- 23 minutes ago
A Thousand Blows - Season 2 - Episode 01
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00:28Transcription by CastingWords
00:41CastingWords
01:18CastingWords
01:34CastingWords
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01:53CastingWords
01:54I
02:08What's the matter with you
02:14Good on the extent
02:21Once go down fuck you savage
02:33Oh
02:54Fuck off! The winner is to deny him of school!
02:59Get back to the matter, you savage!
03:01Go back to where you came from!
03:03Fucking shit, you fucker!
03:06Get away!
03:07Get away!
03:07Get away!
03:08Stop that!
03:09Fucking fucker!
03:11Fucking fucker!
03:13Take it!
03:14Come on, get out of here!
03:15Go!
03:15We'll fucking kill you!
03:17All right!
03:18Move!
03:24Aaaaaaah!
03:25Oank!
03:25Oh, gottaaah!ananan
03:51Iaaah!
03:53Uuuuh!
04:16All right, let's go.
04:31Let's go.
05:04Let's go.
05:24Let's go.
06:13Let's go.
06:27Let's go.
06:33Let's go.
06:44Let's go.
06:48Let's go.
06:49Let's go.
07:00Let's go.
07:25Let's go.
07:29Let's go.
07:35Let's go.
07:38Let's go.
07:39Let's go.
07:41Let's go.
07:42Let's go.
07:43Let's go.
07:43Let's go.
07:44Let's go.
07:46Let's go.
07:54Let's go.
07:58Let's go.
08:00Let's go.
08:01Let's go.
08:01Let's go.
08:21Let's go.
08:23Let's go.
08:26Let's go.
08:35Let's go.
08:46Let's go.
08:49Let's go.
08:55Let's go.
08:57Let's go.
08:58Let's go.
09:01Let's go.
09:02Let's go.
09:04Let's go.
09:08Let's go.
09:10Let's go.
09:13Let's go.
09:15Not for everyone
09:54My name is Miss Swinney of the Wiltshire Swinnys. I'd like to make a withdrawal.
10:00Excuse me, madam.
10:04Do you have your paperwork?
10:06Of course.
10:16Well, this all seems to be in order. Please, follow me.
10:30Miss Cottham. At my park, Miss Cottham will be joining us. She's new. I'm teaching her the roles.
10:37In these absurd modern times of ours, it seems women and girls think they can enter any profession.
10:42Well, I'm inclined to agree.
10:45Ah, Miss Cottham.
11:03Now, the number of the boxes where your items are stored.
11:06Forty-five and six.
11:07Certainly.
11:14Colt forty-five, six, shooter.
11:16Tilda, what are you doing? She's got a gun.
11:19Yeah, and you've got the master key and you're going to use it.
11:23No one where Tilda was learning the ropes, she was also learning the contents. Go.
11:26Oh, okay. Number twenty-three, number thirty-eight, number forty-seven of the gold items and pearls.
11:32We haven't got all the dice. Open them up.
11:34Open them up!
11:50The guards will be around soon. Now, the rubies and semi-crippers. Number seventy-nine and ninety-one.
11:55Here.
11:56Come on, David, love. Hurry up.
12:02Sorry, I don't remember what came after seventy-nine.
12:05After seventy-nine comes ninety-one.
12:09Oh.
12:10Hey, you are the man in charge you can't remember.
12:12She's just a girl, bottom rung of the ladder.
12:14She don't forget a thing.
12:16World's got to change, David.
12:21Random, what's in thirty-two?
12:23Love letters.
12:25Oh.
12:26Well, fuck thirty-two.
12:29That's all the good stuff in here.
12:44Mathilde.
12:46I could have made you happy here.
12:49But, yeah.
12:51But, like she said,
12:53the world's got to change.
13:13Stop them!
13:14Stop them, I take!
13:16Thieves!
13:34All the diamonds and really expensive stuff was kept in the safe.
13:38This will do it for now.
