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مسلسل The Man in the High Castle مترجم - Episode 4
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00:08In the love of eyes, in the love of eyes
00:17Small and white, clean and bright
00:26Blossom of snow, may you bloom and grow
00:33Bloom and grow forever
00:48Edelweiss, edelweiss
00:51Bless my homeland forever
00:59Gjellweiss
01:08Satsang with Mooji
01:09Satsang with Mooji
01:12Satsang with Mooji
01:20Now, we are the ones who are now
01:25wherever you are.
01:32LONDONOIS
01:33SWEET
01:33SET
01:34SCREAMING
01:38SET
01:39NOBODY
02:04There's no point in hiding, Missy.
02:09I'm gonna find you.
02:25Fuck!
02:36I'm gonna find you.
02:37I'm gonna find you.
03:08Let's go.
03:15Where's the truck?
03:16I don't know.
03:17Come on.
03:27Damn it, I left my gun in the truck.
03:32Which way?
03:35Where'd he go?
03:38What's he doing?
03:40I think he's helping us.
04:09I'm moving around back.
04:14Why are you helping us?
04:15Because he's a fucking maniac.
04:17Why else do you think?
04:18You better get out of here before he comes back.
04:20We're going, but we need to talk to somebody first.
04:22Lemuel Washington.
04:24Dinah's closed.
04:26Yeah, I see that.
04:26You know where he lives?
04:27You know where he lives.
04:32I'm going, but I'm going.
04:33You know where he lives?
04:38You know where he lives?
04:48You know where he lives?
04:57Yeah.
05:15He's over there.
05:17Yeah.
05:24He's over there.
05:25If he's over here, he's over here.
05:37We've got to talk, Frank.
05:39I've got nothing to say.
05:40How about you tell me what you're doing with a gun?
05:42Keep your thinning voice down.
05:49It's for protection.
05:51Protection?
05:51You blame me? Not for what happened?
05:54Do you know what the cons will do if they catch you with a gun?
05:56I've got to do something, Ed. You get that?
05:58I can't just do nothing.
06:00Buddy, there's nothing you can do.
06:02Except you take it.
06:03You take it or you get yourself killed.
06:22Frank.
06:23What?
06:24You're not going to do something stupid, are you?
06:28No.
06:29Then what? What is it? Is it revenge?
06:31You're going to take a shot at that cop that killed Laura and her kids?
06:33Ed, Ed, I'm tired, okay? I'm really tired.
06:35Go home. Just go home.
06:37Come on. Out.
06:38Come on, get out of here.
06:40Ed, leave.
06:41Oh, shit.
06:43You're not going to take a shot at...
06:44Are you crazy?
06:45Just fucking leave.
06:46The prince had nothing to do with what happened to Laura.
06:48You kill a cop and a thousand cops will take his place.
06:50You kill that prince, their god.
06:51You drive a steak right through the fucking hearts.
06:55You do that, your life is over.
06:57It's already over.
07:01What about Juliana?
07:05Juliana?
07:07She...
07:10She left me, okay?
07:12He's gone.
07:14No, Frank, that's not true.
07:17Jules loves you and you know that.
07:19No, no matter what's happened, she's going to come back here and she's going to be here
07:24for you just like you were there for her.
07:26Would she need you?
07:27No.
07:29Frank, please.
07:30Don't give up.
07:35Buddy, please promise me that you won't give up.
07:38Please, promise me.
07:44All right.
07:45All right.
07:47I'll get rid of the gun.
07:52And we're just going to find bullets for it anyway.
07:54Okay, good.
07:55Why don't you give it to me?
07:56I'll do it.
07:57No.
07:57No, no.
07:59I'll take care of it.
08:01Yeah, I promise.
08:03Okay.
08:30Hi.
08:32I like your doll.
08:35What's your name?
08:37Annie.
08:38Annie.
08:39It's my mother's name.
08:43You kids, come on inside.
08:51What the hell are you doing here?
08:54We need to speak to you.
08:55How do you know where I live?
08:57I came to warn you.
08:58Warn me about what?
09:00We found your name on a list right below my sister's.
09:07This motherfucker stays by the truck.
09:09You come inside.
09:12Hey, hold on a second.
09:14It's okay.
09:25Hey, honey.
09:27Take the kids upstairs.
09:29It's okay.
09:36All right.
09:37Come here.
09:40Sit down.
09:52Your sister's name is Trudy Walker.
09:55She was supposed to bring you the film.
09:58And they shot her.
