- 3 hours ago
56 يوما - Episode 5
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00:10¡Suscríbete al canal!
00:29Did. Sounds like something pretty bad.
00:32I hope he never finds you.
00:33Police department, Jane Miller.
00:35Why does this place look so familiar?
00:37Who owns this apartment?
00:38Same company who owns Oliver Kennedy's apartment.
00:40Elliot Burhane.
00:41Elliot does more for me than I deserve.
00:43Don't forget who he really is.
00:44That family can't make you complicit in their cover-up.
00:47Just stay out of it.
00:48Mr. Burhane's wife recently passed in an accident.
00:51We are sure it was an accident.
00:52What are you trying to say?
00:53I want you to try these and get your anxiety under better control.
00:56Dan, he knows me.
00:57You pay him to know you.
00:59I'm right here, and you won't let me.
01:01You know, the whole point of trust is taking a risk
01:04and saying the things that you don't want to say.
01:07It's telling you to keep it locked up inside.
01:48How did you sleep?
01:51Not as good as you did, I think.
01:54Yeah.
01:55What did you dream about? Do you remember?
01:58Uh, no.
02:00You.
02:01Oh, really?
02:03No.
02:04I don't remember.
02:06I don't remember.
02:10I don't remember.
02:30No, no, no.
03:17I was wondering where that was.
03:19I stole it from your drug drawer and I was saving it for a very special occasion, but I thought
03:24today, I don't know, St. Patrick's Day, Boston, it qualifies.
03:32Organic panic, psychedelic chocolate will melt your mind.
03:37One square relaxation, two disinhibition, three introspection, four revelation.
03:49I don't know, I feel like we should be trying for revelation.
03:52Have you ever done it before, psilocybin?
03:56Oh, um, a couple of times.
04:00I don't know, I feel like it's good for opening the mind a little bit and, uh, loosening up some
04:07boundaries.
04:09Come on, we can be psychonauts together.
04:14We'll launch into the deep space of our brain and see what we find.
04:19Um, I usually microdose.
04:21Yeah, but, I mean, if we're gonna do it, we should really do it.
04:25Right?
04:27Go on.
04:29Don't you wanna revelate with me?
04:31That's not a word.
04:36Fuck it.
04:37Fine.
04:40Cheers.
04:42Cheers.
04:52Where are you, Jane Miller?
04:56Why don't you ask Elliot Burhain?
04:58He was her landlord.
05:00Oh, because Elliot Burhain isn't speaking to the police.
05:06Hey, maybe I could be like a middleman.
05:07You know, just smooth things over.
05:09We'll call you if we need you.
05:11Get him outta here.
05:13See you later, ma'am.
05:13Okay.
05:14Alright, alright, I gotcha.
05:15But look, if you need anything, you know where to find him?
05:18Yes, sir, we do.
05:21You know, he's right.
05:22We would be further ahead if we hadn't lost Burhain as a witness.
05:24We don't need him to tell us that she didn't move out.
05:27All her shit's still here.
05:29What we need to do, maybe we should call CSR and get the text in here before we romp and
05:34tromp all over the place.
05:36This could be a secondary scene.
05:37Could be primary.
05:40He could've killed her here, brought her back to his place to melt her down.
05:44What?
05:46That theory has some issues.
05:50You have issues.
05:51We're issues.
06:20We're issues.
06:37¡Gracias!
06:52I'm going to be honest, I have to tell you something.
06:54I think I feel a revelation coming on.
06:55Now, what do you have to reveal?
06:58Um...
07:01Yeah, it's good. I've seen it, though. I've seen it before.
07:03Yeah, but they haven't seen it. It's going to spread the wealth.
07:22Don't show up.
07:23Oh, my God.
07:30Oh, my God.
07:32Oh, my God.
07:35Oh, my God.
07:38Oh, my God.
07:38I have some big names.
07:39Check those out.
07:40Oh, my God.
