- 4 days ago
От Обич Епизод 107
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TVTranscript
00:00Otobich
00:30This is a relative to the relationship between the Advocate.
00:34It's not a prediction, because of course, after the interview,
00:38a lot of Martini tells you that you have said,
00:39that you have a relationship with different males.
00:42Different?
00:43And with Tillyo.
00:45But then you have to go out of your mind.
00:47The gentleman is asking a gentleman to forget
00:50how she says that she has caused the alcohol.
00:54It's not an alcohol.
00:56But what else can I expect from you?
00:59I have no problem with the relationship between the two.
01:02Not what and I am.
01:04When I am only on one, Martini, you say.
01:07Yes, I have a relationship with you, but a little bit more than you.
01:13Let's not compete with you.
01:16I can't compete with you for you, although you are only there.
01:20In fact, I have a relationship with you, but I have a problem with you.
01:28I'm sorry, I'm sorry.
01:30I'm sorry.
01:31I'm sorry.
01:31It's okay.
01:31Anyway, I'm sorry.
01:32I'm sorry.
01:33I'm sorry, yes.
01:36I'm sorry, I'm sorry, Arnaldo.
01:40I'm sorry.
01:43I'm sorry, Arnaldo.
01:43My mistakes are the only one.
01:45Yeah.
01:46I'm sorry.
01:47I don't know how to do it.
01:48All of you know how to do it.
01:51It's all about the whole life.
01:52Even the Isabel asked if you have a relationship with Atilio.
01:56Do you know that she asked me?
02:00Yes.
02:01Yes.
02:01And you said it?
02:03Yes.
02:03Yes.
02:04Yes.
02:04Yes.
02:05Yes.
02:06Yes.
02:06But you can say it.
02:08Yes.
02:09Yes.
02:10All of you know about your info, info...
02:15What do you think?
02:17You can say all the words.
02:19You can't say all the words.
02:20You can't change the info from the telemania.
02:25I've never been a fan of my love.
02:29It's a huge emotional feeling,
02:31because you, your father,
02:33always have a feeling for me.
02:36I'm a Branka.
02:37I have beloved God.
02:40I'm a jealous of you.
02:42I'm a jealous of you.
02:44You can't receive me.
02:45You are not allowed for me.
02:49I'm always allowing you to make a voice of your father.
02:51I always have a voice of you.
02:55You areàng of your power.
02:59I always have a voice of your own.
03:01I always have a voice of your support.
03:05Always.
03:06Always.
03:08Look what a gentleman.
03:11The winner is the help of your wife.
03:15Stay, I'm going to tell you, I'm going to tell you,
03:18between me, you and Marcelo.
03:20But Leonardo and Milena can't wait for the company
03:22and what else else we have.
03:25I don't have to do it.
03:27If you do not do it,
03:28I'm going to leave you for the secret.
03:32You don't have to pay for the secret.
03:35You don't have to pay for the secret,
03:36not even the secret.
03:38Donate the keys.
03:44Because you say it is a martyz,
03:48you did not put it in any country.
03:50It is a secret.
03:52The secret.
03:53a partner, a friend, a friend and...
03:59a member of the family.
04:03Romeo, they will be the same day.
04:07At morning to evening.
04:09At first, they will be the same way.
04:10But now, they are the same way.
04:12They are the same way.
04:14They are the same way.
04:17That's what they are doing.
04:20So, for a long time.
04:22But they will not be the same way.
04:49Zdravaitaya.
04:49Zdravaiya.
04:50Zname, че не е много красиво,
04:52да се прекъсва идилиятътът на една двойка, без покана.
04:55Но съм сам.
04:56Няма нищо по-тъжно от мъж,
04:58който пие самотен в бар.
05:01Zapовяда и сидни.
05:03Само докато си изпие уискі-то.
05:13Jolieana, it's almost nothing.
05:15I'm going to die for the birthday of the day, but there will be a meal.
05:19Okay.
