- 6 hours ago
Tracker - Season 3 - Episode 13: Breakaway
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00:09No!
00:13Cut!
00:14Dammit, we didn't get the shot.
00:16I told you he has to fall out of the frame.
00:18You can't track him to the pad.
00:20Let's do it again.
00:23No, man, give me a second.
00:28Uh, hey, Rip, you good to go again or not?
00:33No, not with this pad.
00:37It's too hard.
00:40It's too old.
00:45I'm not doing this again, bro.
00:49Hey, you said he was a pro.
00:51Let me see what I can do.
00:52Yeah, just get him back or after this week,
00:54you're both done.
00:56Rip!
00:57Oh, God.
01:44I'll just do it.
01:44Randy, what do you got?
01:45Yo!
01:46Colt Seavers.
01:47Fall guy.
01:48You know it.
01:49See, I knew you would, too.
01:50Lead majors, baby.
01:51Listen, I'm just calling to see if you're digging that job that I sent you.
01:55Missing stuntman?
01:56Yeah, Hale Ripley.
01:57Listen, I'm kind of a big fan of this guy.
02:00He's one of the first black stuntmen to make it out of his hometown.
02:03He's got a ton of credits, dog.
02:04He was based in Hollywood for a while, and now he's in Detroit doing this low-budget indie movie.
02:08Went missing after a big stunt.
02:10Who posted the reward?
02:11Girlfriend, Laura. Offering 12K.
02:14All right, I'm not too far away. I'll head there now. Thanks, Rainey.
02:35Laura.
02:36You must be Colter Shaw. Thanks for coming.
02:38So your boyfriend's been missing since last night?
02:40Yeah, his motorcycle's not on the lot. The phone goes to voicemail. He hasn't come home.
02:45He doesn't do this.
02:46Got it. Does he have any other family?
02:49He's got an ex and a son in his 20s.
02:52The ex hasn't heard from him, doesn't seem to want to,
02:55and I left a message with his son to call me if he gets in contact with him,
02:59but I haven't heard anything back.
03:00Are they close, he and his son?
03:02Not really. Dalton doesn't visit much, rarely calls.
03:05I don't think he's too happy about it, but I let it be his thing.
03:09Okay. And the last time anyone saw him was when he left the lot, when he walked off the set.
03:13Yeah. I don't know what made him out of this time, but he said this production was a mess.
03:17Unsafe, long hours, cutting corners.
03:19He actually said he was going to try to get me on this movie, but after the first day of
03:23shooting, changed his mind.
03:24You're in the business as well?
03:25Yeah. That's kind of how we met. I do stunt crash driving.
03:29He's a high fall guy on this production, but he can do anything else.
03:32Well, he used to.
03:36When we first started working together, I could tell that he was struggling, so I brought him to an NA
03:41meeting.
03:43Was it pain pills?
03:45Pretty common in our line of work.
03:47Yeah. We've all been through it.
03:49Knees, titanium shoulder, pins in his back.
03:52Is there a chance maybe that your boyfriend relapsed?
03:56He was fine when I saw him yesterday.
03:58You know, we went to a meeting first thing in the morning, like always.
04:03Okay. Okay.
04:05What about the lot and on set? Any problems there? You have any problems with anyone?
04:09Yeah. I mean, everyone. Except maybe the caterers. You know, he wasn't one to keep his mouth shut.
04:16Okay. Anybody see anything? Anybody have any idea where he might have gone, what he might have done?
04:20His stunt partner helped me sneak onto the lot, but someone spotted me. I didn't even get a chance to
04:25see the trailer.
04:26Some rent-a-cop put hands on me and said he'd call the police if I tried it again.
04:31Something happened to Ripley after he walked off set. These people are hiding something. I can feel it.
04:38Okay. Poke around and see what I can find out.
04:50You got a laminate? I didn't know I needed one.
04:53Oh, you can't. Sure.
04:56No, it's a closed set.
04:58Right. Oh, got it. Okay. I was just looking for, uh, Hale Ripley.
05:01Yeah, no, he's not here. Do you want to maybe talk to his department, Ed?
05:05Stunt department, right? That's Jake Harris. I can call him. That's the best I can do.
05:09Jake Harris. Okay. No, I'm good, actually. Thank you very much. Appreciate you.
05:13Oh, God.
05:16Uh, security.
05:17.
05:20.
05:21.
05:25I don't know.
06:17Yeah.
06:21Looking for Hale Ripley?
06:23Not here.
06:26She's cool. Don't worry about it.
06:33Stay there.
06:34He touch you?
06:35No.
06:37You take anything?
