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  • 15 minutes ago
Riviera Season 3 Episode 3
Transcript
00:00Do you know how much this is worth?
00:02A quarter of a million, max.
00:03So why would Harewood, or anyone else for that matter,
00:06be willing to pay so much for it?
00:07My brother Cesar filled me in on your adventures in Venice.
00:11Hello again.
00:13Cut him down.
00:14The rosary first.
00:15Your son killed my art dealer, and I was taking hostages?
00:19Your election campaign is costing me enough
00:21without any more dead buddies.
00:39I don't think she's here for anything to do with us.
00:42But you don't know that.
00:43You're sentimental, sloppy.
00:45Stay away from her.
00:46She's no good for you.
00:48Since last year, nothing has been the same after what Nico did.
00:52I'm not gonna let him ruin our friendship.
00:53Doesn't this look cozy?
00:55Nico.
00:56Don't get out.
00:57I don't know why I listen to him.
00:58He's so paranoid.
00:59It's like I'm carrying this secret.
01:02And if I open up even just a little bit,
01:04I'm scared it's all gonna come out.
01:06One day, everything is gonna come crashing down around you,
01:09and I will be there to watch.
01:10I look forward to it.
01:33It is.
01:43Abby.
01:44It's okay.
01:45Yes, yes, yes.
01:46What?
01:46It's okay.
01:48It's okay.
01:49Sh PottsättsättsättsaertsItaletta.
01:54Are you feeling okay?
01:56It's all right.
01:58Let's get you out of here.
02:01Here we go.
02:02Over the steps.
02:03Up you go.
02:05You got it?
02:14Are you all right?
02:16You're okay.
02:17Sure.
02:23Are you okay?
02:24What is going on?
02:27It's Nico.
02:29He makes me feel so worthless.
02:34I can't keep living like this anymore.
02:39You have to help me get away.
02:42I'm sorry, I can't do that.
02:44Georgina, please.
02:46Daphne, no one can do that but you.
02:53You and I are cut from the same ice.
02:58Sincerity made us the perfect highest.
03:01Burning all the gold to sapphire skies.
03:05But the breeze is cold in paradise.
03:08I can feel the whispers in the stream.
03:12Every night I shiver in my sleep.
03:16No reality.
03:17Cause it's all a dream.
03:23Cause it's all a dream.
03:24Was it love?
03:24It was wild.
03:25Throw me to my knees.
03:27Sparking fire.
03:28Sparking voice.
03:29With expensive things.
03:30I tip to right.
03:32Oh, my baby.
03:34Oh, this world is mad and crazy.
03:38Was it love?
03:39It was wild.
03:40Throw me to my knees.
03:42Sparking fire.
03:43Sparking voice.
04:12It's not really necessary.
04:15Please don't start, Nico.
04:20So what?
04:20I'm expected to sit back while you drink yourself into oblivion.
04:24Have you ever stopped to ask yourself why I'm drinking?
04:29Because you love nothing more than to be the center of attention.
04:33I'm just trying to look after you.
04:35Daphne, it's clearly you can't look after yourself.
04:36And this is the thanks that I get.
04:40You really believe that, don't you?
04:43You riding in on your white stallion to rescue me.
04:47I'm not prepared to talk to you while you're in this state.
04:55Look, why don't you do what the doctor suggested?
04:58Take one of these and try and pull yourself together.
05:00So what?
05:02You can numb me into submission now, is that it?
05:05Room for one more?
05:10I'm taking Daphne home.
05:12Oh, come on.
05:13What's her talking about?
05:15She's drunk.
05:17No, she.
05:18Speak for herself.
05:20Come on.
05:22The party's only over when I say it is.
05:44You don't like your brother much, do you?
05:46I love him with all my heart.
05:48He's the other part of me.
05:51He just scares me.
05:54What did you say?
05:57I said I want to get fucked up.
06:00Okay.
06:02Woo-hoo-hoo-hoo!
