El día de los enamorados 1959 HD 1080 Completa Tony Leblanc, Concha Velasco

Retroscreen Movies Revival

Reparto: Tony Leblanc, Concha Velasco, George Rigaud, Katia Loritz, Ángel Aranda, Mabel Karr, Manuel Monroy, María Mahor, Antonio Casal, Antonio Riquelme, Pedro Porcel, Ángel Ter, José Orjas  Dirección: Fernando Palacios  Sinopsis: Para solucionar todos y cada uno de los problemas relacionados con el amor, una vez al año, el día de su santo, San Valentín baja a la Tierra para ayudar a las parejas con problemas. Es el caso de cuatro parejas que se verán afectadas de forma positiva por su intervención. Antonio trabaja en una zapatería y es un fanático del fútbol, lo que disgusta a su novia Conchita. Tampoco marcha bien la relación de Luisa, una romántica que ha sacrificado sus sueños por su novio Manolo, un conductor de autobuses, que sólo ve la parte práctica de la vida. Por su parte, Atenea es una locutora de televisión enamorada de Luis, un compañero que no se da cuenta de nada, y todos los pretendientes de María José, una guapa millonaria, sólo buscan su dinero.

Transcript

00:00:06Today is Valentine's Day, with longing and hope I will have

00:00:14Therefore, having you by my side, I will achieve your love on this day

00:00:21Today is Valentine's Day, I have your smile in my song

00:00:28And when our lips meet in a loving kiss, you remain forever in my heart.

00:00:36Valentine's Day, I haven't forgotten you, because in your room I've found your love

00:00:43Today is Valentine's Day, and all that matters is good.

00:00:51And that is why I must ask that you always watch over us both and protect us, Saint Valentine

00:00:58La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,

00:01:14la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,

00:01:15la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,

00:01:17la, la, la, la, la, la, la, la, la, la, la, la

00:01:27Valentine's Day, I haven't forgotten you, because on your feast day I have won their affection

00:01:34Today is Valentine's Day, all that matters is love.

00:01:41And that is why I must ask that you always watch over them both and protect them.

00:01:46Valentine's Day

00:02:17Valentine's Day

00:02:47Valentine's Day

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00:06:15Valentine's Day

00:06:17Valentine's Day

00:06:22women

00:06:24Juanito, put on a polka

00:06:27Marcelo

00:06:34You've already done your part, haven't you?

00:06:37You've let it slip, boy

00:06:38You're late

00:06:39You have a way of speaking that goes

00:06:41You know how I am, Clara.

00:06:42And as I've realized that you intend at all costs

00:06:45To catch Maria Jose

00:06:46How to fish?

00:06:47Well, not her, her money.

00:06:54My love is like the wind, it sweeps everything away

00:06:56Mine is a short circuit

00:06:58each spark is a sigh

00:07:00I love you, my torment.

00:07:01Your love for me is like a lightning bolt

00:07:03a thunderclap, a storm

00:07:05Love is passion, it is fire, it is a burning flame

00:07:08a cyclone in the middle of the night

00:07:10a flame that burns without being consumed

00:07:12I love you with high, I mean low pressure

00:07:14Our love is like a hurricane

00:07:16a flame that ignites and then goes out

00:07:19How awful!

00:07:20What a load of corny nonsense you're saying

00:07:22Wow, man

00:07:23Sure, according to you, love is like a gas lighter

00:07:26And from what you're saying, a weather report

00:07:28On top of that, we helped you

00:07:29for which he is grateful

00:07:30tell them to darn you

00:07:31Well, it's been useful for something.

00:07:33at least to know that women, when it comes to love,

00:07:35You're all so corny

00:07:36And you don't even do that.

00:07:37You haven't said a word.

00:07:38Perhaps love cannot be expressed with words.

00:07:40Yes, that's good, it's a good phrase

00:07:41but it doesn't work for me

00:07:42I'm writing a broadcast

00:07:43And tell me, what do I do with a silent broadcast?

00:07:45And you don't know about love either.

00:07:46that you need to document yourself like this

00:07:48I know what needs to be known

00:07:49But I'm interested in the female point of view

00:07:51You don't know anything.

00:07:52You've never been in love

00:07:54the one who knows love

00:07:55If you want to write to him, words are unnecessary.

00:07:57because it has everything and much more

00:07:59of what his heart can contain

00:08:00more joy and more hope

00:08:02and even more anger when it's not reciprocated

00:08:05Yes, yes, this is going very well.

00:08:07I'm glad if it helps you in any way

00:08:08Miss Athena

00:08:09He has five minutes left before his program

00:08:12Man, how convenient.

00:08:13See you later, genius.

00:08:14Goodbye girl

00:08:15Oh, and thank you.

00:08:16This is pretty decent.

00:08:19The tulbone is the first

00:08:20the most important

00:08:21We're finished for good.

00:08:23forever

00:08:33Ah!

00:08:36to

00:08:36ah

00:08:36No, no, no, no.

00:09:30No, no, no, no.

00:09:59No, no, no, no.

00:10:06Okay guys, let's keep going and make sure the beautiful things look their best; tomorrow should be a splendid day.

00:10:11Not at all. The weatherman said it's going to rain.

00:10:14No, not that. Tomorrow you'll lack sunshine, we have to fix it, even if the weatherman is wrong.

00:10:21Ah, well, that's something else entirely.

00:10:23Well, go ahead, guys, don't worry, everything will look fine.

00:10:27And see if you can fix that sign in the shop window that looks like it says "Day of the Dwarfs"

00:10:32instead of lovers.

00:10:34Bye bye.

00:10:38Have you noticed, Nica?

00:10:40Wow, what a mess your guy's in, man.

00:11:01It hasn't happened yet.

00:11:04Not yet, but you need to be more punctual, Evaristo.

00:11:05You have one hour to teach the class, and...

00:11:07That's true, I'm so sleepy I could fall off.

00:11:09And me, and me even more.

00:11:11And you even more, why?

00:11:12Me too, because I'm taller.

00:11:13You're just a street urchin, Almirate.

00:11:15And a cry, and a cry, and you, you, you, you, you carry more than the street.

00:11:18Wait a minute, wait a minute, man.

00:11:21Aren't you ashamed?

00:11:22And do you want him to eat or get his license?

00:11:24Hey, Lily, keep in mind that I can't come earlier.

00:11:27One is a night watchman and stays up until six in the morning.

00:11:29And what does that have to do with anything?

00:11:30A student of the "se come" school cannot object.

00:11:32We must set an example.

00:11:40He makes a big deal out of me because of what he eats.

00:11:43Some ignorant person who doesn't even know what an acronym is.

00:11:46Oh, what?

00:11:47An acronym, tartera, that's what it is, it's eaten.

00:11:50Which means, for example, to know, it is eaten.

00:11:54He will be a meticulous driver, but in a compressed way.

00:11:57You understand me?

00:11:58Whose turn is it today?

00:11:59To the second son, who was the last one yesterday.

00:12:01Me, me, me, me!

00:12:02Oh, you, mother!

00:12:04Eight fifty-two and five hundred and eighty-one

00:12:07It has a delay of four minutes and twelve seconds.

00:12:10Note that it takes it to two thousand five hundred and seventy-six.

00:12:13Arrea, to two thousand five hundred and seventy-six.

00:12:14I thought it was 1025.

00:12:16No, that one goes on the 307.

00:12:19And number 815, which had the 6:45 shift,

00:12:22has moved to seven hundred and twenty.

00:12:23Ah, yes, that's right, the 311 is on leave.

00:12:26because he has his mother-in-law on his side.

00:12:27Here comes five hundred and eighty-one.

00:12:29Hey, we'll have to warn these people.

00:12:30Go ahead, tell him yourself, because it makes me feel uneasy.

00:12:33You're waiting for the eleventh, so move closer.

00:12:37But this isn't the stop.

00:12:38I've already warned you, now you can do whatever you want.

00:12:41The bus stop had to be changed due to traffic issues.

00:12:44For the sake of annoying the public.

00:12:46You tell that to the company, sir.

00:12:49Anyone can tell these people that they can go wherever they want on 2576.

00:12:53It's like he's going to stop taking his girlfriend to the same door of the hair salon.

00:12:56Goodbye, Manolo.

00:12:58Next time you're on a trip, try parking the Biscúter better; you've left it half a meter from the curb.

00:13:02What do you want, for them to wax it like it's a Vespa?

00:13:05Goodbye, Manolo.

00:13:06Goodbye, sweetheart.

00:13:07Lots of talking and little conversation with the customer.

00:13:17What's up, Lily?

00:13:18Hi teacher.

00:13:19Here's the second one.

00:13:21Hey, hey, why don't I go up front and save myself an hour and fifty minutes?

00:13:24Because it can't be now.

00:13:25Can't you see the inspector and the security guard are watching us?

00:13:27But with the morning practice and the afternoon theory session at the tavern

00:13:30The joke costs us about twelve plateaus a day, every day.

00:13:33Come on, get in.

00:13:34Under way.

00:13:35And let's see if you can make up the five minutes and three seconds you're behind.

00:13:38Don't worry, sir.

00:13:39And you're going to do me a favor.

00:13:40If you come across the 220 that goes in the 315,

00:13:43You tell him that at 13.15 he will be relieved by the 103.

00:13:45See you later, boss.

00:13:46Come on!

00:13:59Hello.

00:14:00You're on the ball, buddy.

00:14:02Look closely.

00:14:05Now the disc is going to change and we have to brake.

00:14:08But go slowly, because otherwise they'll bite your back with the hug.

00:14:13Look.

00:14:20Do you realize?

00:14:22On the other hand, if you brake gently, you won't damage the steering wheel.

00:14:26Secondary, don't say that, right?

00:14:28Hey Pepe, I asked you for three churros, not three rings.

00:14:31Man, look how funny.

00:14:33Woman, the house cares about the health of its clientele.

00:14:36He doesn't want us to lose our way.

00:14:38Come on, you're going to say these churros are small, aren't you?

00:14:40No way?

00:14:41That would be bearing false witness.

00:14:43Okay, that's enough.

00:14:43Short discussions, like coffee.

00:14:45If he has plenty of entertainment.

00:14:46How do you like to speak?

00:14:47Sure, you vent your frustrations on TV.

00:14:49What long paragraphs!

00:14:50Just last night you...

00:14:51Did you see me?

00:14:52In the bar downstairs, which is visible from the kitchen window.

00:14:54But it's so far away you look like a postage stamp.

00:14:58Hey girls, it's almost nine o'clock.

00:15:00Stay still, it's my turn today.

00:15:02Well.

00:15:03Today we have to ask for half an hour's leave to go buy the gifts.

00:15:06I don't plan to buy anything.

00:15:07Yesterday I broke up with Antonio for good.

00:15:09Every day you finish and the next day you start again.

00:15:11Have you thought about what we're going to buy?

00:15:12Me nothing.

00:15:13So that?

00:15:14Come on, girl, don't be so gloomy.

00:15:15You'll see how he finally notices you.

00:15:16What you need to do is hint at it for a while.

00:15:18And look at him with the eyes of a ram halfway through its collar.

00:15:20And sigh deeply every time I pass by you.

00:15:22Even more.

00:15:23But it creates a draft every time it does.

00:15:26Even more so.

00:15:26Until I catch pneumonia.

00:15:38Damian?

00:15:39Breakfast.

00:16:07Good night too.

00:16:08Good morning, sir.

00:16:09The young lady?