06:37No, I said I didn't want to.
06:40Come here.
06:41Hey, hey, hey! What the hell is this?
06:44You Jake? You're the stunt coordinator?
06:46Yeah.
06:46I don't think you like what's going on inside the trailer here.
06:50You're fired.
06:51Go!
06:56Are you okay?
06:58I'll head to the med tent. I'll be with you in a second, alright?
07:02You're welcome.
07:10Who the hell are you?
07:12Colter Shaw.
07:13I'm looking for Hale Ripley.
07:14Are you a cop?
07:15I'm not a cop. No.
07:16His girlfriend hired me to find him.
07:18He didn't make it home from work last night.
07:20He was upset as he walked off the set.
07:23At that last stunt, it was rough.
07:25Ripley, man, he was all over the place.
07:28He was distracted, kept checking his phone.
07:30I don't know what was going on.
07:32Followed him out to the trailer and that just set him off.
07:34Said he was going to go talk to the producers.
07:36About the stunt?
07:37Probably.
07:38Oh, God.
07:38These people, they're not the kind of people you want to piss off.
07:43You got the name of that producer?
07:45Yeah.
07:47Okay.
07:47Bennett Cranston.
07:49So, a producer on this movie has priors for racketeering, intimidation, and looks like ties to some organized crime outfit.
07:57So, he's washing his money through his films.
07:59Well, he's not doing it to win an Oscar, I'll tell you that.
08:02It doesn't seem like the kind of guy Ripley should have rolled up on.
08:05No, it does not.
08:06All right.
08:07The stunt coordinator said that Ripley was in his phone all day.
08:09You find anything on that?
08:11Oh.
08:12One sec.
08:17Got nothing.
08:18Maybe he was waiting on a call that never came?
08:20Where can I find this Cranston guy?
08:22Let me see.
08:26Okay, looks like production got him a place in a fancy high-rise downtown.
08:30Send an opinion away now.
08:34I got it.
08:34Thanks.
08:35Find out who he's working for, will you?
08:36Oh, you better believe I am.
08:37Thanks, Randy.
08:38Hey, were you able to set up that dinner for tonight with Maxine?
08:41Yes.
08:42Corner table, 7 p.m. at the Victor.
08:43Great.
08:44You ready?
08:45More or less.
08:46More would be better.
08:47Maybe you can pull together a one-sheet of where we are with those cases that she wanted us to
08:51look at.
08:51That's already in your books, but I'll make you a copy.
08:54Also, I already finished going through the batch of files that they sent over last night, so.
08:58Look at you grinding.
08:59I love it.
09:00And I've been to six episodes of that Tower of God you put me on, too.
09:03After I finished.
09:05I have no idea what you're talking about.
09:09I'll tutor you later.
09:10Mm.
09:12Baby steps.
09:13Right.
09:13Baby steps.
09:38goán.
09:40You're all done.
09:42Hey, everyone.
09:43I got to pick up the show loop, Greg.
09:44Get some film hard drives from, uh, Mr. Cranston.
09:49Sign in. Sweet 610.
09:54Say 610?
09:55Yes.
09:55All right. Thank you.
12:18What you got, Big C?
12:19Andy, hey, I'm still at the producer's house.
12:21Looks like Ripley confronted Cranston.
12:23I don't think things went well.
12:24The place is a mess.
12:25I'll send you an image right now.
12:29What do you need?
12:30Wouldn't mind knowing where they took him.
12:32I can do that.
12:37Okay, Cranston's phone's offline.
12:38What about the two guys that dragged him out?
12:41Let's see.
12:43Oh.
12:46I'm getting a hit on one of them.
12:47Gage Mueller.
12:48Looks like he's got ties to the same organized crime gang that Cranston does.
12:52Can you get a location on his phone?
12:55Okay, it's in an industrial zone.
12:58Just sent it to you.
12:59Mm-hmm.
12:59On my way.
13:00Thanks, Randy.
13:00I'm ready.
13:28I'm ready.
13:31Let's go.
14:01What's this?
14:10Where's Ripley?
14:12I don't know.
14:14Did he do this to you?
14:15The dude is off his rocker.
14:18I saw you and your men drag him out on the surveillance.
14:24How'd he get the upper hand?
14:26I was sending him a message.
14:28I wanted to scare him.
14:30Get him up.
14:33You really should have known better than to try something like this.
14:52He was threatening to shut down your production, right?
14:55Working conditions?
14:56No.
14:57He wanted his Dodge Charger back.
15:00Why'd you have his car?
15:02Because it wasn't his anymore.
15:03I bought it two years ago when he bottomed out.
