- hace 2 días
Reparto: Concha Velasco, Alfredo Landa, Tomás Zori, Fernando Santos, Manolo Codeso, Antonio Ozores, María Isbert, Eduardo Fajardo, Patricia Nigel, Joaquín Prats, Marisol Ayuso, Luchy Soto, Guadalupe Muñoz Sampedro
Dirección: Mariano Ozores
Sinopsis: En una iglesia de Madrid se celebran simultáneamente tres matrimonios, o mejor dicho, cuatro, porque veinte años atrás se casó aquí otra pareja, Miguel y Marta, que no tuvieron su viaje de novios y ahora, tras haber tenido varios hijos, deciden cumplir con la tradición.
Dirección: Mariano Ozores
Sinopsis: En una iglesia de Madrid se celebran simultáneamente tres matrimonios, o mejor dicho, cuatro, porque veinte años atrás se casó aquí otra pareja, Miguel y Marta, que no tuvieron su viaje de novios y ahora, tras haber tenido varios hijos, deciden cumplir con la tradición.
Categoría
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CortometrajesTranscripción
00:00:11A man and a woman meet one day, go out together, take walks, go dancing or to the movies.
00:00:21Another day, almost without thinking, they kiss, look into each other's eyes, and he says to her.
00:00:30I love you, my life.
00:00:33There.
00:00:35In the three-seater.
00:00:37And they get married.
00:00:40Yes, sir.
00:00:41Despite how expensive life is and how difficult it is to find an apartment, people are
00:00:46home.
00:00:51A wedding is always an important event.
00:00:53The bride thinks about her white dress.
00:00:55The groom on the honeymoon tour.
00:00:57The godfather is in how expensive caviar carapés are, especially if they have caviar.
00:01:04Everything is ready.
00:01:07The gifts from friends have already been received, almost all of them duplicates.
00:01:10She sells a dozen coffee sets, seven vases, nine silver trays, sixteen porcelain figurines, in short, a
00:01:15a series of gifts that... wait a minute.
00:01:17From the groom.
00:01:20Put it there so she'll see it when she comes in.
00:01:23Well, the wedding took place.
00:01:25The photos were taken.
00:01:26The journey began by train, car, and plane.
00:01:30And then comes the most momentous moment in history.
00:01:34The newlyweds open a door.
00:01:36Actually, they've opened many doors before, but...
00:01:39None like this one.
00:01:52It is the duplicitous suite.
00:01:54Two thousand six hundred pesetas daily, including continental breakfast.
00:02:01AND...
00:02:02Close the door.
00:02:03They have been left alone.
00:02:05Finally alone.
00:02:06The congratulations, the friends, the dads, the moms, the tears, the advice, the goodbyes are over.
00:02:14What's going on behind this door?
00:02:17No, please.
00:02:18No dirty jokes.
00:02:20Only the newlyweds know what goes on in there.
00:02:24And they'll never tell anyone.
00:02:27We, with all discretion, are going to open this door a little.
00:02:32But don't think that, based on what you're about to see, all wedding nights are like this.
00:02:36However, there's something we're going to tell you...
00:02:39Perhaps it will remind you of a moment you yourselves have experienced.
00:03:01The way to not be everyone!
00:03:08Well, see you later...erdoteen
00:03:39Thanks for watching the video.
00:04:09Thanks for watching the video.
00:04:38Thanks for watching the video.
00:04:38Catalina Gómez Cortés.
00:04:41Do you want Manuel San Felices García as your husband and spouse?
00:04:46What, is he still pulling at the armholes?
00:04:51Yes, still, because, for example, if my ear itches, it's uncomfortable to scratch it, you know?
00:04:57I don't believe it, Antonio, I don't believe it.
00:04:59Let's see it.
00:05:01Lies, lies, Antonio.
00:05:02What you want is for me to have a heart attack and kick the bucket so you can take my share of the business.
00:05:07I know you, Antonio.
00:05:08Neither a heart attack nor anything like that.
00:05:09Nothing.
00:05:09Where's the telegram from Malaga, Manolo?
00:05:11There it is, on the table.
00:05:13Doesn't the pants have a waistband?
00:05:15Yes, it's in style.
00:05:16Yes, she wears it.
00:05:19Cessation?
00:05:21It just can't be.
00:05:22Hello?
00:05:23You see, things have gone to hell, César.
00:05:25Because?
00:05:26Because?
00:05:27About what?
00:05:28It only says here that some budget adjustments need to be made and that the day after tomorrow...
00:05:33Tonight we will meet with Don Laureano, who will be passing through Madrid, to finalize the
00:05:37figures and sign the contract.
00:05:39Yes, Cesar, yes.
00:05:41What is 42 times 16?
00:05:45I don't know, handsome.
00:05:46One hundred and twelve divided by twenty?
00:05:48Thank you so much.
00:05:49Thank you so much.
00:05:51Few.
00:05:53Bye bye.
00:05:54I think few.
00:05:555.6.
00:05:56See?
00:05:57That's what IBM is for.
00:05:58Today, right now.
00:06:00Caesar, that's the catastrophe.
00:06:02Oh my God.
00:06:03IBM is getting married the day after tomorrow.
00:06:05And she's not going to spend her wedding night putting on a show.
00:06:10Well, then she shouldn't get married.
00:06:11Ha!
00:06:12Don't make me laugh, Cesar, or I'll burst my tuxedo.
00:06:16750 apartments.
00:06:18On the Costa del Sol, Manolo.
00:06:21And all with their little taps, their little showers and their pipes.
00:06:25What are we?
00:06:26Plumbers.
00:06:27And who is Don Laureano?
00:06:28A builder.
00:06:29And what are those 750 apartments?
00:06:32Oh!
00:06:32The salvation of our business.
00:06:35IBM is the one that knows about numbers.
00:06:37What is the solution?
00:06:39IBM shouldn't get married.
00:06:40That's all there is to it.
00:06:41Don't get married.
00:06:42Wow!
00:06:43And to Catalina, whom a lightning bolt would shoo away.
00:06:46And give the guests black pudding.
00:06:48And the gifts.
00:06:49By the way, 12 of those tiles, God bless every corner of this house.
00:06:55There should be one for every corner.
00:06:57Wow!
00:06:58Into the trash!
00:06:59Ah, I see!
00:07:01Little one!
00:07:02Yes, Antonio, it doesn't mean you shouldn't get married.
00:07:04Hey, Antonio?
00:07:05No, no, yes.
00:07:06Well, you see, you should get married, but only a little bit.
00:07:09Ah, I see!
00:07:09Get married.
00:07:10But the day after tomorrow, right?
00:07:12To the other man.
00:07:14Yes I want.
00:07:15Manuel Sanfelices García.
00:07:16Do you want Catalina Gómez Cortés to be your wife and woman?
00:07:19This never fails, Cesar.
00:07:22That's crazy, Antonio.
00:07:24Yes, but tonight Manolo will be with us and with Don Laureano.
00:07:28Well, there's a deal or there's no deal.
00:07:30I've spent all night teaching the little angel a lesson.
00:07:33What did you have to say to the church now?
00:07:35Let Mr. Monín know.
00:07:37Don't abandon my three little brothers and sisters.
00:07:38To Mom and me.
00:07:39Dad!
00:07:40Dad!
00:07:41Shut up, Rita!
00:07:43Shut up!
00:07:43They're going to think I'm the bigamist.
00:07:45Okay, Cesar, are we going to get this going or what?
00:07:47Yes, you're an ass, Antonio.
00:07:49Well-intentioned, but a fool.
00:07:51Come on, ma'am.
00:07:53Buy this son a father.
00:07:55No, he does have it.
00:07:56But one day he was inside his car.
00:07:58The municipal tow truck took it away and we're going around in circles.
00:08:01Some say it was sold for scrap metal?
00:08:04I want to be a dad!
00:08:05Hush, it's not now!
00:08:06No, baby.
00:08:07And thank you very much, ma'am.
00:08:09Always at your feet.
00:08:10Goodbye, ma'am.
00:08:10You are welcome.
00:08:11Oh, in case it's helpful.
00:08:12I have a neighbor who is willing to say she is anyone's wife.
00:08:16It's no good to us, ma'am.
00:08:17Oh, well, that's very bad.
00:08:18Goodbye, cutie.
00:08:19No, I don't want to leave.
00:08:21That's why I've put on my hard boots.
00:08:22I want to do it as a dad.
00:08:24Ruin, Caesar.
00:08:26The staff must be paid on Saturday.
00:08:28I'm selling my 600.
00:08:29How many kilometers is it?
00:08:31250,000.
00:08:32What do you think they'll give me?
00:08:33A rope to pull.
00:08:35Get out, aunt.
00:08:37Yes, yes, yes, yes, yes, yes, yes, I want to, yes.
00:08:39Yeah!
00:08:46Lourdes Villena de la Fuente.
00:08:48Do you want Joaquín and Garto Agil for your husband and spouse?
00:08:52It's time you settled down, Joaquinito.
00:08:55And you're going to put her down by marrying that little angel from Lourdes.
00:08:58Dude, Lourdes is duller than television.
00:09:00And me, already at my age.
00:09:01Your age is when you do the most foolish things.
00:09:05Oh, yes, well.
00:09:06I mean, still single.
00:09:07And don't make me say any more.
00:09:09You're marrying that sun of Lourdes.
00:09:10You have a child and I will not disinherit you.
00:09:14My fortune and my businesses will be yours when I'm gone.
00:09:18So you still have about 30 years to continue learning by my side.
00:09:2230 years old?
00:09:23You only have 30 of these knots left here, okay?
00:09:25What did you say?
00:09:26No, nothing, yes, yes, I will marry that silly girl.
00:09:28Ah, okay.
00:09:47What are you doing, Quino? What do you want from me?
00:09:49We're getting married, aren't we?
00:09:50What's wrong with us kissing?
00:09:52That you are a man.
00:09:53Yeah.