07:41Oh, my God.
07:42Oh, my God.
08:12¡Gracias!
08:16¡Gracias!
08:23¡Fuera, pa!
08:27¡Gracias!
08:33¡Gracias!
08:33¡Oh, my God! ¡¡You so pretty!
08:36¡Gracias!
08:45Everybody wants to be so bad right now.
08:48Yeah, I'm a very lucky man.
08:49Yeah, I know. They're all really jealous.
08:57Okay, okay, okay.
08:59All right. Let's go here.
09:05We made so many friends.
09:12Morning.
09:13You ready?
09:14It'll start soon, but I gotta stop and get those eye drops.
09:17Who's driving?
09:18Liz is picking us up.
09:23What if your dad is there with what's-her-face?
09:26He hasn't been there in years.
09:27Why do you show up now?
09:29Just to piss me off?
09:32Look, fuck him, okay?
09:35We don't care.
09:38Well, all right, I'm gonna change.
09:40His skirt looks cheap, and it wasn't.
09:42You look fine, Ma.
09:45I love you.
09:54Holy fucking shit.
10:01Look at this, what ugly thing.
10:03Looks like a lady.
10:07Carl, come in here.
10:08I'm just getting started out here.
10:09No, I mean it. You really want to see this.
10:11Okay, I will.
10:22Can I help you?
10:25Look who's not dead.
10:28I'm a freelance reporter.
10:31I'm working on a story about Oliver St. Ledger
10:33and the context of his extended family.
10:36Yeah, so what was the angle here?
10:37Killer rich kid, pays his way out of justice,
10:40where is he now, sort of thing?
10:42Something like that, yes.
10:43In 16 years, Oliver's never spoken to the press.
10:47It's giving him a chance to speak for himself.
10:49Yeah.
10:50Now, I saw your car in the garage,
10:52so I'm gonna assume that interview didn't go too well.
10:56He's a psychopath.
10:59Still waiting for a windshield, so...
11:01No, I never got my interview.
11:03Why did you think that the best way to get the interview
11:05was to drop off an anonymous letter?
11:09I dropped two anonymous letters, actually.
11:11Oh, even better.
11:12There was no way he'd say yes to an interview,
11:15but if he felt like the grace period of his anonymity
11:18was coming to an end,
11:19he might be more susceptible to my suggestion
11:22that he control the narrative himself.
11:24See, I call that poking the bear.
11:26Pretty unorthodox.
11:28Did you go to journalism school, Ms. Miller?
11:29I don't know which one of you I find more offensive.
11:32Yes.
11:33Yes, I got my master's at BU.
11:35Is that where you learned to employ paranoia
11:37as a professional strategist?
11:38It's not paranoia.
11:39It's allowing the subject to speak their truth.
11:41And how'd that work out for you and that Fiat?
11:44Better my windshield than my face.
11:45Oh, yeah, but you do have a point.
11:47You ever meet his girlfriend?
11:49Yeah.
11:50A couple times.
11:52Her name was Ciara.
11:54Ciara.
11:55I don't know.
11:56She didn't say.
11:58She's very pretty.
12:01Dark hair.
12:03Strangest eyes.
12:04It's like she sees through you.
12:07Which is ironic,
12:08considering their whole relationship was a lie.
12:11She's a con artist.
12:15Why would you say that?
12:16She was after him for his money.
12:19I don't blame her.
12:20Why else would you date him?
12:21I don't know.
12:22Maybe she...
12:24found him attractive.
12:27Intelligent, funny, good sex.
12:29I don't know why people date each other.
12:31Regardless,
12:32she knew who he was,
12:34and she stayed with him.
12:37But he didn't know she knew.
12:40It's like they were living in this warped,
12:43double lie.
12:45A fugitive.
12:47A con artist.
12:49Obsessed with each other.
12:52I'm not sure which one of them was more demented.
12:57I don't know.
12:58I gotta take this.
