- 9 hours ago
A Thousand Blows - Season 2 - Episode 03
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00:01They killed my brother.
00:02So I killed one of theirs.
00:04When the killer pulled out his gun,
00:06an inch of his wrist was uncovered,
00:08his skin was black.
00:09We're interested in a man who lives in the Wapping Wall.
00:12The fighter.
00:13Mr. Moscow!
00:14This is Prince Albert Victor.
00:16Second in line to the British throne.
00:18He said you have an offer for me.
00:19I have land.
00:20A sugar plantation in Jamaica.
00:22It's a place called Morant Bay.
00:24If you lead me to victory, then it's yours.
00:26A job's come through from New York.
00:27We have an associate on the way.
00:29She's a very smart woman.
00:30You want me to run?
00:32Well, if you don't,
00:33there'll be a war.
00:35Hezekiah Moscow,
00:36the day of judgment is upon you.
00:43I can't handle this.
00:44You take care of the girls.
01:01I can't handle this.
01:02So what?
01:26we've finished this.
01:27놓 complement our finishing plan.
01:58Sugar Goodson, the Jeremy family and the fighting men of Pelopon Castle demand that vile murdering beast be handed over
02:08to our custody here and now, or I will burn the blue coat boy to the ground with all the
02:14souls contained therein.
02:17Jesus.
02:25Last chance, Sugar?
02:28I will talk to you, and you only, Bull.
02:31Oh, Mary. Is that your pretty voice I can hear?
02:38I should have known you had a hand in this.
02:42Right, Sugar, we can hand her over and all.
02:45We'd take both of them, we'd be on our way.
02:49My answer is fucking no.
02:55We don't give up souls on Goodson territory.
03:03Fuck it.
03:09I am the man you seek.
03:12Ezekiah Moscow.
03:14Nice to put a voice to the name.
03:17There's only one honorable way of ending this.
03:20You and I fight.
03:22One to one.
03:25Why are they?
03:26What, I say you've got a deal?
03:32They will kill you.
03:34Get in there, get Mary, drag that fucking bitch out here.
04:05There's a guy at Moscow.
04:07A man himself.
04:24Oh.
04:26What happens after your fate?
04:31What about it all about you, boy?
04:33I think, I think this helps even up the odds, boys.
04:36What do you think, eh?
04:38This makes it fair.
04:45Switch it. Come on, then.
04:48Come on!
04:53What the fuck are we supposed to do now, Mary?
04:55Listen, I had Indigo done in.
04:57For us.
04:59Now you can cower here like lambs to the fucking slaughter,
05:01or you can back me all the way and finish this.
05:03What is it?
05:03Come on, you.
05:08Well, looks like the savage has won the day.
05:13But the day's not over yet.
05:37There she is.
05:39Murdering fucking whore.
05:40Come on!
05:47Come on!
05:52Shit.
05:53They're coming inside.
05:53What'll it be, then?
05:54Well, come on, girl!
05:59Let's go!
06:12Fuck you!
06:14Fuck you!
06:15Oh!
06:20Oh, my God.
06:45No!
06:55Oi!
07:27I love you.
07:45Come on. I'll fuck you. I'll fuck you. Come on.
07:48Come on. Come on.
08:03Your kings are dead.
08:06You are a disgrace to the elephant name.
08:11Take your wounded back home with this message.
08:15The forty elephants have risen.
08:20I am queen.
08:22Now fuck up!
08:53If we live, we live for the Lord. And if we die, we die for the Lord.
09:03In a time where life hangs in the balance, it can be difficult to find solace.
09:09But it can be found when we understand the nature of God.
09:14Oh, come on. We don't need you, God.
09:17She's a fire.
09:20She's gonna live.
09:21The house of God is always open to you, Mr. Goodson.
09:24For we are all his children.
09:26No, no, no.
09:26She's to come, you fucking go.
09:32I understand your anger.
09:33Father, I'll show you out.
09:53You're bleeding.
09:56It's nothing.
09:57Hm.
10:16How is she?
10:19She'll survive.
10:32So, are you still planning to go back to Jamaica?
10:36I have something that keeps me here a little longer.
10:40What kind of something?
10:43Business.
10:47Well, talking of business, I could do with some of your rooms.
10:59You should go back to Elephant and Castle.
11:02I don't feel at home south of the river.
11:05A queen with no palace?
11:07A boxer with no ring.
11:09A man and woman with no kind words to say to each other.