00:09:54And when men give you one kiss, you want a hundred.
00:09:56And one hundred is a drag.
00:09:57Falsification.
00:09:58Lourdes, we're going to be husband and wife in a few days and I haven't even seen you in a suit yet.
00:10:01bathroom.
00:10:03That's precisely why.
00:10:03That women are like the 600.
00:10:05You don't know what kind of results they'll give you until you've driven them 3,000 kilometers.
00:10:09Hush, hush!
00:10:10Okay, give me a kiss now and...
00:10:12I'm getting off, I'm getting off and I'm going to Madrid on foot.
00:10:15Okay, okay.
00:10:16Oh, yes, no.
00:10:19Everything, everything you want, you'll have from me.
00:10:21But after we met in front of a priest and said that about...
00:10:26Yes I want.
00:10:53Come on?
00:10:54All.
00:10:55I won't remember.
00:10:57A conqueror.
00:10:58A partygoer.
00:10:59But again.
00:11:00How tiresome, the same thing all day long.
00:11:01Will you leave that silly girl alone?
00:11:03Okay, who's speaking?
00:11:04Do you have any pairs?
00:11:05Well, the guy who plays Parcheesi, since he's a banker and supports Joaquinito, made him
00:11:10sign a bill of exchange 90 days after sight.
00:11:12A letter called Lourdes.
00:11:14The most honest.
00:11:15The most formal one.
00:11:17The most boring of the daughters of the uncle's partners in the Parcheesi game.
00:11:20And what will Joaquinito have to do now?
00:11:23Forget about Parcheesi.
00:11:24And to answer in a few days when they tell her at the altar...
00:11:27Wow, girl!
00:11:29Wanna!
00:11:31I say yes, I want to.
00:11:33Once you're kneeling here...
00:11:43María José Alcaraz Díaz.
00:11:44Do you want Lorenzo Jiménez Albo as your husband and spouse?
00:11:51I'm not getting married, Mom.
00:11:53I'm not getting married.
00:11:54I'm not getting married.
00:11:55But daughter, we've already sent the entries.
00:11:58And has your uncle ordered lunch?
00:12:01And then what?
00:12:03What will happen next?
00:12:07You will go to the photographer.
00:12:08And then what?
00:12:09Hey?
00:12:11But you don't know what happens next.
00:12:15I have an idea, Mom.
00:12:16But I also suppose that to build a house you have to lay bricks.
00:12:20And I don't know how to lay bricks.
00:12:25Hey, but your married friends will have told you.
00:12:29Yes, I hardly have any friends, Mom.
00:12:32The grandfather died after two years of mourning.
00:12:34Then the grandmother mourned for two years.
00:12:35And poor dad.
00:12:37And Uncle Rodolfo.
00:12:38And Aunt Patro.
00:12:40Half of our family has died.
00:12:41And you can't go to the movies in mourning.
00:12:44Not even to dances.
00:12:45Not even to parties.
00:12:46Another lamp.
00:12:47You know what this town is like.
00:12:49Yes, but Lorenzo is from Madrid.
00:12:50And I'm getting married in Madrid.
00:12:52Well, if I get married.
00:12:53Because I'm terrified, Mom.
00:12:55And I'm very embarrassed.
00:12:57Because?
00:12:57Because?
00:12:58Because all men are savages.
00:13:01Lorenzo a savage?
00:13:02If it is...
00:13:04He's a gentleman.
00:13:05Yes, yes.
00:13:06Look at the gentlemen.
00:13:10And since I don't know...
00:13:11Nothing.
00:13:12You are welcome.
00:13:19Leave him alone, Lorenzo.
00:13:21It's very good.
00:13:23And very affectionate.
00:13:25And all men have a lot of experience in these things.
00:13:28Some more, some less.
00:13:29She's run it before.
00:13:31They know the drill...
00:13:33All.
00:13:34Nothing.
00:13:36I don't know anything, Saldaña.
00:13:39But then you, with women...
00:13:41Man, that...
00:13:45Nothing.
00:13:46Not even a broom.
00:13:47I am very shy, Saldaña.
00:13:49I look at a woman and I blush.
00:13:51May my father rest in peace.
00:13:53But...
00:13:53Your father has died.
00:13:55No no.
00:13:55She works at the Peace Clinic.
00:13:57Well, one day he started telling me...
00:14:00What about the flowers...
00:14:01What about the bees...
00:14:03Whether it's the pollen...
00:14:05But I didn't find out anything.
00:14:06Of course, like it happens to all of us.
00:14:07And that's because of the structures in which our society operates.
00:14:11Confining it to a narrow medieval corridor.
00:14:14Like the thing about bees and pollen.
00:14:16I don't understand anything, Saldaña.
00:14:17I'm going to order some olives.
00:14:19Yeah.
00:14:20Hey, olives.
00:14:21Of the faces.
00:14:23Take.
00:14:26Another book?
00:14:27You learn everything from books.
00:14:28How did you pass your high school exams?
00:14:30How did you become an agricultural expert?
00:14:32But that's another matter.
00:14:34Yeah, I'm really embarrassed to go around with a book like that.
00:14:37And remember that you showed me how to do the thousand and one without pain.
00:14:41And I've broken all records doing guard duty.
00:14:43You can't say you've had a bad experience with my previous works.
00:14:47How to find a girlfriend like they used to be?
00:14:50And you found it, didn't you?
00:14:51Oh, mother.
00:14:53Look at what it says.
00:14:54Hey?
00:14:55When the time comes, it will be advisable for her to be admitted to a sanatorium to prevent possible complications.
00:15:01Let's see, let's see.
00:15:02This is the one about childbirth.
00:15:04I picked up the wrong book.
00:15:05My last hour.
00:15:07Ah.
00:15:10The wedding night of an ordinary couple.
00:15:13Relax, Lorenzo.
00:15:14Immerse yourself in this like you would the Gallic Wars and then you tell me what you think.
00:15:18Maria Jose and you, we are two shy people.
00:15:20Especially me.
00:15:21But shy people also have the right to be happy.
00:15:25Calm down, kid.
00:15:26Tomorrow, at the crucial moment, I will be in the church when I ask you.
00:15:30Lorenzo Jiménez Albo.
00:15:32Do you want María José Alcaraz Díaz as your wife and woman?
00:15:35Yes, I do want to, I do grant, I do concede.
00:15:38I now pronounce you husband and wife.
00:15:54Look, Miguel, do you remember?
00:15:57It's the same date as us.
00:15:59But twenty years later.
00:16:00Go, Miguel.
00:16:02Look, kill, three weddings.
00:16:04Give me the baby.
00:16:17Is that how you got married?
00:16:19Yeah.
00:16:20Was your dress that pretty, Mom?
00:16:22No, I didn't get married in white, daughter.
00:16:24Because?
00:16:26When your mother and I got married, we didn't have money for special outfits.
00:16:30A gray tailored suit with some tremendous hats.
00:16:34And your dad?
00:16:35Me in blue.
00:16:36I painted the soles of the shoes black so that when I knelt down it wouldn't be noticeable that they were old.
00:16:41We had no money.
00:16:42That's how it is.
00:16:43We didn't have an apartment, and we couldn't even go on our honeymoon.
00:16:45So who did you marry?
00:16:47With a set of towels and lots of love.
00:16:51Okay, but now you're going on that honeymoon.
00:16:54And nothing less than a Mediterranean cruise.
00:16:56I owed it to your mother.
00:16:58Forgive me, darling, that this trip is a little late.
00:17:00It arrives at the perfect time.
00:17:11Come on, come on.
00:17:22Julian, have Garcia.
00:17:25Help me carry the suitcases down, big guy.
00:17:26I'm going to get the ticket.
00:17:27Yes, Dad.
00:17:28Hey, Mom, where are you going now?
00:17:35To the photographer, I suppose.
00:17:37Were you not allowed to take photographs either?
00:17:39Yes, that's right, woman.
00:17:43Let's think about it...
00:17:45Ah, yes, the lady sitting down, huh?
00:17:46Oh, the lady.
00:17:48Take.
00:17:48That sounds strange to me.
00:17:48Oh, it always happens.
00:17:50A pair, my dear!
00:17:51Joaquín, Joaquín, the man called me ma'am.
00:17:54Yes, daughter, yes.
00:17:55Listen, we couldn't take a wedding photo that wasn't the usual one.
00:17:58How do you always see her?
00:17:59Yes, the bride is always seated.
00:18:01The groom was always by her side, standing.
00:18:03I understand, I understand, but let me think, let me think.
00:18:06And the red head!
00:18:07Let's see if we can...
00:18:09Oh!
00:18:10I've got it!
00:18:12Come in, come in.
00:18:13No more cordial congratulations, ma'am.
00:18:16Please.
00:18:17Thank you.
00:18:17Lady.
00:18:19Forward.
00:18:21Come on.
00:18:23What's happening?
00:18:24First mistake, Saldaña.
00:18:27Page 14.
00:18:28The newlywed's first reaction occurs when, for the first time, someone calls her "ma'am."
00:18:33Since I'm right about the rest of the book, I'm ready, Saldaña.
00:18:36Mother.
00:18:36What's wrong, daughter?
00:18:38Give me a tissue, Mom, I'm getting mascara in my eyes.
00:18:40Is something wrong, ma'am?
00:18:41No, nothing.
00:18:42That's the first time anyone has ever called me, sir.
00:18:49He was right.
00:18:51That's life itself, Lorenzo.
00:18:52That book is life itself.
00:18:54The husband, please.
00:18:56Go on.
00:18:57Oh no, me, me.
00:18:59Here.
00:19:01With a natural feel, huh?
00:19:02Carefree.
00:19:03Yes, yes.
00:19:04Just a moment, just a moment, please.
00:19:06That's the classic wedding photo.
00:19:07Let's do something new.
00:19:10Manolo, Manolo.
00:19:12That?
00:19:12This gentleman just called me ma'am.
00:19:14Of course, woman, he's not going to call you, Your Majesty.
