- 5 hours ago
Bridgerton - Episode 3
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00:27¡Suscríbete al canal!
00:56¡Suscríbete al canal!
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06:15I am partial to the country, but there are certainly advantages to both.
06:22Where do you see yourself settling?
06:25Another excellent question.
06:30You look bewitching tonight, Miss Bridgeton.
06:32Well, I do hope you are not too spellbound to chat, Lord Hardy.
06:35Did you know I purchased my first land when I left Oxford?
06:38I've acquired two more since.
06:40I keep that at my ancestral home.
06:41My ancestral home is really quite large.
06:44Much larger than most others in the area.
06:49Fascinating.
06:53My family and I are exceptionally close.
06:56How wonderful, Lord Tompkins.
06:59I'm quite the same with my own.
07:01After I marry, in fact, my mother will reside with me and my new bride.
07:06And does your father have anything to say about that?
07:09I should think so.
07:10It was his idea.
07:18Not much of a pair.
07:19I should think not.
07:20She and the Duke are a love man.
07:22Nonetheless, you must remind the Duke to actually propose.
07:27I would not worry, Lady Bridgeton.
07:30Look at them.
07:31They are clearly attached.
07:33And how did you find our eligible bachelors?
07:35I must confess, I felt more chemistry when being fitted at the Modiste.
07:45The prince is from Prussia.
07:47I don't dare say that I just caught his eye.
07:49What?
07:50Love, Russia.
07:51I can swim.
07:53They do not even know him.
07:54They do not need to know him.
07:55Besides the fact he is a prince.
07:57Surely you cannot be surprised.
07:58You know how this works, Daphne.
08:00Was it not you who wrote the book on the very subject?
08:05Oh, watch as Miss Cal below as her eyes.
08:08Oh, so demure.
08:10Now she will look up at him ever so quickly, and then allow her hand to slowly sweep across
08:16the bosom, before casting her eyes back upon the ground.
08:19For one is much too timid to ever meet his royal highness's piercing gaze, of course.
08:25Oh, now he will kiss her hand.
08:28Forever charmed by her submission.
08:30Precisely.
08:32Should I ever need assistance drafting an addendum to my book, I should know who to ask.
08:38I do believe he just told Miss Calper that her gown is exquisite.
08:41Oh, do you think so?
08:43He is here to tell everybody the very same thing.
08:49Prince Friedrich, this is the young lady I was telling you about.
08:53The season's diamond.
08:57So lovely to meet you, Miss Bridgerton.
08:59Your gown, it is exquisite.
09:08My apologies.
09:10No apology necessary?
09:13Perhaps a small one.
09:18That was entirely your fault.
09:20How does one manage to make such a terribly unbecoming sound while laughing?
09:25Well, now you were just making it look easy.
09:30Miss Bridgerton, might I have this box?
09:43Bonsoir.
09:43Thank you.
09:56Hello?
09:58The shop has closed.
10:05Daddy Elsie, you're scared by my wits.
10:08What?
10:08I use the back entrance as you ask.
10:10Heaven forbid someone discover you consort with the most notorious opera singer in all of London.
10:15You are but third on that list.
10:18I know you are always welcome here.
10:21I know you are used to finer comforts, but stay as long as you need.
10:25You are a dear friend's bus.
10:26I shall find an arrangement with another gentleman soon enough.
10:29Hopefully someone lesser than us than your last.
10:32I know, we will not think of him.
10:35This is beautiful work.
10:36For Lady Cowper's girl.
10:38Not that it will help her get an offer.
10:40Not even my finest silks will compensate for that sneer.
10:45I could make you something out of the same fabric.
10:48Perhaps for your performance next month.
10:49I should think it an odd choice of colour for me.
10:53I am no innocent debutante.
10:56And more is your good fortune.
10:59Would you prefer to sit around simpering over your needlework or whatsoever it is these debutantes must do to pass
11:05the time?
11:07You and I make our own way in the world.
11:09That we do.
11:11Which is why I shall find myself a wealthy, sensible gentleman to keep me in high fashion.
11:16One who will never break his word.
11:18Or prevent you from running up vast accounts of your beloved Moody.
11:22Or run home every time his mother or sisters have need.
11:25And where might you find such a paragon of dishonour?