11:21You can take rooms at the Green Dolphin.
11:26But me no want no trouble.
11:31How?
11:35That's all.
11:55Mary.
11:58I received word that the journeys marched on Wapping Wall and you came out on top.
12:05No thanks to you.
12:07You don't know what you're talking about.
12:12You knew they were coming and you didn't warn me.
12:16I tried but there wasn't time.
12:19I don't think you did.
12:20What would I have to gain from having my daughter killed?
12:23To kill a creature that crawled out of you and ruined you.
12:25I don't know.
12:26I don't know what goes through your head.
12:29I built the 40 elephants.
12:31Wretched women who find means to survive in a world that hated us.
12:36I had to make sure we survived.
12:38Even if it meant putting you in harm's way.
12:41You had to show them that you were worthy of the crown you now were.
12:46Why are you saying all this?
12:55Because my days are numbered, there is a growth inside my belly.
13:01another face saving lie.
13:05No.
13:09You can feel it.
13:14A notch.
13:18It's a strange thing.
13:21Very strange.
13:25But I've gotten what I wanted.
13:29You are queen again.
13:32Stronger than ever.
13:34I will die happy.
13:37You always look to me for something I can't give.
13:44I gave you something much more precious instead.
13:47I gave you the tools to survive.
13:50I gave you a family.
13:55Don't you see it.
13:59I know.
15:35Have you been boxing, Mr. Mosker?
15:38You could say that.
15:41An unsanctioned boat.
15:43Right.
15:44Well, I want to inquire further.
15:49Well, I'm not going to box today.
15:53I'm going to talk.
15:57All right.
16:01And what is it that we'll be talking about?
16:06The man you'll be facing and a fundamental question.
16:11Why do you want to fight, Your Highness?
16:15It is a vendetta.
16:17I want satisfaction.
16:21A patent good?
16:22No, no.
16:26Look, you might not understand, but as an English royal, I am bound by an ancient code of honor.
16:31And tell me.
16:34I was a naval cadet for three years.
16:37Now, you might assume that someone of my standing would be shielded from the brutish mess deck culture, yes?
16:45But you'd be wrong.
16:47There was an older boy.
16:49Well, he made my life a living nightmare.
16:53But I am a man now.
16:55And one day, I shall be king.
16:58And when I finally beat him, I shall be worthy.
17:10There are plenty, plenty trainers at West London Boxing Club.
17:16Better suited to this type of fight.
17:19No, but you're different.
17:21I wasn't talking about your skin color.
17:23I meant your style.
17:25It's evidently different.
17:27The fruits of it.
17:29I don't follow.
17:30Look, I want the best trainer.
17:33I want someone with that deadly touch.
17:39What?
17:46Boxing is an art and a science.
17:49One thing it is not is the pursuit of another man's death.
17:57And I hope I'm clear.
18:02Here.
18:06And if you want to talk about killing, look closer to home, hmm?
18:13Look around you and remember where all the disc came from.
18:16Listen here.
18:17I am more than aware of the blood that has been spilt on my family's behalf.
18:22But what I can do about it is another matter entirely.
18:26One thing I can do, Mr. Moscoe, is have you train me.
18:29That way I will surely win.
18:31And then you will get your reward.
18:48Wait, here's a car.
18:51Here's a car.
18:54Here's a car.
18:57I know the arrangement is unjust, but I encourage you to continue with it.
19:01Why should I let an English royal dangle stole a land in front of me?
19:04No.
19:05He thinks I'm a savage and he wants to...
19:06No, he's a kind of...
19:07How low do you want me to stoop, Lady Victoria?
19:11How low?
19:13My family and I are the beneficiaries of the Queen's kindness.
19:19Yet, she claims my homeland is hers.
19:22And whilst I see the hypocrisy, I also understand my position.
19:28It tells me that for all that is wrong with my life, it is better for me to stay.
19:34Maybe you've been lying to yourself this entire time.
19:39I imagine your recollection of the Buster-Williams fight is tainted.
19:43But for me, I saw someone in total command of their art.
19:48Grace.
19:49Poise.
19:50Elegance.
19:52And the most profound dignity in the face of a hostile crowd.
19:56A hostile country.
20:00I hope you know that this arrangement was never solely about land and boxing.
20:08I hope you know that.
20:23I hope you have a good idea.
20:23I hope you can get a good idea.
20:23I hate the shame...
20:24I hope you know that this arrangement is one of us.
20:26It's difficult for you.