06:05Wow!
06:14You know, I'd probably throw myself in the pool if Nico was my brother.
06:20And you know what Sandra Payne is?
06:25A proper kebab shop.
06:27Why don't you open one?
06:29It's never too late to find something you're good at.
06:38You remind me of Margaret Thatcher.
06:41Wow.
06:42I'm hoping that's because she never slept.
06:45Yeah, and she wasn't keen on Argentinians either.
06:48Cesar wasn't lying.
06:49His dad is the mayor of Buenos Aires.
06:52He's running a re-election campaign.
06:54And how's it working for him?
06:57He's running a re-election campaign.
06:57Not good.
06:58This article says that a kid named Thomas Castillo was found dead in the slums, and there's protests all over
07:04the city.
07:05They're saying it was a cover-up by the mayor.
07:09Listen to this.
07:10The guy leading the protests is a priest named Enrique Romero.
07:15The same Enrique who hid the note in the rosary, maybe?
07:19Maybe.
07:22What I can't figure out is how does Alex Harewood fit into all of this?
07:26But you think she does?
07:28She has to.
07:29Doesn't make sense otherwise.
07:59Don't make sense otherwise.
08:00No, we have to.
08:02We have to.
08:55Hi, this is Stephanie, so sorry it can't come.
09:22I'll be looking all over for you.
09:25Why's your phone switched off?
09:27Please don't make this any hotter than it has to be.
09:31All right, so that's it.
09:35You're going to leave without saying goodbye?
09:36I just need some time for myself.
09:40Where are you going to go?
09:42Terry's invited me to stay with his family in Buenos Aires.
09:46Come on.
09:46I could come with you.
09:52Oh, so what?
09:53You can't even look at me now.
10:12I need you, Daphne.
10:14Terry, we need each other.
10:22I'm sorry.
10:25You don't have to apologize.
10:29I'm always going to be here for you.
10:31I'm always going to be here.
10:32I'm always going to sleep.
10:41I'm always going to be here for you.
11:49It's always been the two of us, Daphne.
11:52And that's how it has to stay.
12:16I've been through an ordeal.
12:19I have looked into every company that Alex Harewood has even lent her name to.
12:23Not one has an obvious link to Argentina or the Alcina Suarez.
12:27Okay, but if she puts some money into his election campaign, then there's going to be some records of it
12:32somewhere.
12:32Not if she doesn't want people to find out.
12:34I'm sure there's some way to do that under the radar.
12:36Why would you keep it quiet?
12:42I'm going to talk to Cesar.
12:44I don't think that's a very good idea, is it?
12:46Well, it's the worst that could happen.
12:49Where do you want me to start?
12:51No, no, no. I mean if we do it in public.
12:53He's not going to be at the Biblos pool with an AK-47.
12:56Come on. I know you want answers just as much as I do.
13:00What are you doing?
13:01What are you doing?
13:08Sir.
13:15I didn't order this.
13:17Nope.
13:18We did.
13:20It was a big party yesterday.
13:22We figured you could use a little hair of the dog.
13:24When you're drinking it, you can tell us about your father's dealings with Alex Harewood.
13:29All I hear is noise.
13:30What's the deal with the rosary?
13:33It's a gift.
13:35For who?
13:36I'm guessing the Pope.
13:38He's going to need a miracle if he's going to win this election.
13:42That's really funny.
13:44Thomas Castillo's not laughing, is he?
13:50Fake news.
13:52Okay, I'm going to lay out what I think is going on and you can just nod if it's the
13:56truth.
13:56All right?
13:58Alex Harewood's bankrolling your dad's campaign and he needed that rosary to silence the priest.
14:04And all of this is tied up in that boy's death.
14:07Is that right?
14:16It only seemed like yesterday that you were begging me not to kill you.
14:29Georgina?
14:31Do you have a moment?
14:36I'm not done with you.
14:40I'm so glad I caught you.