00:19:16And what kind of fund do they want?
00:19:19Curtains, washable wallpaper, or a pond with glitter swans.
00:19:23The most expensive.
00:19:24Our partner takes the photo with his most expensive item behind his neck.
00:19:29Yes, the photos are on us.
00:19:31Congratulations.
00:19:32Very good.
00:19:33Congratulations.
00:19:34May you be very happy.
00:19:35Thank you.
00:19:35And kilindrin.
00:19:37Thank you so much.
00:19:41Tomorrow.
00:19:42Only tomorrow, okay?
00:19:44What are you saying?
00:19:45All of this within 24 hours.
00:19:47And then he and I danced the pompero porrón.
00:19:51But not tonight, Manolo.
00:19:53But, but it's already done, I've already done it.
00:19:55Come on, Manolo.
00:19:56Tell the lady that she's spending her wedding night tomorrow.
00:19:59And you are now with us waiting for the plane from Malaga that Don Laureano was bringing.
00:20:03I don't say that nonsense.
00:20:05I'm spending tonight with her.
00:20:06And if I can stand up tomorrow, I'm going to see Don Laureano.
00:20:12Late, Manolo.
00:20:13Late.
00:20:14Newcomers this way, please.
00:20:17This dwarf is ruining us, César.
00:20:19Have you tried to sell the 600?
00:20:22Yeah.
00:20:22How much do they give you?
00:20:24Three thousand pesetas.
00:20:25By weight.
00:20:27He's spending his wedding night with us.
00:20:30Come with me.
00:20:33Oh, they're gone, Manolo.
00:20:36This calls for a celebration.
00:20:37We're going to take a new wedding photo.
00:20:40As?
00:20:40Arise, beauty.
00:20:42Stand there.
00:20:44Me, sitting here.
00:20:46So.
00:20:47Come on, teacher.
00:20:48You can give the little bird a tap now.
00:20:50Very good.
00:20:54Prepared.
00:20:56Don't move!
00:21:10You look very handsome.
00:21:12We are very handsome.
00:21:15Hey, daughter.
00:21:16You're left alone as a housewife.
00:21:17Yes, Mom.
00:21:18Apart from the money I've lent you for the purchase.
00:21:20Take.
00:21:21Give half to your brother, but don't let Dad find out.
00:21:24Don't worry.
00:21:25The gas tap.
00:21:27Julia.
00:21:27This scoundrel's food.
00:21:30The bolt every night.
00:21:31Take care of your brother.
00:21:32You know how men are.
00:21:33Very cute.
00:21:34Julia.
00:21:35If you need anything, phone the guys.
00:21:38Mom, go in peace.
00:21:39I am not a child.
00:21:40This wild woman from García could be my daughter.
00:21:42Julia.
00:21:44Oh, you're right, baby.
00:21:46But I'm not used to it.
00:21:48The lock at night, Miguel.
00:21:49Don't come home late.
00:21:51No, Dad.
00:21:52Take care of your sister.
00:21:52One, you know how women are.
00:21:58Yes, Dad.
00:21:59Take.
00:21:59Give half to your sister, but don't let Mom find out.
00:22:02Oh, and don't let the dog near Garcia.
00:22:04A poor dog, but he's a saint.
00:22:06No, what I fear is that García will kill the dog.
00:22:08Please, gentlemen, we're leaving.
00:22:10Let's go, let's go, let's go, let's go.
00:22:12Have fun!
00:22:13Dad, I'll call her.
00:22:13Oh, yes, here you go.
00:22:15You should take it yourself.
00:22:16I trust you more than this Fangio.
00:22:18Come on, come on.
00:22:19Let's get a telegram from Semalma and head to the places where the ship makes stops.
00:22:23Yes, yes.
00:22:23Goodbye, Mom.
00:22:24Take care of your aunt.
00:22:25Yeah.
00:22:26Vivi, to you.
00:22:27Bye bye.
00:22:36Good day, Quino.
00:22:38Good day, Quino.
00:22:39Good day, Quino.
00:22:41Thank you so much.
00:22:44Bonona.
00:22:45It's Tampa, girl.
00:22:46As?
00:22:46Oh, Lourdes, please, you're married.
00:22:48I can't imagine it.
00:22:49How old-fashioned, isn't it?
00:22:51Don't think that getting married is trendy.
00:22:52Is this a lie, Quino?
00:22:54Yes, it's in style.
00:22:55Sometimes.
00:22:55And the honeymoon?
00:22:57Oh, please don't tell me you're going to Palma because it's not very cool.
00:23:00No, Monona, how awful.
00:23:02We're going to Seville.
00:23:03Is this a lie, Quino?
00:23:04No, I'm not lying, that's the truth.
00:23:06We're leaving tonight by train.
00:23:07By train, what a horror, please, so much hassle.
00:23:11Listen, advice, loyal advice.
00:23:13Be careful when passing through Alcazada de San Juan because there are so many switchbacks,
00:23:17You're wasting your champagne at Picardías.
00:23:20Do you know that from experience, Monona?
00:23:22No.
00:23:24Ah, the soup.
00:23:25Those nights didn't bother me one way or the other.
00:23:28Well, goodbye, monkeys.
00:23:31Goodbye, my dear.
00:23:32Oh, how nice.
00:23:34Ladies and gentlemen, long live the newlyweds!
00:23:37Viva!
00:23:39This whole applause thing embarrasses me.
00:23:41I don't know if we should bow and greet or raise our arms like boxers do.
00:23:45Eat, daughter.
00:23:46Eat.
00:23:47I can't, Mom.
00:23:48I'm extremely nervous.
00:23:49My stomach is in knots.
00:23:50The emotion.
00:23:51It's fear, mother.
00:23:54What's going to happen tonight?
00:23:56Trust Lorenzo, he gives me the impression of what happened.
00:24:00But has he ever been a traveling salesman?
00:24:02But hey, what's wrong with you?
00:24:05The nerves, Aldaña.
00:24:06I'm scared to death.
00:24:07What time is it?
00:24:10A little more than two.
00:24:11Well, I'll be on the plane in a few hours and in Torremolinos tonight.
00:24:16And tomorrow morning at the police station.
00:24:18Because María José is suing me for breach of contract.
00:24:21But can this be endured?
00:24:23Of course it can't be endured.
00:24:25Manolo, tell them to throw them out.
00:24:26Shut up, stupid.
00:24:27To me, they look as if they were painted.
00:24:33If they look at it that way.
00:24:35Ignore it.
00:24:36Besides, Chati, this is pure tradition.
00:24:39Ah, but it's not a sponge cake.
00:24:41Also.
00:24:46Silence, silence, silence.
00:24:48We are all very happy that my daughter, Cati, has gotten married.
00:24:55But the important thing here is that tonight the bride and groom, for reasons unknown,
00:24:59They're going to spend it in a secret location.
00:25:02So the groom tells us, what's going to happen tonight?
00:25:11Well, it's going to happen tonight...
00:25:13Nothing.
00:25:14Nothing is going to happen.
00:25:15My daughter, in these cases, as in reforestation, the best thing is to let nature do its work.
00:25:22I think so.
00:25:24Don't drink too much, it's not good to go into that trance with a heavy head.
00:25:28Review chapter two.
00:25:30Yes, yes, yes.
00:25:35No, no, thank you very much.
00:25:41Oh, Saldaña.
00:25:43How will all this end?
00:25:44In bed.
00:25:46Yes, sir, in bed.
00:25:47That's why she couldn't come to the wedding.
00:25:49But is it serious?
00:25:50No, a cold.
00:25:51Oh, I'll remind you.
00:25:53And what do you want me to say?
00:25:55Getting married, the good thing about it is not getting married.
00:25:57Ah, so what's the good thing?
00:25:59To get involved.
00:26:00To start slapping each other.
00:26:02That's the end.
00:26:03And don't do it, my children, don't do it, or you'll sneak in.
00:26:06We've come to tell you, for your honeymoon.
00:26:10What are you going to do, Hector?
00:26:12What's the name of that place he said he was going to?
00:26:15Well, we had already thought of that...
00:26:17And we haven't said the place, where we're going to go.
00:26:20That's true, I didn't say it.
00:26:22A little trick, huh?
00:26:23Nothing of the sort.
00:26:24Okay, let's get this over with.
00:26:26So that you can see our intention.
00:26:29We want you to take your honeymoon in the company van
00:26:32As if it were yours!
00:26:34And with the tank overflowing
00:26:36We will personally deliver it to your wife's doorstep.
00:26:41With permission
00:26:42You kiss my hand, ma'am.
00:26:46Thank you, Miguel.
00:26:48Huh?
00:26:49For these 20 years together
00:26:53I'm the one who should thank you for how much you've helped me.
00:26:56For forgetting some things
00:26:59And remember only others
00:27:01Don't exaggerate
00:27:03I've only done what I could.
00:27:1086 pesetas
00:27:12Around 600, right?
00:27:16Our wedding meal
00:27:17Do you remember?
00:27:20Just the two of them
00:27:21It cost 86 pesetas
00:27:23But how is it possible that you remember the cibra?
00:27:27I'll keep the note at home.
00:27:28Oh really?
00:27:31Men are not romantic at all
00:27:33I remember it perfectly.
00:27:37The food made you feel sick.
00:27:40The nerves
00:27:41Come on, come on, please
00:27:43I would then say stones
00:27:45You got really sick
00:27:47And you gave me food.
00:27:49No no
00:27:51You want to laugh at me
00:27:54They were red mullet, I think.
00:27:57Fried calamari
00:27:59I've hated them ever since.
00:28:01So you remember?
00:28:04Yeah
00:28:05What wedding night, Mother?
00:28:08What a catastrophe!
00:28:10But today everything will be different.
00:28:12I promise you
00:28:13Yeah?
00:28:14Well then
00:28:16Take your medicine
00:28:19But you brought them
00:28:20What is your value?
00:28:22I didn't dare take them out, but...