20:27I hope you know that this arrangement was VS lymph оз見 reached out to me.
20:27I hope you have, you know,útrap.
20:30Stay in your head.
20:30Save the camera for me to go fourth because you are bells in the air.
20:30All the time in your room for me, you will do so.
20:33And rest in your body is doing your volume for me to before the day.
20:33Try it to stay very seldom in the air.
20:34You'll see my per Hey!
20:40Let's put it on my Hooglnie and head over there.
20:42You can't tell Israel, Highness, that I will continue to train.
20:48But not here.
20:50He can come to warping, if he dare.
20:55I want to shut his delusions.
20:57I want him to see men fighting not for honor,
21:01but for the next meal.
21:03Only them can he understand.
21:17Jane's sick. She's dying.
21:33What's gonna happen one day?
21:35She deserves what's coming to her.
21:37You let God be her judge.
21:39Be thankful for what your mother leaves you with.
21:42Your mother?
21:45We're talking to a woman who loves stray birds more than me.
21:49They stuck me in a workhouse because she saw my father in my eyes.
21:58You calling with me to whoop him all,
22:00or are you just gonna sit all day and inquire into my emotions?
22:03We got a lot to celebrate.
22:10I can't come with you.
22:17I'm Queen again.
22:19And I need my Eliza.
22:21Oh, Mary.
22:23I'll always be loyal to you.
22:27But the women in the factory, they need me.
22:30You're choosing working women over your elephants?
22:32We're all working women.
22:34In the cold light of day, what's the difference, really?
22:38Don't hate me.
22:45I could never hate you.
22:51Come on.
22:53Come on.
22:53You've got to be strong.
22:58Go find Verity.
23:01You're gonna need her.
23:03And you'll be fine.
23:04Queen Mary.
23:16Francis-
23:37Bothered, sir.
23:42Is that him?
23:44Is that Charles Duval?
23:49It is.
23:50At least something good came of this street battle.
23:53What about the dynamite?
23:56We haven't found it yet.
23:59Well, anarchists, criminals, they're running amok.
24:04This city, it's on the verge of chaos.
24:13We've launched search operations and all commercial properties across Walken Docks.
24:18We're pulling people in for questioning around the clock,
24:21and we've arrested the man that we suspect smuggled the Valen.
24:24The veteran by the name of Jack Mack.
24:27If he knows anything about the dynamite, we'll get it out of him.
24:31Who was it between?
24:33What?
24:33The street battle.
24:35Those were Elephant and Castle men.
24:37The Goodsons got wrapped up in it somehow.
24:39Some say the whole thing was puppeteered by Mary Carr.
24:44Are you sure?
24:45Witness heard her declaring herself as Queen again.
24:48Not just of her women.
24:49The whole Elephant gang.
24:51So we have a stash of dynamite, unaccounted for.
24:55And a Jezebel running loose, declaring herself as Queen in the same city Her Majesty lives and rules from.
25:04If I were you, I would find that dynamite before Mary Carr does.
25:38I'd like to see you.
25:39You've brought a fuck-tonne of good luck and treat yourself to some while you're at it.
25:44Mary.
25:45Oh, she remembers my name, at least.
25:48You can't stay long, I'm afraid.
25:50I'm very busy.
25:52The chairman is in today.
25:54Oh, I won't keep you too long.
25:57You're not planning on turning the place over, are you?
26:00I'm just here to see how my verity is getting on in life.
26:04What's the nature of your employment, anyway?
26:08Correspondents, mainly.
26:10The chairman has American shipments coming to Liverpool.
26:14Look, it's an honest living.
26:16A normal life.
26:19No-one wants to kill you here, which makes a change.
26:22I have a salary.
26:2420 quid a year.
26:25I'm off the drink.
26:26My kids are looked after.
26:28And it's a satisfying job.
26:30It's pretty fucking dull from where I'm standing.
26:34And lonely.
26:37I'm on the straight and narrow, that's what matters.
26:40There you go, Ross.
26:41You found work in one of the dirtiest businesses on God's green earth,
26:44and you ain't no fucking saint, so come on.
26:46What's your angle here?
26:49You log a shipment.
26:51Do a bit of magic, something pulls off the back of the ship.
26:53For fuck's sake.
26:5840 elephants are back.
27:02The trumpet went over the rooftops.
27:05It went...
27:05We need our very rough space for the biggest of jobs.
27:11We need our...
27:13Fuck, Gerard.
27:14Fuck, Gerard.