13:41We, uh,
13:43just need
13:46a bit of collateral.
13:48I don't want to be showing up in the newspapers.
13:52Collateral for what?
13:53For the dawn of a new era, Alice.
13:55Let's go.
13:58And I'llan.
14:01No!
14:02Oh, hey, Alice!
14:03Oh!
14:05Come home!
14:09To be in the nursing home.
14:30No straight line.
14:33Great big fucking circle.
14:42Ben, cos there's a chance he'll take a dive if you stand up.
14:45He said what I've got.
14:47He drinks three bottles of Jack Mack's liniment of the day
14:50and asks what he's got.
14:54He's got fuck all sugar.
14:56No money, no prospects, no friends.
14:58How long has he gone away?
15:00I don't even know how long. Jesus.
15:03You've been on the cobbles for what?
15:05Twelve months more, must have counted.
15:08Has Mary been around?
15:11No.
15:13She and her mother belong to Indigo Jeremy now.
15:17What about him?
15:20He keeps the lodging house all to himself.
15:23Since he was banned from boxing in the West End,
15:26he makes his bread and butter fight on the barges.
15:29He's a man lost to darkness.
15:32You and him are twins.
15:33What is his meeting?
15:34Get some sleep.
15:36What are you fucking up?
15:38Since Marianne left for Ireland, Esmo's been helping me.
15:42I give her money and shelter.
15:44Tell me it's what you get in return.
15:46In return?
15:48She tells me where to be.
15:50She tells me what time the barrels will arrive.
15:51She tells me what day it is.
15:53She tells me that the blue devil in the corner is just an old man sleeping.
16:00Because since the fucking beating you gave me sugar,
16:06I need a fucking Esmo around me.
16:11Because you left half of my senses on that, I thought.
16:17The doctor said to take these.
16:21Well, I drink whiskey.
16:23To fuck off.
16:28Well, he said these are better for what you've got.
16:31Well, like you said.
16:34I've got to fuck all.
16:40Yeah.
16:42What you've got is a brother with a soft heart.
16:46I can't believe what the hell's not going home.
16:58I don't know, but I'll tell you.
16:59I don't know.
17:00Maybe there's a brother my husband.
17:01Remember to come home.
17:01Why?
17:01I do not know.
17:02You're gonna smoke.
17:02Of course you can, sir.
17:03There you are.
17:04Enjoy them.
17:05Have a warm.
17:28How are you doing, Bill?
17:30Keep the husband talking for a little bit longer and I can get him as well.
17:34Can I warm my hands? It's fucking freezing.
17:36Of course you can, my lovely.
17:40Lovely weather we're having.
17:42Thank you, sir.
17:44Madam.
17:47Help! Police!
17:55Stop that woman! She has my dog, what's in jail?
17:57Come back here!
18:02Come back here!
18:02Stop that woman!
18:04Come back here!
18:11Come back here!
18:16Come back here!
18:23If you don't want to spend the night at Holloway, get in.
18:34Stop him!
18:40Fucking hell, Mary.
18:42Where the fuck did you come from?
18:44You have a strange way of saying thank you.
18:47Do you need help with your arm, Bill?
18:49Don't need your help anymore, Mary.
18:52You've managed well enough without you.
18:54Well, that's not what it looked like to me.
18:58You don't just need help, you need a plan.
19:00But most of all, you need a queen.
19:01The best queen of 40 elephants ever had.
19:27One big fucking circle.
19:31We have a reason to come back here.
19:34What reason?
19:45This one.
19:47Greetings on this All Hallows' Eve, Esme.
19:50Oh, no, ladies!
19:51Don't get to it!
19:53Come on, Mary!
19:54Come on, Mary!
20:05Where is everybody?
20:07We are everybody!
20:09Mary, your letter said you just wanted a social reunion
20:11and All Hallows' Eve to talk about old times.
20:13Yeah.
20:14Two old times.