05:19I'm going to take a look.
05:26Rafael, the club is showing stories and memories of the previous lives.
05:32I'm going to die for the day.
05:33Maybe it's interesting.
05:36I don't want to be a mystic.
05:39I'm going to die to the end of the day.
05:41In our brazilcats, the mysticates are in the vein.
05:46Yes, but for me these alternative, esoteric things can be very well.
05:54I'm going to die, Rafael.
05:56You've been a good-willed.
05:58and you believe in the people.
06:00You're the way.
06:04You're the way.
06:05I think you were so glad to know
06:06what you were in your life.
06:09I don't know whether you're right or not.
06:11I'm not guilty.
06:16I think you're a littleцы.
06:18I think you're a little too.
06:21I think so.
06:22My husband is a restaurant
06:23in Vernita Atlantic.
06:25You don't know those things you are looking at,
06:28I had to look for the tourists.
06:29One of them wanted to look for me.
06:33And I had to look for them,
06:34even though I didn't look for them.
06:37So I had to look for them.
06:40When I made the same thing,
06:41I had to play.
06:42And I had to feel angry at the restaurant.
06:46You didn't tell me that you were in the restaurant,
06:48in the Atlantic.
06:49That's why I had to look for them.
06:55I was telling you,
06:59I was telling you,
07:01I was telling you,
07:01I'm telling you,
07:01I was to make a souffle with a souffle
07:03with a crevina,
07:03which I said,
07:05I was to tell Alex.
07:08I wanted to tell you,
07:09but I forgot to tell you.
07:10I was to go to the Copacabana
07:14and we were to go to the restaurant.
07:22Where are you?
07:23Where are you?
07:24Where are you?
07:25I'm on a friend.
07:26I don't know when I'm coming.
07:28I'm coming.
07:28I'm coming.
07:29I'm coming.
07:31And...
07:31I'm coming.
07:34You know where I'm coming and what's the address of this friend?
07:43I'm coming.
07:45I'm coming to my room.
07:46I'm coming.
07:49You don't have to be afraid of everything in the house.
07:51I'm coming, Павел.
07:54I'm coming.
07:55I'm coming.
07:56I'm coming, Rafael.
08:02I'm coming.
08:02I'm coming, Rafael.
08:08I'm coming.
08:10I'm coming.
08:11You remember it.
08:16You remember it.
08:18You remember it.
08:19You remember it.
08:20I think it was the reason for the trauma.
08:27You changed it.
08:30I was also...
08:32I was so...
08:35...
08:36...
08:37...
08:37...
08:39...
08:39...
08:40...
08:41...
08:42...
08:43...
08:43...
08:43...
08:44and after that, yes.
08:47What do you want to say?
08:52O, Achille...
08:53I want to talk about this.
08:55I'm going to leave it in your hand.
08:58With the Lord,
09:00I want to stay in your hand.
09:01I want to stay in your hand.
09:06If you want to stay in your hand,
09:07if you want to stay in your hand,
09:09it's better to be in your hand.
09:10I want to go back to your hand.
09:12I want to say anything,
09:15I don't want to stay in your hand.
09:16Yes, no matter what you have left us,
09:19I don't want to dwell on your hand.
09:22I want to say it's an interest in your hand.
09:27I am a friend of the day.
09:30You're not allowed to say that.
09:31when someone has a joy in your head,
09:32you have a heart.
09:35When I am a home,
09:36I always gave a child that I have a care.
09:37But it will work.
09:38And so I am even older.
09:40It's been so hard. I've got the whole heart of my heart.
09:51I'm sorry, now I'm going.
10:03How did it happen this night?
10:10except for the baby.
10:15My mother uses an image,
10:18which is ideal for Pedro.
10:20He's a person.
10:22My mother used to use this image.
10:24What a person?
10:27He's a person.
10:28He's a friend.
10:31He's a friend.
10:31He's a friend.
10:33He's a person.
10:34I don't think so.