27:23It's like the last one you came looking for.
27:27I wasn't going to come to you unless I had everyone.
27:29That's God's honest, true.
27:37You can find me at the Green Dolphin.
27:45You look good.
27:46I'm the Karen.
27:47I'm the Karen.
28:27Walking back to the scene of your crimes, Mary Carr.
28:31I heard an elephant's civil war unfolded here,
28:34and you've arisen as the victim.
28:37Congratulations.
28:44And I offer you my commiserations.
28:46It seems you're still stuck in the depraved east end
28:49when you'd much rather be bowing and curtsying
28:52in Her Majesty's court.
28:54You always have something in the works.
28:57So what's next for you?
28:59We're a retirement to the countryside
29:00with six great things.
29:03I think I know why I rubbed you up the wrong way.
29:06Oh, do enlighten me.
29:07I proved the old lie is wrong,
29:09that common people are thick and should know their place.
29:12Now, at some point in your life,
29:14you realised you'd been told a lie,
29:16but you'd spent a lifetime protecting it,
29:19so your only option is to suppress the truth.
29:26Mary, you may lack morality and refinement,
29:29but you clearly have an instinct for survival.
29:31Right now, your survival depends on you leaving London.
29:37That's your future.
29:40This?
29:41It's just a courtesy call.
29:43Oh, well, thank you for your concern.
29:47I have done terrible things to protect this country.
29:54And I will do them again.
29:58In a heartbeat.
30:04All I see is a foot soldier.
30:11A man.
30:13Doomed to wander the dead-end streets
30:16and walk in for all eternity.
30:20That's biblical, that is.
30:27Now, if you'll excuse me,
30:29I'll have a dinner to a den.
30:45Well...
30:46It's your foot.
30:47Yes!
30:48Don't take the ring.
30:49I wasn't...
30:49I wasn't your feet.
30:50I wasn't your feet.
30:51I wasn't your feet.
30:51I wasn't your feet.
30:51I wasn't your feet.
30:51I wasn't your feet.
30:52Bloody hell, look who it is.
30:55Verity!
30:55Sit yourself down.
30:57Can we give you a glass?
30:59Actually, no thanks.
31:01Bloody fucking daddy, she really did go straight, didn't she?
31:04With a drink, as straight as an arrow.
31:07You're my professional work, what do you think?
31:09What a lovely sight this is.
31:12Warms me to see it.
31:15We've had our scraps, we've done our time in the wilderness,
31:17but we are still fucking here.
31:20I'd like to propose a toast.
31:23Verity fucking Ross, ladies and gentlemen.
31:26She's back in the room.
31:33My apologies for the interruption.
31:36I wasn't expecting quite so many of you.
31:39Ladies, this is Sophie Lyons.
31:42Friend from New York.
31:45Make some room.
31:47I don't need pickpockets, sorry.
31:49Who does she think she is?
31:50The neck.
31:51Well, my father should have told you, I don't work in isolation.
31:54I am these women, these women on me.
31:56Well, if you want to cut your friends in and shrink your end,
31:59that's your prorative.
32:00But the plan remains the same.
32:05Does anyone have a light?
32:07No.
32:08No.
32:11No.
32:13No.
32:13No.
32:13No.
32:31And what's your name?
32:33Alice.
32:36Alice.
32:40Maybe now's a good time to explain why you sear this table with us.
32:49There's a dying oil man in New York.
32:52Rich.
32:53And I don't mean moneyed, I mean richer than royalty.
32:57He lives out his days in an empty white marble mansion on a street called Fifth Avenue.
33:05There's a painting.
33:07And he will have it at any cost.
33:12You fine women will help me procure the work and you will be rewarded.
33:17It better be a special fucking painting.
33:20Well, it hasn't been seen in three centuries.
33:23I'm talking about the most coveted work in New York high society.
33:28Martha and Mary Magdalene by Caravaggio.
33:30Is that all right with you?
33:37Until recently, no one knew where it was.
33:40But then came a rumor, which became a whisper, which became a name.
33:45An Englishman by the name of Grafton.
33:48I have it on good authority that he is the one in possession of the Caravaggio.
33:58Have you made contact with his friend yet?
34:01As a matter of fact, I have been sitting for Sir Frederick Layton.
34:04He's painting me.
34:05Very nice.
34:06I put in a word for you.
34:08He'd gladly enjoy your special skills at his soiree, where Grafton will be in attendance.
34:13What exactly are those special fucking skills?
