- 2 days ago
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00:28BTV
00:30Oh, manta, как живете?
00:31И аз имаме майка и идете в другата стая.
00:33Мамо, Мамо!
00:34Мамо!
00:38Мамо!
00:38В нашата държава за умрял човек давате 200 000 за страховка,
00:42а вие искате за един крак да ви опростим 200 000.
00:45Ще ви съдя.
00:47Днес дойде човекът с червения кон и отнесе Божията слава.
00:51Аз те отписвам от този конец!
00:54Откранали си или мангистите.
00:56Нещо горе на бусемата.
00:57Back to me.
01:27Ha ha ha ha!
01:28Ha ha ha ha!
01:30Daj!
01:33Ah, Steffi!
01:39Aide, na zdrave za miliontje to!
01:42I za nas!
01:43Do dno!
01:45Ah!
01:50Oh my god!
01:52Ne, zle!
01:53Ha ha ha!
01:56Kolko pari dala za tva šampansko?
01:58200 kinta, butylkata!
02:01Ama Kev, cena nama!
02:04Daj!
02:11Stiga tolkova?
02:13Se napija!
02:19Studentkata!
02:20Da!
02:22Az, deda, sem zakled, trezvnik!
02:24Pia povece od tebe!
02:26Aide, давай, pij!
02:28Na zdrave!
02:29Do dno!
02:42A...
02:43Tava muzika...
02:45Napravo me pobarknoz!
02:47Što ve?
02:48Jaz?
02:49Muzikata na bogatete?
02:51Mhmm...
02:53Ako penzionerski klub?
02:55Ni si kazal, da?
02:57Ni sem esmenil!
03:02Uff!
03:03Uff!
03:04Uff!
03:04Hrish!
03:06Uff!
03:07Uff!
03:09Uff!
03:09Uff!
03:10Tva haresa li ti?
03:11Mmmmm!
03:13Uff!
03:15Uff!
03:15Uff!
03:18Uff!
03:20Uff!
03:24Uff!
03:32Uff!
03:34Uff!
03:36Uff!
03:41Uff..ugi!
03:44Uff!
03:44Shoooo!
03:49It's a little bit.
03:51It's a little bit.
03:52It's a little bit later.
04:03What?
04:04You're doing it?
04:05It's about 20 minutes.
04:08Why?
04:11I'm going to hit one after one.
04:14It was like a cooperating์ type down.
04:31How is it here?
04:34Hey, my pleasure, Slav ありがとう.
04:37I saw a palace here to skip our manufactment.
04:40A palace?
04:40Yes, yes, yes.
04:42Oh.
04:43You can't.
04:45If you're ready to...
04:46No, no, no.
04:47Wait.
04:48I'll take the first mask.
04:49Yes.
04:52Wait.
04:53Okay, okay.
05:00Did you do something?
05:01Yes, it's a mask.
05:05Give me the saxophone.
05:06I don't understand what you're talking about.
05:08Give me the saxophone, I want to get the saxophone.
05:10Do you want to get the saxophone?
05:14Of course.
05:15I'm an engagement to orchestra.
05:17I can't leave it like that.
05:18I'm going to show people.
05:20Why are you on my family?
05:23What are you doing?
05:27Your family...
05:32Fátro, I'll tell you a bit.
05:33We're here.
05:35We're here in four repetitions.
05:36Who is this?
05:37Yes, it's a good repetition.
05:39If I'm not able to...
05:42Get off of it for me.
05:44I don't understand.
05:47It's not like that.
05:50I can't do it.
05:52I'm going to sing the saxophone.
06:04You can't take music.
06:07Never.
06:34I'm a little 10 heart to it.
06:34If I miss a little you make me a dragon happy you share.
06:38That's perfectly enough.
06:38Oh, a little drollet.
06:46You try.
06:52Oh ole.
06:54Yeah.
06:55Oh!
07:01I'll have at least 200 likes.
07:08What do you say?
07:10To get off and get off and get off?
07:14What?
07:16To get on to 500 likes.
07:19You're dreaming!
07:21What?
07:22What a bad body is falling down.
07:29What do you mean?
07:31I'm young, young,
07:35young,
07:35young,
07:41what do you want?
07:43Oh, Grysha,
07:45you're good.
07:46But to be 10 years younger,
07:49I'm young,
07:50I'm young.
07:51but...
07:52What's that?
