- hace 2 días
Reparto: Agustín González, María Luisa Ponte, Manuel Alexandre, José María Caffarel, Miguel Rellán, Alicia Sánchez, Eusebio Lázaro, Enriqueta Carballeira, Chus Lampreave, María Elena Flores, Luis Ciges
Dirección: José Luis Cuerda
Sinopsis: "Total" abre la tetralogía que cierran "Amanece que no es poco", "Así en el Cielo como en la Tierra" y "Tiempo después". Año 2598. Hace tres días que el mundo ha llegado a su fin en Londres, un pequeño y perdido pueblo de ambiente castellano. Lorenzo, pastor de ovejas, nos cuenta una serie de sucesos extraordinarios que han ido anunciando el fin del mundo: las vacas quieren ir a la escuela, las paredes se derrumban, o Doña Paquita se aparece en los lugares más insospechados.
Dirección: José Luis Cuerda
Sinopsis: "Total" abre la tetralogía que cierran "Amanece que no es poco", "Así en el Cielo como en la Tierra" y "Tiempo después". Año 2598. Hace tres días que el mundo ha llegado a su fin en Londres, un pequeño y perdido pueblo de ambiente castellano. Lorenzo, pastor de ovejas, nos cuenta una serie de sucesos extraordinarios que han ido anunciando el fin del mundo: las vacas quieren ir a la escuela, las paredes se derrumban, o Doña Paquita se aparece en los lugares más insospechados.
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CortometrajesTranscripción
00:00Music
00:30Thank you!
01:00Thank you!
01:30Thank you!
02:00Thank you!
02:30London.
02:49Sheep.
02:54Years have passed.
02:56You must be around nineteen eighty-something, but not us, we are already in two thousand five hundred and ninety-eight, half of the twenty-sixth century, a wonderful century, full of progress and very lively.
03:12And a year, well, a regular year, just regular.
03:22Sheep!
03:26Well, why would I lie to you? The truth is, it was a dreadful year.
03:30Man, three days ago was the end of the world.
03:33Yes, yes, yes, yes, yes, but the end of the world, end of the world, fuck, damn, hell.
03:37Well, the truth is that it was a terrible moment, a dreadful experience.
03:42But if you want me to tell you the truth, it didn't surprise me at all.
03:46Life in big cities like London had become impossible as it was.
04:07In the rest of the world, according to our news, internal struggles were spreading which, cruel as they were, were devastating many territories.
04:17As if all this wasn't enough, heroes also flourished who, in order to be more than anyone else, decimated the population in the most foolish way.
04:25Whether these are the causes or others from other subjects, the planet added to its traditional translational and rotational movements a new, rhythmic, and tropical one.
04:36who made himself known by adding insolence to the proud, boldness to the intruders, and perversity to the wicked, whether they were humans or wild beasts.
04:45Let's see if they make a mistake when they get to 8 times 9, because if they don't make a mistake at all...
05:15What am I doing here?
05:15Three times one, three. Three times two, six. Three times three, four, nine.
05:23Good morning, why? Huh? Because they're nice? They're pigs, you're all pigs. Pigs. Sit down now!
05:33But, woman, Rocío, for God's sake...
05:35You stay!
05:37Why are they good, huh? Does anyone know why they're good?
05:41You're an idiot.
05:43Excuse me, Doña Rocío, but it's a form of greeting that is commonly used in schools.
05:47An absolute imbecile.
05:49Nobody can tell me why they are good, for the simple reason that the days we live in are bad.
05:54Terrible!
05:56Did he tell us that the end of the world is coming?
05:59Oh!
06:00Oh my God!
06:185 times 1, 5. 5 times 2, 10. 5 times 3, 15. 5 times 4, 20. 5 times 5, 20.
06:31Thank you, children, thank you.
06:33Those scenes between the teacher and his wife were bound to affect the children's education.
06:39Don't tell me. Every day the same spectacle, the same insults.
06:44In short, what's the point of giving explanations if it's all his fault, and his fault alone, that my son...
06:49who was just a kid back then, one day, he got a year older than me?
06:58Father! Father!
07:01Father! I've grown up.
07:09I've grown up, father.
07:10I had already heard similar things on the radio.
07:15Monkeys that, put in vinegar inside a jug, sang like nightingales.
07:19Girls who ran away from home with soldiers.
07:21Well, right here in London I've seen a chicken turn into a snake that big.
07:27Well, huge.
07:30And with boobs, huh?
07:31And what's more, it was clucking.
07:33So I was already over everything.
07:38But for my son to suddenly age 40 years, just like that, as if it were nothing.
07:43And what's more, without warning, I got a terrible fright.
07:46Well, and that wasn't the worst of it, no, no.
07:48The worst part was that her mother, well, you know how women are,
07:52She insisted that she could not leave her son alone in such a predicament.
07:56And without hesitation, she changed her age to the same as him.
08:02Hey, it was over in a flash, huh?
08:05Well, one thing, one tremendous thing.
08:09It was consumed, it was consumed, it was consumed like, like, like, like an ember, like an ember, like a little ember.
08:17And he disappeared, without a trace, in less time than it takes a rooster to crow.
