way, please.
00:51:37Mr. P.
00:51:39I want to talk to you about laser beams.
00:51:43Little bundles of light that can actually trigger a high-tech, state-of-the-art security device.
00:51:52Bobby, please.
00:51:55So?
00:51:57What's the matter with him?
00:51:58Nothing.
00:51:59That's the beauty of it.
00:52:00Now, Mr. P., could I just have your attention this way, please, sir?
00:52:04Please, Mr. P., come this way.
00:52:09Oh.
00:52:13Space-age plastics.
00:52:15It worked for you, Mr. P.
00:52:16It's invisible, tasteless, odorless, colorless.
00:52:19And the best news yet, sir, it's bulletproof.
00:52:23Bobby, if you, please.
00:52:29No!
00:52:48It's got a few bugs in it, Mr. P., but you get the basic idea, alright?
00:52:53Bobby, help me get this off of him, Mr. Pizzo.
00:52:55Very rich and busy man.
00:52:5924 hours, Lyle.
00:53:00I'm out of here in 24 hours.
00:53:03And boy, am I ever glad.
00:53:05This hasn't been a really bad experience, though.
00:53:08I mean, the food's good, and I made a lot of new friends.
00:53:13But now I'm ready to go back to my job and my dog.
00:53:17You know, I got a feeling everything's gonna turn out all right from now on.
00:53:23You know, Lyle, it's really good to be alive.
00:53:33What's bothering him?
00:53:40Ernest, I can't believe this. This place is spotless.
00:53:43I am so proud of you.
00:53:45Has the value of pride diminished?
00:53:47What?
00:53:50Well, the last time you were proud of me, I got a kiss.
00:53:59Ernest, wanna see you in my office?
00:54:08Well, Ernest, you've made a drastic improvement in your job performance, and so I've decided to take Miss Sparrow's recommendation.
00:54:15You'll be joining us working days as a bank clerk.
00:54:18So, Ernest, do you have anything to say?
00:54:23You idiot!
00:54:24You smashed my golf trophy! Get out of here!
00:54:28Gosh, Mr. Pendle-Smythe, does this mean I don't get the job?
00:54:31Don't get the job? I may have you shot!
00:54:39Ernest!
00:54:40Did you see his face?
00:54:42You didn't do that on purpose.
00:54:44He'll get over it.
00:54:45Ernest, what has gotten into you?
00:54:48Look, we gotta talk.
00:54:49Yeah.
00:54:50Okay.
00:54:51How about tonight?
00:54:53But it'll have to be early.
00:54:55What, you have a lot to clean?
00:54:57Yeah.
00:54:58Tonight I'm gonna clean out the whole place.
00:55:07Open C-12!
00:55:16Nash, your lawyer's got something to tell you.
00:55:19I'm afraid I've got some bad news, Mr. Nash.
00:55:21Our last appeal was turned down.
00:55:23It was our final hope.
00:55:25I'm afraid there's nothing more we can do.
00:55:28Come on, Nash, let's go.
00:55:30Go?
00:55:31Go where?
00:55:32You're going to the row.
00:55:33The row?
00:55:34Well, what's that?
00:55:35As in death?
00:55:36You know.
00:55:37Death row?
00:55:39Well, uh...
00:55:40Death row?
00:55:41You mean like the chair?
00:55:42The hot seat?
00:55:44Dead meat, deep six, it's over, pal.
00:55:46You're out of here, bub.
00:55:48The groundhogs are bringing you mail.
00:55:49You're picking turnips with a step letter.
00:55:51Like the no tomorrow row?
00:55:53That kind of row?
00:55:54Oh, no.
00:55:55The row?
00:55:57But you've gotta tell them who I am, fellas.
00:55:59I'm Ernest P. Worrell.
00:56:01I'm not Nash.
00:56:02I'm Ernest.
00:56:03Zip it up, Nash.
00:56:04Get him out of here.
00:56:06Warden, you're gonna feel terrible when you find out what a big mistake you've made.