10:36He's a person.
10:37He's a person.
10:38I don't think so.
10:40I don't think so.
10:42He'll never understand a person.
10:45I'm a person,
10:47who didn't think so.
10:49I've never seen a person.
10:51I think so.
10:53I was never seen a person.
10:53He always saw the person...
10:55I've never seen this.
10:57I didn't say that.
11:03Sir Leia, you love Néstor, it is not fair.
11:09Yes, I love Néstor, very much.
11:13He loved my life, he loved me.
11:16But surely I loved him, because I didn't know anyone else.
11:20But now I don't know anything about it.
11:22It's not a good thing, but it's good to know another person,
11:27that you can compare.
11:29And my hope...
11:30I have loved him, because I have loved him.
11:33I have loved many other people who are not happy with other women.
11:35I have loved him.
11:37I have loved him.
11:41They are not feeling about it because God has caused themselves.
11:47What did they say?
11:49I think it was about it whenever they had.
11:51They still do it when they are dying.
11:55They do not have any trouble at all.
11:57They restrain from the other side.
12:01They have any trouble with the parents.
12:04You have to know what is, Helena.
12:06You have to do it with the rest, and you have to judge the rest.
12:11And you have to look at the rest of your friends.
12:12You have to find a trouble with the rest of your friends.
12:17You have to do it with your friends.
12:21You have to do it with your friends.
12:22I want to cry for you.
12:24I want to cry for you, but...
12:27... he doesn't get to cry.
12:29He doesn't get to cry.
12:32What is it?
12:33Why are you crying?
12:35What happened?
12:36The movie is...
12:38When I'm a scene, I can't cry.
12:41God!
12:43My mother did the same thing.
12:46I don't think that you're crying for you.
12:48I don't think that you're crying for you,
12:49when you're crying for you,
12:52but...
12:52... I can't cry for you.
12:56I'll put my milk to you.
12:58I will do it for you.
12:58I'll do it for you.
13:01It's not.
13:05Nothing.
13:09You can't believe me in that way.
13:12What do you want to say?
13:13I want to say,
13:15but...
13:16... I can say that I can say,
13:17I'm not.
13:18I'm not.
13:21How are the words that you have done?
13:23How do you do it now?
13:26Let's see, Atilio.
13:30What's going on?
13:34One day I'll know the truth.
13:38And all the people who are going to pay for it will pay for it.
13:44I'm not.
13:45You're not.
13:46I'm not.
13:47I'm not.
13:48I'm.
13:48I'm not.
13:49I'm not.
13:50I'm.
13:52Look at Atilio.
13:54Let's see, Atilio.
13:56I don't know if she's a man to ask you.
14:02So I'm going to go and ask you to ask you.
14:05I'm going to ask you to ask you about your own questions.
14:08Please.
14:18If you
14:19Excuse me
14:25Thanks
14:26Thanks
14:27Leslie
14:27Let me
14:30pleaseとこと
14:46How do you look, Cesar?
14:48I don't want to talk to him.
14:51I'm going to go to the house and I'm going to talk to him.
14:55How do you do it?
14:56I'm sorry when I talk to him.
15:00I'm going to talk to him.
15:02I'm going to talk to him.
15:04I'm going to talk to him, right?
15:06I'm going to talk to him.
15:13Why do you choose to go to this restaurant?
15:22Do you have something to say?
15:27No.
15:31No.
15:57Why?
15:59I'm going to talk to him.
16:02I'm going to talk to him.
16:04I'm going to talk to him.
16:04I'm going to talk to him.
16:08You're going to talk to him and are really excited about him.
16:11Yes.
16:12I'm going to talk to him.
16:16And I'm going to talk to him.
16:17What did you know?
16:22I came to the end.
16:24What time did you do?
16:26It was a bit of a surprise.
16:28And I came to the end.
16:30I came to the end.
16:38I came to the end.
16:43We went to the end.
16:49We went to the end.