08:26While his mother lay dead, my son promised to become a man of worth.
08:56Good morning. Two out of fifteen.
09:02It gives me two bars, two out of fifteen.
09:07Two out of fifteen, two out of fifteen.
09:11Give me everything you're carrying.
09:13Me? Why?
09:14Because I'm robbing her, don't you realize it, ma'am?
09:17Come on.
09:17Good morning.
09:25Good morning, not from God, eh?
09:27Pascual, be careful, I'm here robbing the teacher's wife.
09:30Man, that's great. You're a real man, Minio.
09:34Come on, come on.
09:35In business practice, my son was either an idiot or a genius.
09:41Like any merchant, his main interest was in extracting money from his customers.
09:46with the peculiarity that he was convinced that his method was the fastest and most effective to achieve that goal.
09:54I, being a conservative, would have preferred the traditional trickle-down effect of profit margins,
10:00which scares the parishioners less.
10:03There's a capital, huh?
10:04Huh? Nothing, much ado about nothing.
10:07And jewelry? Me, going to jewelry?
10:09What's she going for? Costume jewelry, a wedding ring, and a silver-plated watch.
10:13Hey, and what a face that aunt has, huh? What a face that aunt has!
10:16My aunt just wants to leave. Give me the bread now, I'm in a hurry.
10:19Okay, you, madam.
10:21They already had three followers and in Pepabudo it's not bread.
10:24Oh, no?
10:25No, ma'am, you can't. That's clear.
10:28What is clear is that I'm not going to leave without bread.
10:30Let them take my money.
10:31The watch and jewelry thing doesn't appeal to me that much, but I'm not going to complain too much.
10:36Now, of course, I've eaten bread all my life.
10:40I like to spread sauces.
10:42I usually add croutons to the mashed potatoes.
10:44And I make friends at least once a week.
10:45In other words, I'll take the bread with me.
10:47Well, I don't plan to give it to him.
10:48What do you mean, no? What's wrong? Are you going to do whatever you want?
10:52Does he want to rape me too? Does he want to father my child?
10:55Ma'am, don't get wet.
10:56Is the child doing something nasty? What is he doing?
11:00Hey, it's been revealed.
11:02Tell me the eye, huh?
11:03Álvaro, Álvaro, Álvaro.
11:23Álvaro, Álvaro.
11:26Don't shout, what's wrong?
11:28Woman, move the cows aside, I can't get in.
11:31Do you really think it's that easy?
11:33Don't you know what season the animals are in?
11:36The first thing I thought, when I saw how my son treated his customers,
11:40It was to give each of them comprehensive insurance,
11:43so that they would have coverage from the normal robbery
11:46even the shot that might one day escape that fool.
11:50But then it seemed more personalized and friendlier to me
11:54offer them cheese as a sign of apology.
11:57Good morning.
11:58Good morning, Mrs. Rocío.
12:00Here, so that you will forgive my son for what happened the other day,
12:04The boy is not a bad person at heart.
12:06I'm warning you that we're going to have to suspend it anyway.
12:09because he hardly ever comes.
12:10and that when he comes he does nothing but cause trouble,
12:13Come on, it's hard to believe he's one of the oldest.
12:15Man, yes, yes, but please understand
12:18that everything has piled up on the creature.
12:21The tremendous growth spurt he's had,
12:23the loss of his mother...
12:25Yes, I understand.
12:27The thing is, I don't see us getting anything out of it, you know?
12:31And what do you think of the cheese?
12:34It's very well-cured.
12:34Well, I brought him the oldest one I had, it's very good.
12:37You can keep it with complete confidence.
12:39Get out of the way, no, no.
12:40If it's very cured, no.
12:41He repeats himself a ridiculous thing.
12:43And if it's at night, it even makes me gag.
12:45But only if you exchange it for a cuter one...
12:48Of course, woman, how could I not change it?
12:50And what about my money?
12:51Oh no, not about putting cows in the school.
12:53Álvarez's cows came to the school entrance every morning.
12:58By now we know that this was a clear sign of the end times,
13:02But at that time ignorance was such that no one could explain that phenomenon.
13:07London was on tenterhooks.
13:10I used to go out every afternoon to collect my cows.
13:13And it wasn't that they didn't know how to get back on their own, because they did.
13:16but I preferred to accompany them,
13:19whispering in their ears the poetic names I had given them.
13:23And treating them as I would like to be treated.
13:26I have neither a husband nor do I belong to any recreational society.
13:30In other words, I have dedicated my whole life to cows.
13:33The truth is that it doesn't hurt because I like them.
13:35The sheep don't.
13:36They seem wilder, more untamed to me.
13:40In contrast, cows have more human-like dimensions.
13:43And you can talk to them one-on-one.
13:46They are also more elegant, finer, prettier, and give more milk.
13:53The latter is explained by the fact that the sheep is smaller in size.
13:58That afternoon, like every afternoon, I went out to collect my cows.
14:06Nothing like this had ever happened to me before.
14:09It was the first time the cows had come at me head-on.
14:12And you know how impressive it is.
14:15I fled aimlessly!
14:16This way! That way!