34:18Perhaps I can perform a demonstration for you.
34:37This is my peacemaker.
34:40I carry it for personal protection.
34:44This is a .45 Colt cartridge.
34:48I'm going to ask one of you to shoot me.
34:51I'm going to ask one of you to shoot me in the heart.
35:10Kill me.
35:13You will do it on the count of three.
35:25One.
35:27Two.
35:29Three.
35:37The bullet is now in the chamber.
36:06You're a mesmerist.
36:11You're a mesmerist.
36:12People crave belonging.
36:14It's like I see holes in their heads.
36:17So I burrow into them.
36:21Once inside, I have the power.
36:40Oh, my God.
36:54Do you intend to pay custom on that tobacco?
36:57Would you say?
36:59I said, do you intend to be a good citizen
37:01and pay what's owed on your ill-gotten goods?
37:08Who the fuck are you?
37:10The loyal servant of Her Majesty the Queen.
37:13A minute of your time.
37:16The body of a woman was found not two miles from here.
37:20A whore who drowned in the London docks just days ago.
37:24A rough man came to identify her.
37:27He wept.
37:29It's guilt, I assume.
37:31You can see his name here.
37:36My apologies.
37:39You're not literate, are you?
37:42Well, the name written here says Edward Goodson.
37:49And there are some that say Edward is a changed man.
37:53And I have witnesses who claim he was with her on the shore,
37:56quarrelling loudly the night she disappeared.
38:02My brother...
38:06is a good man.
38:08He's a publican and a father.
38:12No one in this city will believe you.
38:16He will hang for it, sugar.
38:20Unless I have your full cooperation.
38:23All I want you to do is watch Mary Carr.
38:26Where she goes, who she's speaking to,
38:29and report your observations to me.
38:34You see, a time will come when she is tried, sentenced,
38:36imprisoned in Holloway,
38:37and I will be the one to make sure
38:39it's until the end of her natural life.
38:47You fucking deluded.
38:51I'll be on my way then.
38:54Send my regards to your brother.
38:57I'll be on my way.
39:22Say remember.
39:27Marianne.
39:36Come on, come on, let's go.
40:09I'm here now. I'm here now, my sweet, sweet baby.
40:14Mom.
40:16It's alright, don't worry.
40:19It's all gonna be fine.
40:22I'm here.
40:24What use are you if you can't protect your own children?
40:26Marianne, I'll let you down, I know.
40:27I'm sorry, please. Marianne, please.
40:29The one thing that was different between you and Sugar was that you had a family.
40:32You should have protected her.
40:34Marianne, please.
40:35I'm leaving you and I'm taking them with me.
40:37Think about what you're doing, Marianne.
40:38You stay out with us.
40:39Please. Marianne, please.
40:41Sarah.
40:43No.
40:43Sarah.
40:45Get a few bags together, we're leaving for Dublin, alright? Good girl, go on now.
40:48Help your sister, Thomas.
40:50You'll carry Rosie when we're ready.
40:51I'm not leaving.
40:52You're coming with me and your sisters and that's the end of it, do you understand?
40:55I don't want to, though.
40:56I want to stay here and help Daddy.
40:57He needs us.
40:59Thomas, you're a good boy.
41:01A big heart.
41:02And a good head.
41:04I'm telling you, if you stay here, it's only a matter of time.
41:06You'll wind up dead on those cobbles.
41:08Or worse, you'll waste away like him or Sugar.
41:10I'm not letting that happen, Thomas.
41:14I'm not leaving, Mum.
41:19Stupid boy, you're a good son, alright?
41:26What do you think you're doing?
41:29You're hurting me.
41:35Your money thanks to me, but I never took you for a wife, but here.
42:00I'm not leaving.
42:01There you go.
42:02Come on.
42:03Come on.
42:05Come on.
42:06Come on.
42:07Come on.
42:43Come on.
42:44Come on.
42:44Come on.
42:44Come on.
42:44Come on.
42:44Come on.
42:44Come on.
42:46Come on.
43:04Let's go.
43:34Let's go.
43:39Let's go.
44:06Let's go.
44:07Let's go.
44:08Let's go.
44:09Let's go.
44:09Let's go.
44:09Let's go.
44:09Let's go.
44:09Let's go.
44:11Let's go.
44:11Let's go.
44:12Let's go.
44:13Let's go.
44:51Let's go.
45:16Let's go.
45:18Let's go.
45:20Let's go.
45:51Let's go.
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