14:41Listen, do you have time for lunch?
14:44Please, please, I need to talk to you.
14:48No, just text me when you're done.
14:51Okay, I'll meet you in the lobby.
14:52Okay.
14:56Do you know what I don't understand?
14:58Why is your brother in Buenos Aires and you're still here?
15:06Is he worried that you're going to fuck up your dance election campaign even more?
15:11Stay away from my family.
15:15They're all what?
15:19I would hate to see that pretty face of yours all cut up.
15:49Please, dear.
15:50Please, dear.
15:59Please, dear.
16:00Please, dear.
16:02Oh, my God!
16:17Hola, Darío.
16:19Hola, María.
16:21¿Papá?
16:22Está en el estudio.
16:24Ok.
16:41¿Lo tenés?
16:45Sí, toma.
16:47Espero que haya valido la pena.
17:08Margarita, siempre vas a estar en mi corazón.
17:10Hasta el final.
17:13Enrique.
17:15Mirá el culito, ¿eh?
17:16¿Quién es ella?
17:19Ella es la respuesta a todas mis plegarias.
17:26¿No me vas a preguntar por César?
17:29¿Qué pasa con César?
17:44¿Señora?
17:47¿Gloria?
17:49¿Así que esto es lo que hace todo el día?
17:51Ay, Víctor.
17:54¿Cómo estás?
17:55Muy bien.
17:55Séntate.
17:56Gracias.
17:57Si sabía que venías, le decía a la mucama que cerrara las persianas.
18:01Ah, entonces, supongo que no le interesará ver esto que le traje.
18:09Ay, el rosario de mamá.
18:16Ay, Dios.
18:17Pensé que nunca lo iba a volver a ver.
18:20Discúlpame por lo que te dije.
18:33¿Quién es Margarita?
18:39Margarita fue una mucama que trabajó en nuestra estancia.
18:42Una mucama que parece que a Enrique le pedía que le hiciera algunas cosas más que cambiarle la sábana, ¿no?
18:46Yo nunca creí en esa versión.
18:49Yo le di tantas oportunidades para que me dijera la verdad.
18:53Me juró que no eran amantes.
18:56Pero ahora tengo esta prueba delante de mí.
19:00Gloria, usted sabe perfectamente que los curas son capaces de hacer cosas mucho peores que estas.
19:07Que yo sepa, está muerta.
19:13¿Está muerta?
19:15Yo no desearía que esto fuera cierto.
19:17Sus pobres padres.
19:21¿Y usted cree que fue Enrique el que la mató?
19:56¿Y usted cree que fue Enrique el que la mató?
20:17¿Y usted cree que fue Enrique el que la mató?
20:24¿Y usted cree que fue Enrique el que la mató?
20:26¿Por qué?
20:27No es para que la mató.
20:28¿Por qué?
20:28love snatched from us not that i'm comparing my divorce to what happened to you but what's
20:33important is that we're both survivors are we yeah i suppose and it doesn't matter what the
20:38world throws at us because we're strong enough to find a way through it but i wouldn't call
20:43myself a survivor i i made my own choices you managed to break free from all that that package
20:50yes because i made a choice to live in the present and not get stuck in the past that's what
20:57i want
20:59i need to know that there is a way through this
21:06did something happen
21:09could you please try to get the way to touch them positively ravenous daphne what is going on it's
21:16nothing nico did that to you because if that's what you mean by we're survivors it doesn't make
21:25you a survivor it makes you a victim
21:34can you do help
21:50give me your key
22:11where is he in his bedroom
22:18nico get out here
22:22he won't answer you
22:40did you do this
22:53i have to get out of here
22:54you can't leave please please you said that i had to do something
22:59i didn't say go stick a knife in his chest
23:10in the past
23:12and i'll have to get out of here
23:33and i can't leave a person
23:33Oh, oh, oh, oh, oh, oh.
24:17Oh, oh, oh, oh, oh, oh, oh.