10:01And I took her place.
10:02What is your name?
10:04Juliana.
10:06Juliana Cray.
10:08We were half sisters.
10:10And you saw my name on, what, some kind of list?
10:14There was a man at the diner, the one who made paper animals.
10:18When no one else approached me, I thought he was my contact.
10:23He tried to kill me.
10:27Went the other way.
10:28Where's the body?
10:30In the river.
10:33We sunk it.
10:35You and him?
10:39Look.
10:41We found a woman that this man had tortured.
10:49You knew her?
10:55Yeah.
10:58Her name was Linda.
11:01She disappeared a few days ago.
11:03Okay.
11:03Well, she must have given him the list of names.
11:05They were all crossed off.
11:06Except for my sister's.
11:08And yours.
11:11But, Dad.
11:12Maybe not.
11:14Nobody's seen the list except for us.
11:22You were my sister's contact, Lemon.
11:24You didn't tell me.
11:25I didn't trust you.
11:27I sure as hell don't trust him.
11:31Have you seen the films?
11:33It's not my job to see them.
11:35I just pass them along.
11:38Then you don't know what they mean.
11:39I just know they helped kill Nazis.
11:44Now, you give me that goddamn film.
11:49And you get the hell out of my house.
11:51I'm not giving you the film.
11:53Not anymore.
11:55I'll give it to the man you give it to.
11:56That ain't how it works.
11:57Look, I'm not here to kill Nazis.
12:00I'm here because I need answers.
12:03And I'm not leaving until I get them.
12:05Who is it, Lem?
12:07Who is it you give the films to?
12:24Who is it?
12:25Well?
12:26Tomorrow morning, it's Spirit Alley Trail.
12:29What's that?
12:30He's gonna take me to meet the man he's supposed to give my film to.
12:35Who's that?
12:35The man in the high castle.
12:54Hello?
12:55It's me.
12:57I will go to the hero.
12:58Joe.
12:59It's two hours later.
13:01I know, sir.
13:03But I've made contact with the resistance operative.
13:06John.
13:08You hold on, Joe.
13:15Okay, Ellen.
13:18So this contact, did he ask for the film?
13:22No, I told him I'll only give it to his superior.
13:24I suppose you got a name.
13:27He said it's the man in the high castle.
13:31The man in the high castle?
13:34Yes, sir.
13:36I want you to proceed with great caution, Joe.
13:42He's a very dangerous man you're dealing with.
13:48I understand.
13:49No, you think you understand.
13:52I know you're very motivated, Joe, but you're young.
13:57You suffer from the arrogance of ignorance.
13:59Yes, sir.
14:01So what are my orders, sir?
14:03If I do meet the man in the high castle, do I give him the film?
14:06No.
14:08You'll leave the film in the truck.
14:12I know this is going to be very hard for you to hear, Joe.
14:17But if you are taken to the man in the high castle,
14:21I want you to put a bullet in his head.
14:26Even if it costs you your life.
14:30Are you prepared to do that, Joe?
14:36Yes.
14:38Overgroup and fear.
14:41When's this meeting due to happen?
14:43Tomorrow morning.
14:45Then I'll wait your call.
14:48If I don't hear from you, Joe,
14:51no matter what happens,
14:55you'll receive a hero's funeral.
14:58With full honors.
15:02Thank you, sir.
15:05Hal Hitler.
15:08Hal Hitler.
15:16Hal Hitler.
15:23Hal Hitler.
15:26Hal Hitler.
15:29Hal Hitler.
15:49電化 高見大夫がお見えです
15:55電化 大変失礼いたします
16:21I need your guidance, Tagomi-san. My husband is troubled.
16:28He fears our grip on the Empire's loosening.
16:32I have heard these fears expressed by others, Your Highness.
16:36Of course. You speak to people from many nations in your work.
16:41But do you feel that that fear is valid?
16:46One thing is certain. The Nazis covered our territories.
16:52None more so than the Pacific States.
16:55If they perceive weakness, they will strike.
17:01The generals wished my husband to make a war cry.
17:05To frighten the Nazis so they back down.
17:09But he, he believes such threats are hollow, that we must seek for peace.
17:24Tagomi-san, it's true.
17:32Tagomi-san, it will be seen as weakness.
17:36But the Prince is not weak.
17:41Peace is not weakness.
17:46Forces may yet emerge that will allow him to move toward peace with strength.
17:51What forces?
18:01I hope you're right, Tagomi-san.