00:28:24And you're the romantic one?
00:28:25No, no, no, no
00:28:26I'm not taking them today, no
00:28:27You take your concoctions
00:28:29You won't give me another night like that one
00:28:32At least tonight
00:28:37I plan to get my revenge.
00:28:38My God, what women!
00:28:42Just imagine how expensive it is to travel with the pharmacy!
00:29:03So from here I'm going to Barajas to wait for Don Laureano
00:29:06And you take it to a fancy coffee shop?
00:29:09Let's have a few drinks
00:29:10I will phone you
00:29:12And the war, Antonio
00:29:13The war
00:29:14Now that's true
00:29:15First, as it is mandated
00:29:17Dialogue is practiced
00:29:18And if dialogue fails
00:29:20Go wild, César
00:29:21Like crazy
00:29:27Cobresita for you the return
00:29:29Stay still, stay still
00:29:31Transportation is currently the responsibility of the company.
00:29:34Man, thank you very much.
00:29:36Here are the keys
00:29:38And the tank is full
00:29:39I reckon it's in a straight line
00:29:41You could reach Berlin
00:29:43Poor thing, I'm glad
00:29:44I didn't like the fact that we were on edge.
00:29:48And us too
00:29:49Look, there's Catalina.
00:29:52We were left without going out alone
00:29:54We've come to deliver the vehicle.
00:29:56Look, what does it say here?
00:29:58César, ma
00:29:59Caesar, that's me
00:30:00An, from Antonio, which is this
00:30:02And more from Manolo
00:30:04And who is Manolo?
00:30:06Manolo
00:30:07Again
00:30:08But ma'am, let's talk.
00:30:10For her father, ma'am
00:30:12They've set out to give us the night
00:30:14Three blocks of 700 homes in Malaga
00:30:17Don Laureano is spending the night
00:30:18Tonight only in Madrid
00:30:20And she and her husband are necklace makers.
00:30:22Come on, he's the one who understands accounts.
00:30:24Don't be so dramatic, man.
00:30:26We have been generous
00:30:28Hey, Antonio
00:30:29Answer me
00:30:30Don't be quiet, Antonio
00:30:31We have been
00:30:33The little boy says he's getting married
00:30:35Well, at first we called him a simpleton and a fool.
00:30:37Come on, the usual stew
00:30:40But then
00:30:41Wasn't it me who said it?
00:30:42Honeymoon in the camper van?
00:30:46Antonio, tell me if I didn't say that.
00:30:48That I may be confused
00:30:50Thorough
00:30:51Manolo, take out the suitcases
00:30:52Ma'am, please
00:30:54If it's right here, ma'am
00:30:55Antonio and I understand.
00:30:57But only her husband is in number
00:30:58And I say, if you can't wait for one night
00:31:00Marriage has a spiritual basis
00:31:03I heard my father say that.
00:31:05When I was fed up with my mother
00:31:06We're ok
00:31:07Yes, Manolo
00:31:07What is most important in marriage
00:31:08It is comprehension and understanding
00:31:10This is dialogue, isn't it?
00:31:11Honey, hail a taxi
00:31:12Yeah
00:31:13Is this your final word?
00:31:14The last one should be fatter.
00:31:16That's all there is to it.
00:31:18Bon voyage, madame
00:31:19Antonio
00:31:20Say goodbye to marriage
00:31:22Being polite doesn't mean you're not brave.
00:31:24My lady
00:31:26Bye
00:31:27Have a good trip, gentlemen of San Felices
00:31:29I feel uneasy, Catalina
00:31:31It gives you nothing.
00:31:32The van belongs to the three of them.
00:31:33And at this hour we're not going to hitchhike on our honeymoon.
00:31:39Good afternoon, partners
00:31:52You do your own thing.
00:31:53I follow Saint Felicón
00:31:54Until the end of the world
00:31:55And when I know where they're going
00:31:56I'll call you
00:31:58Hey
00:32:01And that motorcycle?
00:32:02From candid
00:32:03The boy from the workshop
00:32:04Don't you know how to drive it?
00:32:05I
00:32:06Sure, like you don't leave a single tree in your path.
00:32:17Do you know how to drive or what?
00:32:19Could it be that it's getting under my car?
00:32:20Yeah
00:32:21Could it be that this is getting in my head?
00:32:22Yo
00:32:23TO
00:32:23TO
00:32:23TO
00:32:23TO
00:32:23TO
00:32:49No, no, no, no.
00:33:21No, no, no, no.
00:33:23No, no, no, no.
00:33:53Welcome aboard.
00:33:54Thank you, sir.
00:33:55Thank you so much.
00:33:56Good night.
00:33:57Good night.
00:34:00Finally alone.
00:34:12It had been a long time since you kissed me like that.
00:34:15Twenty years.
00:34:17I've had it saved since we got married, specifically for tonight.
00:34:23We need to get ready for dinner.
00:34:33Do we have to wear a tuxedo?
00:34:35Naturally.
00:34:36I can't wait to wear my new suit.
00:34:38Do you want to unzip my pants?
00:34:47What do you think?
00:34:52Very little.
00:34:54It's a surprise.
00:34:56Claudia brought it to me from Paris.
00:34:59Do you really want us to get dressed and go up to the dining room?
00:35:03Okay, okay.
00:35:05Out of malice, Dad, you have an eighteen-year-old daughter.
00:35:10And a daughter who hasn't even turned two yet.
00:35:12Miguel, if the ship arrives as soon as we get here, we'll lock ourselves in the cabin.
00:35:17They're going to think we're a mess.
00:35:18Better.
00:35:19That makes me feel young again.
00:35:20Okay, that's enough.
00:35:22Get dressed.
00:35:23I'm looking forward to seeing you in your new tuxedo.
00:35:28The tuxedo?
00:35:29Yeah.
00:35:35Besides, if you act like this now, what are you going to leave for later?
00:35:43Okay, peace, peace.
00:35:46I take it back, I take it back.
00:35:47A truce until after dinner.
00:35:51OK.
00:36:36What are you doing, crazy?
00:36:37Don't close that door.
00:36:38Do you want it to be obvious that we're newlyweds?
00:36:40So, what do you want us to notice?
00:36:42We've just been painted.
00:36:43Well, don't close it, I'm dying of embarrassment.
00:36:47What a cut, kid.
00:36:48As soon as the train started moving.
00:36:49Don't be so anxious, peace.
00:36:50But what do you want it to be, Lourdes?
00:36:51We had a relationship where we seemed like siblings.
00:36:54What am I saying, brothers?
00:36:56We looked like Pili and Mili.
00:36:58Decent.
00:36:59Well, yes.
00:37:01But now we can do whatever we want.
00:37:04You won't wait until we celebrate our golden anniversary.
00:37:06No.
00:37:07But no pressure, Quino, because I feel like the pigeons in the pigeon shooting.
00:37:10that as soon as they leave the cage, boom!, it kills them.
00:37:14Well, don't be fooled, some do escape alive.
00:37:18Ristoran?
00:37:18Dinner tickets?
00:37:19Go on, go outside and get the dinner tickets.
00:37:24Ah, but we're going to waste time having dinner at...
00:37:28Salt!
00:37:28Leave me alone, I'm very nervous, Quino.
00:37:30Out.
00:37:31What a woman's agony!
00:37:32Leave me alone.
00:37:36Two, please.
00:37:41Here you go.
00:37:46It's not?
00:37:48No no.
00:37:49Yes, yes, yes.
00:37:50Yeah, I saw beide.
00:37:54Give the ladies two tickets, it's on me.
00:37:56But you will have to pay after dinner.
00:37:59But what does it matter, man, since they already know,
00:38:01Give him two tickets and I'll look like a gentleman.
00:38:06Ladies.
00:38:15You are welcome.
00:38:16You are welcome.
00:38:21If this had happened to me three days ago,
00:38:23You'd see how Joaquinito Partiz got charged for dinner.
00:38:52Will we get dizzy?
00:38:53There is no time.
00:38:54Before you know it, we'll already be at the hotel.
00:38:57Yeah.
00:39:04We're going to be very happy, darling, you'll see.
00:39:06I trust you and your experience.
00:39:11My experience...
00:39:13No...
00:39:14Don't believe it.
00:39:16But I brought a book with me.
00:39:18Are you bringing novels on your honeymoon?
00:39:20No, no, no, no.
00:39:20It's a book that my friend Saldaña has written.
00:39:25Does it have holy cards?
00:39:30It's a green book.
00:39:33No, woman, no.
00:39:35It's a sex education book.
00:39:38And what do you need it for?
00:39:42Well, you see, darling.
00:39:45I've always been a little shy.
00:39:47That's why now, my friend Saldaña...
00:39:50He gave me this book.
00:40:01That?
00:40:02No, woman, no.
00:40:15Or what are you...
00:40:35In El Escorial, I already told you they couldn't go very far.
00:40:40They had rooms reserved
00:40:42It was all premeditated, Antonio.
00:40:44But Caesar, it was his wedding night
00:40:47That's always premeditated.
00:40:49Yes of course
00:40:51Hey, Don Laureano has arrived
00:40:53Here it is
00:40:55He's coming with his secretary, you know?
00:40:58A very level-headed guy
00:41:01I'll tell you later
00:41:02He has something to tell you, I'll put it on.
00:41:04Come on
00:41:06Is this Caesar?
00:41:07Yes, yes
00:41:08Mr. César, how are you?
00:41:11Nice to meet you
00:41:12Listen, this is serious.
00:41:15If my boss continues the trip to Barcelona, everything will collapse.
00:41:18Because he has a plumber cousin there
00:41:19And with the cousin, he signs
00:41:21And you'll be left without the business.
00:41:22And I'm not getting the commission I'm going to ask them for.
00:41:24Because how can I ask for a commission?
00:41:26To a cousin of my boss
00:41:29OK
00:41:31Let it be put
00:41:34What's wrong, Cesar?