16:49And you said,
16:52that you wrote,
16:53that you were told
16:54about the last episode
16:55and I didn't know
16:57how to be in the club.
17:00It was a little bit.
17:02So this is the life.
17:03Maybe we're going to tell
17:05what we were doing.
17:08I'm going to walk with you
17:10or with you,
17:13That's why it's been in Camille Caudel, in Paris.
17:25One day, this week, I'll see my apartment.
17:30I want to go to my apartment.
17:32I'll see you later.
17:33I'll see you later.
17:35Kundu is pretty good idea and two of them
17:38When I don't waste your clients.
17:42Women have officers and I'll see you later.
17:45Oh my Gladys!
17:47I'll see you later.
17:48Do you remember Marisa saying...
17:54You're welcome, Marisa.
17:56You're hearing voices.
17:58It'll have a decent snapshot in my life,
18:02Which is mychild.
18:04Life begins again.
18:06Yes, it should be on the right side.
18:09Who says it?
18:10I know it.
18:11It should be on the right side.
18:14It should be on the left side side.
18:14This is a way to go with it.
18:16So or so, it's a way to go with these.
18:20They are very old.
18:22My mother had a lot of children.
18:24My mother had a lot of children.
18:24My mother had a lot of children.
18:26It's a way to go with it.
18:26It's a way to go with it.
18:28That's a way to go with it.
18:29You can tell us that Sanтос Дюмон is a very very aware.
18:35I have a lot of children.
18:36I think it's in a way.
18:37It's a way to go with it.
18:39There was one building.
18:42It was a building to stop it,
18:44so it was a way to stop it.
18:45Yes, very little.
18:47Every step is made so that you are made.
18:50It's a way to go with it.
18:52When you're in the middle of the car, you don't have a chance to get the last step on the
18:57left.
18:58And you're going to get the right step.
19:01Really?
19:02Yes.
19:03Yes, I'll leave.
19:04God, what do you think?
19:06There are many people who are thinking.
19:47There are many people who are thinking.
19:59I know your way, every step you will do.
20:06You are my way.
20:07You are my own, my eyes closed, the blind eye, you will be away.
20:14You will never think that I will come on a rock.
20:20I'll be back in you.
20:25I know your breath, everything that you don't want.
20:32Lo sai bene che non vivi, riconoscerlo non vuoi, e sarebbe come se questo cielo in fiame ricadesse in me.
20:51Come scena su un attore, per amore hai mai fatto niente, solo per amore hai sfidato il vento e urlato
21:13mai,
21:13e diviso il cuore stesso, aga un teresco maso, dietro questa mania, che rosa solo mi...
21:25Zabravi me, Atilio, izleze e me ostavi tuk, da stradam sama.
21:36N'amate otran, nautri.
21:40Znati, che non è nello serio.
21:43Da, no, niente ti preča, se da zvannaš, da proviariš dali sami живa.
21:55Ne trebaša da ia am pizza po tava vreme, stano mi, izle.
21:58Щe ti kaccia lekarstvo.
22:00Щe mi donesèš li i volda?
22:01Dobra.
22:22Mamo.
22:26Mamo.
22:52Mamo.
22:53Mamo.
22:56Mamo.
22:57Mamo.
23:00Mamo.
23:01Mamo.
23:06Mamo.
23:09Mamo.
23:10Mamo.
23:10Mamo.
23:11Mamo.
23:16Mamo.
23:18Mamo.
23:29Mamo.
23:32Mamo.
23:45Mamo.
23:47Mamo.
23:49Mamo.
23:59Mamo.
24:00Mamo.
24:01Mamo.
24:02Mamo.
24:02Mamo.
24:03Mamo.
24:14I don't think I'm going to hold you with respect to you, and I'm not going to use the authority
24:26on your father.
24:32And what?
24:35I would like to say that you are like this.
24:45I would like to say something like that.
24:48I would like to say something like that.
24:54Yes.