00:16:10He's ordered breakfast now, sir.

00:16:12A lot of correspondence?

00:16:14Not much today, sir.

00:16:17Spanish Credit Bank.

00:16:19Altos Hornos de Bilbao.

00:16:23Manzanales River Basin Authority.

00:16:26Uh-huh.

00:16:26With the gentleman's permission.

00:16:28I think the young lady has realized it.

00:16:30You don't say.

00:16:31Yes sir.

00:16:32When the letter from the Escombreras Petroleum Refinery was received yesterday,

00:16:35The young lady smelled it and said something that left me speechless.

00:16:39What did he say?

00:16:40With the gentleman's permission, I will repeat the phrase verbatim.

00:16:44Hey, Damian, since when does gasoline smell like black tulips?

00:16:48Of course, the perfume Barbara uses.

00:16:49A woman who is the same as her name.

00:16:52Any phone calls?

00:16:54Last night at ten thirty the president of the ladies' committee of the wardrobe called

00:16:58to each poor person adding.

00:16:59Protection.

00:17:00What did Amparo tell you?

00:17:01I mean, the president.

00:17:02It's just that I find it difficult to repeat it to the gentleman.

00:17:04No, man.

00:17:05In confidence.

00:17:06We're used to it by now.

00:17:07There are certain things, sir, that a servant can never get used to.

00:17:11But a gentleman did.

00:17:12Go on, tell me.

00:17:13Don't be embarrassed.

00:17:14Well, he said "sir" with all due respect to the gentleman.

00:17:17And pardoning the bluntness of the phrase

00:17:19that he was fed up with the Lord.

00:17:23Well, I'll fix that for a thousand pesetas.

00:17:25With two thousand.

00:17:26What did you say?

00:17:26Not me, she said so.

00:17:28That everything would be sorted out if the gentleman gave him two thousand pesetas that he needed for the wardrobe.

00:17:32For the wardrobe?

00:17:33Okay, bring me the watering can.

00:17:34With the gentleman's permission.

00:17:35Chewing gum to keep the man from falling asleep.

00:17:37Thank you, Damian.

00:17:38You're welcome, sir.

00:17:39Damian?

00:17:40Mister.

00:17:41Isn't life wonderful?

00:17:43Indeed, sir.

00:17:44Hey, how much are you earning now?

00:17:46Four thousand and the peaks, sir.

00:17:48Oh, and the peaks?

00:17:50And the peaks, sir?

00:17:52Well, starting from the first of the month,

00:17:54Increase your salary by a thousand pesetas.

00:17:55Oh, and the peaks?

00:17:57Increase the peaks too.

00:17:58Thank you, sir.

00:17:59And allow me, sir, to tell you that the gentleman is a great gentleman.

00:18:03Thank you as well.

00:18:04He doesn't deserve them, sir.

00:18:17Good morning, Dad.

00:18:19Hello, little girl.

00:18:19Good morning.

00:18:20Beautiful day.

00:18:21Yeah.

00:18:22Look, spring is already being announced.

00:18:24The rosebush is covered in flowers.

00:18:26And the money...

00:18:27The silver...

00:18:31Did you sleep well, Dad?

00:18:32Like a dormouse, my daughter.

00:18:34I just got up a moment ago

00:18:35And I've already done all my physical exercises.

00:18:38Why don't you help me?

00:18:39And that clears your head a bit.

00:18:41And you?

00:18:42Why don't you lie down for a while?

00:18:43You're dead tired.

00:18:45Dead tired?

00:18:46What ideas do you have?

00:18:47After spending the entire night sleeping like a log,

00:18:50Now it's time to exercise.

00:18:52Lots of exercise.

00:18:53Sir, filtered water for the rose bushes.

00:18:56Thank you, amen.

00:19:07Miss, it had to be amazing.

00:19:09I know.

00:19:09Then I'll be the one to blame.

00:19:11For both of us, but now you have to run an errand for me.

00:19:13Now, wouldn't it be the same to leave it for Thursday as the book?

00:19:15No, let's see, Mariano.

00:19:17You like me.

00:19:19As?

00:19:19If you don't mind me.

00:19:22Well, as far as I'm concerned, I think you're superior.

00:19:27And would you like to give me something as a gift?

00:19:29With what?

00:19:30For example, a bouquet of flowers.

00:19:32I'm all for it, but hey, you know?

00:19:34Well, you're going to send it to me.

00:19:36Take.

00:19:37What is this?

00:19:38So that you'll buy it for me.

00:19:39Wouldn't it be the same if you bought it yourself?

00:19:42Your money is for you, what's it to me?

00:19:44You paint the scenery.

00:19:45What kind of decor?

00:19:46Yeah, man, we're going to perform a comedy.

00:19:48Which theater?

00:19:49In this, in the world.

00:19:51I don't understand anything.

00:19:52It's the same.

00:19:54You buy the flowers and send them to me at the studio.

00:19:56With this card.

00:19:58Well.

00:19:59Wait.

00:20:00And then, from any phone, you call me saying that you are Count Ulrico.

00:20:04The Count what?

00:20:06Count Ulrico de la Carotione.

00:20:08Will you remember?

00:20:09Almost certainly not.

00:20:10Don't go.

00:20:11Wait.

00:20:12You take care of it.

00:20:13And you talk to me about love on the phone.

00:20:15Whose?

00:20:16Dazed with love.

00:20:17As if you were madly in love with me.

00:20:20Do you understand?

00:20:21Less and less.

00:20:22Well, you do it anyway.

00:20:24And what do you gain from that?

00:20:26No comment, Mariano.

00:20:27Go on.

00:20:28Okay, okay.

00:20:29Go on.

00:20:29Come on.

00:20:30Runs.

00:20:33Please, would you mind signing my autograph, Miss Athena?

00:20:37Do you know me?

00:20:38Who doesn't know her?

00:20:40You have hundreds, thousands of admirers.

00:20:57No no.

00:20:59Not like that.

00:21:00No, no, no.

00:21:01Look.

00:21:03One, two, three and four.

00:21:07Again.

00:21:20It's nine twenty-five and Athena hasn't appeared.

00:21:22Then there won't be time to rehearse and the broadcast will go badly.

00:21:25He needs to be told off.

00:21:26You throw it to him, since you're his direct boss.

00:21:28I don't know what to say to her anymore.

00:21:29She is rebellious, informal, and undisciplined.

00:21:31Well, that's it, man.

00:21:32We replaced it with another one.

00:21:33Yeah, as if that were so easy.

00:21:35Let's see where that other one is.

00:21:36Well, put up with it or do whatever you want.

00:21:38But let me rehearse now.

00:21:51It was about time.

00:21:52Good morning.

00:21:53Yes, the day is off to a good start.

00:21:54Please come with me.

00:21:56You are scheduled to arrive at nine o'clock and it's almost ten o'clock.

00:21:58Let this be the last time you are late.

00:21:59About you and everything.

00:22:01Naturally.

00:22:01Let's see if you realize that today's broadcast is very difficult for you.

00:22:03We're already improving.

00:22:05I am you again.

00:22:06In other words, I'm still me.

00:22:07Don't make puns or you'll get tongue-tied.

00:22:09Don't forget who you truly are.

00:22:10A woman.

00:22:11For professional purposes, a radio announcer.

00:22:13Yes, something at your service.

00:22:14Like the microphone or the camera.

00:22:16Well, don't get angry, or you'll get hoarse.

00:22:18Look, look closely.

00:22:20You are the narrator of the broadcast.

00:22:21It's a special sketch dedicated to Valentine's Day.

00:22:24Oh.

00:22:24And what did you come up with to write about that?

00:22:26A brilliant idea, like all of mine.

00:22:28The protagonist is a solitary poet, Adolfo.

00:22:30Nobody likes him.

00:22:31He walks through life alone, sad, melancholic.

00:22:34Couples in love are being found.

00:22:35Then you intervene.

00:22:37Describe your emotions.

00:22:38You delve into their soul.

00:22:39And little by little the narrator falls in love with the poet.

00:22:42Forward.

00:22:44Excuse me.

00:22:45Did they bring this for the young lady?

00:22:47For me?

00:22:47Yeah.

00:22:48I've been told that she can be seen.

00:22:50What are you waiting for?

00:22:52Is there no property?

00:22:52Come on.

00:22:53From Count Ulrico.

00:22:55How kind.

00:22:56Who sent you that garbage?

00:22:57Count Ulrico de la Carotione.

00:22:59And it's not rubbish.

00:23:00I don't know about the count, but the bouquet with that ribbon

00:23:02They look like the works of a funeral.

00:23:04And maybe they won't be disinfected.

00:23:08Yeah.

00:23:10Ah, Ulrico.

00:23:11Good morning.

00:23:12How thoughtful.

00:23:14Yes, I just received the flowers.

00:23:16They are beautiful.

00:23:18Oh my God.

00:23:19What is a bouquet of flowers to the wonderful flower that you are?

00:23:25I am not a painter.

00:23:27And even if it were, my poor brushes could not reproduce its fascinating beauty.

00:23:32See page 44.

00:23:34Oh, no.

00:23:35No.

00:23:36No, not this.

00:23:36Very gallant, dear Ulrico.

00:23:38Very gallant.

00:23:39Spring flower of burning heat.

00:23:42I mean, colors, colors.

00:23:43Yes, yes.

00:23:43It adds colors.

00:23:44Bright colors that hurt my eyes with their flashes.

00:23:49How poetic, dear Ulrico.

00:23:51The most beautiful flower with the perfume of the rose.

00:23:54And the colors of the carnation.

00:23:56And the delicate, silky petals.

00:23:58Nobody can stand this, it happens to you.

00:24:00Yes, go ahead, Don Luis.

00:24:03Very good.

00:24:05But they seem a bit expensive to me.

00:24:06No, the best that's badly made.

00:24:09Soft, flexible, like gloves, top quality.

00:24:11And now I'm going to show you the latest sporting craze.

00:24:13Please don't be offended.

00:24:15I am not an athlete.

00:24:16And you?

00:24:17Yeah.

00:24:18Don't tell me you're not a football fan.

00:24:20I like it, yes sir.

00:24:21I think I like it.

00:24:22With madness.

00:24:23But don't mess with my football.

00:24:25Does he not get it right with the ginielas?

00:24:26That's the least of it.

00:24:27My girlfriend who doesn't take responsibility and...

00:24:28She doesn't like it.

00:24:30Not only does he not like it, but he wants me not to like it.

00:24:32And since I like everything she likes,

00:24:34And she doesn't like everything I like,

00:24:35Although I like her, it's not the way she likes me.

00:24:37Do you get me?

00:24:38Yes, it's perfectly clear.

00:24:40But when it comes to a girl like her...

00:24:42Do you know her?

00:24:43Naturally.

00:24:44His girlfriend is a beautiful girl.

00:24:46She knows her.

00:24:48Charming, witty, clever, funny...

00:24:50She knows her.

00:24:51Sweet, submissive...

00:24:52He doesn't know her.

00:24:54She's a wild beast.

00:24:55And now that he has acquired the Triton brand spearfishing equipment for 1700 pesetas,

00:24:59He's going to take the inflatable plastic boat, brand Tiburón, with a bang.

00:25:01with its corresponding pump, all for 6400 pesetas.

00:25:06Is he taking it?

00:25:07Very well, here it is.

00:25:09And also, allow me a moment.

00:25:10Have you noticed?

00:25:11It's the perfect complement so you don't have to bother rowing.