15:08He was desperate for cash.
15:10But he had this Dodge Charger that he'd customized with a Hellcat Red Eye crate engine.
15:17Worth a fortune.
15:18So he gets to drop on you.
15:19He brings you here and makes you give him the car, right?
15:21Right.
15:22But you don't know where he went?
15:24I do not know.
15:29Uh, hey, you can't just leave us here.
15:33Door's open.
15:38Couture.
15:39Randy just sent you details.
15:41A car that Ripley took.
15:43Whoa.
15:45Custom Dodge Charger.
15:46Hey, if you're gonna boost the whip, might as well be that one.
15:49Yeah.
15:50You think you can find it?
15:51I cannot find it.
15:53See what I can do.
15:56Got a hit on the Charger.
15:58Location's coming your way.
16:00All right, thanks, Randy.
16:16Hi.
16:17Sorry.
16:18Have you been waiting long?
16:19Uh, just a bit.
16:21I need a drink.
16:23What are you having?
16:24Um, nothing yet.
16:28Hi.
16:29Are you ready to order?
16:30Just drinks.
16:31Belvedere Triple rocks.
16:33And I will have a glass of rosé then, please.
16:36Thank you so much.
16:37Thanks.
16:39So, um, let's just get into it.
16:42Here are the highlights so far.
16:45Um, there are some informal statements that have conflicting.
16:51Or I'd be happy to talk you through them if you prefer.
16:56No, I'm sure it's great.
16:57No, I'm sure it's great.
16:57I just, um, I don't want to talk about work right now.
17:00I just, I just need a minute and that vodka.
17:06Everything okay?
17:07No.
17:09Well, I just, um, I just got a call from the credit card company flagging a fraudulent charge
17:17at the Radlow Suites.
17:19Oh, my God.
17:21The Radlow.
17:24My husband and his Pilates instructor, Carly with an I, they ordered cheeseburgers and
17:33tater tots.
17:36Wow.
17:42Classic.
17:44Right?
17:45Yeah.
17:46Uh, I mean, I knew it, but I didn't know it.
17:55Sometimes it's easier to just ignore it than admit that there's a problem.
18:05I would, um, refer you to a couple of good divorce attorneys, but I'm assuming you already
18:10have a list?
18:11Oh, no.
18:12I'm not going to do that.
18:13It's way too easy.
18:16I'm just going to play along, fully protect my money and my assets, and then I'm going
18:22to shoot him in the head.
18:25Figuratively, but maybe literally.
18:28We'll see.
18:30You know, I had a client once who sold her husband's entire watch collection on eBay for
18:35a dollar.
18:37Ooh.
18:37Mm-hmm.
18:38Now you're talking.
18:39Mm-hmm.
18:40Any other ideas?
18:41Because I want him to hurt.
18:43And slowly.
18:46Hey, Laura.
18:47We tracked the charger location.
18:49I'm almost there, but it sure seems Ripley was desperate to get that car back.
18:52Talked about how much he loved that charger.
18:54He did all the work on it himself, but I don't know why he would try to steal it back.
18:59A custom car like that is worth a lot of money.
19:01You ever mention anything to you about having money problems?
19:04No, I mean, he lives paycheck to paycheck, never has extra, but he always gets by.
19:08Maybe he's hiding something from you?
19:09Yeah, he's old-fashioned like that.
19:10He likes to pretend that he can fix everything.
19:13Yeah.
19:13All right, let me see what I can find out.
19:15Thanks, Laura.
19:44All right, let me see what I can find out.
19:45All right, let me see what I can find out.
19:53All right, let me see.
19:58All right.
20:00All right.
20:02Let's go.
20:37Let's go.
21:02Let's go.
21:14Whoa.
21:15Where'd you come from?
21:16You all right?
21:17Yeah.
21:17Yeah.
21:17No.
21:18That was awesome, bro.
21:21That was freaking lit, dude.
21:23Oh, I almost had it.
21:25Hey, you want to go again?
21:26No.
21:27No, I do not want to go again.
21:29Where'd you get this car?
21:30Oh, I just picked it up.
21:31Yeah.
21:32Yeah, I got a killer deal on it, too.
21:33Hey, oh, Ripley, sell you this car?
21:35Yeah.
21:36Does he race out here often?
21:38No.
21:39I mean, his kid is a regular, but this is the first time I've seen the old man.
21:42Yeah, he showed up.
21:43He just smoked us.
21:44So his kid race is out here?
21:45Yeah.
21:46I mean, Dalton's pretty mid, but hey, I don't mind taking money off of him.
21:49Think he's in some kind of money problems?
21:51He got money issues?