00:41:35Antonio
00:41:36Alea yacta es
00:41:37I don't know what he means
00:41:38But I think it's a real kick in the teeth.
00:41:40Hey, listen to me carefully
00:41:41Bring those two to El Escorial
00:41:43You tell them we've got a dinner planned with the girls.
00:41:46You hear right, with girls!
00:41:48And where are you going to find girls in El Escorial in February?
00:41:51Tonight I'll pull girls out from under rocks if I have to.
00:41:54That's clear!
00:41:55Well then
00:41:55I'll see you at the fish market in half an hour.
00:42:08Thank you very much!
00:42:09Thank you!
00:42:10Das ist unsere Abteilung
00:42:15Is it us?
00:42:17Yes, the transfer is in Córdoba
00:42:19They're going to Bilbao.
00:42:21Does this line go to Bilbao?
00:42:22It depends on the turn they want to take.
00:42:24There's no need to call the gentlemen, is there?
00:42:27Oh, boy, how embarrassing!
00:42:30Please call us one hour before you arrive
00:42:31Good night
00:42:32What a shame!
00:42:33He didn't say to rest
00:42:35No, he said goodnight.
00:42:37Yes, but with a hint of sarcasm.
00:42:39He'll be thinking about what if this, what if that
00:42:42I'm going to read Telva right now.
00:42:45What are you doing?
00:42:46It's nothing, just a silly thing.
00:42:47Looking for you in the zipper
00:42:49This suit is not
00:42:50It doesn't have a zipper.
00:42:52Did you bring a brush?
00:42:55Teeth?
00:42:56Yes, and shoes.
00:42:58Teeth, yes, but...
00:43:00I have one of the clothes
00:43:01And electric blanket
00:43:02I've also brought an electric blanket
00:43:03Here the current
00:43:04Is it alternative?
00:43:06I don't know
00:43:07And aspirin, I brought aspirin
00:43:08And bandages, and alcohol, and more things
00:43:11But you actually believe we're going to war
00:43:14Everything can be heard here
00:43:15Don't scream
00:43:16Okay, get naked
00:43:18Cinchona!
00:43:20In a low voice
00:43:20Well, in a low voice, take off your clothes
00:43:23You don't expect me to undress in front of you.
00:43:25What a cut
00:43:27I am your husband
00:43:28You understand?
00:43:29Yeah
00:43:30But not tonight, Quino
00:43:33I'm dying of embarrassment tonight
00:43:35Please
00:43:37Yeah
00:43:43Well
00:43:44Just call me when you're ready
00:44:12Please
00:44:15No, no, no, no, no, no, no.
00:44:17To the door, to the door, to the door.
00:44:22Please lie for me.
00:44:24Ah, there are no Streichholtz.
00:44:25Hab gerade danach gefragt.
00:44:27Excuse me.
00:44:28Je suis agradecí a vos.
00:44:30Who is Ingrid?
00:44:32Der Störnfried, der uns zum Abendessen eingeladen hat.
00:44:36He is definitely Spanish.
00:44:38Und denkt an ein Abendessen, ne?
00:44:40Er spricht aber nicht English.
00:44:42Hör mal zu.
00:44:42Very good.
00:44:44Excuse me.
00:44:44Thank you.
00:44:46Erinnelt, I'm Yugoslavin.
00:44:47Querde die ganze Nacht bleiben, diese Pinguin?
00:44:50Witty, witty, baby.
00:44:53Three Jolie, you.
00:44:55Poupé and Poupé.
00:44:58Me, from Madrid.
00:45:01Pinguin, do you sell Sie endlich verschwinden o so ich den Aufseher rufen?
00:45:05Ah, yes, yes, garment, yes.
00:45:07Look, she's my wife.
00:45:10I'm sorry, but no matter how much you insist, I can't pass.
00:45:12Schließe die Tür und klemme in die Nase.
00:45:14Oh, I can't get in.
00:45:16Also in bad luck.
00:45:17Come on.
00:45:18Tschüss.
00:45:19Macht's so.
00:45:20Störenfried.
00:45:22Goodbye, girls.
00:45:28Are you there yet, sweetheart?
00:45:29Not yet.
00:45:31Besides that, they come out toasted.
00:46:00Altyazı, nenas.
00:46:16Good night.
00:46:18Good night.
00:46:19Good night.
00:46:19Good day, gentlemen.
00:46:20Hello.
00:46:20Please.
00:46:26After the first dinner, it is customary to introduce some travelers so that friendships can begin to form.
00:46:31But if you want to be alone, no.
00:46:33No no.
00:46:34We will do as you say.
00:46:38Mr. and Mrs. Martín, Mr. Planas and ladies.
00:46:41Nice to meet you.
00:46:42See, Marcos?
00:46:43This gentleman has also put on a tuxedo.
00:46:45Thank goodness.
00:46:46I was the only one on the whole ship.
00:46:48Yeah.
00:46:48During dinner they asked for two bottles of champagne and the country-style omelet.
00:46:53They tend to do it right away.
00:46:54Thank you so much.
00:46:56In confidence.
00:46:57I was forced to wear it too.
00:46:59Come on, Miguel.
00:47:01What are these gentlemen going to think?
00:47:02Normal.
00:47:03That men do what we say.
00:47:06Okay, but we have to pretend, right?
00:47:08They don't need it.
00:47:10We've known for a long time that we are the weaker sex.
00:47:13Right, Julia?
00:47:15Is her name Julia?
00:47:16Yeah.
00:47:17That's because our daughter's name is that.
00:47:19Ah, yes.
00:47:20And ours.
00:47:21And one of my granddaughters.
00:47:23Go on, Marcos.
00:47:23Take the photos.
00:47:24But, woman, we're not going to bother these gentlemen.
00:47:26Nothing, nothing, nothing.
00:47:27Not taking pictures of your children and grandchildren is like not buying a yacht.
00:47:32And they don't show it to their friends.
00:47:34Pure hypocrite.
00:47:36Look, this is the one called Julia.
00:47:38And the little one, the one with the gap, too.
00:47:40They are very cute.
00:47:42Oh, thank you so much.
00:47:48These are ours.
00:47:49Let's see, let's see, let's see.
00:47:50This is Julia.
00:47:54Oh!
00:47:55But this boy is now a grown man.
00:47:59A man?
00:48:00Oh no!
00:48:01What is this?
00:48:02Yeah.
00:48:04Oh, look, Marcos!
00:48:06They also have a granddaughter.
00:48:09With young people and with grandchildren.
00:48:12No, ma'am.
00:48:13She's the little one.
00:48:14The oldest, Julia, is 18 years old.
00:48:17The other one, Miguel, has one less.
00:48:19And the little one will be two next month.
00:48:2218, 17 and two.
00:48:26Were you in jail for those fifteen years?
00:48:28Ha ha ha!
00:48:30No.
00:48:33The truth is, we weren't expecting any more.
00:48:37His brothers said it was a mistake.
00:48:39That she wasn't our daughter.
00:48:41It was Miss Garcia who was coming to visit.
00:48:44And we've called him Garcia ever since.
00:48:46Ah!
00:48:47Oh, what a cute little fool!
00:48:53Well, we're not talking about the children tonight.
00:48:56We need to have fun.
00:48:57Oh, good idea!
00:48:59Oh no, Marquitos!
00:49:01No no!
00:49:02Tell us a dirty joke.
00:49:06Come on, Mom.
00:49:09Well, you see.
00:49:11I'll start with a mild one.
00:49:13Ma'am, if I go too far, please tell me.
00:49:17He's a gentleman.
00:49:21It's a man who tells his son.
00:49:24Jaimito!
00:49:25Hahaha!
00:49:26It's one of Jalpito's!
00:49:28Hahaha!
00:49:29Okay, let's count.
00:49:30The one who is the sister's boyfriend is Pizco.
00:49:32And Jalpito goes and tells him.
00:49:34Oh!
00:49:35This guy is very lucky.
00:49:38Instead of one girl, he's going to have two.
00:49:40Ha ha ha!
00:49:41He says that because, like Pizco, he sees double.
00:49:44Hahaha!
00:49:45Now go on, go on Marcos.
00:49:47Hahaha!
00:49:48But how am I going to go on?
00:49:49You've already spoiled it for me.
00:49:51He always does the same thing to me.
00:49:53Hahaha!
00:49:55No, you fool!
00:49:57The good thing is the way it's told.
00:50:00Come on, one of the Andalusians tells.
00:50:02Well.
00:50:03Arsa, ask!
00:50:03She does the Andalusian way better!
00:50:04Arsa, you'll see!
00:50:05As if he were from Ciudad Real.
00:50:26The wedding night dinner
00:50:28It should be light but nutritious.
00:50:32Spicy foods are not recommended.
00:50:40nor strong seasonings.
00:50:42The spouses must proceed
00:50:44like footballers
00:50:45when they concentrate
00:50:47ahead of an important match.
00:50:51The best course of action will be
00:50:52a consommé without sherry
00:50:55and without yolk.
00:50:57And without consommé?
00:51:02And then some grilled meat
00:51:04or some cold cuts.
00:51:05As a beverage,
00:51:06a glass of champagne
00:51:07that stimulates.
00:51:13But...
00:51:14But if you overdo it with the champagne
00:51:16It can raise the voltage
00:51:17of the drivers with excess
00:51:18And then there is danger
00:51:20that uncontrolled impulses
00:51:24ruin
00:51:26with a perfect, happy
00:51:27and a methodical wedding night.
00:51:36Does it say what time?
00:51:36We need to set the alarm clock
00:51:37the next morning?
00:51:39We haven't reached that point yet.
00:51:45And how will they manage?
00:51:46those who do not have the fortune
00:51:47of having a friend
00:51:48How Saldaño?
00:51:51Maria Jose,
00:51:52Don't make it harder.
00:51:55I have no experience,
00:51:57Lorenzo,
00:51:57But that is my obligation.
00:51:59upon coming here.
00:52:00But you...
00:52:01You won't complain.