11:31Come on.
11:34Indeed, I am inclined to investigate the provenance of such a lucky day.
11:39They did not land the same way when you were casting Featherington.
11:41Perhaps a common element is you, after all.
11:43How do you best show some restraint?
11:45Restraint, I fear, is not among Lord Featherington's skills.
11:47I don't know there's gambling.
11:51You seem to have done it, Bridgerton.
11:53Done what?
11:55Proved you remain capable of laughing again in my presence.
11:57You cannot fault me for being doubtful of your intentions.
12:00Indeed I can.
12:01For all the mischief you have witnessed me make, you ought also to have known I would never make a
12:04fool of a lady.
12:05And certainly not one such as your sister.
12:07You confound me.
12:08You are respectful.
12:09And yet I know you have no intention of marriage.
12:11Has that changed?
12:12I cannot claim so.
12:13Then whatever could your intentions be?
12:15Respectful.
12:15Don't believe it there.
12:16I don't know.
12:42You look exceedingly familiar to me, my lord.
12:46Or is it your grace?
12:49I'm afraid it is.
12:50Might I have seen you at the opera?
12:52I perform there.
12:53Do you?
12:54No.
12:55I've often wondered what plays in one's mind when an aria is performed.
12:59Sometimes I think on the meaning of the words I sing.
13:01At other times I think of all the tasks I have failed to accomplish during my day.
13:05And sometimes I ponder my plans for after my performance.
13:11Might I entice you to take in one of my performances sometime soon?
13:16Perhaps tomorrow night?
13:17Might I entice you to take in one of my performances?
13:42Come on.
13:46Sister!
13:48What are you doing?
13:50I could not sleep.
13:52I thought a bit of warm milk might help matters.
13:55Should I ring for a servant?
13:56No.
13:57No, do not wake them.
14:00Would you like to join me?
14:08We should light it.
14:09Excellent idea.
14:12Bueno, por favor.
14:14Me?
14:16Bueno, debería no saber cómo hacerlo.
14:18¿Crees que yo debería?
14:25¿Coldo milk, entonces?
14:27Lo más refrescante, según la heat.
14:34¿Puedo preguntarte una pregunta, hermano?
14:37Así que no tiene nada que ver con el interno de esa cosa.
14:42Es sobre el duque.
14:46¿Qué es sobre el duque?
14:48¿Sabes por qué?
14:48¿Sabes por qué?
14:51¡Daff!
14:52He es tu amigo.
14:54¿Surely usted debe saber cosas?
14:56Pero las cosas que yo sé no son para tus ears.
15:03¿Cómo es lo que sea que me piensas a pensar sobre estas cosas?
15:08No.
15:12No.
15:13No.
15:14No.
15:22No.
15:34No.
15:36No.
15:42No.
15:46No.
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17:20No.
17:21No.
17:24No.
17:24Fine, Fraulein.
17:26¿Puedo ser la razón por que una lengua tutora ha estado visto visitando la casa de Kauper toda la semana?
17:32¡Curries!
17:49Miss Anna Vaughan speaks several languages, I hear.
17:56Miss Mary Egglesfield, now, she's meant to be quite the read.
17:58Were I looking for a list of debutantes and their dubious accomplishments, I could have stayed home and read Lady
18:03Whistledale.
18:05No, no, no.
18:07Colin.
18:10You're quite dull, I do not agree.
18:12It is terribly familiar, yet I am sure this is the first time I've seen it.
18:15That is because, like all of these paintings, it was done by a man who sees a woman as nothing
18:19other than a decorative object.
18:20They're like...
18:21Human vases.
18:26I think my mamma is calling me.
18:28She's busy with Miss Thompson.
18:30But I will return shortly, wait here.
18:32It's actually in us.
18:33Lord Middlethorpe, you simply must meet Miss Marina Thompson, a distant cousin of my husband's.
18:40Miss Thompson, the pleasure is mine.
18:43Entirely.
18:43Marina.
18:44Penelope, allow us to view some of the paintings over here.
18:47Oh, I just had a brief question to ask Marina.
18:49No, now is not the time, Penelope.
18:51I believe now to be the perfect time.
18:52Miss Thompson.
18:53I certainly was not addressing you.