21:52He definitely loses a lot more than he wins.
21:55What about Ripley?
21:56He win any money?
21:56How much did he win?
21:57Well, he took down three races today, so that's got to be 25 grand easy.
22:02Then he said he needed to sell the car.
22:03No questions asked.
22:04Okay.
22:05You know where he went from here?
22:06Nah, bro.
22:07He just took the cash and he booked.
22:11You're okay?
22:12I think so.
22:13All right.
22:14Be safe, all right?
22:17Okay, so you've been listening to me all night.
22:21You gotta give me something.
22:23There's nothing to give.
22:25Officially, I am not seeing someone, and the last one was...
22:30It ended pretty complicated, so...
22:33Hey, thank you.
22:36All right, so give me details.
22:43Elliot.
22:48That's it?
22:49That's all you're gonna give me?
22:52We had a good thing going for a while, you know?
22:56Who ended it?
22:58Nobody, really.
23:01He was shot, I was abducted, and then I watched someone executed right in front of me.
23:10But you probably already knew that, didn't you?
23:14I didn't know the details, but...
23:16Yeah, I mean, I heard a little bit of it.
23:20Well, then you get it.
23:21You can't really go back to, hey, you wanna grab dinner and a movie after all that?
23:25So...
23:32So what about you?
23:35Honestly, I'm fine.
23:36I'm much better than I was.
23:38Work is great.
23:39You know, I'm surrounded by great people.
23:41And you throw in a couple of drinks and a one-night stand every once in a while, and your
23:45girl couldn't be any happier.
23:48Rini, we're lawyers.
23:52We read people for a living.
23:58I went through something horrible, and it was really, really hard.
24:03And then I had to move on.
24:07I know, it's just that when people tell me they're happy, I don't really believe them.
24:15Because nobody's ever really completely happy, you know?
24:21That's true.
24:24That's true.
24:26But I'm good.
24:28Really, I'm fine.
24:35Randy, did you get my text?
24:37Ripley's been racing the charger because he needs cash.
24:39I think it's his son, Dalton, who's having money issues.
24:42Hmm.
24:43Let's see.
24:47You are correct.
24:48Looks like he's been wiring his son, Dalton, some money, thousands of dollars here and there, more frequently over the
24:54last few months.
24:55And what do you got on him?
24:58Seeing a steady stream of payments to online poker and sports betting.
25:04He holds back taxes, pending garnishments, credit cards maxed out, unpaid tickets.
25:09And he's got liens on his bank account from bad loans.
25:12So Dalton gets in too deep, right?
25:14So his dad starts racing, makes some money, then sells the charger to bail his son out.
25:19Okay, so Ripley gets the money, pays the debt, end of story, right?
25:23Yeah, I don't know about that.
25:24He's had the money for, what, a couple hours now, right?
25:27I think he would have told Laura if it was over.
25:28We're missing something.
25:30I've been going through his social media here, looks like he runs with a crew.
25:33Let me see.
25:37So Dalton's a stunt guy too, must be a family business.
25:41I see what you mean about the crew.
25:43You run some names.
25:45Yep, all coming up stunt guys.
25:49With a lot of criminal records.
25:51Theft, carjack, and assault.
25:53So he's in heavy with this crew, okay.
25:55I need to talk to somebody who knows this world.
25:57Yeah, no doubt.
26:02Yo, Virgil.
26:10What's this?
26:13It's for my son, man.
26:15I don't know what you got him into this time, Virgil.
26:18But this money, it buys him out.
26:22I'm serious, man.
26:23You and my boy, you are completely done.
26:28It's too late for that.
26:30This thing's already going down.
26:32Besides, even if I let Dalton out, I'm still going to need a driver.
26:41I'll do it.
26:48You're going to take his place?
26:51Okay.
26:52But if you step in, you better follow through.
26:55There's no turning back.
26:56Yeah, I know, man.
26:58And I got it.
27:10But if you screw this up for us, your son is a dead man.
27:24So I think your boyfriend was involved in some pretty dangerous stuff.
27:29I think he was trying to protect his son.
27:30Ripley never said anything about it.
27:32I didn't know he and Dalton were so close.
27:34Did you know that Dalton was running with a pretty dangerous crew?
27:37No.
27:37No, I didn't.
27:38Take a look at this right here.
27:39Tell me if you remember, recognize any of these guys.
27:45Yeah, a few of them.
27:46All wild and unprofessional.
27:49This guy, Virgil Dean, he's a hand-to-hand combat guy.
27:52Same as Dalton.
27:53But I've seen him cross the line.
27:55Put a guy in the ER.