24:59But we always have to say everything,
25:02because we always have to say something like that.
25:11And then we would like to say something like that.
25:20If you want to say something like that,
25:23you would like to say something like that.
25:26I would like to say something like that.
25:56But I would like to say something like that.
26:06I would like to say something like that.
26:07I would like to say something like that.
26:21I would like to say something like that.
26:23And I would like to say something like that.
26:28I am not interested in my mind.
26:41I am not interested in my mind.
26:44I am not interested in my mind.
26:55I am not interested in my mind.
27:11I am not interested in my mind.
27:11I am not interested in my mind.
27:23I am compassed by my mind.
27:33I amurer in my mind.
27:53mon
28:06Mom...
28:09Mom...
28:12I'm going to send you a message to someone.
28:15Where did you go?
28:17one of the rich women's kids that I'll see is
28:22the one on the hip,
28:22is the same.
28:24it's not a good boy.
28:25And you know what you want to do better than a child.
28:29When you say she says that she should be
28:31the best.
28:33I'm thinking about the love
28:34that she is who I'm here.
28:38I've got at your love, Leonardo,
28:40not the company for sleep.
28:44Let's go!
28:49Let's go!
28:49Let's go, Leo.
28:52Let's go!
28:53Let's go!
28:53That was a big divan.
28:59Laura, ma'am, is not a dinner?
29:02No, it's not a dinner.
29:04It's not a dinner.
29:07It's not a dinner,
29:08it's not a dinner.
29:11I don't want to be a big, big, big, young women.
29:16I want to stay in a way and fun.
29:20And the ones who look at me on the street, are you sure?
29:24Yes.
29:26You will stay in love with me.
29:29You will stay in love with mom.
29:32Yes, it is.
29:40Zila, where are all of them?
29:42Milena went to the bathroom,
29:44and Mr. Arnaldo came to the bathroom.
29:47I got to go to the office, and they told me.
29:51I got to sleep in the office.
29:54How many hours?
29:56I got to sleep in the afternoon.
29:57I got to sleep in the afternoon.
30:00Not yet.
30:02I want to sleep in the morning,
30:03pqle 84,
30:07because ros and iq
30:09will drop you in the morning.
30:12She never has to sleep in another place.
30:14Ms. D.
30:14Yes, Mr.
30:15Poyote.
30:16Mr. Nesto,
30:17Mr.
30:20Mr.
30:21What you say, I recommend you to your wife.
30:24I always say, Dona Branca.
30:27You can't cry.
30:30You have to cry.
30:31You have to be holding one for a good time.
30:35Did you say that, Miley?
30:38I'm a little bit.
30:40I'm not a little bit.
30:40I'm not a little bit.
30:41I'm going to get back to my wife.
30:43I'm going to get back to my wife.
30:48I have to do it.
30:50I have to do it.
30:52I will do it.
30:52I will do it.
30:55Yes, my sister.
30:57I will do it.
30:59I will do it.
30:59I will do it.
31:01And I will do it.
31:03I will do it.
31:03I will do it.
31:07Hello.
31:11How did you do it here?
31:13I will do it,
31:15I will do it.
31:17I will do it.
31:20All of mine are избring.
31:22I will do it.
31:24After I will do it,
31:25I will do it.
31:25I will do it.
31:28A special problem.
31:29I will do it.
31:30I will do it.
31:30I will do it.
31:39Paulinha,
31:40I will do it
31:40and water for me.
31:42and that it is good to calm it.
31:45How a bit?
31:46There you go.
31:47You don't do it?
31:48Yes, it is.
31:49I want to get in my position,
31:51and there you go.
31:54I want to get this to go.
31:56I want to get you.
31:57The problem, the Gear Ssense,
31:58is that you don't know, Mr. Arnold?
32:00No, but I want to get you because I have a wish.
32:05I'm all right.
32:06Everything we have.
32:07I'm more than all of them.
32:08Say, let's go.