24:34Oh, oh, oh, oh, oh.
25:00And I'm so tired of seeing every good man gone
25:35Take me to the river
25:41Lay me by his side
25:46Let the water wash me clean, honey
25:51A man done stole my pride
25:58I have seen the darkness
26:03Love knows I've seen the light
26:09Don't recall a lot saying there's a difference
26:14If you're black or white
26:30Sometimes people push us too far
26:33And our only choice is to fight back
26:46I'll see you next week
26:47I'll see you next week
27:12When was the last time the maid cleaned your room
27:17Daphne, answer me
27:19I don't know
27:20Think
27:24Yesterday afternoon
27:25Gina, are you in there?
27:28Fuck
27:32Gina?
27:33I'll be right there
27:34What are you doing?
27:35If I don't answer, he's going to know that something is wrong
27:40Gabriel, I'm kind of busy right now
27:42What do you want?
27:44We need to get the hell out of Dodge
27:46What are you talking about?
27:48Okay, don't be mad
27:49But I've run into a bit of bother
27:52Well, whatever it is
27:53I'm sure that you can figure it out on your own
27:56Yeah, I don't think you quite understand
27:57The severity of the situation
28:02I'm sorry
28:02I can't really deal with this right now
28:04I'll call you later
28:06It's Cesar
28:17Here
28:18Go lay low at the apartment until I get back
28:20Okay, so what is the matter?
28:22Is it Daphne?
28:23Please, just leave
28:25What the fuck is going on?
28:27Honestly, it is nothing for you to worry about
28:29Go away to the apartment
28:30And I will be back as soon as I can
28:33Okay, but promise me that you won't
28:35I promise
29:10Go away to the apartment
29:11Go away to the apartment
29:13Come on
29:14Go away
29:18Let's go
29:19Let's go
29:20Let's go
29:21Let's go
29:21Let's go
29:22Let's go
29:24Let's
29:25gomonthly
29:25no, no, no, no Go away
29:28Get quiet
29:29I'll take it!
29:37I'll citar!
29:43You know when Gloria told me that you had a secret you, I was amazed, I didn't expect it to
29:49be a secret.
29:50Margarita.
29:52We'll talk a little bit about Chuchika.
29:56What picaran sos, eh?
29:58¿Está claro que te metiste a cura
30:00para lavar tus pecados?
30:02Vos no sabés nada sobre mí.
30:04Error.
30:06Yo sé absolutamente todo.
30:14¿De dónde sacaste eso?
30:15Tu tía me pidió que lo buscara.
30:17Y ahora tengo la prueba que necesitaba
30:20para mostrarle a todo el mundo
30:22quién realmente sos.
30:23No.
30:24Aquel que esté libre del pecado
30:26que tire la primera piedra.
30:27No, no, te pido, por favor.
30:29No, no, no metas a Dios en todo esto.
30:33A partir de ahora,
30:34la única persona que le vas a hacer caso
30:35es a mí.
30:37¿Está claro?
30:39¿Qué querés de mí?
30:43Bueno, yo estoy dispuesto
30:44a guardar tu secreto
30:47con una condición.
30:50Le vas a contar a todo el mundo
30:52la verdad sobre la muerte
30:54de Tomás Castillo.
30:58¿Y cuál es la verdad?
31:13La que yo digo que es.
31:17Es que es muy bien.
31:18¿Qué pasa?
31:30No.
31:36No.
31:39No.
31:39No.
31:39No.
31:40No.
31:40No.
31:43No.
31:44No.
31:52Where's Nico's car?
31:54Um, Hotel Kolbog.
31:57And what about the service elevator?
32:00Um, end of the corridor.
32:08You know what to do.
32:18You know what to do.
32:58You know what to do.
33:16What do I do now?
33:18You go back into that hotel as if nothing has changed.
33:22Go get drunk with Cesar.
33:24Do whatever.