00:52:02that it has been
00:52:03always a good boy.
00:52:06I don't want to do things wrong,
00:52:07Maria Jose.
00:52:10I'm in love with you,
00:52:13But I know that tonight
00:52:14a large part depends
00:52:15of future happiness
00:52:17of our marriage.
00:52:20Whatever you say.
00:52:23Skip the entire chapter
00:52:24dedicated to dinner.
00:52:25I'm not hungry.
00:52:26Me neither.
00:52:28Perhaps later...
00:52:30Go on, read, read.
00:52:30Go on.
00:52:31Yes, yes.
00:52:33Chapter Three.
00:52:36That?
00:52:37From the wardrobe.
00:52:40The gentle bride
00:52:42you will have to take off your clothes
00:52:43without worry.
00:52:45The newlywed
00:52:46must discreetly
00:52:47look the other way
00:52:48so as not to upset his wife.
00:52:58First the blouse.
00:53:09The blouse.
00:53:11Oh, the blouse.
00:53:16Then the skirt.
00:53:18We do not recommend the skirt
00:53:19pants
00:53:20because it takes away femininity
00:53:22to the movements.
00:53:35After that, no more dengue fever.
00:53:38Damn your image
00:53:39Saldaño.
00:53:43Without dengue fever,
00:53:44the bride will proceed
00:53:46to take off
00:53:46the combination.
00:53:58Sorry.
00:54:00My mouth is dry.
00:54:01It must be read.
00:54:06Go on.
00:54:08Please continue.
00:54:12Yeah.
00:54:17And now?
00:54:18And now is the time
00:54:19which it must enter
00:54:19the waiter
00:54:20to take
00:54:21the tray
00:54:22from dinner?
00:54:24What are you saying, Lorenzo?
00:54:25Now?
00:54:26Does your friend know?
00:54:27Saldaña
00:54:27How am I feeling now?
00:54:29No, no, no, no, no, no, no, no, no.
00:54:30I'm lost.
00:54:37I think we've already read
00:54:38quite.
00:54:39Lorenzo!
00:54:40Lorenzo, please!
00:54:41Lorenzo, José!
00:54:44Don't cause a scandal, Lorenzo.
00:54:46Well, get out of there.
00:54:47Wait a little while.
00:54:49The bride
00:54:50will wear clothes
00:54:51comfortable nighttime
00:54:52and preferably loose-fitting.
00:54:53The book says so.
00:54:54Loose?
00:54:55Yes, I know.
00:54:56I'll bring a nightgown
00:54:57from my mother.
00:54:59Also,
00:55:00the groom too
00:55:01will proceed
00:55:02to be endorsed
00:55:02pajamas.
00:55:04Look,
00:55:05I thought that the only
00:55:05that was endorsed
00:55:06They were bills of exchange.
00:55:09Do you want me to help you, sweetheart?
00:55:10No!
00:55:11Besides,
00:55:12You have to endorse yourself
00:55:12the pajamas
00:55:13and until you are gone
00:55:14in pajamas,
00:55:14I don't go out in a nightgown.
00:55:16Yeah.
00:55:44I'm here, darling.
00:55:46Now turn off the light.
00:55:48No, you see,
00:55:49no, no, no.
00:55:51The book says...
00:55:59Spouses should abstain
00:56:01to turn off the light
00:56:03because then they get used to it
00:56:06and they never turn it on again.
00:56:10Look,
00:56:11What I'll do is leave it.
00:56:13if it is,
00:56:14it's not.
00:56:35That's enough.
00:56:43Ah!
00:56:45Ah!
00:56:51Ah!
00:56:55Ah!
00:57:03Ah!
00:57:04Ah!
00:57:08You look beautiful, Maria Jose
00:57:10That pajama looks great on you too.
00:57:14Come on, you're not going to compare.
00:57:18Is this justice?
00:57:25Okay, so what does the next chapter say?
00:57:32Like that, like that
00:57:41Once the couple was in their evening clothes
00:57:46The gentle bride in a sweet and uninhibited way
00:57:51It will be placed
00:57:54In situ
00:57:59That?
00:58:02This gentle bride doesn't know what it's like to be in situ.
00:58:06Does the gentle betrothed know?
00:58:14Try to relax your sartorius muscles, my beloved.
00:58:18And provide complete rest for the morals, orbicularis, and biceps muscles.
00:58:24No
00:58:25And mastoids
00:58:28Lorenzo, unless you brought a dictionary
00:58:30I'm going to have to phone an aunt of mine who was a prostitute in Bilbao when she was young.
00:58:36That is beyond doubt
00:58:38You have to be on-site
00:58:41For now, I'm going to pour myself a glass of champagne.
00:58:43Because my mouth is dry
00:59:11Go ahead, Don Laureano
00:59:15Hey, do you like the flamenco performance I've prepared for you?
00:59:19It's the painting of the witch
00:59:23All it needs are the brooms.
00:59:25They are a group of friends who are amateur builders.
00:59:28Right, girl?
00:59:29Most importantly, the father of this bricklayer
00:59:31And you and a brick
00:59:33When is dinner?
00:59:35Always, always with your things, lovely time for dinner
00:59:38What does Don Laureano think, that she's starving to death?
00:59:42Cheer up!
00:59:42Olé, olé, olé, olé!
00:59:46Enjes no suithat
00:59:47Enjes no suithat
00:59:50Sorry
00:59:50The custom of partying with Americans
00:59:52And she doesn't have a boyfriend.
00:59:53Olé!
00:59:54And she doesn't have a boyfriend!
00:59:55The men here are very clever.
01:00:00Hey, Pampo Ficedi
01:00:01I've ridden nearly a hundred kilometers on that damned motorcycle
01:00:04To form the picture
01:00:05And to distract Don Laureano
01:00:06A little more collaboration and less fooling around.
01:00:09Don't let it fall apart! Don't let it fall apart!
01:00:12Olé! Olé! But we need a guitarist!
01:00:16Don't worry, this one whistles very well.
01:00:18Come on! Come on, girls!
01:00:20A woman from Seville! This gentleman is from Malaga!
01:00:23Olé!
01:00:25The one who's going to be very happy is the downstairs neighbor.
01:00:28Don't worry, the downstairs neighbor is a friend of ours.
01:00:31Let's go! Let's go!
01:00:33Come on! Come on, Tania! Come on!
01:00:37Let's go!
01:00:59Cinnamon! My girl is cinnamon!
01:01:01And here's your little plate of custard
01:01:05Are you here for a sweet treat, Manolo?
01:01:06Yes, I think I used a little too much lotion, but...
01:01:11How barbaric! What are they doing?
01:01:13Don't rush
01:01:13This is where Atlético de Madrid is based.
01:01:16They will be training
01:01:17Who's going to give your baby a little kiss?
01:01:22Pi, penalty
01:01:24Come on, cheer up!
01:01:27It was an accident!
01:01:29Oh, my foot!
01:01:31Oh!
01:01:33He stepped wrong.
01:01:35Someone just gave me a fatal shove.
01:01:37No, sir
01:01:38You don't understand anything about Sevillanas.
01:01:41And when you turn it to the fourth one, it gives it a little bit like this.
01:01:43Clear!
01:01:43As if he had been run over by the Talgo train
01:01:45Look at the little asparagus!
01:01:46Hey, don't call me a little asparagus!
01:01:47Little asparagus, doctor!
01:01:49The important thing here is to celebrate the signing of the contract
01:01:51Hey, Mr. Laureano?
01:01:53That's it! That's it!
01:01:54Long live joy!
01:01:54I'd be happier if they gave me a raise.
01:01:56Now we should have some fun
01:01:58Because the contract is done.
01:01:59No, Don Laureano?
01:02:00Well
01:02:01First, we need to clarify some details about the figures.
01:02:04To adjust the budget
01:02:06The increase produced
01:02:07In square meters of building
01:02:10That's done.
01:02:12Top-quality caviar, Don Laureano!
01:02:13From the real deal in Pontevedra!
01:02:17But what does he do?
01:02:18Dance!
01:02:19But bread and bull
01:02:20Whatever
01:02:20He's asking for figures, and I'm going after Manolo.
01:02:23Okay, now for a contest
01:02:25Let's see who can break the most parquet floorboards
01:02:28Without breaking his ankle
01:02:30Let's go!
01:02:30Let's go!
01:02:31Let's go!
01:02:31Let's go!
01:02:32Let's go!
01:02:33Let's go!
01:02:34Let's go!
01:02:41And to think that your partners wanted to deprive us of our wedding night.
01:02:45Make me a beautiful place!
01:02:53You shouldn't have mentioned them, Catalina.
01:02:55It's impossible for them to know where we are
01:03:01Grab it
01:03:02It will be a mistake
01:03:07Who is it?
01:03:09Don Manuel Sanfelices García!
01:03:11The police?
01:03:13Catalina, did you bring the family book?
01:03:15Yeah
01:03:18It's me
01:03:19Stand up immediately!
01:03:22Yes, who is it?
01:03:23The General Shareholders' Meeting of CESANM
01:03:26It has been permanently established
01:03:29And it has taken the agreement to force OVI
01:03:32To meet with the remaining partners
01:03:35It's my wedding night, Cesar!
01:03:37I'm going to call the police!
01:03:39Lady
01:03:40Lady
01:03:40Lady
01:03:41What fault is it of ours that our parents were poor?
01:03:44And they couldn't give us education?
01:03:46Because I only went as far back as the Catholic Monarchs.
01:03:49And that's because I'm a Christian.
01:03:51Manolo
01:03:52Manolo
01:03:53Do you know how to unclog a sink?
01:03:55No, right?
01:03:56Well
01:03:57Well, that's what that idiot Antonio de Cuentas knows.
01:04:00And me even less.
01:04:01I know, I know
01:04:03If you know, it's worse, kiddo
01:04:05A man who leaves his business for a woman is not a man.
01:04:08What, I'm not a man?