20:15Yeah, but the minute you walk through that door,
20:17I could see you've got your business face on and it scares me.
20:19Me too.
20:22What the fuck does that look mean?
20:24Where's Treacle?
20:25Upstairs in bed.
20:26I heard he suffers headaches.
20:27Since he took his beating, he talks of the fire.
20:29He sees devils in the mirror.
20:30He's so broke, he don't notice your fingers in the till.
20:33What happened to Treacle's wife?
20:34Mary-Anne went back to Ireland.
20:36She has gone to nurse her dying mother.
20:38And the minute she does off to do good work,
20:40Esme slips into her place to lend him a hand.
20:43Lends him parts other than just her hand, I bet.
20:47Mary still knows more about everyone else than she does about herself.
20:50By the way, how was New York?
20:52Oh wait, you never made it, did you?
20:54I only ask about Treacle because while we're all gathered,
20:57I wanted to speak about something that's just for us.
21:04If all goes well, the way will be clear for a new venture.
21:07Alright, drink your whiskey and fuck off.
21:09You, Esme, are suffering from a distinct lack of ambition.
21:12All of you are.
21:13But we're not dead, we're not in jail.
21:15She looks like she knows something.
21:16Has she always known something?
21:18Oh, hark it, the source for his apprentice.
21:20I haven't missed this.
21:21What exactly did you come here for, Mary Carl?
21:23Mary, come on.
21:26Tell the others what you told me.
21:28Girls, wait till you're here.
21:30Holy fuck.
21:31That's enough, Alice.
21:32I have a plan.
21:35And if you're in, then and only then will I tell you everything.
21:40Come on, Belle, we're leaving.
21:42Right, go on, them plenty of women in London
21:43who need a £300 apiece in return for one night's work.
21:49Maybe a half day here and there.
21:53Some dressing up, some foldery, some of this, some of that.
21:57Some sitting and laughing and drinking
22:00and marvelling at how our bettors can be so stupid.
22:03Do you remember how it was?
22:06Come on, that's what you're all still here.
22:08There we go.
22:09It'll take more than empty promises to convince us, Mary.
22:12And a pair of fucking earrings.
22:14First, I have to get something ready.
22:18I heard Draco's not the only man in the house tonight.
22:22One of my many little birds told me,
22:23Sugar is back in a blue coat.
22:55Two chains to break.
22:59Then I can go home, brother.
23:22Tell me, if I need to hold you.
23:23I can't think of them.
23:24I can't think of them.
23:26I think that was what I'm trying to get.
23:27Spive it for you.
23:31I can't think of them.
23:31It's useful.
23:32And it's the first time trying to find out your cat.
23:32You're a beautiful cat is the next time.
23:32It's a cat, you're trying to sell you the cat.
23:33No, but you're so happy.
23:33And this is the cat.
23:34The cat is the cat.
23:34And this cat is the cat.
23:34It's a cat.
23:35Mm, mm, mm.
23:55Mm.
23:55Mm.
23:55Mm.
23:59It's all right.
24:02Mm.
24:03I know you're not real.
24:06That's right, I'm not.
24:08The tablets have a real gold coating.
24:12I think that's what it costs me.
24:16I give you happy illusions.
24:18Oh, and I'm your happy illusion.
24:21Yeah.
24:24Your hands are cold.
24:26Trigger won't light the fires because there's no one here.
24:29I told him if you light the fires, people might come.
24:31He's mean.
24:34Toast numbers on the logs.
24:37I drive this poor pub into the ground.
24:42Fuck me.
24:45You are real.
24:48When I'm a ghost, you're not afraid.
24:50When I'm real, you are.
24:51What are you doing here?
24:53Digging ditches, laying pipes, running wires, getting prepared.
24:59What for?
25:01You're gonna get better.
25:04I'm not really numb.
25:05I'm not really numb.
25:05Good. I'm gonna need you.
25:08You've been drunk for months.