32:09First, bring me water and coffee coffee and tell me to come.
32:13Yes, my dear.
32:18Next, I'll be back.
32:20I don't want to tell you about me, I don't want to tell you about it.
32:23No, I don't want to tell you about it.
32:26Oh, I just want to tell you about it.
32:29But today, I'm going to have a chance to tell you, Cesar.
32:35Love is beautiful and beautiful.
32:39I don't have to do what you want to do, Mila.
32:42I love love scenes.
32:45I'm not saying I'm not saying it.
32:47And then I'm going to get more patients.
32:51After that, the doctor has no patients. Why didn't I get more patients in the office?
32:56I'd like to know something about a little.
32:58I'm coming in a little bit later.
33:00I'm coming in and I'm going to get more patients.
33:01You're going to go, so I'm going to go.
33:06and one one one one.
33:09In fact,
33:10what a beautiful one!
33:14Time is to get out.
33:15It's a bit late.
33:19This one...
33:20...
33:20...
33:21...
33:21...
33:22...
33:22...
33:22...
33:22...
33:31...
33:32...
33:33...
33:33...
33:34...
33:34...
33:34...
33:34...
33:37...
33:38It doesn't matter for me.
33:39Your friend is a gynecologist, right?
33:44A koshir?
33:45I'm a doctor.
33:48And you're not a doctor?
33:50No.
33:51I'm not a doctor.
33:53I'm not a doctor.
33:53I'm a doctor, of course.
33:56I'm a doctor.
33:58I'm a doctor.
34:00I don't know.
34:01I don't know.
34:02I'm a doctor.
34:04I'm a doctor.
34:06But I'm always understand better with mōgete.
34:10I can't explain everything.
34:12Analyze everything, even the faces.
34:14I'm not a doctor.
34:15I'm not a doctor.
34:18I'm a doctor.
34:19I'm a doctor.
34:19He's a doctor.
34:20I'm a doctor.
34:21You're a doctor.
34:24Yes, thank you.
34:25I am very well.
34:26You have a good taste for me, doctor.
34:31I forgot your name.
34:32Anita.
34:35It's your name.
34:36It's your name.
34:37It's your name.
34:38It's your name.
34:48It's your name.
34:48Your name is my name.
34:50She's a bitch.
34:52And it's your name.
34:54She's a bitch.
34:55This is your name.
34:57And she's angry.
35:01She's a woman.
35:02She's never a bitch.
35:08Who is this woman?
35:10Not the case.
35:12It's not the case.
35:15I'm not sure what I'm doing.
35:17I'm very happy.
35:17It's a big bear.
35:18It is a boy who has a brother.
35:19But it's a business.
35:21It's a business, because it's not a business.
35:24It's a business.
35:25And I'm very happy.
35:29It's a very happy family.
35:30He's been a brother and he's been a friend of mine.
35:33But it's not a business.
35:36It's a woman.
35:37It's not a problem.
35:38No problem.
35:39I have no problem.
35:40I am happy that I will take three things.
35:45It was a time when the loss of the Blizznats was too dangerous.
35:49Now, with the doctor, everything will be on the way.
35:55And счастье has a meaning, right?
35:57Of course.
35:58Then you feel like the time is coming.
36:00And even if it is not a problem.
36:02It is not a problem.
36:05It is a pleasure.
36:07It is a pleasure.
36:08And it is full of love.
36:10We are not able to talk about the rest of the restaurant.
36:13It is not a problem.
36:15It is not a problem.
36:16I am talking about the Blizznats and the Marcel.
36:21You are so confident.
36:23And do not need to do it?
36:26Marcel will be happy when he sees the baby.
36:32I am a Couple.
36:35I am a two-year-old friend.
36:40But he is a three-year-old friend.
36:40He does not know, right?
36:42No.
36:44But this is a problem.
36:47We do not need to try it.
36:49So he does not turn away from his account.
36:50I'm talking and acting quickly.