07:55It means that it's a little drink.
08:05Who doesn't drink a ex,
08:07who doesn't see...
08:09...
08:09...
08:09...
08:09...
08:10...
08:11...
08:12...
08:13...
08:13...
08:14...
08:15...
08:15...
08:15...
08:15...
08:16...
08:16...
08:16...
08:17...
08:17...
08:18...
08:18...
08:18...
08:19...
08:20...
08:20...
08:22...
08:22...
08:22...
08:22...
08:23...
08:23...
08:24...
08:24...
08:24...
08:24...
08:25...
08:25...
08:26...
08:26...
08:26...
08:27...
08:27...
08:30...
08:30...
08:30...
08:31What am I doing?
08:33My job is my job.
08:34My prestige is my prestige.
08:37I have a car.
08:38I have contacts.
08:40I have a charisma.
08:41And so, between the other hand,
08:44I'm a millionaire.
08:48Good day.
08:50Not ten.
08:51Five years ago.
08:54But it's a big difference.
08:57Yes.
08:58Yes.
08:59If I am a million,
09:00then you don't have it.
09:08Do you know
09:10how many dreams I have made you?
09:12One million.
09:16It's been two or three years
09:19that we had a difference.
09:21It could be...
09:22What are two or three years?
09:24You have to get out,
09:26what's the other way?
09:27I have to get out of five years.
09:42And it's been a while.
09:45It's been a long time.
09:47And it's been a long time.
09:51You mean it's been a year since the last few days.
09:53I mean, I'll be able to get out of it.
09:53But I still have a long time in your real life,
09:55I'll see you as a princess, I'll see you, you know.
10:05But for one year, the difference was...
10:13Grisha...
10:14Hey, you're going to die.
10:17What are you doing?
10:25What are you doing?
10:26Hey, what's up?
10:30What's up?
10:40What are you doing?
10:41You understand, you're being used to be an authority.
10:43What do you say to the girl?
10:44How do you start?
10:51The connection between the musician and the instrument, this is love.
10:58But you can't understand this!
11:03It's very funny.
11:08Tell me where is the saxophone?
11:09What's up?
11:10What's up?
11:11What's up?
11:12What's up?
11:18What's up?
11:20What's up?
11:21Tell me what to add.
11:21Hey.
11:22Tell me what to do with the弱 it is.
11:22Hey, you know what the member?
11:24Tell me, what to do about it.
11:28Talk to me because you're the gráficest thing.
11:31How do you feel?
11:33Well, let's go.
11:35Kosta, what are your family?
11:37What are your family?
11:39And why don't you go to a rehearsal?
11:42I don't know...
11:43I don't know if I'm fine with these things.
11:46I don't know if I'm fine with them.
11:49I don't know if I'm fine with them.
11:52That's right.
11:52I'm fine with them.
11:53I'm fine with them.
11:54I'm fine with them.
11:57Who are you?
11:58Who are you?
11:59Who are you?
12:01The...
12:02The...
12:03The...
12:03The...
12:04I'm fine with you.
12:05I have a scheme for such situations.
12:15No, I'm fine with...
12:18The...
12:19The...
12:20The...
12:21The...
12:23The...
12:31The...
12:32The...
12:38The...
12:50The...
12:53The...
12:55A...
12:55The...
12:56The...
12:58The...
13:00The...
13:02There's a lot of money.
13:06I'm here, I'm here.
13:14I'm here, I'm here.
13:15Come on!
13:16Come on!
13:17Come on!
13:18What do you want to see the whole park?
13:21No, no.
13:22It's going to come to Akaga and Yitzu Hazard.
13:24I've paid them for 10 people.
13:27Listen, Grisha,
13:29these are probably the money from the bank.
13:32The whole country is looking for you,
13:33and you're here, you're here.
13:35I'm going to take a bonus to pay for 15 years.
13:40And...
13:43...the first thing is worth it.
13:44If you hold the police and get into the door,
13:47do you know how many years you get out of the door?
13:52I don't have anything in general.
13:57They're here.
13:57They're not there.
13:58They're not here.
13:59They get out here and they're here.
14:03They're here to make you go.
14:05I'm here.
14:06If we hold them, we'll say that we're going to find them
14:08and we're going to get back to them.
14:10We'll see you.
14:10Grisha?
14:13We're going to get back to them.
14:15We're going to get back.