00:56:09I mean, you pal, you're not getting any more of my business.
00:56:12I'm not Nash, I'll tell you.
00:56:13I'm Ernest.
00:56:13I'm Ernest P. Worrell.
00:56:17Blossi block.
00:56:21Come in.
00:56:22terrific.
00:56:23Facing toward love.
00:56:27Toward.
00:56:28Come in.
00:56:30Too great.
00:56:34Good.
00:56:34Two lips...
00:56:36Now, Viv...
00:56:38Winners, this wasn't what I expected.
00:56:39It's, um...
00:56:41It's different.
00:56:42Have a drink?
00:56:45Oh...
00:56:46Okay, sure, why not?
00:56:47Now, sit down. Make yourself more comfortable.
00:56:54A toast.
00:56:56To the successful completion of all of tonight's endeavors.
00:57:01To a long and happy life.
00:57:04I'm up for that.
00:57:05Um, Ernest, I didn't come here to have...
00:57:08I was just wanting to speak to you about what happened at the bank today...
00:57:11But you'll talk later.
00:57:12Ernest.
00:57:14Ernest.
00:57:15Stop it!
00:57:16What has gotten into you?
00:57:17Stop it!
00:57:18Get off me!
00:57:24Get away from me, you lazy little mutt.
00:57:28You are slimers, P-Whirl.
00:57:37Come here, you rat ball.
00:57:54So it's come to this, a pointless, miserable end to a shallow, meaningless life.
00:58:05But it's as it should be.
00:58:09It's the hand I've been dealt, and I have to play it as it lays.
00:58:14Oh, I'm not going to cry because life's thrown me a curve, I'm not going to whine because I got
00:58:22mashed potatoes, and french fries is what I really wanted.
00:58:26It's time for me to say, I'm not going to cry.
00:58:59I'm not going to cry.
00:59:04I am not going to cry.
00:59:07I'm not going to cry.
00:59:24I'm not going to cry.
00:59:36Is it fixed yet?
00:59:38Nah.
00:59:39Would you like a cigarette or a blindfold or something?
00:59:42No.
00:59:43I'm afraid of the dark, and cigarettes will kill you.
00:59:49Maybe a few last words.
00:59:51Nash, take it like a man.
00:59:53But I'm not Nash, I'm Ernest.
01:00:00And what is an Ernest, you might ask?
01:00:04A man with a past rich in both history and tradition.
01:00:09Should we punish this man for crimes he did not commit?
01:00:15No, no, no, no, no, no.
01:00:17Get your speed things up.
01:00:18Okay, okay.
01:00:19Such a man should be set free.
01:00:23And you're right.
01:00:25I'm not.
01:00:26I'm not.
01:00:29I'm not.
01:00:33I'm not.
01:00:37I'm not.
01:00:39I'm not.
01:00:47I'm not.
01:00:55Hit the alarm!
01:00:57Up for it!
01:00:58Coach, let's go!
01:01:27Let's go!
01:01:34Let's go, Lyle! Get out of my way!
01:01:38There you go! I'm paying fire! I'm paying fire!
01:01:44Come on! Get out of here! Come on! Let's go!
01:02:06Now! Now! March!
01:02:09It worked the board!
01:02:10Hi-ha!
01:02:14Drop!
01:02:23Yee-haw!
01:02:26Yee-haw!
01:02:31Yee-haw!
01:02:32Ah! Open, Sesame!
01:02:40Not so fast.
01:02:42You better watch out, Reuben. I'll zot you.
01:02:44You're a dead man, Worrell.
01:02:47Very well. You asked for it. After all, I am Ernest P. Worrell.
01:02:52Electro-man.
01:03:12Did I ever tell you that you have a really classic Greek profile?
01:03:16Shut up.
01:03:18Let him go.
01:03:21Lyle, you talk. That's great.
01:03:24Have you flipped? Come on.
01:03:26We gotta get rid of this guy before he blows the whole thing.
01:03:29No, he's different than us.
01:03:31Shut up and get out of my way.
01:03:34You better go.