14:19I walked for three days and three moonless nights lost in the mountains.
14:23I didn't dare go down to my house.
14:25And when, hungry and tired, I decided to go down to the village,
14:28I saw that the cows neither went to the meadow, nor ate, nor drank milk.
14:32All they did was come to the school gate and wait for hours and hours to see if the teacher would receive them.
14:40Since then, day after day, I come under the window and ask.
14:45Mr. Gabriel, may I bring the cows in?
14:47And he answers me.
14:50Alvarez, for God's sake, where have you ever seen cows entering schools?
14:54I won't let you put them in, no.
14:56And even less so now, since with a bit of luck they make a mistake when they get to eight by nine.
15:02No, man, pay up!
15:03No, man, pay up!
15:04No, man, pay up!
15:05No, man, pay up!
15:08No, man, pay up!
15:10Of course, if it weren't for the fact that they make such delicious bread, I wouldn't be able to stand this issue one day, or another day for that matter.
15:15Who are you?
15:16I.
15:16Okay, can you give me the bread?
15:25No, no, ma'am, no, no. It's free, it's free.
15:27Of course, since I didn't bring any cheese today...
15:29Oh, it's free. So I have this other bar, because that's how I make French toast.
15:32Good idea.
15:33They turn out so juicy. I prefer this bread to the kind used for French toast.
15:36But with this one, there's less of that pest.
15:38It also depends a lot on the pelmazal.
15:39Yes, and the ass, the ass, the ass, the ass, the ass, the ass, the ass, the ass, the ass.
15:42Leave him alone, man! Can't you see he's just a kid?
15:44Don't you see he's just a kid!
15:47Good morning, Mrs. Paquita.
15:52Where will she go today?
15:56That was another ominous sign of the end times, my lamb.
16:01We all know, and the shepherds better than anyone, that the Virgin and the Saints appear from time to time.
16:07But the bad thing is that the one who appeared here was Doña Paquita, the mayor's wife, who wasn't even dead.
16:14And most of the time, you didn't know if it was appearing to you, or if you had arrived there without anyone noticing.
16:22And if we add to this the fact that he frequently appeared in the wrong place...
16:37Well, what am I wearing tomorrow, oh my god.
16:50Ha ha ha!
17:07Good morning, ma'am. I'm Luciano Montenegro, a researcher and instructor...
17:26Ah! Are you the one who came about my appearances?
17:28Exactly.
17:29Oh, what a pleasure! What a pleasure to be able to talk about my life with someone as young as you!
17:32Youth in these matters is neither a virtue nor a defect, good woman.
17:35And as for talking, it will only happen if you honor me by inviting me into your home.
17:39Oh, how silly!
17:41Excuse me, excuse me, come in. Come in. Come in, come in, come in.
17:47What I don't know is whether you've come to cure my visions or to explain...
17:50Well, I've come primarily... I've come primarily to see, to observe, to take note.
17:54But no, go ahead. I'm going to give you a small glass of anise liqueur.
17:59Anise?
18:01Anise?
18:02I don't know if...
18:03Yes, man, yes.
18:05It's very easy to digest.
18:07You'll see, just let it go.
18:08Okay, okay.
18:10Well, since we're already in the middle of this, I don't know, maybe I'll have some shortbread too...
18:14I don't know, some doughnuts, some sobaos...
18:17Anyway, just something to think about.
18:19What do you think I'm carrying here?
18:22Oh, how impatient!
18:24Alcohol without a carpet is a deadly slip.
18:27Can I have a little bit?
18:37Of course, woman. Why not?
18:39Well, because one doesn't know what's acceptable and what's not.
18:41And it's better to ask than to put your foot in it.
18:46I warn you that I do it like someone sucking on a candy, because of how sweet it is.
18:50I have a huge sweet tooth.
18:51Well, you tell me.
18:55Well, first of all, and not to disappoint you, I have to warn you that if the authorities had taken their job seriously, they wouldn't have sent me.
19:02Why would I deceive her?
19:03I am a researcher, a lay instructor, and a contracted collaborator.
19:07Lowest hierarchical category, do you understand?
19:09Although in her case, and this isn't meant to offer silly consolation, there's not much that can be done for now.
19:13Of course, as long as she's alive, there's no question of a beatification process.
19:16And I honestly don't advise him to accept anything less than that, because he risks becoming stuck in the same place forever and not getting ahead in life.
19:24Now, the decision is yours.
19:26I can't tell her to die, but I also don't think it's fair for her to get her hopes up recklessly without warning her.
19:31That's not me in this, I don't think I have any special interest.
19:34What's more, believe it or not, I have a terrible time showing up.
19:38Put yourself in my shoes and you'll see how suffocated I am.
19:40To begin with, I'll tell you that you show up in places where you don't even know what you're going to find.
19:43Or whether they're going to receive her properly, or kick her out.
19:48And don't forget the chapter on drawbacks.
19:51Imagine that the apparition catches me doing something.
19:54Well, I have to leave everything unfinished and run away.
19:57Do you know how many times my food stuck to my food on the way back?
20:00Or had the water leaked out of the bathroom because I'd left the tap running?
20:05Another drawback.