18:58I do not believe that I have ever met such a lovely girl with such an ugly countenance.
19:07You are a meddlesome little witch, and you clearly do not understand the gravity of your situation.
19:12That will need to change.
19:23It's much too cold.
19:26Where's any sense of the subject's spirit?
19:29And the light?
19:30Given the quality, I do wonder why the piece was not skied with the other daubs.
19:35Perhaps we should ask the artist.
19:37Well, that would be something, Lady Danbury.
19:39Mr. Granville, why was your piece not skied?
19:44Mr. Granville, I...
19:45If you will excuse me, I must buy my wife.
19:49You.
19:50A diabolical...
19:51How could you let me rattle on like that?
19:52How could I not, my dear Mr. Bridgerton?
19:55It was riotously funny, you must admit.
20:12Miss Bridgerton.
20:15Your Highness.
20:16I was hoping to see you today.
20:18Were you?
20:19Yes.
20:20It seems the art is not the only beautiful thing on display at present.
20:24Are you enjoying your time here in London?
20:26It has always been one of my favorite cities.
20:28How lovely to hear from someone who has traveled so widely.
20:32Have you traveled much?
20:33I think you would love the music of Vienna.
20:39Miss Bridgerton?
20:42You should make your rounds, Your Highness.
20:45I believe there is a gaggle of young ladies waiting for your favor.
20:49Delightful to see you.
20:54Thank you.
21:03What are you doing hiding away in here?
21:06Enjoying some culture.
21:09You are receiving glowing reviews from Whistledown.
21:13Did you see?
21:14I did.
21:15I ought to take to the stage.
21:18Is it awful that I'm enjoying it?
21:21My wild jealousy.
21:23Fooling Lady Whistledown.
21:25She knows everything about everyone, even the Queen.
21:28And yet we have her utterly convinced that we are mad for each other.
21:32We are awfully clever.
21:34Indeed we are.
21:37Excessive pride suits you, Miss Bridgerton.
21:40Pride is a sin, Your Grace.
21:42None of the lesser sins, but do not worry.
21:45It must all start somewhere.
21:47You are not half as shocking as you think you are.
21:53No.
21:55This one is yours too.
21:56You sound surprised.
21:58I suppose I am.
22:00It's not at all like the others you donated, is it?
22:04It is not.
22:07The others are.
22:09Well, they were to my father's tastes.
22:12If Lady Danbury's free believed this one was a favorite of my mother's.
22:17I have never understood why.
22:23It is very beautiful.
22:29It reminds me of waking up in the country.
22:35First thing in the morning, when I'm all alone, I have not yet spoken to a soul.
22:43I look outside the window and it is serene.
22:50It's if I could be the only person left in the world and yet somehow I am not lonely.
22:57I am comforted.
22:59I am comforted and at peace.
23:01The others are certainly very grand and impressive, but this one...
23:06But this one is intimate.
23:10We are also OTAN陳jack I wants to remember reading,
23:11But a lot of times I have to do whatever.
23:15So,
23:17I think being her breath in the book did not feel well.
23:17And I am the victor,
23:19But this is complete in� Bush with the family.
23:29I am so grateful.
23:32I am the lans India here.
23:35Her always hopes and that we depart with it.
23:35This is the moment.
24:09¡Gracias!
24:44I shall be locking up now, Miss.
24:47Are you sure there are no gentlemen lingering about the gallery?
24:53These days, the modern young lady must display a miscellany of talents in her quest for a suitor.
24:59She must be a witty conversationalist, an accomplished musician, and an expert in the art of the swoon.
25:09For managing to faint with nary a petticoat out of place is a most coveted talent indeed.
25:15Of course, not everyone has fallen victim to the royal fever sweeping through London town.
25:22One diamond, in particular, seems quite immune.
25:25Making this author wonder if the crown has lost its luster.
25:30I know what this insolent woman insinuates, and I shall certainly not make allowances for it.
25:35Does she mean the king?
25:37Well, must do they keep him anyway.
25:41The Bridgerton girl is the incomparable of the season.
25:46Which means there is no more suitable a match for you on English shores.
25:51Miss Bridgerton is a delightful young lady, to be sure.
25:54But if this gossip sheet is correct, then her heart is already spoken for.