00:25:13Its price is only 2500 pesetas.

00:25:16I suppose he'll keep it too.

00:25:19Okay, that too.

00:25:21I'm going to write a note about everything.

00:25:24What's wrong with him?

00:25:25It's suffocating me, damn it.

00:25:27If what I want is to go fishing in the Manzanares River.

00:25:29There goes the Manzanares.

00:25:30Isn't it a river like any other?

00:25:32Yes, but in miniature.

00:25:33It's also full of old shoes and tin cans.

00:25:36There are also fish.

00:25:37Four, give or take.

00:25:38And last week one person died of the flu.

00:25:40To fish you would have to go to the Costa Brava, to Malaga or to A Coruña.

00:25:42There you'll find big fish, cod, sharks, and dried tuna.

00:25:45Mojama is not a fish, miss.

00:25:48So what is it? A bird?

00:25:49And thank God for putting you in my path.

00:25:51You will be taking the boat, the pneumatic equipment, and the cod bank detector.

00:25:56Seventeen fifty and thank you very much.

00:25:58Bye bye.

00:25:58The gentleman's bill amounts to fourteen thousand six hundred and ninety pesetas.

00:26:02Admirable, Conchita.

00:26:03What a sale!

00:26:04And anyway, that gentleman came for a beer.

00:26:05No, I already had a cane.

00:26:07He came to buy a bait fly for four fifty.

00:26:09Oh, my daughter!

00:26:11Come on, it's already there.

00:26:13Get ready for the second shift.

00:26:18First, second, third, first, second, third, zero, neutral.

00:26:22First, second.

00:26:23It's your turn, leuterius.

00:26:24What? How did it go for you?

00:26:25First, second, third, zero, neutral.

00:26:28Let me have the cap, Manolo, let's see how it feels.

00:26:30Come on, crazy guy, you'll have your complete uniform when you enter.

00:26:33There you go! What a coincidence!

00:26:34The two thousand five hundred and seventy-six.

00:26:36Did they give you the same number they gave my uncle when he was in the Ocaña prison?

00:26:39for having run over a lady with his car?

00:26:41Well, write to him asking him to save you a room.

00:26:43Come on, lever, we're outta here.

00:26:45What could my Luisa be doing?

00:26:46Goodbye, beautiful.

00:26:52Gacho, well, you haven't lost anything in a moment.

00:26:54Hey, Secundino, what's that you're holding in your hands?

00:26:58Oh, sardines in oil.

00:26:59It's for Manolo's girlfriend.

00:27:01Well, I didn't bring nothing, Luisa.

00:27:03Manolo, who calls himself the professor.

00:27:05What if we ate one? She'd notice us among so many.

00:27:07Come on, no way, that's just the teacher's doing.

00:27:09Walk on, Secundino, wing.

00:27:12First, second, bring, zero.

00:27:16Ah, stay still. I'm the one who has to walk with your hands.

00:27:19Not you with mine.

00:27:20Sorry, sorry. It's just those nails, those nails.

00:27:23Which is it?

00:27:24What will yours be?

00:27:26You have such cute little nails, they're so adorable!

00:27:28Don't talk nonsense and stay quiet.

00:27:30I'm going to cut off one of his hangnails.

00:27:31A stepfather. You can cut me out as a stepfather, a stepmother, and a grandfather.

00:27:36Don't talk so much, the boss is watching.

00:27:38And you don't like me chatting with the customers?

00:27:40People like you don't give more than a penny in property.

00:27:42Oh, daughter.

00:27:43A hard one is a hard one.

00:27:44What do you want?

00:27:45That I give him extra pay for cutting off a few bits of skin?

00:27:52Your sandwich?

00:27:53Water, kid.

00:28:00Good morning, miss.

00:28:01Good morning, sir.

00:28:02Thank you.

00:28:05Just a little bit of a limit.

00:28:06Yes sir.

00:28:09You have very well-groomed nails.

00:28:11And very pretty hands.

00:28:13You'll tell that to everyone.

00:28:15Don't believe it.

00:28:16If you saw the hands that fall on one almost every day,

00:28:19You're going to find it hard to believe.

00:28:20But many times I can tell what a person is like by their hands.

00:28:22You seem to be very observant.

00:28:25And what do you think I am?

00:28:27You?

00:28:29You are an angel.

00:28:30What? What does it say?

00:28:31Yes, you are clearly an extraordinary man.

00:28:34Oh, come on, let's go.

00:28:35A true gentleman.

00:28:36And in the bathroom, you only have to look at him.

00:28:39Judging by your hands, I would say you are a poet.

00:28:42Do you like poetry?

00:28:44Lot.

00:28:44No, I'm not a poet.

00:28:47What a pity.

00:28:48Because?

00:28:49Because I would have liked him to recite some poetry to me.

00:28:52I'm sorry, but I don't know any.

00:28:54I do know a very nice one.

00:28:55It belongs to a friend of mine who is studying to be a postmaster.

00:28:57But he prefers to be a poet.

00:28:58Do you want me to tell you?

00:28:59If it's not too long.

00:29:00No, but it's very sad.

00:29:03Listen.

00:29:05It is death that is coming, my love.

00:29:08Enveloping everything with its coldness.

00:29:10And caressing with his cold hand.

00:29:12My hands are even colder.

00:29:15My love.

00:29:17What's wrong with him?

00:29:18Nothing.

00:29:19It doesn't smell like sardines.

00:29:23No, I don't smell anything.

00:29:24Absolutely nothing.

00:29:26Well, go on, go on with your verses.

00:29:28It was already over.

00:29:30Besides, I don't know why I talk to you so much.

00:29:31Manolo doesn't like it when he's chatting with the customers.

00:29:34Her boyfriend?

00:29:35Yeah.

00:29:36You said it one way.

00:29:38It's because he doesn't love her.

00:29:39I think so.

00:29:40Not sure?

00:29:42Sometimes more, sometimes less.

00:29:45He's a good kid, but very careless.

00:29:47If you could see the nails she has.

00:29:48Furthermore, he doesn't treat me with the delicacy I would like.

00:29:51But either way.

00:29:53Why doesn't he let her?

00:29:54That's the thing.

00:29:55I've tried it several times.

00:29:56But then something always happens that brings us together again.

00:29:59Coincidence or destiny?

00:30:01Destiny.

00:30:02What an outdated expression!

00:30:04Don't you believe in providence?

00:30:06Well, I...

00:30:07Do you believe it?

00:30:08Naturally.

00:30:09And I serve it.

00:30:10You?

00:30:10Clear.

00:30:12And you and anyone else.

00:30:14And a machine that stops and a gust of wind.

00:30:17All those little miracles that happen every day

00:30:19and that influence our mood or our will.

00:30:23She says such beautiful things.

00:30:24I love listening to him.

00:30:26It's a shame I've already finished.

00:30:28Maybe we'll meet again.

00:30:30I'd love to.

00:30:31My name is Luisa.

00:30:32And you?

00:30:32Valentine.

00:30:33Congratulations!

00:30:34Today is his saint's day.

00:30:35Yes, exactly.

00:30:36Today.

00:30:37Valentine's Day.

00:30:39In a way, it's also your and your boyfriend's saint's day, even if it seems a bit tacky to you.

00:30:44Oh, and don't forget that if the San Leandro egg yolks are very sweet, the snacks are also very nutritious.

00:30:50of sardines.

00:30:58Has Dad gone to bed yet?

00:31:00The gentleman, as always, is waiting for the young lady to leave so he can go to bed.

00:31:03You're dead tired too.

00:31:04Did he arrive very late?

00:31:05Give or take a minute, the man arrived at the usual time.

00:31:08Have you had much correspondence?

00:31:09In addition to the oil refinery, the gentleman owned three other refineries belonging to various commercial enterprises.

00:31:15Yes, and many phone calls.

00:31:17The lady president of the clothing bank simply called each poor person their blanket.

00:31:19Did he take money for a blanket?

00:31:21With the young lady's permission, he took out money for a blanket and a duvet.

00:31:25What nerve!

00:31:26Okay, I'm going to bed so you can go to sleep.

00:31:28Good.

00:31:28If anyone calls me, I'm at the Puerta de Hierro club.

00:31:30Okay, miss.

00:31:31Hey, Damian, how much are you earning now?

00:31:33With the lady's permission and from the beginning of the month, five thousand and the peaks.

00:31:37Well, add another thousand pesetas and the peaks.

00:31:39Okay, miss.

00:31:41It suits him perfectly.

00:31:44Frankly, miss, I'm not feeling...

00:31:45Beautiful, flawless, perfect.

00:31:47Okay, but what I want...

00:31:48I know, the decorations, the feathers, and your club's badge.

00:31:52I don't have a club.

00:31:53Better independent, as it should be.

00:31:54We also have badges for independents.

00:31:57A complete assortment of badges that mean nothing.

00:31:59Yes, but I mean...

00:32:01Okay, don't strain yourself.

00:32:02Let's see, it has to match the cartridge belt.

00:32:04What cartridge belt?

00:32:05The one you are about to take with you is indispensable for every good hunter.

00:32:08Miss, let's see if we can understand each other once and for all.

00:32:10I am not a good hunter.

00:32:11Oh, how modest!

00:32:13This is really strange.

00:32:13A hunter who doesn't boast, but will boast.

00:32:16With this 12-gauge shotgun you'll be able to do wonders.

00:32:18It can be said that she hunts alone, never missing a single piece.

00:32:21Notice how light it is.

00:32:22And at the same time solid.

00:32:23A perfect finish.

00:32:24With a 70mm chamber and automatic ejectors.

00:32:26For all kinds of parts.

00:32:27Please, miss, don't insist.

00:32:29I cannot use firearms.

00:32:30He doesn't intend to hunt partridges with a knife, does he?

00:32:33Hello good.

00:32:33You?

00:32:34Yes, he knows her.

00:32:35I'm getting to know her.

00:32:36What do you want?

00:32:38Could you tell me what now?

00:32:39Our clock has stopped.

00:32:4012.

00:32:41So late?

00:32:41You have exactly 12 steps to reach the Puerta del Sol.

00:32:44Go see it on the clock face.

00:32:45It's because you have my nerve pills in your bag.

00:32:48Yes, I took them away because I don't like you taking that junk.

00:32:50I am an enemy of medications.

00:32:52I really need them.

00:32:52They cast a shadow on you, so there are no pills.

00:32:54Okay, see you later.

00:32:57Goodbye forever.

00:32:58If you get upset again, you win.

00:33:00Sweet.

00:33:02Submissive.

00:33:05Her boyfriend?

00:33:06My ex.

00:33:07Poor thing.

00:33:08Do you consider it insufficient for you?

00:33:09On the contrary, too much.

00:33:11It made me have relations with the entire Madrid team.

00:33:14I know by heart how many millions Di Estéfano earns.

00:33:16The shoe size that Puskas wears.

00:33:19And what Gento likes most is rice pudding, and I'm allergic to it.

00:33:21I think he's exaggerating a bit.

00:33:23Ugh, he's a pain.

00:33:23Hello good.

00:33:24I came to see if they would let me use the phone.

00:33:27Ours has broken down.

00:33:28Everything breaks down in your store.

00:33:30Except me.

00:33:31I'm going to ruin you if you don't leave.

00:33:33For God's sake, Conchita.

00:33:33Just leave.

00:33:34Be reasonable.

00:33:35I'll really stir things up.

00:33:36Would you be able to shoot me?