01:04:10Of course you're not a man
01:04:12A man who leaves his wife for a business is not a man
01:04:15So, I'll be a wimp anyway.
01:04:17Manolo
01:04:19Manolo
01:04:19Fix the budget ones for us
01:04:21But how am I going to get to Madrid now?
01:04:25Above?
01:04:27Hey, if they're up there, take a look.
01:04:29And the kicks are from Antonio dancing flamenco
01:04:33So there are prostitutes
01:04:35I heard her
01:04:36There are four girls
01:04:39Naturally there are no girls
01:04:40We have to distract Don Laureano somehow.
01:04:44Okay, just half an hour, Cesar
01:04:46No, no, no, no flattery
01:04:48I'm coming up now.
01:04:51If I don't go up there, they won't leave us alone, Catalina
01:04:55Just half an hour
01:04:57For all I care, you can stay for three days if you want.
01:05:04What a night
01:05:09Wait for me, darling, don't fall asleep on me
01:05:16You've fallen asleep, sweetheart.
01:05:18Everyone except the stoker is already in bed
01:05:20You can come in now.
01:05:23Well, now it's time to yawn until Córdoba
01:05:27My knees hurt from standing.
01:05:28Now you will be lying down
01:05:30This
01:05:31This
01:05:47Concho
01:05:48You're going to stay there the whole trip, kid.
01:05:50Are you there?
01:05:53Are you there?
01:05:54He, he, he
01:05:54He, he, he
01:05:55He, he, he
01:05:56He, he, he, he
01:05:56I feel sorry for you.
01:05:57What are you?
01:06:00He, he, he, he
01:06:06He, he
01:06:07He, he, he
01:06:09He, he, he
01:06:30How romantic it is to dance on the deck of a ship
01:06:33Or is it a little cheesy?
01:06:35Don't know
01:06:36Is this the first time I've danced on a boat?
01:06:47Before leaving home, you changed the gas pipe
01:06:49Yes, the old man was pissed off.
01:06:51I knew it, it smelled strong
01:06:54Have they locked the door?
01:06:55They're grown up now, Miguel.
01:06:57They're so old that during dinner I've been thinking what a shame they're not with us.
01:07:04I imagined Miguel in his tuxedo
01:07:07Julia in a long dress
01:07:10But what were we going to do about that damn Garcia?
01:07:13Tell me, do ships have dog kennels?
01:07:15Shut up, savage!
01:07:22Yes, Mom
01:07:24I miss them a lot too.
01:07:25But remember, this trip is just for us.
01:07:29According
01:07:35It's cool
01:07:36And now is it?
01:07:39Oh, very late
01:07:40Hey
01:07:43Are you still wearing that thing Claudia brought you from Paris?
01:07:46Yeah
01:07:48But it doesn't have a zipper.
01:07:49We'll manage.
01:07:55What did you have for dinner?
01:07:56Peaceful
01:07:57Weren't there any calamari on the menu?
01:08:01What did you say?
01:08:03Please repeat.
01:08:05On-site?
01:08:07Well
01:08:08I don't know if in the kitchen
01:08:10It's a Basque dish, isn't it?
01:08:13A position?
01:08:16Hang on a minute
01:08:18Marcelino
01:08:18Do you know what "in situ" means?
01:08:20A footballer from Celta de Vigo
01:08:22No, no, no
01:08:23It's a position
01:08:25The newlyweds on the 320th are asking this question
01:08:28Wow, decency has been lost
01:08:33Olegario
01:08:34What does "in situ" mean?
01:08:35For now, your father
01:08:36Hey
01:08:37With the sciatic pain I have
01:08:40With the night service and on top of that, jokes
01:08:42But crazy
01:08:43What is a position?
01:08:44He's your father, wow.
01:08:46Well, yours
01:08:46Here goes
01:09:04What are they saying?
01:09:07I'm going to smash your mouth in with the corkscrew
01:09:10Because?
01:09:12That's what I just heard
01:09:16Wait
01:09:17That?
01:09:19Ah, very good.
01:09:20Yes, yes, thank you.
01:09:21Thank you
01:09:24They're going to ask the doctor on duty.
01:09:31We'll have to wait a little while, María José
01:09:32It doesn't matter
01:09:33I feel much better.
01:09:34It was the champagne
01:09:35In short, a few drinks
01:09:37You see?
01:09:47Cheers
01:09:56I'm sorry, Maria Jose
01:09:59But this is modern life
01:10:03Teamwork
01:10:06Books that explain everything
01:10:10Sometimes
01:10:11I feel sorry for our grandparents
01:10:14Me too
01:10:16My grandparents
01:10:18The meadows
01:10:19The meadows of my parents
01:10:22Oh, wow
01:10:23The meadows of my parents
01:10:27That
01:10:29Well, she
01:10:30I didn't even know how to read
01:10:31Not even write
01:10:32Oh
01:10:36He added with his fingers
01:10:37That's a shame.
01:10:38My grandfather
01:10:39The priest
01:10:40The priest
01:10:43That's it, my grandfather.
01:10:44Well, he was a fool too.
01:10:46And that's what I say
01:10:48How would he manage?
01:10:53So that?
01:10:55To have twelve children
01:10:56Without having met Saldaña
01:11:08Twelve by nine
01:11:11Twelve, twelve, twelve times nine
01:11:12Eighteen
01:11:16Eighteen
01:11:17I'll take one
01:11:18Another one, another one
01:11:19That's it, that's it!
01:11:20He's a real sweetheart.
01:11:21That woman doesn't know.
01:11:23What's in style
01:11:24The ges does not suica
01:11:25In plain English, beautiful
01:11:26That's where football comes in.
01:11:27We call it football
01:11:28And she doesn't have a boyfriend.
01:11:29Oh no, no, no
01:11:31He's already married, beautiful
01:11:33And don't raise your voice at me, gypsy.
01:11:35I might slap you.
01:11:36That this superman
01:11:37I can't be wrong
01:11:40Terequitequi
01:11:41Wave
01:11:43Terequitequi
01:11:43Terequitequi
01:11:43Terequitequi
01:11:45Terequitequi
01:11:45Terequitequi
01:11:46Terequitequi
01:11:46Terequitequi
01:11:48Terequitequi
01:11:49Terequitequi
01:11:51Without stomping loudly
01:11:52That it might upset
01:11:53The wife of Pythagoras' grandson
01:11:54No, that's not it.
01:11:54From time to time
01:11:55Give her a few strong stomps.
01:11:57So that he doesn't fall asleep
01:11:58That's all there is to it.
01:11:59Your wish is law.
01:12:00Beautiful
01:12:07Can I help you?
01:12:09In winter I work as a cashier
01:12:11At a horchata stand
01:12:12Horchata in winter?
01:12:14They'll certainly have a lot of work to do.
01:12:19Tell me
01:12:20It's me, Manolo
01:12:21Do you remember the green combination?
01:12:24What did Aunt Enriqueta give me?
01:12:26Well, I just put it on.
01:12:29In five minutes
01:12:30I put on my suit jacket
01:12:31And the show is over.
01:12:34You have five minutes
01:12:36I have five minutes
01:12:37Five minutes
01:12:37Five minutes
01:12:38He gave me five minutes
01:12:39Five minutes
01:12:40Five minutes
01:12:41But what's going on?
01:12:42My wife is waiting for me
01:12:44And he's given me five minutes
01:12:45But Manolo
01:12:46You are a sex addict
01:12:48I am a newlywed man
01:12:49Five minutes
01:12:50Well, take advantage of them.
01:12:51And as soon as you finish
01:12:52To the maelstrom
01:12:54Shut up, Antonio.
01:12:55Shut up.
01:12:56Don't offend him
01:12:57What do you think?
01:12:58He is a heartless man.
01:12:59No feelings
01:13:00Come on, you think so?
01:13:02That this is an Englishman
01:13:02Or something like that
01:13:04That this ends the budgets
01:13:06Go on, little boy
01:13:08Five minutes
01:13:09I have five minutes
01:13:10Well, what do I do?
01:13:12Do the math.
01:13:12Any numbers you can think of
01:13:133, 4, 3, 4, 3
01:13:33Hello
01:13:34Meal
01:13:34That?
01:13:35Something to eat
01:13:36I'm sorry, sir.
01:13:36But that was a long time ago.
01:13:37They uncoupled the car from the restaurant
01:13:39And doesn't it have one around there?
01:13:40Some cookies?
01:13:40Something?
01:13:41I'm sorry, really.
01:13:42Earth, Quino
01:13:43What a current
01:13:45Immediately, tenderness
01:13:46This one...
01:13:46And some peanuts?
01:13:47Neither
01:13:48Neither
01:13:51Have
01:13:52Give them to the train driver
01:13:53Don't be in a hurry.
01:13:55If we arrive two hours late
01:13:56Better
01:13:57I'm sorry, sir.
01:13:58You see it, you see it
01:13:59It was a very good idea.
01:14:07Order two more bottles
01:14:12Cheers
01:14:13Cheers
01:14:21And the book?
01:14:22Hey?
01:14:23What does it say?
01:14:25Well, that's the bad part
01:14:26I don't understand it
01:14:27It's too technical
01:14:31We were going
01:14:32We were going this way
01:14:34Ah!
01:14:35Look!
01:14:36A holy card!
01:14:37What is it?
01:14:38I don't know
01:14:40You're seeing it
01:14:41The other way around
01:14:44No, neither.
01:14:46No
01:14:51What are you laughing at?
01:14:55Okay, so what's up?
01:14:57What's happening?
01:14:58I think that
01:15:00I think he looks like your uncle
01:15:06If this drawing isn't a gentleman
01:15:11But he looks like your uncle
01:15:13Look
01:15:14Which one?
01:15:15Ah!
01:15:18To Uncle Ramón
01:15:19To the bald man
01:15:21What does it look like?
01:15:22Look
01:15:23The dive
01:15:24It's the same
01:15:26I didn't give him the mustache treatment.