25:57Her heart is no matter, as long as her hand remains free.
26:02You are a prince.
26:06Charm her.
26:32Oh, enough, I beg of you.
26:36Well, perhaps you should join me.
26:39Are you in need to be proficient on the piano forte soon enough?
26:43Could use the practice, I'm sure.
26:45On second thought, continue.
26:46You will frighten away the duke, the prince, and any other eligible suitor clear across the North Sea.
26:50And you would wish that upon me, would you, sister?
26:53If you kept Mama's attentions focused on you instead of me, I might.
26:59You can take your reading outside.
27:01You say that as if reading were a bad thing.
27:03I meant no such thing.
27:04But it will not gain me a husband. Is that what you meant, then?
27:06Ah, Louise.
27:07You wish to follow your heart, and I wish to nurture my mind.
27:11Let us leave it there.
27:12Can you at least try to understand?
27:15You never see things from my perspective.
27:17You are not the only one with troubles, Eloise.
27:19You have no idea what it...
27:24It does not matter.
27:31Is it an original?
27:33What?
27:34A song.
27:35Did you compose it yourself?
27:37In a manner of speaking?
27:39What is the name of it?
27:40It does not have a name.
27:41Every song has a name.
27:41It is just a song, Eloise.
27:47If you need to practice, then do so.
27:48Just come up with a name for it, at least.
28:37Why have you brought me here?
28:38Because I wanted you to see your future firsthand, should you refuse to follow my instructions.
28:45Heed me.
28:47This is what your life will be if you do not agree to be married.
28:50You must have me mistaken for one of your soft-handed daughters, ma'am.
28:54It's terribly presumptuous of you to think that a visit to this neighbourhood full of good, hard-working people,
28:59who happen to be less fortunate than yourself, would ever sway me to change my mind.
29:03Look at the children, then.
29:04Look.
29:05Go on.
29:05What, my dear, might you have to say about them?
29:10I believe it is you who should heed me.
29:12I will not stand silently by while you cut a sham with this miserable prospect you've cooked up in your
29:17head.
29:17I have a man who loves me.
29:19Oh, is that so?
29:20Well, where is he, then?
29:22Why is he not here, tending to you?
29:24Because he's fighting in Spain for king and country.
29:26Is he aware of your condition?
29:27She is.
29:28I have written to him beautiful love letters.
29:30And has he written back to you, ever since informing him?
29:34Sweet child, many men make declarations of love when they want to make love.
29:40But rare is the man whose love remains true when the consequences of lovemaking are brought to his attention.
30:02So, Miss Cowper has finally found her match.
30:06A highly unlikely pairing, if I may see so.
30:09I say good for the young lady.
30:11Perhaps it will keep that horrid mother of hers off her back.
30:23And so, Anthony Bridgeton, serious man that he is, let a farm animal into your dormitory.
30:32Why ever would you put up with such pranks?
30:34He was my friend.
30:35Who do you think ended up helping your brother get the animal back out?
30:37Of course it was you.
30:39My mother told me something curious the other day.
30:43That one should marry one serious friend.
30:45Are you suggesting I marry your brother?
30:48No.
30:49But I do wonder, is that truly what marriage is all about, then?
30:53Friendship.
30:54Well, I imagine it's a good start.
30:56Though most marriages I gather are more like battlefields.
30:58Even if it is a battlefield, there must be other things that hold the troop together.
31:03My word.
31:04Mother thought you were trying to organize a militia.
31:07Ah.
31:07Now there is a fine group of recruits.
31:21What I mean is, there are other things, physical, or perhaps intangible,
31:31that bring a couple together.
31:33Well, yes, of course there is more to a marriage.
31:37Physical and intangible.
31:38Both.
31:39Both.
31:40But how can something be both physical and intangible when they are indeed quite the opposite?
31:48You are beastly.
31:50Never mind.
31:51No.
31:51No, I'm not laughing at you.
31:53I'm laughing at the absurdity of how little mothers tell their daughters.
31:56You tell us nothing.
31:57Well, I certainly cannot tell you.
31:59Why not?
32:00Because it is not my place.
32:03In any real courtship, yes.
32:05It would be scandalous for her suitor to discuss such things with a lady.