00:33:38In self-defense.

00:33:39That's awful.

00:33:40Don't worry.

00:33:41It's not loaded.

00:33:43But you shouldn't play around with these things, the devil carries them.

00:33:48Good shot.

00:33:49Didn't I tell you I hunted alone?

00:33:58Maria Jose.

00:33:59What's up, champ?

00:34:01Champion Shell.

00:34:02Well, I heard that in Brussels you were ranked as indisputable.

00:34:05That's indisputable.

00:34:07But they argued with me about it.

00:34:08Even worse, they stole it from me.

00:34:09Just like last year in Minneapolis.

00:34:11You see, daughter, someone else is having their wallet stolen at my championship.

00:34:14Bad luck.

00:34:15I call it a prank.

00:34:16Because I can't get any fitter.

00:34:18Look, from team ground to 18 in a single race.

00:34:21I've made a waiter.

00:34:22Is it possible?

00:34:23Just ask the caddy who's coming with his tongue hanging out.

00:34:27Right, kid?

00:34:29Now you'll see how my pulse is.

00:34:31Come closer.

00:34:31Tony is waiting for me.

00:34:32Let him wait.

00:34:33Today I'm in top form.

00:34:34Fresh as a lettuce and strong as an oak.

00:34:37Well, well.

00:34:38He needs to take care of himself.

00:34:39No, this is from the smoke.

00:34:41Someone who's out there smoking blond tobacco doesn't take this into consideration here in the countryside.

00:34:45Hey, look.

00:34:46The entire journey was completed without having to use more than one payment.

00:34:49The other 13 have not recovered from the coup.

00:34:52Right, caddy?

00:34:53That man is a master.

00:34:55That is.

00:34:55You said it.

00:34:56The master of the opening is Strength and you don't know that now I'm square-faced.

00:34:59Is it possible?

00:35:00Has he given up open face?

00:35:01Yes, I've quit.

00:35:02Now I practice the opening like the Americans.

00:35:04And how do I practice it, eh, caddy?

00:35:06Yes, and all without forcing the figure.

00:35:08Look, take a look.

00:35:11Well, the green is wet and my tees are very worn, but despite that...

00:35:14Sorry, champ, but I have to let you go.

00:35:17Wait.

00:35:18You'll see what you approve of to do the pati.

00:35:21Notice what grip and what's there.

00:35:23Of course it's a sure shot.

00:35:24Very good.

00:35:27Damn, what's going on here, man?

00:35:28A stone that has deflected the ball.

00:35:31Let's see now.

00:35:37Okay, so what's happening on the green today, caddy?

00:35:39May I?

00:35:48It's true.

00:35:49Absolutely true.

00:35:50Furthermore, there is no doubt because of the person who said it.

00:35:53You're right.

00:35:53Ah, you knew that too.

00:35:55Yes, but you didn't say so before.

00:36:00Are you sure they're talking about me?

00:36:01Likely.

00:36:02What are people saying these days?

00:36:03You know, truths and lies.

00:36:05For example?

00:36:06That your father has had to mortgage the chalet in the mountains.

00:36:09TRUE.

00:36:09That she has had to resort to her grandmother's actions.

00:36:12TRUE.

00:36:13He is no longer on the bank's board of directors.

00:36:16Lie.

00:36:16But it will turn out so well because it's true.

00:36:18Is the puncture really that bad?

00:36:20A complete blowout.

00:36:21Look!

00:36:23There's a good patch for you.

00:36:25And off we go again.

00:36:26Look!

00:36:28Look!

00:36:31Look!

00:36:34Look!

00:36:44Look!

00:36:47Look!

00:36:48Look!

00:36:49Look!

00:36:50Look!

00:36:51Look!

00:36:52Look!

00:36:53Look!

00:36:54Look!

00:36:55Look!

00:36:55I said, Maricé.

00:36:56I do.

00:36:57I think you're the one who hasn't thought this through.

00:36:59Because?

00:36:59I swear I'm being sincere, that I love you.

00:37:01We've known each other for years, Tony.

00:37:03Almost since childhood.

00:37:04And you haven't heard about it until now?

00:37:06That's precisely why.

00:37:07Over time we become aware of things, of our true feelings.

00:37:11No, Tony.

00:37:11Love has to be something different.

00:37:13That's how I see it, at least.

00:37:15There is no thinking, no reflecting, no realizing of anything.

00:37:18You either like it or you don't, at first glance.

00:37:20Just because.

00:37:20What do you know?

00:37:21I don't know, but I can imagine.

00:37:23It cannot be any other way.

00:37:24The day a man truly loves me, it will be without knowing who I am or what I look like.

00:37:28And if I fall in love, the same thing will happen to me.

00:37:31But listen, Maria Jose.

00:37:32Let me explain.

00:37:33Don't explain anything, please.

00:37:34In matters of the heart, you can't convince, you either win or you lose.

00:37:37So, you're rejecting me?

00:37:39Yes, Tony.

00:37:40And I feel very sorry for you.

00:37:41For you, for both of us.

00:37:47What great weather, huh?

00:37:48Yes, very good.

00:37:50Excellent.

00:37:51Springtime.

00:37:52It's almost hot.

00:37:53Yes, almost.

00:37:57Don't sigh so loudly, you'll blow the potatoes away.

00:37:59It's because I remember a guy I met this morning at the hairdresser's.

00:38:02If you had seen it.

00:38:03He had beautiful hands and a certain distinction.

00:38:05And he said some things.

00:38:07Look, at this point I'm going to start looking at men's hands.

00:38:10There are other things to focus on, Luisa.

00:38:12Woman, that's what one understands.

00:38:14What's wrong with you?

00:38:15You're more clueless than if you'd been taken to see a Cinerama.

00:38:17Nothing.

00:38:18Well, say something.

00:38:19What do you want me to say?

00:38:22Is he still ignoring you?

00:38:23Not a glance.

00:38:24Daughter, you are watched by roughly 200,000 viewers every day.

00:38:28In Zaragoza, in Barcelona, you appear on the news.

00:38:30What does it matter?

00:38:31It is the loneliness in the middle of the night of a tango.

00:38:35The one from the hairdresser.

00:38:37The one with the shot.

00:38:39The one with the autograph.

00:38:40Well, well.

00:38:42What a happy coincidence.

00:38:43Chance?

00:38:44Are you saying that?

00:38:44Is it a coincidence that they like french fries?

00:38:46I love them.

00:38:47Excuse me.

00:38:48If I'm not bothering you.

00:38:49By no means.

00:38:50With great pleasure.

00:38:51That way he can advise us.

00:38:52About what?

00:38:53About the gifts we have to give our boyfriends.

00:38:55I have no problem.

00:38:57And you?

00:38:58Have you already sorted yours out?

00:38:59Don't be surprised.

00:39:02But I have no one to give anything to.

00:39:04Is it possible?

00:39:05A creature as wonderful as you?

00:39:07The thing is, she spends all day next to some clueless guy she's attracted to.

00:39:10And he didn't hear the bell.

00:39:12And some people don't even realize it when the firefighters drive by.

00:39:16Well, that's it.

00:39:17Enough talk.

00:39:18Also, if Manolo happens to pass by and sees me with you.

00:39:20Well, and you see us with you.

00:39:22Is he jealous?

00:39:23If he is jealous, if you sneeze, she tells Jesus and he hears her.

00:39:27The following week, the three people pictured appear on the front page of the case.

00:39:31On that page, you never see those who want to love, but rather those who don't know how to love.

00:39:36Do you see what things he says?

00:39:37He has to advise us.

00:39:39You don't need advice.

00:39:41Buy him anything, the first thing you see.

00:39:43The important thing is that her boyfriend understands that she remembers him, that she loves him.

00:39:48If you have ties with him, he'll end up having them with you.

00:39:51Love is like a mirror.

00:39:53It reflects what is put in front of it.

00:39:55And you, buy something for that boy too.

00:39:58But take into account their tastes, not yours.

00:40:01And remember that illusions should be savored in the plural, in pairs.

00:40:05And for the one with the bell, something that makes noise inside, in the heart.

00:40:09Something that shows him that you know him well.

00:40:12For example, a cigarette case.

00:40:14So that the cigarettes don't spill out.

00:40:17If we decide to go for it, wish us good luck.

00:40:19Something better. Goodwill.

00:40:23Ladies, goodbye.

00:40:24Bye bye.

00:40:26Have you seen that man?

00:40:28How will he know about the cigarettes?

00:40:29He knows Latin.

00:40:30What guy?

00:40:31Jesus.

00:40:31What's wrong now?

00:40:32Did he forget his coat?

00:40:34So what do we do with it?

00:40:35I'll take it myself.

00:40:36He'll probably think he left it at the hairdresser's and will come back for it.

00:40:38Walking.

00:40:39Let's see if they close us down and we can make the last ten with the two of clubs.

00:40:44Today is Valentine's Day.

00:40:50Today is Valentine's Day.

00:40:58Today is Valentine's Day.

00:41:06Therefore, having you by my side, I will achieve your love on this day.

00:41:13Today is Valentine's Day.

00:41:17We have your smile and my song.

00:41:20That when we join our lips, when we begin to love, you will forever have my heart.

00:41:27So brave, I don't forget you because it's your love that I haven't gotten for you.

00:41:46And that's why, having you by my side, your love is not what I have gotten from you.

00:42:09So brave, I won't forget you.

00:42:16Attention, attention.

00:42:18There are five minutes left until the departure of the Gijón Santander express train, which is located on track four.

00:42:24Third platform.

00:42:38Excuse me, is there a mailbox around here?

00:42:41If it's a lion, it will eat you.

00:42:46Thank you so much.

00:42:49Hey, I'm going to be a cedilla, will you give me a ride?

00:42:52If only they were more careful.

00:42:58Careful, careful, careful.

00:43:05Careful, careful, careful.

00:43:07Listen.

00:43:08It seems that letter doesn't want to reach its destination.

00:43:11It's strange.

00:43:12I hesitated a lot before writing it.

00:43:14I've broken it several times.

00:43:15And now?

00:43:17Then it's better if it doesn't arrive.

00:43:19What you say in it is something that should not be resolved by letter.

00:43:22And even more so when sent desperately at the last minute.

00:43:25But face to face, with gallantry.

00:43:27What do you know?

00:43:27To know nothing.

00:43:29But I see a worried young man, and that's quite something.

00:43:32You should say failure.

00:43:34Come on, what nonsense.

00:43:36A failure at his age.

00:43:38Desperate at the age of hope.

00:43:39My problem has no solution.

00:43:41How does he know without going all the way to the end?

00:43:43I don't know who that letter was addressed to.

00:43:45But suppose for a moment that its recipient, upon receiving it

00:43:48will make a favorable decision.

00:43:51What good is it to you if you're not there to find out?

00:43:53I can't go back now.

00:43:55I'm going to leave.

00:43:56Why did he take out the ticket?

00:43:57There are many trains, you can take any one of them.

00:44:00And maybe he'll consider the cost of the ticket a good loss.

00:44:04And besides, it's going to be difficult for him to leave on that train.

00:44:23I finished my PhD three months ago.

00:44:25Dr. Díaz Nieto had offered me a position at his clinic.

00:44:27Furthermore, he made it easy for me to do research.

00:44:30Magnificent, a great opportunity, yes.

00:44:32But I can't wait any longer.

00:44:33I'll be able to work in the village right away.

00:44:35Never.

00:44:36We must fight until the very last moment.