14:17We're going to call the police,
14:18and you're going to get back to the bank.
14:20Yeah, yeah.
14:20You know when you come back to the bank?
14:23Grysha, let's go back to the bank.
14:26Yes, and then a banker will close the bank in Serbia.
14:30But...
14:32The bankers are now looking for the bank.
14:35Who knows how many of them are?
14:37They are in front of me.
14:41How do they do it?
14:43I'm in front of my grave.
14:48Steffy, these are the movies with champagne.
14:53Call me for Facebook.
14:58So we'll return?
15:00Whatever I wanted...
15:02I'll have to get them.
15:04My Uzra bought me up.
15:06So, why are they asking?
15:24ALL RIGHT.
15:27Yes, please.
15:30See, this is the other side.
15:32Let's go.
15:34Good day.
15:35Good day.
15:36Good day.
15:38Oh!
15:41What did you say?
15:44The police violence, doctor.
15:46I took it away from the city,
15:49and they took it away from the city.
15:51I took it away from the city.
15:52I was a man of my life,
15:53and I was a police officer.
15:56I took it away from the police department.
16:00I have a doubt about the chest and the chest,
16:02the chest and the chest,
16:03the chest and the chest.
16:06Where did you put it?
16:08Where did you put it?
16:08In the area of 10.
16:09No, I asked about what part of the chest is.
16:11Here.
16:13Here.
16:14Okay, okay.
16:17Let's see.
16:19Oh!
16:20Oh!
16:22Okay.
16:25Yes.
16:26Yes.
16:27It's a police station.
16:31No, a police station.
16:32It's a police station?
16:34No, no.
16:35No, it's a police station.
16:36It's usually other things.
16:37Yes.
16:39Right?
16:40Yeah, a car's car had.
16:41That's so easy, sir.
16:43No, I saw that in the police station.
16:50No.
16:55No, no.
16:56No, I'll never touch.
16:59Okay.
17:00He's got a scanner to get a scanner, he's got a scanner.
17:04He's got a scanner.
17:04He's got a one.
17:06He's got a one.
17:07Okay, let's see.
17:09Oh, there's more.
17:12Oh!
17:13And the one with the one?
17:15No, it's with the TV.
17:17TV?
17:19According to me, it's a commotion.
17:21He's so happy to come back to the future.
17:24I don't know where to find a woman.
17:26Okay.
17:27Okay.
17:28He's got a gun.
17:30Now we'll show you everything.
17:33Oh!
17:35Do you say that this happened in the 10th region?
17:38Yes.
17:40In the name?
17:57No.
18:04No.
18:07No.
18:07Yes?
18:07Yes.
18:07Yes.
18:08Yes.
18:18No.
18:20Yes.
18:20I thought I was a candidate and I thought I would have decided.
18:25It's not just a philology of your mother.
18:28Because, look at me, it's not a job.
18:32I heard you.
18:35But I thought I was something with art.
18:39A woman, actress...
18:41Please, these are not serious.
18:43I saw a diplomat, a lawyer, a banker...
18:50So, the scene is a great job.
18:55A woman, Elenko, a drug addict.
18:58How many times did you get on the scene?
19:00You just drank the stairs.
19:02It's worth it, worth it.
19:04That woman, who lives in the next block,
19:08and asks her autograph.
19:11She's a reader of the music of our orchestra.
19:14Those are your readers.
19:17The girls from Quartal.
19:29There are two photos.
19:31A woman, I'll pay the loan.
19:34It's a gift.
19:36Mom is for you.
19:38I'm a...
19:44A woman.
19:46What do you think is better, a actress or a actress?
19:48Wait, wait, wait.
19:55Mrs. Lutova, this is for you, I love you.
20:00Oh, what's your fault?
20:02Today is the day of the day of the modern music.
20:08With our own Chechopay, we wish you a happy holiday.
20:12Happy holiday.
20:14What do you have to do with this?
20:17You are a musician, a musician, a musician.
20:22Because, you know, you've always been a musician.
20:27It's a big woman.
20:32Yes, but you don't understand it.
20:34Jordan has to leave and he's no longer.
20:38How does he leave?
20:40I thought he was sick.
20:41I don't have to leave.
20:44I'm sick.
20:45The doctor is supposed to be sick,
20:48so it's a happy day for me.
20:51I pray, I pray, I pray, I pray.
20:55Why are you sick, man, now?