32:10But you are not a real suitor, are you?
32:13And besides, no one else will tell me anything.
32:16So how am I ever to find a proper husband if I do not even know what I am to
32:20be searching for?
32:20You will know when you know.
32:22What does that even mean?
32:23I cannot tell you.
32:24I thought we were friends.
32:25Daphne.
32:26Simon.
32:27Tell me.
32:29Tell me.
32:30All right, all right.
32:32What happens between a husband and a wife?
32:36Well, it is a natural continuation of what happens at night.
32:41At night?
32:42What happens at night?
32:44When you are alone.
32:46When I am sleeping.
32:48Not when you are sleeping.
32:53When you touch yourself.
32:58You do touch yourself.
33:06When you are alone.
33:09You can touch yourself.
33:12Anywhere in your body.
33:14Anywhere that gives you pleasure.
33:16But especially.
33:18Between your legs.
33:21And when you find a feeling you particularly enjoy.
33:25You can carry on with that.
33:28Until the feeling grows.
33:29And eventually you will reach.
33:34A pinnacle.
33:36A release.
33:45And that should help you.
33:49Come.
33:55I demand to know.
33:58There's always time you were spending with Miss Bridgerton bleeding anywhere.
34:02Could it not merely be time well spent?
34:06A prolonged courtship is one thing.
34:08But now it is very clear to anyone with eyes that Daphne Bridgerton has caught the attention of Prince Friedrich.
34:15If you have designs upon the girl and wish to marry her, then Friedrich can disappear for all I care
34:21and become a delicious dinner party anecdote.
34:23But if you are merely dallying with her, and if she loses her chance of such an extraordinary match, simply
34:31because she is too wrapped up in your charms, well then, she would be a fool.
34:38And I would never forgive you your carelessness.
34:42Miss Bridgerton is far from a fool.
34:43Then you are just being cruel.
34:46And we both know I taught you better than that.
34:59Come on.
35:01Come on.
35:19I found bits of your sketchbook in the fireplace.
35:21Are you spying on me now?
35:22You would actually have to be interesting for me to bother spying on you.
35:26The drawings in that sketchbook were abominable.
35:28I could not stand to look at them.
35:29Yes, I believe that is why they call it a sketchbook.
35:32I write in my diary, which is not the same as writing in my novel.
35:38It must be so very difficult to want something and not be able to get it.
35:41If you enjoy drawing but need practice, then practice.
35:44Hire a drawing master.
35:46Find a young lady to act impressed.
35:48If you desire the sun and the moon, all you have to do is go out and shoot at the
35:52sky.
35:52Some of us cannot.
35:55Look no further than Lady Whistledown.
35:57She possesses a huge talent for writing in, yet she must hide away and publish under a false name.
36:02Yes, because if anyone knew who Whistledown truly was, she'd be strung up for what she said.
36:06That is not my point.
36:07Whistledown is a woman.
36:09Therefore, she has nothing.
36:11And still, she writes.
36:13You're a man, therefore you have everything.
36:15You are able to do whatever you want.
36:16And so do it.
36:18Be bold.
36:21At least that way I can live vicariously through you.
36:26Louise.
36:29Are you Lady Whistledown?
36:32You're an accomplished writer.
36:34We're scribbling in that diary of yours, and you certainly know everyone else's business.
36:38More opinions than anyone else I know in London.
36:41You'd have my full support and admiration either way, sister.
36:44So?
36:45Is it you?
36:47No.
36:49Though if it were, do you honestly think that I'd admit it?
37:12Do you think that I'd admit it?
37:26Do you think that I'd admit it?
37:26Do you think that I'd admit it?
37:27Do you think that I'd admit it?
37:27Do you think that I'd admit it?
37:28Do you think that I'd admit it?
37:28Do you think that I'd admit it?
37:29Do you think that I'd admit it?
37:29Do you think that I'd admit it?
37:29Do you think that I'd admit it?
37:30Do you think that I'd admit it?
37:30Do you think that I'd admit it?
37:31Do you think that I'd admit it?
37:32Do you think that I'd admit it?
37:32Do you think that I'd admit it?
38:07¡Suscríbete al canal!
38:11¡Suscríbete al canal!
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43:23¡Suscríbete al canal!