13:00Hold that thought, please.
13:04Connelly.
13:05See the news?
13:06Yeah, I'm sitting there at home on my ass,
13:08watching TV like you told me to.
13:09They are really out to get us today.
13:11I don't want to waste your time,
13:12but Linus Finch.
13:14Get a chance to talk to Lee?
13:16Yeah.
13:17Yeah, yeah.
13:18She explained it all to me.
13:20Remember that case a couple months back?
13:23Albanian kid?
13:2550-gallon drum and a shitty alibi?
13:27I remember the shitty alibi.
13:29Well, it turns out,
13:31Finch was a witness,
13:33and he agreed to talk,
13:34but he didn't want to come in,
13:35so I should have meet him at the zoo.
13:39That's all you got from her?
13:41What else you want?
13:42It's thought to be a better story.
13:44But if that's it, I'll take it.
13:46By the way,
13:48this ought to make you happy.
13:50That claptrap who got her hands on your weapon
13:52has 36 unpaid parking tickets
13:53and skipped jury duty,
13:55so we put out a warrant.
14:02Did I lose you?
14:04Uh, no, Sergeant.
14:07I'm still here.
14:10Do you think there's a world where Oliver
14:12found out Ciara knew his secret?
14:15And he killed her for it?
14:17Yeah.
14:18I do.
14:20He's clearly invested in his lies.
14:23And you know about his boss's wife.
14:28Um...
14:29Allison Meadows.
14:30I know she died a few weeks ago.
14:31The Emmy ruled it an accident.
14:33It wasn't an accident.
14:35I'm pretty sure he killed her, too.
14:47Is this where we're going?
14:49Huh?
14:49Yeah, it could be.
14:50Uh, you want a drink?
14:51I could use a drink.
14:54I don't know if, like, a crowded bar full of fucking leprechauns
14:58is where I want to trip my balls off.
14:59You know what I mean?
14:59Yeah.
15:00You don't feel it yet?
15:01No.
15:02Yeah, I am feeling it.
15:04Uh, okay, so what else is fun?
15:06We could, uh, stand on the edge of the Grand Canyon, maybe?
15:09Or we could look at each other in the mirror?
15:12Or we could stare directly into the sun?
15:16I feel like these are bad ideas.
15:18Hey!
15:20Look who's here!
15:22Fuck.
15:22Fuck.
15:23Hey, Elliot!
15:25Boy, am I the last idiot you expected to see here?
15:27Huh?
15:28Uh, yeah.
15:29No, uh, sorry, no.
15:31Uh, this is, uh, Ciara.
15:32You know Ciara.
15:33Ciara was.
15:33Hi, Elliot.
15:34I love your little hat.
15:36Oh, thank you.
15:37Hey, you want to grab a drink?
15:39No, no, no, no.
15:40I think, I think it's too crowded.
15:41Oh, no, no, come on.
15:42Come on, just one.
15:43You've got a table.
15:44Huh?
15:44You can be wallflowers later.
15:46Fuck.
15:47I'm so sorry.
15:55I think it's starting to kick in a little bit too hard.
15:57Yeah, mine too.
15:59If it makes you feel any better, I think your boss has definitely had a few.
16:01Hey, honey, look who I ran into.
16:03Huh?
16:07Hi.
16:08Hi, Allison.
16:09Hi.
16:10This is our friend Jane, and, uh, this is Ciara.
16:16Hi.
16:17It's so nice to meet you.
16:19You too.
16:20Uh, Elliot's told me so much about you.
16:23Ciara, did you say?
16:24Yeah, exactly.
16:26You look familiar.
16:28That's so funny, because I was just about to say that you look familiar.
16:31I think I've seen you where I'm staying.
16:34At the crossings.
16:36You're staying at the crossings.
16:38Yeah, just temporarily.
16:39I'm here for work, and Elliot was kind enough to let me squat in one of the unit scenes.
16:44Oliver's in the other one.