20:07The place where I have to appear is very far away.
20:09Well, even without realizing it, I'm picking up speed, I'm picking up speed.
20:12And bam! You either crash into some obstacle or you go too far.
20:16That's not to mention that I feel really sick from running so much.
20:19And between that and the nerves, I get diarrhea.
20:24The truth is, it's not worth it.
20:26Woman, it's not worth it if he shows it to you, yes.
20:28But imagine...
20:31I told him to imagine that I was organizing some great pilgrimages for him.
20:35Of course, for that we would have to see if he knows how to do anything else.
20:38I don't know, maybe he could make a mute person speak, or cure a blind person, I don't know, something.
20:42Ah, well look, we do have a blind man here.
20:44I say this mainly because you've already made the trip...
20:48Open up, Sabina! Open up! Open up!
20:50No!
20:51Sure, woman, listen. Open up for a moment!
20:56No, it's not the right time.
20:58My Pascual is going to eat now and I don't want any visitors.
21:01If you feel like performing miracles, then invite him for coffee and perform all the miracles you want.
21:06Ma'am, what's up?
21:08Nobody introduced you and me.
21:11And I am mature enough, ma'am, not to talk to strangers.
21:15And well, if they look as much like scarecrows as you do.
21:18Oh, but not Sabina.
21:19Saints and good people! And to hell with them!
21:30Here, take your food.
21:32What's on today?
21:33Fried eggs.
21:46There!
21:46It's been years since I've had a fried egg that actually tastes like a fried egg, huh?
21:53And the egg is tasteless, and the oil is tasteless.
21:57Given the reputation that London oil has always had.
22:01This woman has a very strong temperament, huh?
22:04Above all, it bothers me, because I had already gotten my hopes up.
22:08Well, don't worry, woman. There will be time.
22:11There will be time.
22:11Do you want me to try doing something with the cows?
22:16Any wonders?
22:18Yes, I don't know, something.
22:20Okay, let's see.
22:21You'll see.
22:22Alvarez!
22:23Can I do an experiment with your cows?
22:25No, ma'am, don't even think about it.
22:27Come on, there are plenty of things to do in a capital city like this.
22:31As if everyone should be messing with my cows.
22:33Come on, be quiet!
22:34Leave my cows alone!
22:42Álvarez's cows.
22:44Oh, oh, oh, oh!
22:45Álvarez's cows.
22:47What do you think of Álvarez's cows?
22:49Hey?
22:50I have dedicated my life to sheep.
23:02And it doesn't hurt me, because I like them.
23:05But the cows, damn it, not the cows.
23:07The cows are wilder, more ferocious.
23:10In contrast, sheep, sheep have more human-like dimensions.
23:21Damn, you can talk to them one-on-one.
23:24And they are more elegant, and more refined, and more beautiful.
23:29And they give more milk.
23:31The latter, despite its smaller size, and contrary to logic and reality.
23:40With the abundant milk from my sheep, I make cheese.
23:50Sheep's milk cheese is infinitely better than cow's milk cheese.
23:58Well, back then, I had to give away the cheese I made.
24:03That way I won't become independent, nor will I become a useful man, nor will I be a father.
24:07I need to be able to stand on my own two feet.
24:09I need freedom, solitude, and to mature.
24:13Don't you realize that even though I sometimes make mistakes, it's not a big deal?
24:18It's good that I learn from my mistakes.
24:20Trade...
24:21Shut up, damn it!
24:22As if, on top of spending a fortune on cheese, I'm going to have to put up with your lectures.
24:27Business is not for weaklings like you.
24:30You're a little shit, father.
24:33I am an industrialist.
24:35And you're nothing but a cattle rancher in the nose.
24:37Put the weapon down, Arminio, put the weapon down. I'll smash this cheese over your head, it's really hard.
24:42Ecu, dad, Ecu!
24:44I'm going to throw it in the trash.
24:47I'm going to throw it in the trash and you'll never see it again.
24:53Come on, go on. Put the gun back where it belongs.
24:55Well, if I'm willing and Doña Francisca can get me to see this blind man, the case is a piece of cake.
25:02Look, I'm reporting that things aren't as simple as they seemed, that there's a blind man here who can see, and that Doña Paquita appears.
25:08Of course, since I'm the one reporting it, they don't take the matter too seriously, but they don't dare dismiss it either.
25:14Come on, either I'm very stupid, or your wife has a huge clientele here.
25:19Well, don't think I find that matter very funny.
25:24Hey, Mr. Daloso, don't be an animal.
25:26If your wife and this young man can restore my sight, you're not going to stop it.
25:31But what's going to stop it, man? What's going to stop it?
25:38What is this? Oh my God!
25:40Wait!
25:41But what is this?
25:41Wait, take, take, drink, drink.
25:44What's wrong? Was the coffee too strong for you?
25:46This one is good.
25:50A little cold for my taste, but oh well.
25:53But that's what you gave me before, it was rat poison.
25:56Or was that what was going to cure me?
25:58Pussy!
25:59But my daughter, I'm not going to charge you for it, it's free.
26:02Look, I want the bread to go for a snack with my boyfriend, to make sandwiches.