18:07But I fear these forces will arrive too late.
18:21Closing kind of early, aren't you?
18:28One of my boys has a fever.
18:31I'm going home to check on him.
18:34Any sign of that waitress?
18:37Nope.
18:39And if I said that you are a fucking liar.
18:45You can kill me anytime, Marshal.
18:49That doesn't change my answer.
18:52You're not afraid to die, are you?
18:55Mr. Washington.
19:01Sure I am.
19:05I'm going to take care of those trays of yours.
19:07There's not a lot of doctors around here and kids.
19:11They can die of anything.
19:42Have you got the film?
19:44Yeah
19:46I can do this on my own
19:50I can't let you go alone
19:51I'm going with you
20:28Let's go
21:07Mr. Togomi
21:08I wasn't expecting you until later
21:11I was urgent to speak to you
21:13I brought some
21:18She's just leaving
21:33Well, she shouldn't have taken such a risk
21:36She could be working for the Kempeetai
21:37No Japanese spy would do the things that woman did
21:42You cope with stress by throwing sticks, Mr. Togomi
21:47I avail myself of more earthly means
21:51And dear God
21:52Has approved the seating for the speech
21:57I have you sitting next to the science minister
21:59Place the envelope in his coat pocket
22:02While the prince is speaking
22:05After the address
22:07You'll never have access to him again
22:15Where's farther?
22:17Not that far
22:19Can you explain something to me?
22:22You've never seen a film
22:24You're risking your life for them
22:25Your family's lives
22:28Why?
22:29I do my part
22:30That's all
22:33And you have no idea how he makes them?
22:36Who?
22:37The man in the high castle
22:43He doesn't make them, does he?
22:45You don't think we'd waste all this time
22:46Collecting his films to give them back to him, do you?
22:52So why does he want them?
22:54Where did they come from?
23:00We're here
23:03Where is he?
23:08He's not coming
23:14What is this, Lem?
23:16Give me the film
23:21Okay
23:27Get on your knees
23:38You're gonna shoot us, Lem?
23:40I wouldn't have
23:41If you hadn't brought this goose-stepping motherfucker along with you
23:45The cell he was from in New York
23:47Was hit by the SS
23:49Just as he got in his goddamn truck
23:51What's this, Lem?
23:52What cell?
23:53I wanted to tell you, but I couldn't
23:56I'm with the resistance
23:57Bullshit
23:58He's the only one who got out of that shop
24:00Which means either the Nazis got sloppy
24:02Which they do not do
24:04Or they wanted him to escape
24:06Because he's one of them
24:08It's real
24:09Believe me now?
24:11He helped me
24:12He tried to warn you about your name on that list
24:14He used you
24:16He used you to get to the man in the high castle
24:18Why else would he be here?
24:19Okay
24:20I'm a Nazi
24:23Then why do I bring this?
24:55Films good
25:01If you make it back to town, the Marshal will kill you.
25:07So where do we go?
25:10Cripple Creek. It's the other side of that mountain.
25:13That's impossible. We can never make that climb.
25:16You have to help us, Lem.
25:18I can't. I'm sorry.
25:29I'm sorry.
25:57Come home for lunch, you're out of luck.
25:59I haven't gone to the market yet.
26:03I talked to Bob Perloff.
26:05He has Frank's sister on his mail route.
26:09Annie, I've got some bad news.
26:37Good afternoon. May I help you?
26:40I hope so. I'm looking for a rather unusual item.
26:44Well, you've come to the right place.
26:46American Artistic Handcrafts is a veritable cornucopia of the Recherche.
26:51What did you have in mind?
26:57Antique bullets.
26:58They kind of fit the old Colt .45.
27:03Sir, even if I had such an item, I'm sure you're aware that the sales of ammunition are restricted.
27:10Strictly illegal to sell to non-Japanese.
27:13Yeah. Yeah.
27:13I was hoping you might make an exception for a highly motivated buyer.
27:24Pardon me.
27:27Konnichiwa.
27:29Yurashamase.
27:31We have passed by your store many times, and I always meant to come in.
27:36I am most honored by your splendid presence.
27:45You have such fine pieces.
27:47This mirror.
27:49It dates back to the American War of 1812, I would guess.
27:53You have a keen eye.
27:55What a pleasure it is to speak with someone who has an appreciation for American traditional ethnic art.
28:00I'm afraid I spent my morning trying to educate a gaggle of white-socked yokels in from the siss-
28:04Excuse me. Excuse me. Sorry. Sorry to interrupt.