16:47So, uh, how do you guys all know each other?
16:49We met after this big forgery scandal at the museum a few years ago.
16:55She saved our acquisition staff from buying a fake Basquiat.
17:00Ah.
17:01That's good.
17:02So you, uh, you work at the museum?
17:06She's a reporter.
17:09Hey, uh, Ollie, uh, go get us another picture, would you?
17:14Elliot, honey, you're not the boss here.
17:16Go help him.
17:18No, that's okay.
17:18That's okay.
17:19I think, uh, I think we're gonna go, right?
17:21Okay, just have a one drink.
17:25Uh, Wyatt, will you just grab me whatever you think?
17:29Yeah.
17:31Thank you.
17:43Are you okay?
17:46Yeah.
17:47Why do you ask?
17:48Your boyfriend isn't who you think he is.
17:51Oliver Kennedy isn't his real name.
17:53He's dangerous.
17:54And I know this isn't the time or place to talk about it, but...
18:02He killed someone.
18:04I know.
18:07What?
18:08I...
18:10How can you be with him?
18:11I don't understand.
18:13No one's asking you to.
18:20All I was told was Jane needed a place to stay.
18:23She's, uh, researching a story.
18:25The story's me.
18:26Elliot, I'm the fucking story.
18:28Hey, hey, hey.
18:28Come on.
18:29No, she's stalking me?
18:30In my home?
18:31On the street?
18:32At the gym?
18:38Right now, she's talking to Ciara, and she's probably fucking talking about me.
18:43Fuck.
18:46Ollie, if you want to build a real relationship, you're gonna have to tell her sometimes.
18:54Yeah, well, I did that last time, and it didn't go so well.
18:58When Allison told me that he was here in Boston working for Elliot, I came to tell the story
19:03about the murder he committed in Narragansett.
19:05And the massive cover-up.
19:08His family is just as fucked up as he is.
19:11He's been evading responsibility for years.
19:14I'm trying to give him the chance to change that by telling his story in his own words,
19:19but he's not interested.
19:23Maybe you could tell him to talk to me.
19:26Are you trying to get her killed?
19:28You know, you're not the first girl to get caught up in this.
19:31No, he had a serious girlfriend in London, Lucy Hargrove.
19:35They dated for almost a year.
19:38I found her in Wales.
19:39Tried to get her to talk.
19:41She completely shut me down.
19:43Yeah, because she's terrified.
19:45Oliver told Elliot he was planning to propose,
19:49that he wanted her to know the truth.
19:51So, he told her everything.
19:54And she freaked out.
19:55She ran for her life.
19:57He was devastated.
19:59But what did he expect?
20:02He told her everything.
20:04About the murder.
20:05He killed his classmate at Bridgefield Prep.
20:10Paul Sparling.
20:13Why?
20:14What did he tell you?
20:28Stop looking over there.
20:30You look like you're losing them.
20:38Hey, come on.
20:39Listen to me.
20:41You look like you're losing them.
20:42I didn't know what was happening here.
20:44And I know Allison has treated you unfairly in the past, but I agree this costs a lot.
20:50I will talk to Jane myself and tell her to back off.
20:55And if she doesn't like it, she can leave.
21:00You know, the reason I asked you to come here to Boston is because I promised your father before he
21:06died that I'd always keep an eye on him, protect you.
21:13So, when I tell you, I got your back and mean it, I just want you to be happy.
21:28I'm sorry.
21:30It's okay.
21:31It's okay.
21:32Hey, it's all right.
21:33Elliot.
21:52What the fuck is this?
21:53What's it look like?
21:55A hundred grams can't be right, Meg.
21:57But it is.
21:59I promise.
22:00This is insane.
22:01The Narrow River Memorial Fund?
22:03Wait, you really think the St. Ledger's are just, you know, what, considered a contribution or something?
22:08This is like a drop in the bucket to him, Shiloh.
22:10He has so much money, he's not going to care.