01:15:36Lorenzo
01:15:36I am not Lorenzo
01:15:38I'm Uncle Ramón
01:15:40Lorenzo
01:15:41I know what needs to be done
01:15:43But if
01:15:45Suddenly?
01:15:46Yeah
01:15:46So
01:15:47Suddenly
01:15:48And what about teamwork?
01:15:51And the structures?
01:15:53May they be struck by lightning
01:15:56Flat
01:16:16It is dawn
01:16:20The little girl was born at this time.
01:16:22Do you remember?
01:16:24I thought you had fallen asleep
01:16:25I've been thinking about the boys
01:16:27Me too
01:16:30This is the first time we've been separated from them.
01:16:32Yeah
01:16:34I'm afraid of the gas.
01:16:35From the bolt
01:16:36They probably slept with the windows open.
01:16:39They're grown up now
01:16:42How will Julia manage the shopping?
01:16:45Well, I don't know.
01:16:48The one I'm worried about is Miguel.
01:16:50He's at a difficult age
01:16:52God knows
01:16:53What time would he return to our house?
01:16:59It's useless, isn't it?
01:17:02I think so
01:17:04Everything has its time.
01:17:06We are no longer a man and a woman
01:17:08We are parents
01:17:11You can't go on a honeymoon
01:17:13After 20 years of marriage
01:17:16What do we do?
01:17:20What time did they say we would arrive in Palma?
01:17:23Around 8
01:17:25From Palma and a plane to Madrid
01:17:29I'm sorry, Dad.
01:17:31You deserved better.
01:17:33But I'm worried about the boys
01:17:37And you too
01:17:58Hey, didn't we go through Astorga?
01:18:00No sir, why?
01:18:01To buy some shortbread cookies
01:18:02Well, no, we didn't pass.
01:18:03And through Guadalajara
01:18:04Because they make some amazing rum cakes there.
01:18:06Very nutritious
01:18:07Neither
01:18:07Neither
01:18:08You're not carrying that on top of yours, are you?
01:18:10Some small almonds
01:18:11Or a crust of bread
01:18:12Even if it was the day before yesterday?
01:18:13No sir
01:18:15And some liver injections
01:18:17I'm sorry, sir.
01:18:18Okay then
01:18:20For the train driver
01:18:23Let it run
01:18:24By her mother
01:18:25Let it run
01:18:27And even this wasn't the door
01:18:28What will become of me?
01:18:39Okay, can I have that one?
01:18:40Yes, man
01:18:41Yes, that wouldn't be lacking.
01:18:44I think he's signed once or twice
01:18:46It's the same
01:18:47Don't worry, man
01:18:49Okay
01:18:50Okay, done.
01:18:54You can't imagine how happy we are, Don Laureano.
01:18:57You're going to be very happy.
01:19:00But the other partner has to sign.
01:19:02Manolo, no
01:19:03We have powers
01:19:05Besides, the poor guy will be very busy now
01:19:09Okay, now the real party begins
01:19:17Come on
01:19:17It's serious.
01:19:18It's serious, very serious, César.
01:19:19Don't leave me alone
01:19:21Okay, so what's up?
01:19:22It's because of Catalina
01:19:23Her wedding ring has fallen off.
01:19:26Through the sink drain
01:19:27And to recover it
01:19:29He put his fingers inside the pipe.
01:19:31And now he can't get them out
01:19:34What a night, dear mother!
01:19:36What a night!
01:19:37Come
01:19:39Don't worry, darling
01:19:40Now come those who are the masters of plumbing
01:19:43And they'll pull those fingers out of you.
01:19:45You won't even notice.
01:19:47Oh!
01:19:48My arm!
01:19:50Oh!
01:19:51Oh!
01:19:51Now!
01:19:52Oh!
01:19:54Now!
01:19:55Come on!
01:19:56Okay, please!
01:19:57Okay, please!
01:19:59Don't scream, darling.
01:20:00Without scandals that are plastered on that grain
01:20:02And I ask you, why don't they spend their wedding night here?
01:20:04With so much partying with Americans
01:20:06You've picked up their twisted habits
01:20:08The wedding night standing
01:20:10When you get married and find a normal one that's a bit of a turn-on
01:20:12Try it and let me know.
01:20:14What if we bring the mattress into the bathtub?
01:20:15Which?
01:20:16It's not a bad idea.
01:20:16Cease
01:20:17If something happens to my wife's arm
01:20:19The society is renamed AMA
01:20:21Because I'll shoot the CES in front myself.
01:20:25Come on, you're very nervous, Manolo.
01:20:27You don't know what it's telling you.
01:20:28Come on, Antonio
01:20:29Oh!
01:20:31Gentlemen, gentlemen, gentlemen, unhook yourselves
01:20:33This is a matter for the fire department.
01:20:35What if we call the municipal tow truck?
01:20:38Okay, okay, let's take it easy.
01:20:40There are a lot of cripples out there
01:20:41If we cut off his fingers, would you care?
01:20:44Due to death
01:20:46The company ends due to the death of the shareholders
01:20:49One moment
01:20:50I have, I have an idea
01:20:52Let's see
01:20:52Why didn't I think of that before?
01:20:55Antonio, come on
01:20:55Take out the cold chisel
01:20:57Take the husband away, please.
01:21:08What's up?
01:21:10Tell me, tell me
01:21:13On-site?
01:21:16Ah!
01:21:17What did the on-call doctor say?
01:21:19What does "in situ" mean?
01:21:24That's outrageous!
01:21:25It would never have occurred to us.
01:21:27Thank you so much
01:21:31Is there any champagne left?
01:21:35Perhaps
01:21:52Saldaña
01:21:53Long live my grandmother!
01:21:55Be careful with the permit
01:21:56Be careful with the permit
01:21:58Slowly, darling!
01:21:59Slow down, take it easy!
01:22:00Oh, little one!
01:22:02If I walk it, I'll be in a hurry!
01:22:04Oh, how wonderful!
01:22:05Oh, yes!
01:22:06Backwards, backwards!
01:22:07Careful!
01:22:08Careful!
01:22:08Hey!
01:22:08Hey!
01:22:09What a tragedy!
01:22:10What a tragedy!
01:22:11What a tragedy!
01:22:11Kill yourself, man!
01:22:12Finger, finger!
01:22:13Congratulations!
01:22:13The finger!
01:22:18Watch your finger!
01:22:27Well, especially for a town crier's speech
01:22:58I'm going through the neighborhood
01:23:00Samba with a 10% discount
01:23:01Oh, he's causing me trouble!
01:23:02Okay, okay, okay, okay, okay
01:23:04That's settled!
01:23:05Man!
01:23:05We're all leaving!
01:23:06And we leave the pair of lovebirds.
01:23:08so that it can be lulled to sleep
01:23:08Go away!
01:23:10How happy you are!
01:23:12Little one!
01:23:15Oh!
01:23:15How I envy you!
01:23:16You've earned it!
01:23:17I'm touching your face, Cesar!
01:23:19I'm touching your face!
01:23:20Come on, Manolo!
01:23:21Don't waste your energy foolishly!
01:23:22Come on!
01:23:23Out!
01:23:24Out into the street!
01:23:24Out into the street!
01:23:25Out into the street!
01:23:27Wow!
01:23:27Out!
01:23:27Wow!
01:23:28Wow!
01:23:34Catalina, forgive me
01:23:35I'm an idiot
01:23:38Look, I'm going to ask for a hammer
01:23:40Manolo, let's reason
01:23:43No matter how much you break the sink
01:23:44The pipe is there
01:23:47In a few hours
01:23:48They must have taken all that from me.
01:23:53Lock that door securely.
01:23:54Let's make the most of our time, Manolo
01:23:56They'll be back!
01:23:57No, absolutely not.
01:24:19It would have been nice
01:24:21Yes, everything would have been nice 20 years ago
01:24:33When we disembark
01:24:34I want to send a telegram
01:24:35To your parents?
01:24:37To my children
01:24:55Here, gentlemen, is the breakfast you ordered.
01:24:57Black coffee
01:24:58And he a quantity
01:24:59And a box of Alka-Seltzer
01:25:01Do you need anything else?
01:25:04Please don't speak so loudly
01:25:06Yes, ma'am
01:25:08Excuse me
01:25:24Are you there, darling?
01:25:27Yes honey
01:25:34That's great, huh?
01:25:37Yes, that's great!
01:25:43Should I order more champagne?
01:25:45No
01:25:46From now on, no champagne
01:25:53Hang on a minute
01:25:54Do you know the address of Saldaña?
01:25:57I'm going to send him a telegram.
01:25:59That?
01:26:01More champagne!
01:26:04More champagne!
01:26:13From now on, no champagne
01:26:37Careful, careful, has he hurt himself?
01:26:39What happened to him?
01:26:40No, it's my knee that's giving out.
01:26:43Ah, wir sind schon in Seville, seh vorsichtig.
01:26:46Ah, guck mal da, die Pinguin.
01:26:49Goodbye, Penguin.
01:26:52Ah, look at that.
01:26:54Be careful with the suitcase.
01:27:00Spain offers quality.
01:27:03What's wrong? You seem tired.
01:27:05Who, me? Why would I be stealing?
01:27:18We're going home. Period.
01:27:19We can't do this without you. Period.
01:27:21Kisses, Dad and Mom.
01:27:27To find out what's inside a coconut, you need to crack the coconut open.
01:27:31Joaquín.
01:27:39Catalina got out of the bathroom. Period.
01:27:41Due to nervousness, I made a mistake in the budgets. Period.
01:27:44We're going to lose 40,000 pesetas. Period.
01:27:47We're leaving for India. Manolo and his wife.
01:27:53Less books and more Spanish fury. Period. Saldaña, may you and Gutenberg be killed.
01:27:59Maria Jose and Lorenzo.
01:28:02No.
01:28:08Mariah完成.
01:28:09Yúcar.
01:28:11From India.
01:28:18Cácer.
01:28:19Jürgen from India.
01:28:20Thank you.
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