25:11There's a king now, the other side of the river.
25:13Before the elephants have closed down.
25:18Now's the time to wake up.
25:22Sugar.
25:23Sugar.
25:26I need you back as the man you once was.
25:31I can't find a fucking cure for the booze.
25:35Tablets don't work.
25:41I consider the river.
25:52Right.
25:58I need you to swear.
26:01Be it only.
26:01I need you to go away.
26:05Why?
26:06It's what you don't need me anymore.
26:07Until this thing is done.
26:10What thing?
26:12The thing that begins tonight, Sugar.
26:37I love you.
26:39I can't find it.
26:40I can't find it.
26:43You've been a spy.
27:19Evening, mother.
27:21Successful day.
27:24I didn't trouble the safe, didn't want any fuss.
27:27How much?
27:29150.
27:35Then be a good little girl and take your takings to your benevolent employer.
27:42He's dying to see you.
28:02Come in, Mary.
28:08Always on time.
28:10Good girl.
28:12Indigo.
28:16It's all real.
28:18Of course.
28:23No diamonds.
28:25I didn't have a safe cracker.
28:28You see, this is my theory proven about men and women.
28:33Women can gang up in a draper's store and sweep the place clean.
28:37A woman can turn her tears on with a copper or scream in the face of a shopkeeper's apprentice.
28:44But get him to do something intellectual or dexterous, needing wit and patience, like cracking a safe.
28:59The woman says, I need papa.
29:14In this new way of doing things we agreed on.
29:18A clear distinction will be drawn as to what men do and what women do.
29:28Men, piss standing up.
29:29Women, piss sitting down.
29:31God's law.
29:32Don't try and change it.
29:36I get 10% of the profits from all my engagements, remember?
29:40Oh, oh, engagements. That's what you call it, isn't it?
29:43Well, look, I've had an idea about you and me.
30:02Just checking the size.
30:04We agree we would conduct our business as if we were both gentlemen.
30:07Words don't make you a man.
30:12It's okay, Mary. I'm not proposing.
30:18Not yet.
30:26Before you buy a horse, you ride it first, right?
30:34The natural way for a man and a woman to be in God's eyes.
30:46Here above.
30:53See below.
31:00I need you to get below, Mary.
31:05Robert! Indigo! Come and look!
31:07Fuck off!
31:08There's a mother!
31:09Your mother's come to bless the St. Halloween.
31:11What's the wish you luck?
31:12Come on!
31:12Turn him to fuck off!
31:14No, no.
31:16Indigo.
31:24We're starting a new venture, you and me.
31:27And this is, this is a sign.
31:30It's a good omen.
31:38Just open the door.
31:42Give him a drink.
31:44It's good luck.
31:44It's a good omen.
31:53No, no no.
32:01Right.
32:01May I leave it to the city and walk?
32:05I'll tell you.
32:06But, see.
32:09You're going to enjoy one day.
32:12I'll tell you.
32:13No, wait.
32:13You're going to enjoy one day.
32:13I'll tell you.
32:13You're going to enjoy your life.
32:14I'll tell you.
32:23Drink this, and then fuck off.
32:32But Alec...
32:34Help!
33:09Is he dead, Mary?
33:12He's dead.
33:14He's dead.
33:16Fuck.
33:17Too late for a doctor.
33:19Call a mortician.
33:21Call the coppers.
33:22Don't trouble the cops with this.
33:24Those who are left will want to avenge this killing themselves.
33:27Whoever did this, we will find the fucker.
33:31We will sting him up, and we will gut him like a fucking pig.
33:35We're gonna fucking go after him!
33:38Fuck that, fuck that!
33:39Get up!
33:40Get out of the room!
33:43Be careful.
33:44Be careful.
33:46Take his head down.
33:49I think he was dead that way!
33:51No, he's dead that way, I swear!
33:54We're in the first place!
34:00Got a key to the safe when I was sobbing over his body.