00:44:38Go see that doctor.

00:44:39Explain your situation clearly to him.

00:44:41And if he has faith in his talent, he won't let him go.

00:44:43What's a good time to see him?

00:44:45Five o'clock?

00:44:46Well, at five o'clock.

00:44:47Cheer up, man.

00:44:48Sursun corda!

00:44:50Keep your spirits up.

00:44:52Why are you doing this for me?

00:44:53Man, you caught my attention.

00:44:56Let's call it coincidence.

00:44:58Everything in the world has a reason.

00:45:00I don't believe in coincidence.

00:45:01It does a very good thing.

00:45:03Listen.

00:45:05Tell me.

00:45:06Turn right at the first street.

00:45:08Careful!

00:45:09Careful!

00:45:14But you're blind.

00:45:16I...

00:45:16I came to talk to that gentleman.

00:45:17You have to be a little careful when driving.

00:45:18A little care.

00:45:19But they are for impacts.

00:45:20For blows, for blows.

00:45:22For...

00:45:22Come on, at some point.

00:45:24Excuse me, miss.

00:45:24Has something happened to you?

00:45:25It was nothing.

00:45:26She's a little dazed.

00:45:27I hit my head, but I don't think it's important.

00:45:29You never know that.

00:45:30You're not a doctor, so what are you waiting for to recognize her?

00:45:33Yes, of course, naturally.

00:45:35There doesn't appear to be a wound, but I'll examine it more closely anyway.

00:45:38No, no, don't bother.

00:45:39That's all that's needed.

00:45:40You take care of her.

00:45:41I'll take care of the taxi and your suitcase.

00:45:44Thank you.

00:45:44I'm going to cause them a...

00:45:44By no means.

00:45:45Don't worry.

00:45:52Hey?

00:45:53Something wrong?

00:45:55Very good, very good.

00:45:56Immediately.

00:45:57Just a moment to deal with the accident and the boy's suitcase.

00:46:02I know, I know.

00:46:04What a laugh.

00:46:05Well, it's not important.

00:46:07So, what do I owe you?

00:46:12Have a drink of something.

00:46:13Will it revive me?

00:46:14But I'm not depressed.

00:46:15Perhaps an herbal infusion to help him calm down.

00:46:17I assure you that I am completely calm.

00:46:18Do you have any reason to doubt it?

00:46:20No no.

00:46:20It looks excellent.

00:46:22In some ways, more than excellent.

00:46:24The thing is, you never know.

00:46:25The effect of the shock may be delayed.

00:46:28Excuse me.

00:46:30This gentleman's suitcase.

00:46:31Thank you so much.

00:46:32And whenever the young lady wants...

00:46:35Don't leave yet.

00:46:37Why not?

00:46:38Because it's premature.

00:46:40We need to give ourselves time to fully recover.

00:46:41Are you still afraid of the shock?

00:46:43Well, in a way, there are many kinds of shock.

00:46:47Alright.

00:46:47Go alone.

00:46:49I'll stick with the doctor.

00:46:50I'll have to explain the accident to the gentleman.

00:46:52The accident was not serious.

00:46:54But the gentleman will want to know...

00:46:55What should I say to the man?

00:46:57Don't worry.

00:46:58Tell him things as they are.

00:46:59What are they like?

00:47:00Yes, that's how they are.

00:47:00Don't worry.

00:47:01I'll go pick up the children later.

00:47:03To the children?

00:47:04Clear.

00:47:05To the children.

00:47:06When they leave school I will take them directly home.

00:47:09Which house?

00:47:10To mine.

00:47:11That is, to the one of the gentleman.

00:47:13Let's stick to what we're doing.

00:47:15That.

00:47:15And where are we?

00:47:17So when the man leaves school...

00:47:19No, man.

00:47:20The children.

00:47:21That is.

00:47:21The blow has left me a bit of an idiot.

00:47:23Then the young lady will accompany the gentleman to our house.

00:47:26It's the same.

00:47:26Tell him whatever you want.

00:47:27Whatever I want, no.

00:47:28That's just how it is.

00:47:29Just as they are.

00:47:31So you are...

00:47:32Governess.

00:47:33With three children to care for.

00:47:34I've been with the same people for a year.

00:47:36There, on the Rosales promenade.

00:47:38And you?

00:47:38Do you specialize in any particular area?

00:47:40I am a clinician.

00:47:41And a bit of an investigator.

00:47:42In other words, I hope to be one very soon.

00:47:44Perfect.

00:47:49Come on.

00:47:50Can you give me a lift?

00:47:51Go.

00:47:54Please, a plant?

00:47:56Above.

00:47:57But what plant?

00:47:58Above.

00:47:59He already said that before.

00:48:00The last one.

00:48:01You never get to the last one.

00:48:03Yeah.

00:48:04Depending on how it's measured, it's also true.

00:48:10Here it goes.

00:48:11The elevator has gone crazy.

00:48:26Well, you're going too far.

00:48:28That crash was the inspiration of the moment.

00:48:32A rather fiery inspiration.

00:48:35There's no need to force the pace.

00:48:37It is true that I once restored sight to a blind girl,

00:48:40But he was seeking a higher purpose.

00:48:43Besides, you're not very accurate with the others either.

00:48:47Instead of calming disagreements, you provoke them, you incite flirtation.

00:48:51Especially with that girl, the manicurist,

00:48:53You are contributing to creating a conflict.

00:48:55I.

00:48:56So, what's going on?

00:48:58See for yourself, son.

00:49:00What are your eyes for?

00:49:09Hey, babe.

00:49:10Hello, Manolo.

00:49:10Have you cut a lot of nails?

00:49:11I've told you a thousand times that I don't cut them, I fix them.

00:49:13It's the same.

00:49:14It's not the same.

00:49:14Don't get angry, we're not going to argue today, it's Valentine's Day.

00:49:17You're right.

00:49:17And to celebrate, I've brought you something,

00:49:19If you guess what it is, I'll put it on your wrist.

00:49:21I've also brought you a small souvenir.

00:49:24Go away, you bear.

00:49:24What did you bring the cool guy? A coat?

00:49:26No, the coat...

00:49:28Here it goes.

00:49:28And with short hair.

00:49:29How does it look that you work in a hair salon?

00:49:32That's a nice touch, girl.

00:49:34If it weren't for my fear of being seen by an inspector,

00:49:37I'd put it on right now.

00:49:38I think it's going to be a little too big for me.

00:49:41The thing is, what I'm bringing you isn't the coat.

00:49:43Oh, no?

00:49:44No, it's something you need more.

00:49:46And who is this for?

00:49:48To return it.

00:49:49Whom?

00:49:50To a customer who left it behind at the hair salon.

00:49:52And since when have you been in the business of carrying out clients' things?

00:49:55No, Manolo.

00:49:56He left it on a terrace and I...

00:49:58At the hairdresser's?

00:50:00On the terrace?

00:50:02Luisa, you're deceiving me.

00:50:03No, no, you'll see.

00:50:04He's a customer of the hair salon, but he left it on the terrace.

00:50:07And what were you doing on the terrace?

00:50:08Water the potted plants?

00:50:09No, chiles, they're going to hear you.

00:50:11I don't care if they hear me.

00:50:12Let them know you're an adulterous woman.

00:50:14Manolo, we're finished.

00:50:15Right now.

00:50:16Beautiful.

00:50:18One believes her boyfriend is at work

00:50:19And while she goes to a terrace

00:50:21to water the pots with a stranger.

00:50:23Or rather, with his lover.

00:50:25You have no right to insult me.

00:50:27But you're going to cry on top of it.

00:50:28That's the only thing I was missing.

00:50:30Clear.

00:50:30As you know, I can't stand it.

00:50:32Let me.

00:50:33Luisa, forgive me, I believe you.

00:50:35Manolo.

00:50:36It's been said, woman, that I believe you.

00:50:38But you're crazy, girl.

00:50:40An inspector might see me and I'll be in trouble.

00:50:42Here, take my gift.

00:50:45What is this?

00:50:46A manicure kit, can't you see?

00:50:49So she can do my nails, of course.

00:50:51Clear.

00:50:52And don't wear it covered in grease.

00:50:54That is.

00:50:55So that they remind you of those guys

00:50:56who takes the hides for three pesetas.

00:50:59Manolo!

00:50:59Well, you give it to them.

00:51:01The one with the coat, now that's a real hide.

00:51:02You're right.

00:51:04What are you saying?

00:51:05You're right.

00:51:06I'm right.

00:51:08Go figure with that darn coat.

00:51:10The lack of habit of using it.

00:51:12But this complication is easily fixed.

00:51:14They are good boys, easy to handle.

00:51:17Others aren't so easy, are they?

00:51:20Yeah.

00:51:21The saleswoman is a force to be reckoned with.

00:51:24But the boy has perseverance.

00:51:25And that's worth a lot.

00:51:27He doesn't give up.

00:51:28He's on the front lines right now.

00:51:55Don't hide, I've seen you.

00:51:57I?

00:51:58Hide, me?

00:51:59Oh!

00:51:59It's funny.

00:52:00No sir, it's not funny at all.

00:52:01What's with playing mind games?

00:52:03Look, Conchita, I wanted to tell you...

00:52:04You don't have to tell me anything.

00:52:05Do you think that by giving me a few caresses here and there, peace and then glory?

00:52:08Well, you're wrong?

00:52:08Conchita, notice that despite everything, I am here.

00:52:10Yeah.

00:52:11Today is a day when we cannot be upset.

00:52:12Oh, really?

00:52:13And what day is it today?

00:52:14You know it too well.

00:52:15Valentine's Day.

00:52:17And are you and I the ones in love?

00:52:19Let me laugh.

00:52:20Ha ha ha.

00:52:21Conchita.

00:52:22Go away.

00:52:23And when you tell me again that Real Madrid has been relegated to the third division,

00:52:25Come back and don't eat bananas in front of me.

00:52:27You know that smell makes me sick.

00:52:35If the girl stands firm about relegating Real Madrid to the third division,

00:52:39I find it very problematic.

00:52:41Who knows, son?

00:52:43With all due respect, that's a delusional fantasy.

00:52:47There can be surprises in football, but not that many.

00:52:51I wasn't referring to football, but to the human heart.

00:52:54That's what I meant earlier.

00:52:55Where you put your heart, everything turns out well.

00:52:58And if not, there's the other couple.

00:53:00You only have to look at her.

00:53:03It's been a long time since I've enjoyed a meal so much.

00:53:05We've barely eaten.

00:53:06A little snack.

00:53:07To be honest, I always eat very little.

00:53:09You don't need to say it.

00:53:11It shows.

00:53:11He said earlier that he looked good.

00:53:13Overall, yes, but she looks a little pale.

00:53:16It seems that she is not well cared for in the house where she works.

00:53:19I really can't complain.

00:53:20No no.

00:53:21It's obvious they're not feeding him properly.

00:53:22Oh.

00:53:22As soon as I start working at the clinic, I will do a blood test on you.

00:53:26Me?

00:53:27So that?

00:53:27I assure you that I am perfectly fine.

00:53:29Even so, I'll bet you anything you don't have more than three million red blood cells.

00:53:34reds.

00:53:34And you think that's not enough?

00:53:35We need to reach five million.

00:53:37He will need to have a liver extract injected.

00:53:39And what am I going to do with so many millions?

00:53:42Mistakes and successes balance each other out.

00:53:45Yes, certainly, but I don't see his relationship with the announcer progressing.