26:06Some tortilla sandwiches that I prepare, very juicy, and that we eat down there, on the riverbank, in the cool of the air.
26:12But if it tastes like cheese, my boyfriend doesn't want the bread.
26:14You see, Father? I've told you.
26:16With that obsession of yours with cheese, we're not going to get anywhere.
26:20She doesn't want him because of her boyfriend.
26:22Others because they only use it to push, and some to make crumbs.
26:25He didn't deny that the water I gave him tasted like coffee.
26:28Yes, but what you should have done was help him regain his sight.
26:32And she has not regained her sight.
26:34Isn't that true?
26:34And isn't the other thing a miracle?
26:39Yes, it may be, but it's a minor miracle. That adds no glory to his appearances.
26:44Look, I'll be honest with you. If I'm not a saint, all the better. Why kid ourselves?
26:49There are things in life that I don't enjoy.
26:53Or I enjoy very little, because it's not something I own.
26:56But if you assure me that I'm not miraculous, then...
26:59Okay, don't panic, okay?
27:01I'm going to do a slightly unusual test, but one that's very important to me.
27:05You'll see, don't be afraid, okay?
27:06Why do you show up, huh? Why do you show up? Why do you show up? Why do you show up?
27:17Yeah, yeah, I don't know. Come on, come on, come on, it was nothing, it was nothing.
27:22Come on, calm down, relax, it was nothing.
27:26This test is very important, don't you think?
27:28Look, if the apparitions were the work of God or the devil,
27:32one of the two would intervene to make Ustino drown.
27:34But you've seen it, Doña Paca, if you're not lazy, you'll be going to the other side.
27:38In other words, if she doesn't want to be a saint, she doesn't have to be one.
27:40Sooner or later, this business of apparitions will pass and he will be able to live a normal life.
27:48As?
27:49I look awful, don't I?
27:50Okay, let's get that straight.
27:52If you want, I'll sign the appearances agreement right now.
27:54But what I cannot promise is to get you a spectacular clientele.
27:58Well, you've made my day, son.
28:01Hi, Mom, will you introduce me?
28:04So neither your Pascual regains his sight nor does my Paquita perform miracles.
28:17Neither of them needs it, do they?
28:20Women, sight is useful, but not essential.
28:23And miracles, the truth is, I won't be a very big, very big emergency.
28:27What's wrong with you, Don Alonso?
28:29Hey, honey, what a head! Thanks, see you another day.
28:36Well, Don Alonso and you, tell them whatever you want.
28:39But I'm not happy about remaining blind for the rest of my life.
28:43Blind man, blind man, come on. Lower your head or you'll hit your head on the branch.
28:46Peace and quiet!
28:46No, Alonso, I'm not opening the door. Your wife might show up and I'd be terrified.
28:53She doesn't appear, she doesn't know how to perform miracles.
28:56You say that so I'll open the door for you.
28:58You're not with another man, are you?
29:00No, I'm only prostituting myself with you.
29:03Don't say things like that, woman. You know it makes me angry.
29:08I love you very much.
29:09I couldn't care less. You know perfectly well that I don't care about you at all.
29:12So why are you going to play dumb now?
29:14You're very old, Alonso, don't be annoying.
29:16But seriously, what kind of conversation is this?
29:18You're with another guy. Open up!
29:20And why do you think I'm with another guy?
29:22Oh, what a mess, well, logically.
29:24If I were your only source of income and you wouldn't let me in,
29:26You'd have to find someone else who would give you the money.
29:28And if you don't let me in, it's because you brought it on yourself.
29:31It's a shame that you reason so well and do other things so badly.
29:35So, you're with another guy.
29:36No, I've decided to become decent.
29:38But just being with me makes you decent.
29:41Not entirely, Alonso, not entirely.
29:44Okay, I'll believe the excuse that you're afraid that it might appear to my wife and you'll let me in.
29:48Okay.
29:49But we do nothing.
29:52Open!
29:52There's no one here.
30:01And what about you? Aren't you enough of an uncle?
30:04I love you the most.
30:06What you have to do is give me a lot of money and treat me like a queen.
30:10Buy me all the jewelry I want.
30:12Huh? Okay?
30:14Whatever you say.
30:15Let's go to the cot.
30:16Come on, show me that you love me.
30:19Write me a check for a million and a half.
30:22Or two million, a big check.
30:24If you don't want to be the only guy who knows how to write really big checks.
30:40Here's six hundred thousand and let's go to bed.
30:44Ah, no, none of that.
30:45Then your wife shows up and it's a real turn-off.
30:46Two times seven is fourteen.
30:49Two times eight, sixteen.
30:51Two times nine, eighteen.
30:53Two times ten, twenty.
30:59What do you want?
31:01Hey?
31:01What do you want?
31:10Silence, silence.
31:13Let's see.
31:13A quick recap to finish.
31:17Anselmo.
31:18Seven times nine?
31:19About what?
31:20What do you mean, what about?
31:21Yes, seven times nine of what.
31:23Of canonical birds or of resurrected dead.
31:26Make it happen for me, good sir, make it happen for me.
31:31Who do you think you are, huh?