34:03You could have made a living on the stage, Mary.
34:06Cobbles on my stage.
34:08You and I have an arrangement.
34:09If you overstep the line too soon, we'll both lose.
34:13With the king gone, they'll fight amongst themselves.
34:16And just when they're tired of fighting,
34:18we will introduce them to the queen of all elephants.
34:25Queen Mary.
34:31We will no longer work for the men.
34:34The men will work for us.
34:37And to make that happen, you leave the drawing of lines to me.
34:57As soon as the men werelined!
34:58I'm annoyed at home and here inside the room.
35:01And triggering to the Hawkeye as a fighter as someone washington time before her.
35:02That's why I wasikan.
35:04I'd be surprised if somebody was destroyed at ninth or whatever.
35:09But my feels like me shouldn't even learn anything.
35:11From the angle of the cannon and the nine⁺-
35:17One last chain.
35:29Then I can go home, brother.
35:43Now that's done, I'm not just saying.
35:45There's nothing to say.
35:49They both wanted to see a man dead.
35:55Him dead.
35:58Our arrangement worked.
36:03They're free.
36:07And what about you?
36:20Who is he?
36:22The man who killed my family.
36:26He's, you can't come back from this.
36:30I am already doomed.
36:59I feel a pulse.
37:08You can be on mine.
37:14On my chin, then I'll go home.
37:45You can be careful with that.
37:46All right.
37:50This is it.
37:51This is home.
38:19This is home.
38:28I have a customer for you.
38:29You need a place to stay.
38:34The rooms are gone.
38:38Ghost, don't pay rent.
38:43Show him the vault.
38:56I just need shelter.
39:00We get his guard.
39:02In Paris, we route banks.
39:06Sema criminal.
39:09Monarchist.
39:11We fight for the people, against the greed of the injured few.
39:15He just watched his father die.
39:18The French police shot him like a dog.
39:22You take pity on him, Ezekiel.
39:24I don't want pity.
39:26You want revenge?
40:12I don't want pity.
40:13I don't want pity.
40:22Go on.
40:24I've had word that a boat landed last night,
40:26potentially carrying dangerous contraband.
40:30Could be the Frenchman you're looking for.
40:34And if he came from France, then he'll smuggle by the river.
40:38That's a network with cracks.
40:58Anarchism is a quiet movement until it strikes.
41:01And Charles de Valle is a skilled man renowned for striking.
41:05And I hear he has a taste for dynamite.
41:09Imagine, if you will, Officer Brenner, dynamite finding its way into whopping.
41:14I want to know everything that happens in the East End.
41:18And if there is even a hint of dissent, your head will be the first to roll.
41:26Just find him.
41:44I want to know everything.
41:46Dear Lord,
41:50on this holiest of days
41:53please help me to start a new beginning
42:00please help me to get through
42:05please help me to resist
42:08the temptation
42:13I do not have the strength
42:19please give me the strength
42:39please
42:40please
42:52Mr. Moscow
42:58do you remember me?
43:10yes Victoria Davies
43:12and you are here?
43:16in what place?
43:17I came to find you
43:19actually I learned that since the fight you have not put your gloves back on
43:25yeah nah
43:26in the places where I fight these days no gloves are allowed
43:29Mr. Avisa I have business to attend to
43:34sorry I have to
43:35Hezekiah you should know that the death of your opponent was not your fault
43:41Buster Williams was already sick from a thousand blows
43:45yours was just the last one
43:47why are you telling me this?
43:49because I have a proposition for you
43:51this is my address
43:54a friend of mine needs someone to teach him how to box
43:59thank you Miss Davies
44:01but I'm booked on a ship
44:02released for Jamaica next week so
44:05ah
44:06well I will be waiting for you
44:08on Saturday
44:10I bought you a gift
44:16I hope it will
44:17remind you who you are
44:29all you have to do Hezekiah in Moscow is the thing you were born to do
44:37you have a choice
45:00please
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