43:25¡Suscríbete al canal!
43:28¡Suscríbete al canal!
43:31¡Suscríbete al canal!
43:33¡Suscríbete al canal!
43:37¡Suscríbete al canal!
43:39¡Suscríbete al canal!
43:40¡Suscríbete al canal!
43:41¡Suscríbete al canal!
43:41¡Suscríbete al canal!
43:42¡Suscríbete al canal!
43:44¡Suscríbete al canal!
43:45¡Suscríbete al canal!
43:48¡Suscríbete al canal!
43:50como una fúl creí en mí.
43:56No puedo ser tu fúl de nuevo.
44:15El posto es vivo.
44:40打en a la luna.
44:41¡Gracias!
44:41¡A ver!
44:42¡A ver!
44:43¡A ver!
44:43¡Gracias por ver!
44:44¡Gracias por ver!
44:45¡Gracias por ver!
44:45¡Def autos!
44:49¡Vamos!
44:49¡Le SQL que es73zado.
44:51Bueno, ¿qué haces?
44:57Bueno?
45:06¿Qué haces? ¿Marena? ¿Has he sido perdido?
45:10He pretends que no hay nada entre nosotros.
45:14¿Cómo lo que?
45:15He says he desires nothing more to do with me or our...
45:25my situation.
45:28That he had no part in it.
45:49It would seem our efforts were not in vain.
46:00I believe...
46:00Oh, it is quite exact, ma'am.
46:04Well, make certain you place the letters just the way we found them beneath Miss Thompson's pillow.
46:10What do we do when a soldier arrives home, ma'am?
46:12If he should return, I can say with certainty, he will not be coming to collect her.
46:20She was going to learn the truth about men one way or another, Farley.
46:23We have done what is right and what is best, and now she is protected.
46:28Now, draw my archies lower, otherwise I'll have a look of constant astonishment on my face all day.
46:34Go on, sorry.
46:42Look, I'll have a look.
46:47Beautiful, dearest.
46:50Ah, Lady Bridgerton.
46:53Dedicub.
46:54Hmm.
46:57I must say
46:59It is a good thing
47:00Daphne is so taken by the Duke
47:04Uh
47:05Well thank you
47:06Cresta would never have a hope with the prince
47:08If your Daphne went for him
47:10We all know my darling might have the fortune
47:13But it is your Daphne
47:15Who has the face
47:36You can put that dress away Rose
47:37Are we not attending the ball this evening
47:39Here we are
47:40But I shall wear the white and silver instead
47:42And my hair will you do it just the way you like
47:44With the circulate of jewels and flowers
47:46Of course you look perfect
47:48Good
47:49That is what they want
48:05Will you be joining us at tonight's ball Anthony
48:08I have accepted the invitation
48:10Perhaps you might cast your eye over this list
48:12Before the event event
48:13What is this?
48:14These are names
48:16Fourteen to be exact
48:18Fourteen single eligible young ladies
48:21All from excellent families
48:22Lady Leeworth's eldest mistress
48:24I shall consider your suggestions
48:26Thank you
48:33Was there something else?
48:35What time do you have?
48:38What?
48:39The time
48:41You were just checking your father's old watch
48:44When I caught you
48:44Yes
48:46Tis a lovely heirloom
48:49It is quarter to mother
48:51It's quite late indeed
48:54At any rate
48:54Do let me know
48:55Who I should introduce you to
48:56My dear
48:58Time
48:59As we both know
49:00Is certainly of the essence
49:27Princess and Costa
49:30It rules right of the time
49:31Does it not?
49:43Miss Thompson
49:44How lovely to see you back with us
49:46Might I have your next dance?
49:48I'd be delighted
49:49My lord
49:58You have been rather reserved
50:00All evening
50:00Your grace
50:01I've decided to leave England
50:02Earlier than expected
50:05Apologies
50:05Lady Danbury
50:06But I believe
50:07It's time for me to go
50:10You fool
50:17Are you feeling all right, Terrace?
50:20Exceptionally
51:06I'll see you next time
51:36¡Gracias por ver el video!
51:48Gracias por ver el video.
52:16Gracias por ver el video.
52:38Gracias por ver el video.
52:47Gracias por ver el video.
52:58Gracias por ver el video.
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