00:53:49I think I have the solution.

00:53:50Don't notice yourself.

00:53:51I do everything with good intentions.

00:53:54I also speak with caution.

00:53:55The end is good.

00:53:56The means to achieve this must also be good.

00:54:00Each environment requires its own style.

00:54:02Take care of yours and don't worry about the rest.

00:54:05Go back to your post and be a leader.

00:54:18You can't even think with all this noise.

00:54:21If you'd like, I can lend you a book that contains many letters for declaring your love.

00:54:25What a statement and what a dead child.

00:54:27I just don't know how to start.

00:54:29Luis, friend Luis, dear Luis.

00:54:32Put all three things in.

00:54:33Dear friend Luis.

00:54:34Yes, it's not bad.

00:54:35The friend downplays the beloved.

00:54:37And the beloved sweetens it.

00:54:39Don't you think so?

00:54:40It seems to me that a lot of people are appearing in that letter.

00:54:42Please accept this small gift.

00:54:51So you don't drop your cigarettes again.

00:54:55How would I know?

00:54:57Who?

00:54:58It's the same, you don't know.

00:54:59Apparently nobody knows anything.

00:55:01How would you say goodbye?

00:55:03Saying goodbye or see you later.

00:55:05In my land they say abud.

00:55:12No, man, no.

00:55:13Not like that.

00:55:14Look at how it looks.

00:55:22Go on, get in there already.

00:55:24One day I'll deflate it.

00:55:27This is for you.

00:55:28What is this?

00:55:29At first glance, it looks like a bouquet of flowers.

00:55:32A lot.

00:55:33I mean, who's going to send them to me?

00:55:35There are a hundred thousand viewers, everyone knows.

00:55:37No, Mariano.

00:55:38Look.

00:55:39White and red roses.

00:55:40It's from someone who knows my tastes.

00:55:42I can't swear to it based on what they'll be worth.

00:55:44If they are cauliflowers, they are a bad comparison.

00:55:47What if Luis had thought of it?

00:55:48That wouldn't occur to him.

00:55:50And if the thought occurs to him, he doesn't do it.

00:55:51Well, I don't understand it.

00:55:53Perhaps they belong to the real Count Urraco.

00:55:55And Count Urrico?

00:55:56No, not that one.

00:55:58Don Luis has left, hasn't he?

00:55:59Yes, he went out, but to eat as usual.

00:56:01And don't worry, he doesn't even remember what day it is today.

00:56:05Valentine's Day.

00:56:07Valentine's Day.

00:56:08Day of the pontoons.

00:56:19Excuse me?

00:56:20Yes, please sit down.

00:56:28Poet?

00:56:29No.

00:56:31Novelist?

00:56:33Neither.

00:56:34Do not follow the list.

00:56:36Television screenwriter.

00:56:37Ah, supermodern literature, worthy of admiration.

00:56:41It requires great mental agility, quickness, intuition, and reflexes.

00:56:46In some programs it's noticeable, one that airs at night, which is like a lyrical commentary on the day's events.

00:56:51I'll do it.

00:56:53Ah, yes.

00:56:53Congratulations.

00:56:55I am a fan of his and have been a television viewer.

00:56:57Here, in Madrid?

00:56:58No, further away.

00:57:00But from where I am it looks very good and without any interruptions or interference.

00:57:05And do you follow my programs?

00:57:07Of course.

00:57:09It has an exceptional announcer, with a Greek name...

00:57:13Athena.

00:57:13That is.

00:57:14She also has many admirers.

00:57:16She really is a very pretty girl.

00:57:18Yes, she's pretty.

00:57:20And nice.

00:57:21Yes, she seems nice.

00:57:23Of course you will have another point of view.

00:57:25The camera adds a lot of prestige.

00:57:27Perhaps that girl isn't so pretty in her natural state.

00:57:30Yes, it is.

00:57:31Or perhaps, when she is not forced to smile because of the presence of the cameras, she comes across as unfriendly or unpleasant.

00:57:38Nothing of the sort.

00:57:39She's lovely, I assure you.

00:57:41He praises her with great enthusiasm.

00:57:43I praise her professionally.

00:57:45Of course, that makes sense.

00:57:50Do you eat here often?

00:57:51Every day.

00:57:53Single, naturally.

00:57:55For many years.

00:57:57Don't be so sure.

00:57:58Perhaps one day he'll think he's lost them.

00:58:00Do you think so?

00:58:02For an artist, for an intellectual, women are always a hindrance.

00:58:05Women, perhaps.

00:58:07A woman in the singular, no.

00:58:09It is the constant stimulus, the rest when you need to rest, the incentive for effort when you need to make an effort.

00:58:17Do you own a marriage agency?

00:58:19No, but at this rate I'll end up putting it on.

00:58:23And maybe you're single.

00:58:24Oh, you could have asked me another question too.

00:58:26Don't take it to heart, man.

00:58:28A cigarette?

00:58:29Wow, the same thing always happens to me.

00:58:31If he had a woman by his side who loved him, he would surely have fixed it by now.

00:58:36Women are very detail-oriented and know what we need.

00:58:40You need a cigarette case.

00:58:43Hello.

00:58:44Don Luis, they have left this for you.

00:58:47For me?

00:58:47What is it?

00:58:48You can consult a fortune teller, but I think you'll finish sooner by looking at it.

00:58:54A cigarette case.

00:58:56Man, this is really funny.

00:58:58What's so funny?

00:58:59This.

00:58:59Whose is it?

00:59:00They say it's mine, it's a gift.

00:59:02I ask who is giving it to you.

00:59:03I don't know, it doesn't even happen to me.

00:59:04Doesn't it say anything?

00:59:05Any card?

00:59:06A note?

00:59:09Dear friend Luis, don't drop your cigarettes again.

00:59:12A good friend.

00:59:14Some crazy woman.

00:59:15Another little gift for you, Miss Athena.

00:59:17Other?

00:59:18Dear, we've brought it.

00:59:20Wow, an orchid, no less.

00:59:22Who sent it to you?

00:59:23An admirer.

00:59:24Anyone knows.

00:59:25A crazy person.

00:59:26This Apache boss outfit suits him very well.

00:59:28That's what it seems to me.

00:59:29I want Diego Valor's.

00:59:31Hush, baby, you'll wear the one your mom tells you to.

00:59:32I want Diego Valor's.

00:59:34Of course, Diego Valor's is prettier, you know.

00:59:36The disintegrator, the siderock, the antigravity belt, and the card to be able to move freely through space.

00:59:41Yes, but it's more expensive.

00:59:42That's true, but it's not worth going to the moon like you're just going to the four corners of the road.

00:59:45I want Diego Valor's.

00:59:48Any of these shades will make your tan stand out even more.

00:59:51I prefer this one, although don't you think it highlights the muscles a bit?

00:59:53Look at those muscles, squeeze without fear.

00:59:57What an animal, excuse me, I meant...

00:59:59Don't worry, I know it's a compliment.

01:00:01And now you'll see.

01:00:01That's a bit of a compliment, you know?

01:00:04Jesus.

01:00:04No, if it's not a stoma, then that's nothing.

01:00:06Look at the legs, touch, touch.

01:00:09Did you see? They're two columns from the Parthenon.

01:00:11They look more like two hams than two legs.

01:00:15This is a man.

01:00:16And not the scrawny cat who carries one hanging on his arm when he goes to the movies.

01:00:19Well, that way the kid will get the Apache chief one.

01:00:22So he can act a little silly, you know?

01:00:23I want Diego Valor's.

01:00:24Can you exchange this thousand peseta note for me?

01:00:26And there's nothing like a good clothes hanger.

01:00:29I wonder who I know with a nickname like this.

01:00:31And ten, take it, a thousand pesetas.

01:00:33What a cute little boy.

01:00:35Bring the cute little hat, the little belt...

01:00:37It fits you so well that you're going to take six more.

01:00:40What's wrong? Do you want something?

01:00:42The pills. I need them more than ever.

01:00:44The pills.

01:00:46Poor.

01:00:46Of course, you're so weak.

01:00:48Well, if you're weak, go to the gym.

01:00:49Or you do high somersaults.

01:00:51Try eating horse meat and see if you get like that.

01:00:54Cleopatra.

01:00:57Goodbye, nervous one.

01:01:02Good afternoon.

01:01:03Good afternoon. Whatever comes next.

01:01:05Yes, to pick up...

01:01:06The garment that caused the discord.

01:01:07I'm sorry you've had any trouble because of me.

01:01:10Don't worry, I'm used to it.

01:01:12Excuse me, I'm in a hurry.

01:01:13Me too.

01:01:17I have to do some private services.

01:01:19Would you like to come with me?

01:01:20With pleasure, but there will be no more setbacks.

01:01:22Precisely to avoid any problems, I would like to ask you a question.

01:01:25You tell me.

01:01:26You who know so many things.

01:01:28Do you think a woman can fall in love with two men at the same time?

01:01:31No.

01:01:32I think so.

01:01:33Imagine a woman in love with a man.

01:01:35Suddenly I met another one...

01:01:37How would I say it?

01:01:38More correct, more polite, more attentive.

01:01:41Yes I understand.

01:01:42The candle for the young lady?

01:01:44It allows.

01:01:46Thank you so much.

01:01:48Do you see?

01:01:49Manolo wouldn't have thought of this detail.

01:01:52Thank you.

01:01:53Some men believe that there is no need to be attentive to their own wife or to the woman who is going to be their wife.

01:01:58What a big mistake.

01:01:59You didn't know that well.

01:02:00And some women believe they fall in love with the first man who shows them gallantry.

01:02:05Another big mistake.

01:02:07Maybe.

01:02:08Make no mistake.

01:02:09If Manolo, in addition to loving you as he does, showed you more attention, more kindness.

01:02:16Tell me the truth.

01:02:17Would you exchange it for another one?

01:02:19No.

01:02:20But you see.

01:02:21Instead of being here with me, he'll be at Marcial's house with his buddies.

01:02:24Okay, but I'll fix that right away.

01:02:27What is your latest service?

01:02:28At number 6 Avenida de América.

01:02:30Because?

01:02:30No reason.

01:02:32I'm sorry to leave you.

01:02:33Taxi!

01:02:34But...

01:02:34See you later.

01:02:45For example, this is Alcalá Street and this is Cibeles Square.

01:02:48In other words, so you can soak it up, lunchbox.

01:02:51Casua, the two-wheeler is coming in this direction, but the Mercedes cuts it off.

01:02:55If you're riding the Bicutter, what's the procedure?

01:02:58Well, that...

01:02:58That it...

01:02:59That it...

01:02:59I'm passing by...

01:03:00Because of the...

01:03:01To the right, let's go, tell me.

01:03:03What the hell?

01:03:03Since you're messing with the engine like that, by the time you want to pass it, it'll have already hit you.

01:03:08It's not that.

01:03:09Look.

01:03:10You brake.

01:03:12Then the Mercedes passes by.

01:03:14And then you leave.

01:03:16Neither the double-cutter nor the Mercedes is there anymore.

01:03:19That's the maneuver.

01:03:20Hey, that's more of a dirty trick than a maneuver.

01:03:22As soon as you have a spare vehicle, you'll take it.

01:03:24Shut up, barist.

01:03:25It's already drying.

01:03:26But you just keep eating cars.

01:03:28And we all chip in to pay for them.

01:03:29That's the teacher.

01:03:31Oh, and if you're not comfortable in it, you can eat it.