28:08But we were in the middle of a transaction.
28:12Perhaps we will come back another time.
28:15Oh, please. That's not-
28:19Ah. I will be waiting.
28:40Close the doors.
28:49Only three?
28:51This is an antique store, not an armory, and I can't guarantee they'll fire.
28:54They're a hundred yen apiece.
29:01Three hundred.
29:03What is that?
29:04I am required by law to keep a registry of all sales of restricted items.
29:09So these bullets were purchased by Mr. Satoshi Matsuda, a collector, on his way back to Tibet.
29:16But I will need to see your identity card.
29:18On the chance I need to revisit this matter with you, and that is non-negotiable.
29:25All right, all right.
29:31Come on.
29:32I suggest you work on your patience, Mr. Frink.
29:59Hello?
30:01Brian?
30:02Oh, Jesus.
30:04Did I scare you? I'm sorry.
30:06No, it's okay. It's okay.
30:11Nobody answered, so I just used my key.
30:14Where's Juliana?
30:17Uh, at the toldch, I think.
30:20You think she could spend a little less time flipping japs and more time doing housework?
30:25This place is a mess.
30:32Frank, what happened to your face?
30:34Ah, it's an accident at work. It's nothing.
30:44I heard about Laura and the kids.
30:50I'm so sorry.
30:56Who told you?
30:59Arnold heard it.
31:04It's just...
31:06awful.
31:11That cut.
31:14Frank.
31:15They haven't bothered you, have they?
31:17No, no, I'm fine.
31:18I have work to do.
31:20No.
31:23You're awfully good.
31:25I won't.
31:26Lying.
31:29Yeah, well...
31:30Why didn't you tell me?
31:33Because I have orders.
31:35Orders.
31:37We're on the same side, and your orders say you can't tell me.
31:45What's it like?
31:48It's what like?
31:49The resistance.
31:52I'm not the best man to ask.
31:53It's my first mission.
31:55Oh, yeah?
31:56Yeah.
31:57Not off to a good start.
31:58I don't know.
31:59You got the film where it was supposed to go, didn't you?
32:01Eventually, I guess.
32:02What'd you think of it?
32:03I didn't watch it.
32:04Come on, John.
32:06You're not supposed to.
32:08It's not like I have a projector in the truck, anyway.
32:10You weren't even tempted to hold it up to the light or something?
32:13No.
32:35What is it, Captain?
32:37We've completed our review of the phone records of the six officers outside yourself who had access to your travel
32:42routes, and to the routes of Habstin for your allowance.
32:46And?
32:48Sir, there's absolutely no evidence of a security breach of any kind.
32:58And yet, we know there was a security breach.
33:01Yes, sir.
33:02So what you're telling me, Captain Connolly, is that you failed.
33:07Sir.
33:07You're not allowed to fail, Captain.
33:11Do you understand me?
33:13Not, but it involves a coordinated attack on the high command.
33:19The Semite I brought in, the one who shot at me, did you manage to locate any members of his
33:27family?
33:27Yes.
33:29Yes, we did.
33:31He has two brothers, one in the neutral zone and another in the Pacific States.
33:37Well, let's pay him a little visit, shall we?
34:00Why was a prisoner on suicide watch given a spoon?
34:02He wasn't.
34:04It wasn't on the tray when I brought it.
34:06It couldn't have been.
34:07I would have seen it.
34:14Place this man under our mask.
34:24Never make it over those mountains.
34:28Even if we do the marshal, we'll probably be waiting on the other side.
34:32Why do you do it, Jeff?
34:36That is your name, isn't it?
34:37Yeah.
34:40It is.
34:40A guy like you must have it made in the Reich.
34:44Why risk it all for a film you haven't even seen?
34:48Is it for him?
34:51For your dad?
35:03All right, what do we do?
35:07If I can get the origami man's car,
35:10maybe I can draw the bounty hunter out of town.
35:13That way we can get you on the bus, get you back home.
35:15No, I'll catch you.
35:16No, you won't.
35:17Not the way I drive.
35:19He doesn't even want you.
35:21I'm the one who killed that man.
35:22Hey, I'm just as much involved as you are.
35:34San Francisco is buzzing with excitement this morning
35:37about the Crown Prince's speech that will take place later today
35:40at the Nazi Embassy.
35:42It's truly an historic event.
35:44The descendant of the Sun Goddess, our glorious Crown Prince,
35:48addressing us in person in our own city.