22:12He's not even going to notice.
22:13He's been in hiding for so long.
22:15He goes by Oliver Kennedy now, and he has no life.
22:19What are you talking about?
22:20How do you even know that?
22:23Because I know him now.
22:25What do you mean, know him?
22:27Because I met him.
22:29Because I know him now.
22:31Okay?
22:32And by the way, he's not what you think.
22:36He's exactly what I think he is.
22:41I'm going to puke.
22:43Mom's going to die.
22:44Don't tell mom, dude.
22:45I'm going to tell mom, because I'm the one who got this money.
22:48You stole it.
22:50No.
22:50I earned it.
22:52Oh, yeah?
22:52By doing what, Meg?
22:54Are you fucking a killer?
22:56Yeah, I am.
22:59And I'm also living in the city, and I'm day drinking with people who went to college.
23:04Instead of working my ass off, but at fucking Denny's, or whatever it is you're doing now.
23:08I'm on my way to fucking church to pray that you go to hell.
23:28I should have known.
23:30The money.
23:33It all makes so much sense.
23:43I want you to get what you want.
23:47But I want me to get what I want to.
23:50I need a reputable source.
23:52On the record, Oliver himself would have been my preference.
23:57And that's not going to happen.
24:00But I'm more than willing to settle for you.
24:03I fell in love with the narrow river killer.
24:08I had no idea who he was, and when I found out, it was too late.
24:14He'll be famous.
24:16First my story, then the book.
24:19The podcast, then the movie.
24:23Everyone will love you.
24:26She's so beautiful.
24:28She's so strong for sharing her trauma.
24:33This is an opportunity for you to reinvent your life on your own terms.
24:39It's the best one you're ever going to get.
24:42But if that doesn't appeal to you, I will call the police.
24:45And you will go to prison for embezzling from the richest, most psychotic family in America.
24:56You're bad at your job.
25:00Okay.
25:02But your skin is nice.
25:06I try.
25:12Off the record, I fell in love with the narrow river killer.
25:20But he didn't tell me anything.
25:23Because I knew so much already.
25:26I knew every city.
25:27I knew every alias.
25:30I knew his social security number.
25:32I knew his mother's maiden name.
25:34And today, he's going to tell me what happened that day that Paul Sparling died.
25:43And what he does, I promise, I am never going to tell you.
25:53Who are you?
26:16Hey, I think it's time to call it.
26:18Now?
26:20Baby, I'm on a roll.
26:21We have to go.
26:22Please.
26:23Please.
26:25What's wrong?
26:26Stop, stop, stop.
26:28You told Jane Oliver was here, didn't you?
26:33You made this whole mess.
26:35She said she was in a career slope.
26:37She needed a story.
26:40Are you kidding me?
26:42How could you do this?
26:44The world deserves to know.
26:45And I don't care that he's your godson or how much you fucking loved.
26:53His fucking father.
26:55Okay, this was not your path, Mick.
26:58It wasn't yours either, okay?
27:01I've told you.
27:02I've told you and told you over and over how uncomfortable I am with this entitled asshole in our lives.
27:12And you never listened.
27:15And you never listened.
27:16You just dismissed my concern like I'm a child.
27:20You're not a child, which is why I expect you to find some nuance, some compassion here.
27:28He made a mistake.
27:29Oh, it wasn't a mistake, Elliot.
27:32I've made plenty of those.
27:33Okay, I cheated on my driver's test.
27:36I fucked my roommate's brother.
27:38But I have never killed anyone.
27:41And if I did, I wouldn't expect the pathetic BFF of my billionaire daddy to help me cover my tracks.
27:54You really are an ugly drunk.
28:18You really are an ugly drunk.
28:30What did that woman say to you?
28:36I think you know.
28:39I don't know, so please, you have to tell me.
28:46You want to go outside?
28:56Shit.
29:13He was staring at Alison the whole time, making her so uncomfortable, like he was on drugs.