20:58I'm sorry, doctor.
20:59I'm sorry, doctor.
21:00I'm sorry, doctor.
21:01I'm sorry, doctor.
21:02I'm sorry.
21:02I'm sorry, doctor.
21:05I'm sorry.
21:09I'm sorry for you.
21:11But here is a good way to do it.
21:14Do you think it's a bad thing?
21:17It's not a bad thing.
21:19Who is the murderer?
21:21Ruben Stefanov.
21:24Who is the mother who was born?
21:27Who is that?
21:31Okay, here we go.
21:35Soon he will not be the murderer.
21:38Can you see you can see a lot of pain and a lot of pain?
21:41Oh!
21:44Do not have you seen anything?
21:46Or someone?
21:49I watched the television and I will see myself.
21:54The television?
21:56The mask?
21:58The mask?
22:01The Hungarian mask?
22:02Thank you, doctor.
22:04No.
22:05No.
22:14I'm going to go.
22:15I'm going to go.
22:16I'm going to go.
22:17I'm going to go.
22:18What do you do?
22:18What do you do?
22:19What do you do?
22:20I'm going to go.
22:22And Danchel?
22:23Danchel was sitting beside Slavka
22:26like a sick kid.
22:29But she could be able to go.
22:31No, no, no.
22:33She doesn't want to go.
22:35I'm going to go.
22:37I'm going to go.
22:38I'm going to go.
22:41The surprise number two.
22:50I'm going to open the door.
22:59Hello.
23:03It's for you.
23:05Yes?
23:06The holiday of the modern music,
23:09Mrs. Lutova.
23:11What do you do?
23:11A welcome from the hit section
23:13of the orchestra Chichu Pei.
23:16Do you know the cake?
23:18The cake with the cake.
23:19The cake with the cake.
23:20Oh, the cake with the cake?
23:22Yes.
23:23I don't know.
23:23I'm going to ask the art of the orchestra,
23:27Mr. Elenko, Angel.
23:30Tell me Mr. Elenko,
23:31that these numbers are not going to go.
23:33And Jordan,
23:34I'm going to go.
23:35Oh, I'm going to go.
23:37I'm going to go.
23:38I'm not going to go.
23:39Thank you for the cake.
23:43Then...
23:43I'll take the cake.
23:46Ilavery.
23:47Ilavery.
23:48Ilavery.
23:49Ilavery.
23:49Ilavery.
23:50A oughtnog.
23:53Ilavery.
23:55Ilavery.
23:57He's been a bit scared of me.
23:59Ilavery.
24:01Ilavery.
24:02Ilavery.
24:02Ilavery.
24:04Ilavery.
24:10Ilavery.
24:12Ilavery.
24:14That's my son.
24:15In the orchestra.
24:20I don't know what to do.
24:22I'm sorry, I'm sorry.
24:23You're not sure what the saxophone does.
24:30You're a man.
25:06Are you ready?
25:07The job will kill you.
25:08The best step is to take care of you,
25:10and take care of you and think about it.
25:12The best to do it.
25:14The best to get you out of your way!
25:14After that, my boss is a great actor.
25:15I don't look anymore, my boss.
25:15What are you trying to do?
25:15We'll go to Dr. Ah!
25:17Oh!
25:19You're right for the National Theater!
25:21I'm not sure it was wrong.
25:23Even though it was wrong.
25:25And now.
25:25Hey!
25:26Hey!
25:29Hey!
25:29Hey!
25:30Hey!
25:30My mother!
25:34Then you'll take your mother and get your job to get your pension.
25:43Hey!
25:43He's up.
25:47Hey!
25:48It's an excellent reason.
25:49Hello everyone.
25:50What are you doing?
25:53Hi!
26:08Hello everyone.
26:09What are you doing?
26:11Hello everybody!
26:12Hello everyone.
26:12Hi!
26:13Hi!
26:13Hi!
26:13Yes?
26:15When?
26:17I understand.
26:18Yes.
26:20In the morning, we were in the Следовател Стефанов.
26:24And two of them.
26:26Why two of them?
26:35How do you stay with Yotso?
26:38Is that something?
26:39Yes, go.
26:41Yotso?
26:42No.
26:44What?
26:44What?
26:47What is the dessert?
26:48The dessert.
26:49What is the dessert?
26:50Yes.
26:52It's clear.