35:51And from all indications, they're expecting a record turnout.
35:55There are reports that excited citizens are traveling into San Francisco
35:59and towns in cities.
36:06Going somewhere?
36:07What are you talking about?
36:07Do you think I'm an idiot?
36:08Give it to me, Frank.
36:10I am leaving, Ed.
36:12And you're not going to stop me.
36:13Not to give me that gun.
36:14Oh, yeah?
36:15Or what?
36:17Yeah.
36:22What the fuck are you doing?
36:24We're going to sit right here, just you and me,
36:26until the Crown Prince's speech is over.
36:28Come on, Ed.
36:29You're not going to shoot me.
36:31Oh, no?
36:32You don't think I would shoot you
36:34to keep you from killing somebody else?
36:36From killing yourself?
36:37Because that's what you'd be doing, Frank.
36:41Oh, shit.
36:42God damn it.
36:43Oh, Frank, I'm sorry.
36:44I got you.
36:45You wasted one of my bullets.
36:47You're bleeding.
36:48Oh, God.
36:48Oh, I'm sorry, Frank.
36:50Just get me the first thing to get out of the closet.
37:01Frank!
37:04What are you doing?
37:06Let me out.
37:07Don't do this, Frank!
37:10No.
37:12Frank, please!
37:14No!
37:17Don't do this!
37:19Let me out!
37:21Frank!
37:26It's weird.
37:28You're white.
37:30Which is a good thing.
37:33Real good.
37:34But you're too white.
37:37Which makes you a freak.
37:40It's like...
37:41Too much of a good thing.
37:49You're done.
38:06You're flooding it!
38:12Take your foot off the gas!
38:27Leave her the fuck alone.
38:30I'd be more worried about myself if I were you.
38:32Pull that trigger and you'll be killing a Nazi agent.
38:35What?
38:35I'm working that girl.
38:37I need her alive.
38:38Why the fuck should I believe that?
38:40Because I report directly to Obergruppenfuhrer Smith in New York.
38:43Why don't you give him a call?
38:46I'll do that.
38:48Once I'm through talking to the girl.
38:50You stay out of my way or I'll kill you.
39:14I'm back in the saddle again.
39:18Out where a friend is a friend.
39:22Where the long-born cattle feed on the knowledge of some weed.
39:27Back in the saddle again.
39:31Riding the range once more.
39:35To the road I own is 24.
39:38Where you sleep out every night and you...
40:06I show you when you visit, look at the dog.
40:10It's buggy for human beings.
40:11I'm never one I can't breathe.
40:14I am the one I can't breathe.
40:46You okay?
40:47Yeah, yeah.
40:49I better get you home.
41:11I'm not alone.
41:21Oh, I'm the one I can't breathe.
41:26But he's a good one.
41:26He's the one I can't breathe and I'm the one I can't breathe.
41:31Here I go, I'm the one I can breathe.
41:32Here's the human I can breathe, is the one I can breathe.
41:32Yes sir, passport.
41:34Yes, auto.
41:41Let's go.
42:29all right bus should be here any minute yeah i'm not getting on it i can't go back without
42:36answers juliana the bounty hunter could come back at any second i know look i gotta make a phone call
42:45juliana all right i'm going to check and make sure we didn't leave any evidence behind
42:57gentlemen i have been informed that the crown prince and princess will be arriving shortly
43:01please take your seats
43:12minister shamira and your stature should not be so far in the back thank you
43:17above your i'm quite content i won't hear it come please come
43:24here right here sit
43:31here sorry sorry
45:01Hello.
45:03Ed?
45:03Is that you?
45:06Jules.
45:07Listen, you've got to get back here.
45:08Frank's about to do something terrible.
45:12Hurry.
45:13You've got to stop him, please.
45:15What do you mean?
45:15Hey!
45:18Come on!
45:20Hey!
45:26Hey!
45:27Hey!
45:30Hey!
45:32Hey!
45:35Hey!
45:44Greetings, loyal subjects, honor guests from the Nazi vice, and the people of the American territories, or as they like
45:56to say here, howdy.
46:10All those who fought in the great war believe they fought on the side of righteousness. That the world they
46:18sought to build would be a better one.
46:29But men are mortal and imperfect. They see the world as they wish to see it. Through the looking glass
46:38of their limited perspective.
46:41Our fate has already been decided. The great Japanese king and the Nazi king are supporting the world.
47:16The great Japanese king and the Nazi king among men, except the popular friends of the Nazi king.
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