29:18I think they both were.
29:21You know, he was fucked up when he killed that kid in high school, too.
29:23Yeah.
29:27Where's your partner?
29:29He's still on a call.
29:30Um, listen, I don't discount your concern over your friend's death, but my job is to investigate the incident that
29:37occurred here.
29:38Inspector Reardon, I need to speak to you for a minute.
29:41Wait right here.
29:45Hey.
29:56Is that Russo on the phone?
29:57Yeah, yeah.
29:58It's all good.
29:59Check this out.
30:00What the hell?
30:00Is she some kind of bank robber?
30:04Did she pull the alarm?
30:07She's the lobby goblin.
30:09She's like, look.
30:14This is the coat.
30:16Oh, hey.
30:17Did you see the stalker girl?
30:18Oh, I saw it.
30:20Look at this.
30:23This is the crime scene.
30:25Yeah.
30:25She took a picture of a dead body.
30:27What the fuck kind of shit is that?
30:30Explains why she didn't return my calls.
30:33She is telling a very morbid story here.
30:36Yes, she is.
30:37And people like that shit for some reason.
30:39Okay, we've got the false alarm, misprison of felony.
30:43Beanie.
30:44I'm calling it burglary.
30:46Burglary.
30:47I like burglary.
30:49Okay.
30:49This is big.
30:50I'm gonna tell CSR.
30:54You're right.
30:54People do like morbid stories.
30:56Yeah, I know.
30:57And it's like, it's my job, but I do not like that shit.
31:00Oh, yeah?
31:00Well, we can't all be porn addicts like you.
31:03Have you ever taken a picture of your titties and sent them to somebody?
31:06Once.
31:08On a...
31:10On a Xerox machine.
31:12This was before or after 9-11?
31:15On the day of.
31:16That's how I remember it.
31:19Huh.
31:20Huh.
31:23Hey, um...
31:26What did you say to Russo?
31:28Oh, I just told her that Linus Finch was one of our witnesses on that Albanian case last year.
31:33Okay.
31:38Thanks, I really didn't...
31:39Da-da-da-da.
31:40Huh?
31:43Right?
31:45God, I forgot all about the Albanian.
31:48That was a blip.
31:49Yeah.
31:50Pass me high, remember.
31:53Does it involve a copier?
31:56I don't wanna know.
31:57Hmm?
32:04The ground is moving.
32:05Can you feel...
32:05Can you feel it?
32:06Don't look at the ground.
32:08Why don't you look at me?
32:09I can't...
32:09I can't look...
32:10I can't talk to you.
32:12I can't tell you.
32:13I can't tell you.
32:13I can't tell you.
32:14Yes, you can.
32:14Yes, you can.
32:15You know why?
32:15Because...
32:16We need to get past this, okay?
32:18So...
32:19If...
32:19If you don't wanna go, maybe I go.
32:21I can go first.
32:22No, no.
32:22I don't want...
32:23I don't want...
32:24Because if you say something...
32:25I don't...
32:26Because if I tell you...
32:28If I tell you...
32:30Then...
32:32Then what?
32:32What'll happen if you tell me?
32:34What'll happen?
32:35Hey.
32:35You'll hate me.
32:36I'm not gonna hate you.
32:37You're gonna hate me.
32:38Oliver.
32:38Oliver.
32:39I'm not gonna hate you.
32:41I'm not gonna hate you.
32:45Yes, you will.
32:47You'll hate me and then you will leave.
32:49And I...
32:50I don't want that.
32:51And I...
32:51Whatever you have to say to me, don't say to me.
32:54Just...
32:54Just don't say it.
32:55And then we can just keep it...
32:56The same.
32:57As it is.
32:58I can't...
33:12Okay.
33:12Come here.
33:13Come here.
33:15Hey.
33:16Look at me.
33:17Okay?
33:19Breathe.
33:20Let's breathe, okay?