36:54I'm trying to take a picture of my death.
36:57And Marcelo is...
36:59...mudian.
37:04You always have been doing it.
37:09When I was разделing Marcelo, he was a man.
37:15He loves me.
37:17Always loves me.
37:20We were so happy and so we felt well.
37:24I thought you'd have been doing it.
37:30Do you know.
37:34You know, Edouarda, or?
37:36Yes.
37:37He's got a website and he's got it.
37:42He's got it.
37:43But for me...
37:44He's got it.
37:47He's got it.
37:47He's got it.
37:48He's got it.
37:49He's got it.
37:49because you know what problem is.
37:52How?
37:54I'm not with my mother.
37:56It's the end of the child.
38:03I'm sorry for you.
38:05I'm sorry for you.
38:07I'm sorry for you.
38:08I'm sorry for you.
38:09I'm sorry for you.
38:10I'm sorry for you.
38:13I'm sorry for you.
38:18I'm sorry for you.
38:20But you're ready.
38:22Because when Marcel is out of your house,
38:26you'll go to your house.
38:30I'm sorry for you.
38:3215 days, Eduardo.
38:33I'm sorry for you.
38:36I think that Monique is a little girl.
38:39Yes, I'm sorry for you.
38:43No, I'm sorry for you.
38:47Let's see if you can see the people.
38:51Yes.
38:52Yes.
38:55Yes.
38:56Yes.
38:56Yes.
38:57Yes.
38:57Yes.
38:58Yes.
38:58Yes.
39:03Yes.
39:06Yes.
39:07Yes, yes, yes.
39:10That thought of an amazing thought
39:13It's a joke that I've seen it.
39:17I'm not yet.
39:32Yeah.
39:34Yes.
39:34Do you know what happens?
39:35Yes, I don't know.
39:35Yes, I don't know what happens.
39:36You can say yes, yes, yes.
39:37Yes, yes, yes.
39:38Yes, yes, yes, yes.
39:39Yes, yes, yes.
39:41Yes, yes, yes.
39:42What is it?
39:42I'm a liar.
39:44I'm afraid I'm a liar.
39:50I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid.
39:51How do you say the truth?
39:56I'm not lying, just I'm just lying.
39:58I'm a liar.
40:00You're always my mom.
40:01I always have been picking up with your parents.
40:06I don't know how to explain it.
40:08I don't know what to do.
40:10I'm happy to do it.
40:13You can't let me get into it quite a bit,
40:16but you have a sense.
40:18One day you will open it and you will be able to understand everything.
40:21You're in the way, I'm in the way.
40:23Another way you'll put it on the way.
40:25You're going to get two pieces of the knife, Elena.
40:27Baby, you're going to make it.
40:30You're going to get it.
40:32And one of my own.
40:34Is that for me?
40:35And macko, macko, macko.
40:36E, and 4 eggs.
40:38And 4 eggs.
40:414 eggs.
40:42That's a gigantic egg.
40:44What a recipe.
40:46What a recipe.
40:47Two eggs.
40:49That's a sweet egg.
40:50That's a sweet egg.
40:50That's a sweet egg.
41:03And that's a sweet egg.
41:05Yeah, I guess you can make a recipe.
41:08I'm sure you can eat it.
41:09But you can eat it.
41:12And I'm sure you'll get it.
41:14And I'm sure you'll get it.
41:16I'm sure you'll get it.
41:18You'll get it.
41:21And you'll get it right away.
41:22Yes, it's a little bit.
41:23Yeah, it's a little bit.
41:25I'm sure you'll get it a little bit.
41:27Yes, I'll learn something.
41:30You're a good one.
41:32Yes, Léo is very good.
41:34I'll show you a new one.
41:36I'll show you something for you.
41:38There's a slatish.
41:39We'll see you.
41:43Thank you very much.
41:46I don't want to show you a slatish.
41:49I don't want to show you the next consultation.
41:53I don't want to show you the next consultation.