31:32Who do you think you are?
31:33Stop your car, man, leave it alone, leave it alone!
31:33Molcheguique, throw!
31:35What do you all think you are, huh?
31:36Slowpokes, pigs!
31:38Out into the street!
31:38Come on, let's go outside!
31:39Come on, let me ruin my work!
31:41Come on, let me ruin my work!
31:41Thank goodness the end of the world is coming.
31:46What a rest you're going to leave us.
31:49It's your fault, you're handing it to him on a silver platter.
31:52Seven times nine, seven times nine.
31:54No one has to know what seven times nine is.
31:56But you're just a fool.
31:58That they don't go beyond the five times table.
32:00Screw them.
32:01That they may reach the most tomorrow,
32:03whether to experts or to trainees.
32:06Why do you want them to be engineers?
32:07If they earn more than you, you're an idiot.
32:10Keep going like this and you'll see how you get us kicked out of school again.
32:14And?
32:15We don't always come back.
32:16Don't you own the place?
32:17I'm putting the cows in!
32:19Chamaco and Garxen.
32:22Chamaco and Garxen, son.
32:23In music?
32:24Well, one in bullfighting and the other in music, of course.
32:27Okay, okay, okay.
32:28I won't be the one to contradict him.
32:29Of course.
32:31He makes a cigar.
32:32Why not?
32:33Don Alonso, why not?
32:37So you think not...
32:39I'm afraid not.
32:40But are you sure it will go away?
32:42Virtually certain.
32:44This is unbearable, son.
32:47You're not a clergyman, are you?
32:48No, no, no.
32:49I belong to the secular branch.
32:50I am a researcher, secular instructor, and paid contributor.
32:53I have a little friend, you know?
32:57And with this business of apparitions,
32:59Sometimes she doesn't let me into her house for fear that Paquita will appear to her.
33:03Other times, nature withdraws from me.
33:06I say that it's also out of fear that at that moment, because of your...
33:08No, because of my age.
33:09Wow, man!
33:11Years make you tough, you lack strength.
33:13This does not prevent the desire from sometimes being stronger than...
33:16That's it, that's it.
33:18Take it as a joke.
33:19Tempt God.
33:20The only thing we're missing.
33:21Son, if I can save myself the hallway, then I'll save myself the hallway.
33:24How come you don't have to be running around all day, up and down?
33:27Besides, I don't see that it harms anyone.
33:30Do you have a personality?
33:31I'm going to give Macarena a hand.
33:43Macarena, I imagine you've noticed that I'm keeping a close eye on you.
33:47The truth is, I like it.
33:51I like it a lot.
33:55Let's see if I can explain it.
33:58Every time I see you, I feel sick.
34:00I get Basque and flaccid rashes.
34:01I don't sleep at night.
34:03I get the shivers.
34:05Howl.
34:06Howl, howl, oo.
34:08Howl.
34:12Howl.
34:12I think I love you.
34:18That I'm in love.
34:22Otherwise, how have I put up with you all these years, huh?
34:26Because it has been easy.
34:28Your father is convinced that I married you for your money.
34:31Your mother insists that I throw it like I'm an artist.
34:33And you...
34:34You are wonderful.
34:36Always wonderful.
34:40Like that day when I told you right here that I loved you.
34:43That was howling.
34:45I would get chills and couldn't sleep at night.
34:49That I suffered from a Basque fever and a rash because I felt sick every time I saw you.
34:54And that I loved you.
34:54And that I wanted to marry you even though your father thought I was doing it to get rich.
35:00and your mother got annoying about his appearances.
35:04And even if sooner or later the moment came when I had to tell you right here...
35:11Macarena...
35:13Macarena...
35:15I don't love you anymore.
35:19And I don't love you, Macarena.
35:20And I'm telling you this right here, where I thought I would tell you one day.
35:26And I'm telling you, Macarena, no.
35:28I don't love you anymore, this is over.
35:29Amen and Lord of Boviscum.
35:31There is a spirit of yours, a graceful body.
35:34Who do you think you are?
35:35What, I don't like you?
35:37Of course I like you, Luciano.
35:39Not all marriageable girls are lucky enough to see their suitors smother their mothers.
35:45I swear it impressed me.
35:47Mom there...
35:47And you, virile, squeezing, opened a world before me, a new life, and I said to myself...
35:53This?
35:56This one won't get away from me.
35:58And also a dress.
36:00With a sport jacket.
36:02I've always really liked sport jackets.
36:04Well, sport jackets and bullfights.
36:07If a rejoneador (mounted bullfighter) performs before the normal bullfight, it's because it's more spectacular.
36:10And I also like it when the bull jumps the barrier.
36:15Although that's becoming less and less common here in London.
36:19Do you want to go out?
36:21Well, talk to Dad.
36:22Or do you want me to speak?
36:24I'm warning you, Dad is no monster.
36:29Man, it bothers him that it's so obvious you're after the money.
36:33As you know, I don't care about that.
36:36Each person offers what they have.
36:38And if the other person wastes it, well...
36:41There they are.
36:42Me, you know.
36:43In all the years we've been married.