01:03:37Mr. Nash is probably robbing the bank right now.
01:03:40Nash?
01:03:41Well, come with me.
01:03:43I don't belong out there.
01:03:45I got a place in here.
01:03:47Well, I'm gonna miss you, good buddy.
01:03:50Ernest, things won't be the same without you.
01:03:54You know what I mean?
01:03:55If anybody does.
01:03:58So long, Lyle.
01:03:59I'll send you a cake.
01:04:03I'm coming, Sheldon.
01:04:06Come on.
01:04:07All right, we got you.
01:04:09Come on, Lyle.
01:04:10All right.
01:04:11Don't let him get away.
01:04:12Get the dog.
01:04:13Come on.
01:04:14Move it.
01:04:16Nobody has ever escaped this facility since I've been the warden.
01:04:20And they're not gonna start now.
01:04:22All right, let's go, men.
01:04:24Consider the prisoner extremely dangerous.
01:04:35What are you doing now, Ernest?
01:04:43That's it.
01:04:45Is everyone who works here a moron?
01:04:48Can't you see what I'm doing?
01:04:50I'm robbing the bank.
01:04:52I'm gonna blow the safe, take the money, and leave.
01:04:57I'm robbing the bank.
01:04:59I'm stealing the money that you were paid to protect.
01:05:04I'm robbing the bank.
01:05:34I'm robbing the bank.
01:05:36By Elvis.
01:05:39I can't believe it.
01:05:41I can't believe it.
01:05:42First, Ernest, and now this.
01:05:44I am acting like a victim here.
01:05:46I need to tell Ernest exactly how I feel,
01:05:49and I need to do it right now while I'm still mad.
01:05:55Ah, that's better.
01:05:58Rim shot.
01:05:59Rim shot.
01:06:00Here, boy.
01:06:02Rim shot.
01:06:03Rim shot.
01:06:05Rim shot.
01:06:11Rim shot.
01:06:16Rim shot.
01:06:17Rim shot.
01:06:19Rim shot.
01:06:20How did you get in there?
01:06:24What kind of a person would throw away a perfectly good dog?
01:06:28Come on, Rim shot.
01:06:30Let's go.
01:06:53Don't you worry about your diet, Chubby.
01:06:59As soon as I set this fuse, you're going to lose all that weight.
01:07:12Mr. Pendle Smythe, it's Charlotte.
01:07:15I know you won't believe this, but it looks like Ernest is robbing the bank.
01:07:19I know, but I am here right now.
01:07:22Oh, gosh.
01:07:34Look, I don't know what's gotten into you, but you can't go through with this.
01:07:37Ernest!
01:07:38Ernest!
01:07:39Look, I am not this Ernest guy.
01:07:42I just happened to look like him.
01:07:44I switched with him, you get it?
01:07:46You what?
01:07:47Look, with the real Ernest have been able to knock out Chuck, or set a time bomb without it going
01:07:52off in his face.
01:07:53And look at the floors.
01:07:55You notice how clean they've been lately?
01:07:59You are an imposter.
01:08:01What did you do with the real Ernest?
01:08:03Where is he?
01:08:04He's dead by now.
01:08:06What do you mean he's dead?
01:08:07I don't believe you.
01:08:08What have you done with him?
01:08:09I haven't done anything with him.
01:08:11Your dedicated public servants down at the state pen put him in the chair hours ago.
01:08:17Well, I'll be seeing you, sweetheart.
01:08:20Or rather, I'll be seeing parts of you.
01:08:25Parts of you.
01:08:41Parts of you.
01:08:43Remshot, don't say a word.
01:08:58Parts of you.
01:09:06Parts of you.
01:09:11You sure have a funny way of saying hello.
01:09:13Do you think I'd let you get near me after what you did to Ernest?
01:09:17One of the sweetest, kindest men who ever lived?
01:09:21Josh Charlotte, I'm touched.
01:09:28Okay, now listen to me.
01:09:29When I give the signal, I want you to hit him with everything we got.
01:09:33What?