01:03:32You disappear.

01:03:33Okay, man.

01:03:34Come on, keep going.

01:03:35And now you'll be the one to complain, since you're the one who protests the most.

01:03:38Look closely.

01:03:38Case B.

01:03:39Imagine that the guard goes on an errand.

01:03:44And the red disc turns off.

01:03:49And the green light comes on.

01:03:52You are driving the truck towards the gas station.

01:03:55What are you doing?

01:03:56What I do?

01:03:57Yes, look closely.

01:03:59You leave with the truck and that's the end of it.

01:04:02Where to?

01:04:03How's your mother?

01:04:04Where else would it be?

01:04:05Time to refuel.

01:04:08Ah, throwing.

01:04:09Tomorrow will be another day.

01:04:10Hey Manolo, can I eat the leftover green disc?

01:04:13You're late, jump in now.

01:04:15Well.

01:04:17Go on.

01:04:17No, they don't eat him, the teacher.

01:04:19Acosta is not dealing with the vehicle fleet.

01:04:26Is something wrong, friend?

01:04:27Neither one nor the other.

01:04:29What does that mean?

01:04:30I'm not his friend and nothing's going on with me.

01:04:31Ah, I am the owner of the coat.

01:04:37She gave it to him, right?

01:04:39Naturally, a very beautiful woman.

01:04:40Hey, that woman is my girlfriend.

01:04:42And isn't she beautiful?

01:04:42A lot of yes.

01:04:43Then say it with a smile, man.

01:04:45Content, happy.

01:04:46And not with a grumpy face.

01:04:48Or does it bother him that his girlfriend is pretty?

01:04:50What bothers me is that someone else is saying it.

01:04:52Ah, jealousy.

01:04:53Clear.

01:04:54And so clear, the prettier she is, the more I want her for myself.

01:04:57You're starting to understand me.

01:04:58Just for me.

01:05:00So, to be at ease,

01:05:02There shouldn't be a man in the world other than you.

01:05:04I don't say that much.

01:05:05But it is easy to get.

01:05:07Next to nothing.

01:05:08Be all the men in the world to her.

01:05:10If you like people to be nice, be nice.

01:05:12If you're refined, refine yourself.

01:05:14If you're gallant, tell her gallant things.

01:05:16If you like them tall, I can't grow.

01:05:18At least try, because something is better than nothing.

01:05:20And above all,

01:05:22If you want it to be just for you,

01:05:24Try to be just for her.

01:05:25And no jealousy.

01:05:27Jealousy makes you bitter

01:05:28and they offend her.

01:05:30They leave us both exhausted.

01:05:32Do you see it now?

01:05:33And now he's thinking he's been unfair to her

01:05:35and that has ruined the whole day

01:05:37for having given in to his impulses.

01:05:38Hey, you can guess what I'm thinking.

01:05:40And he's also thinking that he's acted like a fool.

01:05:43He is wrong about that.

01:05:44I think like a donkey.

01:05:46I know.

01:05:47But it's not right for me to say it.

01:05:49And he's also thinking about how to fix it.

01:05:52But I can't think of anything.

01:05:54Keep thinking and you'll come up with it.

01:05:56Remember her.

01:05:58Of what she likes.

01:05:59Of what she desires.

01:06:02I think I'm going to go home

01:06:03to clean myself up sometime.

01:06:06Well, not a minute.

01:06:08Because this takes a while.

01:06:11Now you know as much about me as I know about myself.

01:06:14As you can see, a common life.

01:06:16An admirable life.

01:06:17I am vulgar compared to you.

01:06:19You are wonderful, Maria Jose.

01:06:22Tell me about me.

01:06:24I want to be.

01:06:24Later.

01:06:25If we meet again.

01:06:27We'll always see each other.

01:06:29Always.

01:06:30We will have to separate.

01:06:32Because?

01:06:33You will work at that clinic.

01:06:35You will be a great doctor.

01:06:36A famous man.

01:06:37And you won't remember this poor institution.

01:06:40I will remember it every day.

01:06:42At all hours.

01:06:43I will always see you.

01:06:45In our house.

01:06:46When I arrive.

01:06:48We just met

01:06:49And you're already thinking about getting married.

01:06:50You hardly know anything about me.

01:06:52I know I love you.

01:06:53It's not possible to love like that, so suddenly.

01:06:55It's the only way.

01:06:57Without knowing why.

01:06:58I love you just the way you are.

01:07:00I think I've always loved you.

01:07:03Even before I met you.

01:07:05What's the matter?

01:07:06I wish time would stand still.

01:07:08That it should stop this very moment.

01:07:17But we have to separate.

01:07:19I don't know what they'll say at home

01:07:20for leaving the children alone all day.

01:07:23When I leave the clinic I'll go find myself.

01:07:26While I'll be thinking of you.

01:07:28See you later.

01:07:31Bye bye.

01:07:34Bye bye.

01:07:41Bye bye.

01:07:57Bye bye.

01:07:59All due respect.

01:08:00I'll tell him to celebrate.

01:08:01Thank you, Damian.

01:08:01And my father?

01:08:02Where is my father?

01:08:02The gentleman is still in his rooms.

01:08:04I need to see him right away.

01:08:05I am very happy.

01:08:08Dad!

01:08:09Daddy!

01:08:10What's happening?

01:08:10What's wrong?

01:08:11I'm in love.

01:08:12I told her that I am a governess in this house.

01:08:13I had to come because of the children, you understand.

01:08:15But what I've come here for is to get fixed up

01:08:16so that he sees me looking my best.

01:08:18Are you sure you're not wrong?

01:08:19Completely.

01:08:20Can I know who the lucky winner is?

01:08:22Yes, his name is Emilio.

01:08:23He's very handsome and he loves me, he loves me, he loves me.

01:08:25not my money.

01:08:26If your mother were alive, I would be so happy

01:08:28as I am at this moment.

01:08:45Hello.

01:08:47But hey, there's just no way you're going to leave me alone.

01:08:49No.

01:08:50She's suspicious and what we have can't just end like that.

01:08:53No, huh?

01:08:53Well, find out once and for all.

01:08:55I'm fed up with you, your football, your tastes.

01:08:57Apparently, the men are gone.

01:08:58who prefer a woman above all else.

01:09:00Conchita, I do prefer it.

01:09:01You know what I mean.

01:09:02So, while driving, the green light is on.

01:09:04Don't come at me with flamenco nonsense, I'm not going to let you.

01:09:06We've loved each other for so many years, and it's only a matter of time before this keeps happening.

01:09:08Let go, leave me alone.

01:09:09No, I won't let you go.

01:09:09Good afternoon.

01:09:10I see they've made peace.

01:09:12I'm glad.

01:09:13Again.

01:09:16But miss, I...

01:09:17And spy on us.

01:09:18Let's see if you stop meddling where it doesn't concern you.

01:09:20Who are you?

01:09:22Who am I?

01:09:23Well, nobody.

01:09:24A citizen.

01:09:26An ordinary citizen who enjoys seeing young people happy

01:09:29and that tries to prevent the couple from getting upset.

01:09:32Well, you're putting them all in the same horseshoe.

01:09:34And what do you care if we get upset or not?

01:09:36Please, Conchita, do you always have to be arguing with me, with this gentleman?

01:09:40I have come to make peace.

01:09:42There is no peace.

01:09:43But I wanted to invite you to go somewhere, to have some fun.

01:09:46It's useless, we couldn't even agree on things to have fun.

01:09:48You'd like to go to the theater, I'd like to go to the movies.

01:09:50Why don't they go to the puppet show?

01:09:52I actually have two tickets.

01:09:53Well, that doesn't seem like a bad idea to me.

01:09:54I'm thrilled about it.

01:09:56See, it's not so difficult to reach an agreement.

01:09:58Well, you're on the right track.

01:09:59But it's not peace at all; it will only be a truce.

01:10:02Not until the Cold War.

01:10:11We're closed now.

01:10:12I wanted a little medal.

01:10:13A Valentine's Day medal.

01:10:15Well, we've sold a lot today, actually.

01:10:18In gold?

01:10:18Yes, in gold.

01:10:20It shouldn't be too big.

01:10:21This is the most common model.

01:10:24And how much does it cost?

01:10:25Two hundred and fifty pesetas.

01:10:27Aren't there any smaller ones?

01:10:28Yes sir.

01:10:29These, one hundred and seventy-five.

01:10:36I'll take this one.

01:10:39Can you record it?

01:10:40Yes sir.

01:10:40I'm going to take note of the text.

01:10:43Tell me.

01:10:44Maria Jose, Emilio and today's date, February fourteenth.

01:10:49When do you want it?

01:10:50Could you have it right now?

01:10:51I'm sorry, but it's not possible.

01:10:52The earliest we can have it is tomorrow afternoon.

01:10:55So I'll take it like this now and bring it back tomorrow to have it recorded.

01:10:58Whatever you want.

01:10:59Ladies and gentlemen, Channel 3 of Iberia Television presents its special program

01:11:05The day that passed, dedicated today to Valentine's Day.

01:11:10Day of intimate joy.

01:11:12A day of kind smiles.

01:11:14A day of sweet memories and...

01:11:17And from...

01:11:19And of burning hopes.

01:11:21Here is our collaborator, Luis Martín.

01:11:28Come on, come on.

01:11:30Dear viewers, good evening.

01:11:32Today is a day like any other, and yet different from all others.

01:11:36Today the lovers had something more to say to each other.

01:11:39Today they have promised each other eternal love, the aviaries, the...

01:11:43Couples in love.

01:11:45But at this hour, there is only the poet who understands love without knowing it.

01:11:50That transmits her voice without ever having heard it.

01:11:56Couples in love gather around him.

01:11:59He is merely a spectator of the world of love that he observes and creates in his heart.

01:12:04But it does not manage to possess it.

01:12:16Couples in love.

01:12:17Couples in love.

01:12:25Sounds.

01:12:54Thank you!

01:13:11Aviaries

01:13:11It's your fault, you make me nervous

01:13:31I'm leaving, Dad, I'll be right back.

01:13:33Aren't you going out tonight?

01:13:35No, daughter, you're the one who needs to go out and have fun.

01:13:37To live

01:13:38Like you said, life is wonderful

01:13:40Go on, don't keep him waiting

01:13:41May you be very happy

01:13:43I am, in a way I never thought I could be.

01:13:46Sir, this is Altos Hornos de Bilbao speaking

01:13:48With the permission of the gentleman

01:13:50I heard the man say that he wasn't planning on going out tonight.

01:13:52Yes, that's what I said.

01:13:53Just in case I thought better of it

01:13:55I told the driver to wait

01:13:56You know me, Damian

01:13:57Hey, by the way

01:13:59How much do you earn now?

01:14:00The gentleman increased my salary by a thousand pesetas and the peaks from the first of the month

01:14:03Well, increase it by two thousand.

01:14:04Thank you, sir.

01:14:05With the permission of the gentleman

01:14:06Blast furnaces await

01:14:08Thank you, Damian

01:14:09Mister

01:14:10Increase the peaks too

01:14:11Thank you, sir.

01:14:12And with the permission of the gentleman

01:14:14I always said that the man is a great man

01:14:18Blast furnaces?

01:14:19I mean, Maruja

01:14:26What do I owe him?

01:14:27Twelve pesetas

01:14:30Emilio

01:14:30María José

01:14:33The position

01:14:34I've already got it

01:14:35Morning consultation

01:14:36Afternoon laboratory

01:14:37Everything I desired

01:14:40María José

01:14:41What does this mean?