33:25If anyone asks, Nico left as soon as that fire alarm went off.
33:31Don't try and call me.
33:32And if you see me on the street, you walk straight past.
33:36Do you understand?
33:46Daphne, what did you think was going to happen?
33:52You and I can never see each other again.
34:00I used to wonder how Nico felt, waking up every day knowing what he did.
34:06And now I'm going to know, aren't I?
34:10I'm going to feel it too.
34:18I can't do this on my own.
34:28You don't have a choice.
34:36I'm going to feel it too.
34:36Come on.
34:39I don't know.
34:46I don't know.
35:09What's this?
35:11Itinerary of Argentina and everything you might want to know about Georgina Ryland.
35:17Nico Elton helped fit in some of the gaps.
35:20He might be useful to us.
35:23Her mother's psychiatric history makes for interesting reading.
36:15Itinerary of Argentina and everything you might want to know about Georgina Ryland.
36:28He might be able to read.
36:36He might be able to read.
36:38He might be able to read.
38:09Uh, yeah.
38:10I might have slashed his tyre.
38:14Right.
38:15Of course you did.
38:17Because that's the world that we're operating in now, isn't it?
38:21Are you going to tell me what was going on in that hotel room?
38:24I have to get out of these clothes.
38:26Did something happen with Daphne?
38:28Believe me, you do not want to know.
38:31What's that supposed to mean?
38:34If something happened, then we can sort it out together.
38:37Sort out what?
38:37There's nothing to sort out.
38:40I know when you're lying to me.
38:42For fuck's sake.
38:42Just drop it.
38:44So this is how it works, our so-called partnership.
38:49I'm not going to do this.
38:50Not today.
38:52When would you like to talk about it?
38:53Or is it only ever on your terms?
38:56And don't say so-called partnership.
38:57You know that you're important to me.
38:58Well, then why are you lying to me?
39:03Knowledge is power, you said.
39:05But it seems that you're quite happy to leave me in the dark if it suits you.
39:10Where are you going?
39:10I'm going to get some answers because I'm clearly going to get nothing from you.
39:17Fuck.
39:40Daphne?
39:49Excuse me.
39:50Oui?
39:52Je cherche Daphne Elton.
39:54Elle a déjà rendu sa chambre.
39:57Oui?
39:57Oui.
39:58Ah.
40:00OK, merci.
40:02De rien.
40:06Madame Kerwood is busy right now.
40:08I'm so sorry.
40:09I don't give a fuck what she's doing.
40:10I need to speak for her.
40:11Marie, Marie.
40:12It's OK.
40:13I'll deal with this.
40:14I need to talk to Alex.
40:16Alex is on a conference call.
40:18Fine.
40:19I can wait.
40:23Marie, make Miss Ryland comfortable on the terrace.
40:25I'll go and see if Alex has finished her call.
40:30Peace.
40:42Cesar called earlier
40:45Georgina and Gabriel have been asking questions
40:47about Thomas Castillo
40:49and now she's turned up here
40:51demanding to speak with you
40:56you know what to do
41:00let's hope it's not too late
41:02the election is in a matter of days
41:04and we're wasted so much time already
41:07get out
41:26Georgina what a pleasant surprise
41:30I want to know what's going on
41:34your tenacity
41:36it's impressive
41:38but it will be O'Donnell
41:41I know that Victor Alcino Suarez
41:43covered up that boy's death
41:46and you've done everything you can
41:47to make sure that nobody knows
41:49you're bankrolling his campaign
41:51why is that?
41:53I admire your desire for justice, Georgina
41:55I really do
41:58but I fear you may have
42:00overstepped the mark
42:01somewhat
42:02trust me
42:03I'm just getting started
42:06you and your friend
42:07should learn to say out of things
42:08that don't concern you
42:10I'm just really sorry
42:11it had to come to this
42:14get the fuck off me
42:20get the fuck off me
42:45We'll see you next time.
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