33:23Let's breathe, okay?
33:27Okay.
33:29It's okay.
33:30Stay with me.
33:32Okay.
33:36Okay.
33:55Can you hear me?
34:05Okay.
34:07Can you hear me?
34:15Okay.
34:18I can hear you.
34:19My name is Megan.
34:22And we did not meet on accident.
34:30I came here.
34:31To find you on purpose.
34:34To take what you owe me.
34:38And my family.
34:43Because I thought I knew what happened in that river.
34:46But I don't know.
34:47Maybe I don't.
34:50And I grew up believing that you were a monster and now I don't know that either.
34:57Maybe you're not.
34:58I don't know.
35:00I can't tell.
35:07But if you could've...
35:09If you could've just been honest with me.
35:14If we could've...
35:18Talked about it.
35:21I really...
35:22I really think...
35:24That I...
35:25Would've found a way to understand you.
35:28I really do.
35:32Because somewhere...
35:34This became really real for me.
35:37This is real for me.
35:41Ah.
35:47And I...
35:48I think I wanted to believe.
35:50I think...
35:52I wanted us...
35:54I wanted us...
35:56To work.
35:59Somehow.
36:00I don't know.
36:02I thought we could work.
36:04But now...
36:06I see.
36:07I know we can't.
36:09I know we can't.
36:15And that's really sad.
36:24Because...
36:26Because...
36:29I...
36:30I really...
36:33Could've loved you.
36:40I really wanted to love you.
36:50Too much!
37:11I was scared.
37:27¡Suscríbete al canal!
37:51¡Suscríbete al canal!
38:22¡Suscríbete al canal!
38:52¡Suscríbete al canal!
39:03¡Suscríbete al canal!
39:05¡Suscríbete al canal!
39:21¡Suscríbete al canal!
39:28¡Suscríbete al canal!
39:32¡Suscríbete al canal!
39:39¡Suscríbete al canal!
39:59¡Suscríbete al canal!
40:02¡Suscríbete al canal!
40:04¡Suscríbete al canal!
40:07¡Suscríbete al canal!
40:10¡Suscríbete al canal!
40:15¡Suscríbete al canal!
40:38¡Suscríbete al canal!
40:41¡Suscríbete al canal!
40:47¡Suscríbete al canal!
41:06¡Suscríbete al canal!
41:19¡Suscríbete al canal!
41:36¡Suscríbete al canal!
41:55¡Suscríbete al canal!
41:56¡Suscríbete al canal!
42:06¡Suscríbete al canal!
42:08¡Suscríbete al canal!
42:30¡Suscríbete al canal!
42:36¡Allison!
42:39¡Allison!
42:42¡Allison!
42:43¡Allison!
42:44¡Allison!
42:49¡Allison!
42:50¡Allison!
42:51¡Hey!
42:56¡Oh!
42:57¡Oh, shit!
42:58¡Oh, my God!
42:59¡Qué fuck!
43:00¡Geez!
43:01¡Oh, shit!
43:03¡Hey!
43:03¡Hey!
44:14¿Where do you want to go?
44:16Nowhere.
44:56¿What's the time frame that we can expect?
44:59The prelim will be in early next week.
45:01Oh, ah, no have a week, Doc, please.
45:04I've rarely seen this level of disarticulation.
45:06There's little I can do to rush the process.
45:07Okay, okay, okay, good, but please, what'd you see?
45:13Is there anything you can give me?
45:20Based on the partial skull master process,
45:23and comparison between second and fourth digits on the articulated hand,
45:26I can draw a fairly certain conclusion the victim is.
45:31Male.
45:55I'll tell you the truth.
46:08Female.
46:09Female.
46:10Female.
46:40¡Gracias!
47:10¡Gracias!
47:40¡Gracias!
47:48¡Gracias!
48:38¡Gracias!
49:08¡Gracias!
49:38¡Gracias!
50:05¡Gracias!
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