36:46You haven't deceived me about what your intentions were.
36:49I'm not even talking about a day.
36:50Not a second of each day.
36:53But...
36:54Since you're the most handsome and the most charming of the British, well, I'm happy, Luciano.
37:00And I'm not going to lie to you.
37:03It would continue like this for another 20 years.
37:06If it weren't for the fact that this story has to end.
37:09What do you want to end here?
37:10I think it's a great time and place.
37:13You know what I'm saying?
37:15Go to hell, I'm an idiot, you're an idiot.
37:17And you're also very ugly.
37:20The fruit of those ill-fated loves,
37:23Julito was born, who despite premature weaning and pleurisy,
37:27He became a famous meteorologist and then a fictional character.
37:33Let me fall here instead.
37:34Stop everyone!
37:51This is a robbery.
37:52We've got you trapped.
37:53My son was arrested by the authorities.
37:56And on the day she was hanged, people came to London.
38:00Well, well, from everywhere.
38:02Damn, that...
38:03That was a very important thing.
38:06It doesn't bother you!
38:06They came to witness the execution of Herminio,
38:23foreigners, people from the suburbs
38:25and emigrants who took the opportunity to see their families
38:28thus killing two birds with one stone, at least.
38:42Cousin!
38:42Ah, kid! Oh, it's been so long!
38:45You look great!
38:46You, you scoundrel!
38:48You'll have quite the life, huh?
38:50And how is your mother?
38:53He came back last year.
38:55I loved your mother so much.
38:57You've screwed me over.
38:58Okay, never mind!
39:01It's too late now.
39:04Okay, but we have to have fun, right?
39:06There's not much to choose from here.
39:08But the hanging will be well done, won't it?
39:10Bye bye!
39:12What's the matter?
39:13What's the matter?
39:14What have you given me here?
39:16I don't know, kid.
39:17Come on, man, don't be so naive.
39:19Leave me alone, Dad!
39:20No way, dude! Are you crazy or what?
39:21What do you want me to give you?
39:23What do you want me to give you?
39:24Who are you going to give it to, huh?
39:25Who are you going to give it to?
39:30Friend!
39:32Friend!
39:33Hello, Pascual!
39:34What a joy to see you!
39:35Nermini is really something you do, man!
39:36What does it do to you?
39:37Well, as you can see, here I am.
39:39They're going to hang me!
39:40Let them put it down already!
39:41Let them bow it!
39:43Red!
39:45They were jealous, ladies and gentlemen, balance!
39:47And I had warned him about it.
39:49But nothing, the R.
39:50Because when it came to stubbornness, nobody could beat him.
39:54What should I do, you wretch!
39:56Take me down, you son of a bitch!
39:58That's how the other kids should be.
40:00Yankee, go home!
40:02You be quiet, sir!
40:05You're suffocating without a peep, just like everyone else, and you don't even let us see the mess!
40:08Understood?
40:10Hang up!
40:10Hang up!
40:12Hang up!
40:18Hang up!
40:18Hang up!
40:19Hang up!
40:19Hang up!
40:20Hang up!
40:20Hang up!
40:20Hang up!
40:22Hang up!
40:22Hang up!
40:22Hang up!
40:22Hang up!
40:24Shall we agree?
40:25Hang up!
40:25They had to hang him ten or twelve times.
40:28Because once hung up,
40:29He said such outrageous things that it was embarrassing to hear him.
40:33Even at the last minute, he didn't spare me from having a bad time in front of my fellow citizens.
40:40Upon entering into crisis for obscure reasons,
40:43the marriage of Macarena and Luciano,
40:45He sought the support of his mother-in-law,
40:47rekindling her exhibitionist desires.
40:51This has been a botched job.
40:52You have to request the transfer.
40:53I don't think we're safe here, Gabriel.
40:55Arvinio's hanging affected them both.
40:58Well, it's perfect for promoting the apparitions.
41:07As if we didn't know.
41:08There's no shame.
41:28They came to see the apparitions of Doña Paquita,
41:37foreigners, people from the suburbs
41:39and emigrants who took advantage of the opportunity
41:41to see the family killing at least two birds with one stone.
41:44What's up, kid, long time no see?
42:02You look great.
42:04And I love you too, huh, you rascal?
42:06You'll have a good life.
42:08And your mother?
42:12He died last year.
42:14You've screwed me over with how much I loved your mother.
42:18Leave it, damn it, you're beyond help.
42:19Leave it.
42:23But...
42:23We have to have fun today, eh!
42:26Well, there's not much to choose from here, huh?
42:28But the appearance will be worth it, right?
42:29What's the matter?
42:33Oh, I know!
42:34Did you hit me here?
42:37Can't I breathe?
42:38Come on, man, don't be soft!
42:40No, leave me alone!
42:42What's wrong with you, kid?
42:43Are you crazy, what?
42:44Do you want me to give it to you?
42:45Who are you going to give it to, huh?
42:46Who are you going to give it to?
42:48Ladies and gentlemen, you will be attending.
42:51to the spectacle of Doña Paquita's appearances.
42:54First, see a kind of through-appearance.
43:14And then, even more difficult,
43:17a sudden appearance.