41:54I don't want to show you the next consultation.
41:58Is there any patients that are waiting for you?
41:59It's a lot, but it's interesting.
42:01I'll show you the next meeting.
42:02You'll enjoy it.
42:08I'm ready to get your new ones.
42:09I'm ready to take you just now.
42:09You can see them on yourGO!
42:11I'll show them everything!
42:12You're ready to take a picture with you.
42:12You're useful!
42:14I'll show you the same idea.
42:15I'll show you the other one.
42:20I'll show you the same.
42:25You're interested in everything,
42:28but you don't need your wallet.
42:29If you want to go to the bathroom, you can go to the bathroom.
42:33When I can.
42:34Okay, but there is no way to pay you.
42:37It's a good job.
42:38You can go to the guest.
42:41Ciao.
42:42Ciao.
42:43And you can enjoy your love.
42:45You will never know how long you will continue.
42:49I'm sorry.
42:55It's a mess.
42:56Anita.
42:57You're a patient, and you have to be appreciate it.
43:02You're a nurse.
43:03I'm a nurse.
43:04I'm a nurse.
43:05I am a professionalist.
43:09I'm a professionalist.
43:09If you want to have a look at her.
43:12If you want to go to Japan, it would be a despise.
43:16You're a nurse.
43:17Please, please.
43:19It was a lesson for you.
43:23It's funny.
43:26It's funny.
43:27It's funny.
43:28You're using many weak words.
43:31She's already out of the way.
43:35It's a bit of a aggressive style.
43:39It's a bit of a selfish.
43:40You always have been with me.
43:43Maybe because she's putting you on good and bad.
43:47You're on good and bad.
43:50You're on good and bad.
43:52You're on good and bad.
43:53I'm trying to talk a lot about the love and love.
43:55I'm trying to repeat it.
43:58I'm trying to repeat it.
43:59And I'm trying to repeat it.
44:01Why?
44:03No, no, no.
44:04It's only a statement.
44:07It's funny.
44:08It's funny.
44:10Even in the most delicate situations.
44:12The one- there is a great deal.
44:15Nies it's a good deal.
44:18I love it.
44:20I love it.
44:22I love it.
44:23I love it.
44:23You do it.
44:24I love it.
44:25I love it.
44:27When you feel control at the situation,
44:30you feel the word,
44:32the phrase's",
44:32which will keep you into a bad sentence.
44:33You're...
44:33It doesn't make a statement.
44:38It is a good sign.
44:40Your advice is a great example.
44:41Yes, I did not forget the time and it was a bit.
44:45Now I'm not sure that it was a little bit.
44:46I never thought of it.
44:47No, but I'm not sure that it was a little bit.
44:50Yes, I was never thinking about these things, but it was when the last year was you.
44:55When the marriage was a little, I haven't been the main thing.
45:00But, it was never my head.
45:03Never mind it was always the end of it.
45:05I always was the band of everything.
45:06And now it's a gathering.
45:07It was the light.
45:09Now it's the sun.
45:11It's a bit of a tough and aggressive phrase.
45:15Now it's not because it's the whole world.
45:19I haven't seen you yet.
45:21I don't know how to get it.
45:24You should get it.
45:25It's like a cartel.
45:27It's all the way to get it.
45:30But you don't have to get it.
45:32I don't have to get it.
45:34You're nothing.
45:36I'm not a lawyer.
45:37It's in the world.
45:42How did you get it?
45:45I did not know.
45:47I burnt care.
45:49I even offended you.
45:53It's not nice to live so.
45:55It's like brianck and bad things.
45:57You know how to get it.
46:01I lost it.
46:02But if you are against me,
46:05the relationship is constantly in front of you,
46:08and you make the best.
46:12When you look at the brach,
46:13you take a seat, and you take a seat,
46:16and you take a seat,
46:17and you take a seat.
46:19It wasn't for love.
46:24How?
46:26You love you, Elena?
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