01:09:34Sir, we got civilians in there.
01:09:35Oh, terrific. Now I've got a hostage situation.
01:09:40Worrell.
01:09:42Nash.
01:09:46Hi, Nash. This is Warden Carmichael.
01:09:49Now, we've got you surrounded. Come on out with your hands up.
01:09:53Nash, let the hostages go.
01:09:56Looks like I got myself another hostage.
01:09:59Too bad. I thought you were dead.
01:10:02Not yet.
01:10:03So, it comes to this man to man, mano a mano, toe to toe, nose to nose, shirts and skins,
01:10:16eggs over medium.
01:10:17Be careful, Ernest.
01:10:21You should've ducked.
01:10:23Here, now, help you up.
01:10:25I want to show you you're doing this.
01:10:29Stop it!
01:10:30Yeah, stop it!
01:10:34I can't believe I was fooled by that man.
01:10:37I sensed it immediately.
01:10:41Breathe, punk.
01:10:43Make your play.
01:10:45All right, Bobby, burn him!
01:11:06What are you waiting for?
01:11:07Burn him!
01:11:10Oh!
01:11:12Oh!
01:11:13Oh!
01:11:14Oh!
01:11:15Oh!
01:11:15Oh!
01:11:16Oh, oh!
01:11:16Oh, oh!
01:11:17Oh!
01:11:18Oh, oh!
01:11:19Good!
01:11:20Oh, oh!
01:11:21Get away!
01:11:26Give me that gun or I'll rip your lungs out here.
01:11:29Get of here!
01:11:30Bobby, dirty plant investigations!
01:11:33Let's go!
01:11:35Let's go!
01:11:47What do you want me to do now?
01:11:48Deploy them around to the back.
01:11:50Okay, second team, let's move.
01:11:53Toast time.
01:12:10It looks like one way or another, this was just his night to fry.
01:12:18I don't know.
01:12:29I'm floating.
01:12:31I'm lighter than air.
01:12:33What's happening to me?
01:12:35It's polarized.
01:12:36Hey, he's weightless.
01:12:37Gravity's lost its grip.
01:12:39I'll show you polarized.
01:12:44Time to put your butt on spins.
01:12:51Right down the middle.
01:13:01No, no, no, no, no.
01:13:02Hold on.
01:13:05Jump up, jump up, jump up.
01:13:07Stop it.
01:13:11Ah, whoa.
01:13:15Ah.
01:13:18Oh.
01:13:21Oh.
01:13:23Oh.
01:13:24Oh.
01:13:28You're in control.
01:13:30You're in control.
01:13:31That's it.
01:13:32What the?
01:13:33Ash, listen to me.
01:13:34Let the horses go.
01:13:36Yeah, right.
01:13:37This will take care of him.
01:13:39Burn him.
01:13:40Incoming.
01:13:42Ah.
01:13:43Three.
01:13:44What?
01:13:44Maybe 230.
01:13:4650.
01:13:47Three.
01:13:48One.
01:14:03Get this thing off of me.
01:14:05Watch out, Ernest.
01:14:06It's getting up.
01:14:08Ah.
01:14:09Ernest, grab the lamp.
01:14:11Be careful.
01:14:12Those lamps are expensive.
01:14:16Go back to Plan B.
01:14:19I want to kill him.
01:14:21What?
01:14:24What's going on in there?
01:14:25Get your head down.
01:14:27Who's this guy?
01:14:28My bank.
01:14:29Peter Pan, eat your heart out.
01:14:36Here, have a seat.
01:14:39Ah.
01:14:40Ah.
01:14:41Ah.
01:14:51Let go of me.
01:14:52Yeah, yeah, yeah.
01:14:53We're both out of our way.
01:14:54Pull on it.
01:14:55Yeah.
01:14:55Pull on it.
01:14:56Chuck.
01:14:57I am.
01:14:58My wrist is beginning to chase.
01:15:00Oh, come on, Ernest.
01:15:01Yeah.
01:15:03Stop this thing.