43:25Diego, you're a priest, ma'am!
43:32I'm not familiar with such advanced things,
43:34that one cousin is worth the same as another,
43:36or that a hanging is the same as an apparition,
43:39I don't support these things, that's the truth.
43:43The thing is, where there's a pattern,
43:45The sailor doesn't command.
43:47That was written,
43:48that it had to happen this way,
43:50And so it happened.
43:51However,
43:53in the same way that some can afford certain luxuries,
43:56We can also allow ourselves to do the same.
43:59Or not?
44:00For example,
44:01At this point,
44:02You all must have noticed.
44:04that this is not London.
44:05I'll take him, you troublemakers,
44:07divene, difromas.
44:08No, no, no, no.
44:09This isn't London, no.
44:10No no.
44:11This is Paris.
44:14And the Paris of those times,
44:15Messiahship,
44:16Herminio's Paris,
44:18the hanged man,
44:19and of the appearances of Doña Paquita,
44:22He was so famous,
44:23He was so admired throughout the world,
44:26Not even news like that of Superman's suicide
44:28They could snatch the front page of the newspapers away from us.
44:32That day,
44:35the day Superman,
44:37after a long and painful depression,
44:39his brains out,
44:42The morning editions opened with another story
44:44which the editors considered much more important.
44:48The news of Pascual's discovery.
44:52The dick of Paris.
44:59Paschal,
44:59desperate because neither science nor fantasy
45:03They cured their blindness
45:04and prepared not to allow
45:06that the end of the world was upon him
45:08without him being able to see it,
45:10He tested in alphabetical order of brands
45:12all medications currently on the market
45:16until unexpectedly
45:17a laxative mixed with siphon
45:20He performed a miracle.
45:29Pascual hid his healing for some time
45:46to calibrate cleverly and without anyone suspecting it
45:50What were the differences between seeing and not seeing?
45:54Once the differences have been calibrated,
45:57He acted as he thought most appropriate.
46:00The Burial of Sabina
46:15coupled with the news of Pascual's healing
46:18and of the appearances of Doña Paquita
46:20He gathered in Paris the Moatío de l'Himanité
46:22Therefore, the end of the world,
46:24at least in one of its two halves,
46:26It was, although it may seem frivolous to say so,
46:28sewing and singing.
46:42The end of the world was not yet over
46:44And the resurrection of the flesh was already beginning.
46:51My son Herminio
46:52He was one of the first to join this phenomenon.
46:55Herminio, my friend!
46:57But what are you doing?
46:59Paschal!
47:00Herminio!
47:01What the hell!
47:02What the hell!
47:03But you see, one suddenly...
47:06This is phenomenal.
47:07Hey, let's take a shortcut now that all these people are here...
47:10What's happening?
47:10You don't know how to be dead.
47:12Come on, get back in.
47:13What imagination!
47:14Don't get me riled up, Herminio,
47:16and go into the grave.
47:17But you're not happy to see me alive, Father.
47:20Damn, happy father, son, me...
47:22Run, run!
47:24You're taking the...
47:25How should I know!
47:26It was me, I see myself!
47:28Run, man, damn it!
47:29It's the end of the world!
47:31The bus is leaving!
47:33I'm not expecting it!
47:33He's expecting some wine!
47:35Salami, hams, and chorizo preserved in lard!
47:37The world is ending!
47:39What isn't eaten is wasted!
47:41The bus is leaving!
48:11The sphalerite and celt spar of the Earth's crust softened
48:15And the planet embraced its new rhythmic, tropical movement
48:19in a journey not without its surprises through the least hospitable areas of the universe.
48:25I say, even though it's wrong of me to say it,
48:28who in search of an impossible lodging on the most austere.
48:32You might wonder
48:45How did I escape the end of the world?
48:48Egg! Egg!
48:52Well, the truth is very simple.
48:55I escaped the end of the world by running.
48:57Yes, yes, yes, yes, yes.
48:58The closer he got to me, the faster I ran.
49:01And that's how it was, wasn't it? He caught me.
49:03Even two or three times when he came very close.
49:06Well, I did a few dribbles on him.
49:08And there you have it.
49:09I, on the contrary, escaped the end of the world thanks to psychoanalysis.
49:13Now I am very happy because I can start a new life.
49:16With me?
49:37We'll see!
49:39You'll see!
49:41Don't be idiots!
49:42Stay here and watch the final judgment!
49:44It'll be very visible from here!
49:46With the crowd that's going to gather, you won't be able to see anything from there!
49:50And where will they go?
49:51I don't know.
49:51It seems they can't hear.
49:53Or that they are in love.
49:54Oh, don't talk nonsense!
49:57Do you think we'll have to provide some food there, huh?
50:00Any ham, any wine?
50:02After everything you and I have put up with these past few days?
50:04And so?
50:06You're going to miss the final judgment, you idiots!
50:08It's going to look awful from there!
50:14Come here, it's high up!
50:15Don't look back, don't even think about it!
50:18Come here, it's high up!
50:19Thank you!
50:49Thank you!
51:19Thank you!
51:49Thank you!
52:19Thank you!
52:49Thank you!
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