26:54We have to leave the artillery.
27:00Look, it's not a mess.
27:02It's not a mess.
27:03It's not a mess.
27:13It's not a mess.
27:17It's not a mess.
27:21It's not a mess.
27:32It's a mess.
27:39It's not a mess.
27:41I don't know.
27:46It's got anything a mess.
27:50instead of thinking about how to protect the family...
27:53I've already been told to think about the family.
27:56Think about it a little bit and you!
27:59How dare you be!
28:02What am I going to be?
28:04I'm not going to be a cosmonaut for you.
28:06And you?
28:07How do you get it?!
28:20How did you get it?
28:23I don't know.
28:25But you can't be a person.
28:26I don't know.
28:30I'm not going to be a person.
28:31I'm going to go.
28:33I'm going to go.
28:34I'm going to go.
28:36I'm going to go.
28:37I'm going to go.
28:37Oh, Elenco, how do you do it?
28:40It's an honor, ma'am.
28:42Just a second.
28:45It's special for you, from Chichupay's orchestra, with a lot of love.
28:50Are you going to pay me now?
28:53Open it, ma'am.
28:56What?
28:57It's a first concert for the first concert, it's an army.
29:00And when it's concert? It doesn't have a date.
29:03That's the job, ma'am. The concert is with a date.
29:08When we do it, then you'll be in the first round.
29:13And you'll be in the first round.
29:15Listen to me, Elenco.
29:19Jordan, more than you have to play.
29:24How do you have to play?
29:26That's right.
29:27It's a great talent.
29:29If this guy doesn't play, it's not only our orchestra, it's not only the Bulgarian culture.
29:35It's so important to me, Dancho, to be the minister of culture.
29:38Then I'll eventually let him go.
29:56Hey, Margot.
29:59Hey, megal.
30:00You're a Acevedo.
30:02Hey, where are you going.
30:05Hey, my heart, I got to play in a couple of times.
30:07Hey, Margot, a little bit.
30:08Hey, Margot.
30:09Hey, look at this face, how are you going to deal with it.
30:10It's possible.
30:11You just have to believe.
30:13Yes, but I'll wait for you to fill this room.
30:16I'll wait for you to fill this room.
30:39I'll wait for you.
30:40Yes, I'll wait for you.
30:40Good morning, Mrs. Slavka Lutova.
30:42Yes, I'm.
30:43I'll visit the Ministry of Culture.
30:48Please?
30:50How are you?
30:50I can't tell you.
30:52I was in the same way.
30:56And after that, I got to the Ministry of Culture.
31:00I'll tell you, that is the Ministry of Culture.
31:04What are you talking about?
31:05Margot, eh?
31:07Oh, my God.
31:16Do you have a way to speak with the Patriarch,
31:18to fall into the conditions of the economy?
31:21How do you fall into it?
31:23It's a matter of symbolism.
31:26You, as a matter of fact,
31:28have you broken the Bible?
31:30Only symbols?
31:32No, but I don't know about the Bible.
31:33I've heard about the Bible about the Rhinoski Manastyr,
31:35and he said that there is no such an icon.
31:38Did you see it, there was a place in Jerusalem?
31:41No.
31:42It's all about it.
31:43If you say that the Jerusalem exists,
31:45you don't exist because you don't have been there.
31:48What do I say?
31:49You have a point.
31:53And you must find it.
31:54But there are no evidence that...
31:57In 1984, I took my car and took my car to 200 meters from the Lissurvsky monastyr.
32:04It's very nice.
32:07I feel like I'm getting rid of the car and I feel like it's a smile.
32:13Three hours I fought with that guma.
32:16And three hours I'm a smile.
32:26Then I realized that the beautiful icon was in the Lissurvsky monastyr.
32:32But in the archives of the Lissurvsky monastyr, it's written,
32:35that in 1985, there was a red flag and he took my car.
32:40I'm hoping that he took the icon.
32:43Okay. And where are we now going to find the icon?
32:47I'm waiting for you to tell you who is and where he took the icon.
32:50I'm waiting for you!
32:59How did you use the icon in Lissurvsky monastyr?
33:06Moment.
33:09And...
33:15How did the brother say to the brother who spoke about the transport of Sinodis in 1980?
33:22Yes, yes, yes, on a food.
33:26No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
33:30no, no, no, no, no, no, no, no.
33:32Okay, I'll be able to miss it.