01:14:43Well...

01:14:44It means I didn't tell you the truth

01:14:46You have deceived me

01:14:47No

01:14:48That I haven't told you the truth

01:14:49Which is not the same

01:14:50Because?

01:14:51Don't know

01:14:52It scared me

01:14:53An absurd fear, if you will.

01:14:55And I hid from you who I am

01:14:57So

01:14:57Aren't you a governess?

01:14:59No

01:15:00You are a woman who has money

01:15:02And from what I can see

01:15:03Big money

01:15:04Yeah

01:15:05And therefore you can afford to laugh at those of us who don't have it

01:15:08No, Emilio

01:15:09You have no right to say that

01:15:10Clear

01:15:11The young lady was bored.

01:15:14Find a poor, failed quack doctor

01:15:16And what could be more natural than to laugh at him a little?

01:15:18Don't talk like that

01:15:19You are unfair

01:15:20And weren't you?

01:15:21Anyway

01:15:22I'm glad to have met you

01:15:25It has been a wonderful experience

01:15:27And how should I pay you back?

01:15:31Take

01:15:31To the station of order

01:15:35As quickly as possible

01:15:38Emilio

01:15:43You're not going

01:15:44You're not going

01:15:46And that you're not going

01:15:47Yes, I'm going.

01:15:49Yes, I'm going.

01:15:50And yes, I will go.

01:15:51Well, I'm telling you, you're not going to.

01:15:54And I'm telling you, yes, I'm going.

01:15:57And yes, I'm going.

01:16:00Criminal killer

01:16:01That you're capable of leaving and leaving me all alone

01:16:04We'll be together when the priest gives us his blessing.

01:16:08Perhaps I've become a restless soul without peace.

01:16:11Because I died of a tantrum

01:16:13Well, don't get angry.

01:16:14And you will live a thousand years

01:16:16Don't leave and I won't get angry

01:16:18If I stay, you'll be furious too.

01:16:20Go away, man.

01:16:21Go if you want

01:16:23And when you return you'll find me dead

01:16:26In a corner like a little mouse

01:16:28Even if you die

01:16:30I'm not staying

01:16:32I'm not staying

01:16:33And I'm not staying

01:16:34Oh, oh, oh

01:16:36Oh

01:16:37Why will you find my love?

01:16:40Oh, oh

01:16:40What's wrong, my love?

01:16:43Oh, I'm dying, Cristobita

01:16:46Now it's for real

01:16:48Oh

01:16:49Tell the parish to sing me a first-rate gorigori

01:16:54Oh no

01:16:56Don't die, my love

01:16:58Don't die, my star

01:17:01Oh, oh

01:17:02That I won't be able to argue with you anymore.

01:17:05Oh

01:17:06And if you die, I'll die too, so we can be together.

01:17:11Oh

01:17:12Oh

01:17:13A little spring has broken in here.

01:17:29We have seen it, we have dreamed it

01:17:31Perhaps we have dreamed

01:17:34Because we have it.

01:17:35I don't know, I don't understand

01:17:37I'm not even sure I saw that

01:17:39Being here with you

01:17:40Yes, that's right.

01:17:41You are with me

01:17:43And you always will be.

01:17:44Yes, together until God wills it

01:18:09Luisa

01:18:15Luisa

01:18:16And to tell you that

01:18:17You don't need to say anything

01:18:19I'm glad because, look at that

01:18:19I was getting nervous

01:18:21Well, I'm not trembling.

01:18:22But Manolo

01:18:23With clean nails

01:18:24What happened to make you change like this?

01:18:26It's just that you realize it

01:18:27That women like

01:18:28Curious and refined men

01:18:29And I promise you that from today

01:18:31I'm going to take a bath at least

01:18:32One day yes, one day no

01:18:33I'm going to be more refined than a noodle.

01:18:34There's no need to exaggerate

01:18:36You shut up or I'll slap you so hard you'll...

01:18:39Manolo

01:18:39Sorry, I forgot.

01:18:40It's about being polite.

01:18:42It's not as easy as being a millionaire

01:18:43For example

01:18:45Luisa

01:18:46Did you notice I'm wearing a bow?

01:18:47Beautiful

01:19:23What happened to make you change like this?

01:19:48The couples leave

01:19:50And only Adolf remains.

01:19:51The poet

01:19:52The creator of a world of illusions

01:19:54But unable to possess hands that caress him

01:19:58Not even eyes to look into

01:20:01But if only she knew how to look around her

01:20:03I would find those eyes and those hands

01:20:06That he has never warned

01:20:08And yet they have always gone towards him

01:20:11The text is changing

01:20:12There's a woman for you too.

01:20:13Read the paper, you won't know which way to turn.

01:20:15Me, Luis

01:20:16And you walk right past me without noticing.

01:20:18Without seeing that I love you, Luis

01:20:20That I have always loved you

01:20:22What are you saying, Adolfo, woman?

01:20:23Even if you don't know it

01:20:24Even if you are unable to see or understand it

01:20:26Even if you never find out

01:20:28My Luis

01:20:29How much have I come to love you?

01:20:31Cut!

01:20:32Cut!

01:20:33Cut!

01:20:36The broadcast has devastated me.

01:20:38She's gone crazy

01:20:39Luis, Luis

01:20:40How did you come up with saying Luis?

01:20:43Luis

01:20:43But it's my name

01:20:46Miss Athena

01:20:46Another bouquet for you

01:20:48Or that Count Urracos

01:20:49He's gone crazy

01:20:49Either there are four or five magpies roaming the world

01:20:51Keep it for yourself

01:20:52And what do I want flowers for?

01:20:54Am I alive and kicking?

01:20:56Athena

01:20:57I'll sell them to you

01:20:58Athena

01:20:59The director of channel 5C in Caracas

01:21:01I saw her on the broadcasts

01:21:02And I think she's an extraordinary broadcaster.

01:21:03Thank you so much

01:21:04Do you want to hire her for her television show?

01:21:06Ah, yes, right now.

01:21:07That's what I like to see.

01:21:07Quick decisions

01:21:08American style

01:21:11Sorry

01:21:14Athena!

01:21:16Wait

01:21:18Listen to me

01:21:19You need to understand that...

01:21:20There is nothing to understand.

01:21:21Just another mistake

01:21:22I'm a detestable radio announcer

01:21:23Nothing of the sort

01:21:24You are the best radio announcer in the world

01:21:25The most wonderful woman I have ever met

01:21:27And me, a complete idiot.

01:21:29Are you stupid?

01:21:30With your talent?

01:21:31You are a great writer

01:21:32There is nothing in the world but your scripts

01:21:34Your programs

01:21:35You're wrong

01:21:35You're all that matters to me.

01:21:36And not as a radio announcer

01:21:37But as a woman

01:21:38I have so many things to tell you now.

01:21:40Write them down

01:21:41Put them in the mouths of your characters

01:21:42And now leave me alone

01:21:46Wait

01:21:46We need to understand each other.

01:21:48I don't know why my characters

01:21:49They have expressed my true feelings

01:21:51Remember every sentence

01:21:52Each word

01:21:53It's as if something greater than me

01:21:54It would have pushed me to do it

01:21:55No

01:21:56You haven't made any mistakes

01:21:58That solitary poet

01:21:59It was myself

01:22:01So

01:22:01It was me who didn't understand you.

01:22:04On the contrary

01:22:05You understood me

01:22:05And that's why everything happened.

01:22:08You will find it absurd, Athena

01:22:09But not until tonight

01:22:10I didn't realize it

01:22:11That I was in love with you

01:22:12And why tonight of all nights?

01:22:15I don't know

01:22:15I was afraid of losing you

01:22:17Perhaps those flowers

01:22:18On purpose

01:22:20Who will send them to you?

01:22:22It could only have been an angel.

01:22:23And that's impossible.

01:22:33Let's see my life

01:22:35How much have you saved?

01:22:37Well, among the tips

01:22:38And the extraordinary ones

01:22:39Which I'm putting in the notebook

01:22:40They exceed 12,000

01:22:41I have the benefits of MT

01:22:43And SECOP

01:22:44Around 24

01:22:45Double as it should be

01:22:47Total 36,000

01:22:48Let's celebrate

01:22:51What's it going to be?

01:22:52Two caviar sandwiches

01:22:53And two glasses of vodka

01:22:54TRUE?

01:22:55Natural

01:22:56Two glasses of red wine

01:22:57And two hot dogs

01:22:58But don't bark

01:23:00Luisa

01:23:01We got married

01:23:02As?

01:23:03Well, because everyone gets married

01:23:04Saying yes

01:23:05Inviting friends over for a meal

01:23:06And four freeloaders

01:23:07They will sneak in

01:23:08We're going to Toledo

01:23:09O Aracued

01:23:09Or as far as we get

01:23:10And then, whatever God wills.

01:23:12What do you think?

01:23:13Me?

01:23:14Perfect for me

01:23:16Well, let's go

01:23:16What you can do today

01:23:18It's a shame you didn't do it yesterday.

01:23:19We're going to tell your parents.

01:23:21To ask for your hand in marriage

01:23:23We already have the bracelet

01:23:24Flat-chested

01:23:25Here comes an eight

01:23:28Hey, Muscovite!

01:23:29What do we do with the puppies?

01:23:30Vaccinate them!

01:23:46Hey, what's going on?

01:23:47Why didn't I go out?

01:23:47One would see in the machine

01:23:48It will start immediately.

01:23:57The night

01:23:59The night

01:24:00The night

01:24:01The night

01:24:10The night

01:24:14Cu diligence

01:24:15What there was

01:24:16On the occasion

01:24:16Qu石

01:24:17Stay

01:24:37How did you come up with the idea of coming here?

01:24:39Following the medal.

01:24:40She brought me here.

01:24:42I couldn't let you leave.

01:24:44María José was afraid.

01:24:45Because I truly love you, just the way you are.

01:24:58Will we be taking our honeymoon on this plane?

01:25:00No, no, we'll do it by boat.

01:25:01And why not by plane? Let's see.

01:25:02Because I get dizzy in the air.

01:25:03And I'm off the seas.

01:25:04So there won't be a honeymoon by plane.

01:25:06Look, Conchita, let's not start.

01:25:07What do you want? By plane? By plane.

01:25:09What do you want? By boat? By boat.

01:25:10What do you want? By bicycle? By bicycle.

01:25:11Whatever you want, of course.

01:25:13That's what I like to hear, buddy.

01:25:15If you agree with me, we'll always be in agreement.

01:25:17As it should be.

01:25:19Look, the prickly pear cactus.

01:25:22Today is the day for lovers

01:25:26I also had the sight of a brain.

01:25:30That's why I've changed to your love.

01:25:34On this day, enjoy the moment.

01:25:37Today is the day for lovers

01:25:40In the ones I like, he shouts and shouts.

01:25:50Valentine's Day.

01:25:54Valentine's Day.

01:26:21Valentine's Day.

01:26:22Valentine's Day.

01:26:23Valentine's Day.

01:26:40Valentine's Day.

01:26:41Valentine's Day.

01:26:45Valentine's Day.

01:26:52I haven't forgotten you.

01:26:54Valentine's Day.

01:26:56Valentine's Day.

01:26:58Valentine's Day.

01:26:59You?

01:26:59I didn't know.

01:27:01It's the same.

01:27:04I know the way very well.

01:27:08Good night.

01:27:33Thank you!

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