01:15:05Come on, stop.
01:15:06What?
01:15:08You?
01:15:08Get out of the bush.
01:15:10Come on.
01:15:10Get me out of this thing.
01:15:12Get out of this thing.
01:15:13Hey, Nash.
01:15:15You'll never get him now.
01:15:17Please be sure that your seat backs and tray tables are in their full upright and locked
01:15:22position before that thing.
01:15:23Let me off of this thing.
01:15:25Thanks for shopping with us.
01:15:27No, don't touch that button.
01:15:28That's what I'm doing.
01:15:29No.
01:15:30Ah.
01:15:32All right.
01:15:36Hey.
01:15:38Oh.
01:15:39That's the inside of the truck.
01:15:45Bobby, unlock me.
01:15:48I missed the bomb.
01:15:50I'm coming.
01:15:52Don't worry, Charlotte.
01:15:53I'll save you.
01:15:54Give me that.
01:15:56I'm getting away.
01:16:07Get in the way.
01:16:11I can't believe it.
01:16:12Hey, watch it.
01:16:13I'm getting away.
01:16:14Oh.
01:16:15Oh.
01:16:15Oh.
01:16:15Oh.
01:16:16Oh.
01:16:17Oh.
01:16:17Oh.
01:16:18Oh.
01:16:18Oh.
01:16:19Oh.
01:16:19Oh.
01:16:21Oh.
01:16:27Oh.
01:16:29Oh.
01:16:29Oh.
01:16:31My buddy's gone.
01:16:43Well, it's been here, all right?
01:16:46Recognize his work?
01:16:47Ernest saved us, Mr. Pendlesmythe.
01:16:49He saved your stupid bank and all your stupid money.
01:16:52Ernest wasn't a thief.
01:16:53He was a hero.
01:16:54Hey, wait a minute.
01:16:55Well, maybe you're right.
01:16:58Stick a sock in it.
01:16:59Ah, put him down, boys, nice and easy.
01:17:03And all of you, move over there.
01:17:05Come on, move.
01:17:09Nash, you'll never get away with this.
01:17:11Oh, yeah, warden, I think so.
01:17:13She's my ticket out of here.
01:17:15Come over here, sweetheart.
01:17:18Uh-oh.
01:17:22Uh-oh.
01:17:24Uh-oh.
01:17:26Uh-oh.
01:17:27Ernest, you're alive.
01:17:29Uh-oh.
01:17:30Uh-oh.
01:17:31Uh-oh.
01:17:31Uh-oh.
01:17:32Uh-oh.
01:17:33Uh-oh.
01:17:33Uh-oh.
01:17:33Uh-oh.
01:17:33I came.
01:17:34I saw.
01:17:36I got blowed up.
01:17:46I saw a doll.
01:17:46Uh-oh.
01:17:54Stay with 힘들as.
01:18:00What should I smell like?
01:18:01Uh-oh.
01:18:01See you.
01:18:01it's to irony.
01:18:01Even me,
01:18:01theule Insert music operation.
01:18:02Play it, Sam.
01:18:03The piano will cover up the chant.
01:18:35Don't make me climb.
01:18:38No, don't make me climb.
01:18:42Don't make me climb.
01:18:44These aren't my tree-climbing shoes.
01:18:48Hey, man, if I'd known you were back, man, I wouldn't have worn my wingtips.
01:18:52Look, there's no tread left on these, see? Look!
01:18:55You can't eat those coconuts anyway, man.
01:18:58Monkeys have been up there.
01:18:59Isch! Put that down. Put that down! Don't, don't push, man!
01:19:02Don't make me climb!
01:19:05No, please, don't make me climb.
01:19:08No, don't make me climb.
01:19:11These aren't my tree-climbing shoes.
01:19:15Oh, don't make me climb!
01:19:18No, don't make me climb.
01:19:22Don't make me climb.
01:19:25These aren't my tree-climbing shoes.
01:19:27What?
01:20:05I don't know.
01:20:34I don't know.
01:20:58I don't know.
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