33:36A, а, къде?
33:37А този човек сега жив ли е?
33:39Жив, жив.
33:40Той напусна църквата 92-93,
33:43отвори едно автосервисче, не му потръгни.
33:46А, светих се.
33:48Дядо Нектари.
33:50Нектари?
33:50Да, сега отшелнги в една пещера.
33:52Така ли?
33:53Къде е тази пещера?
33:55Умина дубка, Плебенско.
33:57Цело годишно е там.
33:5821 век да живееш в пещера?
34:00Защо?
34:01На времето вкара един автовоз с луксозни лимузини от Германия.
34:05Оказва се, че са го набутали с крадени коли.
34:08Едната е била на Борис Бекер, другата на Бекенбаулер.
34:12Взеха му апартамента и мовината дубка се оказа единственият валенец.
34:17Значи той може да знае нещо за червения конник.
34:22А ако той не знае, няма кой.
34:27Коник вкар.
34:35I don't know.
34:36I don't know.
35:06I don't know.
35:10I don't know.
35:10I don't know.
35:12I don't know.
35:41I don't know.
36:11I don't know.
36:15I don't know.
36:25I don't know.
36:46I don't know.
37:14I don't know.
37:18I don't know.
37:27I don't know.
37:35I don't know.
38:09I don't know.
38:39I don't know.
38:43I don't know.
38:52I don't know.
38:53I don't know.
39:29I don't know.
39:29I don't know.
39:29I don't know.
39:37I don't know.
39:43I don't know.
39:47I don't know.
39:47I don't know.
39:50I don't know.
39:52I don't know.
39:54I don't know.
40:02I don't know.
40:11I don't know.
40:13I don't know.
40:16I don't know.
40:18I don't know.
40:20I don't know.
40:22I don't know.
40:23I don't know.
40:23Let's see,
40:23Anina,
40:24I can see you much more.
40:38It's a lot of fun.
40:39It's a lot of fun.
40:42Chamelea!
40:44My mom!
40:49What happened?
40:54What happened?
40:54What happened?
40:56He was a child.
40:59How did he be a child?
41:01I'm out of it and I'm out of everything.
41:04I'm saying,
41:04You can't do that.
41:05You are brothers.
41:07He's already told us.
41:09Wait, wait. How many brothers?
41:11The doctor and the two brothers.
41:15I'm sure they are.
41:17And I'm waiting for them.
41:19What did he tell us?
41:20What did he tell us?
41:22He told us.
41:27He told us.
41:27My mom, he told me,
41:29that I'm a victim of domestic violence.
41:31And she...
41:32My mom was a child.
41:34And I wrote some documents.
41:36So you're a child.
41:37I'm a child.
41:39I'm now a victim in domestic violence.
41:42You can see?
41:43Oh, Radko!
41:44How a domestic violence?
41:46The two brothers were together.
41:48Yes, but they had to me two things.
41:50One for the bank and one for the...
41:52The evidence.
41:54The evidence.
41:55And so, we are one of one.
41:57Oh, Radko.
42:00Oh, Radko.
42:00Oh, what do you do now?
42:04Oh, what do you do now?
42:05In this situation,
42:07the evidence is only one.
42:10You're being a victim of a party.
42:14Oh, you're a victim of a victim.
42:19Oh, you're a victim of a victim.
42:23Oh, you're a victim of a victim.
42:27You're a victim of a victim.
42:29So, I can never forget your children.
42:42And what you think of a victim?
42:45I shouldn't remember.
42:46I don't know.
42:51Yes, why?
42:52Yes, why?
42:53When I decided to take care of her, do you remember?
42:57Yes.
42:58Do you remember what she did?
43:01Yes, what?
43:02I'd like the same thing.
43:04Only without the last one between the two.
43:08No, no, no.
43:09No, no.
43:13No, no.
43:19No, no, no.
43:37Tati!
43:39Tati!
43:41Where did you find?
43:43He hid in my car.
43:45Thank you very much.
43:47Even though, artists, they have to keep us.
44:02Among other things, they say that the Ministry of Culture is a bit of a delegation.
44:07in the house.
44:37Eh, eh!
44:38Fatibashatapetkanu!
44:47Eratko!
44:49Eratko!
45:35Eratko!
46:05Eratko!
46:12Eratko!
46:14Sekio!
46:14Eratko!
46:18Ehe!