27:56Is this who Dalton's mixed up with?
27:58I think so.
27:59This guy's got a record.
28:00Yeah.
28:02Word is he has a smash and grab crew on the side.
28:05That's got to be what they're caught up in.
28:06Take a look at these photos here.
28:08You recognize where this place is?
28:09There's a lot of photos of all of them there.
28:11Yeah, it's abandoned warehouse by the river.
28:14I went to a party there once.
28:15Wasn't my scene.
28:16Left.
28:16Okay, I need to go check it out.
28:18I'm going with.
28:20I know this group.
28:21I can help.
28:23Okay, yeah, let's go.
28:25Okay.
28:26Yeah.
28:37Let's go.
29:04Let's go.
29:41Hey, man.
29:42What's going on?
29:43You can't be in here.
29:44Yeah, I know.
29:45But I got lost.
29:46And so I just thought that there it is.
29:56Nice.
30:00What do you got?
30:01Transit times.
30:05Delivery routes.
30:07What are they planning?
30:13They're going to knock off an armored car.
30:15What?
30:22What?
30:46Don, it's okay.
30:47Okay, I'm here to help.
30:59Who's this?
31:00He's helping me find your dad.
31:01Is he here?
31:02Uh, yeah, yeah, yeah, yeah.
31:05They tied me up a lot for them.
31:06You're going to knock off an armored truck.
31:08We're just in way over his head.
31:11I owed him money, and he told me I had to be his getaway driver.
31:15Tell your dad?
31:16I didn't know what else to do.
31:18He was about to film a big stunt, but he told me to just...
31:23to stay low and let him deal with it.
31:27Your dad tried to pay off your debt.
31:29The money wasn't enough, so he took your place as a getaway driver.
31:33Yeah, we'll call the police on the way, but we don't have time to do this.
31:35Oh, wait, wait.
31:37Let me help.
31:39All right, listen, we know we're going to do it my way, okay?
31:42You do everything I say, you understand?
31:44I got it.
31:44Okay.
31:45Let's get to them before they get to that truck.
31:46Come on.
31:47Can you move?
31:47Yeah, but I think they cracked the rim.
31:49Here we go.
31:49Come on, let's go.
32:06Less than a minute to go.
32:08Get ready, boys.
32:12Man, this is not going to go down the way you think it is, Virgil.
32:16And it's not too late for any of you guys.
32:20Come on, Virgil.
32:21We're on.
32:28Listen, don't forget what happens if you bully us.
32:31You'll never see Dolby again, okay?
32:33So shut up and drive, Pops.
32:35Let's go, boys.
32:39Let's go, boys.
32:51There you are.
32:52There you are.
32:55Hang on.
33:17Don't forget.
33:18Let's go, boy.
33:20Let's go.
33:21Let's go.
33:22Let's go, girl.
33:24Let's go.
33:24Let's go.
33:25Let's go.
33:25Come on.
33:33let's go go move move move get him out get him out go go go get out come on come
33:40on get him get
33:42your keys get him out move move open the back cover open the back come on let's go get in
33:55there
33:58stay here okay yeah
34:11get in there
34:14get some coverage
34:25come on
34:28move
34:35oh
34:37oh
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35:43stay stay here okay don't move
35:46oh
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38:12oh
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38:40oh
38:44hey man come on in
38:45thanks
38:48laura told me you were coming
38:49hey laura
38:51yo you want a beer
38:52it's um
38:53they're fake but it's either that or water so
38:56i'm good i'm good thank you though i gotta hit the road soon so
38:59yeah i know how that is
39:02look
39:03look man um
39:04i really didn't mean to drag you into all this
39:07maybe i should have went to the cops earlier i don't know just
39:10i was just looking out for my boy
39:12you're his dad
39:14you don't have to explain yourself i get it
39:15i still feel like i owe you though
39:18i owe you
39:21thank you
39:21you know i don't know how this would have gone without you
39:28thank you
39:30thank you
39:30you're welcome
39:32it's a team effort though really
39:34so what's next for you two
39:36i got a gig
39:38laying down a bike
39:39only i'm getting paid this time
39:40okay
39:41me i'm gonna sit right here and not do anything stay out of trouble
39:44you might actually enjoy that
39:45you know actually um me and my boy are gonna take the charger out
39:49have a little long time one-on-one
39:51you said the charger you got that back
39:53yeah yeah the guy i sold it to took the same price for it as is
39:57just want some free driving lessons on top
39:59all right
40:00so it all worked out
40:01it did
40:05you do me a favor
40:07will you please take care of each other
40:11be safe
40:13take care
40:40you
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